ti ig t - arnoldsche art publishers online-shop · 4 3 1 2 5 6 4 ar noldsche ar ound t he wo rld...
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RepResentatives
SwitzerlandMartin SchnetzerEn Verdau 19CH-1782 BelfauxTelephone +41-(0)26-475 17 88FAX +41-(0)26-475 47 [email protected]
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Our partner distributors (wholesalers) worldwideYou will find our books at leading booksellers around the world. Let us know if you need the address of the bookseller closest to you or order directly at our website www.arnoldsche.com.
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HW13_230513_END_CS4.indd 2 25.05.13 17:29
www.arnoldsche.com 3
Dear readers,
‘Things aren’t just objects, but are made for us’: that is Hartmut Esslinger’s credo, the visionary founder of frog design – a company that made international design history with the design of Apple computers, amongst other things. Esslinger’s publication DESIGN FORWARD about the practice and future of strategic design was published at the beginning of December 2012 by our publishing house. We are delighted that this has now gone into its second printing. Esslinger’s credo goes way beyond the common notion that ‘design’ is about the external ‘embellishment’ of (potentially useless) products. If things are ‘made for us’, then it is about designing everyday objects in such a way that we feel at ease in our environment, that nature and society are always taken into consid-eration in the design process: aesthetics and ethics are inextricably entwined. From this point of view, design can be understood as an all-embracing aspect of our lives. As a publisher, we aim to create titles that present the diversity of design processes in all their facets, and to make them accessible to the wider public. This has led to exciting discoveries, such as the new book about the Norwegian furniture designer SVEN IVAR DYSTHE, who has significantly influenced Scandinavian design over the past 60 years and has long been considered an icon in Norway. Fascinating insights into recent history are also afforded by SEGUSO VETRI D’ARTE with legendary Murano glass objects from the 1930s to 1970s, or VESSEL/SCULPTURE 2, which introduces international ceramics since 1946. The handbook FASHION ILLUSTRA-TION, on the other hand, is dedicated entirely to contemporary approaches, conveying the spirit of the times, as well as important basics of fashion design. JEWELLERY IN ISRAEL shows to what extent geographical locations influence design, presenting the meeting of east and west in national jewellery design since 1948. Or alternatively the publication about MOROCCAN CARPETS, whose abstract motifs were a source of inspiration for many artists of the classical modern era. You will discover these and many other new titles when perusing this brochure. We hope you will enjoy reading our books as much as we enjoyed designing and creating them!
With all best wishes for the second half of 2013
Dirk AllgaierPublisher
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1 Wayne Higby, Lisa Lantz and Helen Drutt, Tempe, April 2013. Photo: Daniel Swadener 2 Silke Nalbach, Narcissus Quagliata, Dirk Allgaier and Wiebke Ullmann, Stuttgart, April 2013 3 Exhibition opening of Annelies Strba at Galerie Eigen + Art with Gerd Harry Lybke, Dieter Zühlsdorff and Silke Nalbach, Leipzig, January 20134 Exhibition opening of Wayne Higby at Arizona State University Art Museum, Tempe, April 2013 5 Exhibition opening of Petra Zimmermann at MAK, Vienna, February 2013. Photo: Helfried Kodré 6 Helfried Kodré, Elisabeth J. Gu. Defner and Peter Skubic, December 2012
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7 Exhibition opening of Aftermath at Museum Villa Stuck, Munich, March 2013. Photo: Vivi D’Angelo/Food & Photography 8 Corinna Rösner from Die Neue Sammlung – The International Design Museum Munich and Dirk Allgaier at Schmuck 2013, Munich, March 2013 9 Sigurd Bronger, Rüdiger Mayer and Marion Boschka, Munich, March 2013 10 Hege Henriksen and Michael Buhrs, Oslo, January 2013. Photo: André Gali 11 Tone Vigeland and Widar Halén, Oslo, January 2013. Photo: André Gali 12 Otto Künzli and Dirk Allgaier, February 2013. Photo: Samuel Künzli 13 Luzie, May 2013
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YAMAHA, FROG 750 STUDY, 1986. PHOTO: DIETMAR HENNEKA YAMAHA, FROG 750 STUDY, 1986. PHOTO: DIETMAR HENNEKA
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APPLE IIGS SYSTEM, 1985. PHOTO: DIETMAR HENNEKA APPLE MACINTOSH SE, 1983. PHOTO: DIETMAR HENNEKA
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104 105CTM 70, 1972. PHOTO: DIETMAR HENNEKA
COMPUTER TECHNIK MUELLER (CTM)
I do not fear computers; I fear the lack of them.” ISAAC ASIMOV
Helmut Henssler, one of my high-school band members, studied computer science and became
a programmer at a spin-off from Nixdorf called Computer Technik Mueller (CTM), named after its
founders, husband-and-wife team Otto and Ilse Mueller. When the Mueller’s company started to
design a small-size “mid-class” computer for business administration in 1972, Helmut convinced
them to visit me in my newly equipped garage shop. They looked at my work, loved the Wega
stuff we were working on, and then said, “Let’s begin!” Otto Mueller explained the layout and the
usage scenarios for the new computer, and the peripherals CTM would use from companies such
as Shugart and other Silicon Valley companies. Those peripherals included huge hard disks, tape
storage, punch card readers and a printer from Daisy, and a 16-inch by 16-inch magnetic memory
board with 64KB of memory. Mueller also pointed out that his machine would have the first
client-server architecture in Europe.
