woolley & wallis paintings 4 june catalogue

WOOLLEY & WaLLisSALISBURY SALEROOMS

20th Century & Contemporary Paintings Wednesday 4th June 2014

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AsiAn Art

12th & 13th November 2014John Axford +44 (0) 1722 424506 • [email protected] Lister +44 (0) 1722 424591 • [email protected]

PAintings

24th September 2014Victor Fauvelle +44 (0) 1722 424503 • [email protected] Butler +44 (0) 1722 424592 • [email protected]

20th Century Design

18th June 2014 – Arts & CraftsMichael Jeffery +44 (0) 1722 424505 • [email protected]

tribAl Art, Antiquities, Arms & Armour

19th June 2014Will Hobbs +44 (0) 1722 339752 • [email protected]

Furniture & Works oF Art

8th July 2014Mark Richards +44 (0) 1722 411854 • [email protected]

silver

22nd & 23rd July 2014Rupert Slingsby +44 (0) 1722 424501 • [email protected] Chalmers +44 (0) 1722 424594 • [email protected]

JeWellery

24th July 2014Jonathan Edwards +44 (0) 1722 424504 • [email protected] Whiting +44 (0) 1722 424595 • [email protected]

CloCks, WAtChes & sCientiFiC instruments

30th July 2014Richard Price +44 (0) 1722 242421 • [email protected]

english & euroPeAn CerAmiCs & glAss

9th September 2014Clare Durham +44 (0) 1722 424507 • [email protected]

Auction Calendar

• Entries can usually be accepted up to six weeks prior to the auction• Illustrated catalogues are available about ten days before the sale• Viewing is normally two days prior to the auction and on Saturday mornings• Catalogue subscriptions are available for all sales• Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

Page width 202mm. Use this box to centre artwork! Page width 202mm. Use this box to centre artwork!

Specialist DepartmentsPlease dial +44 (0)1722 followed by the number listed below

AsiAn Art

John Axford MRICS ASFAV 424506Sophie Lister 424591 Alexandra Doméracki 424583 Freya Yuan 424589

CloCks

Richard Price 07741 242421 Gemma Bush 339752 english & euroPeAn CerAmiCs & glAss

Clare Durham 424507 Amanda Lawrence 329477

Furniture

Mark Richards 411854Jim Gale 339161 Anna Brown 411854

JeWellery

Jonathan Edwards FGAA 424504Marielle Whiting FGA 424595

PAintings

Victor Fauvelle 424503Jo Butler 424592

silver

Rupert Slingsby 424501Lucy Chalmers 424594

20th Century Design

Michael Jeffery 424505 Amanda Lawrence 329477

tribAl Art

Will Hobbs 339752 Gemma Bush 339752

vAluAtions For insurAnCe & ProbAte

Paul Viney ASFAV 424509 Clive Stewart-Lockhart FRICS FRSA

mArketing

Tamzin Corbett 424590

ACCounts

Janice Clift (Office Manager) 424500Ruth Pike 424599

generAl oFFiCe

Linda Garthwaite 424500Pauline West Sharon Ringwood Nicola Young

sAleroom mAnAger

David Jordan 424500

boArD oF DireCtors

Paul Viney ASFAV Chairman

John Axford MRICS ASFAV Deputy Chairman

Clive Stewart-Lockhart FRICS FRSA Managing Director

ComPAny seCretAry Jim Macarthur CA 424599

AssoCiAte DireCtors Janice Clift Clare Durham Jonathan Edwards FGAA Will HobbsMichael JefferyMark Richards Rupert Slingsby

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SUTel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

ColleCtion of sold and unsold lots must be within 21 days of the sale – failure to ColleCt within this time may result in storage fees

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Catalogue: £12.00 (£15.00 by post)images and a catalogue word search

facility are available at www.woolleyandwallis.co.uk

Viewing Timessaturday 31st may 10.00am – 1.00pmmonday 2nd June 10.00am – 5.30pmtuesday 3rd June 10.00am – 4.00pmwednesday 4th June 9.00am – 10.45am

Victor fauvelle tel: 01722 424503

[email protected]

Jo butler tel: 01722 424592

[email protected]

EnquiriEs

20th Century and Contemporary Paintings including a collection of paintings from a deceased estate

Wednesday 4th June at 11am

ARTIST’S RESALE RIGHT / DROIT DE SUITE‡ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details

GLOSSARY OF TERMSPlease refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings

Front cover: Lot 210 Back cover: Lot 161Previous page: Lot 213 This page: Lot 48

Lots 1 to 48 – Sold on behalf of the Executors of Colin Popham deceased

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1. Edwin Bottomley (1865-1929) The plough team in a summer meadow Signed Watercolour 56.5 x 43.5cm £300-500

2. Ivars Jansons (Australian b.1939) Tiddlers Signed, also titled on stretcher verso Oil on canvas 50.5 x 66cm £600-800

3. Ivars Jansons (Australian b.1939) June morning, Filkins Signed, also titled on stretcher verso Oil on canvas 51 x 66cm £600-800

4. Ivars Jansons (Australian b.1939) In the farmyard Signed Oil on canvas 61 x 84cm Provenance: Omell Galleries, Berks £600-1,000

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5. ‡ Rosemary Sarah Welch (b.1946) Shire horses in the stable yard Signed Pastel 57 x 47cm £100-200

6. ‡ Rosemary Sarah Welch (b.1946) Sunbathing Signed Oil on canvas 46 x 60.5cm Provenance: Omell Galleries £300-500

7. ‡ Rosemary Sarah Welch (b.1946) A huddle of horses Signed Oil on canvas 45.5 x 61cm £200-300

8. ‡ Rosemary Sarah Welch (b.1946) Patience Signed Oil on canvas 45 x 60cm Provenance: Omell Galleries £150-200

9. ‡ Rosemary Sarah Welch (b.1946) The abating storm Signed Oil on canvas 76 x 101cm Provenance: Omell Galleries £300-500

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10. ‡ Rosemary Sarah Welch (b.1946) Horses ploughing a woodland clearing Signed Oil on canvas 61 x 91cm £300-500

11. ‡ Rosemary Sarah Welch (b.1946) Work horses in the shade Signed Oil on canvas 57 x 47cm £300-500

12. ‡ Rosemary Sarah Welch (b.1946) A horse and groom Signed Oil on canvas 35.5 x 25.5cm £100-200

13. ‡ Dennis Page (b.1926) Paris Opera House; Palazzo Vecchio from Piazza Santa Croce, Florence Two, both signed Both watercolour over pencil 24 x 33.5cm and 22.5 x 33.5cm (2) £100-150

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14. Attributed Antoine Auguste Ernest Hébert (1817-1908) A young lady in a straw bonnet Oil on canvas 45 x 35cm £600-1,000

15. *** Spalding (19/20th Century) Hound and pups Signed and dated probably later Oil on canvas 25 x 33cm £120-180

16. Frederick James McNamara Evans (1859-1930) Near dinner time Signed Watercolour 31 x 24cm £150-250

17. William Henry Hunt (1790-1864) In the barn, c.1835 Signed Watercolour with bodycolour 40.5 x 31cm £400-600

18. Attributed to William Henry Hunt (1790-1864) A boy playing the recorder Signed Watercolour 32.5 x 23cm £250-350

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19. Joseph Harold Swanwick (1866-1929) Toil that continues in time of peace or war Signed and dated 1915, also titled verso on artist’s label Watercolour 64 x 110cm £800-1,200

20. Joseph Harold Swanwick (1866-1929) A traveller and plough team in a landscape Signed Watercolour 20 x 30cm £150-250

21. ‡ Henry John Sylvester Stannard (1870-1951) A shepherd and flock on a country track Signed Watercolour 53 x 76cm £500-700

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22. Howard Gull Stormont (1844-1923) A Kentish orchard, early spring Signed, also signed and titled on artist’s label verso Watercolour 24 x 35cm £120-180

23. Wilmot Clifford Pilsbury (1840-1908) A country cottage Signed and dated 1895 Watercolour 17.5 x 25cm £150-250

24. Henry John Kinnaird (act.1880-1920) A Surrey cornfield Signed and titled Watercolour 19 x 38.5cm £200-300

25. Mary Elizabeth Duffield (1819-1914) Still life of roses and strawberries; Wild roses on a bank Two both signed Both watercolour 15.5 x 39.5cm and 16 x 24.25cm (2) £150-250

26. ‡ Henry John Sylvester Stannard (1870-1951) Sheep feeding at dusk Signed Watercolour over pencil 34 x 47.5cm £300-500

27. Paul Sandby R.A. (1730-1809) Young ladies of fashion A pair, one numbered 45 and dated 6. J. 1779 Both watercolour Each 12.5 x 8cm (2) Provenance: Appleby Bros. Ltd., London, Winter Exhibition 1964, Ref. 138/UL £100-200

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28. ‡ Lucy Elizabeth Kemp-Welch (1869-1958) The circus pony Pastel on buff paper 32.5 x 30cm Provenance: David Messum Kemp Welch Studio Collection, London, No. 163 £300-500

29. ‡ Lucy Elizabeth Kemp-Welch (1869-1958) Captain A. H. Thistlethwaite’s bay mare ‘Marriage Lines’ with her foal ‘Master Jim’ by Trespasser’, 1924 Signed Watercolour 37 x 42cm £600-1,000

30. George Soper (1870-1942) Daisy Signed Etching 13.5 x 13.5cm £100-150

31. ‡ Rueben Ward Binks (1880-1950) A Clumber spaniel retrieving a pheasant Signed and dated 1930 Watercolour with bodycolour 27.5 x 23cm £80-120

