16 - emanuel dimas de melo pimenta · emanuel dimas de melo pimenta 2 0 1 0 482 16 in 1994, i...
TRANSCRIPT
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
482
16
In1994,IcalledonthefirstofSeptember,Thursday,a daybeforehis seventy-ninebirthday, to invitehim for alunch.Iaskedifhewouldbefreeinthenextday.Hetoldmeso.IwasinBrazilforafewdays.WescheduleatimeandinthenextdaysIwenttopickuphim.
Wewent to lunch, as we did at that epoch, at theJapaneserestaurantintheCaesarParkHotel,intheAugustastreet.
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
483
HedidnotknowthatIhadrememberedhisbirthday,orpretendednottoknow. Ineverforgothisbirthdays. If Iwasnotinthecity,Ialwayscalledhim,fromwhereIcouldbe.
Butthatdaywasspecial.Hecompletedseventy-nineyearsoflife.
I offeredhimanother plush puppet and a book.Hewasverytouched.
− You’re the first person to greet me on thisanniversary.-hesaidwithsomeemotioninhisvoice,whichwasnotcommoninhisbehavior.
Hewasseventy-nineyearsoldandwasalone.But itwasnotsomethingunusual–hewasalwaysalone.
− Ihaveagreatnecessityforsilenceandtobealone.Theyareessentialconditionsofmylife.Ineedtimeto
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
484
study,tothink–hesaid.
Idecidedtoorganizeadinnerforhim,fewdayslater,invitingsomeimportantartists.Ofcourse,Iassuredthatnoonewouldknowthatitwasabouthisbirthday.Hewouldbesoembarrassedifpeopleknewabouthisbirthday,thathesurelywouldrefusetogo.But,goingdiscreetly,asifitwasasimplemeetingamongfriends,thatwouldbearealgiftforhim.
Buttherewasaseriousproblem.InolongerlivedinBrazilalreadyabouttenyearsanditwasverydifficulttofindaplacewherewecouldholdthatmeeting.
Noonewaswillingtohelp.UntilsuddenlyaladyIknewsincemanyyears,typicallybourgeoiswithahomedecoratedinaverypretentiousandverykitschway,fullofdecorative canvasesonthewalls,nottomentionthebooksandbottlesofwhiskeytodecoratetheenvironment,verykindlyoffered
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
485
ustohavethemeetingthere.Thatwastheappearanceoftheplace.
Atfirst,Ivacillated.Buttheladywasveryfriendlyandfairlygenerous.Thatwasherworld.Whocouldbeustojudgethepersonalworldwherepeoplelive?Whyarepeoplealwaysfightingamongthemselvesandfullofpreconceptions?Afterall,wouldn’tbe the realworldouressential veryfirst rawmaterial?Don’tweworkforthepeople?Wedon’tmakeourworkforartists,butfortheworld,forthepeople,notmatterwhotheyare!
To Koellreutter – who fought all live againstpreconceptionsofanynature–thathousewouldrepresentnoproblem.
IrememberthatamongtheartiststherewereCláudioTozzi,whowas a great friend ofmine,MaurícioNogueiraLima, who for years was a brother to me, unfortunately
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
486
disappearedsometime later,alongwithmanyothergoodfriends.
Koellreutter dressed a fabulous red Indian jacketembroideredwith colorfigures.Hewas visiblyhappy thateveniing.Therewerealmosteightyyearsofage.
KoellreutterandEmanuelPimenta,SãoPaulo,1999
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
487
But the kitsch appearance of the house stronglyaffectedatleastoneoftheartists,afriendofClaudio,whowasnotable tobestay fora longtime.He toleratedonlyabouthalfhourandleftindespair.
When,morethanmidnight,IbroughtKoellreuttertohis house, he toldmehowmuchhehad enjoyed tohavemetsomeoldfriends,andtohavetalkedsoanimatedlywiththosepeople.