Other than Nixdorf, which had a very hard-edge sheet-metal design,
there was little competition for CTM. American companies such as IBM or Burroughs were counting
on the ongoing popularity of refrigerator-sized machines. We agreed that the CTM machine should
fit well in an office environment, and we played around with some quick models. Over lunch, we
decided that there would be three units, with a standing box for the central processing unit (CPU),
a table-like unit with keyboard and printer for the user, and a slim peripheral box for optional
functions that would rest on the floor. Within two weeks the first sketches were ready, and the CTM
people — working on the ground floor of a rented house where the Muellers lived upstairs — really
loved them. We designed a structure to be made of steel tubing enclosed by thermo-formed plastic
panels produced by a furniture supply company called Duratherm. I built the first four units in my
garage, and we took them straight away to the Hannover CeBit Fair, one of the world’s largest IT
trade shows, in May of 1973. Our booth at CeBit was tiny, but traffic was heavy and the CTM 70
System became a success. Sales of machines quickly gave birth to a multimillion business.
As the company grew, so did its capital needs. In 1976, the Muellers
sold the majority of their business to Diehl Data Systems, which also owned the Triumph company.
With more financial muscle, we designed the second CTM series in structural foam (similar to the
Wega televisions) and added visual screens for displaying output. In 1978, we designed the first
freestanding desktop terminal with an integrated, tilting screen. CTM became a serious player in
the German European market.
“
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084 085
To prove the relevance and value of Strategic Design, this chapter
illustrates and explains some examples from my own professional and frog’s history. These examples
share one or more of the following characteristics, which define them as products of Strategic
Design and have contributed to their success:
• Top management and/or entrepreneurs involved with these projects made design a core element
of their strategy.
• The products and projects were/are highly influential on a global scale.
• The designs prove that even as technologies come and go, strong “brands by design” last.
• The designs have created or will create new markets and inspire innovative business models.
• They have enabled sustainable growth and achieved excellent financial results.
• They prove that customers care and pay for world-class products and experiences.
• They demonstrate that problems must be resolved by moving forward.
• They illustrate how businesses, such as frog, evolve by facing complex challenges.
It seems that we are living in an ever-accelerating world. We humans,
however, have a long history, over which we have developed our genetic code, our behaviors, and
our own speed — and human speed is slow. No matter what progressive technology will provide, we
humans will advance at our own rate and use developments for our own purposes. The Internet has
opened new channels of communication, which have enabled positive developments even as they
helped amplify the dark side of man. I hope that the examples of Strategic Design in this chapter will
help light a pathway that leads toward a more positive, human-centric future for technology and the
ways we use it.
WEGA SYSTEM 3000, 1969, NEUE SAMMLUNG, MUNICH. PHOTO: DIETMAR HENNEKA
Desingforward_beijingupdate_chapter5.indd 84-85 8/28/12 7:33 PMAAP001_001_308.indd 93 12-9-12 下午2:46
6 www.arnoldsche.com
Hartmut Esslinger’s leitmotif as a designer is ‘things do not stand for themselves, but for us.’ His new work, Design Forward, is a book about the history, practice, and future of Strategic Design.Design is one of the few holistic disciplines in the industry that combine social and emotional desires and requirements with the realities and possibilities of technology, the economy, and resource planning, thus creating a more humane and ecological world.Hartmut Esslinger’s message is that the future challenges for busi-nesses are increasing due to global warming, surplus production, and energy waste, and ineffective management strategies (cheap-effective) are no longer working. He is demanding new thinking toward objectives and processes and also humane capitalism! This also calls for the establishment of a creative-focused education (Creative Sciences) alongside today’s focus on natural sciences and the liberal arts. This applies not only to finding and promoting all creative talent at an early school age, but also to then commu-nicate the necessary professional expertise so that we are all in the position to constructively address the huge challenges ahead.
