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Copyright Carol Tomlinson 2010 1
Evanston, Illinois
Educator Session
December 1, 2010
Carol Tomlinson
William Clay Parrish, Jr.
Professor
5 Things I knew(and am glad I knew…)
(they made all the difference in my
teaching…and saved me from myself on
more days than I care to count!)
Copyright Carol Tomlinson 2010 2
1
It was a privilege and a
trust to teach each
student who came my
way.
Copyright Carol Tomlinson 2010 3
Thank you, Customer.
You, the customer, are the most important visitor on our premises. You are not dependent on us, we are dependent on you. You are not an outsider in our business—you are it. We are not doing you a favor by serving you…..you are doing us a favor by giving us the opportunity to do so.
Copyright Carol Tomlinson 2010 4
Rewrite the Five Guys Message to fit schools/classrooms…..
What would your invitation say?or
Delineate/explain the factorsthat keep us from
posting the sign on classroom doors &what we can/should do to change that.
Differentiated instruction pushes teachers to reevaluate
the purpose of teaching and learning. Teachers have
an obligation to increase the participation of all students
in healthy and productive ways. But what is an
“obligation”?
Edward Farley wrote in his book Deep Symbols that
“obligation is being responsible to the other, and that
means that when we are seized by obligation, we are
seized by the needs, aims, vulnerabilities, sufferings,
and even autonomy—in short, the total condition—of
the other.”
Obligation is a state of being that includes the needs of
another in the formulation of an individual’s own desires.
That is, obligation no longer is something I am
doing for you, but becomes something I am doing
with you for both of us.
John Stroup
Edward Farley (1996) Deep symbols
Valley Forge, PA: Trinity Press International
p. 273
Copyright Carol Tomlinson 2010 5
2
I had to connect with
each student in order
to connect each
student with each other
and with important
content.
Teachers discover that they need to develop and maintain personal relationships with the students they teach -- because for most students, meaningful interaction with a teacher is a precursor to academic learning.
Huberman, 1983 in
The New Meaning of Educational Change
(3rd Edition) by Michael Fullan
2001, New York: The Teachers College Press, p. 33
Copyright Carol Tomlinson 2010 6
The Teacher
The Student The Content
Artful Teaching as a Love Triangle
To what degree does your experience align with these 2conclusions?
To what degree does yourexperience challenge these 2conclusions?
What questions or observationsdo you have about the 2conclusions?
What do the conclusions haveto do with differentiation?
Copyright Carol Tomlinson 2010 7
“An average student with a teacher whose teacher-
student interactions scored 1 standard deviation
below the mean in Emotional Support would, on average,
place in the 41st
percentile in end-of-year tests.
The same student with a teacher whose interactions
scored 1 standard deviation above the mean in
emotional Support would, on average, place in the
59th
percentile in end-of-year tests.”
Allen, J., Gregory, A., Mikami, J, Hamre, B., & Pianta, R. Predicting Adolescent Achievement with the CLASS-S Observation Tool. A CASTL Research Brief. University of Virginia, Curry School of Education
Research Findings
3
I couldn’t fix things for
any kid unless I crafted
a classroom in which I
could fix them for
every kid.
Copyright Carol Tomlinson 2010 8
Stories Have a Structure Built with Tools & a Purpose
DAY WHO WHAT
Monday The Aces Continue identifying elements of Jack London’s story in
Peer Pairs
The Jets Continue developing interview questions for your
biographical short story
The Pit Bulls Continue reading To Kill a Mockingbird
Tuesday The Aces SAME AS MONDAY
The Jets SAME AS MONDAY
The Pit Bulls SAME AS MONDAY
Wednesday Janna, Earlene,
Janeille, Bill, Jay
Quiz on elements of a short story
20 minutes of team study first
Pit Bulls Complete blueprint for Mockingbird
Jets Begin Interview
Others Brainstorming for story conflicts
Individual pre-writing activity
Thursday Jets Continue Interview
Others Class discussion on what a story is and isn’t—and what
makes a story a winner
Friday JETS Analysis of information gathered—mapping out next steps
in the interview process
Others Ebert & Roper Show: A Simulation in Triads
4
My students and I had
to be a community and
work as a team if we
were to have a chance
at making class work
for everyone.
Copyright Carol Tomlinson 2010 9
A friend is someone
who loves you as
you are and pays
you the compliment
of expecting more.
Corita Kent
S
Student Needs
Teacher Response
Curriculum & Instruction
as the Vehicle for Response
Copyright Carol Tomlinson 2010 10
How do I create a place that dignifies the possibilities
of in each student who shares in it?
A place where it’s good to be who you are,
A place where it’s possible to see who you can become,
A place that casts each student as a worker,
a winner, a contributor,
A place where there is always a journey
and always support for the journey
Synthesis Groups Task Card
Please work with your synthesis group during today’s class to:
1) Review and agree on what you believe is the key understanding or principle that best reveals the meaning of (makes sense of, is the punch line for) theunit on the circulatory system.
2) Find at least four ways/modes to express that key understanding or principle in relation to the contents of the unit.