− YouknowEmanuel...Overtime,webecomemoreandmore isolated. It is the life,my friend... it is thelife...NowrarelyIgoout.Ihavenoonetotalk,noonewithwhomIcanexchangeideas...Tospeakinterestingthings. Next year I will be eighty years old... timepassedtofast!
Atthattime,hewasworkingtofinalizetheoperaCafé,whichhadlibrettowrittenbythelegendarywriterMariode
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
488
Andrade. Itwasaworkthatconsumeda longtime.MariodeAndradefinishedthelibrettoin1942,KoellreutterbeganwritingthemusicwhenhelivedinTokyobetween1974and1975.Hewouldfinishitonly in1996.Twenty-twoyearsofelaboration!
Throughouttheyearof1996,wetalkedmanytimesaboutthatopera.Itwasaremarkablylivelyperiodforhim.Koellreutterseemedtobeveryhappy,alwaysincontactwithmanypeople.
Heseemednotage.Heseemedsimplytohavestoppedin time. He was becoming more vegetarian and, at leastwhen hewas withme, he never exaggerated in alcoholicbeverages.
In early1998, I composed the concertoDifesa della Natura, for a film about JosephBeuys, directedbyMarcoAgostinelliandproducedbyLucreziaDeDomizio,Baroness
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
489
Durini,inItaly.ThisconcertwasdedicatedtoKoellreutter.
Ihaddedicatedanotherconcerttohimfifteenyearsearlier,in1983.Then,itwasanelectroacousticconcertalsousingdigitalsystems,synthesizers,magnetictapes,metallicpieces, small ensemble of metals, dwarfs, speakers anda computer controlled by heartbeats. Theworld premierehappenedatthetheaterSESCPompéia,inSãoPaulo.
EmanuelPimenta,scoreoftheconcert
dedicatedtoKoellreutter1983
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
490
In that sameyearof 1998, a compact discwith theconcertDifesa della NaturawaspublishedinEngland,andIimmediatelysentittoKoellreutter.Oncereceived,hecalledme,sayingthathewasverytouched.
SomecommonfriendswroteortelephonedmetellingabouthowmuchKoellreutterhadenjoyedthatmusic.
EmanuelPimentaconcertDifesa della Natura(1998),
dedicatedtoKoellreutter,performanceattheSwissmountains,
2004
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
491
It was a strange feeling to me, because during allthose years he had always remained extremely distant ofjudgmentsaboutmyworks.
EvenwhenIstudiedwithhim,speciallyatclassesofcomposition,heneverstated thatadeterminedworkwasgoodorbad.Themosthewasablewas toaskhow IhadconsideredwhatIhaddone.
− Myfriend,weallknowwhatishappening.Weaskthenextbecausewearenotabletolistentoourselves.Andsometimeswecannotlistenbecausewetalktoomuch.So,itisyouwhomustansweraboutwhatyoudo.Youmustlearntoknowhowtoanswertoyourself.- hehad said thismany years before, in oneof ourclasses.
Now,hesaid–evenifneverdirectlytome–thathelikedmyworks.Andthatsoundedlikeaninterestingsurprise,assomethingunexpected.
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
492
AfewweeksafterIhavesenthimDifesa della Natura,I visited thecityofSãoPaulo. I foundhimveryexcited, inexcellentshape.
Althoughhehadneverspokeabouthis feelingsandhad avoided judgments of value, when I entered in hisapartmentIrealizedthattwoofthecompactdiscsIhadsentwiththemusicdedicatedtohim,wereintentionallyplacedonthepianoandanotheronthetableattheKremlin–thesmallroomfullofcolorfulplushpuppets–asiftheywereinanexhibition.
Itwasatimidwayofsayinghowmuchhehadenjoyedthathomage.
Whilewewereathisapartment,hedidnotsayasinglewordaboutthecompositionoraboutthecompactdisc–andIdidnotask.
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
493
Onlylater,whenwehadlunch,hesaid,veryshortly,thatheenjoyedthecompositionandthankedagainforthededication.