Design Forward – visionary Hartmut esslinger’s book on a new, creative capitalism and design that creates value. now in its 2nd edition!
Hartmut Esslinger (ed.)
design forWardcreative strategies for sustainable change
308 pages, 18.5 x 24.5 cm, 235 illustrations and graphics.Flexibind. English. 2nd edition.
€ 29.80 [D] | US$ 40 | £ 20ISBN 978-3-89790-381-4June 2013
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7 Exhibition opening of Aftermath at Museum Villa Stuck, Munich, March 2013. Photo: Vivi D’Angelo/Food & Photography 8 Corinna Rösner from Die Neue Sammlung – The International Design Museum Munich and Dirk Allgaier at Schmuck 2013, Munich, March 2013 9 Sigurd Bronger, Rüdiger Mayer and Marion Boschka, Munich, March 2013 10 Hege Henriksen and Michael Buhrs, Oslo, January 2013. Photo: André Gali 11 Tone Vigeland and Widar Halén, Oslo, January 2013. Photo: André Gali 12 Otto Künzli and Dirk Allgaier, February 2013. Photo: Samuel Künzli 13 Luzie, May 2013
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YAMAHA, FROG 750 STUDY, 1986. PHOTO: DIETMAR HENNEKA YAMAHA, FROG 750 STUDY, 1986. PHOTO: DIETMAR HENNEKA
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APPLE IIGS SYSTEM, 1985. PHOTO: DIETMAR HENNEKA APPLE MACINTOSH SE, 1983. PHOTO: DIETMAR HENNEKA
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104 105CTM 70, 1972. PHOTO: DIETMAR HENNEKA
COMPUTER TECHNIK MUELLER (CTM)
I do not fear computers; I fear the lack of them.” ISAAC ASIMOV
Helmut Henssler, one of my high-school band members, studied computer science and became
a programmer at a spin-off from Nixdorf called Computer Technik Mueller (CTM), named after its
founders, husband-and-wife team Otto and Ilse Mueller. When the Mueller’s company started to
design a small-size “mid-class” computer for business administration in 1972, Helmut convinced
them to visit me in my newly equipped garage shop. They looked at my work, loved the Wega
stuff we were working on, and then said, “Let’s begin!” Otto Mueller explained the layout and the
usage scenarios for the new computer, and the peripherals CTM would use from companies such
as Shugart and other Silicon Valley companies. Those peripherals included huge hard disks, tape
storage, punch card readers and a printer from Daisy, and a 16-inch by 16-inch magnetic memory
board with 64KB of memory. Mueller also pointed out that his machine would have the first
client-server architecture in Europe.
Other than Nixdorf, which had a very hard-edge sheet-metal design,
there was little competition for CTM. American companies such as IBM or Burroughs were counting
on the ongoing popularity of refrigerator-sized machines. We agreed that the CTM machine should
fit well in an office environment, and we played around with some quick models. Over lunch, we
decided that there would be three units, with a standing box for the central processing unit (CPU),
a table-like unit with keyboard and printer for the user, and a slim peripheral box for optional
functions that would rest on the floor. Within two weeks the first sketches were ready, and the CTM
people — working on the ground floor of a rented house where the Muellers lived upstairs — really
loved them. We designed a structure to be made of steel tubing enclosed by thermo-formed plastic
panels produced by a furniture supply company called Duratherm. I built the first four units in my
garage, and we took them straight away to the Hannover CeBit Fair, one of the world’s largest IT
trade shows, in May of 1973. Our booth at CeBit was tiny, but traffic was heavy and the CTM 70
System became a success. Sales of machines quickly gave birth to a multimillion business.
As the company grew, so did its capital needs. In 1976, the Muellers
sold the majority of their business to Diehl Data Systems, which also owned the Triumph company.
With more financial muscle, we designed the second CTM series in structural foam (similar to the
Wega televisions) and added visual screens for displaying output. In 1978, we designed the first
freestanding desktop terminal with an integrated, tilting screen. CTM became a serious player in
the German European market.
