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16TH INTERNATIONAL CONFERENCE ON HUMAN RESOURCE DEVELOPMENT & PRACTISE ACROSS EUROPE
Paper type: Working Paper Submission
Submission Reference No: S6-09
Stream 6: Organisational Learning and Organisational development
Title: Can Organisational learning enhance the future of public funded
SMEs? Lessons learned from the contemporary art sector in the UK
Authors: Vivek Mohan & Hazem Heswani
Organisation & Affiliation : Faculty of Business & Law , Leeds Business School, Leeds
Beckett University, City Campus, LS1 3HE , Leeds, UK
Corresponding author: Vivek Mohan, Doctoral Researcher in HR & Organizational
Behaviour, Faculty of Business & Law , Leeds Business School, Leeds Beckett University,
City Campus, LS1 3HE , Leeds, UK. Email: [email protected]
Tel: +44 (0)7927180616
UFHRD 2015 Working paper Submission: Stream 6
Abstract
Purpose
The purpose of this paper is to argue that sustainability and self-transformation perspectives
of Public funded Small and Medium Enterprises (SMEs) can be maximised by Organisational
Learning (OL).A public funded SME in the contemporary art sector in the UK is taken as the
case study as this organisation was recently detached of its funding from the Arts Council
UK.
Design/Methodology/Approach
The need for self-transformation in Public funded SMEs is justified by investigating and
outlining effective organisational learning outcomes as a basis for these SMEs to act as a
system. The study uses the perceptions of stakeholders in the contemporary art sector in the
UK and perceptions of manager-owners as a tool to investigate organisational learning
outcomes.
Findings
The paper finds that the need for compatibility within the set environment of public funded
SMEs should urge them to develop the ability to learn and relearn from past and potential
future behaviours. Interviews with managers and stakeholders confirms how the “double loop
learning” in OL literature critically reflects the public funded SMEs ability to learn over a
period of time.
Practical implications
In this paper both the literature review and evaluation suggests that the knowledge gained
from OL will assist practitioners and SMEs in developing practical guidelines that can assist
in selling hedonic products and promoting contemporary art in the UK.
Keywords: Organisational learning, Public funded SMEs, Contemporary art sector in the UK,
Stakeholder perceptions
Paper type: Working Paper
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Can Organisational learning enhance the future of Public funded SMEs? Lessons learned from the contemporary art sector in the UK
(Working paper submission)
Vivek Mohan & Hazem Heswani
Faculty of Business & Law, Leeds Business School, Leeds Beckett University, Leeds, UK
Introduction
The emergence of contemporary art in the UK as a vital force of change has brought with it a
comprehensive notion of public funded Small and Medium Enterprises (SMEs) which act as
digital platforms that promote contemporary art in the UK.Equippped with limited resources
and primarily funded by the Arts Council UK, it is highly essential for these SMEs to achieve
compatibility within the environment to remain competitive and innovate for long term
development and survival. Although much has been written on Organisational Learning as
playing an integral role in the healthy survival of SMEs(For example, Filion &
Lima,2011),the SME responses to adopting Organisational learning perspectives has been
mixed. Even though organisational learning is deemed important for all kinds of
organisations, it is critically important for SMEs which face more resource constraints when
compared with large corporations (Welsh & White, 1981; DeSouza & Awazu, 2006; Zhang et
al. 2006).Equally and at a more theoretical level, scholars have long argued that the ability of
organisations to learn and relearn from past and potential future behaviours corresponds to the
means of a sustainable competitive advantage in volatile business environments(De
Guess,1988;Lopez et al.,2005).
The importance of learning as a way of achieving competitive advantage is evident from the
criteria set by the Arts Council to secure funding by art promoting SMEs. However any
practical guidelines on the impact of adopting a learning philosophy or the kind of learning
systems which firms should utilise to effectively manage learning process towards this
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objective is absent. In the absence of empirically validated benefits of applying learning as a
tool towards the improvement of competitive advantage, it is reasonable to suggest that many
SMEs in any sector would be apprehensive to implement the concept.
In this paper, we aim to make two significant and inter connected contributions. Firstly, by
drawing on very recent developments on Strategic Management of SMEs through
Organisational Learning(For expample,Filion & Lima,2011-16),we argue that the “double
loop learning” concept proposed by Argyris & Schon(1978) when applied to public funded
SMEs in this scenario, will help them self-transform and avoid failure. Secondly, from a
practical perspective, we provide a framework for the Organisational Learning which has
transpired after the SME has been detached of its primary source of funding which of course
is the aid from the Arts council UK. Given the ability of Organisational learning to effectively
consider the characteristics of SMEs, such an approach through this working paper is likely to
provide a basis for future research agenda in terms of learning perspectives in public funded
entrepreneurship and small business management.
