vocal score music by ray leslee lyrics by philip s ......figurin’ paint -- hardway & company 07....

77
**************************************** Vocal Score Music by Ray Leslee Lyrics by Philip S. Goodman **************************************** copyright Leslee/Goodman (c) 2006/2011 Contact: David Friedlander, Esq email: [email protected]

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  • ****************************************

    Vocal Score

    Music by Ray Leslee

    Lyrics by Philip S. Goodman

    **************************************** copyright Leslee/Goodman (c) 2006/2011 Contact: David Friedlander, Esq email: [email protected]

  • AGM SONG LIST Act 1 01. OPENING/MULE SONG – Louella, Albert & Company 02. LONG BROWN WOMAN – Augustus, Lettie & Company 03. WHITE HOUSE -- Albert 04. NEW ORLEANS -- Lettie 05. DON’T WANT NO CHANGE IN YOU – Louella and Albert 06. FIGURIN’ PAINT -- Hardway & Company 07. PRAYER -- Granny 08. TAKE ME HOME -- Preacher & Company 09. I GOT A RIGHT -- Albert Act 2 10. LET ME BE -- Albert, Preacher, Augustus, Hardway, and Cooter 11. ONE MAN -- Lettie 12. HOW THE HAPPY GIRL GOT LOST -- Louella 13. LAYBY – Albert 14. WE GOT LIFE – Lettie and Louella 15. I HEAR MUSIC FAR AWAY -- Cooter & Company 16. THE NUMBERS GAME – Tittle & Company 17. CAN’T YOU SEE WHAT I SEE -- Albert and Louella 18. ONE LEFT STANDIN – Louella 19. RAGGEDY MAN -- Albert 20. FINALE/I GOT A RIGHT -- Albert, Louella and Company

  • ™™

    ™™

    A7

    C' mon-

    C

    Mule!

    D A7 C D E‹/C© D D©º7

    Intro q = 80

    First

    A7

    we get a knife blade

    C D

    Get

    A7

    onmule!

    C D

    Seed

    A7

    ing- sack my wife made

    C D

    Gid

    A7

    up- mule!

    C D

    4

    C E

    Hey

    C

    Mac, move back, break

    G

    this ground, Take

    C

    a man of mus cle- put a straight

    G

    row down!8

    A7

    You can dress

    A7

    your self up pret ty,- Or put onsome u ni- form,- You can11

    run

    D7

    off to the ci ty- Or some

    A7

    place- where it's warm, But you got it deep in -15

    side,

    F©‹7

    just a lit

    B‹(“)

    tle- bit, of pride,

    E(“)

    18

    Turn

    A7

    it to the end row,

    C D

    Pull

    A7

    on Mac!

    C D

    Lift

    A7

    the blade and turn slow,

    C D

    We com

    A7

    ing- back.

    C D

    21

    24

    24 44

    24

    &###

    ALBERT: Harmonica Solo

    ad lib grunts & groans

    1. Opening/Mule Song Music by Ray Leslee Words by Philip S. Goodman

    &###

    &###

    &###CAKEWALK

    ∑Lead in

    CHOIR:

    &###

    legato A/G

    &###

    &###

    ALBERT: Male echo Male echo Male echo Male echo

    Ó ¿ ¿ ¿

    œ œ œ œ œ œ œ Œ œn œ ™œ Ó œ œ œ œ œ œ œ Œ œn œ ™œ Œ Œ

    Œ Œ œn œ œ œ œ œ œ œn œ œ œ œ œ œ œ œ œn œ

    Ó Œœœ

    œœ œ

    œœœ œœœœ œœnn œ

    œœœœœ œ

    œœœ

    œœ œœœœ œœœœj ‰

    œœ

    œœ

    œœœœ œœœœ œœnn œ

    œœœœœ œ

    œœœ œ

    œœœ œœœœj ‰ œœ# œ

    œ œœœjœœœ ™™™ œœ

    œœœœ

    ˙̇̇ ™™™ œœœ œœœ œœœ œœœ œœœ Œ Œ œœ

    œ www

    œ œ œ œ œ œ œ Œ œn œ ™ œ Ó œ œ œ œ œ œ œ ‰ œj œn œ ™ œ Ó

  • C E

    Hey

    C

    Mac, move back, break

    G

    this ground,Take

    C

    a man of mus cle- put a straight

    G

    row down!25

    A C D A C D

    28

    32

    24 44&###

    CHOIR:

    &###

    LOUELLA: (Coming down to where ALBERT is working) Albert, Albert, hold up! (He stops, MUSIC stops)Something I got to tell you. I’m going to have a child.

    ALBERT: (Surprised) You sure bout that? L’il peanut baby growing in your belly?!

    LOUELLA: I don’t know if it’s a peanut or a sweet potato, but it’s in here. You mad bout it?

    ALBERT: Why I be mad?

    LOUELLA: Cooter almost grown, years since gone by, and nothing happen in here. Now, all-of a-sudden – it took.

    ALBERT: A man keep dropping seeds, something might sprout.

    LOUELLA: Papa, maybe time come to quit Oma Creek, and get a new start. If we go to St. Louie or New Orleans, you could be fixin radios or cars. Sister and me do beauty culture! We be settin pretty.

    ALBERT: I ain’t no radio man, mama. Got the dirt, my cotton, and you up yonder cooking up beans – and babies. We settin pretty now! You go lay down before the party tonight. I got one more row. A baby – ain’t that somethin! Let’s go, mule! Hey! (MUSIC. He goes back to work.)

    ∑ ∑ ∑ ∑

    FADE OUT

    nnn

    & ∑U

    Œ Œœœn œœn œœ œœ œœ œœ œ

    œ œœn œœ œœn œœ œœ œœ œœ œœ œœ œœn œœ

    2

  • G‹/E F F©‡…‹7C/G G©‡…‹7 A‹7

    Mule

    C7

    he be migh ty,-

    But he

    F

    A tempo q = 80

    33

    can't

    C7

    make a chile.

    E¨ F

    Still

    C7

    he do the business,

    E¨ F

    With a wick

    C7

    ed- smile.

    E¨ F E¨ G

    35

    Hey

    Mac, move back, break

    this ground, Take

    a man of mus cle- put a straight

    row down!39

    C7

    You can take

    C7

    most a ny- thing,- but there's a hea vy- price to pay. And you41

    want

    F7

    ing- sim ple- things, but there's some fen

    C7

    ces- in your way. But you45

    got it deep in side,

    A‹7

    - just a lit

    D‹(“)

    tle- bit, of pride,47

    24 44

    44

    & ∑

    ALBERT: Female echo

    &

    Female echo Female echo Female echo

    &

    add CHOIR:

    &

    CAKEWALK

    ∑CHOIR:

    unison

    &legato

    &C/Bb

    œ œ œ œ œ œ œ‰

    œ œ

    œb œ œ œÓ

    œ œ œ œ œ œ œ‰œ œ œ œb ™ œ

    Ó Œ Œ

    œœb œœb œœ œœ œœ œœ œœ œœb œœ œœb œœ œœ œœ œœ œœ œœ œœb œ

    œ

    Ó Œœ œ œ œ œ œ œb œ

    œ œ œ œ œ œ œ œ œj ‰

    œ œ

    œ œ œ œ œb œ ™ œ œ œ œ œ œ œ œ œ œœn œœ

    œœjœœ ™™ œœ œœ ˙̇ œœ

    jœœ œœ

    jœœ œœ œœ Œ Œ œœ œœ

    3

  • °

    ¢

    °

    ¢

    °

    ¢

    G(“)

    ooh

    C/E D/F©

    ooh

    C/G D/A

    whoa50

    Take a might y- man, To get a row straight on,

    C/E D/F©

    whoa

    C/G D/A D(“)/A

    55

    "No ther- day of sweat in'- And then I'm gone

    Wooo

    A‹7

    WoooWhoa

    C/D D‹7/Gdim.

    Now the60

    YEAH

    days

    C/E

    get long

    D/F©

    er, And the light

    C/G

    is strong er,

    D/A

    I can

    Softly

    66

    hear

    C/E

    the hum

    D/F©

    ming Are the an

    C/G

    gels- com ing?

    D/A rit.

    70

    &

    CHOIR:

    legato

    & ∑ ∑ALBERT: solo ad lib solo ad lib

    & ∑

    &solo ad lib solo ad lib

    &C/Bb

    WOMEN: add MEN:

    nU LOUELLA:

    & ∑ ∑solo ad lib U

    &

    &guitar ending∑ ∑U

    ˙̇ Œœ œ ˙ ™ œ œ œj œ ™

    Œœ œ ˙̇ ™™ œœ œœ œœ

    jœœ# ™™ Œ œ œ

    Ó œ œ œ œœ ˙Ó Œ ≈

    œ œ œ œn œ œ

    ˙ ™ œ œ œj œ ™Œ

    œ œ ˙̇ ™™ œœ œœ œœjœœ# ™™ Ó

    ˙Ó Œ Œ

    œ œ œ œ œ œ ™ ˙Ó Œ ™

    œj œb œ ™œ

    Œ œ œn œ Œ˙ œ œ̇ œ ˙ ™w œ ww ww ˙̇

    Œ œ œ

    Œ œ œ œ œ œ ™ œb œ ˙ ˙ œjœ ™ ˙

    Ó

    ˙ ™ œ œ œj œ ™Œ

    œ œ ˙ ™ œ œ œj œ ™Œ

    œ œ

    ˙ ™ œ œ œj œ ™Œ

    œ œ ˙ ™ œ œ œj œ ™ ˙

    4

  • Copyright © Leslee/Goodman 2011

    Lead SingerChoir

    ™™

    C7(#9)

