vocal score music by ray leslee lyrics by philip s ......figurin’ paint -- hardway & company 07....
TRANSCRIPT
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****************************************
Vocal Score
Music by Ray Leslee
Lyrics by Philip S. Goodman
**************************************** copyright Leslee/Goodman (c) 2006/2011 Contact: David Friedlander, Esq email: [email protected]
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AGM SONG LIST Act 1 01. OPENING/MULE SONG – Louella, Albert & Company 02. LONG BROWN WOMAN – Augustus, Lettie & Company 03. WHITE HOUSE -- Albert 04. NEW ORLEANS -- Lettie 05. DON’T WANT NO CHANGE IN YOU – Louella and Albert 06. FIGURIN’ PAINT -- Hardway & Company 07. PRAYER -- Granny 08. TAKE ME HOME -- Preacher & Company 09. I GOT A RIGHT -- Albert Act 2 10. LET ME BE -- Albert, Preacher, Augustus, Hardway, and Cooter 11. ONE MAN -- Lettie 12. HOW THE HAPPY GIRL GOT LOST -- Louella 13. LAYBY – Albert 14. WE GOT LIFE – Lettie and Louella 15. I HEAR MUSIC FAR AWAY -- Cooter & Company 16. THE NUMBERS GAME – Tittle & Company 17. CAN’T YOU SEE WHAT I SEE -- Albert and Louella 18. ONE LEFT STANDIN – Louella 19. RAGGEDY MAN -- Albert 20. FINALE/I GOT A RIGHT -- Albert, Louella and Company
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™™
™™
A7
C' mon-
C
Mule!
D A7 C D E‹/C© D D©º7
Intro q = 80
First
A7
we get a knife blade
C D
Get
A7
onmule!
C D
Seed
A7
ing- sack my wife made
C D
Gid
A7
up- mule!
C D
4
C E
Hey
C
Mac, move back, break
G
this ground, Take
C
a man of mus cle- put a straight
G
row down!8
A7
You can dress
A7
your self up pret ty,- Or put onsome u ni- form,- You can11
run
D7
off to the ci ty- Or some
A7
place- where it's warm, But you got it deep in -15
side,
F©‹7
just a lit
B‹(“)
tle- bit, of pride,
E(“)
18
Turn
A7
it to the end row,
C D
Pull
A7
on Mac!
C D
Lift
A7
the blade and turn slow,
C D
We com
A7
ing- back.
C D
21
24
24 44
24
&###
ALBERT: Harmonica Solo
∑
ad lib grunts & groans
∑
1. Opening/Mule Song Music by Ray Leslee Words by Philip S. Goodman
&###
&###
&###CAKEWALK
∑Lead in
CHOIR:
&###
legato A/G
&###
&###
ALBERT: Male echo Male echo Male echo Male echo
Ó ¿ ¿ ¿
œ œ œ œ œ œ œ Œ œn œ ™œ Ó œ œ œ œ œ œ œ Œ œn œ ™œ Œ Œ
Œ Œ œn œ œ œ œ œ œ œn œ œ œ œ œ œ œ œ œn œ
Ó Œœœ
œœ œ
œœœ œœœœ œœnn œ
œœœœœ œ
œœœ
œœ œœœœ œœœœj ‰
œœ
œœ
œœœœ œœœœ œœnn œ
œœœœœ œ
œœœ œ
œœœ œœœœj ‰ œœ# œ
œ œœœjœœœ ™™™ œœ
œœœœ
˙̇̇ ™™™ œœœ œœœ œœœ œœœ œœœ Œ Œ œœ
œ www
œ œ œ œ œ œ œ Œ œn œ ™ œ Ó œ œ œ œ œ œ œ ‰ œj œn œ ™ œ Ó
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C E
Hey
C
Mac, move back, break
G
this ground,Take
C
a man of mus cle- put a straight
G
row down!25
A C D A C D
28
32
24 44&###
CHOIR:
&###
LOUELLA: (Coming down to where ALBERT is working) Albert, Albert, hold up! (He stops, MUSIC stops)Something I got to tell you. I’m going to have a child.
ALBERT: (Surprised) You sure bout that? L’il peanut baby growing in your belly?!
LOUELLA: I don’t know if it’s a peanut or a sweet potato, but it’s in here. You mad bout it?
ALBERT: Why I be mad?
LOUELLA: Cooter almost grown, years since gone by, and nothing happen in here. Now, all-of a-sudden – it took.
ALBERT: A man keep dropping seeds, something might sprout.
LOUELLA: Papa, maybe time come to quit Oma Creek, and get a new start. If we go to St. Louie or New Orleans, you could be fixin radios or cars. Sister and me do beauty culture! We be settin pretty.
ALBERT: I ain’t no radio man, mama. Got the dirt, my cotton, and you up yonder cooking up beans – and babies. We settin pretty now! You go lay down before the party tonight. I got one more row. A baby – ain’t that somethin! Let’s go, mule! Hey! (MUSIC. He goes back to work.)
∑ ∑ ∑ ∑
FADE OUT
nnn
& ∑U
Œ Œœœn œœn œœ œœ œœ œœ œ
œ œœn œœ œœn œœ œœ œœ œœ œœ œœ œœn œœ
2
-
G‹/E F F©‡…‹7C/G G©‡…‹7 A‹7
Mule
C7
he be migh ty,-
E¨
But he
F
A tempo q = 80
33
can't
C7
make a chile.
E¨ F
Still
C7
he do the business,
E¨ F
With a wick
C7
ed- smile.
E¨ F E¨ G
35
Hey
E¨
Mac, move back, break
B¨
this ground, Take
E¨
a man of mus cle- put a straight
B¨
row down!39
C7
You can take
C7
most a ny- thing,- but there's a hea vy- price to pay. And you41
want
F7
ing- sim ple- things, but there's some fen
C7
ces- in your way. But you45
got it deep in side,
A‹7
- just a lit
D‹(“)
tle- bit, of pride,47
24 44
44
& ∑
ALBERT: Female echo
&
Female echo Female echo Female echo
&
add CHOIR:
&
CAKEWALK
∑CHOIR:
unison
&legato
&C/Bb
œ œ œ œ œ œ œ‰
œ œ
œb œ œ œÓ
œ œ œ œ œ œ œ‰œ œ œ œb ™ œ
Ó Œ Œ
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œ
Ó Œœ œ œ œ œ œ œb œ
™
œ œ œ œ œ œ œ œ œj ‰
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œœjœœ ™™ œœ œœ ˙̇ œœ
jœœ œœ
jœœ œœ œœ Œ Œ œœ œœ
3
-
°
¢
°
¢
°
¢
G(“)
ooh
C/E D/F©
ooh
C/G D/A
whoa50
Take a might y- man, To get a row straight on,
C/E D/F©
whoa
C/G D/A D(“)/A
55
"No ther- day of sweat in'- And then I'm gone
Wooo
A‹7
WoooWhoa
C/D D‹7/Gdim.
Now the60
YEAH
days
C/E
get long
D/F©
er, And the light
C/G
is strong er,
D/A
I can
Softly
66
hear
C/E
the hum
D/F©
ming Are the an
C/G
gels- com ing?
D/A rit.
70
&
CHOIR:
legato
& ∑ ∑ALBERT: solo ad lib solo ad lib
& ∑
&solo ad lib solo ad lib
∑
&C/Bb
WOMEN: add MEN:
nU LOUELLA:
& ∑ ∑solo ad lib U
&
&guitar ending∑ ∑U
˙̇ Œœ œ ˙ ™ œ œ œj œ ™
Œœ œ ˙̇ ™™ œœ œœ œœ
jœœ# ™™ Œ œ œ
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˙ ™ œ œ œj œ ™Œ
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˙Ó Œ Œ
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Œ œ œn œ Œ˙ œ œ̇ œ ˙ ™w œ ww ww ˙̇
Œ œ œ
Œ œ œ œ œ œ ™ œb œ ˙ ˙ œjœ ™ ˙
Ó
˙ ™ œ œ œj œ ™Œ
œ œ ˙ ™ œ œ œj œ ™Œ
œ œ
˙ ™ œ œ œj œ ™Œ
œ œ ˙ ™ œ œ œj œ ™ ˙
4
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Copyright © Leslee/Goodman 2011
Lead SingerChoir
™™
C7(#9)
Slow Rock q = 80
As a ner
C7(#9)
vy- child in my cu ri- ous- threes, On the church
F7
house floor I was on my knees, And the
3
2
mir
C7(#9)
a- cle- be fore- me in them pews was a Long
G7
Brown Wo man- in a high
A¨7
heel shoes. By5
six
C7(#9)
with toys on my own toy shelf I had more
F7
fun play in'- with my self, And the im -
7
7
ag
C7(#9)
in- ar- y- play mate- I would al ways- choose was a Long
G7
Brown Wo man- in a- high
A¨7
heel shoes!9
44&
Like "Mustang Sally"
∑
Music by Ray Leslee Words by Philip S. Goodman
2. Long Brown Woman
&Gtr fill
&
&
&
Ó™œ œ œb œ œ œ œ œ œ œ œ œ œ œ œ œb œ œ œ œ œ œ œ œ œ œ œ
œb œ œ œ œ œ ™ œ œ œb œ œ œ œ œ œ œ œ œ œb œ œ œ œ
œb œ œ œ œ œ œ œ œ œ œ œ œ œb œ œ œ œ≈œ œ œ
œb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œb œ œ œ
6/15/12 20:05:39 2. Long Brown Woman
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°
¢
°
¢
°
¢
°
¢
°
¢
C C/E F F7 G7 A¨7
At
Ooh Long Brown Wo man- in a high heel shoes11
twelve
C7(#9)
I de cid- ed- to quit from school To stu
F7
dy- the a rith- me- tic- of dice and pool. I
13
13
knew
C7(#9)
the on ly- oc cu- pa- tion- I could use was a Long
G7
Brown Wo man- in a- high
A¨7
- heel shoes! At six
15
teen
C7(#9)
I trav el with a big tent show, And trav
F7
el where ev- er the kooch show go Cause the
17
17
si
C7(#9)
reen- call I could not re fuse- was a Long
G7
Brown Wo man- in a- high
A¨7
- heel shoes!