3) Be sure each mode of expression:• makes clear what the key understanding or principle is,• illustrates how to make sense of what we have been studying,• accurately shows how key knowledge and skills come together to form an
understanding.
4) Be ready to present your own work in two minutes or under.
5) Be sure everyone in your group can interpret everyone else’s work effectively.
(Groups of 5 comprised of students with different expressivestrengths.)
Copyright Carol Tomlinson 2010 11
What do you see as the keybarriers to differentiation in theway that we currently thinkabout teaching (especially to seeing teaching as a love triangleand guiding a classroom that allows flexibility in learning?
What changes would be necessaryin those ways of thinking in orderto have classroom that allowsroom for a range of learningneeds?
What questions or commentsdo you have at this point?
5
Every kid needed curriculum
that was worth getting out
of bed for.
Copyright Carol Tomlinson 2010 12
The business of schools is to produce work that
engages students, that is so compelling that students
persist when they experience difficulties, and that is
so challenging that students have a sense of
accomplishment, of satisfaction--indeed, of delight--
when they successfully accomplish the tasks assigned.
Inventing Better Schools, Schlechty
4Things I wish I’d known(or known sooner or more
clearly…and wish I could
do over…)
(They would have made me a better
teacher and my students better learners).
Copyright Carol Tomlinson 2010 13
1
A teacher’s mindset
as more powerful than
any other attribute he or
she brings to the teaching/
learning process.”
•Success comes from beingsmart
• Genetics, environmentdetermine what we can do
•Some kids are smart—some aren’t
•Teachers can’t override students’ profiles
•Success comes from effort•With hard work, most students
can do most things•Teachers can override students’
profiles•A key role of the teacher is to set
high goals, provide high support,ensure student focus—to findthe thing that makes schoolwork for a student
Copyright Carol Tomlinson 2010 14
•Teacher’s belief that success
comes from effort, not from
“endowment”
•High personal expectations
•High expectations and high
support for every student to
enlist effort and accelerate
growth
Mindset
Who
Where
What
HowCoverage vs.Whatever it
Takes
Shapes Student Self-Perception
Builds or Erodes Group
Trust
I teach what I believe you can
learn
Copyright Carol Tomlinson 2010 15
2
Curriculum, instruction, and
assessment are so much
tighter and more effective
if we “design backwards.”
Assessment Evidence
Learning Activities
Understandings Essential Questions
stage
2
stage
3
Standard(s):
stage
1
Performance Task(s): Other Evidence:
The “big ideas” of each stage of UBD
Unpack the content
standards and „content‟,
focus on big ideas.
Develop multiple sources of
evidence aligned with Stage 1.
Plan the teaching and
learning experiences to align
with Stages 1 & 2.
How will we get there?
What evidence will
indicate success?
What are the big ideas?
Copyright Carol Tomlinson 2010 16
A Planning Guide for
Differentiating Curriculum & Instruction
(The UbD/DI Connection)
Define Summative Assessments
Based on pre-assessment data, differentiate
the unit plans for readiness, interest, and learning profile-- & continue to adjust plans
based on on-going assessment data
Pre-assess, based on K U D, for readiness—
also for interest, & learning profile
Identify what students should Know,
Understand, & Be Able to Do (KUD) at the end of the unit
Administer Summative
Assessments
Develop a unit plan to ensure student proficiency
w/ essential knowledge, understanding, and skill
Co
nn
ecti
ng
wit
h S
tud
ents
Cre
ati
ng
a P
osi
tiv
e L
earn
ing
En
vir
on
men
t
Clarity about learning goals…
We have to know where we want all students to end up before we can think intelligently about how we want them to get there!
The clearer we are about theprecise outcomes, the better we’re able to align assessmentsand instruction to those goals—and the greater student success is likely to be.
Copyright Carol Tomlinson 2010 17
3
Concept-based instruction
helps students make sense
of curriculum and their lives
in a way that is true to the
disciplines.
FACTS
CONCEPTS
PRINCIPLES
ATTITUDES
SKILLS (S1, S2)
Levels of Learning
Hilda Taba
Copyright Carol Tomlinson 2010 19
C ultural
R eligious
E conomic
E ducational
P olitical
S ocial
Concepts act like labels
on file cabinet drawers
They help us keep a great
batch of information
organized &
retrievable.
They help us make sense
of what otherwise
could be random data.
So, who needs THAT???