    Slow Rock q = 80

    As a ner

    C7(#9)

    vy- child in my cu ri- ous- threes, On the church

    F7

    house floor I was on my knees, And the

    3

    2

    mir

    C7(#9)

    a- cle- be fore- me in them pews was a Long

    G7

    Brown Wo man- in a high

    A¨7

    heel shoes. By5

    six

    C7(#9)

    with toys on my own toy shelf I had more

    F7

    fun play in'- with my self, And the im -

    7

    7

    ag

    C7(#9)

    in- ar- y- play mate- I would al ways- choose was a Long

    G7

    Brown Wo man- in a- high

    A¨7

    heel shoes!9

    44&

    Like "Mustang Sally"

    Music by Ray Leslee Words by Philip S. Goodman

    2. Long Brown Woman

    &Gtr fill

    &

    &

    &

    Ó™œ œ œb œ œ œ œ œ œ œ œ œ œ œ œ œb œ œ œ œ œ œ œ œ œ œ œ

    œb œ œ œ œ œ ™ œ œ œb œ œ œ œ œ œ œ œ œ œb œ œ œ œ

    œb œ œ œ œ œ œ œ œ œ œ œ œ œb œ œ œ œ≈œ œ œ

    œb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œb œ œ œ

    6/15/12 20:05:39 2. Long Brown Woman

  • °

    ¢

    °

    ¢

    °

    ¢

    °

    ¢

    °

    ¢

    C C/E F F7 G7 A¨7

    At

    Ooh Long Brown Wo man- in a high heel shoes11

    twelve

    C7(#9)

    I de cid- ed- to quit from school To stu

    F7

    dy- the a rith- me- tic- of dice and pool. I

    13

    13

    knew

    C7(#9)

    the on ly- oc cu- pa- tion- I could use was a Long

    G7

    Brown Wo man- in a- high

    A¨7

    - heel shoes! At six

    15

    teen

    C7(#9)

    I trav el with a big tent show, And trav

    F7

    el where ev- er the kooch show go Cause the

    17

    17

    si

    C7(#9)

    reen- call I could not re fuse- was a Long

    G7

    Brown Wo man- in a- high

    A¨7

    - heel shoes!

    19

    & ∑

    &

    &

    & ∑ ∑

    &

    & ∑ ∑

    &

    & ∑ ∑

    &

    & ∑ ∑

    Ó™ ‰œj

    œœ

    œœbb œ

    Ϫ

    ™ ‰œœœn œœœ œœœ œœœ œœœ œœœ œœ

    œbb œœœ œœœ œœœ

    œb œ œ œ œ œ œ œ œ œ œ œ œb œ œ œ œ œ œ œ œb œ œ œj≈œr

    œb œ œ œ œ œ œ œ œ œ œb œ œ œ œ œ œ œ œ œ œb œ œ œ œ œ

    œb œ œ œ œ œ œ œ œj ≈

    œr œ œ œ œ œ œ œ œb œ œ œ œ œ œ

    œb œ œ œ œ œ œ œb œ œ œ œ œ œ œ œ œ œb œ œ œ

    2. Long Brown Woman2

    6/15/12 20:05:39 2. Long Brown Woman

  • °

    ¢

    °

    ¢

    °

    ¢

    °

    ¢

    °

    ¢

    C C/E F F7 G7 A¨7

    So I

    si reen- call he could not re fuse- was a Long Brown Wo man- in a high heel shoes21

    join

    C7(#9)

    the ar my when I heard the call, I had

    F7

    a lit tle- prob lem- with al co- hol.- But I

    23

    23

    told

    C7(#9)

    my sar geant I would give up booze for a Long

    G7

    Brown Wo man- in a- high

    A¨7

    heel shoes! I was

    25

    strong,

    C7(#9)

    I had fight in'- blood, juiced,

    F7

    I get jea lous- and take no crud. The

    27

    Doo Doo Doo Doo27

    fel

    C7(#9)

    la- who could cer tain- ly blow my fuse had a Long

    G7

    Brown Wo man- in a- high

    A¨7

    heel shoes!

    Doo Doo Ooh29

    & ∑

    &

    &

    & ∑ ∑

    &

    & ∑ ∑

    &

    &

    &

    &

    Ó™ ‰œ œ

    œœ

    œœ

    œœbb œ

    œœœ

    œœœœ

    œœœœ

    œœœœ

    œœœn œœœ œœœ œœœ œœœ œœœ œœœbb œœœ œœœ œœœ

    œb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œb œ œ‰

    œ œ

    œb œ œ œ œ œ œ œ œ œb œ œ œ œ œ œ œ œ œ œb œ œ œ œ œ

    œb ‰ œ œ œ œ œ œ œ œ œb œ œ œ œ œ œ œ œb œ œ

    œœ

    œœ Œ Ó

    œœ

    œœ Œ Ó

    œb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œb œ œ œ

    œœ

    œœ Œ Ó

    ˙̇ œœb™

    ™ ‰

    2. Long Brown Woman3

    6/15/12 20:05:39 2. Long Brown Woman

  • °

    ¢

    °

    ¢

    °

    ¢

    °

    ¢

    °

    ¢

    C C/E F F7 G7 A¨7

    Fel la- who could cer tain- ly blow his fuse, had a Long Brown Wo man- in a high heel shoes31

    A¨7

    Huh! With your bad self! See,

    A¨7(„ˆˆ13)

    I had this big ob ses- sion,

    35

    33

    But,

    G7(„ˆˆ13)

    I ne ver- had pos ses- sion, Why,

    G¨7(„ˆˆ13)

    would my dreams slip a way...

    F7(„ˆˆ13)

    -

    36

    What,

    A¨7(„ˆˆ13)

    kept me from de pres- sion, Was,

    G7(„ˆˆ13)

    the al ways- there im pres- ion,

    Aw39

    I'd

    G¨7(„ˆˆ13)

    get one for my self- one day.

    F7(„ˆˆ13) G7 A¨7

    Aw Long Brown Wo man- in a high heel shoes41

    & ∑ ∑

    &

    &

    like "James Brown"

    & ∑ ∑ ∑

    &

    & ∑ ∑ ∑

    &

    &with sympathy

    & ∑

    &

    œœ œœ œœ œœ œœb œœ œœ œœn œœ œœ œœ‰œœ œœ œœ

    œn œœœ œœœ œœœ œœœ œœœ œœœbb œœœ œœœ œœœ

    Œ ¿ Œ ¿ ¿ ¿ ¿ Œ Ó œb ≈ œ œ œ œb œ œ œ œ

    œ ≈ œ œ œ œ œ œn œ œ œb ‰ œ œ œb œb œb ˙Ó

    œb ‰ œ œ œb œ œ œ œ œ ≈ œ œ œ œ œ œn œ œ

    wwwbb ˙̇̇ Ó

    œb ‰ œ œ œb œ œb œ œ ˙Ó

    wwwbbb ˙̇̇Ó œœœ œœœ œœœ œœœ œœœ œœœ œœ

    œbb œœœ œœœ œœœ

    2. Long Brown Woman4

    6/15/12 20:05:40 2. Long Brown Woman

  • °

    ¢

    °

    ¢

    °

    ¢

    °

    ¢

    C7(#9)optional guitar solo, "Dirty elec blues sound"

    G7 A¨7

    44

    44

    Dis

    C7(#9)

    charged!- Life is ea sy- now, In the land

    F7

    of the saw mill,- the mule and the plow, But the

    48

    48

    one

    C7(#9)

    thing miss ing- that can fix my blues, is a Long

    G7

    Brown Wo man- in a- high

    A¨7

    heel shoes! Some

    50

    day

    C7(#9)

    I'm a set tle- down mar ried- guy, My nose

    F7

    to the grind stone,- my head in the sky, I'll

    52

    52

    work

    C7(#9)

    and I'll pray so I ne ver- lose, My Long

    G7

    Brown Wo man- in a- high

    A¨7

    - heel shoes!

    54

    & ∑ ∑ ∑ ∑

    &

    & ∑ ∑

    &

    & ∑ ∑

    &

    & ∑ ∑

    &

    & ∑ ∑

    œb œ‰

    œ œ œ œ œ œ œ œ œb œ œ œ œ œ œ œ œ œ œ œ œ

    œb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œb œ œ œ œ

    œb œ œ œ œ œ œ œ œb œ œ œb œ œ œ œ œ œ œ œ œ œ œ

    œb œb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œb œ œ œ œ

    2. Long Brown Woman5

    6/15/12 20:05:40 2. Long Brown Woman

  • °

    ¢

    °

    ¢

    °

    ¢

    °

    ¢

    C C7/E F F7 G7 A¨756

    Work and pray so he ne ver lose His Long Brown Wo man- in a high heel shoes He56

    C C/E F F7 G7 A¨7

    Work and pray so he ne ver lose His Long Brown Wo man- in a high heel shoes He58

    C C/E F F7 G7 A¨760

    Work and pray so he ne ver- lose His Long Brown Wo man- in a high heel shoes60

    Oh ba by!- Yeah!

    C7(„ˆˆ13)

    Yeah!62

    &

    ad lib Riffage

    &

    &

    &

    & fl

    &U

    fl

    & flad lib RiffageU

    & ∑ flU

    V V V V V V V V

    œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ

    j ≈œœœrœœœ œœœ œœœ œœœ œœœ œœœ œœ

    œbb œœœ œœœ œœœj ≈

    œœœr

    V V V V V V V V

    œœœn œœœ œœœ œœœ œœœ œœœ œœœn œœœ œœœ œœœ

    j ≈œœœrœœœ œœœ œœœ œœœ œœœ œœœ œœ

    œbb œœœ œœœ œœœj ≈

    œœœr

    V V V V V V V V

    œœœn œœœ œœœ œœœ œœœ œœœ œœœn œœœ œœœ œœœj ≈

    œœœrœœœ œœœ œœœ œœœ œœœ œœœ œœ

    œbb œœœ œœœ œœœ

    Œ ‰ œj œ œb œ ww

    wwwwwwb

    2. Long Brown Woman6

    6/15/12 20:05:40 2. Long Brown Woman

  • Copyright © Leslee/Goodman 2011

    Voice

    Once

    I saw a white

    /G

    house on

    E¨/A¨

    a

    B¨sus

    rise,

    Ballad q = 76

    A¨/E¨

    A hand

    some- clean and bright

    /G

    house un

    E¨/A¨

    der- blue

    B¨sus

    skies.

