what’s what in remote...

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RESULTS OF THE NINTH ANNUAL SVG REMOTE PRODUCTION GEAR STUDY WHAT’S WHAT IN REMOTE PRODUCTION A SPORTS VIDEO GROUP PUBLICATION Just as the sun officially sets on standard-definition mobile units and the HD transition is nearly complete, a new player has arrived on the remote-production scene ready to shake things up: 4K/Ultra HD. In December, Mobile TV Group turned heads across the indus- try when it announced plans to launch a 4K/UHD truck this year, and NEP says it now has 10 4K-capable mobile units. Several other truck providers look to be following suit soon. It marks a cycle the industry has seen several times over in the past: just as technology seems ready to settle down, a wave of innovation turns the business on its head once again. e ninth annual edition of SVG’s Remote Production Gearbase, which was released in December and is broken down further here, serves as a portrait for a thriving industry that is, nonetheless, in transi- tion. With SD all but gone, HD flourishing, 4K on the way, and a contin- ued push toward IP-based workflows, truck vendors find themselves at interesting crossroads. Perhaps the most notable industry trend in recent years has been rapid consolidation, driven largely by NEP Broadcasting’s acquisition spree. With the purchase of MIRA Mobile and Turner Studios trucks last year, NEP’s fleet grew from 47 in 2013 to a whopping 60 units by the end of 2014 — more than twice as many as its nearest competitor (Mobile TV Group with 25). Standard definition looks to have finally gone the way of the dodo, with smaller regional, streaming, and college productions transitioning to HD trucks or alternative production models. Having held 20% of the market as recently as 2011, SD trucks represented less than 5% of the trucks on the road last year, with even those units expected to be retired by 2016. One thing is for sure: the industry remains in building mode. More than 20 HD mobile units were launched or entirely refurbished between fall 2013 and the end of 2014. Among the new mobile units to hit the road: CSP Mobile Productions’ HD-B1; D2 Productions’ Zeppelin; Dome Productions’ HD; F&F Productions’ GTX-17; Game Creek Video’s FX quartet, Spirit (A and B), and Riverhawk; IMS Productions’ HD5; Lyon Video’s Lyon 14; MIRA Mobile’s M14HD (now owned by NEP); Mobile TV Group’s 35HDX, 36HDX, and 37HDX (all with VMU visitor- feed trucks); and NEP’s ND1 and EN1 (four trucks apiece). e annual SVG Gearbase Survey provides an ongoing database of production-truck technology for the North American fleet of more than 200 broadcast vehicles. e 2014 Gearbase comprised 207 total trucks, only nine of them SD. A brief summary of other key findings (data as of December 2014) appears on the next page.

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Page 1: WHAT’S WHAT IN REMOTE PRODUCTIONsportsvideo.org/main/files/2015/04/RemoteProductionStudy...WHAT’S WHAT IN REMOTE PRODUCTION page 2 SUMMARY OF FINDINGS • 113 trucks make use of

RESULTS OF THE NINTH ANNUAL SVG REMOTE PRODUCTION GEAR STUDY

WHAT’S WHAT IN REMOTE PRODUCTION

A SPORTS VIDEO GROUP PUBLICATION

Just as the sun officially sets on standard-definition mobile units and the HD transition is nearly complete, a new player has arrived on the remote-production scene ready to shake things up: 4K/Ultra HD. In December, Mobile TV Group turned heads across the indus- try when it announced plans to launch a 4K/UHD truck this year, and NEP says it now has 10 4K-capable mobile units. Several other truck providers look to be following suit soon. It marks a cycle the industry has seen several times over in the past: just as technology seems ready to settle down, a wave of innovation turns the business on its head once again.

The ninth annual edition of SVG’s Remote Production Gearbase, which was released in December and is broken down further here, serves as a portrait for a thriving industry that is, nonetheless, in transi-tion. With SD all but gone, HD flourishing, 4K on the way, and a contin-ued push toward IP-based workflows, truck vendors find themselves at interesting crossroads.

Perhaps the most notable industry trend in recent years has been rapid consolidation, driven largely by NEP Broadcasting’s acquisition spree. With the purchase of MIRA Mobile and Turner Studios trucks last year, NEP’s fleet grew from 47 in 2013 to a whopping 60 units by the end of 2014 — more than twice as many as its nearest competitor (Mobile TV Group with 25).