19
& ∑
&
&
& ∑ ∑
&
& ∑ ∑
&
& ∑ ∑
&
& ∑ ∑
Ó™ ‰œj
œœ
œœbb œ
Ϫ
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œr œ œ œ œ œ œ œ œb œ œ œ œ œ œ
œb œ œ œ œ œ œ œb œ œ œ œ œ œ œ œ œ œb œ œ œ
2. Long Brown Woman2
6/15/12 20:05:39 2. Long Brown Woman
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°
¢
°
¢
°
¢
°
¢
°
¢
C C/E F F7 G7 A¨7
So I
si reen- call he could not re fuse- was a Long Brown Wo man- in a high heel shoes21
join
C7(#9)
the ar my when I heard the call, I had
F7
a lit tle- prob lem- with al co- hol.- But I
23
23
told
C7(#9)
my sar geant I would give up booze for a Long
G7
Brown Wo man- in a- high
A¨7
heel shoes! I was
25
strong,
C7(#9)
I had fight in'- blood, juiced,
F7
I get jea lous- and take no crud. The
27
Doo Doo Doo Doo27
fel
C7(#9)
la- who could cer tain- ly blow my fuse had a Long
G7
Brown Wo man- in a- high
A¨7
heel shoes!
Doo Doo Ooh29
& ∑
&
&
& ∑ ∑
&
& ∑ ∑
&
&
&
&
Ó™ ‰œ œ
œœ
œœ
œœbb œ
œœœ
œœœœ
œœœœ
œœœœ
œœœn œœœ œœœ œœœ œœœ œœœ œœœbb œœœ œœœ œœœ
œb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œb œ œ‰
œ œ
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œœ
œœ Œ Ó
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œœ
œœ Œ Ó
˙̇ œœb™
™ ‰
2. Long Brown Woman3
6/15/12 20:05:39 2. Long Brown Woman
-
°
¢
°
¢
°
¢
°
¢
°
¢
C C/E F F7 G7 A¨7
Fel la- who could cer tain- ly blow his fuse, had a Long Brown Wo man- in a high heel shoes31
A¨7
Huh! With your bad self! See,
A¨7(„ˆˆ13)
I had this big ob ses- sion,
35
33
But,
G7(„ˆˆ13)
I ne ver- had pos ses- sion, Why,
G¨7(„ˆˆ13)
would my dreams slip a way...
F7(„ˆˆ13)
-
36
What,
A¨7(„ˆˆ13)
kept me from de pres- sion, Was,
G7(„ˆˆ13)
the al ways- there im pres- ion,
Aw39
I'd
G¨7(„ˆˆ13)
get one for my self- one day.
F7(„ˆˆ13) G7 A¨7
Aw Long Brown Wo man- in a high heel shoes41
& ∑ ∑
&
&
like "James Brown"
& ∑ ∑ ∑
&
& ∑ ∑ ∑
&
&with sympathy
& ∑
&
œœ œœ œœ œœ œœb œœ œœ œœn œœ œœ œœ‰œœ œœ œœ
œn œœœ œœœ œœœ œœœ œœœ œœœbb œœœ œœœ œœœ
Œ ¿ Œ ¿ ¿ ¿ ¿ Œ Ó œb ≈ œ œ œ œb œ œ œ œ
œ ≈ œ œ œ œ œ œn œ œ œb ‰ œ œ œb œb œb ˙Ó
œb ‰ œ œ œb œ œ œ œ œ ≈ œ œ œ œ œ œn œ œ
wwwbb ˙̇̇ Ó
œb ‰ œ œ œb œ œb œ œ ˙Ó
wwwbbb ˙̇̇Ó œœœ œœœ œœœ œœœ œœœ œœœ œœ
œbb œœœ œœœ œœœ
2. Long Brown Woman4
6/15/12 20:05:40 2. Long Brown Woman
-
°
¢
°
¢
°
¢
°
¢
C7(#9)optional guitar solo, "Dirty elec blues sound"
G7 A¨7
44
44
Dis
C7(#9)
charged!- Life is ea sy- now, In the land
F7
of the saw mill,- the mule and the plow, But the
48
48
one
C7(#9)
thing miss ing- that can fix my blues, is a Long
G7
Brown Wo man- in a- high
A¨7
heel shoes! Some
50
day
C7(#9)
I'm a set tle- down mar ried- guy, My nose
F7
to the grind stone,- my head in the sky, I'll
52
52
work
C7(#9)
and I'll pray so I ne ver- lose, My Long
G7
Brown Wo man- in a- high
A¨7
- heel shoes!
54
& ∑ ∑ ∑ ∑
&
& ∑ ∑
&
& ∑ ∑
&
& ∑ ∑
&
& ∑ ∑
œb œ‰
œ œ œ œ œ œ œ œ œb œ œ œ œ œ œ œ œ œ œ œ œ
œb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œb œ œ œ œ
œb œ œ œ œ œ œ œ œb œ œ œb œ œ œ œ œ œ œ œ œ œ œ
œb œb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œb œ œ œ œ
2. Long Brown Woman5
6/15/12 20:05:40 2. Long Brown Woman
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°
¢
°
¢
°
¢
°
¢
C C7/E F F7 G7 A¨756
Work and pray so he ne ver lose His Long Brown Wo man- in a high heel shoes He56
C C/E F F7 G7 A¨7
Work and pray so he ne ver lose His Long Brown Wo man- in a high heel shoes He58
C C/E F F7 G7 A¨760
Work and pray so he ne ver- lose His Long Brown Wo man- in a high heel shoes60
Oh ba by!- Yeah!
C7(„ˆˆ13)
Yeah!62
&
ad lib Riffage
&
&
&
& fl
&U
fl
& flad lib RiffageU
& ∑ flU
V V V V V V V V
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
j ≈œœœrœœœ œœœ œœœ œœœ œœœ œœœ œœ
œbb œœœ œœœ œœœj ≈
œœœr
V V V V V V V V
œœœn œœœ œœœ œœœ œœœ œœœ œœœn œœœ œœœ œœœ
j ≈œœœrœœœ œœœ œœœ œœœ œœœ œœœ œœ
œbb œœœ œœœ œœœj ≈
œœœr
V V V V V V V V
œœœn œœœ œœœ œœœ œœœ œœœ œœœn œœœ œœœ œœœj ≈
œœœrœœœ œœœ œœœ œœœ œœœ œœœ œœ
œbb œœœ œœœ œœœ
Œ ‰ œj œ œb œ ww
wwwwwwb
2. Long Brown Woman6
6/15/12 20:05:40 2. Long Brown Woman
-
Copyright © Leslee/Goodman 2011
Voice
Once
E¨
I saw a white
/G
house on
E¨/A¨
a
B¨sus
rise,
E¨
Ballad q = 76
A¨/E¨
A hand
E¨
some- clean and bright
/G
house un
E¨/A¨
der- blue
B¨sus
skies.
E¨
6
A¨/E¨
And it was pret
Cm
ty-
/B¨
like an i
Am7b5
vory- box,
Dm7sus
Like a
Gm7
woman,
/F
in a10
bri
B¨/E¨
dal- frock,
Dm7sus
Like the moon
Cm7
face,
Gm7
of a grand
Fm7
pa- clock,
B¨7
like it's been14
washed,
E¨
and bleached,
/G
and hung
E¨/A¨
out for the world to see,
B¨sus Cm7
Some thing- a bout-
Am7b5
it,17
reached
Dm7sus
right out to me,
Gsus G /B
Whoa
C /E C/F Gsus
20
44 24 44 24 44
24 44
24
24 44 24 44
&bbb ∑ ∑
Music by Ray Leslee Words by Philip S. Goodman
3. White House
&bbb
&bbb3
&bbb3 3 3
&bbb3
&bbb nnn
œ œ œ œ œ œ œ œ ˙ Ó
Ó Œ ™œj œ œ œ œ œ
œ œ œ œ œ œ ˙ Ó
Ó Œ ≈œ œ œ œ œ œ ™Œ ™
œ œ œ œ œ œ‰ œ œ œœ œ ™
Œ ™œ œ
œ œ œ œ ‰ œ œn œJ œ ™ Œ ‰ œ œn œœ œ Œ œ œ œ
œ ‰™ œRœ ‰™ œR
œ œ œ œ œ œ ˙ Œ œ œ œ œJ œ ™
œ œ œ ™ œ ˙ Ó œ ™ œJœ œ œ œ
-
Blues SoloC7#9 F7 /A /B¨
24
Whoa
C
white
/E
house, see
C/F
it- in-
Gsus
the- night-
F/A
house,26
™™
™™™™
™™
F/B¨ F/A F/B¨ B¨/D B¨/E¨
Got an29
44
24 44
& ∑
&
& ∑
(LOUELLA coming down from the house, interrupting)
LOUELLA: What are you fellas doing out here - stargazing? Cooter, go on up and go to sleep.
COOTER: You want me make a fire?
LOUELLA: No fire. It ain’t that cold inside. Go on.
(He goes. When Cooter is out of earshot)
Albert, my stove’s still warm and I got some sweet potato pie with marshmallow sauce.
ALBERT: Maybe later..
LOUELLA: Ain’t you cold out here? (He shakes his head)You can come up and keep me warm.
ALBERT: I be up in a minute.
LOUELLA: I be waitin.
(She goes up to the house.)
Underscore
∑ ∑
repeat til cue: "...