    6

    A¨/E¨

    And it was pret

    Cm

    ty-

    /B¨

    like an i

    Am7b5

    vory- box,

    Dm7sus

    Like a

    Gm7

    woman,

    /F

    in a10

    bri

    B¨/E¨

    dal- frock,

    Dm7sus

    Like the moon

    Cm7

    face,

    Gm7

    of a grand

    Fm7

    pa- clock,

    B¨7

    like it's been14

    washed,

    and bleached,

    /G

    and hung

    E¨/A¨

    out for the world to see,

    B¨sus Cm7

    Some thing- a bout-

    Am7b5

    it,17

    reached

    Dm7sus

    right out to me,

    Gsus G /B

    Whoa

    C /E C/F Gsus

    20

    44 24 44 24 44

    24 44

    24

    24 44 24 44

    &bbb ∑ ∑

    Music by Ray Leslee Words by Philip S. Goodman

    3. White House

    &bbb

    &bbb3

    &bbb3 3 3

    &bbb3

    &bbb nnn

    œ œ œ œ œ œ œ œ ˙ Ó

    Ó Œ ™œj œ œ œ œ œ

    œ œ œ œ œ œ ˙ Ó

    Ó Œ ≈œ œ œ œ œ œ ™Œ ™

    œ œ œ œ œ œ‰ œ œ œœ œ ™

    Œ ™œ œ

    œ œ œ œ ‰ œ œn œJ œ ™ Œ ‰ œ œn œœ œ Œ œ œ œ

    œ ‰™ œRœ ‰™ œR

    œ œ œ œ œ œ ˙ Œ œ œ œ œJ œ ™

    œ œ œ ™ œ ˙ Ó œ ™ œJœ œ œ œ

  • Blues SoloC7#9 F7 /A /B¨

    24

    Whoa

    C

    white

    /E

    house, see

    C/F

    it- in-

    Gsus

    the- night-

    F/A

    house,26

    ™™

    ™™™™

    ™™

    F/B¨ F/A F/B¨ B¨/D B¨/E¨

    Got an29

    44

    24 44

    & ∑

    &

    & ∑

    (LOUELLA coming down from the house, interrupting)

    LOUELLA: What are you fellas doing out here - stargazing? Cooter, go on up and go to sleep.

    COOTER: You want me make a fire?

    LOUELLA: No fire. It ain’t that cold inside. Go on.

    (He goes. When Cooter is out of earshot)

    Albert, my stove’s still warm and I got some sweet potato pie with marshmallow sauce.

    ALBERT: Maybe later..

    LOUELLA: Ain’t you cold out here? (He shakes his head)You can come up and keep me warm.

    ALBERT: I be up in a minute.

    LOUELLA: I be waitin.

    (She goes up to the house.)

    Underscore

    ∑ ∑

    repeat til cue: "...

    ∑ / 0

    ˙ Ó

    œ ™ œJœ œ œ œ œ œ œ œ œJ œ ™ ˙

    Ó Œ œ œ

    3. White House

    2

  • old

    B¨/D

    gray ten ant- place with jail

    B¨/E¨

    house- ribs, And the win

    B¨/D

    ter wind licks thru 'em in a

    Faster

    34

    storm,

    B¨/E¨

    And the fire

    C/E

    place- near

    F/E¨

    the bed, where I

    B¨/D

    lay down the night

    Gm7

    I wed, keeps37

    Mom

    Cm7

    ma- and

    B¨/D

    the kids

    jus' less 'en warm

    Cm7 B¨/D E¨

    When40

    sum

    B¨/D

    mer's- high, and the cot

    B¨/E¨

    ton's- laid by, It bakes

    B¨/D

    up so hot, I'm a fraid- my44

    gran

    B¨/E¨

    ny- gon na- die. But be fore

    C/E

    - she do I'm fix

    F/E¨

    in- to, make

    B¨/D

    this place my own,

    Gm7

    I know it's47

    not

    Cm7

    like I

    B¨/D

    can buy

    it, No use

    Cm7

    to ev

    B¨/D

    en- try

    E¨6

    it, But50

    still

    Cm7

    I can't

    B¨/D

    de ny

    B¨/E¨

    - it

    f

    That par tic

    G/B

    - u- lar- cracked old ten

    C/B¨

    ant- shack is54

    616

    616 24 616 44

    616

    616 44 616 44 616

    616 44

    &

    &

    &piano lead in

    &

    &

    &

    &

    œb œ œ œ œ œ ™ œj œj œ œj œ ‰ œ œ œb œ œ œ œJ œ œ œ

    ˙ Œ ™ œ œ œ œ œ œ œ œb œ œ œ œb œ œ œ œ œ œ œ œ

    œb œ œ œ œj œb

    œb œ œjœb ˙

    Œ ‰ œj

    œb œ œ œ Œ ™ œ œ œ œ œ œ œ ‰ œj œb œ œ œ ‰ œ œ œ œ

    œ œ œ œ œ œ œ ‰ œ œ œ œ œ œ œ œ œb œ œb œ œ œ œ œ œ œ œ

    œb œ œ œ œj œb ™ œ ‰ œj œb œ œ œ œ

    j œ ™ œ ‰ œj

    œb œ œ œ œj œ ™ ˙ ˙ ™ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ

    3. White House

    3

  • where

    F/A

    I am, it's what

    Dm7

    I got, My shot,

    Gm7

    my pot

    F/A

    of gold

    I'm58

    gon

    Gm7

    na- make

    F/A

    it mine

    B¨6

    Like I had

    Gm7

    it in

    F/A

    my mind

    B¨ F/B¨

    61

    Em7b5

    ALL THIS TIME!

    A /C© A/D Esus

    molto rit. A tempo

    65

    Blues Solo

    A7#9 D7 /F# /G

    Once

    A

    I saw a white

    /C#

    house,68

    See

    A/D

    it- in

    Esus

    - the- night

    F#m7

    - house, tight

    G#m7b5

    house, light

    cresc.

    house,71

    Al

    D/A

    ways- been the right house for

    D/G

    a man

    A(“)

    like me.

    G G/B

    74

    That's what this town

    G/C

    is gon

    D(“)

    na- see.

    Gmolto rit.

    78

    616 44 616

    616 44 616 44

    24 44

    44 24

    24 44

    24 44 24

    24 44

    &

    &

    &###

    &### ∑ ∑

    &###

    &### # ∑

    &# U U

    œ œ œ œ œ œ œ ™ œ œ œb œ œ œ œJœ ™ œ ‰ œj

    œb œ œ œ œJœ ™ œ ‰ œ œ œb œ œ œ œJ

    œ ™ ˙

    Ó œœb w ˙

    œ œ œ œ œ œ

    œ œ œ œ œJ œ ™ ÓœJ œ ™

    œJ œ ™

    œ œ œ œ œ œ œ œ œ œ w

    ‰ œj œ œ œ œ œ œ w

    3. White House

    4

  • Copyright © Leslee/Goodman 2012

    Voice

    F/C

    No use set tin'- in a school yard-

    B¨7

    Watch in'- birds fly and grass get

    Intro, Rubato q = 120

    long, Bet ter- I walk

    F

    up Bour bon- Street and list

    C7

    en- to a trum pet4

    song.

    FBright Tempo q = 132

    7

    Gon na- take a train

    F7

    down to N'Or lins, and get

    B¨7

    me some gum bo there10

    I'm gon na- dance

    F7

    the boo gie- woo gie- and ride

    C7

    the street car- some where-

    F7

    14

    Gon na- take a boat

    F7

    down to N'Or lins, There's migh

    B¨7

    ty- fine hou ses- on the18

    44&b3

    Music by Ray Leslee Words by Philip S. Goodman

    4. New Orleans

    &b

    &bPno.

    >

    >

    &b

    &b

    &b

    Œ œ œ œ œ œ œ œ œ ˙ Ó Œ œ œ œ œ œ œ œ

    ˙ Œ œ œ œ œj œ ™ œ œ œ œ œj œ œ œ œb

    jœ œj

    œ œœn œœÓœœ#n J

    œœnb

    œœnJ

    ‰ œœJœœ

    œœ

    œœ#n J

    œœnb

    œœnJ

    Œ œ œ œ œ œ œ Œ ‰ œj œ œ œj œ ™ Œ ™ œj œ œ œ œ œ

    jœ œj

    ˙ ‰ œj œ œ œ œ œ œ œ œ œ œ œ œ œb œ œ

    jœ œj ˙ Ó

    Œ œ œ œ œ œ œ Œ ‰ œj œ œ œj œ ™ Œ ™ œj œ œ œ œ œ œ œ

  • shore, They got shut

    F7

    ters- on the win dows- and big

    C7

    brass knock ers- on the door.

    F7

    22

    I'm go ing- to N'Or

    B¨7

    lins, I'm go ing- to N'Or

    F7

    lins,26

    I'm go ing- to N'Or

    D7

    lins

    F7

    Right now,

    B¨7

    Right now!30

    C7

    I ain't gon na- stay

    F7

    down in N'Or lins, Cause all

    B¨7

    them fan cy- peo ple's- no good34

    But if they give

    F7

    me all their mon ey,- I'll spend

    C7

    it like a good girl should!