Standard definition looks to have finally gone the way of the dodo, with smaller regional, streaming, and college productions transitioning to HD trucks or alternative production models. Having held 20% of the market as recently as 2011, SD trucks represented less than 5% of the trucks on the road last year, with even those units expected to be retired by 2016.

One thing is for sure: the industry remains in building mode. More than 20 HD mobile units were launched or entirely refurbished between fall 2013 and the end of 2014. Among the new mobile units to hit the road: CSP Mobile Productions’ HD-B1; D2 Productions’ Zeppelin; Dome Productions’ HD; F&F Productions’ GTX-17; Game Creek Video’s FX quartet, Spirit (A and B), and Riverhawk; IMS Productions’ HD5; Lyon Video’s Lyon 14; MIRA Mobile’s M14HD (now owned by NEP); Mobile TV Group’s 35HDX, 36HDX, and 37HDX (all with VMU visitor- feed trucks); and NEP’s ND1 and EN1 (four trucks apiece).

The annual SVG Gearbase Survey provides an ongoing database of production-truck technology for the North American fleet of more than 200 broadcast vehicles. The 2014 Gearbase comprised 207 total trucks, only nine of them SD. A brief summary of other key findings (data as of December 2014) appears on the next page.

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WHAT’S WHAT IN REMOTE PRODUCTION page 2

SUMMARY OF FINDINGS• 113 trucks make use of Sony cameras — tops in the industry followed by Grass Valley with 63 trucks

and Ikegami with 21 trucks. • The battle for the lens market share continues a two-horse race: just under 60% of HD trucks (121) carried Canon

lenses in 2014, and Fujinon represented just over 40% of the market (82 trucks). • Among HD production switchers, Grass Valley continued to dominate, with its units found at the center of 170 HD trucks. Sony’s MVS switchers were in 21.

• The router sector continues to be diverse, led by Grass Valley in 60 trucks (boosted by its merger with Miranda under the Belden brand last year) followed by Evertz in 49 and Pesa in 44. Utah Scientific and Nvision are found in 12 and nine trucks, respectively.

• ChyronHego remains the market leader in HD graphics, with its systems in nearly every truck on the road (178 of the 182 trucks that named a specific graphics system).

• In HD replay devices, EVS was once again the undisputed industry standard, with 184 HD trucks reporting some form of EVS system as its primary replay device.

• Calrec Audio remains the number-one audio console in HD trucks, with 136 consoles in 66.6% of the HD trucks; Yahama is second with consoles in 21 mobile units.

• Although most trucks carried a mix of several vendors’ microphones, Sennheiser was the top brand with 179 HD mobile units carrying its mics. Sony was not far behind with 144, and EV mics were in 123.

NOTE: Data does not reflect equipment provided by truck vendors on an “as requested” basis (cameras, lenses, mi-crophones, tapeless graphics).

A SPORTS VIDEO GROUP PUBLICATION

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WHAT’S WHAT IN REMOTE PRODUCTION page 3

PERCENT OF TRUCK MARKET — HD/SD

SD

HD

4.4%

95.6%

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WHAT’S WHAT IN REMOTE PRODUCTION page 4

100 ________________________________________________________________________________________________________________

90 __________________________________________________________________________________________________________________________________________________________

80 __________________________________________________________________________________________________________________________________________________________

70 __________________________________________________________________________________________________________________________________________________________

60 __________________________________________________________________________________________________________________________________________________________

50 __________________________________________________________________________________________________________________________________________________________

40 __________________________________________________________________________________________________________________________________________________________

30 __________________________________________________________________________________________________________________________________________________________

20 __________________________________________________________________________________________________________________________________________________________

10 __________________________________________________________________________________________________________________________________________________________

0 __________________________________________________________________________________________________________________________________________________________

2014 vs. 2013 vs. 2012: PERCENT OF HD vs. SD TRUCKS

95.6%

86%

SDHD

2014 2013 2012

4.4%

14%

93%

7%

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WHAT’S WHAT IN REMOTE PRODUCTION page 5

60 _____________________________________________________________________________________________________________________________________________________________________________________________________________

50 _____________________________________________________________________________________________________________________________________________________________________________________________________________

45 _____________________________________________________________________________________________________________________________________________________________________________________________________________

40 _____________________________________________________________________________________________________________________________________________________________________________________________________________

35 _____________________________________________________________________________________________________________________________________________________________________________________________________________

30 _____________________________________________________________________________________________________________________________________________________________________________________________________________