“
Desingforward_beijingupdate_chapter5.indd 104-105 8/28/12 7:33 PMAAP001_001_308.indd 113 12-9-12 下午2:47
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084 085
To prove the relevance and value of Strategic Design, this chapter
illustrates and explains some examples from my own professional and frog’s history. These examples
share one or more of the following characteristics, which define them as products of Strategic
Design and have contributed to their success:
• Top management and/or entrepreneurs involved with these projects made design a core element
of their strategy.
• The products and projects were/are highly influential on a global scale.
• The designs prove that even as technologies come and go, strong “brands by design” last.
• The designs have created or will create new markets and inspire innovative business models.
• They have enabled sustainable growth and achieved excellent financial results.
• They prove that customers care and pay for world-class products and experiences.
• They demonstrate that problems must be resolved by moving forward.
• They illustrate how businesses, such as frog, evolve by facing complex challenges.
It seems that we are living in an ever-accelerating world. We humans,
however, have a long history, over which we have developed our genetic code, our behaviors, and
our own speed — and human speed is slow. No matter what progressive technology will provide, we
humans will advance at our own rate and use developments for our own purposes. The Internet has
opened new channels of communication, which have enabled positive developments even as they
helped amplify the dark side of man. I hope that the examples of Strategic Design in this chapter will
help light a pathway that leads toward a more positive, human-centric future for technology and the
ways we use it.
WEGA SYSTEM 3000, 1969, NEUE SAMMLUNG, MUNICH. PHOTO: DIETMAR HENNEKA
Desingforward_beijingupdate_chapter5.indd 84-85 8/28/12 7:33 PMAAP001_001_308.indd 93 12-9-12 下午2:46
6 www.arnoldsche.com
Hartmut Esslinger’s leitmotif as a designer is ‘things do not stand for themselves, but for us.’ His new work, Design Forward, is a book about the history, practice, and future of Strategic Design.Design is one of the few holistic disciplines in the industry that combine social and emotional desires and requirements with the realities and possibilities of technology, the economy, and resource planning, thus creating a more humane and ecological world.Hartmut Esslinger’s message is that the future challenges for busi-nesses are increasing due to global warming, surplus production, and energy waste, and ineffective management strategies (cheap-effective) are no longer working. He is demanding new thinking toward objectives and processes and also humane capitalism! This also calls for the establishment of a creative-focused education (Creative Sciences) alongside today’s focus on natural sciences and the liberal arts. This applies not only to finding and promoting all creative talent at an early school age, but also to then commu-nicate the necessary professional expertise so that we are all in the position to constructively address the huge challenges ahead.
Design Forward – visionary Hartmut esslinger’s book on a new, creative capitalism and design that creates value. now in its 2nd edition!
Hartmut Esslinger (ed.)
design forWardcreative strategies for sustainable change
308 pages, 18.5 x 24.5 cm, 235 illustrations and graphics.Flexibind. English. 2nd edition.
€ 29.80 [D] | US$ 40 | £ 20ISBN 978-3-89790-381-4June 2013
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Dysthe Arnoldsche
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Ever since the 1960s Sven Ivar Dysthe (born in 1931) has been one of the leading proponents of Scandinavian design. The 1960s feature prominently in his creative work, a time when he founded Pop design in Norway and produced most of his emergent iconic designs.Since then one cannot think of the international design scene without thinking of Sven Ivar Dysthe. His chair and furniture designs 1001, Popcorn, Prisma, Planet and Laminette are huge successes in the export market. The latter is one of Norway’s most popular chairs, on which virtually every Norwegian has sat at least once due to its use in countless public buildings, likewise travellers all over Oslo’s Gardermoen airport with his chair Gardist. In the 1970s Sven Ivar Dysthe also significantly contributed to the development of ski equipment – and to the then success of the Norwegian athletes – by developing a revolutionary ski binding out of plastic.Award-winning designer Sven Ivar Dysthe’s furniture designs are as popular today as the time they were designed and have secured him an exceptional place in Scandinavian design history.
With contributions by Trinelise Dysthe, Thomas Flor, Widar Halén and a foreword by Audun Eckhoff.
this publication offers a comprehensive review spanning 60 years of the norwegian design icon sven ivar Dysthe’s production. His most prominent designs and innovations in industrial design are now being presented for the first time, including his furniture for use in private houses as well as in public buildings, hotels and companies in the UK, Germany, norway and the Usa.
exhibition: The National Museum – The Museum of Decorative Arts and Design, Oslo/Norway, until 22. 8. 2013Further information: www.nasjonalmuseet.no
Widar Halén (ed.)
dysthe designswinging 60
200 pages, 21 x 27 cm, 125 illustrations in colour and b/w.Hardback. English and Norwegian.
