what’s the crime, mr wolf? score cmw.pdf · what’s the crime, mr wolf? performance piano score...
TRANSCRIPT
What’s The Crime, Mr Wolf?
Performance Piano Score (Grade 5/6 Standard)
by Mike Horth and Jan Porter
1/180919/4
Published by
Musicline Publications P.O. Box 15632
Tamworth Staffordshire
B78 2DP 01827 281 431
www.musiclinedirect.com
Licences are always required when published musicals are performed.
Licences for musicals are only available from the publishers of those musicals.
There is no other source.
All our Performing, Copying & Video Licences are valid for one year from the date of issue.
If you are recycling a previously performed musical, NEW LICENCES MUST BE PURCHASED
to comply with Copyright law required by mandatory contractual obligations to the composer.
Prices of Licences and Order Form can be found on our website:
www.musiclinedirect.com
CONTENTS
Track 1 ......... Fairy-Tale Music ................................ (Instrumental) .............................. Page 3 Track 2 ......... News Bulletin Music .......................... (Instrumental) .............................. Page 4 Track 3 ........ Protestor Chants ............................. (Ponies, Ducks, Bears & Owls) Page 5 Track 4 ........ All Rise (Song) ................................. (Company) .................................. Page 8 Track 5 ......... Mrs Wolf Play On ............................... (Instrumental) ............................ Page 14 Track 6 ......... Mole Play On ..................................... (Instrumental) ............................ Page 14 Track 7 ........ Mole (Song) ...................................... (Mole, Bonds & Chorus) .......... Page 15 Track 8 ......... Explosion Sequence .......................... (Instrumental) ............................ Page 21 Track 9 ......... Mole Play Off ..................................... (Instrumental) ............................ Page 21 Track 10 ....... Red Riding Hood Play On ................. (Instrumental) ............................ Page 22 Track 11 ...... Red Riding Hood (Song) ................. (Red Riding Hood & Friends) . Page 23 Track 12 ....... Granny Play On ................................. (Instrumental) ............................ Page 32 Track 13 ....... Granny Play Off ................................. (Instrumental) ............................ Page 33 Track 14 ....... Little Pigs Play On ............................. (Instrumental) ............................ Page 33 Track 15 ...... Little Pigs (Song) ............................. (Pig Chorus) ............................. Page 34 Track 16 ....... Little Pigs Play Off ............................. (Instrumental) ............................ Page 42 Track 17 ....... SFX Clap of Thunder & Chords ......... .................................................. Page 43 Track 18 ....... SFX Police Siren & Crash ................. .................................................. Page 43 Track 19 ....... SFX Drum Crash ............................... .................................................. Page 43 Track 20 ....... SFX Police Siren ............................... .................................................. Page 43 Track 21 ....... Dramatic Chords & Fairy-Tale Music . (Instrumental) ............................ Page 44 Track 22 ....... All Rise Play In .................................. (Instrumental) ............................ Page 45 Track 23 ...... Top of the Food Chain (Song) ........ (Mr Wolf & Bug Chorus) .......... Page 46 Track 24 ....... Top of the Food Chain Play Off ......... (Instrumental) ............................ Page 56 Track 25 ...... The Naturalists’ Song ...................... (Naturalists & Chorus) ............ Page 57 Track 26 ....... Wolf Cubs Play On ............................ (Instrumental) ............................ Page 63 Track 27 ...... Misunderstood (Song) .................... (Wolves & Chorus) .................. Page 63 Track 28 ....... SFX Nose Blow & Sob ....................... .................................................. Page 68 Track 29 ....... Misunderstood Play Off ..................... (Instrumental) ............................ Page 68 Track 30 ....... Summing-Up ..................................... (Instrumental) ............................ Page 69 Track 31 ...... The Wildest Song ............................ (Company) ................................ Page 70 Track 32 ....... The Wildest Song Play Off ................ (Instrumental) ............................ Page 80 Track 33 ....... All Rise Underscore & Drumroll ......... (Instrumental) ............................ Page 81 Track 34 ....... Fairy-Tale Music 2 ............................. (Instrumental) ............................ Page 81 Track 35 ...... The Wildest Song Reprise .............. (Company) ................................ Page 82 Track 36 ....... Final Play Off ..................................... (Instrumental) ............................ Page 90
Ï Ï ÏÏ Ï
Ï Ï Ï Ï Ï Ï ú
w
Ï ÏÏ ú
w
Ï ÏÏ ú
w
Ï ÏÏ ú
w
Ï ÏÏ ú
&bb
& bb
¡
= 120
44
44
B E B
(Repeat the following underscore music as necessary. Stop playing suddenly after the cue "That's true, Tesco's have a pizza meal deal for £6!")
(lower stave loco)
k
Ï Ï ÏÏ Ï
Ï Ï Ï Ï Ï ú
w
Ï Ï Ï úw
Ï Ï Ï úw
Ï ÏÏ ú
w
Ï ÏÏ ú
&bb
& bb
F B B
k5
3
Fairy-Tale Music(Instrumental)
Track 1
Cue - House lights dim. Words and music byMike Horth & Jan Porter
Score arr. by Leo Nicholson
© Musicline Publications Ltd
Ï.
Ï.
Ï.
Ï.
Ï.
Ï.
Ï
Ï
ÏÏ Ï
Ï
ÏÏ Ï
Ï
ÏÏ Ï
Ï
ÏÏ Ï
Ï
ÏÏ Ï
Ï
ÏÏ
& b
bbbb
?bbbbb
= 120
44
44
B m
k k k k k k
ÏÏ Ï
ÏÏ
ÏÏ Ï
ÏÏ
ÏÏ Ï
ÏÏ
ÏÏ Ï
ÏÏ
ÏÏ Ï
ÏÏ
ÏÏ Ï
ÏÏ
Ï
Ï
ÏÏ Ï
Ï
ÏÏ Ï
Ï
ÏÏ Ï
Ï
ÏÏ Ï
Ï
ÏÏ Ï
Ï
ÏÏ
& b
bbbb
?bbbbb
B 5 B 7sus4
kk
kk
kk kk kk kk
k k k k k k
4
w>
ÏÏÏ
ÏÏÏ
ÏÏÏ
ÏÏÏ
w>
ÏÏÏ
ÏÏÏ
ÏÏÏ
ÏÏÏ
w>
ÏÏ
ÏÏ
ÏÏ
ÏÏ
Ï
Ï
ÏÏ Ï
Ï
ÏÏ
Ï
Ï
ÏÏ Ï
Ï
ÏÏ Ï
Ï
ÏÏ Ï
Ï
ÏÏ
& b
bbbb
?bbbbb
G D A E B 5
k k k kk k
7
Ï. Ï.
