back to you alex

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Calling the Shots Calling the Shots Composition Composition Image Display Image Display Set Design Set Design Camera Equipment Camera Equipment Camera Movement Camera Movement $100.0 $100.0 0 0 $100.0 $100.0 0 0 $100.0 $100.0 0 0 $ 100. $ 100. 00 00 $ 100. $ 100. 00 00 $100.0 $100.0 0 0 $200.0 $200.0 0 0 $200.0 $200.0 0 0 $200.0 $200.0 0 0 $200.0 $200.0 0 0 $200.0 $200.0 0 0 $200.0 $200.0 0 0 $300.0 $300.0 0 0 $300.0 $300.0 0 0 $300.0 $300.0 0 0 $300.0 $300.0 0 0 $300.0 $300.0 0 0 $300.0 $300.0 0 0

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A very specific type of extreme long shot that is used to tell the audience where and when the program takes place. Back to you Alex. This type of shot captures a person from the top of the head to the bottom of the feet, with little of the surrounding details included. Back to you Alex. - PowerPoint PPT Presentation

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Page 1: Back to you Alex

Callin

g the S

hots

Callin

g the S

hots

Com

positionC

omposition

Image D

isplayIm

age Display

Set Design

Set Design

Cam

era Equipment

Cam

era Equipment

Cam

era Movem

entC

amera M

ovement

$100.00$100.00 $100.00$100.00 $100.00$100.00 $ 100.00$ 100.00 $ 100.00$ 100.00 $100.00$100.00

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Page 2: Back to you Alex

A very specific type of extreme long shot that is used to tell the audience where and when the

program takes place.

Back to you Alex

Page 3: Back to you Alex

Back to you Alex

This type of shot captures a person from the top of the head to the bottom of the feet, with little of the surrounding details included.

Page 4: Back to you Alex

This type of shot includes the backside of one person’s head and

the top of their shoulder in the foreground along with a full-face

shot of the other person in the background.

Back to you Alex

Page 5: Back to you Alex

This type of shot includes two items of primary importance.

Back to you Alex

Page 6: Back to you Alex

This type of shot captures one person’s face reacting to what

another person is saying or doing.

Back to you Alex

Page 7: Back to you Alex

Back to you Alex

When you frame a shot, you should never cut your subject off at a _________________

Page 8: Back to you Alex

This is the space from the tip of a person’s nose to the side edge of

the frame.

Back to you Alex

Page 9: Back to you Alex

This is the space from the top of a person’s head to the top of the

screen.

Back to you Alex

Page 10: Back to you Alex

Describe the “bottom 1/3 rule” and tell why it should be followed in television production.

Back to you Alex

Daily Double

Page 11: Back to you Alex

Placing a tic-tac-toe grid over the picture on a television set is a technique related to what rule?

Back to you Alex

Page 12: Back to you Alex

Back to you Alex

A basic rule of television graphics is that you should have not more than ________________ lines of writing and no more than __________ words per line on the screen.

Page 13: Back to you Alex

Back to you Alex

The relationship between the brightest object and the darkest object in the television picture is called the __________________.

Page 14: Back to you Alex

Back to you Alex

Refers to the relationship of the width of the television screen to the height of the television screen.

Page 15: Back to you Alex

Describe the difference between a roll and a crawl.

Back to you Alex

Page 16: Back to you Alex

Name the frame rate (fps) of each of the following:

Motion pictures

Television

HDTV

Back to you Alex

Page 17: Back to you Alex

Back to you Alex

Name three things to consider when you are selecting furniture for a set in a television studio.

Page 18: Back to you Alex

What is the name for any item handled by the performers during a production, other than furniture?

Back to you Alex

Page 19: Back to you Alex

What is the difference between a cyc (or cyclorama) and a backdrop?

Back to you Alex

Page 20: Back to you Alex

Back to you Alex

Describe a moire`. What causes this?

Page 21: Back to you Alex

Back to you Alex

Daily DoubleHow does the set dresser contribute to creating the illusion of three-dimensionality on the television screen?

Page 22: Back to you Alex

Back to you Alex

Describe an aperture and and iris.

Page 23: Back to you Alex

The closest an object can be to the camera and still be in focus is

the ___________, or MOD.

Back to you Alex

Page 24: Back to you Alex

Explain the difference between a great depth of field and a shallow

depth of field.

Back to you Alex

Page 25: Back to you Alex

List the three steps involved in prefocusing a camera.

Back to you Alex

Page 26: Back to you Alex

Back to you Alex

What are the three factors that affect depth of field?

Page 27: Back to you Alex

Back to you Alex

Describe the difference between a zoom and a dolly.

Page 28: Back to you Alex

If you are to truck in a particular direction, which way would you

most likely be going—forward/back or

right/left?

Back to you Alex

Page 29: Back to you Alex

Back to you Alex

Describe the type of movement that is involved when you arc.

Page 30: Back to you Alex

Describe the difference between a tilt movement and a pedestal

movement.

Back to you Alex

Page 31: Back to you Alex

What is the psychological impact that is made with a low angle

shot?

Back to you Alex

Page 32: Back to you Alex

Final Jeopardy!!!What are some of the benefits in converting What are some of the benefits in converting

from 4:3 aspect ratio displays to 16:9 aspect from 4:3 aspect ratio displays to 16:9 aspect ratio displays?ratio displays?