Thatwas a year full of news for Koellreutter. Threeyearsearlierhehadcelebratedeightyyearsofage.InafewmonthsFunarte,theBrazilianNational Foundation of Arts,would launch incompactdiscformatadiskthathadbeenreleased in 1985,withworks dedicated to him by severalcomposers.
The compact disc included a piece by Koellreutter,ItwasConstellations, composed between 1982 and 1983,when Istudiedwithhim. Itwasaconcert forvoice,sevensolo instruments and magnetic tape. His compositionwasbasedonaworkbytheconcreteGermanpoetEugenGomringer, born in 1925, an admiror of the pioneer andcelebrated Brazilian group of concrete poetryNoigrandes.
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
494
Hispoemsaid:Your time my poem / Your time my silence / Your time my dream.Gomringer’sConstellations is aworkwithatransnationalandtransculturaldesign,mergingwordsfrommanydifferentlanguagesaroundtheworld-asalwaysKoellreutterbelieved.
I attended at the world premiere of Constellationsin 1985. It was a concert that had Koellreutter as regent.It caused all kinds of discussions in public. It was a truepolemic.
ThecompactdiscalsohadworksbyWillyCorrêadeOliveira,JorgePeixinho,CláudioSantoro,RicardoTacuchian,Rodolfo Coelho de Souza and Gilberto Mendes with theconcertMy Friend Koellreutter.ThesoundengineeringwasuptothecomposerConradoSilva.
IreturnedtoEurope.
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
495
Fewmonths later, still in 1998, I went back to SãoPaulo.Asalways,wearrangedtohavelunchtogether–andagainattheJapaneserestaurantofthehotelCaesarPark,atAugustastreet,inSãoPaulo.
But this time he asked me not pick up him at hisapartment. We would go independently and meet in therestaurant.
− TomorrowI’llhaveaveryimportantmeetinginthemorning.ButIbelievethatitwillnottakealongtime.Itissomethingveryserious.Iwilltellyouatlunch.Ihopeeverythingwillgowell.Please,thinkpositivelyforme.
I asked about what was of so serious, if I could beusefulinsomeway.
− Tomorrowwewill talk. There is nothing you cando.-itwastheonlythinghesaid.
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
496
Iwasunquiet.Hisvoicewasserious.Whatcouldbesoserious?Wouldbesomenewinvitationforanimportantwork? Some unexpected new challenge? Despite his age,everythingwaspossiblewithhim.Isuggestedonceagaintopickuphim,notmatterwhere.Hedidnotaccept.Iinsistedagain.Andagainherefused.
− We will talk tomorrow. - and he ended theconversation.
In the next day I arrived at the restaurant fifteenminutesbeforethescheduledtime,asIalwaysdidwhenweagreedaplacetomeet.Forthefirsttime,hewaslate.Iwasalittleworried.Abouttwentyminuteslatehefinallyappeared.Hewasfirmand resoluteasever,butwitha serious look,veryworried.
Iasked,verygently,ifthemeetinghadgonewell.Heturnedthefacetothewindow,withalostsight,andmovedthehead.
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
497
− Laterwewilltalkaboutthis...-andI,ofcourse,Idecidedtonotinsist.
HewasvisiblydepressedandIstartedanimatinghimwithavarietyofissues.
WetalkedaboutBrazilianpolitics,onplanetarymacro-economic questions, on philosophy, scientific discoveries,technological revolutions. We lunched and, gradually, hislivelyandalertmoodwasgoingbacktonormal.
ButIcouldclearlyseethatsomethingveryseriouswastroublinghim.
Attheendofthelunch,helookedatmewithaveryseriousexpressionandrevealedwhatwashappening.
− Emanuel, I have a secret to tell you. But it isextremely confidential. Nobody knows and for nownobody should know. You have to keep secret. It’s
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
498
about the meeting I had this morning. - he spokeheavilyandwithlongpausesasifhewasmeasuringhisownwords–I’mjustreturningfromthedoctor...fewminutes ago. I came directly to the restaurant.BecauseofthisIwaslate.You’rethefirstpersonthatwillknowandIdon’tknowyettohowmanymoreIwilltell.IdidsometestsandthedoctorfoundthatIhaveAlzheimer.