Ï
ÏÏ
Ï Ï
ÏÏ
Ï
& b
bbbb
?bbbbb
(Repeat and cut to Track 3 on cue: "Guys! We're ready to film!")
k k
10
4
News Bulletin Music(Instrumental)
Track 2
Cue - Sergeant Trunk: Settle down now, no shouting or growling! Words and music byMike Horth & Jan Porter
Score arr. by Leo Nicholson
© Musicline Publications Ltd
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ï
Ï
Ï Ï Ï
?
&
= 108
24
24
F
Ï Ï Ï Ï Ï Ï
Ï
Ï Ï Ï Ï Ï Ï
Ï
ÏÏ
Ï Ï Ï ÏÏ Ï
Ï Ï
ÏÏ Ï
Ï Ï ÏÏ
Ï
Ï
Ï
Ï
Ï Ï Ï
&
&
?
&
-
-
What time is it Mis ter Wolf?
What time is it Mis ter Wolf?
PONY 1
PONY 2 & DUCKS 1+2
5
Ï Ï Ï Ï Ï Ï
Ï
Ï Ï Ï Ï Ï Ï
Ï
ÏÏ Ï Ï Ï Ï
ÏÏ
Ï
ÏÏ Ï
ÏÏ Ï Ï
ÏÏ
Ï
Ï
Ï
Ï Ï Ï
&
&
?
&
-
-
Time we knew the ho wl truth!
Time we knew the ho wl truth!
9
5
Protest Chants(Ponies, Ducks, Bears & Owls)
Track 3
Cue - Camera Operator: Guys! We’re ready to film! Words and music byMike Horth & Jan Porter
Score arr. by Leo Nicholson
© Musicline Publications Ltd
Ï Ï Ï Ï Ï Ï
Ï
Ï Ï Ï Ï Ï Ï
Ï
Ï Ï Ï
Ï Ï Ï Ï Ï Ï
Ï Ï
ú
ÏÏ
Ï Ï Ï ÏÏ
Ï
Ï
ÏÏ Ï Ï
Ï Ï ÏÏ
Ï
Ï
Ï
Ï
Ï Ï Ï
&
&
&
&
?
&
-
-
What time is it Mis ter Wolf?
What time is it Mis ter Wolf?
What do we want? When do we want them?
Wolf rights! Now ooo
PONY 1
PONY 2 & DUCKS 1+2
BEAR 1
BEAR 2 & OWLS 1+2
13
Ï Ï Ï Ï Ï Ï
Ï
Ï Ï Ï Ï Ï Ï
Ï
Ï Ï Ï
Ï Ï Ï Ï Ï Ï
Ï Ï
ú
ÏÏ Ï Ï Ï Ï
Ï Ï
Ï
ÏÏ Ï
ÏÏ Ï Ï
ÏÏ Ï
Ï Ï
Ï
Ï
Ï Ï Ï
&
&
&
&
?
&
-
-
Time we knew the ho wl truth!
Time we knew the ho wl truth!
What do we want? When do we want them?
Wolf rights! Now ooo
17
6 Protest Chants
© Musicline Publications Ltd
Ï Ï Ï Ï Ï Ï
Ï
Ï Ï Ï Ï Ï Ï
Ï
Ï Ï Ï
Ï Ï Ï Ï Ï Ï
Ï Ï
ú
ÏÏ Ï Ï Ï Ï
Ï Ï
Ï
ÏÏ Ï Ï
Ï Ï ÏÏ Ï
Ï
Ï
Ï
Ï Ï Ï
&
&
&
&
?
&
-
-
What time is it Mis ter Wolf?
What time is it Mis ter Wolf?
What do we want? When do we want them?
Wolf rights! Now ooo
21
Ï Ï Ï Ï Ï Ï
Ï
Ï Ï Ï Ï Ï Ï
Ï
Ï Ï Ï
Ï Ï Ï Ï Ï Ï
Ï Ï
ú
ÏÏ
Ï Ï Ï ÏÏ Ï
Ï
ÏÏ Ï
ÏÏ Ï Ï
ÏÏ Ï
Ï Ï
Ï
Ï
Ï Ï Ï
&
&
&
&
?
&
-
-
Time we knew the ho wl truth!
Time we knew the ho wl truth!
What do we want? When do we want them?
Wolf rights! Now ooo
25
7Protest Chants
© Musicline Publications Ltd
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ï
Ï
Ï
Ï Ï Ï
Ï ?