    F7

    38

    ™™

    ™™

    F7

    42

    &b

    &b

    &b

    &b

    &b

    &b

    (As the MUSIC plays and LETTIE dances, LOUELLA puts ALBERT’S’s arm around her, and immediately feels the tension in him. COOTER comes out too.)

    LOUELLA: What’s wrong? You mad about something?

    ALBERT: I’ll talk to you later. (He leaves LOUELLA, goes into the house)

    ∑Piano Solo VAMP

    œ Œ ‰ œj œ œ œ œ œ œ œ œ œ œ œb œ œ œ ˙ Ó

    Œ ™ œj œ œ œ œ œJ œ™ Ó Œ ™ œj œ œ œ œb œ

    jœ ™ Ó

    Œ ™ œj œ œ œ œ œ™ œJ œ ™ œ

    j œ œ œ ‰ œ œj œ Œ ‰ œ œj

    ‰ œj œ œ œ œ œ Œ ‰ œj œ œ œj œ ™ Œ ™ œj œ œ œ œ œ œ œ œ

    œ Œ ‰ œj œ œ œ œ œb œn œ

    jœ œj œ œ œ œ œb

    jœ ™ ˙ Ó

    4. New Orleans

    2

  • We go ing to N'Or

    B¨7

    lins, We go ing- to N'Or

    F7

    lins,43

    We go ing- to N'Or

    D7

    lins

    F7

    Right now,

    B¨7

    Right now!47

    C7

    And we're gon na- stay

    F7

    down in N'Or lins, At home

    B¨7

    in Easy City for good51

    And when they give

    F7

    us all their mon ey,- I'll spend

    C7

    it like a good girl55

    should!

    B¨7

    We'll make a moun

    F7

    tain- of mon ey, And I'll spend

    C7

    it like a good girl58

    should!

    F7

    YEAH!!

    F7 solo ad lib

    62

    44

    &b

    &b

    &b

    &b

    &b

    &b >U

    Œ ™ œj œ œ œ œ œJ œ™ Ó Œ ™ œj œ œ œ œb œ

    jœ ™ Ó

    Œ ™ œj œ œ œ œ œ™ œJ œ ™ œ

    j œ œ œ ‰ œ œj œ Œ ‰ œ œj

    ‰ œj œ œ œ œ œ Œ ‰ œj œ œ œj œ ™ Œ ™ œj œ œ œ œ œ œ œ œ

    œ Œ ‰ œj œ œ œ œ œb œn œ

    jœ œj œ œ œ œ œJ œb ™

    œ œb œ œ Ó Ó ‰ œj œ œ œ œ œ œb œ œ œ œ œ œ œ œ œ œb

    œ Œ Ówb w

    4. New Orleans

    3

  • ™™

    (c) Leslee/Goodman 2011

    ™™

    C F/C C C F/C C

    I look

    C

    for change

    F/C

    in sea

    C

    sons,- want

    Medium Blues iq = e. x

    rain

    C

    when things

    F/C

    is dry.

    C

    They's plen

    C

    ty- of

    F/C

    good rea

    C

    sons to switch crops

    C

    and seeds

    F/C

    I try.

    C

    I4

    of

    F7

    ten- re

    Bb/F

    ar- range

    F7

    - a lot of things

    F7

    I want

    Bb/F

    to do,

    F#dim7

    But I7

    don't

    C/G

    want

    D¨/A¨

    no

    D/A

    change

    Eb/Bb

    in

    G7b13

    you

    C F/C C

    9

    Eb/F

    You al ways- there,

    C F/C C

    like

    F/C

    air

    Eb/F

    and sun up in the sky

    C F/C C

    You

    F/C

    11

    rise

    Db/Eb

    and shi

    Fm7

    ning- on,

    Dm7b5

    - tho clouds

    Dm7b5

    may hide

    Cm/Eb

    you from

    Fm

    my

    F#dim7

    eye.15

    44&

    ALBERT:

    5. Don't Want No Change In You Music by Ray Leslee

    Words by Philip S. Goodman

    &

    &

    &3

    &

    GROOVE

    3 3

    &

    Œ Œ Ó Ó Œ ™œj œ ™ œ œ ™ œ œ œ ™

    ‰œj

    œ ™ œ œ ™ œ œ‰œj œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ

    ‰œj

    œ œ œ œ œb œ œ œ œb œb œ œ œ‰

    œ œ

    œn œ œ# œ œb œ ˙Ó

    Œœ œ œ œ œ

    Œ Œœ œ œ œ œ œ œ œ

    jœ ™

    Œœ

    ˙b ˙b œ ™ œ œb œb‰™

    œr œb ™ œ œ ™ œ œj œb œ

    j

    6/16/12 03:20:03 5. Don't Want No Change

  • G Am7 Bbdim7

    I

    G/B

    glad

    C

    to hear

    F/C

    yo voice

    C

    talk

    F/C

    in- in

    C

    the o

    F/C

    ther- room.

    C F/C

    It's18

    al

    C

    most- like

    F/C

    a dance

    C

    when you

    F/C

    go

    C

    swishin' with

    F/C

    yo broom.

    C F/C

    They's21

    sa

    F7

    tis- fac

    B¨7/F

    - tion- know

    F7

    in- 'xact

    B¨7/F

    ly- how

    F7

    you gon

    B¨7/F

    na do,

    F#dim7

    And I23

    don't

    C/G

    want

    D¨/A¨

    no

    D/A

    change

    Eb/Bb

    in

    G7b13

    you

    F7 Bb/F F7 Bb/F F7 Bb/F F7 Bb/F

    25

    don't

    C/G

    want

    D¨/A¨

    no

    D/A

    change

    Eb/Bb

    in

    G7b13

    you

    C F/C C F/C

    28

    C C/F C

    I knew

    F

    you never

    Bb/F

    hurt

    F

    me even when

    F

    I got

    Bb/F

    you mad,

    F

    I30

    ne

    F

    ver- thought

    Bb/F

    you look

    F

    for wo men- bet

    F

    ter- than

    Bb/F

    you had.

    F

    I al

    B¨7

    ways- thought

    E¨/B¨

    you fit

    B¨7

    me just like33

    &

    &

    &

    &3 ∑

    &3

    &

    LOUELLA:

    b

    &b

    ˙ ™ ‰œj œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ

    ‰œj

    œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ œ ™ œ ™ œ œ‰

    œj

    œ ™ œ œ ™ œ œb ™ œ œ ™ œ œb ™ œb œ ™ œ œ‰

    œ œ

    œn œ œ# œ œb œ ˙Ó

    œn œ œ# œ œb œ ˙Ó

    Ó Œœ œ ™ œ œ ™ œ œ ™ œ

    ‰œ œ œ ™ œ œ ™ œ œ

    ‰œj

    œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ‰œj œ œ œ œ œb œ

    œ œ

    Don't Want No Change

    2

    6/16/12 03:20:03 5. Don't Want No Change

  • some

    B¨7

    one's- old

    E¨/B¨

    est- shoe,

    Bdim7

    And I don't

    F/C

    want

    G¨/D¨

    no

    G/D

    change

    Ab/Eb

    in you

    C7b13 F

    -

    Bb/F F

    36

    I

    Ab/Bb

    want love,

    F Bb/F F

    Mo'

    Bb/F

    kiss

    Ab/Bb

    es- than you ev er- want to give

    F Bb/F F

    That's

    Bb/F

    39

    no

    Gb/Ab

    big change

    Bbm7

    in things,

    Gm7b5

    just turn

    Gm7b5

    in'- up

    Fm/Ab

    the heat

    Bbm

    on how

    Bdim7

    we43

    live.

    C Dm7 Ebdim7 C/E

    You stea

    F

    dy- and

    Bb/F

    you strong

    F

    so

    Bb/F

    I gave you all my heart,

    £

    I46

    fig ured- we both want

    £

    the same, And ne ver- be a part

    £

    - I thought

    B¨7

    you was

    E¨/B¨

    the way

    B¨7

    tomake

    E¨/B¨

    my49

    wish

    B¨7

    es- all

    E¨/B¨

    come true,

    Bdim7

    And I don't

    F/C

    want

    G¨/D¨

    no

    G/D

    change

    Ab/Eb

    in you

    C7b13

    -52

    B¨7 E¨/B¨ B¨7 E¨/B¨ B¨7 E¨/B¨ B¨7 E¨/B¨

    don't

    F/C

    want

    G¨/D¨

    no

    G/D

    change

    Ab/Eb

    in you

    C7b13

    -54

    &b3

    &b

    &b

    &b

    GROOVE

    &b

    &b3

    &b ∑3

    œb œb œ œ œ ‰ œ œ œn œ œn œn œb œ ˙ Ó

    ˙ ˙ œ Œ Œ œ œ œ œ œ œ œ œ œ œj œ ™Œ

    œ

    ˙b ˙b œ ™ œ œb œb ‰™

    œrœb ™ œ œ ™ œ œ ™ œ œb ™ œ

    ˙ ™ ‰œj œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ

    ‰œj

    œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ œ‰œj œ œ œ œ œb œ

    œ œ

    œb œb œ œ œ ‰ œ œ œn œ œn œn œb œ

    ˙ Ó œn œ œn œ œb œ

    Don't Want No Change

    3

    6/16/12 03:20:04 5. Don't Want No Change

  • F B¨7

    57Bdim7 F/C G¨/D¨ G/D Ab/Eb C7b13 F

    62

    I want

    F

    to see

    F/Bb

    your face

    F

    when I got news

    F

    to talk

    F/Bb

    a bout

    F

    - - When it's65

    time

    F

    to make

    F/Bb

    a vi

    F

    sit- I want you

    F

    to take

    F/Bb

    me out,

    F

    But don't

    B¨7

    sur prise

    E¨/B¨

    - me with

    B¨7

    a shift

    E¨/B¨

    that68

    make

    B¨7

    you someone

    E¨/B¨

    new,

    Bdim7

    Cause dar

    F/C

    lin'- from my point of view,

    C/D

    I71

    don't

    F/C

    want

    G¨/D¨

    no

    G/D

    change

    Ab/Eb

    in

    C7b13

    you

    Bb7 E¨/B¨ B¨7 E¨/B¨ Bb7 E¨/B¨ B¨7 E¨/B¨

    74

    Don't

    F/C

    Want

    G¨/D¨

    No

    G/D

    Change

    Ab/Eb

    In

    C7b13

    You

    F rit.