HiswordswerelikealargemeteorfallingonEarth.
Everythingchanged,allreality,immediately.SuddenlyI was pale. He had tears in his eyes. But still tacit andphlegmaticasever.
Iaskedifhewasabsolutelysureaboutthediagnosis.His appearance was completely normal. During the lunchwehadtalkedonthemostdiverseandcomplexthemes.Innomomenthehadanyleakofmemory.Infact,Ihadmore
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
499
trouble rememberingnames thanhe. I askedhowhehaddiscoveredsomethingsoserious.
− All exams clearly indicates that. Unfortunately,there is nomargin for doubt. Suddenly I started toforgetthings.Itstartedrelativelyquickly.SometimesIleftmyhomeanddidnotrememberwhereIwas,whatIwasdoing thereorwhy Ihadgone toaparticularlocation.Theseoblivionmomentsbegantobemorefrequent and began happening also with smallerthings. I decided to go to a doctor, my friend. Wemadeallexaminations. I’mcoming fromtherenow.Yes...mydearfriend...suchislife...Ineverexpectedforsomethinglikethis...But,howcanweexpectsuchakindofthings?Weneverthinkthatitcanhappentous.
Iaskediftherewasanywayout.Whatcouldbedone?Iftherewasanysolution.Helaughedanddiscreetlysighed.
− Wayout?No...Thereisnowayout.ItiswhatIwill
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
500
haveahead.And isnotgood...notgood... itwillbeverydifficult.Verydifficulttimesahead.Averydifficultend,verysad...
Suddenlyhewasparalyzedandstoodwithloststaringforlongseconds,asiftheworldhadstoppedatthatexactmoment.
Everythingbecamesilence.
Icouldnotsayasingleword,mysoulwasstrangled.Heturnedtomeandsaidasfirmlyasever:
− Yes...myfriend...soitislife.ThereisnothingIcando.It’sterrible.
Weremainedstillforseveralminutesintherestaurant,untileveryonehadgone.Wetalkedatlengthaboutlifeanddeath, about the metamorphoses of life, about dharma,karma,aboutscienceandreligion.
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
501
Fromthere,wewenttohisapartment.ButIdidnotenter. Istoppedthecar illegally infrontofthedoorofthebuilding. Iwentouttosaygoodbyeandhehuggedmeforlongseconds.
Thenewsaboutthediseasehadbeendevastating.
Inthefollowingmonths,wecontinuedtalkingonthephone.IdidnotimmediatelyreturntoBrazil.
Inthoseseveraltelephonecallsheseemedtobeverywell,thesameasalways.Thoseconversationsbecamemoreandmorelonger,asifwelooked,somehow,tocompensatetheinevitablephysicaldistance.
Weavoidedtalkingabout thedisease. I just insistedthatheshouldverifywithhisdoctoraboutthebenefitsofgincko bilobaandalsoofphosphatidylserine,whichthenhe
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
502
didnotknowyet.
Theweekspassedandheseemedmesowell that Iarrivedtoimaginethatsomerevolutioninmedicineinthetreatmentofthediseasehadhappened.
Westartedtoputintopracticetheplansforourjointcomposition.Thereweresomedifficultiesinthebeginning.Hefounddifficulttodoa jobtogetherbeingsofaraway. Isuggestedthatweshouldmaketwoseparatecompositionstobejoinedlater–asIalwaysworked,inspiredbyAntoninArtaud, but, of course, also by John Cage and MerceCunningham.Hechallengedmetofindanothersolution.Weimaginedtomakethecompositioninfragments,sendingitbyfaxorpostservices,eachonefillingwithanewelementat each step. But the human contact, the discussion, thebrainstormingwassomethingfundamentalforhim.
InthisepochhewasguestprofessorattheAdvanced
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
503
StudiesInstituteoftheUniversityofSãoPaulo.
InOctober1999IwascookinginmyhouseinLisbon,waiting for some friends. They promised to bring a veryspecialfriendwhohadarrivedinthatsameday,comingfromBrazil.