&
repeat under scene final29
Ïúú
Ï Ï Ïúú
Ï Ï Ïúú
Ï Ïúú Ï Ï Ï Ï Ï
úú
Ï Ï Ïúú
Ï Ï
ww
úú ú
ú bbúú ú
ú
úú
úú
& bbb
?bbb
= 100
44
44
B E E D A C
k k k k
Ï
nn
#Ïúú
Ï Ïúú
Ï Ï Ï ÏbbÏÏÏÏ
Ï
nnúú
úú b
bÏÏ
úú
ÏÏ Ï
Ï
ÏÏ Ï
Ï
ÏÏ
& bbb
& bbb
?bbb
128
( = )
All
128
128
B7 B sus4 ALLk k
k
kkkk k k k k
k
k
k
k
k
k
k
k
k
k k
5
8 Protest Chants
All Rise(Company)
Track 4
Cue - Squirrel 1: All rise! Words and music byMike Horth & Jan Porter
Score arr. by Leo Nicholson
© Musicline Publications Ltd
Ï Ï
Ï Ï Ï Ï Ï Ï
Ï
Ï Ï Ï Ï Ï
ÏÏÏ
ÏÏÏ
Ï
ÏÏÏ ÏÏÏ
ÏÏÏ Ï
ÏÏ Ï
ÏÏÏÏ
Ï
ÏÏÏ
ÏÏÏ nÏ
Ï ÏÏÏ
Ï Ï Ï Ï
Ï Ï Ï ÏÏ
nÏ Ï ÏnÏ
& bbb
& bbb
?bbb
-rise for the judge and doff your cap to the con science of this
E B E G Fm A E B F A
A♭ G A♭A
k k k k k k k k k
kkk
kkk
kkk
kkk
kkk
kkk
kkk
kkk
kk
kkk
k k kk k k
k k k kk
8
Ï Ï Ï
ÏÏ Ï Ï Ï
Ï Ï Ï Ï
Ï
ÏÏÏ bÏÏÏ ÏÏ
Ï ÏÏ
ÏÏ Ï
ÏÏÏ nÏ
Ï
Ï
ÏÏÏ ÏÏ
Ï ÏÏÏ
Ï
Ï Ï ÏbÏ Ï Ï Ï
Ï Ï bÏ Ï Ï
& bbb
& bbb
?bbb
- - -ha bi tat. Show your res pect to the beak in black, all
B Fm C B 7 D E F7 C E B B 7 E
k k kk k k k k k
kkk
kkk
kkk kk k
kkk
kk
kkk
kkk
kkk
k k kk k k k
k k k k k
11
Ï
Ï nÏ
Ï ú Ï Ï Ï Ï Ï
ÏÏÏ
Ï nÏÏÏ
ÏÏÏÏÏ
ÏÏÏÏ
Ï Ï ÏÏÏÏ
ÏÏÏ Ï
Ï ÏÏÏ
ÏÏÏ
ÏÏÏ
ú ú Ï Ï Ï ÏÏ Ï
Ï Ï
Ï
& bbb
& bbb
?bbb
-rise, all rise all rise! He’ll make you trem ble,
B F F E E sus2 B A
k k k k k k k k k
kkk kk
kkkkk
kkk
kk
kkk
kkk kk
k
k k k k k kk k k
14
9All Rise
© Musicline Publications Ltd
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï nÏ bÏ
Ï
ÏÏÏ
ÏÏÏ
ÏÏÏ
bÏÏÏ
ÏÏÏ bÏ
ÏÏ
ÏÏ
ÏÏÏ
ÏÏÏ n
ÏÏÏ ÏÏ
Ï Ï
ÏnÏÏ
bÏÏ
Ï
Ï Ï Ï nÏ Ï Ï Ï nÏ ÏÏ Ï
Ï Ï Ï Ï
Ï Ï
& bbb
& bbb
?bbb
- -make you cry, he’ll fix you with his bead y eye! Bead y eye! The
B D E G Edim7 Fm F7 B F7 C B D B F7 C B 7 DSQUIRRELS
ALLk k k k k k k k k k k
k k k k
kkk
kkk
kkk k
kkkkk
kkk kk
kkk
kkk kk
kkkk
kkk
kk kk
k k k k k k k k kk k
kk
k
17
Ï Ï
Ï Ï
Ï Ï Ï Ïú
Ï Ï Ï
ÏÏÏ ÏÏ
Ï
ÏÏÏÏ
Ï
ÏÏÏ
ÏÏÏ
ÏÏÏ ú
úú Ï Ï Ï
ÏÏ Ï Ï Ï Ï
ú Ï.
& bbb
& bbb
?bbb
- -
worst of the cri mi nals
68
dare not
128
lie; he wants the
68
128
68
128
E B A E A
k k k k k
kkk
kkk
kkk
kkk kk
k
kk k k k k k
k
21
Ï
Ï Ï Ï Ï
ÏÏÏ
Ï
ÏÏÏ Ï
ÏÏ ÏÏÏ
ÏÏÏ>
ÏÏÏ>
ÏÏÏ>
Ï Ï
Ï
ÏÏÏ Ï
ÏÏ Ï Ï Ï
ÏÏ Ï
ÏÏ
Ï
ÏÏ
ÏÏ Ï
Ï Ï
Ï
Ï Ï
& bbb
& bbb
?bbb
truth, the truth, the truth!
E B Gm B B 7 E B 7sus4
k k k kk k
kkk
kkk
kkk
kkk kk
kkkk
kkk
k
k
kk
k
k
k
k k
24
10 All Rise
© Musicline Publications Ltd
Ï
Ï Ï Ï Ï Ï Ï Ï
Ï
Ï
ÏÏÏ Ï
ÏÏ Ï Ï Ï
ÏÏ
ÏbÏÏÏ Ï
ÏÏ Ï
ÏÏ
ÏÏÏ ÏÏÏ Ï
ÏÏ Ï
ÏÏ
ÏÏ
Ï
nnÏÏ
ÏÏ Ï
Ï
bÏ Ï Ï Ï
Ï Ï Ï ÏÏ
& bbb
& bbb
?bbb
-He’s ve ry stern and has no fun, he
E7( 5) E B E G Fm A E B
E A♭ G A♭
k k
kk k k k k k
kkk
k kkk
kkk
kkk
kkk
kkk
kkk
k
k
k
kk
k k kk k k
k
27
Ï Ï Ï Ï Ï Ï Ï
ÏÏ Ï Ï Ï Ï Ï Ï
Ï
ÏÏÏ Ï
ÏÏ nÏ
Ï ÏÏÏ Ï
ÏÏ bÏÏÏ
ÏÏÏ Ï
ÏÏÏ
ÏÏ
ÏÏ
nÏÏÏ
ÏÏÏ
ÏÏÏ Ï
ÏÏ
Ï
nÏ Ï ÏnÏ Ï Ï Ï
bÏ Ï Ï ÏÏ Ï bÏ Ï Ï
& bbb
& bbb
?bbb
-knows that jus tice must be done. His job will sort out right from wrong; so
F A B Fm C B 7 D E F7 C E B B 7 E
A
k k k k k k kk k k k k k k
kkk
kkk
kk
kkk
kkk
kkk
kkk kk k
kkk
kk
kkk
kkk
kkk
kkk
k k kk k k k
k k k kk k k k k
30
Ï
Ï nÏ
Ï ú Ï Ï Ï Ï Ï
ÏÏÏ
Ï nÏÏ
Ï
Ï
ÏÏÏÏ
ÏÏÏÏ
Ï ÏÏÏÏÏ
ÏÏÏ
ÏÏ ÏÏ
ÏÏÏÏ
ÏÏÏ
ú ú Ï Ï Ï ÏÏ Ï
Ï Ï
Ï
& bbb
& bbb
?bbb
wise, so wise, so wise! So if you meet him,
B F F E E sus2 B A
k k k k k k k k k
kkk kk
kkkkk
kkk
kk
kkk
kkk kk
k
k k k k k kk k k
34
11All Rise
© Musicline Publications Ltd
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
ÏÏÏ ÏÏ
Ï ÏÏÏ bÏ
ÏÏ ÏÏÏ bÏ
ÏÏ Ï
Ï ÏÏÏ
ÏÏÏ nÏÏ
Ï ÏÏÏ
Ï Ï Ï nÏ Ï Ï Ï nÏ ÏÏ Ï
& bbb
& bbb
?bbb
-please be good, be have just as you know you should.