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32. ‡ John Cyril Harrison (1898-1985) Over the stubble, partridges Signed Watercolour 22.5 x 32.5cm Provenance: Vicars Brothers Ltd., London Ref. Au/248, No. 28560 £600-800

33. Adelaide Haselcrave (19/20th Century) Horses and figures at a gate Signed Watercolour 33 x 48.5cm Provenance: Richard Hagen, Broadway £150-250

34. ‡ Roland Green (1896-1972) Cock and hen pheasant in a wood Signed Watercolour 19 x 26.5cm £80-120

35. ‡ Don Vaughan (20th Century) A harvest scene Signed Oil on canvas 51 x 102cm £150-250

36. Claude Hayes (1852-1922) Gypsies in a snowy landscape Signed Watercolour 53 x 72cm £150-250

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37. Charles James Adams (1859-1931) Cart horses watering Signed Watercolour 38 x 54cm Provenance: Richard Hagen, Broadway £700-900

38. ‡ Peter Biegel (1913-1987) Sam Weller; Crunch Two, both signed with initials, titled and dated 10.3.65 and 15.6.66 Both pastel on buff paper Each 60 x 43.5cm £300-500

39. ‡ Peter Biegel (1913-1987) Tiny aged 15 years; Sam Two, both signed with initials and dated 2.3.60 and 2.10.62 Both pastel on buff paper 44.5 x 54.5cm and 45 x 39.5cm (2) £300-500

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40. John Atkinson (1863-1924) Appleby Fair encampment Signed, also inscribed Appleby and dated 1919 Watercolour 22 x 28cm £150-250

41. John Atkinson (1863-1924) By the roadside, Brough Hill Signed and titled Watercolour with bodycolour 27 x 38cm £200-300

42. John Atkinson (1863-1924) The Horse Fair Signed Watercolour 26 x 35.5cm Provenance: Richard Hagen, Broadway, No. R876 £200-300

43. Attributed to John Atkinson (1863-1924) Gentle breeze, farm near Speen, Newbury, Berkshire Watercolour 26.25 x 38cm £120-180

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44. Attributed to John Atkinson (1863-1924) Work horses on a track Watercolour with bodycolour 36.5 x 52cm £250-350

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45. John Atkinson (1863-1924) Brough Hill Signed Watercolour 47 x 60cm Provenance: Richard Hagen, Worcs. R914 £250-350

46. John Atkinson (1863-1924) Horses and groom resting Signed Watercolour 22.5 x 30.5cm £200-300


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47. ‡ Cecil Kennedy (1905-1997) Still life of roses, gladioli and anemones in a glass bowl Signed, also inscribed Numbered 119 in artist’s catalogue on a label verso in another hand Oil on canvas 51 x 61cm Provenance: Fine Art Society, 1950 Sold on behalf of the Executors of Colin Popham deceased £15,000-20,000

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48. ‡ Sir Alfred James Munnings K.C.V.O., P.R.A. (1878-1959) A huntsman and hounds Signed and dated 06 Oil on canvas 52.5 x 57cm Provenance: Sold on behalf of the Executors of Colin Popham deceased £50,000-70,000

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49. Paul César Helleu (French 1859-1927) An elegant lady in a hat, in profile Signed Drypoint etching, unframed 54 x 42cm (sheet size) £800-1,200

50. Paul César Helleu (French 1859-1927) An elegant lady in a hat and fur-trimmed coat Signed Drypoint etching, unframed 63 x 42cm (sheet size) £1,200-1,800

51. ‡ Dame Laura Knight R.A., R.W.S. (1877-1970) Maria Dalbaicin wearing Picasso’s costume for Quadro Flamenco for the Diaghilev Ballet Company Signed Pencil 33 x 23cm £600-800

52. ‡ Dame Laura Knight R.A., R.W.S. (1877-1970) Susie Signed Etching 24.5 x 34.5cm £150-250

53. ‡ Elyse Ashe Lord (1900-1971) Ducks in a landscape; A character and chicks in a landscape Two, both signed and numbered 37/75 and 57/75 Both hand painted etchings 21 x 30cm and 22 x 26.5cm (2) £200-300

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54. ‡ Augustus John O.M., R.A. (1878-1961) Portrait Head Signed Etching 9.75 x 8.25cm £150-250

55. ‡ Augustus John O.M., R.A. (1878-1961) Bacchanalian group in a wood Pen, sepia ink and wash 15.25 x 20cm Provenance: Leicester Galleries Abbott & Holder, November 1984 £500-800

56. ‡ Augustus John O.M., R.A. (1878-1961) Reclining nude Signed Pencil 25 x 37cm £800-1,200

57. ‡ Percy Horton (1897-1970) Studies for the arrest of Suffragettes; Soldiers resting Three, all pencil on buff paper, two framed together 24.5 x 36cm and smaller (2) £150-250

58. ‡ William Lee-Hankey (1869-1952) The drapery market Signed and stamped Etching 30.5 x 35cm £150-250

59. Max Liebermann (German 1847-1935) The garden terrace c.1922 Signed Drypoint etching 20 x 25.5cm £400-600

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60. Sergei Vasil’evich Chekhonin (Russian 1878-1936) Vase of summer flowers Signed, also inscribed to Julia Curden and dated 37 Lithograph 46 x 38.5cm £800-1,200

61. After Henri de Toulouse-Lautrec Le jockey se rendant au poteau, 1954 Colour lithograph 43 x 30cm Provenance: The Redfern Gallery, 22, February, 1955 £250-350

62. ‡ Eduardo Paolozzi R.A. (Scottish 1924-2005) Oxford, 1944 Signed and titled Lithograph on buff paper 18.5 x 21.5cm Provenance: Gift from artist to family of current owner at Slade School £200-300

63. ‡ Gyula Batthyany (Hungarian 1887-1959) Costume designs A set of 7, all signed and titled All watercolour over an etched line Each approx. 35 x 23cm (7) £400-600

64. Pavel Tchelitchew (Russian 1898-1957) Study of a hand Signed and dated 1942 Pen, ink and wash 43 x 30cm £400-600

65. ‡ Käthe Kollwitz (German 1867-1945) The Conspiracy Signed, titled and numbered 8687 Etching 29.5 x 17cm (plate size) £150-250

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66. ‡ Ruskin Spear R.A. (1911-1990) Portrait of Joseph Forsyth Gimson (1896-1985), Managing Director of the Worcester Royal Porcelain Company Signed Oil on canvas 91 x 76cm £500-800

67. ‡ Llewellyn Petley-Jones (1908-1986) Portrait of Sir Winston Spencer-Churchill Signed, also signed verso Oil on canvas 145 x 119cm £1,500-2,500

68. Circle of Augustus John Portrait of a lady Oil on board 53 x 40cm £300-500

69. ‡ Cedric J. Kennedy (1898-1968) Portrait of a lady in evening dress Signed and dated 1926 Oil on canvas 91.5 x 71cm £400-600

70. ‡ Cedric J. Kennedy (1898-1968) Portrait of John Marshall c.1940; Portrait of a schoolboy - Rugby 1927 Two, both oil on canvas laid on board 45 x 37cm and 43 x 34cm (2) Provenance: (Schoolboy only) Cedric Kennedy Memorial Exhibition, Cheltenham Art Gallery, No. 66 £150-250

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71. Indian School (20th Century) Lovers reading Watercolour and gouache on silk in a decorative border 53.5 x 41cm £100-200

72. ‡ John Stanton Ward (1917-2007) London monument to the ‘memory of the biggest Fool in London’ Inscribed with an apology and inscribed verso to Hamilton with a letter of apology Pen, ink and watercolour 28 x 21cm £80-120

73. David Woodlock (1842-1929) A goosegirl by moonlight Signed Oil on canvasboard 27 x 19.5cm £400-600

74. ‡ David Muirhead Bone (1876-1953) The boiler room of a battleship Signed and stamped Lithograph 56.5 x 43cm £300-500

75. ‡ Léon Haffner (1881-1972) Racing yacht Signed and numbered 307 Gouache 43 x 32cm £150-250

76. ‡ Anda Paterson (b.1935) Catching horses; Workers Two, the second signed and dated 81 Watercolour over pencil and over ink 25 x 19cm and 15.5 x 10.5cm (2) £150-250

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77. ‡ Moila Powell (Irish 1895-1994) Australian woodland with stream Signed Mixed media, mounted, unframed 38 x 56cm Provenance: Purchased directly from the artist’s family £250-350

78. ‡ Moila Powell (Irish 1895-1994) Wooded river scene, probably Australia Signed with initials Coloured chalks, mounted, unframed 29 x 40.5cm With a further woodland scene in watercolour by the same hand (2) Provenance: Purchased directly from the artist’s family £200-300

79. ‡ Moila Powell (Irish 1895-1994) The Rocky Mountains in the 60s Signed with initials Watercolour, mounted, unframed 36 x 49cm Provenance: Purchased directly from the artist’s family £250-350

80. ‡ Moila Powell (Irish 1895-1994) Fishing boat Signed with initials Watercolour, mounted, unframed 36 x 49cm Provenance: Purchased directly from the artist’s family £250-350

81. ‡ Moila Powell (Irish 1895-1994) Great Bowden Church in the 1970s Coloured chalk, mounted, unframed 42 x 30cm Provenance: Purchased directly from the artist’s family £300-500