Surprisingly, the architect and urban planner JorgeWilhelmentered inthekitchenofourhome! Ihadknownhimmanyyearsbefore,inearly1980,whenIwasastudentof architecture.Ourmeeting had been atEmplasa,whichwasacompanydedicatedtodevelopthefirstmasterplanforthecityofSãoPaulo–withwhichJorgecollaborated.
It was a great surprise to meet him almost twentyyearslater,inLisbon,inmykitchen!
JorgeWilhelmhadbeenastudentofKoellreutterattheFree School of Music,createdin1952.
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
504
We talked at length about the political situation inBrazil,abouttheproblemsofurbanviolence,thewidespreadcorruption,oneducation.
Then he commented to have met Koellreutter bychance,daysbefore,walkingatSãoLuizavenue,inSãoPaulo.TheytalkedaboutMozart’sDon Giovanni.Jorgesaidthathefoundhimveryaged,butthathewaswithagoodmemory.
Ofcourse,IdidnottellhimabouttheAlzheimer.But,IwasrelievedtoknowthatJorgeWilhelm’simpressionsweresopositive.Koellreutterwaseighty-fiveyearsold,anditwasnaturalthatheappearedtobeold.
InNovemberofthatyear,IvisitedSãoPauloandIhadlunchwithKoellreutter,asourtraditionwas.
He seemed to be fine. Áurea – who worked at his
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
505
homeinSãoPauloformanyyears–wasalwayspresent.
During our lunch he did not show any problem ofmemory.
− Yes... my friend... I’m feeling very well. In fact, Ialwaysfeltverywell.WhenIhadthose“oblivions”,Iwasnotawareofthem,ofcourse.Thus,evenwhenIhadmemoryproblems, I feltgood.ButnowIhaveto take medication for life and I cannot do certainthings. All my food has changed. Alcoholic drinksarecompletelyprohibitedforme.Manythingshavechanged in my life... many things... I had a smallcerebral ischemia.Thedoctor toldmethatnowthedecadencewillbegin.Hetoldmethatitisinevitable.I’mlivingmylastmomentsofnormalcy.I’llhavetoughtimesahead...andtheyareclose.Thebestistoforget,bynow,ourplansforamusicalcompositiontogether.Fromnowon,everythingwillbeverydifficultforme.
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
506
OfcourseIagreed. Iknewthat ifthedeclinebegan,ourjointcompositionwouldneverexist.
I noticed that since then, about 1999, his publicstatementsandinterviewsbegantochangerapidly,becomingmore spirited. Not only, they have become much morefrequent andhebegan to speakmore intensely abouthispersonallife–somethingverydifferentfromwhathewas.
Itwasasif,suddenly,hehadbecomemoreexpansiveandcontradictorywithmuchofwhathadalwayscharacterizedhimandwhathehadalwaysdefendedthroughoutlife.
His statements and interviews became colorfulwith imagesthatarrived,atacertainpoint,tobechildish,sometimesdenyinghistoricalfacts,sometimesexaggeratingfamilyscenes,includingtactileelementslikejerksorkicks.
Itwasasifhispersonalitybeforedirect,philosophically
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
507
precise, challenging, radical, impassive and apparentlynon emotional, had given place to the figure of an oldplayfulman, fullof inaccuracies,contradictions, superficialinphilosophical terms,with softbehavior,using slangandpopularfiguresofexpression.
Insomemomentshestartedshowingevenanationalistfeeling inrelationtoBrazil–somethingtotallyoppositetowhathehadexpressedalonghisentirelife.
− Allcountries,allcultures,allreligionsandallsacredbooks are interesting and have important values,lessonswecanlearn.Religions,asinstitutions,aswellasStates,onlydividepeople.Whenyougotoadifferentcountry, try to observe what more characterizes it.InBrazil,theyarethetelevisionseries.IntheUnitedStatestheyarethemovies.Eachcountryhasitstypicalformofintercommunication.Ifyouobserveatthesemediaasifyouwereanextraterrestrial,youwouldbeabletobetterunderstandthevaluesofthatsociety.
