unity march - alfred musiccontrast with a dynamic and accented “dogfight” presentation. the...

young symphonic band series GRADE LEVEL: 2 (MEDIUM EASY) INSTRUMENTATION 1 — Conductor Score 10 — Flute 2 — Oboe 2 — Bassoon 6 — 1st B Clarinet 6 — 2nd B Clarinet 1 — E Alto Clarinet 2 — B Bass Clarinet 2 — 1st E Alto Saxophone 2 — 2nd E Alto Saxophone 2 — B Tenor Saxophone 1 — E Baritone Saxophone 2 — F Horn 4 — 1st B Trumpet 4 — 2nd B Trumpet 3 — 1st Trombone 3 — 2nd Trombone 2 — Baritone T.C. 2 — Baritone B.C. 4 — Tuba 1 — Bells 2 — Percussion (Snare Drum, Bass Drum, Crash Cymbals) Unity March By Steve Hodges The first section of this vibrant march should be played with crisp articulations, with the low brass and woodwinds playing the marching bass line in a marcato style. A modulation leads to the second section, which should have a noble, more sustained feel. The sudden entrance into the third section should provide an effective contrast with a dynamic and accented “dogfight” presentation. The transition that follows should build in intensity as the piece modulates back for a repetition of the first section with an added woodwind countermelody. Alfred Publishing Co., Inc. 16320 Roscoe Blvd., Suite 100 • P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com Preview Only Legal Use Requires Purchase

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young symphonic band series

GRADE LEVEL: 2 (MEDIUM EASY)

I N S T R U M E N T A T I O N

1 — Conductor Score 10 — Flute 2 — Oboe 2 — Bassoon 6 — 1st B Clarinet 6 — 2nd B Clarinet 1 — E Alto Clarinet 2 — B Bass Clarinet 2 — 1st E Alto Saxophone 2 — 2nd E Alto Saxophone 2 — B Tenor Saxophone 1 — E Baritone Saxophone

2 — F Horn 4 — 1st B Trumpet 4 — 2nd B Trumpet 3 — 1st Trombone 3 — 2nd Trombone 2 — Baritone T.C. 2 — Baritone B.C. 4 — Tuba 1 — Bells 2 — Percussion (Snare Drum, Bass Drum,

Crash Cymbals)

Unity MarchBy Steve Hodges

The first section of this vibrant march should be played with crisp articulations, with the low brass and

woodwinds playing the marching bass line in a marcato style. A modulation leads to the second section, which

should have a noble, more sustained feel. The sudden entrance into the third section should provide an effective

contrast with a dynamic and accented “dogfight” presentation. The transition that follows should build in intensity

as the piece modulates back for a repetition of the first section with an added woodwind countermelody.

Alfred Publishing Co., Inc.16320 Roscoe Blvd., Suite 100 • P.O. Box 10003Van Nuys, CA 91410-0003

alfred.com

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