82. ‡ Moila Powell (Irish 1895-1994) Chapel in Australia in the 1960s Signed with initials Watercolour, mounted, unframed 30 x 46cm Provenance: Purchased directly from the artist’s family £400-600

83. ‡ Moila Powell (Irish 1895-1994) Dust storm over Port Augusta Signed with initials Watercolour over pencil 32 x 53cm Provenance: Purchased directly from the artist’s daughter £400-600

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84. ‡ Leonora Carrington (British/Mexican 1917-2011) Fantasy garden scene Signed, also inscribed To Aileen from Leonora. Ascot 1932 Summer Term, June Pen, ink and watercolour in an autograph album belonging to her school friend Aileen McCarlton-Mooney 16 x 20cm £1,000-1,500

85. Jessica Dismorr (1885-1939) View over a continental town; Scotland Two, the second signed, titled and dated 1924 Both watercolour 31.5 x 40cm and 28 x 40cm (2) £300-500

86. Attributed to Mary Cassatt (American 1844-1926) Study of a girl Signed with initials in pencil Sepia washes over pencil 16 x 19cm Provenance: Lord Hampden £100-150

87. ‡ Donald Friend (1915-1989) Arsenale Venezia Pen, ink and watercolour, heightened with white on buff paper 32 x 48cm Provenance: Redfern Gallery, Nov 10th, 1952, No. 89 £100-150

88. Henri Zuber (French 1844-1909) City roof-tops, possibly Paris Signed Watercolour 25 x 35cm £100-15087

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89. ‡ Henry Sanders né Helmut Saloman (1918-1982) An album of sketches mostly of animals Most signed and dated 50 Black chalk, some with coloured chalk and watercolour 23 x 30cm With 5 loose signed illustrations to Fables in watercolour with chalk and an exhibition catalogue for Metropolitan Borough of Stoke Newington, 1955, (c.29) £1,000-1,500

91. ‡ Julian Trevelyan R.A. (1910-1988) Blue Oxen Signed, titled and numbered 28/50 Aquatint 38 x 50cm £150-250

92. ‡ Ethelbert White (1891-1972) The pool Signed, titled and numbered 4/25 Linocut 36 x 38cm £100-150

93. ‡ Tom Coates (b.1931) A bull in a pen Signed with initials and dated 79 Pen, ink and watercolour over pencil 20 x 23.75cm £100-150

90. ‡ Richard Bawden (b.1936) Splash in the Pant Signed, titled and numbered 26/85 Linocut 42 x 86cm Provenance: Bankside Gallery, London £150-250

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94. Sir Herbert James Gunn R.A. (1983-1964) Reclining nude Signed Red chalks 35 x 45cm £500-700

95. ‡ Russell Sidney Reeve (1895-1970) Studies of cats Some signed Watercolour, unframed 31 x 49cm With further unframed drawings and watercolour sketches of cats (c.20) £100-150

96. ‡ Russell Sidney Reeve (1895-1970) A quantity of prints Some signed, most stamped verso Mostly lithographs, unframed Approx 50 x 65cm (c.34) £100-200

97. ‡ Russell Sidney Reeve (1895-1970) A quantity of prints Some signed, most stamped verso Mostly lithographs, unframed Approx 50 x 65cm (c.34) £100-200

98. ‡ Russell Sidney Reeve (1895-1970) Soldiers resting Signed and dated 38 Red chalk, unframed 31 x 49cm With 7 further unframed drawings and watercolour sketches (8) £100-200

99. ‡ Russell Sidney Reeve (1895-1970) A family resting Signed Red chalk, unframed 34 x 44cm With 8 further unframed drawings and watercolour sketches (9) £100-200

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100. ‡ Keith Rennison (20th Century) Dorset Headland Signed Watercolour 50 x 71cm £200-300

101. ‡ Alexander William Jardine (1913-1987) Big dip pool, River Spey, Easter Elchies water Signed, titled and dated 17-5-62 Watercolour 34 x 52cm £200-300

102. ‡ John Strickland Goodall (1908-1996) Figures in the street Signed Watercolour 22.5 x 28.5cm £300-500

103. ‡ John Strickland Goodall (1908-1996) Corfu Signed Watercolour 26 x 31cm Exhibited: Christopher Wood Gallery, J. S. Goodall Exhibition, July 1985, No. 161 £300-500

104. ‡ John Strickland Goodall (1908-1996) Nauplia, Greece Signed Watercolour 26.5 x 33cm Exhibited: Christopher Wood Gallery, J. S. Goodall Exhibition, July 1985, No. 164 £300-500

105. Georges Hanna Sabbagh (Egyptian 1987-1951) Study of a barn under trees Signed, also signed on a label verso Watercolour on buff paper 28 x 37.5cm £200-300

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106. ‡ Eric Hesketh-Hubbard (1892-1957) High and over, Seaford, Sussex Signed and dated 1946 Oil on paper 24 x 34cm Provenance: Suzi Quadrat Fine Art, Bristol £150-250

107. ‡ Dorothy Sims-Williams (20th Century) Edinburgh Allegory: design for a mural c.1950 Watercolour with bodycolour over pencil 44 x 89.5cm £100-150

108. ‡ Clifford Hanney (1890-1990) Camping at dusk Signed with a monogram Oil on canvasboard 25.5 x 35.5cm £200-300

109. ‡ Claude Muncaster (1903-1974) Mountain near Waterville, County Kerry, Ireland, 1952 Signed Oil on board 40.5 x 61cm Provenance: Fine Art Society, No. 40, June 1952 £200-300

110. ‡ Cedric J. Kennedy (1898-1968) Lexden Park, Colchester, 1932 Oil on canvas 75 x 91.5cm £150-250

111. Albert Braut (French 1874-1912) Winding road Signed Oil on canvas 33 x 41cm £150-250

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112. ‡ Edward Bawden R.A. (1903-1989) Caerhays Castle, Cornwall, The Stable Yard Signed Watercolour over pencil 49 x 63.5cm £5,000-8,000

113. ‡ Edward Bawden R.A. (1903-1989) Caradon No. 1, Nr. Liskeard, Cornwall Signed and dated 1958, also signed, titled and dated verso Watercolour 46.5 x 57.5cm £3,000-5,000

114. ‡ Edward Bawden R.A. (1903-1989) Among the Marsh Arabs Signed, titled and numbered 68/75 Lithograph 36.25 x 58cm £300-500

115. ‡ Edward Bawden R.A. (1903-1989) Dunkirk Signed, titled and numbered 65/75 Lithograph 36.5 x 58cm £300-500

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116. ‡ Ben Nicholson (1894-1982) Abstract Composition Lithograph 65 x 79cm Provenance: Larkhill Fine Art From the collection of Rosemary Simmons, Curwen Gallery £1,500-2,000

117. ‡ Richard Smith (b.1931) Untitled, 1971 Signed and dated in the print Colour lithograph with collage 59.5 x 90cm £300-500

118. ‡ Anthony Frost (b.1951) Blue light Signed, titled, dated 07 and numbered 31/175 Lithograph published by St. Ives Printing & Publishing Co., unframed, in a presentation portfolio 45 x 64cm (sheet size) £100-150

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119. ‡ John Piper (1903-1992) Five gates of London Signed and inscribed A/P Lithograph 44 x 161cm £1,500-2,500

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121. ‡ Wilhelmina Barns-Graham (1912-2004) Beach Signed, dated and numbered 10/75 Silkscreen on paper, 1999 39 x 29cm (image size) £400-500

120. ‡ John Piper (1903-1992) Stowe, south side of the house Signed and inscribed A/P Lithograph 46 x 56.5cm £800-1,200

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122. ‡ Adrian C. Rigby (b.1962) Ringed plovers Signed Gouache 40.5 x 52cm Provenance: The Tryon Gallery, London £150-250

124. ‡ Gerald Trice Martin (1893-1961) Mantel-conversation-piece Signed, also titled on a label verso Oil on canvas 51 x 51cm £200-300

125. Ann St. John Partridge (?-1936) Roses and daisies in a jug Signed Oil on panel 44 x 48cm £150-250

126. ‡ Gerald Norden (1912-2002) Still life of a sewing basket Signed Oil on canvas 21.5 x 29cm £100-150

127. Alfred Frederick William Hayward (1856-1939) White Hellebores Signed Oil on canvas 25 x 40cm £300-500

123. ‡ Annie Ovenden (b.1954) And the earth brought forth grass herb yielding seed after its kind Acrylic 60 x 44.5cm Provenance: The Piccadilly Gallery, London, 13.1.1986, No. 15 £100-150

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128. Philip Wilson Steer O.M. (1860-1942) The Domino Signed and dated indistinctly (thought to be 1904) Oil on canvas 78 x 58cm Provenance: Roland Browse and Delbanco Leonard F. Harrison, Sabines, Avon, Christchurch Exhibited: The National Gallery London, British Painting Since Whistler, 1940 C.E.M.A. Exhibition 1943-44, No. 12 £10,000-15,000

129. Philip Alexius de László (Hungarian 1869-1936) Portrait of Mrs Veronique Nettlefold, known as The South African Nightingale Signed and dated 1931 Oil on canvas 101 x 75cm £2,000-3,000

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130. ‡ Reginald Brill (1902-1974) Workman’s Head I Pen, ink and watercolour heightened with white 26 x 20.5cm Provenance: Phoenix Gallery, Suffolk, 22nd Dec. 1977 Exhibited: Phoenix Gallery, Fantasy in the Country Exhibition, No. 13 £300-500

131. ‡ Nicolas Granger-Taylor (b.1963) Studio window with self portrait Signed and dated 1991 verso Oil on canvas laid down on board 41.5 x 34.5cm Provenance: Waterman Fine Art, London £600-800

