Whistle pop pop

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a press kit.

TRANSCRIPT

  • A Film by SAMEER AHMED

    www.whistlepoppop.com

  • WHISTLE POP POPA Film by SAMEER AHMED

    This brochure is made as a communication tool.

    September 2011 Gao Production. All rights reserved.

    www.lifearoundme.com

    title

    des

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    by:

  • Title: WHISTLE POP POP

    Director: SAMEER AHMEDStory: RAHAMAN MOSTAFIZ PAVEL

    Length: 120 minFormat: 35mm 1:2.35 RatioLanguage: Bengali

    Text Language: Multi languages SubtitlesDI/Optical: DIColor/B&W: Color

    Genre: Drama

    Intended Audience: The People of Bangladesh; European, American and Asian audiences also expected.

    A Film by SAMEER AHMED

  • a storyboard of themovie... could be a veryrough sketch.

    coal is bit related withrail engine...

  • The night is cut in two by the whistling train. At the platform, Jhumu, a determined woman who is facing a new beginning in her life, encounters a young drug addict Tuhin. At the same time, ex political activist Jubair abducts Anis Ahmed, an estranged father in his own house.

    Two parallel unfolding stories follow these four characters until a connection is drawn revealing relationships and their meanings to themselves and to the state.

    The entrapment of the self is sown in society, but when freedom is found a whistle blows and turns life into a new direction.

  • an inspirational drawign... which drives the team aboutthis movie...

  • While studying film editing at FTII, I always wanted to de-mystify cinema as much as possible. I grew up in the UAE, in Abu Dhabi, watching Hollywood and Bollywood films. I went to USA for graduation. I never lived in my own country until I finished film school from India.

    The search for a story to film went on ever since. After directing TV commercials for a few years, and then directing drama for BBC, I met my old friend Pavel, who told me an outline of a script. I thought I have found the story that can connect me to my roots and make me explore to de-mystify the art form I am in love with.

    I observed that our generations are rising and questioning our leaders and the power hierarchy; especially in the Third World, we feel that it cannot carry on any longer anymore. No more corruption, no more nepotism, no more lies. And this film deals with an important social message that is inspirational to an individual who is trying to make sense of life regarding power and love.

    SAMEER AHMEDDirector

  • ... another drawing

  • While studying film editing at FTII, I always wanted to de-mystify cinema as much as possible. I grew up in the UAE, in Abu Dhabi, watching Hollywood and Bollywood films. I went to USA for graduation. I never lived in my own country until I finished film school from India.

    The search for a story to film went on ever since. After directing TV commercials for a few years, and then directing drama for BBC, I met my old friend Pavel, who told me an outline of a script. I thought I have found the story that can connect me to my roots and make me explore to de-mystify the art form I am in love with.

    ZUENA FERDOUS MITULProducer

    While studying film editing at FTII, I always wanted to de-mystify cinema as much as possible. I grew up in the UAE, in Abu Dhabi,

    watching Hollywood and Bollywood films. I went to USA for graduation. I never lived in my own country until I finished film

    school from India.

    The search for a story to film went on ever since. After directing TV commercials for a few years, and then directing drama for

    BBC, I met my old friend Pavel, who told me an outline of a script. I thought I have found the story that can connect me to

    my roots and make me explore to de-mystify the art form I am in love with.

    RAHMAN MOSTAFIZ PAVELWriter

  • a blending of images... may be photographs ofthe castings...

    4 biographies will be good for better composition

  • No face is such as popular for both small and big screen and for such long time. The man is from bohemian student life to become theatre artist. Theatre to towards television and finally in big screen he totally changed the way of acting. His popular landmark role for villain changed the villain role in Bangladesh. He is so powerful actor who presents each and every time his entire role very newly what is beyond audience expectations.

    TV WORKSNil Nakshar Shandhany (1982), Durbin die dekhun (1982), Songsaptak (1987-88), Pathar Shomoy(1989), Dui bhai (1990), Shiter Pakhi (1991), Kothao Keu Nei (1990), Shomudre Gangchil (1993), Chandragrasto (2006), Kachher Manush (2006), Vober Hat (2007), Srinkhal (2010)

    CINEMAHulia, Dohon, Shontrash, Bachelor, JoyJatra, Shamolchaya, Bhohubrihi, Ekattorer Jishu, Mayer Morjada, Aha!, Meherjan

    HUMAYUN FAREEDIas ANIS AHMED

  • Born and brought up in the village of Kamarhaat in Pabna. His parents wanted him to be an engineer but an innate urge for art and culture drove him to want something else. As a third year student of DU, he joined the theatre group Aronnok. He then worked on stage for 10 years at a row. During this period he played minor roles in different television dramas as well. Monpura feature film brings stardom success for him beyond expectation.

    Bangla Theater: Shangkranti (1998),Ora Kodom Ali(2000), Mayur Singhason(2003), Songkranti(2003), Che-er Cycle(2003)Bangla Film: Rupkathar Golpo (2009), Monpura (2009), Moner Manush (2010)

    CHANCHAL CHOWDHURYas TUHIN

  • BEHIND THE CAMERA

    SAMEER AHMED, DirectorRAHMAN MOSTAFIZ PAVEL, WriterPHILIP ROBERTSON, Director of PhotographyZUENA FERDOUS MITUL, ProducerFAHIM FERDOUS, Executive ProducerRAJIB ASHRAF, Creative DirectorTANVEER HOSSAIN, 1st Assistant DirectorSHADAB ZAFAR, Production Designer

    to know more about the team please visit our website www.whistlepoppop.com

    SHAYAN CHOWDHURY ARNOB, Musician & ComposerDONNY BOOCOCK, Editor