Public funded SMEs in the UK and OL perspectives
It has been well documented by Rae & Carswell (2000) that learning in SMEs is often based
on the context and previous experiences. While it is important to realise the fact that SMEs
follow a pattern of contextualised learning through action in their own natural environment,
such kind of learning cannot always be recognised as explicit learning since it is very much
random as pointed out by Devins & Gold(2004).Prior research has stated that the rate of
uncertainty in which SMEs operate in the UK have often urged organisations to respond
quickly all the while being scrutinised to maintain uncompromising quality and
service(Choueke & Armstrong,1998).Public funded schemes are often aimed at assisting
SMEs under well specified conditions. In our case, such ‘Well specified conditions’ coupled
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with the volatile and saturated nature of the contemporary art sector in the UK, puts public
funded SMEs in a precarious situation. As a result, such SMEs often move into a situation
they engage in learning through everyday practise all the while failing to realise that learning
has transpired. It is clear from Clarke et al.,(2006) that such organisations remain in the cycle
of adaptive learning rather than generative learning but is this clearly the sole reason for a
crisis or failure of such an SME and what kind of learning actually transpires during a crisis?
Fiol and Lyles (1985) clearly points to three characteristics of Organisational Learning
namely the need for environmental alignment, the distinction between Organisational and
individual learning the role played by four contextual factors on learning process namely
culture, environment, structure and strategy. Organisational Learning can be triggered by
challenges and problems (Kleiner & Roth, 1997) and it is argued that such events can have
transformational effect on the functioning of an organisation (Reuber & Fischer, 1993;
Appelbaum & Goransson, 1997). Significant changes in learning orientation due to
challenges/crises emanate from the understanding that learned responses and habitual ways of
behaving can be ineffectual in tackling the crisis (Marsick & Watkins, 1990). Even though
this is one of the major ways by which transformative learning can take place, learning may
be achieved through problem solving, experimentation and coping (Gibb, 1997), trial and
error (Young & Sexton, 1997) and making mistakes (Gibb, 1997).
Crisis or Failure of Public funded SMEs
Crises or discontinuous learning events can trigger different kinds of learning (Cope, 2003)
as it demands individuals/organisations to question their taken for granted beliefs and
assumptions (Schon, 1983). They also can serve as stimulation for organisations to unlearn, or
to undertake new higher level of learning leading to re-adaptation (Fiol & Lyles, 1985).
However most organisations, whether small or big do not capitalise on the learning
opportunity offered by failures (Sitkin, 1992; Leonard, 1995). This is the case even with
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companies which have invested heavily to become learning organisations but struggle to
change the basic mindset and activities so as to learn from the failures (Edmondson, 2002).
As far as the public funded SME learning is concerned, importance seems to be placed on
subjective and context specific knowledge which is in contrast to the traditional way of
learning - objective and decontextualized (Gibb, 1997; Goss & Jones, 1997). However Devins
& Gold (2004) mention of the drawbacks of context specific learning in the case of SMEs that
even though such learning is meaningful and have direct relevance to the issues pertaining to
work, its adhoc and randomness can fail to acknowledge the learning that took place and
contribution of such learning to organisational competitiveness. Further as such learning is
not the outcome of reflection or critical analysis it cannot help an SME to move forward or
the SME get stuck at a certain stage of learning. Thus the SMEs which follow adaptive
learning may lose competitiveness in the long run as opposed to generative learning.
Generative learning enables organisations to find new and innovative ways of managing
business (Senge, 1990). In this regard, Gibb (1990) contends that to improve the
competitiveness of SMEs it is vital that a higher level of learning should transpire which
makes effective use of experience. Thus an ideal organisation learning process associated with
SME should be reflective, critical and generative. Critical reflection can enable SMEs to go
beyond adaptive learning (Schon, 1983). Argyris and Schon (1974) state that the mental
models, theories of action and assumptions that individual maintain shape their view of the
world and influence the way they respond to situations and review such responses.