∑ / 0
˙ Ó
œ ™ œJœ œ œ œ œ œ œ œ œJ œ ™ ˙
Ó Œ œ œ
3. White House
2
-
old
B¨/D
gray ten ant- place with jail
B¨/E¨
house- ribs, And the win
B¨/D
ter wind licks thru 'em in a
Faster
34
storm,
B¨/E¨
And the fire
C/E
place- near
F/E¨
the bed, where I
B¨/D
lay down the night
Gm7
I wed, keeps37
Mom
Cm7
ma- and
B¨/D
the kids
E¨
jus' less 'en warm
Cm7 B¨/D E¨
When40
sum
B¨/D
mer's- high, and the cot
B¨/E¨
ton's- laid by, It bakes
B¨/D
up so hot, I'm a fraid- my44
gran
B¨/E¨
ny- gon na- die. But be fore
C/E
- she do I'm fix
F/E¨
in- to, make
B¨/D
this place my own,
Gm7
I know it's47
not
Cm7
like I
B¨/D
can buy
E¨
it, No use
Cm7
to ev
B¨/D
en- try
E¨6
it, But50
still
Cm7
I can't
B¨/D
de ny
B¨/E¨
- it
f
That par tic
G/B
- u- lar- cracked old ten
C/B¨
ant- shack is54
616
616 24 616 44
616
616 44 616 44 616
616 44
&
&
&piano lead in
&
&
&
&
œb œ œ œ œ œ ™ œj œj œ œj œ ‰ œ œ œb œ œ œ œJ œ œ œ
˙ Œ ™ œ œ œ œ œ œ œ œb œ œ œ œb œ œ œ œ œ œ œ œ
œb œ œ œ œj œb
œb œ œjœb ˙
Œ ‰ œj
œb œ œ œ Œ ™ œ œ œ œ œ œ œ ‰ œj œb œ œ œ ‰ œ œ œ œ
œ œ œ œ œ œ œ ‰ œ œ œ œ œ œ œ œ œb œ œb œ œ œ œ œ œ œ œ
œb œ œ œ œj œb ™ œ ‰ œj œb œ œ œ œ
j œ ™ œ ‰ œj
œb œ œ œ œj œ ™ ˙ ˙ ™ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ
3. White House
3
-
where
F/A
I am, it's what
Dm7
I got, My shot,
Gm7
my pot
F/A
of gold
B¨
I'm58
gon
Gm7
na- make
F/A
it mine
B¨6
Like I had
Gm7
it in
F/A
my mind
B¨ F/B¨
61
Em7b5
ALL THIS TIME!
A /C© A/D Esus
molto rit. A tempo
65
Blues Solo
A7#9 D7 /F# /G
Once
A
I saw a white
/C#
house,68
See
A/D
it- in
Esus
- the- night
F#m7
- house, tight
G#m7b5
house, light
cresc.
house,71
Al
D/A
ways- been the right house for
D/G
a man
A(“)
like me.
G G/B
74
That's what this town
G/C
is gon
D(“)
na- see.
Gmolto rit.
78
616 44 616
616 44 616 44
24 44
44 24
24 44
24 44 24
24 44
&
&
&###
&### ∑ ∑
&###
&### # ∑
&# U U
œ œ œ œ œ œ œ ™ œ œ œb œ œ œ œJœ ™ œ ‰ œj
œb œ œ œ œJœ ™ œ ‰ œ œ œb œ œ œ œJ
œ ™ ˙
Ó œœb w ˙
œ œ œ œ œ œ
œ œ œ œ œJ œ ™ ÓœJ œ ™
œJ œ ™
œ œ œ œ œ œ œ œ œ œ w
‰ œj œ œ œ œ œ œ w
3. White House
4
-
Copyright © Leslee/Goodman 2012
Voice
F/C
No use set tin'- in a school yard-
B¨7
Watch in'- birds fly and grass get
Intro, Rubato q = 120
long, Bet ter- I walk
F
up Bour bon- Street and list
C7
en- to a trum pet4
song.
FBright Tempo q = 132
7
Gon na- take a train
F7
down to N'Or lins, and get
B¨7
me some gum bo there10
I'm gon na- dance
F7
the boo gie- woo gie- and ride
C7
the street car- some where-
F7
14
Gon na- take a boat
F7
down to N'Or lins, There's migh
B¨7
ty- fine hou ses- on the18
44&b3
Music by Ray Leslee Words by Philip S. Goodman
4. New Orleans
&b
&bPno.
∑
>
∑
>
&b
&b
&b
Œ œ œ œ œ œ œ œ œ ˙ Ó Œ œ œ œ œ œ œ œ
˙ Œ œ œ œ œj œ ™ œ œ œ œ œj œ œ œ œb
jœ œj
œ œœn œœÓœœ#n J
œœnb
œœnJ
‰ œœJœœ
œœ
œœ#n J
œœnb
œœnJ
Œ œ œ œ œ œ œ Œ ‰ œj œ œ œj œ ™ Œ ™ œj œ œ œ œ œ
jœ œj
˙ ‰ œj œ œ œ œ œ œ œ œ œ œ œ œ œb œ œ
jœ œj ˙ Ó
Œ œ œ œ œ œ œ Œ ‰ œj œ œ œj œ ™ Œ ™ œj œ œ œ œ œ œ œ
-
shore, They got shut
F7
ters- on the win dows- and big
C7
brass knock ers- on the door.
F7
22
I'm go ing- to N'Or
B¨7
lins, I'm go ing- to N'Or
F7
lins,26
I'm go ing- to N'Or
D7
lins
F7
Right now,
B¨7
Right now!30
C7
I ain't gon na- stay
F7
down in N'Or lins, Cause all
B¨7
them fan cy- peo ple's- no good34
But if they give
F7
me all their mon ey,- I'll spend
C7
it like a good girl should!
F7
38
™™
™™
F7
42
&b
&b
&b
&b
&b
&b
(As the MUSIC plays and LETTIE dances, LOUELLA puts ALBERT’S’s arm around her, and immediately feels the tension in him. COOTER comes out too.)
LOUELLA: What’s wrong? You mad about something?
ALBERT: I’ll talk to you later. (He leaves LOUELLA, goes into the house)
∑Piano Solo VAMP
œ Œ ‰ œj œ œ œ œ œ œ œ œ œ œ œb œ œ œ ˙ Ó
Œ ™ œj œ œ œ œ œJ œ™ Ó Œ ™ œj œ œ œ œb œ
jœ ™ Ó
Œ ™ œj œ œ œ œ œ™ œJ œ ™ œ
j œ œ œ ‰ œ œj œ Œ ‰ œ œj
‰ œj œ œ œ œ œ Œ ‰ œj œ œ œj œ ™ Œ ™ œj œ œ œ œ œ œ œ œ
œ Œ ‰ œj œ œ œ œ œb œn œ
jœ œj œ œ œ œ œb
jœ ™ ˙ Ó
4. New Orleans
2
-
We go ing to N'Or
B¨7
lins, We go ing- to N'Or
F7
lins,43
We go ing- to N'Or
D7
lins
F7
Right now,
B¨7
Right now!47
C7
And we're gon na- stay
F7
down in N'Or lins, At home
B¨7
in Easy City for good51
And when they give
F7
us all their mon ey,- I'll spend
C7
it like a good girl55
should!
B¨7
We'll make a moun
F7
tain- of mon ey, And I'll spend
C7
it like a good girl58
should!
F7
YEAH!!
F7 solo ad lib
62
44
&b
&b
&b
&b
&b
&b >U
Œ ™ œj œ œ œ œ œJ œ™ Ó Œ ™ œj œ œ œ œb œ
jœ ™ Ó
Œ ™ œj œ œ œ œ œ™ œJ œ ™ œ
j œ œ œ ‰ œ œj œ Œ ‰ œ œj
‰ œj œ œ œ œ œ Œ ‰ œj œ œ œj œ ™ Œ ™ œj œ œ œ œ œ œ œ œ
œ Œ ‰ œj œ œ œ œ œb œn œ
jœ œj œ œ œ œ œJ œb ™
œ œb œ œ Ó Ó ‰ œj œ œ œ œ œ œb œ œ œ œ œ œ œ œ œ œb
œ Œ Ówb w
4. New Orleans
3
-
™™
(c) Leslee/Goodman 2011
™™
C F/C C C F/C C
I look
C
for change
F/C
in sea
C
sons,- want
Medium Blues iq = e. x
rain
C
when things
F/C
is dry.
C
They's plen
C
ty- of
F/C
good rea
C
sons to switch crops
C
and seeds
F/C
I try.
C
I4
of
F7
ten- re
Bb/F
ar- range
F7
- a lot of things
F7
I want
Bb/F
to do,
F#dim7
But I7
don't
C/G
want
D¨/A¨
no
D/A
change
Eb/Bb
in
G7b13
you
C F/C C
9
Eb/F
You al ways- there,
C F/C C
like
F/C
air
Eb/F
and sun up in the sky
C F/C C
You
F/C
11
rise
Db/Eb
and shi
Fm7
ning- on,
Dm7b5
- tho clouds
Dm7b5
may hide
Cm/Eb
you from
Fm
my
F#dim7
eye.15
44&
ALBERT:
5. Don't Want No Change In You Music by Ray Leslee
Words by Philip S. Goodman
&
&
&3
&
GROOVE
3 3
&
Œ Œ Ó Ó Œ ™œj œ ™ œ œ ™ œ œ œ ™
‰œj
œ ™ œ œ ™ œ œ‰œj œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ
‰œj
œ œ œ œ œb œ œ œ œb œb œ œ œ‰
œ œ
œn œ œ# œ œb œ ˙Ó
Œœ œ œ œ œ
Œ Œœ œ œ œ œ œ œ œ
jœ ™
Œœ
˙b ˙b œ ™ œ œb œb‰™
œr œb ™ œ œ ™ œ œj œb œ
j
6/16/12 03:20:03 5. Don't Want No Change
-
G Am7 Bbdim7
I
G/B
glad
C
to hear
F/C
yo voice
C
talk
F/C
in- in
C
the o
F/C
ther- room.
C F/C
It's18
al
C
most- like
F/C
a dance
C
when you
F/C
go
C
swishin' with
F/C
yo broom.
C F/C
They's21
sa
F7
tis- fac
B¨7/F
- tion- know
F7
in- 'xact
B¨7/F
ly- how
F7
you gon
B¨7/F
na do,
F#dim7
And I23
don't
C/G
want
D¨/A¨
no
D/A
change
Eb/Bb
in
G7b13
you
F7 Bb/F F7 Bb/F F7 Bb/F F7 Bb/F
25
don't
C/G
want
D¨/A¨
no
D/A
change
Eb/Bb
in
G7b13
you
C F/C C F/C
28
C C/F C
I knew
F
you never
Bb/F
hurt
F
me even when
F
I got
Bb/F
you mad,
F
I30
ne
F
ver- thought
Bb/F
you look
F
for wo men- bet
F
ter- than
Bb/F
you had.