25 _____________________________________________________________________________________________________________________________________________________________________________________________________________

20 _____________________________________________________________________________________________________________________________________________________________________________________________________________

15 _____________________________________________________________________________________________________________________________________________________________________________________________________________

10 _____________________________________________________________________________________________________________________________________________________________________________________________________________

5 _____________________________________________________________________________________________________________________________________________________________________________________________________________

0 _____________________________________________________________________________________________________________________________________________________________________________________________________________

NUMBER OF HD TRUCKS BY COMPANYNE

P (C

orpl

ex, D

enal

i, M

IRA,

NCP

,

Swee

twat

er, T

rio, T

urne

r)M

obile

TV

Grou

pGa

me

Cree

k Vi

deo

Dom

e Pr

oduc

tions

Lyon

Vid

eoAl

l Mob

ile V

ideo

CSP

Mob

ile P

rodu

ctio

nsF&

F Pr

oduc

tions

Cros

scre

ekIM

S Pr

oduc

tions

Met

rovi

sion

Pros

how

Bro

adca

st

Toke

n Cr

eek

Mob

ile T

VVi

deol

ines

CBC

Mob

ileEn

com

pass

Dig

ital

Rayc

om S

port

sSD

TVCo

x M

edia

D2 P

rodu

ctio

nsGe

arho

use

Mob

ileM

PSYE

S Pr

oduc

tions

Adm

iral

Vid

eoCP

Com

mun

icat

ions

JAS

Digi

tal

John

Gui

ldJo

nes

Mob

ile T

VKo

diak

Mob

ile T

V La

SEA

PSSI

/Str

ateg

ic T

elev

isio

nTL

Mob

ile T

elev

isio

n

60

25

20

15

117 6 5 46 5

13 2

4 4 4 33 3 2222 1 1 1 1 1 1 1 1

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WHAT’S WHAT IN REMOTE PRODUCTION page 6

110 ___________________________________________________________________________________________________________________________________________

100 ___________________________________________________________________________________________________________________________________________

90 ___________________________________________________________________________________________________________________________________________

80 ___________________________________________________________________________________________________________________________________________

70 ___________________________________________________________________________________________________________________________________________ 60 ___________________________________________________________________________________________________________________________________________

50 ___________________________________________________________________________________________________________________________________________

40 ___________________________________________________________________________________________________________________________________________

30 ___________________________________________________________________________________________________________________________________________

20 ___________________________________________________________________________________________________________________________________________

10 ___________________________________________________________________________________________________________________________________________

0 ___________________________________________________________________________________________________________________________________________

21

113

63

Sony Grass Ikegami Panasonic Hitachi Valley

59

NUMBER OF HD TRUCKS BY CAMERA BRAND

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WHAT’S WHAT IN REMOTE PRODUCTION page 7

NUMBER OF HD CAMERAS BY BRAND 1200 _______________________________________________________________________________________________________________________________________________________

1100 ______________________________________________________________________________________________________________________________________________________

1000 ______________________________________________________________________________________________________________________________________________________

900 ______________________________________________________________________________________________________________________________________________________

800 ______________________________________________________________________________________________________________________________________________________

700 ______________________________________________________________________________________________________________________________________________________

600 ______________________________________________________________________________________________________________________________________________________

500 ______________________________________________________________________________________________________________________________________________________

400 ______________________________________________________________________________________________________________________________________________________

300 ______________________________________________________________________________________________________________________________________________________

200 ______________________________________________________________________________________________________________________________________________________

100 ______________________________________________________________________________________________________________________________________________________

0 ______________________________________________________________________________________________________________________________________________________

Sony Grass Ikegami Hitachi Panasonic Valley

1167

567

201

44 14

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WHAT’S WHAT IN REMOTE PRODUCTION page 8

NUMBER OF HD LENSES ON TRUCKS BY BRAND

1300 ____________________________________________________________________________________

1200 ___________________________________________________________________________________

1100 ___________________________________________________________________________________

1000 ___________________________________________________________________________________

900 ___________________________________________________________________________________

800 ___________________________________________________________________________________

700 ___________________________________________________________________________________ 600 ___________________________________________________________________________________

500 ___________________________________________________________________________________

400 ___________________________________________________________________________________

300 ___________________________________________________________________________________

200 ___________________________________________________________________________________

100 ___________________________________________________________________________________ 0 ___________________________________________________________________________________