€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-390-6June 2013
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Fashion is fascination, cult, protection and adornment. We experi-ence it daily on our own bodies and we notice it in our surroundings. The manifestations of fashion in magazines, advertisements and the Internet are never ending: sophisticated, erotic, provocative or overly aesthetic pictures create specific images, carrying the be-holder off into their own world.To inspire such an eye-catching sensation requires a concept, an idea, which takes shape in an illustration. In the fast-moving age of digital photography, this art is disappearing more and more from the everyday life of the fashion designer and media. In doing so it affords illustration great additional value: it bears witness to indi-viduality, it conveys the zeitgeist and mood.Willemina Hoenderken, professor of design at the Bielefeld Univer-sity of Applied Sciences, conveys in the book just how fashion is perfectly staged through illustration. The publication outlines fun-damental techniques, diverse materials and important basics of design, and presents approximately 400 illustrations created at the Bielefeld University. A chapter on working practices gives a glimpse into the development and day-to-day business of a successful fashion company, and an essay on the cultural history of fashion illustration rounds off the book.
With contributions by Anna Zika, Annette Görtz, Willemina Hoenderken.
A creatively designed handbook for prospective and experi-enced fashion illustrators and designers. Basic guidance to techniques and design are supplemented through concrete information on the practice and cultural-historical back-ground of this art form.
Willemina Hoenderken (ed.)
Fashion illustrationa Manual
320 pages, 23 x 31 cm, approx. 400 colour illustrations.Hardback. English and German.
€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-395-1June 2013
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Fashion is fascination, cult, protection and adornment. We experi-ence it daily on our own bodies and we notice it in our surroundings. The manifestations of fashion in magazines, advertisements and the Internet are never ending: sophisticated, erotic, provocative or overly aesthetic pictures create specific images, carrying the be-holder off into their own world.To inspire such an eye-catching sensation requires a concept, an idea, which takes shape in an illustration. In the fast-moving age of digital photography, this art is disappearing more and more from the everyday life of the fashion designer and media. In doing so it affords illustration great additional value: it bears witness to indi-viduality, it conveys the zeitgeist and mood.Willemina Hoenderken, professor of design at the Bielefeld Univer-sity of Applied Sciences, conveys in the book just how fashion is perfectly staged through illustration. The publication outlines fun-damental techniques, diverse materials and important basics of design, and presents approximately 400 illustrations created at the Bielefeld University. A chapter on working practices gives a glimpse into the development and day-to-day business of a successful fashion company, and an essay on the cultural history of fashion illustration rounds off the book.
With contributions by Anna Zika, Annette Görtz, Willemina Hoenderken.
A creatively designed handbook for prospective and experi-enced fashion illustrators and designers. Basic guidance to techniques and design are supplemented through concrete information on the practice and cultural-historical back-ground of this art form.
Willemina Hoenderken (ed.)
Fashion illustrationa Manual
320 pages, 23 x 31 cm, approx. 400 colour illustrations.Hardback. English and German.
€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-395-1June 2013
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Florian Hufnagl, Die Neue Sammlung - The International Design Museum Munich (ed.) | Jürgen Adam
moroccan carpets and modern art448 pages, 24.5 x 30 cm, 735 colour illustrations. Hardback with punching. English and German.
€ 68 [D] | US$ 115 | £ 60ISBN 978-3-89790-399-9September 2013
The abstractions, powerful compositions, and magical significance of Moroccan carpets fascinated artists such as Le Corbusier, Marcel Breuer and Sean Scully. Their straightforward graphic style and vibrant colours are evocative of Mark Rothko or Cy Twombly. This intriguing resemblance forms the basis of this publication, which presents a striking juxtaposition of Moroccan woven and knotted carpets and European and American twentieth-century art. Unique examples from the Adam collection, one of the most sig-nificant private collections of Moroccan nomad carpets in the world, show how the abandonment of figural representations led to radical abstraction and a completely free and modern use of colours and forms among the Arabs and Berbers in the Maghreb. Since the early twentieth century, the ‘return to the origins of art’ through the exploration of early or so-called primitive cultures in Africa, Asia, and America has led western artists to follow a similar path and to find ‘patterns that connect‘, which form the roots of the European avant-garde. In times of globalisation, with the increasing dominance of purely western perspectives on the one hand and the progressively more radical tendencies of Islam on the other, this publication provides an objective and enriching insight into the spiritual connections and cultural cross-pollination between east and west.