An alternative to the linear model of learning is social learning (Lave & Wenger, 1991;
Brown & Duguid, 1991). According to the social perspective, individuals as social actors are
also part of a network of social actors who develop a collective understanding of the
environment around them and learning takes as an outcome of these interactions (Gherardi et
al. 1998). This is why Brown & Duguid (2001) maintain that individual learning is
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inevitability dependent on the context in which the learning and subsequently put that into
practice. The context dependent nature of learning can be better understood if the impact of
crises on learning is taken into consideration. It requires individuals/managers to reflect on
the crises and as the adaptive learning does not suffice to tackle the crises, demand new higher
level of learning (Fiol & Lyles, 1985; Reuber & Fischer, 1993; Cope, 2003). Thus social
learning is mentioned as a way of confronting issues which are context specific which
demand an individual or organisation to combine reflection and experience to produce
solutions (Gheradi, 1999; Chiva & Alegre, 2005). Easterby- Smith et al. (2000) contend that
social learning leads to the development of new ways of sustaining and fostering learning
processes. SME learning is considered as highly context specific (Gibb, 1997; Goss & Jones,
1997) and if they fail to apply reflection in their practices, they may fail to take powerful
decision concerning their future (McGill & Beaty, 1995). The success of an organisation can
be dependent on the manner in which it responds to learning opportunity like crises. Zhang et
al. (2006) mentions that an organisation may respond to learning trigger with different
degrees from little to significant changes to organisational norms and values. This then
signifies how well the organisation responds to environmental calls for learning.
However social learning in SMEs could be constrained by context specific factors as well.
Further resource constraints are one of the main challenges SMEs face (Welsh & White,
1981; DeSouza & Awazu, 2006; Zhang et al., 2006). This is a situation where in SMEs
learning could be limited by fund constraints and the resultant learning could be fragile with
limited impact on the re-adaptation. Thus it can be argued that triggers for learning can be
opportunities for higher level learning and at the same time can place constraints for such
learning. Higgins & Aspinall (2011) maintain that action learning is context specific and
reflective. Marquardt (2000) contends that action learning derives its power from the non-
isolation of dimensions from the context in which managers’ work. Clarke et al. (2006) state
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that action learning is evident in SMEs as the focus there is action in the context of
owner/manager, critical reflection on important events and the provision of a social
environment. In action learning, pertinent time is provided for doing, questioning,
understanding and critically reflecting (Higgins & Aspinall, 2011). Action based on reflection
to resolve critical issues is the key feature of action learning (McGill & Beaty, 2001). Clarke
et al. (2006) opine that a characteristic aspect of SME learning that can prevent it from action
learning is the lack of critical reflection on the part of owner/managers.
Thus ability to critically reflect and offer solutions for context specific issues is one of the
main features of action learning and Marquardt (2000) maintain that action learning develops
the whole leader for the whole organisation. As mentioned by Clarke et al. (2006), action
learning is assimilated in an organisation wherein the needs of social learning such as
dialogue, critical reflection and interpersonal communication as tools to resolving context
specific issues are acknowledged.
The case organization and context of work in progress
The organisation in context is a UK based digital organisation that promotes contemporary art
in the UK. Since the organisation’s inception in the early 1990s, it has responded creatively to
artistic practice and technology in order to furnish its mission of promoting artists in the UK.
The Arts Council UK provides around £350 million a year regular funding to 880 arts
organisations. This represents almost three quarters of the Arts Councils investment in arts
and is perceived as the most significant way in which the Arts Council supports art in the
UK.The organisation was established in 1991 and was one of the first to develop a multimedia
database of UK artists and was one among many organisations which was fully supported by
funding from the Arts Council, UK. Within a decade, the organisation had set up its trading
company along with an online forum for artist members. The vision of the organisation has
always been to lead the digital presentation of contemporary art practice in the UK, creating
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opportunities for exchange and interaction that would benefit a wide constituency of artists
and art professionals and strengthen the contribution of visual arts to the society. It is
interesting to note that even though the organisation had attracted more than nearly 4.5
million page views from 200 countries and advertised opportunities for artists worth more
than £30 million the previous year, it failed to secure funding from the Arts council for the
corresponding year. The Arts council puts forward a standard set of norms through which
they urge organisations to work towards fitting these set guidelines for securing funding on a
regular basis. However it is not the reasons behind the loss of funding that interest us but the
aspect of learning that transpires in this organisation, more specifically the role of double loop
learning in such a public funded SME. Given this scenario, the organisation is in the state of
transition or crisis as it has been stripped of its primary source of funding. In the wake of such
a change process, we investigate the aspect of learning which has transpired over a period of
about 8 months after the organisation’s loss of funding.
Is “Double loop” the final piece of the puzzle?
Argyris & Schon (1978) describes that double loop learning occurs when a change of action is
associated with a change in the members’ logic of action which in fact can be termed as
“theory in practise”. An Organisation’s learning remains one dimensional when the members
do not make changes in their action logic but only to correct errors(Argyris & Schon,1978)
and this is termed as single loop learning. Filion & Lima(2011) suggests that the
Organisational Learning process is cyclic and that members action generate changes in the
inner and outer realities and further go on to confirm that the process of double loop learning
involves a change in the logic itself and is often triggered by negative feedback. Using a
practise based approach through this paper, we investigate whether the organisation in
question can adapt to the double loop learning process to avoid a crisis.