B D E G Edim7 Fm F7 B F7 C B Dk k k k k k k k k k
k
kkk
kkk
kkk k
kkkkk
kkk kk
kkk
kkk kk
kkkk
k
k k k k k k k k kk k
k
37
Ï nÏ bÏ Ï
Ï Ï Ï Ï Ï Ï
ÏÏ n
ÏÏ bÏÏ
Ï Ï
ÏÏ Ï
ÏÏ
ÏÏÏ
Ï
ÏÏÏ
ÏÏÏ
ÏÏÏ
Ï Ï Ï ÏÏ Ï
Ï
Ï Ï Ï Ï Ï
& bbb
& bbb
?bbb
- -Know you should. Be most po lite, call
68
him “M’
128
68
128
68
128
B F7 C B 7 D E B A ESQUIRRELS
ALLk k k k k k k k k
kk
kk kk
kkk
kkk
kkk
kkk
kkk
kk
kk k k k k
40
ú ÏÏ Ï
Ï Ï Ï Ï
úúú
ÏÏ
ÏÏÏ
Ï
ÏÏÏ Ï
ÏÏ
ÏÏÏ
ÏÏÏ>
ÏÏÏ>
ÏÏÏ>
Ï
ÏÏ Ï
Ï
ÏÏ
ÏÏ
Ï
ÏÏ
ÏÏ Ï
Ï Ï
& bbb
& bbb
?bbb
-lud"; he’s the judge, the judge, the judge!
128
128
128
A E B Gm B B 7 E
A♭
k k k k k kk k
kkk k
kkk
kkk
kkk
kkk
k
kk
k
k
k
kk
k
43
12 All Rise
© Musicline Publications Ltd
ÏÏÏ ÏÏ
ÏÏÏÏ
ÏÏÏÏÏÏ
ÏÏÏ
ÏÏÏ
ÏÏ
Ï Ï
ÏÏ
ÏÏÏ n
ÏÏ
ÏÏÏ
Ï Ï Ï Ï
Ï Ï Ï ÏÏ
nÏ Ï ÏnÏ
& b
bb
?bbb
E B E G Fm A E B F A(Fade music out as soon as possible after Judge's final line "Use it well.")
A♭ G A♭A
kkk
kkk
kkk
kkk
kkk
kkk
kkk
kkk
kk
kkk
k k kk k k
k k k kk
46
ÏÏÏ
bÏÏÏ ÏÏÏ Ï
ÏÏÏ Ï
Ï ÏÏ
nÏÏ
Ï ÏÏ
Ï ÏÏÏÏÏÏ
Ï
Ï Ï ÏbÏ Ï Ï Ï
Ï Ï bÏ Ï Ï& b
bb
?bbb
B Fm C B 7 D E F7 C E B B 7 E
kkk
kkk
kkk kk k
kkk
kk
kkk
kkk
kkk
k k kk k k k
k k k k k
49
ÏÏÏ
Ï nÏÏÏ
Ïúúúú
ÏÏÏÏ
ÏÏÏ
ÏÏ Ï
ÏÏ Ï
ÏÏ
ÏÏÏ ÏÏ
ÏÏÏÏ
ÏÏÏ b
ÏÏÏ
ú ú Ï Ï Ï ÏÏ Ï
Ï Ï
Ï Ï Ï Ï nÏ& b
bb
?bbb
B F F E E sus2 B A B D E G Edim7
kkk kk
kkkkk
kkk
kk
kkk
kkk kk
kkkk
kkk
kkk k
kk
k k k k k kk k k k k k k
52
ÏÏÏ bÏ
ÏÏ Ï
Ï ÏÏÏ Ï
ÏÏ
nÏÏÏ
ÏÏÏ Ï ÏÏÏ
ÏÏÏ
Ï ÏÏ
Ï
Ï ÏÏÏ Ï
ÏÏ
ÏÏÏ
ÏÏÏ Ï
Ï
Ï Ï Ï nÏ ÏÏ Ï
ÏÏ
Ï bÏ Ï Ï ÏÏÏ
ÏÏ
ÏÏ
& bbb
?bbb
Fm F7 B F7 C B D E B A E A
A♭
kkk
kkk kk
kkk
kkk kk
kkkk
k kkk
kkk
kkk
kkk kk
k
k k k k kk k
kk
k k k k kkk
56
ÏÏÏ
Ï Ï
ÏÏ ÏÏÏ
ÏÏÏ
ÏÏÏ
>
ÏÏÏ
>
ÏÏÏ>
Ï
ÏÏÏ
ÏÏÏ>
ÏÏÏ
>ÏÏÏ
>
Ï
ÏÏ
ÏÏ Ï
Ï Ï
Ï Ï
Ï Ï
& b
bb
?bbb
repeat under scene finalE B Gm B B 7 E E
kkk
kkk
kkk
kkk
k kkk
k
k
k
kk
kk
k
60
13All Rise
© Musicline Publications Ltd
Ï Ï Ï Ï Ï Ï Ï Ï Ï ú Ïúú
Ï Ï úÏ
úú
Ï Ï Ï Ï Ï
ú
ÏÏ ú
ú ú Ï Ï ú
ú& b
bb
?bbb
= 160
34
34
E Fm E
kk
k k
k
k k
k
úÏ
úú
úÏ
úú
ú Ï Ï ú
ú ú
ÏÏ ú
ú& b
bb
?bbb
rall.rall.E
kk
kk
k k
k
k k
k
6
úúú úú
ú núúú b
úúú
úúú
úúú
úú
ÏÏ
ÏÏ
ÏÏ
ÏÏ
ÏÏ Ï
Ï
& bbb
?bbb
= 126
44
44
Cm A C Cm6 A C Cm A C
Gk
k
Unúúú
búúú n
wwww
U Ï
Ï
ÏÏ ú
úÏÏ Ï
ÏÏ
& b
bb
?bbb
Cm6 A C Cm(maj9)
kk
5
14
Mrs Wolf Play On(Instrumental)
Mole Play On(Instrumental)
Track 5
Track 6
Cue -
Cue -
Mr Wolf: I shall be conducting my own defence, with the assistance of my co-counsel Mrs Wolf.