artists (a selection): Anni Albers | Daniel Buren | Le Corbusier | Eileen Gray | Johannes Itten | Ellsworth Kelly | Paul Klee | August Macke | Kasimir Malewitsch | Barnett Newman | Gerhard Richter | Bridget Riley | Mark Rothko | Antoni Tapiès et al.
tribal carpets from Morocco and western avant-garde art in the twentieth century – this publication represents more than the search for the exotic and oriental, it is an explora-tion of the origins of modern art and its intriguing similari-ties to textiles from the Maghreb.
exhibition: Die Neue Sammlung – The International Design Museum Munich, Pinakothek der Moderne, Munich/Germany, from 13. 9. 2013Further information: www.die-neue-sammlung.de
With support of the Ernst von Siemens Kunststiftung
Mark Rothko, Untitled, 1968© Kate Rothko-Prizel & Christopher Rothko/VG Bild-Kunst, Bonn 2013, © 2013. Digital image, The Museum of Modern Art, New York/Scala, Florence
Hans Arp, Sophie Taeuber-Arp, Papier déchiré, 1932© VG Bild-Kunst, Bonn 2013
Boujad, c. 1950/1960
Rehamena, c. 1940
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Lars Eisenlöffel
Bjørn ransveprints 1963–2013
Approx. 700 pages, 30.4 x 29 cm, approx. 1,200 colour illustrations.Hardback in decorative slipcase.
€ 99.80 [D] | US$ 170 | £ 90English: ISBN 978-3-89790-370-8 (includes German translation)Norwegian: ISBN 978-3-89790-398-2October 2013
Bjørn Ransve (born in 1944 in Oslo) is one of the most significant contemporary Scandinavian artists. Following on from the publica-tion of volumes about his painting and drawings, this publication with his prints completes the trilogy about his work.Prints play an important role in his work. From the very beginning (since 1963) he has actively used the lithographic press. There are many pages that were only printed once. Then, in the 1980s, he created a whole flurry based on one motif, refined in stone or vary-ing in colour. Since the end of 2012 he has also incorporated the frottage technique, which enables a completely new picture com-position and opens up new artistic potential. Ransve’s world of motifs, often characterised by simultaneous abstraction and mate-riality, is expressed through drawings, paintings, and prints. His motifs borrowed from art history, as well as his enigmatic, mys-tical, and demonic adaptations, often have an aggressive and distorted effect, whilst at the same time being presented in a very sensitive way. This ambivalence is a consistent feature of Ransve’s works, expressed perhaps most radically in works where the mate-rial collides with the abstract.Ransve has had a significant influence on late modern Scandinavian painting and he is represented in all the major museums there. He is not part of the national and international gallery business and can therefore be considered an insiders’ tip in Europe and the USA!
the first presentation of Bjørn Ransve’s print works – as well as an index of the significant norwegian artist’s works, which are of the highest aesthetic standards.
Ransve – Drawings 1961–2005€ 99.80 [D] | US$ 170 | £ 90ISBN 978-3-89790-244-2
Ransve – Paintings 1962–2009€ 99.80 [D] | US$ 170 | £ 90ISBN 978-3-89790-310-4 (cf. p. 38)
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Lars Eisenlöffel
Bjørn ransveprints 1963–2013
Approx. 700 pages, 30.4 x 29 cm, approx. 1,200 colour illustrations.Hardback in decorative slipcase.
€ 99.80 [D] | US$ 170 | £ 90English: ISBN 978-3-89790-370-8 (includes German translation)Norwegian: ISBN 978-3-89790-398-2October 2013
Bjørn Ransve (born in 1944 in Oslo) is one of the most significant contemporary Scandinavian artists. Following on from the publica-tion of volumes about his painting and drawings, this publication with his prints completes the trilogy about his work.Prints play an important role in his work. From the very beginning (since 1963) he has actively used the lithographic press. There are many pages that were only printed once. Then, in the 1980s, he created a whole flurry based on one motif, refined in stone or vary-ing in colour. Since the end of 2012 he has also incorporated the frottage technique, which enables a completely new picture com-position and opens up new artistic potential. Ransve’s world of motifs, often characterised by simultaneous abstraction and mate-riality, is expressed through drawings, paintings, and prints. His motifs borrowed from art history, as well as his enigmatic, mys-tical, and demonic adaptations, often have an aggressive and distorted effect, whilst at the same time being presented in a very sensitive way. This ambivalence is a consistent feature of Ransve’s works, expressed perhaps most radically in works where the mate-rial collides with the abstract.Ransve has had a significant influence on late modern Scandinavian painting and he is represented in all the major museums there. He is not part of the national and international gallery business and can therefore be considered an insiders’ tip in Europe and the USA!
the first presentation of Bjørn Ransve’s print works – as well as an index of the significant norwegian artist’s works, which are of the highest aesthetic standards.