F
I al
B¨7
ways- thought
E¨/B¨
you fit
B¨7
me just like33
&
&
&
&3 ∑
&3
&
LOUELLA:
b
&b
˙ ™ ‰œj œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ
‰œj
œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ œ ™ œ ™ œ œ‰
œj
œ ™ œ œ ™ œ œb ™ œ œ ™ œ œb ™ œb œ ™ œ œ‰
œ œ
œn œ œ# œ œb œ ˙Ó
œn œ œ# œ œb œ ˙Ó
Ó Œœ œ ™ œ œ ™ œ œ ™ œ
‰œ œ œ ™ œ œ ™ œ œ
‰œj
œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ‰œj œ œ œ œ œb œ
œ œ
Don't Want No Change
2
6/16/12 03:20:03 5. Don't Want No Change
-
some
B¨7
one's- old
E¨/B¨
est- shoe,
Bdim7
And I don't
F/C
want
G¨/D¨
no
G/D
change
Ab/Eb
in you
C7b13 F
-
Bb/F F
36
I
Ab/Bb
want love,
F Bb/F F
Mo'
Bb/F
kiss
Ab/Bb
es- than you ev er- want to give
F Bb/F F
That's
Bb/F
39
no
Gb/Ab
big change
Bbm7
in things,
Gm7b5
just turn
Gm7b5
in'- up
Fm/Ab
the heat
Bbm
on how
Bdim7
we43
live.
C Dm7 Ebdim7 C/E
You stea
F
dy- and
Bb/F
you strong
F
so
Bb/F
I gave you all my heart,
£
I46
fig ured- we both want
£
the same, And ne ver- be a part
£
- I thought
B¨7
you was
E¨/B¨
the way
B¨7
tomake
E¨/B¨
my49
wish
B¨7
es- all
E¨/B¨
come true,
Bdim7
And I don't
F/C
want
G¨/D¨
no
G/D
change
Ab/Eb
in you
C7b13
-52
B¨7 E¨/B¨ B¨7 E¨/B¨ B¨7 E¨/B¨ B¨7 E¨/B¨
don't
F/C
want
G¨/D¨
no
G/D
change
Ab/Eb
in you
C7b13
-54
&b3
&b
&b
&b
GROOVE
&b
&b3
&b ∑3
œb œb œ œ œ ‰ œ œ œn œ œn œn œb œ ˙ Ó
˙ ˙ œ Œ Œ œ œ œ œ œ œ œ œ œ œj œ ™Œ
œ
˙b ˙b œ ™ œ œb œb ‰™
œrœb ™ œ œ ™ œ œ ™ œ œb ™ œ
˙ ™ ‰œj œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ
‰œj
œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ œ‰œj œ œ œ œ œb œ
œ œ
œb œb œ œ œ ‰ œ œ œn œ œn œn œb œ
˙ Ó œn œ œn œ œb œ
Don't Want No Change
3
6/16/12 03:20:04 5. Don't Want No Change
-
F B¨7
57Bdim7 F/C G¨/D¨ G/D Ab/Eb C7b13 F
62
I want
F
to see
F/Bb
your face
F
when I got news
F
to talk
F/Bb
a bout
F
- - When it's65
time
F
to make
F/Bb
a vi
F
sit- I want you
F
to take
F/Bb
me out,
F
But don't
B¨7
sur prise
E¨/B¨
- me with
B¨7
a shift
E¨/B¨
that68
make
B¨7
you someone
E¨/B¨
new,
Bdim7
Cause dar
F/C
lin'- from my point of view,
C/D
I71
don't
F/C
want
G¨/D¨
no
G/D
change
Ab/Eb
in
C7b13
you
Bb7 E¨/B¨ B¨7 E¨/B¨ Bb7 E¨/B¨ B¨7 E¨/B¨
74
Don't
F/C
Want
G¨/D¨
No
G/D
Change
Ab/Eb
In
C7b13
You
F rit.
77
24
24 44
&b
PIANO SOLO (optional or go to m.65)
&b3
&b
ALBERT:
U SofterLOUELLA:
&b
&b
BOTH:
n3
&b b nn3
b bn
&b b nn3
b b n
U
u
˙ V V V V V V V V V V V V V V V V V V
V V V V V V V V V V V V V
Ó Œœ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ
‰œ œ
œ ™ œ œ ™ œ œ ™ œ œ ™ œœ ™
œ œ ™ œ œb ‰ ≈ œr œ ™ œ œ ™ œ œb ™ œ œ ™ œ
œb ™ œ œ ™ œ œ ‰ œj œj œœJ œ
œj œœJ œ œœ œœ˙ ™˙ ™ ‰
‰ œjœJ
œœ œœ œœ œœ œ œ wœ œ w ˙̇ ÓÓ
œœœœ œœ
ww ww ww ww
Don't Want No Change
4
6/16/12 03:20:04 5. Don't Want No Change
-
™™
Shuffle, Moderato q = 124 iq = e. x
Walk a lit tle,- talk a lit tle,- Mark it with a chalk a lit tle,-5
44&bb
A week later the sawmill’s NOON WHISTLE blasts. MUSIC starts, a bouncing vamp.
∑
(At the HOUSE, COOTER runs out onto the porch.) COOTER: Sawmill closing! Noontime now!
(Out on the road, HARDWAY, moving fast, encounters PREACHER TOM)PREACHER TOM: Where y’all rushing, Hardway?
HARDWAY: Prince Albert wanna figure the paint fo’ his house today! Ain’t you coming?
PREACHER TOM: Crown Prince of Oma Creek looking for big trouble. I got better things.
(AUGUSTUS walks quickly by, carrying a pad and pencil) HARDWAY: Augustus! Wait up!
LOUELLA: (Coming out of the house) All them folks a-coming here! Will you look at that!
(ALBERT steps out on the porch, nails a crude wooden sign saying A. Clayton to a porch post. LETTIE is coming down the lane)LOUELLA: It Saturday! Don’t they know we got to go to the store?
COOTER: I want a pop!
LOUELLA: Put your shirt-tail in and button your overalls.
(LETTIE arrives as GRANNY, in a clean blue dress, steps out with her canes. She grunts with each step)LETTIE: I got the measuring tape! Ain’t that your burial dress, Granny!
GRANNY: Ain’t no burial dress if I still walkin.
HARDWAY: Hey, Prince! Here I am! You want to start right off?
(GRANNY watches as they all pace back and forth and around the house, measuring, chalking marks, writing on the pad, and singing.)
∑Repeat Until Cue
∑ ∑
Music by Ray Leslee Words by Philip S. Goodman
6. Figuring Paint
&bbHARDWAY: ad lib in the style throughout
∑ ∑œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
6/17/12 23:14:00 6. Figuring Paint
-
°
¢
°
¢
Look to me like a door is three. That's six by four, Are you
9
9
sure it is n't- more? Now you pace that side, And the top is twice as wide! And the12
boards is bad, Put this 'n- on the pad, And it shows the ma ny- fig ures- that we15
got ta- take ac count,- While they jug gle- with the gal lons- in the right a mount!-18
Walk a lit tle- chalk a lit tle,- Think we bet ter- talk a lit tle.-
ooh ooh wah ooh21
Did you reck on- for the win dows- cause they got them pairs of shut ters? If you
25
24
&bbAUGUSTUS: HARDWAY: LOUELLA:
&bbALBERT: COOTER: LETTIE:
&bbGRANNY: HARDWAY:
&bbGRANNY:
&bbHARDWAY:
∑ALBERT:
&bbCOMPANY:
&bbALBERT: AUGUSTUS:
&bb ∑ ∑
œ œ œ œ œ ™ œ œ œ œ‰
œj œ œ œj ‰
œ ™ œ
œ œ œ œ œj ‰
œ ™ œ œ œœj ‰ œ œ œ œ œ œ œ
j ‰œ œ
œ œ œ‰
œj
œ ™ œ œ œ œj ‰ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œj ‰ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ ™ œ œ œ ˙
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
wŒ ™
œj œ œ w
Ó Œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
≈œ ™ œ
˙Ó
6. Figurin Paint
2
6/17/12 23:14:00 6. Figuring Paint
-
°
¢
°
¢
°
¢
°
¢
gon na- make it white you gon na- need rain gut ters!- Is that eight or nine? What's
ooh27
sev en times four? Did you get the lit tle- rid ges,- Did you add the o ther- door? Now you
ooh wah ooh30
jig gle- all them num bers,- And you up it ten per cent,- Why youtrick in- out a build ing- that you
33
don't ev en- rent?
37
36
Walk a lit tle- talk a lit tle.-
Ooh Walk a lit tle- talk a lit tle!-41
&bbLOUELLA: LETTIE:
&bb ∑ ∑COMPANY:
&bbCOOTER: HARDWAY:
&bb
&bbGRANNY:
&bb ∑ ∑ ∑
&bb3 nn
I
(Cacophony-- everyone suggesting, demanding, complaining, offering, joking, until--)
HARMONICA/GUITAR SOLO - optional
∑ ∑ ∑ ∑
&HARDWAY:
∑
&COMPANY:
œ œ œ œ œ ™ œ œ ™ œ œ œ œ œ≈œ œ œ
j œ œj Œ œ
w
œ œ œ œj‰œ ™ œ œ œ œ œ œ œ œ ™ œ œ œ œ œ œ
j ‰œ œ
œ‰œj œ œ w ˙
Ó
œ œ œ œ œ œ œ œ œ œ œ œ œj ‰ œ œ œ œ œ œ œ œ œ œ
œ œ œ ˙
œ œ œ œ œ œ œ œ
w œ ™ œ œ œ œ œ ™ œ œ œ ™
6. Figurin Paint
3
6/17/12 23:14:01 6. Figuring Paint
-
°
¢
°
¢
°
¢
°
¢
°
¢
Mark it with a chalk a lit tle.- I
Ooh Mark it with a chalk a lit tle!-43
think we bet ter- add a no- ther- gal lon- for the spill, And we
45
45
did n't- make al low- ance- for the bro ken- win dow- sill, Did you
47
get the add ing- right? I think you left acol lumn- out. Those six es- should be se vens- andyou
49
turned it all a bout.- What's eight times nine when di vi- ded- in to- four? That e -
52
&LOUELLA:
&
&COOTER:
& ∑ ∑
&ALBERT:
& ∑ ∑
&GRANNY: LETTIE:
& ∑ ∑ ∑
&AUGUSTUS: GRANNY:
& ∑ ∑ ∑
œ œ œ œ œ œ œ œÓ Œ ™
œj
w œ ™ œ œ œ œ œ ™ œ œ ™ œ
œ œ œ œ œ œ œ œ œ œ œ œ œj ‰ œ œ
œ œ œ œ œ œ œ œ œ ™ œ œ œ œj ‰
œ ™ œ
œ œ œ œ œj ≈
œrœ ™ œ œ œ œ œ œ
j ‰ œ œ œ œ œ œ œ œ ™œ
œ ™ œ œ ™ œ œJ ‰ œ œ œ œ œ œ ™ œ œ œ œ œ œj ‰
œ ™ œ
6. Figurin Paint
4
6/17/12 23:14:01 6. Figuring Paint
-
°
¢
°
¢
°
¢
°
¢
°
¢
lev en- is n't- ev en- man, it sure ly- must be more, I
55
think we got a prob lem with the num bers- in the book, And my
57
Ooh Ooh57
pen cil- got no point, We bet ter- take a se cond- look!