    77

    24

    24 44

    &b

    PIANO SOLO (optional or go to m.65)

    &b3

    &b

    ALBERT:

    U SofterLOUELLA:

    &b

    &b

    BOTH:

    n3

    &b b nn3

    b bn

    &b b nn3

    b b n

    U

    u

    ˙ V V V V V V V V V V V V V V V V V V

    V V V V V V V V V V V V V

    Ó Œœ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ

    ‰œ œ

    œ ™ œ œ ™ œ œ ™ œ œ ™ œœ ™

    œ œ ™ œ œb ‰ ≈ œr œ ™ œ œ ™ œ œb ™ œ œ ™ œ

    œb ™ œ œ ™ œ œ ‰ œj œj œœJ œ

    œj œœJ œ œœ œœ˙ ™˙ ™ ‰

    ‰ œjœJ

    œœ œœ œœ œœ œ œ wœ œ w ˙̇ ÓÓ

    œœœœ œœ

    ww ww ww ww

    Don't Want No Change

    4

    6/16/12 03:20:04 5. Don't Want No Change

  • ™™

    Shuffle, Moderato q = 124 iq = e. x

    Walk a lit tle,- talk a lit tle,- Mark it with a chalk a lit tle,-5

    44&bb

    A week later the sawmill’s NOON WHISTLE blasts. MUSIC starts, a bouncing vamp.

    (At the HOUSE, COOTER runs out onto the porch.) COOTER: Sawmill closing! Noontime now!

    (Out on the road, HARDWAY, moving fast, encounters PREACHER TOM)PREACHER TOM: Where y’all rushing, Hardway?

    HARDWAY: Prince Albert wanna figure the paint fo’ his house today! Ain’t you coming?

    PREACHER TOM: Crown Prince of Oma Creek looking for big trouble. I got better things.

    (AUGUSTUS walks quickly by, carrying a pad and pencil) HARDWAY: Augustus! Wait up!

    LOUELLA: (Coming out of the house) All them folks a-coming here! Will you look at that!

    (ALBERT steps out on the porch, nails a crude wooden sign saying A. Clayton to a porch post. LETTIE is coming down the lane)LOUELLA: It Saturday! Don’t they know we got to go to the store?

    COOTER: I want a pop!

    LOUELLA: Put your shirt-tail in and button your overalls.

    (LETTIE arrives as GRANNY, in a clean blue dress, steps out with her canes. She grunts with each step)LETTIE: I got the measuring tape! Ain’t that your burial dress, Granny!

    GRANNY: Ain’t no burial dress if I still walkin.

    HARDWAY: Hey, Prince! Here I am! You want to start right off?

    (GRANNY watches as they all pace back and forth and around the house, measuring, chalking marks, writing on the pad, and singing.)

    ∑Repeat Until Cue

    ∑ ∑

    Music by Ray Leslee Words by Philip S. Goodman

    6. Figuring Paint

    &bbHARDWAY: ad lib in the style throughout

    ∑ ∑œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

    6/17/12 23:14:00 6. Figuring Paint

  • °

    ¢

    °

    ¢

    Look to me like a door is three. That's six by four, Are you

    9

    9

    sure it is n't- more? Now you pace that side, And the top is twice as wide! And the12

    boards is bad, Put this 'n- on the pad, And it shows the ma ny- fig ures- that we15

    got ta- take ac count,- While they jug gle- with the gal lons- in the right a mount!-18

    Walk a lit tle- chalk a lit tle,- Think we bet ter- talk a lit tle.-

    ooh ooh wah ooh21

    Did you reck on- for the win dows- cause they got them pairs of shut ters? If you

    25

    24

    &bbAUGUSTUS: HARDWAY: LOUELLA:

    &bbALBERT: COOTER: LETTIE:

    &bbGRANNY: HARDWAY:

    &bbGRANNY:

    &bbHARDWAY:

    ∑ALBERT:

    &bbCOMPANY:

    &bbALBERT: AUGUSTUS:

    &bb ∑ ∑

    œ œ œ œ œ ™ œ œ œ œ‰

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    œ œ œ œ œj ‰ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ œ ˙

    œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

    wŒ ™

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    Ó Œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

    ≈œ ™ œ

    ˙Ó

    6. Figurin Paint

    2

    6/17/12 23:14:00 6. Figuring Paint

  • °

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    gon na- make it white you gon na- need rain gut ters!- Is that eight or nine? What's

    ooh27

    sev en times four? Did you get the lit tle- rid ges,- Did you add the o ther- door? Now you

    ooh wah ooh30

    jig gle- all them num bers,- And you up it ten per cent,- Why youtrick in- out a build ing- that you

    33

    don't ev en- rent?

    37

    36

    Walk a lit tle- talk a lit tle.-

    Ooh Walk a lit tle- talk a lit tle!-41

    &bbLOUELLA: LETTIE:

    &bb ∑ ∑COMPANY:

    &bbCOOTER: HARDWAY:

    &bb

    &bbGRANNY:

    &bb ∑ ∑ ∑

    &bb3 nn

    I

    (Cacophony-- everyone suggesting, demanding, complaining, offering, joking, until--)

    HARMONICA/GUITAR SOLO - optional

    ∑ ∑ ∑ ∑

    &HARDWAY:

    &COMPANY:

    œ œ œ œ œ ™ œ œ ™ œ œ œ œ œ≈œ œ œ

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    Ó

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    w œ ™ œ œ œ œ œ ™ œ œ œ ™

    6. Figurin Paint

    3

    6/17/12 23:14:01 6. Figuring Paint

  • °

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    Mark it with a chalk a lit tle.- I

    Ooh Mark it with a chalk a lit tle!-43

    think we bet ter- add a no- ther- gal lon- for the spill, And we

    45

    45

    did n't- make al low- ance- for the bro ken- win dow- sill, Did you

    47

    get the add ing- right? I think you left acol lumn- out. Those six es- should be se vens- andyou

    49

    turned it all a bout.- What's eight times nine when di vi- ded- in to- four? That e -

    52

    &LOUELLA:

    &

    &COOTER:

    & ∑ ∑

    &ALBERT:

    & ∑ ∑

    &GRANNY: LETTIE:

    & ∑ ∑ ∑

    &AUGUSTUS: GRANNY:

    & ∑ ∑ ∑

    œ œ œ œ œ œ œ œÓ Œ ™

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    6. Figurin Paint

    4

    6/17/12 23:14:01 6. Figuring Paint

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    lev en- is n't- ev en- man, it sure ly- must be more, I

    55

    think we got a prob lem with the num bers- in the book, And my

    57

    Ooh Ooh57

    pen cil- got no point, We bet ter- take a se cond- look!

    Ahhh59

    ™™

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    Walk a lit tle- talk a lit tle!-61

    ™™

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    Mark it with a chalk a lit tle.-

    Mark it with a chalk a lit tle!-63

    &ALBERT:

    & ∑ ∑

    &HARDWAY:

    &COMPANY:

    &LETTIE & LOUELLA:

    &

    &HARDWAY:

    & ∑

    &

    CUT-OFF: GRANNY: (Interrupting, over them, a fog-horn blast): Whoa! Hold up now!

    & ∑

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    6. Figurin Paint

    5

    6/17/12 23:14:01 6. Figuring Paint

  • Copyright © Leslee/Goodman 2011

    Voice

    C Dm7 C/E Dm7 C Dm7 C/E Dm7

    Oh

    Slowly with feeling q = 72

    Lord,

    C Dm7 C/E

    I'm tir

    Dm7

    ed- of the bad

    C

    days,

    Dm7

    tir

    C/E

    ed-

    Dm7

    of the5

    long

    C

    nights too.

    Dm7 C/E

    Lost

    E7

    my taste for ho

    Fma7

    ney- pot and wine

    Bb7

    glass, Want to9

    sing

    C/E

    Lord, like you like

    A7b9

    me to, I want to be

    Dm7

    near rock in- baby Je

    Fm7

    13

    sus,

    Bb7

    En joy- in'- my bless

    C/G

    ings- as I'm sup posed

    Fm/G

    - to17

    do.

    flowing

    C Dm7sus C/E Dm7sus C Dm7sus C/E Dm7sus

    Mmm, I21

    44& ∑ ∑ ∑

    Music by Ray Leslee Words by Philip S. Goodman

    7. Prayer

    &

    &

    &

    &3

    & ∑ ∑

    Ó Œ œ œ

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    6/16/12 15:10:37 7. Prayer

  • hear

    C Dm7sus C/E

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    C

    the hill.

    Dm7sus

    25

    C/E

    Don't want

    E7

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    Fma7

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    Bb7

    ces.- I'm rea

    C/E

    dy- Lord to30

    do

    A7b9

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    Dm7

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    Fm7

    34

    ver.