132. Armand Rassenfosse (1862-1934) Seated nude Signed and dated 1924 Pencil with coloured chalk on buff paper 24 x 18cm With a print of a nude attributed to Armande Maillol (2) £100-150

133. ‡ Michael Ayrton (1921-1975) Study of a mother and child Signed Oil on canvas laid on board 35 x 23cm £300-500

134. Jessie Wilcox Smith (American 1863-1935) and Elizbeth Shippen Green (American 1871-1954) Scenes of Childhood 7, all lithographs, framed as 2 sets of 3 and a single All 30 x 23cm (7) Titles: Rocking Baby to Sleep 1902; Wet Feet 1902; Opening Christmas Stocking 1902; A Rainy Day; The Book of the Child 1902; Boy in Orchard; Little Gardener £300-500

134

133

131

132

130

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135. ‡ W. Henderson (20th Century) The Rally car Signed and dated 49 Watercolour, with 1949 and 1951 anniversary run badges attached to frame 27.5 x 36.5cm £200-300

136. Harold Frederick Weaver Hawkins (Australian 1893-1977) Maltese market; Maltese Cart A pair, both signed Raokin and titled Both linocuts, mounted, unframed Each 14 x 17.5cm (2) £200-300

137. ‡ Juan Soler (Spanish b.1951) Ladies outside the Palais Garnier Opera House Signed Oil on canvas 27 x 22cm £300-500

138. T. P. Cigni (20th Century) Paris Jour Signed and dated 1962 Oil on canvas with collage 33 x 19cm £100-150

139. ‡ Giuseppe Casalloni (Sardinian b.1944) Figures on the beach; Children by a water fountain; Fishermen and boy A set of three, all signed All oil on canvas 69 x 49cm (3) £100-150

140. ‡ Willem Jilts Pol (1905-1988) Portrait of a young member of the Adeane family Signed and dated 61 Oil on canvas 51 x 40.5cm £150-250

138 139 140

136135

137

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141. ‡ Stephen McKenna (b.1939) Tuscan Order, Triptych, 1987 Oil on canvas, unframed Two at 200 x 150cm and one at 200 x 300cm, total size 200 x 600cm (3)

This classical composition is one of McKenna’s most ambitious works, taking its title from Palladio’s Treatise on Architecture, it recalls his theatrical themes but also those of a fresco in it’s choice of colour. The composition contains references to Boticcelli’s Birth of Venus, Giorgione’s Tempesta, Bachanallian revels by Poussin and Picasso’s commedia dell’arte figures but also a contemporary reference in the couple in the left of the centre panel £4,000-6,000

141 detail

141 detail141 detail

141

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142. Glyn Warren Philpot R.A. (1884-1937) Coast of Britain, c.1919-20 Oil on canvas 207 x 92cm Exhibited: XVII International Art Exhibition, Venice 1930 National Portrait Gallery, Cat. No. 23 The Art Exhibition Bureau £3,000-5,000

142

142 detail

36

143. ‡ Charles Frederick Tunnicliffe R.A. (1901-1979) Black Swan Signed Watercolour over pencil 38.5 x 67cm Provenance: The Moorland Gallery, London Exhibited: Royal Academy Summer Exhibition 1968, no. 244 Welsh Arts Council, no. 62 £1,500-2,500

144. ‡ Charles Frederick Tunnicliffe R.A. (1901-1979) A Siamese cat stalking a butterfly amongst bluebells Signed, also inscribed on a label verso Siamese Watercolour on buff paper 45 x 65cm Provenance: Tunnicliffe Studio, 1980, No. 347 £1,000-1,500

144

143

37

145. ‡ Sir William Russell Flint R.A., P.R.W.S. (1880-1969) The Swimmer Signed, also signed, titled and inscribed with the artist’s address on a label verso Watercolour 35 x 51.5cm £12,000-18,000

146. ‡ Gabriel Deschamps (French b.1919) St Tropez Harbour Signed Oil on canvas 66 x 100cm £800-1,200

146

145

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147. ‡ Yolande Ardissone (French b.1927) Boats moored in a harbour Signed Oil on canvas 44.5 x 55cm £600-800

149. ‡ Arthur Karl Maderson (Irish b.1942) Study of light from Marshalls Elm; Blustery day on Mendips Two, both signed with initials Both oil on canvas laid on board 13.5 x 14.25cm and similar (2) £200-300

148. ‡ Yolande Ardissone (French b.1927) A cornfield with boats beyond Signed Oil on canvas 60 x 73cm £800-1,200

150. ‡ Oona Campbell (b.1967) St Ives Coastline II and IV Two, both signed Both oil on board Each 30 x 40cm (2) £200-300

150

149

148147

39

151. ‡ Raymond Thibésart (French 1874-1968) Spring blossom on a hill Signed Oil on canvas 63 x 79cm Provenance: Omell Galleries £1,500-2,500

152. ‡ Louis Fabien (French b.1924) Giverney in summer Signed and dated 88 Oil on canvas 128 x 95cm £1,000-1,500

151

152

40

153. ‡ Sir Eduardo Paolozzi R.A. (Scottish 1924-2005) American print Signed, dated 1971 and inscribed A/P Lithograph 77 x 51.5cm £400-600

154. ‡ Sir Eduardo Paolozzi R.A. (Scottish 1924-2005) Study for a poster Signed, titled, dated 1974 A/P and dedicated: For Wilfred Lithograph 84.5 x 57.5cm £300-500

155. ‡ Sir Eduardo Paolozzi R.A. (Scottish 1924-2005) From Early Italian Poets Signed, dated 1975, numbered 5/25 A/P Silkscreen, plate IV from Calcium Light Night Portfolio 73 x 53cm £200-300

156. ‡ Sir Eduardo Paolozzi R.A. (Scottish 1924-2005) Philadelphia Print Signed, dated 1971, numbered 8/100 and dedicated Screenprint 71 x 50.5cm £200-300

157. ‡ Sir Eduardo Paolozzi R.A. (Scottish 1924-2005) Aranjuex; Die Versunkene Glocke A pair, both signed, dated 1974, titled and inscribed A/P Both etchings from the Ravel Suite 25 x 18.5cm and 22 x 16cm £150-250

155 157

154

156

153

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158. ‡ Donald Baechler (b.1956) Tulips 2007 Signed with initials and dated 07 verso Acrylic and fabric collage on canvas 114 x 76cm Provenance: Gallery Alain Noirhomme, Baechler Morrison, March 21st - May 10th 2008, illustrated page 25 The Exhibition Catalogue and Opening invitation are included in the lot £10,000-15,000

159. No lot

158

42

160. ‡ Edward Burra (1905-1976) Street Brawl c.1930 With stamped signature Pencil and brown crayon 61 x 48cm Provenance: Sotheby’s, London, 3rd July 2002, lot 260 Jonathan Clarke Fine Art £4,000-6,000

161. ‡ Graham Sutherland O.M. (1903-1980) Abstract study Signed with initials, dated 1952 and inscribed St Jean Watercolour and coloured chalks over pencil 21.5 x 13cm Provenance: Given the the present owner by the artist £500-800

162. ‡ David Hockney R.A. (b.1937) Cold water about to hit the prince, from illustrations for Six Fairy Tales for the Brothers Grimm Signed Etching, aquatint 35 x 28cm £800-1,000

161

160

162

43

163. ‡ Cedric Lockwood Morris (1889-1982) Landscape in Spain Oil on board 60 x 73.5cm £1,500-2,500

164. Derwent Lees (1885-1931) A bay, the South of France, Cassis Signed and titled verso Oil on board, unframed 63 x 76cm £800-1,200

164

163

44

165. ‡ John Charles Wilkinson R.B.A. (20th Century) Usclas du Bosc, Hérault Oil on canvas laid on board 45 x 60cm £200-300

166. ‡ Antony Bream (b.1943) Sussex Downs Signed Oil on canvas 46 x 61cm £100-150

167. ‡ Louis Labro-Font (French 1881-1952) Marseille - Bassin de Carénage Signed, also signed, titled and dated 1 Fev. 1928 verso Oil on panel 50 x 65cm £200-300

168. ‡ David William Burley (1901-1990) Old sheds, Birchington, Kent Signed Oil on canvasboard 40 x 50cm £120-180

169. ‡ George Turland Goosey (20th Century) A Cornish haven Signed Oil on board 29 x 39cm Provenance: Christopher Cole, Beaconsfield £300-500

170. ‡ George Turland Goosey (20th Century) St. Ives Harbour Signed Oil on canvas laid on board 29 x 39cm Provenance: Christopher Cole, Beaconsfield £400-600

170169

168167

166165

45

171. ‡ Sidney Harpley R.A. (1927-1992) Nude reading Signed and numbered 7/9 Bronze on a composite base 58cm long, 26cm high £5,000-7,000

172. ‡ Sidney Harpley R.A. (1927-1992) Nude on a rock Signed and numbered 7/12 Bronze on a granite base 12cm high including base £600-800

173. ‡ Sidney Harpley R.A. (1927-1992) Girl on a chair Signed and numbered 4/12 Bronze on a composite base 16.5cm high including base £600-800

174. ‡ Sidney Harpley R.A. (1927-1992) On the beach Signed and numbered 9/9 Bronze on a granite base (broken) 62cm high including base £2,500-3,500

175. ‡ Sidney Harpley R.A. (1927-1992) Diving girl Signed and numbered 4/9 Bronze on a granite base 69cm high including base £3,000-5,000