Ahhh59
™™
™™
Walk a lit tle- talk a lit tle.-
Walk a lit tle- talk a lit tle!-61
™™
™™
Mark it with a chalk a lit tle.-
Mark it with a chalk a lit tle!-63
&ALBERT:
& ∑ ∑
&HARDWAY:
&COMPANY:
&LETTIE & LOUELLA:
&
&HARDWAY:
∑
& ∑
&
CUT-OFF: GRANNY: (Interrupting, over them, a fog-horn blast): Whoa! Hold up now!
∑
& ∑
œ œ ™ œ œ ™ œ œ ™œ ™ œ œ œ œ œ œ
‰ œj
œ œ œ ™ œ œ œ œ œ œ œ œ œ œj ‰ œ œ
˙ ™ œ ˙ ™ œ
œ œ œ œ œj ≈ œr œ ™ œ œ ™ œ œ ™ œ
˙
wwww wwww
œ œ œ œ œ œ œ œ
œœœ ™™™ œœœ œœœ œœœ œœœ œœœ ™™™ œœœ œœ
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œ œ œ œ œ œ œ œ
œœœ ™™™ œœœ œœœ œœœ œœœ œœœ ™™™ œœœ œœ
œ# ™™™
œœœ
6. Figurin Paint
5
6/17/12 23:14:01 6. Figuring Paint
-
Copyright © Leslee/Goodman 2011
Voice
C Dm7 C/E Dm7 C Dm7 C/E Dm7
Oh
Slowly with feeling q = 72
Lord,
C Dm7 C/E
I'm tir
Dm7
ed- of the bad
C
days,
Dm7
tir
C/E
ed-
Dm7
of the5
long
C
nights too.
Dm7 C/E
Lost
E7
my taste for ho
Fma7
ney- pot and wine
Bb7
glass, Want to9
sing
C/E
Lord, like you like
A7b9
me to, I want to be
Dm7
near rock in- baby Je
Fm7
13
sus,
Bb7
En joy- in'- my bless
C/G
ings- as I'm sup posed
Fm/G
- to17
do.
flowing
C Dm7sus C/E Dm7sus C Dm7sus C/E Dm7sus
Mmm, I21
44& ∑ ∑ ∑
Music by Ray Leslee Words by Philip S. Goodman
7. Prayer
&
&
&
&3
& ∑ ∑
Ó Œ œ œ
w œ ™ œj œbJ œ œ œ œjœ ™ œ Œ œj œ ™ œ œ œ
œ œ ˙ ™Ó
œ# œ œœ œ œ œ
Œ ™œj œ
jœ ™ Œ œ œ
œj œ ™Œ
œ œ œ œ œ œ œ œ œjœ ™ œj œ œ œ œ
jœ ™ ˙
w Œ ™ œj œ œ œ œjœ ™
‰œj œ œ ˙ ˙
wÓ Œ œ œ
6/16/12 15:10:37 7. Prayer
-
hear
C Dm7sus C/E
the an
Dm7sus
gels- golden voi
C
ces,-
Dm7sus
ap ple- blos
C/E
soms,- fig
Dm7sus
tree on
C
the hill.
Dm7sus
25
C/E
Don't want
E7
no more to fill
Fma7
my heart with choi
Bb7
ces.- I'm rea
C/E
dy- Lord to30
do
A7b9
your ev 'ry will. Let me drink
Dm7
pure wa ter- of your ri
Fm7
34
ver.
Bb7
Plant my soul
C/G
u pon- your win
Fm/G
dow- sill. ooh37
C
(add Blues Harp/Guitar solo)
Dm7sus C/E
ooh
Dm7sus C Dm7sus
ooh
C/E Dm7sus
A tempo
42
C Dm7sus C/E
ooh
Dm7sus C
46
&
&
&
&U 3 U
&
&U
œj œ ™ ˙ Œ ™ œj œbJ œ œ œ œjœ ™ œ ™ œ œ œ
jœ ™ œj œ ™ œ œ ˙ ™
Œ ™œjœ# œ œ
œ œ œ œ œ ™ œj œjœ ™ Œ œ œ œ ™ œ œ
‰œj
œ œ œ œ œ œ œ œ ‰ œj œj œ œ œ œjœ ™ ˙
w ˙ Œœ œ œ ™ œ œ œ œ
œj œ ™ œ œ ˙Œ ™ œ œ
w Œ ™ œj œbjœ œ œ œ
jœ ™ ˙ œj œ ™ œj œ ™
œ œ œ ˙Œ ™
œj œ ™ œ œ w w
7. Prayer
2
6/16/12 15:10:37 7. Prayer
-
°
¢
°
¢
LeadChoir
Lead
G‹7 A‹/G G7
I was hun
C
gry-
D‹7 D©º7
and you
E7(#5)
gave me bread.
F
Gospel - Moderato q. = 66
Lead
/E
I was rest
D(“)
less-
D‹/C B(“)
and you
B7/D©
let me roam.
E‹7 G7
When I thought
CŒ„Š7
in my8
Lead
pride,
B/C
my own schemes
CŒ„Š7
were my guide,
C©‹7(b5)
You were there
G/D
Lord
E‹7
to beck
B¨
on- me
A‹
14
Lead
Choir
home.
G‹7 A‹/G G7
I was fool
C
ish-
D‹7 D©º7
and you
E7(#5)
gave me
23
Fool ish-19
Lead
Choir
time
F /E
I was fit
D(“)
ful-
D‹/C
and
B(“)
you
B7/D©
stayed your hand.
E‹7 G7
When I
You gave me time, Stayed your hand,25
68& ∑ ∑‘
∑‘
PREACHER:
8. Take Me HomeMusic by Ray Leslee
Words by Philip S. Goodman
&
&
& ∑‘
∑‘
& ∑ ∑ ∑ ∑CHOIR
&
& ∑solo ad lib
Œ ™ ‰œ œ œ
j œ œ ™Œœj œ œ œ œn j œ œ ™
Œ ™ ‰œ œ œ
j œ œ ™ Œ œj œ œ# œ# ˙™ Œ ™ ‰
œ œ œ ™‰œ œ
œ ™‰œ œ œ ™
‰œ œ œ ™
‰œ œ œ ™ œ œ
j œb œ œ œ ™
œ ™Œ ™ Œ ™ ‰
œ œ œj œ œ ™
Œœj œ œ œ
Œ ™ œ ™ œ ™Œ ™
œn j œ œ ™Œ ™ ‰
œ œ œj œ œ ™ Œ œj œ œ# œ# ˙
™ Œ ™ ‰œ œ
Œ ™œ ™ œ ™ œ ™ ˙ ™
Œ ™ ‰œ œ œ œœœ œ ™
-
°
¢
°
¢
°
¢
°
¢
Lead
Choir
thought
CŒ„Š7
I would dare
B/C
to take more
CŒ„Š7
than my share,
C©‹7(b5)
You still wait
G/D
ed
E‹7
- for me
B¨
to come
A‹
ooh You still wait ed- for me to come home.31
Lead
Choir
home.
G‹7 A‹/G
Thank you father....etc.
G7
Take me, Take me! Take me, home.37
Lead
Choir
C C‹ G
I was lost.... etc.
41
Lost in the storm y- seas of plea sure-41
Lead
Choir
C C‹ G
I was fooled... etc.
Fooled by the trea sures- I craved,45
&
&
&‘
solo ad lib
&> > >
& ∑ ∑solo ad lib
& ∑
& ∑ ∑solo ad lib
& ∑
œ ™‰œ œ œ ™
‰œ œ œ ™
‰œ œ œ ™
‰œ œ œ ™ œ œ
j œb œj œ ™
˙̇̇ ™™™ ˙̇̇## ™™™ ˙̇̇ ™™™ œœœ# ™™™
‰œœœ œœœ# œœ
Ϫ
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œœœ œœœj
œœœb œœœjœœœ œœœb
j
œ ™Œ ™
V V V V V V V V V V V V V V V V V V
Œ œœœbjœœœ ™™™
‰ œœœb œœœ ™™™Œ œœœb
jœœœ ™™™ œœœb ™™
™ Œ ™
Œ ™V V V V V V V V V
œœœ ™™™‰
œœœ œœœ œœœb œœœjœœœb œœœ
jœœœbjœœœ œœœ ™™™
Œ ™V V V V V V V V V
œœœ ™™™‰
œœœ œœœ œœœbjœœœ œœœb ™™™ œœœ ™™™
Œ ™
8. Take Me Home
2
-
°
¢
°
¢
°
¢
°
¢
Lead
Choir
C B7(b9) E‹7
My only measure, etc.
G/A
Earth ly- re ward- my on ly- mea sure,- I49
Lead
Choir
turned
A‹7
just
G/B
in
Cº7
time
C©º7
to be saved!
B(“) B
Like a
turned just in time to be saved!53
Lead
Choir
pro
E
di- gal-
F©‹7 Gº7
re turn
G©7(#5)
- ing- to fa
A
vor,- Called
A/G©
to ac -
57
Like
f
a pro di- gal- Re turn- ing,-57
Lead
Choir
count,
F©‹7 /B
by God's pa tient- love.
E E7/G©
ac count!- So pa tient.-61
& ∑ ∑
solo ad lib
&
&####
&####
&####
&####
&####
&#### ∑
Œ ™V V V V V V
Œ ™
œœœ ™™™‰
œœœ œœœ œœœ## œœœj
œœœ## œœœn#j
œœœ#jœœœ œœœ ™™™ Œ ™ œœœ ™™
™
œ œ œ# œ ™ ‰ œ œ ˙ ™ œ ™ ‰ œ œ
œœœ œœœ œœœ# œœœ# ™™™‰
œœœ œœœ ˙̇̇# ™™™
œœœ# ™™™ Œ ™
œ œ œ œ ™ Œ œj œ œ œ œ# j œ# œ ™‰œ œ œ œ
Œ ™ ‰ œ œ œ œ œ œ ™ Œ ™ œœœ ™™™ œœœ ™™™ œœ
Ϫ
™™
œ ™ Œ ™ Œ œj œ œ œ ˙™ ˙ ™
Œœœœjœœœj Œ Œ ™
œœœ ™™™ œœœ ™™™ œœ
œ™™™
8. Take Me Home
3
-
°
¢
°
¢
°
¢
°
¢
Lead
Choir
Ten
A
thou
A©º7
sand- voi
E/B
ces- cry
Cº7
"sal va
C©‹7
- tion",-
Ten thou sand- voi ces- cry "sal va- tion",- Aah65
Lead
Choir
F©
They're call
E/B
ing- me
C©‹7
to come
G
on
F©‹7
68
Lead
Choir
home.