    Bb7

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    C/G

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    Fm/G

    dow- sill. ooh37

    C

    (add Blues Harp/Guitar solo)

    Dm7sus C/E

    ooh

    Dm7sus C Dm7sus

    ooh

    C/E Dm7sus

    A tempo

    42

    C Dm7sus C/E

    ooh

    Dm7sus C

    46

    &

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    7. Prayer

    2

    6/16/12 15:10:37 7. Prayer

  • °

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    LeadChoir

    Lead

    G‹7 A‹/G G7

    I was hun

    C

    gry-

    D‹7 D©º7

    and you

    E7(#5)

    gave me bread.

    F

    Gospel - Moderato q. = 66

    Lead

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    I was rest

    D(“)

    less-

    D‹/C B(“)

    and you

    B7/D©

    let me roam.

    E‹7 G7

    When I thought

    CŒ„Š7

    in my8

    Lead

    pride,

    B/C

    my own schemes

    CŒ„Š7

    were my guide,

    C©‹7(b5)

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    G/D

    Lord

    E‹7

    to beck

    on- me

    A‹

    14

    Lead

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    home.

    G‹7 A‹/G G7

    I was fool

    C

    ish-

    D‹7 D©º7

    and you

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    gave me

    23

    Fool ish-19

    Lead

    Choir

    time

    F /E

    I was fit

    D(“)

    ful-

    D‹/C

    and

    B(“)

    you

    B7/D©

    stayed your hand.

    E‹7 G7

    When I

    You gave me time, Stayed your hand,25

    68& ∑ ∑‘

    ∑‘

    PREACHER:

    8. Take Me HomeMusic by Ray Leslee

    Words by Philip S. Goodman

    &

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    &

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    thought

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    CŒ„Š7

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    C©‹7(b5)

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    to come

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    ooh You still wait ed- for me to come home.31

    Lead

    Choir

    home.

    G‹7 A‹/G

    Thank you father....etc.

    G7

    Take me, Take me! Take me, home.37

    Lead

    Choir

    C C‹ G

    I was lost.... etc.

    41

    Lost in the storm y- seas of plea sure-41

    Lead

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    C C‹ G

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    Fooled by the trea sures- I craved,45

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    8. Take Me Home

    2

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    Lead

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    B(“) B

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    8. Take Me Home

    3

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    Lead

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    to come

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    on

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    68

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    Choir

    home.

    E‹7 F©‹7/E

    (Take me, Take me, etc.)

    E

    Take me, Take me! Take me, home.71

    Lead

    Choir

    A

    Ten

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    an gels cry

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    Ten thou sand- an gels- cry "sal va- tion",- Ahh So!75

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    8. Take Me Home

    4

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    me, etc.

    G F©‹7 E/B C©‹7 G F©‹7

    C' mon- Lord, Take me, C' mon Lord, Take me,

    C' mon- Lord, Take me, C' mon Lord, Take me,79

    Lead

    Choir

    Choir

    E‹7 F©‹7/E

    Take me

    Take me, Take me! Take me, Take me!

    Take me, Take me! Take me, Take me!83

    Lead

    Choir

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    home!

    G F©‹7 E

    Yes!

    rit.

    Take me home!

    Take me home!87

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    6/17/12 23:18:27 9. I Got A Right (F)

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    9. I Got A Right

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    6/17/12 23:18:28 9. I Got A Right (F)

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    9. I Got A Right

    3

    6/17/12 23:18:28 9. I Got A Right (F)

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    Music by Ray LesleeWords by Philip S. Goodman

    10. Let Me Be

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    END PIANO SOLO

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    Twilight: A FIELD on a July 4th evening. COOTER, HARDWAY, AUGUSTUS, ALBERT,and PREACHER TOM are at a small fire, holding wieners on sticks, bottles of beer and soda pop. COOTER watches the distant fireworks soar up and explode.

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    6/16/12 20:51:40 10. Let Me Be_with script

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    COOTER: Why’nt we over at them white folks fireworks? We Americans too.

    ALBERT: Not like them we ain’t.

    AUGUSTUS: Anybody here vote? (They shake their heads)

    PREACHER TOM: They celebrating Independence from England, Freedom, 1776. We ain’t much part of it.

    HARDWAY: We ain't really free yet, so we find our own ways to be independent.

    COOTER: What’s yours, Hardway? (The GROUP hums, claps rhythm behind testimony)

    HARDWAY: Say I’m in a barn down in Lousiana, front of a long table with a “Casino Craps” layout: aces, boxcars at thirty to one, hard tens, eights, sixes. Fifteen to one on any seven. Pass-no-pass all around. It’s a work of art!

    PREACHER TOM: Sinner’s coat of arms!

    HARDWAY: I put a twenty on “pass,” and I throw 4 and 3. Yeah! Leave it, roll seven again. Don’t touch it! 5 and 2. Leave it! My point’s, eight, bam! 4 and 4. Stay on pass. Eleven, another seven. Another point, and on my eleventh coming out, I throw eleven. November elevens’s my birthday! Eleven- eleven is when I’m done. What I pick up, friends, is forty thousand, nine hundred and sixty dollars! There’s my Independence Day!

    VAMP - DIALOGUE

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    10. Let Me Be

    2

    6/16/12 20:51:40 10. Let Me Be_with script

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    HARDWAY: Preacher Tom, what’s yours?

    PREACHER: The day I went in that Seminary school God been watching and looking. I can’t see him, but can’t shake him neither! He’s there, checking my sins, judging my private ways. If I get my own woman, sanctified and pure, He’ll cut me slack, not watching no more. That’s my freedom! There’s my Independence Day!

    ∑VAMP - DIALOGUE

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    10. Let Me Be

    3

    6/16/12 20:51:40 10. Let Me Be_with script

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    COOTER: What you after, Augustus?

    AUGUSTUS: (touching on some painful memories) Doing how I choose, set my own clock, pick my own work, my own play. I been told when to rise and when to shine from age four by someone I called “Daddy” who wasn’t mine, and by daddies with stripes and bars through that whole World War. I got bugle blues. My Independence be doing how I want, with them off my back and off my mind.

    ∑VAMP - DIALOGUE

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    10. Let Me Be

    4

    6/16/12 20:51:40 10. Let Me Be_with script

  • 59

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    COOTER: Papa, you tell. What’s yours?

    ALBERT: Everybody know what I want this year. (The men respond overlapping one another)

    HARDWAY: Paint that house!

    AUGUSTUS: A white house.

    PREACHER TOM: Moon Mansion.

    ALBERT: How I get it maybe end your bugle blues too, Augustus..

    AUGUSTUS: How’s that, Prince?

    ALBERT: You don’t control nothing ‘less you own it. You want to wake–up, get your own clock. You want to leave town quick, you need wheels. I got to own that house to paint it mine. You be my partner, Augustus, and we buy that farm, we own it, and you got a friend with you, and for you forever. Join together is how we get our Independence!

    AUGUSTUS: I’m in. Whatever much you need, brother, to pay-down, it’s yours.

    ALBERT: (Exultant. Taking Augustus’s hand) Hey now! Mr. Tittle just cross that pasture. I go get him and find out!

    PREACHER TOM: Hold up now! Did I hear right? You think you gonna buy that house, and land, and paint it? You the cow jumpin over the moon! Where in twenty miles around here you ever see a black man own a white man’s plantation?

    ALBERT: There’s black men own farms all over. I knew three near Greenville.

    PREACHER: Maybe in Coon Park you seen it. Not in no White Folks Manor! You think Mr. Tittle gonna sell you a farm here in his back yard?

    ALBERT: I reckon he might.

    PREACHER TOM: Mr Tittle’s a good landlord, but he ain’t the Tooth Fairy. You fight the whole town, you gonna lose every battle. Stop scheming how to trick them.

    ALBERT: You no soldier. What d’you know 'bout battles? Just let me be!

    PREACHER TOM: Prince, listen – I know your family hurting now -- no furnish from the store,ain't had a piece of cheese in weeks, even running out of laundry soap and lamp oil.

    ∑U

    10. Let Me Be

    5

    6/16/12 20:51:41 10. Let Me Be_with script

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    6

    6/16/12 20:51:41 10. Let Me Be_with script

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    39

    &bb

    &bb3

    &bb

    &bb

    &bb

    &bb

    œ œ œ œ œ œ œ œ œ œn œb œ‰ œj œ œ œ œ œ œ œ œ

    ˙ Œ œ œ œ œ œ œ œ œ œœ œ œb œ œ œ

    œ œ œ œ œ œ œ œ ˙Œ ™

    œj

    œj œ ™ Œ œ œ ˙ Œ œ œ œ œb œ œ œ œ œ œ

    ˙ Œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ œ œn œb

    œ œ œn œb œ œ œ œb ˙Œ ™ œj

    11. One Man2

    6/17/12 23:24:01 11. One Man

  • B¨ F B¨ F E¨ B¨/A¨ E‡…‹7 F7 B¨

    So41

    list

    en- up gals to the words

    F7

    of my song, Don't step

    in to- har ness too quick.

    F

    A49

    sat

    is- fied- man with no gun

    B¨/A¨

    at his back

    E‡…‹7

    is like a can

    F7

    dle- with out- an y- wick.

    B¨7

    Sigh ing-53

    One

    Man, One Man,

    E¨7

    May be- some

    A¨/E¨

    day- I'll can cel my spree.

    But for years57

    com ing- on

    E¨7/G

    my best bet

    will be on

    A‡…‹7

    Two knights test

    E¨/B¨

    ing- their met

    F‹/B¨

    tles- for me.

    61

    La

    dee- da,- La

    E¨7/G

    dee da,- La

    dee da- dee

    A‡…‹7 sweetly

    Might ev

    E¨/B¨

    en- do bet

    F‹/B¨

    ter- withthree.

    E¨rit.