Squirrel 4: Calling… Mr Mole. Well he’s not very secret now!
Words and music byMike Horth & Jan Porter
Score arr. by Leo Nicholson
Words and music byMike Horth & Jan Porter
Score arr. by Leo Nicholson
© Musicline Publications Ltd
úúú úúú n
úúú b
úúú
úúú úúú n
úúú
búúú
ÏÏÏ
ÏÏÏ
ÏÏÏ
ÏÏÏ
ÏÏÏ
ÏÏÏ
ÏÏÏ
ÏÏÏ
& b
bb
?bbb
= 126
44
44
Cm A C Cm6 A C Cm A C Cm6 A C
Ï
úúú úú
ú núúú
búúú ú
úú úúú n
úúú
bÏúú
Ï
ÏÏÏ
ÏÏÏ
ÏÏÏ
ÏÏÏ
ÏÏÏ
ÏÏÏ
ÏÏÏ
ÏÏÏ
& bbb
& bbb
?bbb
I’ve
Cm A C Cm6 A C Cm A C Cm6 A CMOLE/BONDS
5
ú Ï Ï ú Ï #ú Ïú Ï
úúú
Ï Ïúúú Ï #
n úúú
Ï núúú Ï
ÏÏ
Ï ÏÏ
ÏÏ
Ï ÏÏ
ÏÏ
Ï ÏÏ
ÏÏ
Ï ÏÏ
& bbb
& bbb
?bbb
- -trav elled the world whilst in dis guise, a
A C D7 G
G
k
kkk
9
15
Mole Song(Mole, Bonds & Chorus)
Track 7
Cue - Mole: Well, I’ve been digging around and I’ve unearthed a lot of information. It’s what we moles do…
Words and music byMike Horth & Jan Porter
Score arr. by Leo Nicholson
© Musicline Publications Ltd
ú Ï Ï ú nÏ bú Ï nú
úúú
Ï Ï úúú nÏ b
úúú Ï n
úúú
ÏÏ
Ï ÏÏ
ÏÏ
Ï ÏÏ
ÏÏ
Ï ÏÏ
ÏÏ
Ï ÏÏ
& bbb
& bbb
?bbb
- -life un der ground: the life of spies.
Cm Cm7 Dm7( 5) G7
G
k k
kkk
kkk
13
Ï Ï Ï Ï Ï Ï nÏ Ï Ï bÏ Ï Ï Ï Ï Ï Ï Ï Ï
ÏúúÏ Ï Ï
úúÏ Ï nÏ
úúÏ Ï bÏ
úúÏ Ï Ï
úúÏ Ï Ï
úúÏ Ï
ÏÏ
ÏÏ
ÏÏ
ÏÏ
ÏÏ
ÏÏ
& bbb
& bbb
?bbb
- - - - - - - - - - -
Se cret ly tun nell ing, snoop ing and sig nall ing, net work ing, code break ing
Cm A C Cm6 A C Cm A CCHORUS
17
nÏ Ï Ï bÏ Ï ÏÏ
Ï ÏÏ
ú ú
nÏúú
Ï Ï bÏúú
Ï ÏÏú
úú Ï Ï
nÏú
bú
úúú úú
ú
ÏÏ
ÏÏ
ÏÏ Ï
Ï
ÏÏ
ÏÏ
ÏÏ Ï
Ï
& bbb
& bbb
?bbb
- - - -
clue mak ing, mes sag ing, Mole, call him Mole. Ah
Cm6 A C Cm A C Cm6 A C Cm A C20
16 Mole Song
© Musicline Publications Ltd
nú bÏ Ïú Ï Ï ú Ï #ú Ï
nnúúú
bbÏÏÏ
ÏÏ úú
ú Ï Ï úúú
Ï #n úúú
Ï
ÏÏ
ÏÏ
ÏÏ
Ï ÏÏ
ÏÏ
Ï ÏÏ
ÏÏ
Ï ÏÏ
& bbb
& bbb
?bbb
- - - -I list en and watch quite un de
Cm6 A C Cm A C D7MOLE/BONDS
k
kkk
24
ú Ïú Ï Ï ú nÏ bú Ï
núúú Ï
úúú Ï Ï úú
ú nÏ búúú Ï
ÏÏ
Ï ÏÏ
ÏÏ
Ï ÏÏ
ÏÏ
Ï ÏÏ
ÏÏ
Ï ÏÏ
& bbb
& bbb
?bbb
- - - - - -terred. In dan ger not shak en, nev er
G Cm Cm7 Dm7( 5)
G
k k
kkk
kkk
28
nú Ï Ï Ï Ï Ï Ï nÏ Ï Ï bÏ Ï Ï
núúú
Ïúú
Ï Ï Ïúú
Ï Ï nÏúú
Ï Ï bÏúú
Ï Ï
ÏÏ
Ï ÏÏ
ÏÏ
ÏÏ
ÏÏ
ÏÏ
& bbb
& bbb
?bbb
- - - - -
stirred! Clan dest ine meet ings at check points with pass words and
G7 Cm A C Cm6 A CCHORUS
G
k
kkk
32
17Mole Song
© Musicline Publications Ltd
Ï Ï Ï Ï Ï Ï nÏ Ï Ï bÏ Ï ÏÏ
Ï Ï
Ïúú
Ï Ï Ïúú
Ï Ï nÏúú
Ï Ï bÏúú
Ï ÏÏú
úú
Ï Ï
ÏÏ
ÏÏ
ÏÏ
ÏÏ Ï
Ï
ÏÏ
& bbb
& bbb
?bbb
- - - - - -
dang ‘rous as sign ments with cod ed com man ders; he’s Mole, call him
Cm A C Cm6 A C Cm A C35
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
nÏÏ
bÏÏ Ï
ÏÏ Ï Ï
úúÏ Ï Ï
úúÏ Ï Ï
úúÏ Ï ÏÏ
úÏ Ï
ÏÏ Ï
Ïú ú Ï Ï ú
ú
& bbb
& bbb
?bbb
- -
Mole. There are wolves in the moun tains and trai tors to spy on. I’ve
Cm6 A C B Cm A EMOLE/BONDS
38
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
ÏÏú
Ï Ï ÏÏú Ï ÏnÏÏú
Ï Ï ÏÏú
Ï bÏ
úúÏ Ï Ï
úúÏ Ï
úú
úú
bú ú Ï Ï
& bbb
& bbb
?bbb
- - - -
ag ents in out posts that I must re ly on. Wolves in the moun tains and
Fm Cm G7 Cm B CmCHORUS
41
18 Mole Song
© Musicline Publications Ltd
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ïúú
Ï Ï ÏÏú
Ï Ï ÏÏú
Ï Ï ÏÏ Ï Ï ÏÏ Ï Ï ÏÏ Ï
úú ú
ú núúúú
& bbb
& bbb
?bbb
- - - -
trai tors to spy on. Ag ents in out posts that he must re ly on.