Ransve – Drawings 1961–2005€ 99.80 [D] | US$ 170 | £ 90ISBN 978-3-89790-244-2
Ransve – Paintings 1962–2009€ 99.80 [D] | US$ 170 | £ 90ISBN 978-3-89790-310-4 (cf. p. 38)
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The colonisation of the world by European powers led to the pro-duction of a wealth of images of the colonised cultures and peoples. Images of North American Indians play an important role in our visual culture. This publication illuminates how they are represented, as well as their political and historico-cultural background, based on the so-called ‘Indian Museum’ of the Dresden sculptor Ferdi-nand Pettrich (1798–1872).In the 1830s, Pettrich travelled to Washington and portrayed repre-sentatives of Indian tribes in 33 reliefs, statues, busts, and bozzetti made of terracotta-coloured plaster. These tribes were negotiating treaties with the US government about the future usage of the land. The portraits were created during a decisive phase of national history, when the US government’s policy towards the Native Americans was becoming increasingly hostile and the young nation was striving for further expansion and a national identity, while the native inhabitants were fighting for their physical and cultural survival. Pettrich’s oeuvre is an early example of the recurring motif of North American Indians in European and Euro-American art. The classi-cally-influenced forms of these representations, the influence of the simultaneously emerging ‘Indian painting’, as well as the last-ing fascination of the subject of ‘Indians’ are presented here, along with the political context of the era the works were created in.
the Dresden sculptor Ferdinand pettrich’s ‘indian Museum’, created in the nineteenth century, is presented comprehen-sively from an interdisciplinary art history and historico-cultural perspective – from the exploration of artistic and creative details to biographical details about the portrayed personalities.
Iris Edenheiser | Astrid Nielsen (eds.) for the Dresden State Art Collections
tecumseh, KeoKuK, BlacK haWKportraits of indians in the era of treaties and removal
200 pages, 21 x 27 cm, 70 colour illustrations.Hardback. English and German.
€ 34.80 [D] | US$ 60 | £ 30ISBN 978-3-89790-400-2September 2013
exhibition of the Dresden State Art Collections and the Vatican Museums at the Albertinum, Dresden/Germany, 2.10. 2013 to 2. 3. 2014Further information: www.sdk.museum
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The volume Vessel / Sculpture. German and International Ceramics since 1946, published in 2008, quickly established itself as a standard work on the subject of ceramics after the Second World War and is now completely out of print. It presented a wide spec-trum of ceramic art, with a focus on East German works, but also including pioneering examples of West German and international unique items and limited series from the collection at the GRASSI Museum in Leipzig. Works from around 300 ceramic artists were presented through large-format colour illustrations, along with art-ists’ biographies and signatures. The wide range of artistic ceram-ics, from vessels to sculptures and installations, was presented impressively. The publication and an exhibition in 2008 launched a new wave of donations to the museum. Several hundred masterpieces from renowned collections, by leading international ceramicists, were added to the inventory. A representative overview of these new additions is now presented by Vessel / Sculpture 2 – which fea-tures many new examples of international ceramic art and asserts itself once again as a unique and special oeuvre.
a new standard work on ceramics from the last 65 years, with comprehensive illustrations, biographies, and signatures of the approximately 300 represented international artists, which highlights the diversity and beauty of ceramic forms, from traditional vessels to ceramic models and free installa-tions.
exhibition: GRASSI Museum for Applied Art Leipzig, Germany, 17. 11. 2013 to 23. 3. 2014Further information: www.grassimuseum.de
Olaf Thormann (ed.)
vessel | sculpture 2german and international ceramics since 1946grassi museum for applied art leipzig
504 pages, 24.5 x 29 cm, approx. 550 colour illustrations.Hardback. English and German.