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
508
Weshould,allus,becitizensoftheworld,freefrominter-socialorinter-culturalconflicts.Thereisnoplacefornationalismorpreconception. - Koellreutterhadtoldmethatabouttwentyyearsbefore.
Now, after the late 1990s, people with whom hechatted and even some experienced interviewers seemednot to notice his new boundaries between fantasy andreality–evenbecauseuntilthenherarelygaveinterviews,especiallywhentheytargetathispersonalhistory.
InJanuary2000IcalledhiminSãoPaulo,fromLisbon,whereIwasliving.Heseemedtobewell.Butitwasaveryshorttalk.
I had spent several days in December and January,attheSeychellesislands,writingthebookJohn Cage – The Silence of Music,andafterabriefpassage inLisbon, Iwasconstantly traveling between Italy and Switzerland for
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
509
concertsandexhibitions.
That large quantity of trips made me not talk toKoellreutteruntilthemonthofAprilof2000,whenIwentbacktoSãoPaulo.
Icalledhimtoschedulealunch,asusual.Butheseemedlost, very vacillating. In themiddle of our conversationbyphone,he forgotwho Iwas.Heaskedwithwhomhewastalking.ThenheknewagainwhoIwas, like ifawavehadrescued his memory. It made me very sad. Even so, wearrangedourlunchfortwodayslater,onaThursday.
I knew that Jorge Wilhelm would love to be withKoellreutteragain.IcalledJorgeandwearrangedlunchforalltogether.
Dulce Cabrita, dear friend, great Portuguese mezzosoprano, who worked very closely with the composer
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
510
FernandoLopesGraçathroughouttheentirelife,wasalsoinSãoPaulo.Joanna,Jorge’swife,verygentlyinsistedthatwewereallinvitedforlunchattheirhome.
Confidentially,ItoldJorgethatKoellreuttersufferedofAlzheimer.Itwasmydutytotellhim.Hewasveryattentiveand insisted that we should keep everything as we hadplanned.
On Thursday, twentieth of April, I went to pick upKoellreutterathisapartment,asI’ddonealongmanyyears.As always, I rang the bell and took a few steps back. Butnow,forthefirsttime,thedoorwasquicklyopenandwhoappearedwasnothe.Áureawaswhoopenedthedoor.
Whenthedooropened,Icouldseehimintheothersideoftheroomfixedstaringoutthewindow,seatedatthetable,whereformanyyearsI’dstudiedwithhim. Hiseyeswerelost.Heworeaturquoiseblueshirt,and
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
511
akindofsmockmadeofsilk.Herose,walkedtowardme,grabbedmyshouldersandlookedatmelongandintently.
Itwasa shaky look.His lipswereno longer straightandrigidasbefore.Theyweresofter,moreflaccid.
− It’ssogoodtoseeyou...itisgoodtoseeyou.-herepeated-Howlongwedonotseeeachother?Twoyears?Twoyearsalreadypassed?!
Iwasdeeplyembarrassed,notknowingwhattosay.«Yes, two years!» - Áurea summarized, as to put an endtothematter.Maternally,sheseemedtobeveryattentiveabouthim.Sheverifiedifhewaswelldressed,ifhehadnotforgottenanything,ifhisclotheswereneat.
KoellreuttershowedavacillatingsmileandIcouldseethathehadalready lost someteeth.Hestaggereda little.Áureawaseuphoric– she toldhewasclosedathome forweeks.Virtuallynoonecalledhim.
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
512
However,hisgeneralappearancewasverygood.Andsoon,hismemoryseemedtoreturnandhewasthesameKoellreutterofever.
− Howyourwifeandyourdaughterare?Youshouldcome here more often! - he spoke with the firmdeterminationsocharacteristicbefore.
Wewentdownby theelevatorand I couldsee thatoneofhiseyesweredull,asifitwasslightlystainedofwhite.Mylookdidnotpassunnoticedtohim.Heexplainedmethathehadcataractsinbotheyesandthathehadalreadybeenoperatedononeofthem.