1261

556

Canon Fujinon

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WHAT’S WHAT IN REMOTE PRODUCTION page 9

NUMBER OF HD LENSES ON TRUCKS BY BRAND

120 ________________________________________________________________________________________

110 ________________________________________________________________________________________

100 ________________________________________________________________________________________

90 ________________________________________________________________________________________

80 ________________________________________________________________________________________

70 ________________________________________________________________________________________

60 ________________________________________________________________________________________

50 ________________________________________________________________________________________

40 ________________________________________________________________________________________

30 ________________________________________________________________________________________

20 ________________________________________________________________________________________

10 ________________________________________________________________________________________

0 ________________________________________________________________________________________

121

82

Canon Fujinon

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WHAT’S WHAT IN REMOTE PRODUCTION page 10

180 ___________________________________________________________________________________________________________________________________________________________________

170 ___________________________________________________________________________________________________________________________________________________________________

160 ___________________________________________________________________________________________________________________________________________________________________

150 ___________________________________________________________________________________________________________________________________________________________________

140 ___________________________________________________________________________________________________________________________________________________________________

130 ___________________________________________________________________________________________________________________________________________________________________

120 ___________________________________________________________________________________________________________________________________________________________________

110 ___________________________________________________________________________________________________________________________________________________________________

100 ___________________________________________________________________________________________________________________________________________________________________

90 ___________________________________________________________________________________________________________________________________________________________________

80 ___________________________________________________________________________________________________________________________________________________________________

70 ___________________________________________________________________________________________________________________________________________________________________

60 ___________________________________________________________________________________________________________________________________________________________________

50 ___________________________________________________________________________________________________________________________________________________________________

40 ___________________________________________________________________________________________________________________________________________________________________

30 ___________________________________________________________________________________________________________________________________________________________________

20 ___________________________________________________________________________________________________________________________________________________________________

10 ___________________________________________________________________________________________________________________________________________________________________

0 ___________________________________________________________________________________________________________________________________________________________________

NUMBER OF HD TRUCKS BY MIC BRAND

179

144

Sennheiser Sony EV Shure Audio- Beyer Crown Lectro Sanken Neumann Sound Technica Devices

65

123

31

59

4 34 2 1

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WHAT’S WHAT IN REMOTE PRODUCTION page 11

Grass Valley Sony Ross Blackmagic Design NewTek Panasonic

PERCENT OF PRODUCTION SWITCHERS IN HD TRUCKS BY BRAND

83.7%

2.5%

10.3%

0.5%1.5%

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WHAT’S WHAT IN REMOTE PRODUCTION page 12

66.6%10.3%

1.0%2.0%

6.8%4.4%

2.4%

0.5% Calrec Audio

Yamaha

Avid Euphonix System

Studer

Allen & Heath

Mackie

Soundcraft

Expressions

SSL

Sony

DigiCo

Stagetec

MCL

PERCENTAGE OF AUDIO CONSOLES BY BRAND

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WHAT’S WHAT IN REMOTE PRODUCTION page 13

Evertz

Grass Valley (including NVISION, Miranda)

PESA

Utah Scientific

Blackmagic Design

Imagine Communications

Other (including Leitch, Nevion, Ross, Sierra, Sony)

PERCENTAGE OF VIDEO ROUTERS BY BRAND

30.2%23.3%

6.35%

6.35%4.2%

26%

3.7%

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WHAT’S WHAT IN REMOTE PRODUCTION page 14

NUMBER OF TAPELESS REPLAY DEVICES BY BRAND

180 ______________________________________________________________________________________________________________________________________________________

160 ______________________________________________________________________________________________________________________________________________________

140 ______________________________________________________________________________________________________________________________________________________

120 ______________________________________________________________________________________________________________________________________________________

100 ______________________________________________________________________________________________________________________________________________________

80 ______________________________________________________________________________________________________________________________________________________

60 ______________________________________________________________________________________________________________________________________________________

40 ______________________________________________________________________________________________________________________________________________________

20 ______________________________________________________________________________________________________________________________________________________

0 ______________________________________________________________________________________________________________________________________________________

EVS Grass NewTek Tightrope Abekas Valley

178

164 2 2

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WHAT’S WHAT IN REMOTE PRODUCTION page 15

ChyronHego Ross Video NewTek

PERCENT OF HD TRUCKS BY GRAPHICS BRAND

97.1%

2.2%.7%