173172

171

175174

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176. ‡ Peter Biegel (1913-1987) South West Wilts., Cowridge, a brace! Signed, titled and dated ‘67 Oil on canvas 45 x 61cm £1,000-1,500

177. ‡ John Gregory King (b.1929) The South West Wilts., on the scent Signed, inscribed S.W.W. and dated ‘82 Oil on canvas 45 x 61cm £400-600

178. ‡ Paul Ayshford Lord Methuen R.A. (1886-1974) Westwood Signed Oil on canvas, unframed 31 x 46cm Exhibited: Leicester Galleries, 12th March 1947, No.43 £300-500

179. ‡ A. Billiris (20th Century) Around the maypole Signed and dated 1963 Oil on board 53 x 68cm £100-150

179178

177

176

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180. ‡ Ken Howard R.A. (b.1932) Summer interior Signed Oil on canvas 61 x 51cm Provenance: The Mall Galleries, 1994 £2,500-3,500

181. ‡ Ken Howard R.A. (b.1932) Mousehole Signed Oil on canvas 46 x 61cm Provenance: New Grafton Gallery, Barnes, Exhibited 7/5/86, No. 8 £1,000-1,500

182. ‡ Bernard Dunstan R.A. (b.1920) Near Plouzbalanec Signed with initials Oil on board 23 x 30.5cm £400-600

183. ‡ Dion Pears (1929-1985) Morning Cloud, Edward Heath’s yacht Signed Oil on canvas 76 x 91cm Provenance: Royal Institute of Oil Painters £300-500

180

183

182

181

48

184. ‡ Marcel Dyf (French 1899-1985) Le Ruault, Bretagne Signed Oil on canvas 46 x 55cm Provenance: Frost & Reed, No. 47216 E. Stacy-Marks, 3/5/72, D.1550 £6,000-8,000

185. ‡ André Bicât (French 1909-1996) Dogana, Venice Signed Oil on canvas 76 x 122cm £700-1,000

185

184

49

186. ‡ Edward Seago R.W.S. (1910-1974) The IJ at Amsterdam Signed Oil on canvas 40.5 x 61cm Provenance: Frost & Reed, 22/7/69, No.S355 £5,000-7,000

187. ‡ Pierre de Clausade (French 1910-1976) The calm lagoon Signed Oil on canvas 54.5 x 65cm Provenance: E. Stacy Marks, 7.8.75 No. D1877 £1,500-2,500

187

186

50

188. Sergei Filitov (Russian b.1964) Arbat Street, Moscow Signed, titled and dated 1994 Acrylic on canvas, unframed 60 x 80cm £200-300

189. Sergei Filitov (Russian b.1964) The red house Signed, titled and dated 1994 Acrylic on canvas, unframed 60 x 80cm £200-300

190. ‡ M. I’Anson (20th Century) A river landscape Signed Oil on canvas 41 x 51cm Provenance: The Rowley Gallery, London £120-180

194193

192191190

189188

191. ‡ Giuseppe Salvati (Italian b.1900) A coastal village Signed Oil on canvas 61 x 91.5cm £200-300

192. ‡ Sarah Goodwin (20th Century) Broadchalke landscape Signed with initials Oil on board 51 x 61cm £100-200

193. ‡ Valerie Batchelor (b.1932) Sunny pastures Signed Acrylic 12 x 16cm £100-150

194. ‡ John Heseltine (20th Century) Children playing in the waves Signed Oil on paper 43 x 69.5cm £150-250

51

195. ‡ Arthur Karl Maderson (Irish b.1942) Poplars, West End Street Signed Oil on linen laid on board 82 x 61cm £600-800

196. Manner of John Anthony Park Harbour scene Oil on board 38.5 x 28.5cm Provenance: Cadnam Lodge, Cadnam, Hampshire Tony Sanders Gallery, Penzance £200-250

197. ‡ Emma McClure (b.1962) High Dive Signed with initials and dated 87, also signed and dated on the mount Gouache 45 x 36cm Exhibited: Contemporary Art Society Market, 1988 £100-150

198. ‡ John Miller (1931-2002) San Giorgio evening light Signed, also signed and titled verso Oil on canvas 50 x 40.5cm Provenance: David Messum, British Impressions, 1988, No. 55 £600-800

199. ‡ Roy Ray (b.1936) Sept 20 : Carracks Signed, titled and dated 1983 Mixed media and collage on board 30.5 x 25.5cm £100-150

199197

198

196

195

52

200. ‡ John Caple (b.1966) May day hobby horse, Somerset Titled Mixed media on board 25.5 x 24.5cm Provenance: John Martin, London £600-1,000

201. ‡ John Caple (b.1966) My father’s gardener with Zinnias, Sidcot, Somerset Titled Mixed media on board 28 x 28cm Provenance: John Martin, London £600-1,000

202. ‡ John Caple (b.1966) Banwell fair, Somerset Titled Mixed media on board 42 x 39.5cm Provenance: John Martin, London £600-1,000

203. ‡ John Caple (b.1966) Blacksmith’s funeral, Mendips, Somerset Titled Mixed media on board 24 x 30.5cm Provenance: John Martin, London £600-1,000

203

201

202

200

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204. ‡ Mark Adlington (b.1965) Alcurrucén Signed with initials and dated 99 Oil on canvas 76 x 91cm Provenance: John Martin, London Exhibited: John Martin, Toros Celestes, Spanish Journeys, 9 October 1999 £800-1,200

205. ‡ Mark Adlington (b.1965) Parado Signed with initials and dated 99 Oil on canvas 76 x 107cm Provenance: John Martin, London Exhibited: John Martin, Toros Celestes, Spanish Journeys, 9 October 1999 £800-1,200

206. ‡ Mark Adlington (b.1965) Head of a white tailed sea eagle Mixed media 30 x 42cm £400-600

207. ‡ Mark Adlington (b.1965) White tailed sea eagle Signed, titled and dated 2001 Charcoal and conté crayon 38 x 42cm £400-600

207

205

206

204

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208. ‡ Lionel Bulmer (1919-1992) The garden Signed, also signed and titled on artist’s label verso Oil on canvas 122 x 152cm Exhibited: Royal Academy, 1981 £4,000-6,000

209. ‡ Lionel Bulmer (1919-1992) Girl brambling Signed Oil on canvas 63.5 x 76cm £2,000-3,000

209

208

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210. ‡ Lionel Bulmer (1919-1992) Figures on a beach, summer Signed, also signed and titled on part artist’s label verso Oil on canvas 122 x 152cm £5,000-7,000

211. ‡ Lionel Bulmer (1919-1992) View on the river Blyth Signed Oil on canvas 76 x 102cm Provenance: The New art centre, London 01661 £1,500-2,500

211

210

56

212

213

212. ‡ Fred Yates (1922-2008) Flowers against a blue background Signed Oil on canvas 89 x 116cm Provenance: John Martin, London Exhibited: Fred Yates, Paintings from France 5-20 April 2000 £6,000-8,000

213. ‡ Ivon Hitchens (1893-1979) Dark downs through trees Signed and dated 66, also signed, titled, dated and inscribed with the artist’s address verso Oil on canvas 40.5 x 91.5cm Provenance: Waddington Galleries, No. B2810 Collection of Howard Bliss £30,000-40,000

57

214. ‡ Fionnuala and Leslie Boyd & Evans (b.1944 & 45) Light figure; Dark figure Two, both signed, titled and dated 90 verso Both oil on canvas Each 23 x 15cm (2) £200-300

215. Shu Tanaka (Japanese b.1908) Untitled composition Signed Oil on canvas, unframed 81 x 54cm £200-300

216. ‡ Robert Lowe (b.1942) Untitled Signed, also signed and dated 1987 verso Oil on board 114 x 107cm £200-300

217. ‡ John Hopkinson (b.1947) Birds, pier and beach Signed Oil on board 45 x 61cm Exhibited: John Whibley Gallery, Cork St., Six New Artists, No. 12, 1972 £300-500

215214

217216

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218. After Salvador Dali (1904-1989) Fantasy animal Signed Hand-coloured lithograph, Artist’s proof 97 x 68cm sheet size £200-300

219. ‡ Victor Vasarely (1906-1997) Kernoo, 1962 Screenprint on cotton designed for Edinburgh Weavers 115 x 59cm £200-300

220. ‡ Richard Brendel (20th Century) Cool summer; The thirsty drinks; Super star; The Royal Collection 4, all lithographs Each 63 x 42.5cm (4) £100-150

221. ‡ Edward Piper (1930-1990) On the Mantlepiece Signed Linocut 44 x 29cm (sheet size) £100-150

222. ‡ Chaim Stephenson (20th Century) Large standing warrior Resin over metal and wire 180cm high £600-800

223. ‡ Julian Trevelyan (1910-1988) Thames Barge Signed, titled and numbered 50/50 Etching with aquatint 47.5 x 34.5cm £400-600

223

220

222

219

221

218

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224. ‡ Howard Watson (20th Century) Untitled, 1 Signed on backing board verso Watercolour with gouache 26 x 16.5cm Provenance: The Merriscourt Gallery, Oxon £100-150

225. ‡ Lilian Colbourn (1897-1967) Still life of tulips Signed Oil on canvas 56 x 45.5cm £200-300

226. ‡ Michael Rothenstein (1908-1993) Tube of paint; Sun colours Two, both signed, the first inscribed A/P Both woodcuts 52 x 36cm and 56 x 38cm (2) £100-150