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Diagram 1: A Perspective for adapting “Double Loop” learning in public funded SMEs
The model in Diagram 1 shows a perspective for adapting the double loop learning process in
the context of public funded SMEs: The manager/owner approach and single loop learning
followed before crisis and the change in approach after loss of funding. The prospect of
reflective/generative/social/action learning is speculated by detailed semi structured
interviews on managers of the organisation. Lima (2004) states that owner-managers play a
prominent role in these processes. At this point, such a prospective model, when developed
with double loop learning will act as a generator for learning and is highly useful in
understanding and analysing how the elements are formulated by the members of the
organisation in the context of a volatile business environment such as the contemporary art
sector in the UK.
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Design of the study and conceptualization
The literature delineated the context specific nature of SME learning and the influence of
broader factors in the process associated with their learning (Goss & Jones, 1997). This
implies that research to divulge the learning process in SMEs should entail the collection of
SME specific factors thereby effectively informing the research process. In this regard, even
though SMEs in the art sector in UK cannot be considered to have a highly unique nature as
far as learning is concerned when compared with other SMEs, they face unique industry
specific challenges; say for example, to remain competitive enough to secure funding from
the Arts Council of England. As mentioned earlier, loss of funding can be considered as a
crisis which is highly context specific for SMEs in the art sector in UK and can act as an
impetus for organisational learning notwithstanding the factors that enabling an SME in this
sector to remain competitive in a highly saturated market. The case study organisation,
excepting the previous year, had been able to successfully secure funding from the Council.
This loss of funding can be considered as a major trigger/crisis/failure which can have
significant ramifications for organisational learning in the form of the imperativeness of
obtaining an enhanced critical understanding of the prevalent learning processes, thereby
determine its efficacy and questioning taken for granted beliefs (Schon, 1983) so as to
embrace higher, generative, reflective and context specific learning leading to enhanced
organisational competitiveness. However such learning need not necessarily be a natural
corollary of crisis as it is argued that many organisations fail to capitalise on the learning
opportunity offered by a crisis (Sitkin, 1992;Leonard, 1995) and if learning is triggered, then
the post crisis innovative behaviours serve as a means to corroborate it (Fiol & Lyles, 1985).
In order to effectively unravel the learning processes which pervade the SME under study, the
project is divided into two phases – learning before crisis and effective learning after crisis.
Semi structured interviews with 15 stakeholders in the contemporary art sector in the UK and
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10 managers/owners of the SME was conducted to analyse their perceptions to outline the
learning skeleton of the SME itself and the path to crisis. A few key themes based on which
stakeholder and manager perceptions were analysed were as follows:
Learning in terms of previous experience and general awareness
Learning in terms of services offered
Relevance to contemporary art in the UK
Relevance to artists and art professionals in the UK
Learning with regard to future direction
The themes and categories were identified using Nvivo 9 with the aim of examining
perceptions about the type of learning and the learning structure. Now seven months after loss
of funding, the second phase is to conduct detailed interviews with the owner-managers and
15 staff members to analyse the learning which has transpired over this period of time. The
analysis and data can be compared with Filion & Lima (2011) to establish the role of double
loop learning process in preventing a crisis under such an environment. Further, towards the
identification of crisis triggered learning, it was deemed appropriate to wait for seven months
due to two main reasons. First learning from crisis can be a time consuming process and
secondly reckoning that learning can be hindered and difficulties associated with learning can
be exacerbated by resource constraints like loss of fund (Welsh & White, 1981; DeSouza &
Awazu, 2006; Zhang et al., 2006).
Discussion
In discussing the self-transformation of public funded SMEs through organisational learning,
primary issues based on qualitative approach to data collection have been highlighted. Since
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the approach closely follows the construction of a conceptual idea, it provides a varied
understanding of learning perspectives in public funded SMEs.The speculations on Double
loop learning process and its adaption in public funded SMEs are based on the perceptions
data along with previous empirical work from Lima (2004, 2007) and Filion & Lima (2011)
as well as the core research by Argyris & Schon (1974).
Further research and development can be completed by looking at varied perspectives of
learning in public funded SMEs but by no means is limited to the following questions :-
What are the key learning features of a public funded SME and how does it evolve around
the managers during a period of organisational crisis or failure?
What is the main learning perspective which is triggered in a public funded SME due to a
crisis or failure?
How do organisational factors in the public funded SME influence the aspect of learning
and relearning from past and potential future behaviours?
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