Copyright Carol Tomlinson 2010 20
Physical ScienceI. OBSERVERS
A. Observe
1. What?
2. How much?
B. Classify
C. Explain
D. Verify
II. EVENTS
A. Matter
1. Physical aspects
2. Chemical aspects
B. Energy
1. Kinetic
2. Potential
III. RELATIONSHIPS
A. Changes
1. Chemical
2. Physical
B. Forces
C. Applications
Copyright Carol Tomlinson 2010 22
Kindergarten TopicsWelcome to school Mexico Seasons Growth
Senses Geography Magnets Body Systems
Dental Classifying Seriation Art Explorations
Transportation Problem Solving Movement
Exploration
Comparison
Native Americans Literature Conversation Graphs
Holiday Self and others Family Water and ice
Drama Animals Poetry Estimation
Sharing and Caring Environment/Earth Colors Seeds
Weight and
Measurement
Pattern Science
Experiments
Matter
Farm Air Construction Light-Shadows
Pilgrim/Indians Community Weather Plants
Coins Problem Solving Earth Nutrition
Kindergarten Concepts and TopicsCooperation Communication Culture Change Exploration
Welcome to school
Self and others
Family
Basic needs/goods
and services
Pilgrims/Indians
Community
Sharing and caring
Problem solving
Literature
Listening/Speaking
Conversation-
Listening, speaking,
Writing, AV materials
Drama
Senses
Poetry-Rhyme, Rhythm
Signs/Symbols
Mexico
Native
American
Holiday
Seasons
Light/Shadows
Matter
Nature
Metamorphosis
Growth
Earth
Animals
Geography
Farms
Self
Weather
Environment
Cooking
Plants
Problem Solving
Math Their Way
Patterns
Graphs
Coins
Caring for Self
Dental, Body Systems,
Music, Careers,
Classifying
Science
Magnets, Air, Weight,
Senses
Positions
Estimation
Nutrition
Art
Movement
Comparison
Seeds
Colors
Construction
Copyright Carol Tomlinson 2010 24
Name_________________
Poetry Contract
Creating a Rhyming Wheel
Use your spelling lists as a way to get started
Use Your Rhyming Wheel
To write a poem that sounds like Shel Silverstein might have written it
Write an Acrostic Poem
Be sure it includes alliteration
Write
A cinquain (check that you have the right pattern)
Computer Art
Use kid pix or other clip art to illustrate a simile, metaphor, or analogy on our class list, or ones you create
Write About You
Use good descriptive words in a poem that helps us know and understand something important about you
Interpret
“How to Eat a Poem”
Research a Famous Person
Take notes, Write a clerihew that uses what you learned
Illustrate a Poem
Find a poem we’ve read that you like, illustrate ii to help show its meaning.
Student choice #1
___________________
___________________
Student choice #2
___________________
___________________
Student choice #3
___________________
___________________
Name_________________
Poetry ContractCreating a Rhyming Wheel
Use your vocabulary lists
as a way to get started
Use Your Rhyming Wheel
To write a poem that includes humor that would make Shel Silverstein smile
Write an Acrostic Poem
Be sure it includes alliteration, onomatopoeia, and allusion
Write
A diamante (check that you have the right pattern)
Computer Art
Use kid pix or other clip art to illustrate a simile, metaphor, & analogy for one idea or image.
Write About You
Use good figurative language in a poem that helps us know and understand something important about you
Interpret
“Unfolding Bud”
Research a Famous
Person
Take notes, Write a bio-poem that uses what you learned
Illustrate a Poem
Find a poem we’ve read
that you like. Illustrate it to help reveal its meaning.
Student choice #1
___________________
___________________
Student choice #2
___________________
___________________
Student choice #3
___________________
___________________
Copyright Carol Tomlinson 2010 25
From Level 1 2
Write the poems about a topic you care about to help you think about that topic more fully and to express your ideas and interest
• KNOW: haiku, cinquain, etc.
• UNDERSTAND: – Poets explore things that matter to them.
– Poetry helps us and the poet understand self and world.
• DO: – Write with expression
– Use effective mechanics
Level 2 Level 3
Concepts: evolution, exploration, expression, perspective
• As we explore ideas the ideas evolve & so do we.
• Exploration leads to understanding.
• Exploration of varied perspectives
broadens our understanding.
• Expression reveals the writer.
Copyright Carol Tomlinson 2010 26
Concepts
Principles
Essential Questions
Lens on Life
Topics
Facts
Incidents
Dates
Vocab.
Skills
Curriculum As A Mobile In Balance
Abstract
Concrete
Meaning
Tools
Exemplars
Tomlinson ‘98
What’s your response to theseexamples:
a) as a former studentb) as a teacher
What’s the most effectivething you do in helping yourstudents organize knowledgeto remember it, apply it, andtransfer it (as opposed to justtrying to retain it)?
What questions or commentsdo you have about therelationship between quality ofcurriculum and quality ofdifferentiation?
Copyright Carol Tomlinson 2010 27
4
The elements of knowledge
should be connected in the
work we develop for students
and in their minds.
A Good Activity is one
in which:
Students make or do something
Using essential knowledge and
essential skills
To explore or
extend an
essential
understanding.
Copyright Carol Tomlinson 2010 28
Your job is to use at least two kinds
of graphs and two kinds of writing to
answer the question:
“How do people describe the same
thing in different ways?”
In an explanation of your work, be
sure to use the expert language to
discuss both the graphs and forms
of writing as you talk about how the
thing you describe changes in the
different forms.
We build good
ships--
At a profit if we can--
At a loss if we must—
But always good ships
Copyright Carol Tomlinson 2010 29
The very least you can do in your life is figure out
what you hope for,
And the most you can do is live inside that hope. Not admire it
from a distance but live right in it,
under its roof.
Animal Dreams by Barbara Kingsolver, 1997
Don’t confuse the
edge of your rut…
…with the horizon!