227. ‡ Tim Harrison (20th Century) Field systems, 2003 Set of four, all signed and numbered 1/4 All etchings, 1st, 2nd, 3rd and 4th states 56 x 56cm (4) Provenance: New Art Centre Sculpture Park and Gallery, Roche Park £200-300

228. ‡ John Charles Wilkinson R.B.A. (20th Century) Dieppe harbour Signed with initials Oil on canvasboard 29.5 x 39.5cm £200-300

228

226

227

225224

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229. ‡ John Bratby R.A. (1928-1992) The Gondola and Bridge of Sighs Signed Oil on canvas 122 x 91cm Provenance: Thackeray Gallery, purchased by Michael Burns 12.3.85 £2,000-3,000

229

61

230. ‡ John Bratby R.A. (1928-1992) Ape Signed and dated 6.62 Oil on board, unframed 122 x 122cm Provenance: Christie’s, 31 Oct 1996, Lot 294 Leslie Gooday OBE £1,500-2,000

231. ‡ John Bratby R.A. (1928-1992) Patti seated nude Signed Gouache on buff paper 77 x 57cm £200-300

232. ‡ John Bratby R.A. (1928-1992) Rima and Jean Signed Oil on canvas 76 x 152cm Provenance: Thackeray Gallery, 21st October 1971 Christie’s, 31 Oct 1996, Lot 292 Leslie Gooday OBE £1,000-1,500

231230

232

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233. Circle of David Hockney Study of a woman reclining Coloured chalks 58 x 82cm £300-500

234. ‡ André Civet (French 1911-1984) Intérieur au Lit Signed Oil on canvas 65.5 x 92cm Provenance: Arthur Tooth & Sons, No. 5315 £200-300

235. ‡ Trevor Stubley (1932-2010) Sma’Glen, Crieff, Tayside, c.1980 Signed and titled Watercolour with bodycolour 56 x 74.5cm Provenance: Shell (UK) Collection £150-250

236. ‡ Anthony Green (b.1939) The yellow rose bush Signed, titled and dated 94 on a label Oil on panel 54cm long £250-350

237. ‡ Kenneth King (Irish 20th Century) Reflections, Malinbeg Harbour, S.W. Donegal Signed, also signed, titled and dated 1991 verso Oil on panel 61 x 71cm With 3 further smaller oils by the same hand, one of St. John’s Point, one of the Cave at Maghera and one of the Cliffs of Slieve League all Co. Donegal (4) £150-250

238. Charles Robinson (1870-1937) In the Harem Signed Watercolour and bodycolour over pencil 37 x 61cm £800-1,200

238

237236235

234233

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239. Alexei Begov (Ukranian b.1951) Family group Signed, also signed and dated 1992 verso Oil on canvas, unframed 80 x 101cm £1,000-1,500

240. ‡ Norman Adams R.A. (1927-2005) The Death of Socrates Signed with initials and dated 84, also signed, titled and dated verso Oil on canvas 122 x 102cm Provenance: Royal Academy Summer Exhibition 1985 £400-600

241. ‡ Roger Marcel Limouse (French 1894-1990) Still life Signed, also signed and dated 1945 verso Oil on canvas 85 x 73.5cm Provenance: Crane Kalman Gallery, April 1969 £1,500-2,000

242. ‡ Fiona Rae (b.1963) Untitled 1987 Oil on canvas 102 x 133cm Provenance: Karsten Schubert, London £1,000-1,500

242

240

241

239

64

243. ‡ Joyce Dennys (1893-1991) Family day out Signed Oil on board 63.5 x 81cm £300-500

244. ‡ Maurice Cockrill (1936-2013) Pines of Rome Signed, titled and dated 1989 verso Oil on canvas 20 x 25cm £200-300

245. ‡ David Humphreys (b.1937) Port Quin, North Cornwall Signed, also signed and titled verso Oil on board 76 x 91.5cm £300-500

246. ‡ George Fisher Gilmour (act. c.1940) February evening Signed, also signed and titled verso Oil on canvas board 20 x 23cm Provenance: James Bourlet & Sons, Paris Salon 1955 £300-500

247. ‡ Alfred Stockham (b.1933) Untitled Signed with initials Oil on board 12 x 14cm £150-250

247246

245244

243

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248. ‡ Victoria Crowe O.B.E., R.S.A. (Scottish b.1945) Snowbank Sun and Shadows Signed, dated 79 and titled verso Oil on board 76 x 55cm Provenance: Thackeray Gallery, London, purchased by M.J. Burns 12th July 1980 £1,000-1,500

249. ‡ Francisco Borès (Spanish 1898-1972) Le Bateau d’Angleterre Signed and dated 33 Oil on canvas 22 x 27cm £1,000-1,500

250. ‡ Valerios Caloutsis (Greek b.1927) Hillside view Signed and dated 58, also dated and inscribed Paris Oil on canvas 60 x 72.5cm Provenance: Bought directly from the artist and by descent. Caloutsis was one of a group of artists known as Lumia Artists, a form of Kinetic art £800-1,200

251. ‡ Valerios Caloutsis (Greek b.1927) Landscape Signed and dated 59 Oil on canvas, unframed 84.5 x 92cm With an unframed watercolour design by the same hand (2) Provenance: Gift from the artist and by descent. Caloutsis was one of a group of artists known as Lumia Artists, a form of Kinetic art £800-1,200

251

249

250

248

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252. ‡ Malcolm Temple (20th Century) Portrait of a blonde in a stripey shirt Signed and dated 1979 Pastel over pencil 147 x 74cm Provenance: Collection of John Jesse, Kensington £400-600

253. French School 20th Century Still life with a glass and paper Oil on canvas 73 x 60cm £200-300

254. ‡ Donald Hamilton Fraser (1929-2009) Flowers, 1995 Signed and numbered AP VI/XX from Edition 175 Silkscreen and woodblock 49 x 42cm £100-200

255. ‡ Terry Frost R.A. (1915-2003) O with dots Signed and dated 99, also signed, titled and dated verso Oil on board with painted fabric collage 25.5 x 25.5cm £1,000-1,500

256. ‡ Paul Huxley R.A. (b.1938) Study relating to Anima Animus V, 1998 Acrylic and collage on paper 70 x 66cm (sheet size) Provenance: Jason & Rhodes, London, No. U4514 The British Land Co., London No. 231 £500-1,000

255

254

256

253252

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257. ‡ John Bellany R.A. (1942-2013) Still life with Amaryllis Signed twice Oil on canvas 122 x 91.5cm £5,000-7,000

258. ‡ Jean Commère (French 1920-1986) Printemps au verger Signed Oil on canvas 66 x 92cm Provenance: The Lefevre Gallery No. 132/64 £1,500-2,500

258

257

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259. ‡ Philip Dunn (b.1945) Seafront Sunset Signed Oil on canvas 81.5 x 92cm Provenance: John Whibley Gallery, part label verso £150-250

260. ‡ Fred Yates (1922-2008) Bandstand, Morrab Gardens, Penzance Signed twice Watercolour 54 x 74cm £1,000-1,500

261. ‡ Sheila MacLeod Robertson (b.1927) High Summer Signed Oil on board 30 x 40.5cm Provenance: Artist’s labels verso £300-500

262. Willem Hermanus Coetzer (South African 1900-1983) Weavers nest Signed and dated 43 Oil on canvas 64 x 83cm £1,500-2,500

259

260

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263. ‡ Ginette Rapp (French 1928-1998) Port de Marken Signed Oil on canvas 38 x 56cm £150-250

264. ‡ Rowland Hilder (1905-1993) Birdham Pool, Chichester Signed Pen, ink and watercolour 22.5 x 33cm £150-250

265. ‡ Tessanna Hoare (b.1961) Croaghaun, Co. Mayo Red chalk 35 x 50cm £100-200

266. ‡ Tessanna Hoare (b.1961) Achill Isle Signed and dated 1992 Charcoal 63 x 89cm £100-200

267. Gabriel Lévêque (Haitian b.1912) Flower picking angels; Angelic ensemble Two, both signed Both oil on board 51 x 61cm and 61 x 76.5cm (2) £150-250

268. Jacques Richard Chery (Haitian b.1928) Marche Cluni Signed Oil on board 60 x 81cm £100-150

268267

266265

264263

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269. ‡ Kenneth Walch (b.1927) Cubist cows Signed and dated 86 Oil on board 44 x 60cm £300-500

270. ‡ Philip Davies (b.1953) Faster, faster Signed with initials and dated 89 Oil on paper 41 x 56cm £200-300

271. ‡ Leslie Gooday O.B.E. (1921-2013) Vanitas, 2002 Signed Mixed media on board 25 x 45cm £100-150

272. ‡ Leslie Gooday O.B.E. (1921-2013) Concept 28 Signed Acrylic on board 33 x 85cm £150-250

273. ‡ Leslie Gooday O.B.E. (1921-2013) White horses Signed Acrylic on board, unframed 66 x 41cm £100-150

274. ‡ Leslie Gooday O.B.E. (1921-2013) Aztec 9 Signed Acrylic on board 29 x 42cm Provenance: Chelsea Art Society £100-150

274

273

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AAdams, Charles James 37Adams, Norman 240Adlington, Mark 204, 205, 206, 207Ardissone, Yolande 147, 148Atkinson, Attrib. to John 43, 44Atkinson, John 40, 41, 42, 45, 46Augustus John, Circle of 68Ayrton, Michael 133