    65

    &bb

    DANCE SOLO

    ∑ ∑ ∑ ∑ ∑ ∑ ∑

    &bb

    &bb3

    &bb

    &bb3

    &bbU U

    Ó Œœ

    œ œ œ œ œ œ œ œ œ œn œb œ‰ œj œ œ œ œ œ œ œ œ ˙

    Œ ‰ œj

    œ œ œ œ œ œ œ œ œ œb œ ™ œ œ œ œ œ œ œ œ œ œ œ ˙Œ œ œ

    œJ œ ™ Œ œ œ ˙ Œ œ œ œ œb œ œ œ œ œ œ ˙‰œj œ œ

    œ œ œ œ œ œ œ œ œ œ œ œ œ œ œn œb œ œn œb œ ™ œ œb ˙Ó

    œ œ œ œ œ œ œ œ œ œ œ œ ˙ ˙Œœn œb j œ œn

    jœbj œ œj w

    11. One Man3

    6/17/12 23:24:01 11. One Man

  • G7(b13)

    What

    C‹7

    I say don't mean

    F/C

    much now, No

    C‹7

    thing- I want gets done.

    F/C

    Intro q = 72

    B‹7

    Most of my prayers not an

    E/B

    swered- as I strug

    B‹7

    gle- from sun to sun.

    E/B

    You4

    lose

    B¨‹7

    your name when life

    E¨/B¨

    rolls on and changes

    B¨‹7

    what you do.

    E¨/B¨

    You6

    hope

    A‹7

    you'll al ways- be

    D/A

    the same but now

    A‹7

    there's a dif ferent- you.

    D

    She was a8

    danc

    G

    ing- girl,

    G©5

    sand

    G6

    in her toes,

    G7

    Charm

    C

    ing- all the peo

    C©5

    ple- she could

    Ballad, Con Moto q = 72

    11

    see.

    F F©5

    Heart

    like a fly ing- bird,

    B¨(#5)

    Un

    B¨6

    der- her pose,

    B¨7

    14

    44& ∑intensely

    3

    Music by Ray Leslee Words by Philip S. Goodman

    12. How The Happy Girl Got Lost

    &3

    &

    &U 3

    &3 3

    &3

    ‰ œb œ œ œ œ œ œ œb œ œ œ œ œŒ

    ≈ œ œ œ œ œ# œ œ œ œ œ œ# œ œ œ œ#‰

    œj

    œb œ œ œn œ œb œ œ œb œ œb œ œ‰

    œj

    œ œ œ œn œ œ œ œ œ œ œ œ œ ˙ ˙Œœ œ œ

    œ œ œ œÓ

    œ œ œ œ œÓ

    œ œ œ œ œ œ œ œ

    ˙Ó œ œ œ œ œ œ œ

    Œ œ œ œb œÓ

    6/16/12 23:24:11 12. How The Happy Girl Got Lost

  • Pret

    ty- as a pret

    E¨(#5)

    ty- girl can be.

    E¨6 E¨7

    How

    A¨Œ„Š7

    did all my wish

    F‹7

    es- get so crossed?

    G(“) B¨/C

    17

    How

    F‹7

    did that hap

    A¨/B¨

    py- girl get lost?

    C‹7 F/C C‹7 F/C A‹7(b5) D/A

    21

    A‹7(b5) D

    There was a har

    G

    vest- fair

    G©5

    Car

    G6

    ni- val- time,

    G7

    She25

    had

    C

    a yel low- rib

    C©5

    bon- in her hair.

    F F©5

    Cot

    ton- was can dy

    B¨(#5)

    then,28

    Six

    B¨6

    hoops for a dime,

    B¨7

    She won

    her sweet and hand

    E¨(#5)

    some ted dy- bear

    E¨6 E¨7

    31

    Ne

    A¨Œ„Š7

    ver- dreamed that win

    F‹7

    ning- had a cost.

    G(“) B¨/C

    34

    How

    F‹7

    did that hap

    A¨/B¨

    py- girl get lost?

    C‹7 F/C C‹7 F

    36

    &

    & ∑ ∑

    &U 3 3 3

    &

    &

    &

    &

    œb j œ œœ œ œ œ œ œjœb ™ Ó œb œb œ œ œ œ œ œb w

    œb ™ œ œ œ œ œ œ ˙Ó

    Ó Œœ œ œ œ œ œ œ

    Óœ œ œ œ œ

    Œ ™œj

    œ œ œ œ œ œ œ œ ˙Ó œ œ œ œ œ œb œ œ

    Œ

    œj œ œ œb œ ‰ œj

    œb œ œ œ œ œ œ œ œjœb ™ Ó

    œb œb œ œ œ œ œ œb w

    œb ™ œ œ œ œ œ œ ˙Ó ∑

    12. Happy Girl - Voice

    2

    6/16/12 23:24:11 12. How The Happy Girl Got Lost

  • Al

    F‹7

    most- ev ery- want

    G‹7

    was met, Her se

    A¨Œ„Š7

    cret- wish es- all

    A¨/B¨

    got heard,

    Freely

    39

    Here

    F©º7

    I cry my heart

    E¨/G

    ache- out

    G7(b13)

    yet no

    A¨Œ„Š7

    one- ev en- hears

    D7(b9)

    a sin gle- word!

    G(“)

    41

    Some

    C/G

    where- to night,-

    C/G©

    there's a girl

    C/A

    with a boy.

    C/B¨

    her

    A tempo

    44

    song

    F/C

    and dance are light

    F/C©

    ing- up his life,

    B¨/D B¨

    And she

    E¨/G

    should take all

    D¨7

    of the46

    plea

    C‹7

    sure- she can,

    B‹7(b5) B¨‹7 E¨7

    be fore

    - he calls her"Ma

    A¨(#5)

    ma",- 'stead of wife,

    A¨6 A¨7

    Like a49

    sum

    D¨Œ„Š7

    mer- flow er- ran

    B¨‹7

    kled- by a frost,

    C(“) E¨/F

    That's52

    how

    B¨‹7

    a hap py- girl

    D¨/E¨

    gets lost,

    F‹7 B¨/F F‹7 B¨/F

    That's55

    how

    B¨‹7

    the hap py- girl

    D¨/E¨

    got lost.

    F‹7 A¨/G¨ A¨rit.

    58

    &

    &

    &

    &

    &3

    &

    &

    & u

    œ œ œb œ œ œ œ ™ œ œ œ œb œ œ œ œ

    œ œ œb œ œ œ œ ™ œ œ œ œb œœb œn œ œ# w

    œ œ œ œ œ ‰ œ œ œ œ œ œ œ‰

    œj

    œ œ œ œ œ œ œ œ ˙ Œ™

    œj œ œ œ œ œ ‰ œb œ

    œ œb œb œ œ ‰ œj œb œ œ œb œ œ œ œ œbJ œb ™ œ ‰ œ œ

    œb œb œ œb œ œ œ œb w ˙ Œ ™ œj

    œb œ œ œb œ ™ œJw Ó Œ ™ œj

    œb œ œ œb œ ™ œJ wb w

    12. Happy Girl - Voice

    3

    6/16/12 23:24:12 12. How The Happy Girl Got Lost

  • Copyright © Leslee/Goodman 2011

    Voice

    The time has come

    G(“)

    to set a side,

    C

    - and

    Intro q = 72

    leave

    G(“)

    the plants to thrive,

    C

    To fat ten- up

    G(“)

    and make the crop,

    C

    that4

    keep

    G

    us all

    G/B

    a live.

    C

    - They saf

    F©‹7(b5)

    er- now

    B7

    the weeds

    CŒ„Š7

    is done, Don't6

    have

    F©‹7(b5)

    to clean

    B7(#9)

    the row.

    E‹7

    I like

    D‹7

    when I

    G7

    can lay

    CŒ„Š7

    a side

    FŒ„Š7

    - and8

    let

    B‹7(b5)

    that cot ton- go.

    G(“) C C/E F FŒ„Š7/A C C/E F FŒ„Š7/AModerato q = 132

    10

    Lay

    C

    by-

    C/E F FŒ„Š7/Aad lib

    Lay

    C

    by,

    C/E F FŒ„Š7/A

    16

    44&Pno.

    ∑Sing

    Music by Ray Leslee Words by Philip S. Goodman

    13. Layby

    &

    &

    &

    &U ∑ ∑ ∑ ∑

    & ∑ ∑3

    œœœJœœœ ™™™ œœœJ

    œœœ ™™™ ˙̇

    ˙

    ∏∏∏∏∏∏

    Ó ‰ œJ œ œ œ œ œ œ œ ™œJ

    œ œ œ œ œœ œ œ œ œ œ œ œ ™

    œJ

    œ œ œ œ œ ‰œJ œ œ œ œ œ œ œ

    j ≈ œR

    œ œ œ œ œ ‰ œJ œ œ œ œ œ œ œ œ

    ˙ œ œ œ œ w

    œ ™ œj ˙ œ œ œ œ œ ˙

    6/17/12 12:27:31 13. Layby_"C"

  • Lay

    C

    by,-

    C/E

    put

    F

    tin'- by,

    FŒ„Š7/A

    Sun

    C

    day- in

    C/E

    the fields.

    F FŒ„Š7/A

    20

    Nut

    C

    grass

    D‹7

    - sleep

    C/E

    in'

    F

    - in

    B‹/F©

    the

    C/G

    shade

    G©‡…‹7

    And flow

    C/F

    ers

    E‹7

    - mak

    D‹7

    in'

    /C

    - yields.

    G/B

    24

    G

    Lay

    C

    by,-

    C/E

    set

    F

    tin'- by,

    FŒ„Š7/A

    Drink

    C

    in'- sun

    C/E

    and rain,

    F FŒ„Š7/A

    29

    Take

    C

    the

    D‹7

    feast

    C/E

    that

    F

    na

    B‹/F©

    ture

    C/G

    - lays

    G©‡…‹7

    And give

    C/F

    it

    E‹7

    back

    D‹7

    a

    /C

    gain,

    G/B

    34

    G

    And God

    C/F

    gives

    E‹7

    back

    D‹7 /G

    a gain.