A E Fm Cm G7 Cm44
Ï Ï Ï Ï Ï Ï nÏ Ï Ï bÏ Ï Ï Ï Ï Ï Ï Ï Ï
ÏúúÏ Ï Ï
úúÏ Ï nÏ
úúÏ Ï bÏ
úúÏ Ï Ï
úúÏ Ï Ï
úúÏ Ï
ÏÏ
ÏÏ
ÏÏ
ÏÏ
ÏÏ
ÏÏ
& bbb
& bbb
?bbb
- - - - - - - - - - - -
Scru tin i sat ion, se cu ri ty brief ings, un cov er ing blue prints and
Cm A C Cm6 A C Cm A C47
nÏ Ï Ï bÏ Ï ÏÏ
Ï ÏÏ
nÏúú
Ï Ï bÏúú
Ï ÏÏú
úú Ï Ï
nÏú
bú
ÏÏ
ÏÏ Ï
Ï
ÏÏ
ÏÏ Ï
Ï
& bbb
& bbb
?bbb
- - -
crack ing en cryp tions; he’s Mole, he’s the Mole.
Cm6 A C Cm A C Cm6 A C50
19Mole Song
© Musicline Publications Ltd
ú ú nú bÏ ú ú nú bÏ ú ú
Ï ÏÏ
Ï ÏÏ
úúú úú
únnúúú
bbÏÏÏ
Ï Ïúúú
úúú
nnúúú b
bÏÏÏ Ï Ï
úúú úú
ú
ÏÏ Ï
Ï
ÏÏ
ÏÏ
ÏÏ
ÏÏ
ÏÏ Ï
Ï
ÏÏ
ÏÏ
& bbb
& bbb
& bbb
?bbb
Ah Ah Ah
He’s the Mole. He’s the Mole.
Cm A C Cm6 A C Cm A C Cm6 A C Cm A CGROUP 1
GROUP 2
53
nú bÏ ú ú nú bÏ Ï
Ï ÏÏ
Ï ÏÏ
nnúúú
bbÏÏÏ
Ï Ï úúú úú
ú nnúúú b
bÏÏÏ
Ï ÏÏÏÏ
ÏÏ
ÏÏ
ÏÏ Ï
Ï
ÏÏ
ÏÏ
ÏÏ
& bbb
& bbb
& bbb
?bbb
Ah Mole!
He’s the Mole. He’s the Mole!
Cm6 A C Cm A C Cm6 A C Cm58
20 Mole Song
© Musicline Publications Ltd
úúú úú
ú núúú
búúú
úúú
úúú
úú
ÏÏ
ÏÏ
ÏÏ
ÏÏ
ÏÏ
ÏÏ
& bbb
?bbb
= 126
44
44
Cm A C Cm6 A C Cm A CSpoken: Attention, attention! This recording will self-destruct in
k
k
À À À À À À À À À À
núúú
búúú úúú úú
ú núúú
búúú úú
úúúú n
úúú b
úúú
ÏÏ
ÏÏ
ÏÏ
ÏÏ Ï
Ï
ÏÏ
ÏÏ
ÏÏ
ÏÏ
ÏÏ
ÀÀÀÀÀÀÀÀ
& b
bb
& bbb
?bbb
10 9 8 7 6 5 4 3 2 1
Cm6 A C Cm A C Cm6 A C Cm A C Cm6 A C
(hit lowest notes of pianoas hard as possible!)
5
U
u#ÏÏÏ Ï #Ï
Ï w
Ï #Ï
Ï Ï w
Ï #Ï
Ï Ï
U
ww
#úú
úú #ú
ú úú ?
&
¡
= 126
44
44
C
21
Explosion Sequence(Instrumental)
Mole Play Off(Instrumental)
Track 8
Track 9
Cue -
Cue -
Basildon: The name’s Bond, Basildon Bond, and I have the CCTV recordings with all the evidence!
Mr Wolf: A little shaken and stirred, Mr Mole?
Words and music byMike Horth & Jan Porter
Score arr. by Leo Nicholson
Words and music byMike Horth & Jan Porter
Score arr. by Leo Nicholson
© Musicline Publications Ltd
ÏÏÏ
ÏÏ
ÏÏ
Ï Ï ÏÏ Ï Ï
ÏÏÏ
ÏÏÏ Ï
ÏÏ
ÏÏÏ #Ï
ÏÏ
ÏÏÏÏ Ï Ï
ÏÏÏ
ÏÏ
Ï
Ï
Ï
Ï Ï Ï Ï Ï ÏÏ Ï Ï
&#
?#
= 104
44
44
Em C Am7 B Emk
ÏÏÏ Ï
ÏÏÏ
ÏÏÏ
Ï Ï
#Ï
ÏÏ
Ï
Ï
ÏÏÏ
ÏÏ
Ï
ÏÏÏ
Ï
ÏÏ
Ï #
Ï
ÏÏ
Ï
ÏÏ
Ï
ÏÏ
Ï Ï Ï Ï Ï ÏÏ Ï
Ï Ï Ï Ï&
#
?#
C Am7 B Em Am B7
k4
Ï
Ï
ÏÏ Ï
Ï
ÏÏ
Ï
ÏÏ
Ï
ÏÏ
Ï
Ï
ÏÏ
Ï
Ï
ÏÏ
ÏÏ
Ï
ÏÏ#ÏÏÏ
Ï Ï Ï
Ï Ï Ï Ï Ï Ï Ï Ï
Ï
Ï Ï Ï
#Ï&
#
?#
Em Em G F m7( 5) B77
Ï
n
Ï
Ï ÏÏ #Ï
Ï
n
Ï
Ï ÏÏ #Ï
Ï
n
Ï
Ï ÏÏ #Ï
ÏÏ
ÏÏ n
ÏÏ
ÏÏ #
ÏÏ
ÏÏ n
ÏÏ
ÏÏ #
ÏÏ
ÏÏ nÏÏ
ÏÏ #
ÏÏ
ÏÏ
&#
?#
Em D C B Em D C B Em D C B Em10
22
Red Riding Hood Play On(Instrumental)
Track 10
Cue - Mr Mann:Yes, m’lud. I wish to call Red Riding Hood. Words and music byMike Horth & Jan Porter
Score arr. by Leo Nicholson
© Musicline Publications Ltd
À À À À À À
Ï Ï Ï Ï Ï Ï
Ï
Ï
Ï Ï Ï ú
ú
úú
Ï
Ï
Ï
Ï
Ï
Ï
Ï
Ï
Ï
Ï
Ï
Ï
&#
&#
?#
-
= 104
Are you rea dy for this?
