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BBNAN04000 Angol fonológia ea. / English Phonology lecture course (sávos) BBK 2016 1. Intro

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Page 1: BBNAN04000 Angol fonológia ea. / English Phonology …¡vosfonó-1... · • tongue position (tongue height + frontness/backness)

BBNAN04000 Angol fonológia ea. / English Phonology lecture course

(sávos)

BBK 2016

1. Intro

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phonetics – phonology – morphology

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Today:

• phonetics vs. phonology: vowels• revision of basics of phonology

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phonetics: physical properties of speech sounds:

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phonetics: physical properties of speech sounds:➢ articulatory (speech production)

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phonetics: physical properties of speech sounds:➢ articulatory (speech production)

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phonetics: physical properties of speech sounds:➢ articulatory (speech production)➢ acoustic

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phonetics: physical properties of speech sounds:➢ articulatory (speech production)➢ acoustic: spectrograms:

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phonetics: physical properties of speech sounds:➢ articulatory (speech production)➢ acoustic

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phonetics: physical properties of speech sounds:➢ articulatory (speech production)➢ acoustic➢ auditory (speech perception)

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phonetics: physical properties of speech sounds:➢ articulatory (speech production)➢ acoustic➢ auditory (speech perception)

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e.g., the articulatory classification of RP vowels:

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e.g., the articulatory classification of RP vowels:● manner of articulation:

• monophthongs vs. diphthongs (vs. triphthongs)• long vs. short

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e.g., the articulatory classification of RP vowels:● manner of articulation:

• monophthongs vs. diphthongs (vs. triphthongs)• long vs. short

● place of articulation:• tongue position (tongue height +

frontness/backness)• lip position

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the Cardinal Vowel Chart

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the Cardinal Vowel Chart

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the Cardinal Vowel Chart

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Can you find the vowels of Hungarian?

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Can you find the vowels of Hungarian?

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The monophthongs of RP

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Gimsonian IPA symbols for the vowels of RP:

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Recap:

phonetics: physical properties of speech sounds:➢ articulatory (speech production)➢ acoustic➢ auditory (speech perception)

So far: the articulatory classification of RP vowels

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Functional (= phonological) classes:

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Functional (= phonological) classes:

in what position?

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Functional (= phonological) classes:

in what position?: 3 classical subgroupings:

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Functional (= phonological) classes:

in what position?: 3 classical subgroupings:➢ full vs. weak: reduction under zero stress,

all full vowels -> schwa, e.g., Japan-Japanese, Hungarian-Hungary, famous-infamous

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Functional (= phonological) classes:

in what position?: 3 classical subgroupings:➢ full vs. weak

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Functional (= phonological) classes:

in what position?: 3 classical subgroupings:➢ full vs. weak➢ r-influence: bee-beer, sky-lyre (breaking),

cat-car, bid/put/but/bet-bird/purr/Bert (broadening)

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Functional (= phonological) classes:

in what position?: 3 classical subgroupings:➢ full vs. weak➢ r-influence (breaking, broadening)

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Functional (= phonological) classes:

in what position?: 3 classical subgroupings:➢ full vs. weak➢ r-influence (breaking, broadening)➢

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Functional (= phonological) classes:

in what position?: 3 classical subgroupings:➢ full vs. weak➢ r-influence (breaking, broadening)➢ tense vs. lax

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The full vowels of RP:

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The phonological classification of the vowels of RP:

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Phonetics vs. phonology

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Phonetics vs. phonology

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The basics of phonology

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The basics of phonology

➢ sound inventory (universal/particular, markedness, implications)

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The basics of phonology

➢ sound inventory (universal/particular, markedness, implications)

➢ distribution of sounds, possible combinations (phonotactics)

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The basics of phonology

➢ sound inventory (universal/particular, markedness, implications)

➢ distribution of sounds, possible combinations (phonotactics)

➢ processes (alternations)

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The basics of phonology

➢ sound inventory (universal/particular, markedness, implications)

➢ distribution of sounds, possible combinations (phonotactics)

➢ processes (alternations)

that is, rules and representations

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possible relations between two (or more) phones: do they contrast?

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possible relations between two (or more) phones: do they contrast?

(i) correspond to different phonemes

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possible relations between two (or more) phones: do they contrast?

(i) correspond to different phonemes: distinctive / contrastive units

minimal pairs: pit – bit, right – wrote

minimal sets: pit, pat, pet, put, putt, pot

identical or at least overlapping distribution

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possible relations between two (or more) phones: do they contrast?

(i) correspond to different phonemes

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possible relations between two (or more) phones: do they contrast?

(i) correspond to different phonemes

(ii) allophones: conditioned variation: complementary distribution

predictable phonetic variants, nondistinctive/noncontrastive, redundant, conditioned/positional variants, physical realisations

allophony / allophonic variation

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phonetic vs. phonemic representation:

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possible relations between two (or more) phones: do they contrast?

(i) correspond to different phonemes

(ii) allophones: conditioned variation: complementary distribution

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possible relations between two (or more) phones: do they contrast?

(i) correspond to different phonemes

(ii) allophones: conditioned variation: complementary distribution

(iii) free variation

Page 64: BBNAN04000 Angol fonológia ea. / English Phonology …¡vosfonó-1... · • tongue position (tongue height + frontness/backness)

possible relations between two (or more) phones: do they contrast?

(i) correspond to different phonemes

(ii) allophones: conditioned variation: complementary distribution

(iii) free variation

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when a contrast ceases to exist: neutralisation

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when a contrast ceases to exist: neutralisation

e.g.:

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when a contrast ceases to exist: neutralisation

e.g.:

- under zero stress: recall: all full vowel phonemes -> schwa, e.g., Japan-Japanese, Hungarian-Hungary, famous-infamous

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when a contrast ceases to exist: neutralisation

e.g.:

- under zero stress: recall: all full vowel phonemes -> schwa, e.g., Japan-Japanese, Hungarian-Hungary, famous-infamous

- voicing contrast of obstruents after /s/:

/t/ vs. /d/ cf. e.g., tick vs. Dick

/p/ vs. /b/ cf. e.g., pier vs. beer etc.

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when a contrast ceases to exist: neutralisation

e.g.:

- under zero stress: recall: all full vowel phonemes -> schwa, e.g., Japan-Japanese, Hungarian-Hungary, famous-infamous

- voicing contrast of obstruents after /s/:

/t/ vs. /d/ cf. e.g., tick vs. Dick

/p/ vs. /b/ cf. e.g., pier vs. beer etc.

but: s_... ?? cf. e.g., spear but *sb-

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Porto, PortugalPhoto © V. Schandl

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THE END