That quick response, the presence of mind and hisability to understandwhat Iwas thinking, easedmy fearsthathewouldhavebeendefinitivelyanddeeplyisolatedbythedisease.
I had left the car in a parking lot near there, a few
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
513
streets away. Luciana preferred to stay closed inside thecar, fearing assaults,whichweremanyand violent in thatregion.
On the way to the parking lot, Koellreutter walkednormally, with relatively safe steps, like in other times.Before,heranahead–anditwasdifficulttofollowhissteps,whichwerefullofenergy.Now,weweresidebyside,Ialwayspayingalotofattentiontoallhismovements.
When we reached the parking, Luciana – alwayswonderful–leftthecarandIrealizedthatKoellreutterwasverytouched.Theyhadnotmeteachotherinaboutfifteenyears!Itwasliketomeetagainalovedfriend,someoneofthefamily.
OnthewaytoJorgeandJoannaWilhelm’shome,hesaidveryexcitedthatoneofhissonswaslivinginEngland.MargaritawouldhavedefinitelymovedtoTiradentes,Minas
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
514
Gerais,wheretheyhadcreatedafoundation.Ashewastellinghisnewshealsoasked,fromtimetotimeandrepetitively,howlongwehavelivedoutsideBrazil.
- Howlongagoyouweremystudent?- Abouttwentyyearsago.-Ianswered.- Itisnotpossible!Itseemslikeyesterday!- It’strue...-Iansweredsmiling.Infact,alsotomeit
seemedtohavebeenyesterday.- Where are we going now? - his question was
baffling...- We are going to lunch with Jorge Wilhelm. Do
yourememberhim?-Iasked.Thedaybeforewehadtalkedaboutthat lunchandJorgeforseveralminutes.
- Yes,ofcourse.Hewasmystudent.- His wife, Joanna, is a brilliant psychoanalyst. - I
added.- So she is verydangerous! - he jokedopeninghis
eyesandlaughingheartily.
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
515
We stopped at a traffic light for long moments.Alongsideitwasasmallimprovisedstandofastreetvendor,surroundedbycolorfultoys,andplasticballoons.
Koellreutteradmiredamazed,almosthypnotized,thatexuberanceofcolorsandshapesthatpassedunnoticedtopeoplewalkingonthesidewalk.
Unexpectedly,averydirtywoman,withmattedhair,handsblackofgreaseandgray,scarsonthearmsandface,wearingoldandtornclothes,almosttoothless,approachedby pasting his face to the glass of the car, right next toKoellreutter,askingformoney.Thewindowwasclosed.Helookedsurprisedatherasifhewasachild,naivelysmiling.Thewomanmadeall kindsof gesturesandhe foundveryfunnyandinnocentthatdramaticscene.
JorgeWilheimwaswaiting at the gateof his home.
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
516
ThemeetingwasclearlyanemotionforKoellreutter.Jorgehadbeenhisstudentaboutfortyyearsbefore.
Dulce Cabrita had already arrived. Initially all us satinthelivingroomandtalkedaboutamenitiesonBrazilandPortugal.
I looked at Koellreutter and, in some moments, itseemedmethathewasnotunderstandingwhatweweretalking.Butsuddenly,heseemedtotuneinandmadeajoke,withsomeverykeenandwittyobservation.
Joannacarefullywatchedhim.
Howmuchhehadchangedinsofewweeks!
However impressiveand tragic, itwas fascinating toseehowhis shutdown from theworldwasnot linear andgradual.Ithappenedinleaps.Hewasturned offandcame
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
517
back. When he returned, it was not by half. When wasreconnected to theworld,hewasableof insights,of verycleverandcomplexinterventions.
Thoughwecouldseethose‘disappearances’,everyonetreatedhimwithgreatwarmth,affectionandattention-asifnothingofstrangewashappening.
Koellreutterwas immenselyhappy.Andwewerealldeeplymovedbyhisvisiblehappiness.