44
44
44
Em B7 Em B7 EmFRIENDS(spoken)
Ï Ï Ï Ï
Ï
Ï Ï
Ï
Ï
ÏÏ
ÏÏ
ÏÏ Ï Ï Ï
Ï
ÏÏ Ï
Ï
Ï
Ï
ÏÏ
Ï
Ï
Ï
ÏÏ
ÏÏ
ÏÏ
Ï
Ï Ï Ï Ï Ï Ï
ÏÏ
ÏÏ
ÏÏ Ï Ï Ï
&#
&#
?#
- -My moth er said I nev er should
B7 Em RED RIDING HOOD (sung)4
Ï Ï Ï Ï Ï
Ï Ï
Ï
Ï
Ï Ï Ï Ï Ï Ï
Ï
ÏÏ
Ï
Ï
ÏÏ
Ï
ÏÏ
Ï
#
ÏÏ
Ï
ÏÏÏ
Ï
ÏÏ
ÏÏÏ bÏÏ
ÏÏ
nÏ
ÏÏ
Ï Ï
Ï
Ï
ÏÏ Ï
Ï
Ï
ÏÏ
ÏÏ Ï
Ï Ï nÏÏ
ÏÏ
Ï
&#
&#
?#
-stray from the foot path in the wood. And for a time I was
B7 Em C7 B7 Em7
23
Red Riding Hood(Red Riding Hood & Friends)
Track 11
Cue - Mr Case: Miss Hood, please tell the court what happened on the day you travelled through the woods to visit your grandma.
Words and music byMike Horth & Jan Porter
Score arr. by Leo Nicholson
© Musicline Publications Ltd
Ï Ï
Ï
Ï
Ï Ï Ï Ï Ï
Ï Ï
Ï
Ï
Ï Ï
Ï
ÏÏ
ÏÏ
Ï
ÏÏ
Ï
Ï
ÏÏ
Ï
ÏÏ
Ï
#
ÏÏ
Ï Ï
ÏÏ
ÏÏÏ
ÏÏÏ
ÏÏ
Ï Ï Ï Ï ÏÏ
ÏÏ Ï
ÏÏ Ï Ï Ï
&#
&#
?#
- - - -ve ry good, the per fect Lit tle Rid ing Hood.
B7 Em10
Ï Ï Ï Ï Ï
Ï Ï
Ï
Ï
Ï Ï #Ï Ï Ï Ï
Ï
ÏÏÏ
Ï
ÏÏÏ
ÏÏÏ
ÏÏ
Ï Ï
Ï
ÏÏ
ÏÏ
Ï
ÏÏ
Ï# Ï
ÏÏ
Ï
ÏÏ
Ï
Ï
ÏÏ
ÏÏ
ÏÏ Ï
ÏÏ Ï Ï Ï Ï
ÏÏ
Ï
&#
&#
?#
-Aft er a while she had a rest, down in the grass of a
Am Em B7FRIENDS13
Ï Ï
Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ï Ï
Ï
Ï
Ï Ï
Ï
ÏÏÏ
ÏÏÏ
ÏÏÏ
ÏÏÏ
ÏÏÏÏ Ï
ÏÏÏ Ï
ÏÏÏ
Ï
ÏÏ
ÏÏ
ÏÏ
Ï Ï
ÏÏ
Ï Ï Ï Ï ÏÏ
ÏÏ Ï
ÏÏ Ï Ï Ï
&#
&#
?#
- - -cool green glade. I saw a sha dow hang ing ov er me, and a
Em Am EmRRH16
24 Red Riding Hood
© Musicline Publications Ltd
Ï Ï Ï Ï Ï Ï Ï Ï
À
À
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ï
#ÏÏÏ
ÏÏÏ
Ï ÏÏÏÏ
ÏÏÏÏ
ÏÏÏ
Ï
Ï Ï
Ï
ÏÏ
Ï Ï
Ï
Ï
ÏÏ
Ï
Ï
ÏÏ
ÏÏ
Ï
Ï
ÏÏ
Ï
&#
&#
&#
?#
- -
- - -
voice said, “Good morn ing lit tle maid.” He said,
“Good morn ing lit tle maid.” “We have n’t met, I’m
B7 Em EmRRH
FRIENDSk
19
Ï Ï
Ï Ï
Ï Ï Ï Ï Ï
Ï Ï
Ï
À
À
Ï Ï
Ï
ÏÏ
ÏÏ
Ï
ÏÏ
Ï
Ï
ÏÏ
Ï
ÏÏ
Ï
#
ÏÏ
Ï
ÏÏÏ
Ï
ÏÏ
ÏÏÏ bÏÏ
ÏÏ
ÏÏ
Ï Ï Ï Ï ÏÏ
ÏÏ Ï
Ï Ï nÏ
&#
&#
?#
- - -Mis ter Wolf. Are you a lone here by mis take?” I said,
B7 Em C7 B7FRIENDSRRH
22
Ï Ï Ï Ï Ï Ï
Ï Ï
Ï
Ï
Ï Ï Ï
Ï
Ï Ï
nÏ
ÏÏ
Ï Ï
Ï
Ï
ÏÏ
Ï Ï
Ï
Ï Ï
Ï
ÏÏ
ÏÏ
Ï
ÏÏ
Ï
Ï
ÏÏ
Ï
ÏÏ
Ï
#Ï
ÏÏ
ÏÏ
ÏÏ
ÏÏ
Ï Ï Ï Ï ÏÏ
ÏÏ
&#
&#
?#
-“My Gran ny’s ill so I’m on my way to cheer her up with a
Em B7FRIENDS25
25Red Riding Hood
© Musicline Publications Ltd
Ï Ï
Ï
À À À
Ï Ï Ï Ï Ï
Ï Ï
Ï
Ï
Ï Ï
ÏÏ
ÏÏÏ
ÏÏÏ
Ï
ÏÏÏ
Ï
ÏÏ
Ï