E‹7 F©‹7/E
(Take me, Take me, etc.)
E
Take me, Take me! Take me, home.71
Lead
Choir
A
Ten
A©º7
thou sand-
E/B
an gels cry
Cº7
"sal va
C©‹7
- tion"-
F©
Ten thou sand- an gels- cry "sal va- tion",- Ahh So!75
&####
&####
&####
&#### ∑ ∑
&#### ‘ ‘
solo ad lib
∑
&####
> > >
&#### ∑
&####
Solo ad lib
œ ™ œ œj œ œj
œ œj
œj œ Œ ™
‰œœœœ ‰
œœœœn# œœ
œœ œœœœ# œœœ
œ ‰œœœœn œœœœ
jœœœ##j
œœœ œœœ œœœ#j
Œ ™ ‰œ œ œ œ œ œ
j œn j œ œ ™
œœœ ™™™Œ ™
œn œ œ Œ ™ V V V V V V V V V V V V
Œ œœœnnjœœœ ™™™
‰ œœœnn œœœ ™™™Œ œœœnn
jœœœ ™™™ œœœ# ™™
™ Œ ™
‰ œ ‰ œn œ ‰ œ# œ œ œj
œj œ œ ™
œœœœ™
™™™
œœœœn# œœ
œœj
œœœœ# œœœ
œjœœœœn œœœœ
jœœœ# œœœ
‰œœœ œœœ#
jœœœ ™™™
œ œ œ
8. Take Me Home
4
-
°
¢
°
¢
°
¢
™™
™™
™™
™™
™™
™™
Lead
Choir
Choir
Take
E/B
me, Take
C©‹7
me, etc.
G F©‹7 E/B C©‹7 G F©‹7
C' mon- Lord, Take me, C' mon Lord, Take me,
C' mon- Lord, Take me, C' mon Lord, Take me,79
Lead
Choir
Choir
E‹7 F©‹7/E
Take me
Take me, Take me! Take me, Take me!
Take me, Take me! Take me, Take me!83
Lead
Choir
Choir
home!
G F©‹7 E
Yes!
rit.
Take me home!
Take me home!87
&####
solo ad lib
&####
WOMEN:
&####
MEN:
&#### ‘ ‘ ‘
&####
>>
>>
&####
> > > >
&#### U > fl
&#### U fl
&#### U fl
V V V V V V V V V V V V V V V V V V V V V V V V
Œ ™ œ œ ™ œ œ ™ œ ™ Œ ™ œ œ ™ œ œ ™ œ ™
œ œ ™ œ œ ™ œœnn ™™ œœ ™™ œ œ ™ œ œ ™ œœnn ™
™ œœ ™™
V V V V V V V V V V V V V V V V V VŒ ™ ‰ œ œ
Œ œJ œ ™ ‰ œ œ ™ Œ œJ œ ™ ‰ œ œ ™
Œ œœnnjœœ ™™
‰ œœnn œœ ™™Œ œœnn
jœœ ™™
‰ œœnn œœ ™™
˙ ™ ˙ ™ ˙ ™ ¿ ™ Œ ™
˙ ™ ˙ ™ ˙ ™ Ó™
˙̇nn ™™ ˙̇ ™™ ˙̇ ™™Ó™
8. Take Me Home
5
-
Leslee/Goodman © 2011
Ab Eb Cm7 F
If a bee
F
comb's- right here got a
Moderate, with a beat q = 96
right
Bb/F
to the ho ney- If I sell
F
se ven- bales, got a right
Bb/F
to the mo ney.- I5
don't
Gm7
got to laugh
F/A
if a joke
Bb
is n't- fun ny
Bm7b5
- I got a right.
F/C
8
Ab Eb Cm7
From that tree
F
in my yard I can eat
Bb/F
all the pears, If the11
work
F
in'- was hard or I'm wea
Bb/F
ry- with cares. Got a right
Gm7
to lay down,
F/A
or walk14
off
Bb
in to- town,
Bm7b5
I got a right.
F/C Ab Eb Cm7
Got a17
44&b ∑
Music by Ray Leslee Words by Philip S. Goodman
9. I Got A Right
&b
&b
&b
&b
&b
Œ ™ Œ ™ Œ Ó™ ‰œ œ œ œ œ
œ œ ‰ œ œ
œ œ œ œ œ ™ œ ‰ œ œ œ œ œœ œ ‰ œ œ œ œ œ œ œ ™ Œ ™ œj
œ œ œ œ œ ‰ œ œ œ œ œ œ œ ™ ‰ œ œ œ ˙Ó
Œ ™ Œ ™ ‰œ œ œ œ œ
œ œ ‰ œ œ œ œ œ œ œ ™ œ ‰ œ œ
œ œ œ œ œ ‰ œ œ œ œ œ œ œ ‰ œ œ œ œ œ œ œ ‰ œ œ
œ œ œ œ ‰ œ œ œ ˙Ó Œ ™ Œ ™ ‰
œ œ
6/17/12 23:18:27 9. I Got A Right (F)
-
right
F
to a drink when I'm thirs
Bb/F
ty- and dry Got a right
F
to the air to the20
rain,
Asus7
to the sky.
D/F#
Got a right
Gm7
to hunt pos
F/A
sum- and catch
Bb
fish to
Bm7b5
fry, I got a23
right.
F/C Ab Eb Cm7
If I do
F
some thin'- good got a26
right
Bb/F
to the praise. If I talks
F
kind of fun
F/E
ny- got a right
F/Eb
to my ways.
Dsus D/F#
If the29
meat's
Gm7
cost in'- mon
F/A
ey- I can eat
Bb
if I pays,
Bm7b5
Well al right,
F/C
-32
Ab Eb
I
Cm7
got a right!
F F/Eª true pitch
My35
wife's
Dm7
got a right
G/B
to some rib
C
bons- and bows
F/A
My boy's
Bb
got a right
Eb/G
to some38
&b
&b
&b
&b
&b
&b
&b
BRIDGE
œ œ œ œ œ ‰ œ œ œ œ œ œ œ ™ œ ‰ œ œ œ œ œœ œ ‰ œ œ
œ œ œ œ Œ ™ œ œ œ œ œ œ œ™
œj œ œ œ œ œj œ œ œ
˙Ó Œ ™ Œ ™ ‰
œ œ œ œ œœ œ ‰ œ œ
œ œ œ œ œ ™ œ ‰ œ œ œ œ œœ œ œ ™ œ œ œ œ œ œ œ ‰ œ œ
œ œ œ œ œ œ ™ œ œ œ œ œ œ ‰œ œJ ˙ Ó
Œ Œ ‰œbJ œ œ œ w Ó Œ ™
œj
œ œ œ œ œ œ œ œ œ œ œ œ‰ œj œ œ œ œb œ œ œ
9. I Got A Right
2
6/17/12 23:18:28 9. I Got A Right (F)
-
clean
Ab
Sun day- clothes Got a right
Dm7
to my hair,
G/B
to theshape
C
of my nose,
F/A
to the41
strength
Bb
in my arm,
Eb/G
to the things
Ab
which I grows
Guitar lead inFsus F/A
I'm a45
natch
Bb
'ral- man Got a right
Eb/Bb
to stand tall And to dress
Bb
my self- up
Bb/A
or throw paint48
Bb/Ab
on that wall
Gsus
And
G/B
to do
Cm7
what's my right
Bb/D
is the best
Eb
thing of all
Em7b5
I got a51
right
Bb/F
And it's right
Eb/F
I'm a man
Bb/F
And I can54
Gsus G/B
I ain'tstart
Cm7
in'- no wars
Bb/D
I ain't break
Eb
in'- no laws
Em7b5
I got a right
Bb/F ff
57
I
Db
will find
Ab
a way!
BbSLOWER q = 80
62
&b
&b bb
&bb
ROCK FEEL, SAME TEMPO
&bb
&bb
&bb ∑
&bbU fl ∑
œ œ œ œ ˙Ó Œ ™
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
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9. I Got A Right
3
6/17/12 23:18:28 9. I Got A Right (F)
-
LeadChoir
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Moderato q = 110
C‹7 E¨ F7 C‹7 E¨ G7 B¨7 C7 E¨7 F7 A¨Œ„Š7 G7 C‹7
4
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C‹7
Let me
1. 2.
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be,
C‹7
Let me be,
E¨
Let me be!
F
Let me know
C‹7
that the Lord
E¨
trusts in15
me.
G7
Let me spurn,
B¨
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C
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E¨
all my days,
F
Let me18
be,
A¨Œ„Š7
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G7
Let me be!
C‹7
21
44&bbb
Folk/Gospel, like "Woody Guthrie"...
∑
PIANO SOLO
∑ ∑
Music by Ray LesleeWords by Philip S. Goodman
10. Let Me Be
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END PIANO SOLO
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Twilight: A FIELD on a July 4th evening. COOTER, HARDWAY, AUGUSTUS, ALBERT,and PREACHER TOM are at a small fire, holding wieners on sticks, bottles of beer and soda pop. COOTER watches the distant fireworks soar up and explode.
∑
IVAMP
PREACHER:
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15
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∑
Ó Œ œ œ
œ œ œn œ œ œ œŒ Œ œ œ œ œ œn œ œ œ
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6/16/12 20:51:40 10. Let Me Be_with script
-
°
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C‹7
Let me be,
C‹7
Let me be,
E¨
Let me
1. 2.
24
be!
F
Let me play
C‹7
ev 'ry- game
E¨
luck i- ly.
G7
- Let me keep
B¨
what I gain,
C
Let me27
dance
E¨
in the rain,
F
Let me be,
A¨Œ„Š7
Let me be,
G7
Let me be!