BBaechler, Donald 158Barns-Graham, Wilhelmina 121Batchelor, Valerie 193Batthyany, Gyula 63Bawden, Edward 112, 113, 114, 115Bawden, Richard 90Begov, Alexei 239Bellany, John 257Bicat, Andre 185Biegel, Peter 38, 39, 176Billiris, A. 179Binks, Rueben Ward 31Bone, David Muirhead 74Bores, Francisco 249Bottomley, Edwin 1Boyd & Evans 214Bratby, John 229, 230, 231, 232Braut, Albert 111Bream, Antony 166Brendel, Richard 220Brill, Reginald 130Bulmer, Lionel 208, 209, 210, 213Burley, David William 168Burra, Edward 160

CCaloutsis, Valerios 250, 251Campbell, Oona 150Caple, John 200, 201, 202, 203Carrington, Leonora 84Casalloni, Giuseppe 139Cassatt, Mary 86Chekhonin, Sergei Vasil’evich 60Chery, Jacques Richard 268Cigni, T. P. 138Civet, Andre 234Clausade, Pierre de 187Coates, Tom 93Cockrill, Maurice 244Coetzer, Wellem Hermanus 262Colbourn, Lilian 225Commere, Jean 258Crowe, Victoria 248

DDali, After Salvador 218Davies, Philip 270de Laszlo, Philip Alexius 129Dennys, Joyce 243Deschamps, Gabriel 146Dismorr, Jessica 85Duffield, Mary Elizabeth 25Dunn, Philip 259Dunstan, Bernard 182Dyf, Marcel 184

EEvans, Frederick J. M. 16

FFabien, Louis 152Filitov, Sergei 188, 189Flint, Sir William Russell 145Fraser, Donald Hamilton 254French School 253Friend, Donald 87Frost, Anthony 118Frost, Terry 255

GGilmour, George Fisher 246Goodall, John Strickland 102, 103, 104Gooday, Leslie 271, 272, 273, 274Goodwin, Sarah 192Goosey, George Turland 169, 170Granger-Taylor, Nicolas 131Green, Anthony 236Green, Elizabeth Shippen 134Green, Roland 34Gunn, Sir Herbert James 94

HHaffner, Leon 75Hanney, Clifford 108Harpley, Sidney 171, 172, 173, 174, 157Harrison, John Cyril 32Harrison, Tim 227Haselcrave, Adelaide 33Hawkins, Harold F. W 136Hayes, Claude 36Hayward, Alfred F. W. 127Hebert, Attrib to Antoine A. E. 14Helleu, Paul Cesar 49, 50Henderson, W. 135Heseltine, John 194Hesketh-Hubbard, Eric 106Hilder, Rowland 264Hitchens, Ivon 212Hoare, Tessanna 265, 266Hockney, Circle of David 233Hockney, David 162Hopkinson, John 217Horton, Percy 57Howard, Ken 180, 181Humphreys, David 245Hunt, Attrib. to William Henry 18Hunt, William Henry 17Huxley, Paul 256

II’Anson, M. 190Indian School 71

JJansons, Ivars 2, 3, 4Jardine, Alexander William 101John, Augustus Edwin 54, 55, 56

KKemp-Welch, Lucy 28, 29Kennedy, Cecil 47Kennedy, Cedric J. 69, 70, 110King, John Gregory 177King, Kenneth 237Kinnaird, Henry John 24Knight, Dame Laura 51, 52Kollwitz, Kathe 65

LLabro-Font, Louis 167Lee-Hankey, William 58Lees, Derwent 164Leveque, Gabriel 267Liebermann, Max 59Limouse, Roger Marcel 241Lord, Elyse Ashe 53Lowe, Robert 216

MMaderson, Arthur Karl 149, 195Martin, Gerald Trice 124McClure, Emma 197McKenna, Stephen 141Methuen, Paul A. Lord 178Miller, John 198Morris, Cedric Lockwood 163Muncaster, Claude 109Munnings, Sir Alfred James 48

NNicholson, Ben 116Norden, Gerald 126

OOvenden, Annie 123

PPage, Dennis 13Paolozzi, Sir Eduardo 62, 153, 154, 155, 156, 157Park, Manner of John 196Paterson, Anda 76Pears, Dion 183Petley-Jones, Llewellyn 67Philpot, Glyn Warren 142Pilsbury, Wilmot Clifford 23Piper, Edward 221Piper, John 119, 120Pol, Willem Jilts 140Powell, Moila 77, 78, 79, 80, 81, 82, 83

RRae, Fiona 242Rapp, Ginette 263Rassenfosse, Armand 132Ray, Roy 199Reeve, Russell Sidney 95, 96, 97, 98, 99Rennison, Keith 100Rigby, Adrian C. 122Robertson, Sheila MacLeod 261Robinson, Charles 238Rothenstein, Michael 226

SSabbagh, Georges Hanna 105Salvati, Giuseppe 191Sandby, Paul 27Sanders, Henry/Helmut Saloman 89Seago, Edward 186Sims-Williams, Dorothy 107Smith, Jessie Wilcox 134Smith, Richard 117Soler, Juan 137Soper, George 30Spalding 15Spear, Ruskin 66St. John Partridge, Ann 125Stannard, Henry John S. 21, 26Steer, Philip Wilson 128Stephenson, Chaim 222Stockham, Alfred 247Stormont, Howard Gull 22Stubley, Trevor 235Sutherland, Graham 161Swanwick, Joseph Harold 19, 20

TTanaka, Shu 215Tchelitchew, Pavel 64Temple, Malcolm 252Thibesart, Raymond 151Toulouse-Lautrac, After H. 61Trevelyan, Julian 91, 223Tunnicliffe, Charles Frederick 143, 144

VVasarely, Victor 219Vaughan, Don 35

WWalch, Kenneth 269Ward, John Stanton 72Watson, Howard 224Welch, Rosemary Sarah 5, 6, 7, 8, 9, 10, 11, 12White, Ethelbert 92Wilkinson, John Charles 165, 228Woodlock, David 73

YYates, Fred 211, 260

ZZuber, Henri 88

INDEX OF ARTISTS

A rare Kamba throne, Kenya, c.1927, 102.5cm high.

Estimate: £2,000-£3,000

ENQUIRIES Will Hobbs +44 (0)1722 339752

[email protected]

Tribal Art & AntiquitiesThursday 19th June 2014

Furniture & Works of ArtTuesday 8th July 2014

The contents of the Old Rectory, Little Langford, Wiltshire. Sold by order of the Trustees of the Estate of the late Miss S. F. Rooke.

ENQUIRIESMark Richards 44 (0)1722 411854

[email protected]

An Edwardian silver epergne, by James Dixon and Sons, Sheffield 1906.

Estimate: £4,000-£6,000

ENQUIRIES Rupert Slingsby +44 (0)1722 424501

[email protected] Chalmers +44 (0) 1722 424594

[email protected]

SilverTuesday 22nd & Wednesday 23rd July 2014

Clocks, Watches & Scientific Instruments

Wednesday 30th July 2014

A French ormolu mantel clock, the enamel dial signed Martinot a Paris,

the drum cased striking movement by Louis Boname.

Estimate: £1,500-£2,000

ENQUIRIESRichard Price +44 (0)7741 242421

[email protected]

Fine Porcelain & PotteryTuesday 9th September 2014Entries are now being accepted for this sale

A rare Worcester ‘Scratch Cross’ mug, circa 1754, from the Raymond Dennis Collection.

Sold for £41,500

ENQUIRIESClare Durham +44 (0)1722 424507

[email protected]

PaintingsWednesday 24th September 2014Entries are now being accepted for this sale

Edgar Hunt (1876-1953)A chickens and doves by a barn

Signed and dated 1924Oil on canvas

28 x 38cmEstimate: £6,000-8,000

ENQUIRIESVictor Fauvelle +44 (0)1722 424503

[email protected]

Auction Information

OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays.

VIEwING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIddING IN tHE ROOM to bid at auction you will need a paddle number. this can be obtained from the office either during the view or on the day of the sale. we now provide permanent paddle numbers which can be used for any future sale, once registered.

REGIStERING wItH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

to register, you will need to provide two forms of identification: 1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on 01722 424500 or emailing [email protected]. You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIddING If you are unable to attend the sale you can leave a commission bid. this will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

tElEPHONE BIddING It is usually possible to bid on the telephone by prior arrangement with the office.

lIVE ONlINE BIddING live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. to bid online you need to register at www.the-saleroom.com

In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you:

1. authorise woolley and wallis Salisbury Salerooms ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and

2. confirm that you are authorised to provide these credit card details to woolley and wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that woolley and wallis Salisbury Salerooms ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

CONdItION REPORtS the relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

the colours printed in the catalogue are not necessarily true.

SAlE RESUltS these will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAt on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENt ANd ClEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. we are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: lloyds tSB, Blue Boar Row, Salisbury SP1 1dB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20lOYd30974100957707 BIC code lOYdGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAt Debit cards: delta, Switch, Connect

where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. this will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAt lots marked with an asterisk (*) are subject to VAt on the hammer price. lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAt at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales tax % column indicates the rate of VAt on hammer price.

CItES REGUlAtIONS Please note that lots marked λ may be subject to CItES Regulations when exported.

the CItES Regulations may be found at www.ukcites.gov.uk

ARtISt’S RESAlE RIGHt / dROIt dE SUItE ‡ droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. the royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

droit de Suite, which is not subject to VAt, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

PACkING ANd SHIPPING woolley & wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping 01582 493 099 [email protected] www.albanshipping.co.uk

APS 0800 118 5868 [email protected]

07736 544 362 www.apservices.info

Mailboxes 01264 360 333 [email protected] www.mbe.co.uk/andover

Pack & Send 0845 465 0564 [email protected] www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

ValuationsValuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VAlUAtIONS written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

woolley and wallis valuations are accepted by all leading insurance companies.

