Way Back HomeStory: Jeong-yeon (Jeon Do-yeon) and Jong-bae (Ko Soo) are happily married, have a little daugther (Kang Ji-woo) and their own car repair shop. However, one day they lose everything as Jong-bae had stood as a guarantor for a credit of one of his friends who then had been entangled in deep debts and took his own life. The family can barely manage to get by. As times are tough Jeong-yeon wants to smuggle a few precious stones into the country for one of her husband's friends. At the airport in France she is checked, though, and it turns out that the bag she is carrying is full of several kilograms of cocaine. Jeong-yeon is taken into custody and since she doesn't get an interpreter because of the incompetent Korean consulate she doesn't know what's going to happen to her. She is jailed in a French prison under extremely bad conditions for as long as no one finds Jeong-bae's friend in Korea, who has to make a testimony about whether Jeong-yeon knew about what she carried with her or not. Before that there can't be any trial. Therefore, Jeong-bae is desperately searching for his former friend who has disappeared while Jeong-yeon tries to somehow hang on.Review: "Way Back Home" is an interesting drama because it is based on true events. Resulting from that are the movie's biggest problems as well, though. It is all too obvious where the movie took some liberties in order to raise the impact of the drama and at times this is done in such an extensive manner that you get the impression the filmmakers wanted to get across the injustice and suffering, which the female protagonist experiences, with a sledgehammer. Furthermore, there is a gazillion of tears inevitably making the story so melodramatic that you easily could think to be watching a soap opera. But for that again Jeon Do-yeon's acting is too good. In technical respects the movie is also above reproach.It takes quite a while until "Way Back Home" finally puts its focus on the actual story. The introduction is rather long and shows the unfortunate circumstances that led Jeong-yeon into carrying a bag without knowing anything about its content. Well, it is pretty naive to do something like that, but then again there are in fact people like that. However, what's supposed to make you feel really agitated is the course of action from the law and especially the Korean consulate. Inquiries aren't taken seriously, files are misplaced and officials live up to the clich of incompetent and lazy tax money wasters. Their incompetence leads to injustice and suffering which we are presented with in the shape of Jeong-yeon's fate. Doing so the movie works on different narrational levels.

Many of the depicted circumstances are so unbelievable that they are probably true. Jeong-yeon remains locked up without anyone telling her what she needs to expect will happen next. Because the Korean consulate doesn't want to pay for an interpreter or there allegedly isn't one to be found on the island where Jeong-yeon is locked up in prison. Then there are of course the mandatory cell mates that make her life a living hell and there is a prison guard that later on has it in for her. Those are apparently scenes that have been implemented for more dramatic purposes, as is the attempted raping. Well, you could forgive that if it weren't for the fact that those scenes go hand in hand with a lot of tears and a heart-rending score. But more about that in a second.

The other narrational level the movie takes place on is that of the husband, played by Ko Soo ("Taegukgi", "Haunters"). Ko doesn't deliver bad work, but particularly during one emotional scene with Jeon Do-yeon ("The Housemaid", "Secret Sunshine") it almost seems as if he isn't up to the task of playing his role. Jeon is outshining everyone else in the movie and even manages to sell those scenes that actually are overstepping the border to kitsch. On the one hand this kitsch has its origin in a very frequently used melodramatic score, as already stated, and on the other in scenes that are unnecessarily drawn out as if the filmmakers wanted to capture every single tear. There may be movies that feature more tears, but seldomly they are celebrated the way they are here, which for some viewers, and I count myself among them, might turn out to be a big problem.Story: Jeong-yeon (Jeon Do-yeon) at Jong-Bae (Ko Soo) ay masayang bagong kasal, may isang maliit na anak(Kang Ji-woo) at ang kanilang sariling car repair shop. Gayunpaman, isang araw nawala ang lahat ng mga ito ng tumayo bilang garantor si Jong-Bae para sa isang kredito ng isa sa kanyang mga kaibigan na baon sa malalim na utang at kinuha ang kanyang sariling buhay. Minsan sa hirap ng buhay nais ni Jeong-yeon na magnakaw ng ilang mahalagang bato sa bansa sa isa sa mga kaibigan ng kanyang asawa. Sa airport sa France siya ay nag-checkin, bagaman, hindi niya alam na ang bag niya nagdadala ng puno ng maraming kilo ng cocaine. Jeong-yeon ay kinuha ng custodia dahil hindi siya makakuha ng interpreter dahil di makakuha ang Korean consulate at hindi alam kung ano ang mangyayari sa kanya. Siya ay ibinilanggo sa isang Bilangguang Pranses sa ilalim ng hindi magandang kondisyon para sa hangga't hinahanap ng walang kaibigan Jeong-Bae sa Korea, kung sino ang may upang gumawa ng patotoo tungkol sa kung alam ni Jeong-yeon tungkol sa kung ano siya dinala sa kanya o hindi. Bago iyon doon ay hindi maaaring maging anumang pagsubok. Samakatuwid, Jeong-Bae ay lubhang naghahanap para sa kanyang dating kaibigan na nawala habang Jeong-yeon sinusubukan upang kahit papaano ay mag-hang sa