C‹7
hmm hmm31
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COOTER: Why’nt we over at them white folks fireworks? We Americans too.
ALBERT: Not like them we ain’t.
AUGUSTUS: Anybody here vote? (They shake their heads)
PREACHER TOM: They celebrating Independence from England, Freedom, 1776. We ain’t much part of it.
HARDWAY: We ain't really free yet, so we find our own ways to be independent.
COOTER: What’s yours, Hardway? (The GROUP hums, claps rhythm behind testimony)
HARDWAY: Say I’m in a barn down in Lousiana, front of a long table with a “Casino Craps” layout: aces, boxcars at thirty to one, hard tens, eights, sixes. Fifteen to one on any seven. Pass-no-pass all around. It’s a work of art!
PREACHER TOM: Sinner’s coat of arms!
HARDWAY: I put a twenty on “pass,” and I throw 4 and 3. Yeah! Leave it, roll seven again. Don’t touch it! 5 and 2. Leave it! My point’s, eight, bam! 4 and 4. Stay on pass. Eleven, another seven. Another point, and on my eleventh coming out, I throw eleven. November elevens’s my birthday! Eleven- eleven is when I’m done. What I pick up, friends, is forty thousand, nine hundred and sixty dollars! There’s my Independence Day!
VAMP - DIALOGUE
∑
IHARDWAY:
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Ó Œ œ œ œ œ œn œ œ œ
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10. Let Me Be
2
6/16/12 20:51:40 10. Let Me Be_with script
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Let me
1. 2.
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be,
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C‹7
to the gal
E¨
meant for
ooh ooh37
me.
G7
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B¨
the good life,
C
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F
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G7
Let me be!
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HARDWAY: Preacher Tom, what’s yours?
PREACHER: The day I went in that Seminary school God been watching and looking. I can’t see him, but can’t shake him neither! He’s there, checking my sins, judging my private ways. If I get my own woman, sanctified and pure, He’ll cut me slack, not watching no more. That’s my freedom! There’s my Independence Day!
∑VAMP - DIALOGUE
PREACHER:
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37
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10. Let Me Be
3
6/16/12 20:51:40 10. Let Me Be_with script
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D‹7
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F
to be free.
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COOTER: What you after, Augustus?
AUGUSTUS: (touching on some painful memories) Doing how I choose, set my own clock, pick my own work, my own play. I been told when to rise and when to shine from age four by someone I called “Daddy” who wasn’t mine, and by daddies with stripes and bars through that whole World War. I got bugle blues. My Independence be doing how I want, with them off my back and off my mind.
∑VAMP - DIALOGUE
IAUGUSTUS:
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10. Let Me Be
4
6/16/12 20:51:40 10. Let Me Be_with script
-
59
&b
COOTER: Papa, you tell. What’s yours?
ALBERT: Everybody know what I want this year. (The men respond overlapping one another)
HARDWAY: Paint that house!
AUGUSTUS: A white house.
PREACHER TOM: Moon Mansion.
ALBERT: How I get it maybe end your bugle blues too, Augustus..
AUGUSTUS: How’s that, Prince?
ALBERT: You don’t control nothing ‘less you own it. You want to wake–up, get your own clock. You want to leave town quick, you need wheels. I got to own that house to paint it mine. You be my partner, Augustus, and we buy that farm, we own it, and you got a friend with you, and for you forever. Join together is how we get our Independence!
AUGUSTUS: I’m in. Whatever much you need, brother, to pay-down, it’s yours.
ALBERT: (Exultant. Taking Augustus’s hand) Hey now! Mr. Tittle just cross that pasture. I go get him and find out!
PREACHER TOM: Hold up now! Did I hear right? You think you gonna buy that house, and land, and paint it? You the cow jumpin over the moon! Where in twenty miles around here you ever see a black man own a white man’s plantation?
ALBERT: There’s black men own farms all over. I knew three near Greenville.
PREACHER: Maybe in Coon Park you seen it. Not in no White Folks Manor! You think Mr. Tittle gonna sell you a farm here in his back yard?
ALBERT: I reckon he might.
PREACHER TOM: Mr Tittle’s a good landlord, but he ain’t the Tooth Fairy. You fight the whole town, you gonna lose every battle. Stop scheming how to trick them.
ALBERT: You no soldier. What d’you know 'bout battles? Just let me be!
PREACHER TOM: Prince, listen – I know your family hurting now -- no furnish from the store,ain't had a piece of cheese in weeks, even running out of laundry soap and lamp oil.
∑U
10. Let Me Be
5
6/16/12 20:51:41 10. Let Me Be_with script
-
Let
f
me be,
D‹7
Let me be, Let me be, Let me
Freely, angry
60
know
D‹7
what it's like to be free.
A7
Let me63
win,
C
Let me lose,
D
Let me sing
F
my own blues,
G
Let me65
be,
B¨Œ„Š7
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A7ff
Let me be!
D‹7
67
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(possibly a cappella)
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10. Let Me Be
6
6/16/12 20:51:41 10. Let Me Be_with script
-
Voice
B¨ F B¨ F E¨ B¨/A¨ E‡…‹7 F7 B¨
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Intro
∑
iq = q eK
∑ ∑ ∑ ∑ ∑ ∑ ∑
Music by Ray Leslee Words by Philip S. Goodman
11. One Man
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11. One Man2
6/17/12 23:24:01 11. One Man
-
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list
B¨
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F7
of my song, Don't step
B¨
in to- har ness too quick.
F
A49
sat
E¨
is- fied- man with no gun
B¨/A¨
at his back
E‡…‹7
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F7
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B¨7
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One
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Man, One Man,
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A¨/E¨
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E¨
But for years57
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61
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11. One Man3
6/17/12 23:24:01 11. One Man
-
G7(b13)
What
C‹7
I say don't mean
F/C
much now, No
C‹7
thing- I want gets done.
F/C
Intro q = 72
B‹7
Most of my prayers not an
E/B
swered- as I strug
B‹7
gle- from sun to sun.
E/B
You4
lose
B¨‹7
your name when life
E¨/B¨
rolls on and changes
B¨‹7
what you do.
E¨/B¨
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hope
A‹7
you'll al ways- be
D/A
the same but now
A‹7
there's a dif ferent- you.
D
She was a8
danc
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G©5
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G6
in her toes,
G7
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C
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11
see.
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B¨7
14
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3
Music by Ray Leslee Words by Philip S. Goodman
12. How The Happy Girl Got Lost
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6/16/12 23:24:11 12. How The Happy Girl Got Lost
-
Pret
E¨
ty- as a pret
E¨(#5)
ty- girl can be.
E¨6 E¨7
How
A¨Œ„Š7
did all my wish
F‹7
es- get so crossed?
G(“) B¨/C
17
How
F‹7
did that hap
A¨/B¨
py- girl get lost?
C‹7 F/C C‹7 F/C A‹7(b5) D/A
21
A‹7(b5) D
There was a har
G
vest- fair
G©5
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G6
ni- val- time,
G7
She25
had
C
a yel low- rib
C©5
bon- in her hair.
F F©5
Cot
B¨
ton- was can dy
B¨(#5)
then,28
Six
B¨6
hoops for a dime,
B¨7
She won
E¨
her sweet and hand
E¨(#5)
some ted dy- bear
E¨6 E¨7
31
Ne
A¨Œ„Š7
ver- dreamed that win
F‹7
ning- had a cost.
G(“) B¨/C
34
How
F‹7
did that hap
A¨/B¨
py- girl get lost?
C‹7 F/C C‹7 F
36
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12. Happy Girl - Voice
2
6/16/12 23:24:11 12. How The Happy Girl Got Lost
-
Al
F‹7
most- ev ery- want
G‹7
was met, Her se
A¨Œ„Š7
cret- wish es- all
A¨/B¨
got heard,
Freely
39
Here
F©º7
I cry my heart
E¨/G
ache- out
G7(b13)
yet no
A¨Œ„Š7
one- ev en- hears
D7(b9)
a sin gle- word!
G(“)
41
Some
C/G
where- to night,-
C/G©
there's a girl
C/A
with a boy.
C/B¨
her
A tempo
44
song
F/C
and dance are light
F/C©
ing- up his life,
B¨/D B¨
And she
E¨/G
should take all
D¨7
of the46
plea
C‹7
sure- she can,
B‹7(b5) B¨‹7 E¨7
be fore
A¨
- he calls her"Ma
A¨(#5)
ma",- 'stead of wife,
A¨6 A¨7
Like a49
sum
D¨Œ„Š7
mer- flow er- ran
B¨‹7
kled- by a frost,
C(“) E¨/F
That's52
how
B¨‹7
a hap py- girl
D¨/E¨
gets lost,
F‹7 B¨/F F‹7 B¨/F
That's55
how
B¨‹7
the hap py- girl
D¨/E¨
got lost.
F‹7 A¨/G¨ A¨rit.
58
&
&
&
&
&3
&
&
& u
œ œ œb œ œ œ œ ™ œ œ œ œb œ œ œ œ
œ œ œb œ œ œ œ ™ œ œ œ œb œœb œn œ œ# w
œ œ œ œ œ ‰ œ œ œ œ œ œ œ‰
œj
œ œ œ œ œ œ œ œ ˙ Œ™
œj œ œ œ œ œ ‰ œb œ
œ œb œb œ œ ‰ œj œb œ œ œb œ œ œ œ œbJ œb ™ œ ‰ œ œ
œb œb œ œb œ œ œ œb w ˙ Œ ™ œj
œb œ œ œb œ ™ œJw Ó Œ ™ œj
œb œ œ œb œ ™ œJ wb w
12. Happy Girl - Voice
3
6/16/12 23:24:12 12. How The Happy Girl Got Lost
-
Copyright © Leslee/Goodman 2011
Voice
The time has come
G(“)
to set a side,
C
- and
Intro q = 72
leave
G(“)
the plants to thrive,
C
To fat ten- up
G(“)
and make the crop,
C
that4
keep
G
us all
G/B
a live.
C
- They saf
F©‹7(b5)
er- now
B7
the weeds
CŒ„Š7
is done, Don't6
have
F©‹7(b5)
to clean
B7(#9)
the row.
E‹7
I like
D‹7
when I
G7
can lay
CŒ„Š7
a side
FŒ„Š7
- and8
let
B‹7(b5)
that cot ton- go.