PROBAtE VAlUAtIONS we offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations department ensures that executors are informed of which sales are involved and the results thereof.

we also carry out valuations for Family division, Capital Gains tax, and Private treaty Sales.

Contact Christine Johnson 01722 424509

FREE AUCtION VAlUAtIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

SALISBURY

MILL ROAD

NEW STREET

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WYNDHAM ROAD

SCOTS LN BEDWIN ST

WINCHESTER ST

CHIPPER LN SALT LN

ASHLEY ROAD

ST ANN ST

SOUTH WEST RD

HULSE RD C

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NEW CANAL

CATHEDRAL

A360 DEVISES RD A36(T) CHURCHIL

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A36 CHURCHILL WAY NORTH

CA

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345

COO

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A36(T) CHURCHILL W

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A36

(T) C

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A36(T) SOUTHAMPTON ROAD

HARNHAM ROAD A3094 NEW HARNHAM

DOWNTON ROAD A338

WILTON RD A36CENTRALCAR PARK

AMESBURY &MARLBOROUGH

LONDON, ANDOVER& WINCHESTER

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WEYMOUTH & BLANDFORD

SOUTHAMPTON

WOOLLEY & WALLIS

SALEROOMS

woolley & wallis Salisbury Salerooms ltd.51-61 Castle Street, Salisbury,wiltshire SP1 3SU

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Furniture, works of Art, Clocks & tribal Art.2 danbury Court, Old Sarum Park, Salisbury, wilts SP4 6EB

The Portway

dIRECtIONS tO Old SARUM

TESCO

CASTLE STREET

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ENDLESS STREET

ROLLESTONE STREET

PAY AND

DISPLAY

CAR PARK

PEDESTRIAN ROUTE

DRIVING ROUTE TO SALT LANE

Woolley & WallisSalisbury Salerooms51 – 61 Castle StreetSP1 3SU

Woolley & Wallis Salt LaneCarter House6 – 10 Salt LaneSP1 1EE

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DRIVING ROUTE TO CASTLE ST.

WOOLLEY & WALLIS Salt Lane

WOOLLEY & WALLIS Salisbury Salerooms

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE

Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street.

dIRECtIONS FROM wOOllEY & wAllIS CAStlE StREEt tO SAlt lANE

Due to the one-way system of Salisbury, please follow the red route when driving from Salt lane to Castle Street

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Woolley & WallisSalerooms

Woolley & Wallis2 Danebury Court

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Woolley & WallisAbsentee Bid Form20th Century & Contemporary Paintings

Wednesday 4th June 2014

PW040614Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in this Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print) ��

��

Address ��

��

��

�� Postcode ��

daytime telephone ��

Email ��

Debit/Credit Card details:

VISA MAStERCARd SwItCH

OtHER (please specify)

we do not accept American Express cards

If you have not settled your account within 21 days of the auction woolley and wallis Salisbury Salerooms ltd reserves the right to debit all charges due. there is no surcharge for debit card payments, but for credit cards there will be a 2% (+ VAt) surcharge. By signing below you are authorising this payment to be taken by us. Id is required for all first time bidders.

Signature ��

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SUTel: 01722 424500 Fax: 01722 424508

PLEASE PRINT CLEARLY IN BLOCK LETTERS

lot Number in numerical

orderBrief description

Price excluding buyer’s premium

& VAt

INFORMATION FOR BUYERS

1. Introduction. the following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. the lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAt (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. they are in no sense definitive.

4. The purchase price. the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAt at the appropriate rate.

5. VAT. (*) indicates that VAt at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. this imposition of VAt is likely to be because the seller is registered for VAt within the European Union and is not operating the dealers Margin Scheme or because VAt is due at 20% on importation into the Uk. the double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAt (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). lots which appear without either of the above symbols indicate that no VAt is payable on the hammer price. this is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAt included within the Premium is not recoverable as input tax.

6. we are, primarily, agents for the seller. we are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. there is a 3 week time limit. (the expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. these are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. the denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. they will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. we may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. we are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. to justify accepting liability, we make a charge of 1.5% of the hammer price plus VAt or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. the cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. we may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these terms of Consignment).

(b) A reserve once set cannot be changed except with our consent. (c) where a reserve has been placed only we may bid on your behalf and

only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. these are subject to detailed statutory safety controls. where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. they must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. the sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. we reserve the right to dispose of unsafe goods as refuse, at your expense. the rights of disposal referred to in clause 8 and 9 are subject to the provisions of the torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. there is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. we will assume that you have approved the catalogue description of your lots unless informed to the contrary.

SOCIEtY OF FINE ARt AUCtIONEERS ANd VAlUERS and the ROYAl INStItUtION OF CHARtEREd SURVEYORS

CONDITIONS OF BUSINESS

where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. the liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. we reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. these are liable to incur a charge of up to 10% plus VAt of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. we disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

woolley & wallis Salisbury Salerooms ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means woolley & wallis Salisbury Salerooms ltd or its

authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of

deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which woolley & wallis Salisbury Salerooms ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) the singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the lot during the course of the auction or otherwise. the auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the

amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX

Value Added tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAt position).

6. PAYMENT

(a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling(b) Any payments by you to us may be applied by us towards any sums

owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES

(a) the ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due

(b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(c) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be

responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) we shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

the seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

the auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

the seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. we undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. this Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. the right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. we shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. the Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) the term signed and/or dated and/or inscribed means that in our opinion

the signature and/or date and/or inscription are from the hand of the artist. (i) the term bears a signature and/or date and/or inscription means that in our

opinion the signature and/or date and/or inscription have been added by another hand.

(j) dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. the royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

droit de Suite, which is not subject to VAt, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

AsiAn Art

12th & 13th November 2014John Axford +44 (0) 1722 424506 • [email protected] Lister +44 (0) 1722 424591 • [email protected]

PAintings

24th September 2014Victor Fauvelle +44 (0) 1722 424503 • [email protected] Butler +44 (0) 1722 424592 • [email protected]

20th Century Design

18th June 2014 – Arts & CraftsMichael Jeffery +44 (0) 1722 424505 • [email protected]

tribAl Art, Antiquities, Arms & Armour

19th June 2014Will Hobbs +44 (0) 1722 339752 • [email protected]

Furniture & Works oF Art

8th July 2014Mark Richards +44 (0) 1722 411854 • [email protected]

silver

22nd & 23rd July 2014Rupert Slingsby +44 (0) 1722 424501 • [email protected] Chalmers +44 (0) 1722 424594 • [email protected]

JeWellery

24th July 2014Jonathan Edwards +44 (0) 1722 424504 • [email protected] Whiting +44 (0) 1722 424595 • [email protected]

CloCks, WAtChes & sCientiFiC instruments

30th July 2014Richard Price +44 (0) 1722 242421 • [email protected]

english & euroPeAn CerAmiCs & glAss

9th September 2014Clare Durham +44 (0) 1722 424507 • [email protected]

Auction Calendar

• Entries can usually be accepted up to six weeks prior to the auction• Illustrated catalogues are available about ten days before the sale• Viewing is normally two days prior to the auction and on Saturday mornings• Catalogue subscriptions are available for all sales• Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

Page width 202mm. Use this box to centre artwork! Page width 202mm. Use this box to centre artwork!

Specialist DepartmentsPlease dial +44 (0)1722 followed by the number listed below

AsiAn Art

John Axford MRICS ASFAV 424506Sophie Lister 424591 Alexandra Doméracki 424583 Freya Yuan 424589

CloCks

Richard Price 07741 242421 Gemma Bush 339752 english & euroPeAn CerAmiCs & glAss

Clare Durham 424507 Amanda Lawrence 329477

Furniture

Mark Richards 411854Jim Gale 339161 Anna Brown 411854

JeWellery

Jonathan Edwards FGAA 424504Marielle Whiting FGA 424595

PAintings

Victor Fauvelle 424503Jo Butler 424592

silver

Rupert Slingsby 424501Lucy Chalmers 424594

20th Century Design

Michael Jeffery 424505 Amanda Lawrence 329477

tribAl Art

Will Hobbs 339752 Gemma Bush 339752

vAluAtions For insurAnCe & ProbAte

Paul Viney ASFAV 424509 Clive Stewart-Lockhart FRICS FRSA

mArketing

Tamzin Corbett 424590

ACCounts

Janice Clift (Office Manager) 424500Ruth Pike 424599

generAl oFFiCe

Linda Garthwaite 424500Pauline West Sharon Ringwood Nicola Young

sAleroom mAnAger

David Jordan 424500

boArD oF DireCtors

Paul Viney ASFAV Chairman

John Axford MRICS ASFAV Deputy Chairman

Clive Stewart-Lockhart FRICS FRSA Managing Director

ComPAny seCretAry Jim Macarthur CA 424599

AssoCiAte DireCtors Janice Clift Clare Durham Jonathan Edwards FGAA Will HobbsMichael JefferyMark Richards Rupert Slingsby

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SUTel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

WOOLLEY & WaLLisSALISBURY SALEROOMS

20th Century & Contemporary Paintings Wednesday 4th June 2014

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woolley & wallis paintings 4 june catalogue

Documents

century design18th

century designmichael

amanda lawrence

jewelleryjonathan edwards

gemma bush

furnituremark richards

illustrated catalogues

tribal artwill hobbs