    C

    -

    C/E F FŒ„Š7/A C C/E

    39

    F FŒ„Š7/A

    I did my job

    C

    to get

    C/E

    us here,

    F FŒ„Š7/A

    Now cot

    C

    ton- do

    C/E

    your stuff,46

    F FŒ„Š7/A

    Puff up them bolls

    C

    to make

    C/E

    the bales,

    F FŒ„Š7/A

    We nev

    C

    er- get

    C/E

    e nough,-50

    F

    Lis

    FŒ„Š7/A

    ten- to the ka

    B‹7(b5)

    ty- dids

    E(“)

    - sing

    FŒ„Š7

    in'- En joy- the

    B‹7(b5)

    sea of

    E(“)

    flow-54

    64

    64 44 64 44

    64

    64 44 64 44

    34 44

    &

    &

    & ∑

    &

    & ∑ ∑

    &>

    &>

    &>

    œ ™ œj ˙

    œ œ ˙ ™ œj œ œj œj œ œj ˙

    Ó

    œj œ œ œ œ œœJ w Ó Œ œ

    œ ™ œJ œ œ ™ œj œ w

    œ ™ œj ˙

    œ œ ˙ ™ œj œ œj fiœjœ

    jœ œj ˙

    Ó

    œj œ œ œ œ œœJ w Ó Œ œ

    œ ™ œJ œ œ ™ œj œ w

    Ó Œ œ œ ™ œJ œw ˙ ™ œ œ w

    Ó ‰ œJ œ œ œ œ œ œJ œ œj ˙ ‰ œ

    ™ œJ œœJ œJ œ œ

    j

    ˙ ‰ œJ œ œ œ œ œ œJ œ œj ˙ ‰ œ

    ™ œJ œœJ œJ œ œ

    j

    œ ‰ œJ œ œ œ œ œ œ œ ˙ œ œ œ Œ ™ œJ œ œœJ œ œJ

    13. Layby

    2

    6/17/12 12:27:31 13. Layby_"C"

  • A‹7

    ers,- Think

    A¨‹7(„ˆˆ13)

    on the ser

    G‹7

    mon- that na

    C7

    ture- gives,

    FŒ„Š7 B¨Œ„Š7

    while days

    E‹7(b5)

    58

    stretch out their hou

    B¨/C

    rs.- -

    C

    62

    Guitar soloF F/A B¨ B¨Œ„Š7/D F F/A B¨ B¨Œ„Š7/D

    Lay

    F

    by,-

    F/A

    go

    in'- by,

    B¨Œ„Š7/D

    65

    Sum

    F

    mer- eas in'

    F/A

    - strife

    B¨ B¨Œ„Š7/D

    Bless

    F

    the

    G‹7

    pow

    F/A

    er

    - giv

    E‹/B

    en

    F/C

    - me

    C©‡…‹7

    to71

    har

    F/B¨

    vest

    A‹7

    - my

    G‹7 B¨/C

    own76

    life.

    F F/A B¨ B¨Œ„Š7/Dad lib

    Lay

    F

    by

    F/A B¨ B¨Œ„Š7/D

    81

    Lay

    F

    by

    F/A

    -

    B¨ B¨Œ„Š7/Dad lib

    Lay

    F F/A

    by

    B¨ B¨Œ„Š7/D

    85

    B¨Œ„Š7 Guitar solo B¨/C FEnding

    89

    64 44 34

    34 44

    &3 3 3

    &3

    b

    &b

    &b

    &b

    &b ∑ ∑3

    &b ∑ ∑3

    &b

    œJ œ ™ œ œ œ œ œ œ œ œ œ ˙ Œ œ w

    Ó œ œ œ ˙ œ ™ œJ w

    V V V V V V V V V V V V V V V V œ ™ œJ ˙ œ œ ˙™

    œj œ œJ fiœjœJ œ œ

    j ˙ Ó œj œ œ œ œ œ œJ w ˙ Œ œ

    œ ™ œJ œw w w ˙ ˙

    w œ œ œ ˙ ™

    œ ™ œJ ˙œ œ œ œ œ ˙

    V V V V V V V V V V V V V V V V V V V V V V V V

    13. Layby

    3

    6/17/12 12:27:32 13. Layby_"C"

  • Voice

    C C/E F#m7¨5 Fm6

    Moderate q = 88

    Who

    C

    are we sis ter?

    C/E

    - The roy

    F#m7b5

    al- folk.

    Fm6

    We look

    C/E

    bet

    Fm6

    ter,- cook

    C/E

    bet

    Fm6

    ter,-3

    feel

    C/G

    deep

    Fm/Ab

    er,- sing

    Am7

    sweet

    Bb7

    er,- and that's

    Dm7

    no joke.

    Dm7/G

    Got6

    pa

    C

    tience- like a spi

    C/E

    der,- The last

    F#m7b5

    ing- love of Ruth,

    Fm6

    Car ry-8

    vic

    C/E

    to- ry- in side

    C/Eb

    - us and that's

    Dm7

    the ho - ly truth.

    /G

    We Got10

    Life.

    F C/E Dm7 /C

    We Got Love

    F/Bb F/A F/G

    12

    Who

    smooth jazzC

    are the bro thers?

    C/E

    The roy

    F#m7b5

    al- men.

    Fm6

    They talk

    C/E

    proud

    Fm6

    er,- brag

    C/E

    loud

    Fm6

    er,-16

    44& ∑ ∑

    14. We Got LifeMusic by Ray Leslee

    Words by Philip S. Goodman

    &

    LETTIE:

    &

    &

    &

    &

    &

    œ œ ™ œ œ œ ™ œj œ œ œ œ

    ‰ œj œ œ œ ™ œ œ œ ™

    œ œ œ ™ œ œ œ œ œj œ œj

    œ‰

    œj

    œ œ ™ œ œ œ œ œ œ œ œ œ œ œ‰ œ œ

    œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ™

    ˙Ó Ó Œ œ œ ™ ˙ œ œ œ œ œ œb œ œ

    Ó

    œ œ ™ œ œ œ œ ™ œj œ ™ œ ™ œ œ

    ‰ œj œ œ œ ™ œ œ œ ™

    6/17/12 20:53:10 14. We Got Life

  • bleed

    C/G

    red der,

    Fm/Ab

    - kiss

    Am7

    wet

    Bb7

    ter,- now

    Dm7

    and then.

    Dm7/G

    Like a19

    pro

    C

    phet- of the bi

    C/E

    ble,- with a clev

    F#m7b5

    er- hon ey- tongue,

    Fm6

    they are21

    ter

    C/E

    rors- who are lia

    C/Eb

    ble- to get hope

    Dm7

    less- ly- un strung.

    /G

    - We Got23

    Life.

    F C/E

    We

    ad lib

    Got Life

    Dm7 /C

    We Got Love.

    F/Bb ad libF/A

    We Got Love

    F/G

    25

    Eb7b5

    Mis er- y- come,

    C/D Db7b5

    Hate ful- spite,

    Bb/C Eb7b5

    Can't

    C/D

    pull us a part-

    Db7b5

    29

    Db7b5

    In God's

    Bb/C

    sun,

    B7b5

    or Sa tan's

    Ab/Bb

    - night,

    Fm7

    We're the Queens

    Gm7

    of heart,33

    We're

    Abma7

    the Queens of heart,

    Dm7b5

    We are the light

    G

    36

    &

    &

    &

    &

    LOUELLA: LETTIE: LOUELLA:

    &

    BOTH:

    &

    LETTIE:

    &

    LOUELLA: BOTH:

    b n

    œ œ œ ™ œ œ œ ™ œj œ œj

    œ‰

    œ œ

    œ œ ™ œ œ œ œj

    œ œ œ œ œ™ œ œ œ œ œ

    œ œ ™ œ œ ™ œ œ œ œ œ œ œ œ œ œ œ œ ™

    ˙‰ œ œj œ

    jœ ™ Œ œ œ ™ ˙

    ‰ œ œj œ œ œ œÓ

    ‰ œœ œœ œœ œœ ˙̇ ‰ œœbjœœb œœn ˙̇ Œ œœ œœ œœn œœn œœb ˙̇ ™™ Œ

    ‰ œœbjœœ ˙̇ ‰ œœb

    jœœb œœ œœb ˙̇

    Œ œb œ œn œb œ

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    14. We Got Life

    2

    6/17/12 20:53:10 14. We Got Life

  • Who

    C

    are we sis ters?

    C/E

    An

    F#m7b5

    gels- with out- wings.

    Fm6

    We shine

    C/E

    bright

    Fm6

    er, Cling

    C/E

    tight

    Fm6

    er,39

    Slice

    C/G

    thick

    Fm/Ab

    er,- Run

    C/G

    quick

    Fm/Ab

    er,- Work

    C/E

    long

    Fm6

    er,- Love

    C/E

    strong

    Fm6

    er,-42

    Play

    C/G

    smart er,

    Fm/Ab

    Praise

    Am7

    hard

    Bb7

    er,- And help

    Dm7

    the lit tle- kings

    Dm7/G

    Put44

    sup

    C

    per- on the ta

    C/E

    ble, then dance

    F#m7b5

    the night and sing.

    Fm6

    Car ry-46

    life

    C/E

    and love in side-

    C/Eb

    us, And that

    Dm7

    is ev' ry- thing.

    /G

    We Got48

    Life.

    F C/E

    We

    ad lib

    Got Life

    Dm7 /C

    We

    ad lib

    Got Love.

    F/Bb F/A

    We

    ad lib

    Got Love

    F/G

    We Got50

    Life,

    F C/E Dm7 /C