G(“) C C/E F FŒ„Š7/A C C/E F FŒ„Š7/AModerato q = 132
10
Lay
C
by-
C/E F FŒ„Š7/Aad lib
Lay
C
by,
C/E F FŒ„Š7/A
16
44&Pno.
∑Sing
Music by Ray Leslee Words by Philip S. Goodman
13. Layby
&
&
&
&U ∑ ∑ ∑ ∑
& ∑ ∑3
œœœJœœœ ™™™ œœœJ
œœœ ™™™ ˙̇
˙
∏∏∏∏∏∏
Ó ‰ œJ œ œ œ œ œ œ œ ™œJ
œ œ œ œ œœ œ œ œ œ œ œ œ ™
œJ
œ œ œ œ œ ‰œJ œ œ œ œ œ œ œ
j ≈ œR
œ œ œ œ œ ‰ œJ œ œ œ œ œ œ œ œ
˙ œ œ œ œ w
œ ™ œj ˙ œ œ œ œ œ ˙
6/17/12 12:27:31 13. Layby_"C"
-
Lay
C
by,-
C/E
put
F
tin'- by,
FŒ„Š7/A
Sun
C
day- in
C/E
the fields.
F FŒ„Š7/A
20
Nut
C
grass
D‹7
- sleep
C/E
in'
F
- in
B‹/F©
the
C/G
shade
G©‡…‹7
And flow
C/F
ers
E‹7
- mak
D‹7
in'
/C
- yields.
G/B
24
G
Lay
C
by,-
C/E
set
F
tin'- by,
FŒ„Š7/A
Drink
C
in'- sun
C/E
and rain,
F FŒ„Š7/A
29
Take
C
the
D‹7
feast
C/E
that
F
na
B‹/F©
ture
C/G
- lays
G©‡…‹7
And give
C/F
it
E‹7
back
D‹7
a
/C
gain,
G/B
34
G
And God
C/F
gives
E‹7
back
D‹7 /G
a gain.
C
-
C/E F FŒ„Š7/A C C/E
39
F FŒ„Š7/A
I did my job
C
to get
C/E
us here,
F FŒ„Š7/A
Now cot
C
ton- do
C/E
your stuff,46
F FŒ„Š7/A
Puff up them bolls
C
to make
C/E
the bales,
F FŒ„Š7/A
We nev
C
er- get
C/E
e nough,-50
F
Lis
FŒ„Š7/A
ten- to the ka
B‹7(b5)
ty- dids
E(“)
- sing
FŒ„Š7
in'- En joy- the
B‹7(b5)
sea of
E(“)
flow-54
64
64 44 64 44
64
64 44 64 44
34 44
&
&
& ∑
&
& ∑ ∑
&>
&>
&>
œ ™ œj ˙
œ œ ˙ ™ œj œ œj œj œ œj ˙
Ó
œj œ œ œ œ œœJ w Ó Œ œ
œ ™ œJ œ œ ™ œj œ w
œ ™ œj ˙
œ œ ˙ ™ œj œ œj fiœjœ
jœ œj ˙
Ó
œj œ œ œ œ œœJ w Ó Œ œ
œ ™ œJ œ œ ™ œj œ w
Ó Œ œ œ ™ œJ œw ˙ ™ œ œ w
Ó ‰ œJ œ œ œ œ œ œJ œ œj ˙ ‰ œ
™ œJ œœJ œJ œ œ
j
˙ ‰ œJ œ œ œ œ œ œJ œ œj ˙ ‰ œ
™ œJ œœJ œJ œ œ
j
œ ‰ œJ œ œ œ œ œ œ œ ˙ œ œ œ Œ ™ œJ œ œœJ œ œJ
13. Layby
2
6/17/12 12:27:31 13. Layby_"C"
-
A‹7
ers,- Think
A¨‹7(„ˆˆ13)
on the ser
G‹7
mon- that na
C7
ture- gives,
FŒ„Š7 B¨Œ„Š7
while days
E‹7(b5)
58
stretch out their hou
B¨/C
rs.- -
C
62
Guitar soloF F/A B¨ B¨Œ„Š7/D F F/A B¨ B¨Œ„Š7/D
Lay
F
by,-
F/A
go
B¨
in'- by,
B¨Œ„Š7/D
65
Sum
F
mer- eas in'
F/A
- strife
B¨ B¨Œ„Š7/D
Bless
F
the
G‹7
pow
F/A
er
B¨
- giv
E‹/B
en
F/C
- me
C©‡…‹7
to71
har
F/B¨
vest
A‹7
- my
G‹7 B¨/C
own76
life.
F F/A B¨ B¨Œ„Š7/Dad lib
Lay
F
by
F/A B¨ B¨Œ„Š7/D
81
Lay
F
by
F/A
-
B¨ B¨Œ„Š7/Dad lib
Lay
F F/A
by
B¨ B¨Œ„Š7/D
85
B¨Œ„Š7 Guitar solo B¨/C FEnding
89
64 44 34
34 44
&3 3 3
&3
b
&b
&b
&b
&b ∑ ∑3
&b ∑ ∑3
&b
œJ œ ™ œ œ œ œ œ œ œ œ œ ˙ Œ œ w
Ó œ œ œ ˙ œ ™ œJ w
V V V V V V V V V V V V V V V V œ ™ œJ ˙ œ œ ˙™
œj œ œJ fiœjœJ œ œ
j ˙ Ó œj œ œ œ œ œ œJ w ˙ Œ œ
œ ™ œJ œw w w ˙ ˙
w œ œ œ ˙ ™
œ ™ œJ ˙œ œ œ œ œ ˙
V V V V V V V V V V V V V V V V V V V V V V V V
13. Layby
3
6/17/12 12:27:32 13. Layby_"C"
-
Voice
C C/E F#m7¨5 Fm6
Moderate q = 88
Who
C
are we sis ter?
C/E
- The roy
F#m7b5
al- folk.
Fm6
We look
C/E
bet
Fm6
ter,- cook
C/E
bet
Fm6
ter,-3
feel
C/G
deep
Fm/Ab
er,- sing
Am7
sweet
Bb7
er,- and that's
Dm7
no joke.
Dm7/G
Got6
pa
C
tience- like a spi
C/E
der,- The last
F#m7b5
ing- love of Ruth,
Fm6
Car ry-8
vic
C/E
to- ry- in side
C/Eb
- us and that's
Dm7
the ho - ly truth.
/G
We Got10
Life.
F C/E Dm7 /C
We Got Love
F/Bb F/A F/G
12
Who
smooth jazzC
are the bro thers?
C/E
The roy
F#m7b5
al- men.
Fm6
They talk
C/E
proud
Fm6
er,- brag
C/E
loud
Fm6
er,-16
44& ∑ ∑
14. We Got LifeMusic by Ray Leslee
Words by Philip S. Goodman
&
LETTIE:
&
&
&
&
&
œ œ ™ œ œ œ ™ œj œ œ œ œ
‰ œj œ œ œ ™ œ œ œ ™
œ œ œ ™ œ œ œ œ œj œ œj
œ‰
œj
œ œ ™ œ œ œ œ œ œ œ œ œ œ œ‰ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ™
˙Ó Ó Œ œ œ ™ ˙ œ œ œ œ œ œb œ œ
Ó
œ œ ™ œ œ œ œ ™ œj œ ™ œ ™ œ œ
‰ œj œ œ œ ™ œ œ œ ™
6/17/12 20:53:10 14. We Got Life
-
bleed
C/G
red der,
Fm/Ab
- kiss
Am7
wet
Bb7
ter,- now
Dm7
and then.
Dm7/G
Like a19
pro
C
phet- of the bi
C/E
ble,- with a clev
F#m7b5
er- hon ey- tongue,
Fm6
they are21
ter
C/E
rors- who are lia
C/Eb
ble- to get hope
Dm7
less- ly- un strung.
/G
- We Got23
Life.
F C/E
We
ad lib
Got Life
Dm7 /C
We Got Love.
F/Bb ad libF/A
We Got Love
F/G
25
Eb7b5
Mis er- y- come,
C/D Db7b5
Hate ful- spite,
Bb/C Eb7b5
Can't
C/D
pull us a part-
Db7b5
29
Db7b5
In God's
Bb/C
sun,
B7b5
or Sa tan's
Ab/Bb
- night,
Fm7
We're the Queens
Gm7
of heart,33
We're
Abma7
the Queens of heart,
Dm7b5
We are the light
G
36
&
&
&
&
LOUELLA: LETTIE: LOUELLA:
&
BOTH:
&
LETTIE:
&
LOUELLA: BOTH:
b n
œ œ œ ™ œ œ œ ™ œj œ œj
œ‰
œ œ
œ œ ™ œ œ œ œj
œ œ œ œ œ™ œ œ œ œ œ
œ œ ™ œ œ ™ œ œ œ œ œ œ œ œ œ œ œ œ ™
˙‰ œ œj œ
jœ ™ Œ œ œ ™ ˙
‰ œ œj œ œ œ œÓ
‰ œœ œœ œœ œœ ˙̇ ‰ œœbjœœb œœn ˙̇ Œ œœ œœ œœn œœn œœb ˙̇ ™™ Œ
‰ œœbjœœ ˙̇ ‰ œœb
jœœb œœ œœb ˙̇
Œ œb œ œn œb œ
œ̇ Óœ œ œ œ œb Œ œ œ œœ œ œœ œ œ wœ œ œ w
14. We Got Life
2
6/17/12 20:53:10 14. We Got Life
-
Who
C
are we sis ters?
C/E
An
F#m7b5
gels- with out- wings.
Fm6
We shine
C/E
bright
Fm6
er, Cling
C/E
tight
Fm6
er,39
Slice
C/G
thick
Fm/Ab
er,- Run
C/G
quick
Fm/Ab
er,- Work
C/E
long
Fm6
er,- Love
C/E
strong
Fm6
er,-42
Play
C/G
smart er,
Fm/Ab
Praise
Am7
hard
Bb7
er,- And help
Dm7
the lit tle- kings
Dm7/G
Put44
sup
C
per- on the ta
C/E
ble, then dance
F#m7b5
the night and sing.
Fm6
Car ry-46
life
C/E
and love in side-
C/Eb
us, And that
Dm7
is ev' ry- thing.
/G
We Got48
Life.
F C/E
We
ad lib
Got Life
Dm7 /C
We
ad lib
Got Love.
F/Bb F/A
We
ad lib
Got Love
F/G
We Got50
Life,
F C/E Dm7 /C