ÏÏ
Ï
ÏÏ
Ï Ï
Ï
ÏÏ
ÏÏ
ÏÏ
Ï Ï Ï Ï ÏÏ
ÏÏ Ï
ÏÏ Ï Ï Ï
&#
&#
?#
- - - - -choc ‘late cake.” He whisp ered, “I’m sure that she’d ap pre ci ate
Em Am EmRRH FRIENDS28
Ï Ï #Ï Ï Ï Ï
Ï Ï
Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ï
ÏÏ
Ï
# Ï
ÏÏ
Ï
ÏÏ
Ï
Ï
ÏÏ
Ï
ÏÏÏ
ÏÏÏ
ÏÏÏ
ÏÏÏ
ÏÏÏÏ Ï
ÏÏÏ Ï
ÏÏÏ
ÏÏ
ÏÏ Ï
ÏÏ Ï Ï Ï Ï
ÏÏ
Ï
&#
&#
?#
- - - -some for est flowers that are grow ing here. Go pick the but ter cups and
B7 Em Am31
Ï Ï
Ï
Ï
Ï Ï
Ï
Ï Ï Ï Ï Ï Ï
Ï
ÏÏ
ÏÏ
ÏÏ
Ï Ï
Ï
#
ÏÏ
Ï
ÏÏ
Ï
Ï
ÏÏ
Ï
Ï
ÏÏ
ÏÏÏ
ÏÏ
ÏÏ
Ï Ï ÏnÏ
ÏÏ
Ï Ï Ï Ï ÏÏ
ÏÏ
Ï
Ï
Ï
&#
&#
?#
- - -dai sies too, you have time, they’re real ly ve ry near!”
Em B7 Em
k
34
26 Red Riding Hood
© Musicline Publications Ltd
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ï Ï
Ï Ï Ï Ï Ï
Ï
Ï Ï Ï Ï Ï
Ï Ï Ï Ï Ï
Ï Ï
Ï Ï Ï Ï Ï
Ï
Ï ÏÏÏ Ï
ÏÏÏ ÏÏ
Ï
ÏÏÏ #
ÏÏÏ
Ï ÏÏÏ
Ï ÏÏÏÏ
ÏÏ
ÏÏÏ
ÏÏÏ
ÏÏÏÏ
Ï
Ï Ï Ï Ï Ï ÏÏ Ï Ï
Ï Ï Ï Ï
&#
&#
&#
?#
- - -
- - -
Bas ket and red hood, make sure that you’re good. Don’t talk to strang ers; par
Bas ket and red hood, make sure that you’re good. Don’t talk to strang ers; par
C Am7 B Em C Am7ALL
Optional harmony
k
k
k
37
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï Ï Ï
Ï
Ï
#Ï
ÏÏÏ
Ï
ÏÏÏ
ÏÏ
Ï
ÏÏÏ
Ï
ÏÏ Ï
#Ï
ÏÏ
Ï
ÏÏ
Ï
ÏÏÏ
Ï
ÏÏ Ï
Ï
ÏÏÏ
ÏÏ
Ï
ÏÏ
Ï ÏÏ Ï
Ï Ï Ï ÏÏ Ï Ï Ï
&#
&#
?#
- - - - -ti cu’ ly wolves! Don’t list en to lies, it’s not ve ry wise. Just
B Em Am B7 Em Em GALL
40
Ï Ï Ï Ï
Ï Ï Ï Ï Ï
Ï
Ï
ÏÏÏ
Ï
ÏÏ
ÏÏ
Ï
ÏÏ#ÏÏÏ
Ï Ï Ï
Ïn
Ï
Ï Ï
Ï #Ï
Ï Ï Ï Ï
Ï
Ï Ï Ï
#ÏÏÏ n
ÏÏ
ÏÏ #
ÏÏ
&#
&#
?#
keep to the path, go straight through the wood.
F m7( 5) B7 Em D C B43
27Red Riding Hood
© Musicline Publications Ltd
À À À À À
À
Ï
n
Ï
Ï ÏÏ #Ï
Ï
n
Ï
Ï ÏÏ #Ï Ï Ï Ï Ï Ï Ï Ï
ÏÏ n
ÏÏ
ÏÏ #
ÏÏ
ÏÏ nÏÏ
ÏÏ #
ÏÏ ÏÏ
Ï
&#
&#
?#
- -Are you fol low ing this?
Em D C B Em D C B EmFRIENDS
46
Ï Ï Ï Ï
Ï
Ï Ï
Ï
Ï
Ï Ï Ï Ï Ï
Ï
ÏÏ Ï
Ï
Ï
Ï
ÏÏ
Ï
Ï
Ï Ï
Ï
ÏÏ
ÏÏ
Ï
ÏÏ
Ï
Ï
ÏÏ
Ï
ÏÏ
Ï
#
ÏÏ
ÏÏ
ÏÏ
ÏÏ
Ï Ï Ï Ï ÏÏ
ÏÏ
&#
&#
?#
- - -At Gran ny’s house it was n’t good, she did n’t look like
Em B7RRH
49
Ï Ï
Ï
Ï
Ï Ï Ï Ï Ï Ï
Ï Ï
Ï
Ï
Ï
ÏÏÏ
Ï
ÏÏ
ÏÏÏ bÏÏ
ÏÏ
nÏ
ÏÏ Ï
Ï
Ï
Ï
ÏÏ
Ï Ï
Ï
Ï
ÏÏ
ÏÏ
ÏÏ
ÏÏ Ï nÏ
ÏÏ
ÏÏ
ÏÏ
Ï Ï Ï Ï
&#
&#
?#
-Gran ny should. Her nose was huge and her ears had grown,
Em C7 B7 Em52
28 Red Riding Hood
© Musicline Publications Ltd