KoellreutterandJorgeWilheim,SãoPaulo,2000
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
518
Thelunchwassimplywonderful.Joannahadpreparedaveritablebabette’s feast.Westartedwithafinesouffleofhaddockandfigs.Followedbybittersweetbeets,caramelizedonions,maniocflourwithwalnuts,wildriceandmeat–thatsurely was delicious, but as a vegetarian, I did not havetried.
Not only a brilliant psychoanalyst, Joanna also is agreatartistofthecuisine.
Withoutwe had planned or said awithout a singleword,wefeltintheairthefeelingthatsuchformidablelunchwasafarewellmeeting,thecelebrationofalifetime. Inhismomentsof lucidity,Koellreutterwasbrilliant,asalways.Inthemomentshewasturned off,itwasasifhewasalone,inanotherworld,inanisland.
Thelunchwentoverwonderfully,inpeaceandjoy.
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
519
Onleaving,Jorgeaskedhimafewquestionsaboutthepast. Inoticedthatthistime,thattheoblivionwaspartial.Koellreutter was able to remember some things but notothers.Thus,thefluctuationwasnotlinearinallsenses.
Itwasalsointerestingtoobservethatatagiventime,Koellreutter himself practically justified his absences ofmemoryasifhewasfullyawareofthemandastheywereanaturalprocess.
− Iamnotable.I’msorry.Itisasithappens.SometimesIlosemymemory.SometimesI’mnothere.ButthenIcomeback...-hesaidjoking,withgreatsympathy.− Iunderstand...Iunderstand.-saidJorge.
That dialoguewas very unexpected forme. Despitehis“oblivions”therewasaninteractionandaframeworkformutualidentity.
Finally,therewerethefarewellsandenteredintothe
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
520
car–Luciana,Koellreutterand I–becausewewould takehimbackhome.Intheway,hewasaskingmerepeatedlyifIreallyknewwherehelived.
− Canyoudomeafavor?-heasked.− Ofcourse!− Could give a big hug to Augusto de Campos forme?− Ofcourse,withpleasure.− Do you know where I live? Because recently Imoved.NowIliveatSãoLuizAvenue...
HehadmovedtotheapartmentatSãoLuizAvenueaboutthirtyyearsbefore!
− Didyoumakeyourhomework?− But!Iamnolongeryourstudent...− Youarenot?!
AndIhadtoexplainhim,calmlyandcarefully,thattimehadpassed,thathedidnotremember,butthateverything
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
521
wasokay...Atsuchmoments,heseemedtobeveryinsecureandlost.
Hefloatedbetweenconsciousness,unconsciousnessandmomentsinthepast.
HansJoachimKoellreutter-photobyEmanuelDimasdeMeloPimentainSão
Paulo,2000
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
522
Wecouldnotparkthecarinfrontoftheentranceofthebuildingwherehelived. Itwasnotallowed. Istopped,again illegally. Iwentout tosaygoodbye.Wehugged.ButwhenItoldhimIwouldnotleavehimuntilhecameinandIsawitbeingaccompaniedbythedoorman,Koellreutterwasagainlost.Atthatverymoment,henolongerknewwherehe lived,whichwasthebuildingwherehisapartmentwas-eventhoughitwasexactlyinfrontofhim.
Withallcare,asifitwassomethingnatural,Ipickeduphimbyhisarmandtookhimtothebuilding.Iaskedtothedoormantoaccompanyhimtotheapartment.
Suddenly,hewasplungedintoanemptiness–whichdid not happen at any moment before during our longlunch.
LaterIcalledÁureaaskingabouthowhewas.Iknewthateverythinghadgonewellandthathewascalmandvery
KOELLREUTTER - the music revolutions of a Zen masteremanuel dimas de melo pimenta2 0 1 0
523
happy.
Theywereveryimpressivemoments.Iwasverysad.Deeplysad.
ThefollowingSaturdayIreceivedacallfromSauloDiTarso–whoIhadnevermetbefore.HewasconcernedaboutKoellreutter’shealth.