€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-391-3October 2013
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The volume Vessel / Sculpture. German and International Ceramics since 1946, published in 2008, quickly established itself as a standard work on the subject of ceramics after the Second World War and is now completely out of print. It presented a wide spec-trum of ceramic art, with a focus on East German works, but also including pioneering examples of West German and international unique items and limited series from the collection at the GRASSI Museum in Leipzig. Works from around 300 ceramic artists were presented through large-format colour illustrations, along with art-ists’ biographies and signatures. The wide range of artistic ceram-ics, from vessels to sculptures and installations, was presented impressively. The publication and an exhibition in 2008 launched a new wave of donations to the museum. Several hundred masterpieces from renowned collections, by leading international ceramicists, were added to the inventory. A representative overview of these new additions is now presented by Vessel / Sculpture 2 – which fea-tures many new examples of international ceramic art and asserts itself once again as a unique and special oeuvre.
a new standard work on ceramics from the last 65 years, with comprehensive illustrations, biographies, and signatures of the approximately 300 represented international artists, which highlights the diversity and beauty of ceramic forms, from traditional vessels to ceramic models and free installa-tions.
exhibition: GRASSI Museum for Applied Art Leipzig, Germany, 17. 11. 2013 to 23. 3. 2014Further information: www.grassimuseum.de
Olaf Thormann (ed.)
vessel | sculpture 2german and international ceramics since 1946grassi museum for applied art leipzig
504 pages, 24.5 x 29 cm, approx. 550 colour illustrations.Hardback. English and German.
€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-391-3October 2013
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Torbjørn Kvasbø (born in 1953) is one of the most fascinating and influential representatives of contemporary ceramics, not only in Norway but worldwide. Since the nineteen-seventies, his works have been exploring the possibilities and potential of various types of clay, different firing techniques and both familiar and unfamiliar forms. From the utility objects of his earliest years, he has moved on to objects including chests, houses and troughs, as well as works that have strong associations with human skin and body parts. In later years, colours have played a more important role, which – in combination with a recurring tube form – has resulted in dynamic and monumental stacks that are energetic, expressive, and emo-tional.This publication traces Kvasbø’s artistic development from 1977 to today and illuminates his influence on university education, as a lecturer at the School of Design and Crafts at the University of Gothenburg (1996 to 2000) and the University College of Arts, Crafts and Design in Stockholm (2000 to 2008). Torbjørn Kvasbø’s works are owned by leading museums worldwide, including the National Museum, Stockholm (SE), the Designmuseum Danmark, Copenhagen (DK), the National Museum of Art, Architec-ture and Design, Oslo (NO), the Auckland Museum Institute, Auck-land (NZ), the Museum of Modern Ceramic Art, Gifu (JP), the World Ceramic Center, Icheon (KOR).
this publication provides a comprehensive overview of the oeuvre of torbjørn Kvasbø, whose expressive works repre-sent a unique contribution to contemporary ceramic art.
Jorunn Veiteberg | Kerstin Wickman
torBjørn KvasBø – ceramicsBetween the possible and the impossible
Approx. 176 pages, 23 x 25 cm, approx. 100 illustrations in colour and b/w.Hardback. English, Norwegian and Swedish.
€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-377-7September 2013
exhibition: Lillehammer Art Museum, Lillehammer/Norway, 21. 9. to 10.11. 2013 Further information: www.lillehammerartmuseum.com
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In 1760, Georg Heinrich Macheleid was granted permission by the Prince of Schwarzburg-Rudolstadt to establish a porcelain manu-factory in Sitzendorf/Thuringia, Germany, which was relocated to Volkstedt in 1762. Its products feature artistic representations of figures. The graceful appearance of the collector’s items, which include groups of shepherds and female dancers, is characterised by a great lightness, emotiveness, and playful elegance. This monograph presents for the first time the complete history of the oldest Thuringian porcelain manufacturer, which is still in operation. With regard to the eighteenth century, the publication provides a virtually complete coverage of figural porcelain and a selection of crockery. In relation to the nineteenth century, it eluci-dates the manufacturer’s previously unexplained ownership situa-tion and its frequently changing names. This is followed by an overview of the modellers and models, as well as of the subsidiar-ies established in the twentieth century. The publication concludes with contemporary artists’ designs for porcelain manufacturing in the twenty-first century. Christoph Fritzsche created an inventory system that enables the clear labelling of the eighteenth-century Volkstedt figures and therefore a definitive systemisation of all known forms. Apart from the history of the company, there is a comprehensive trademark index with regard to the manufacturer and its subsidiaries and an overview of the current status of research.
this is the first publication covering the entire company history of the Oldest volkstedt porcelain Manufactory, with a comprehensive index of eighteenth-century figures. it represents a new standard work on the subject of the history of porcelain in thuringia and Germany with more than 300 illustrations.
Christoph Fritzsche
die aelteste volKstedter porzellanmanufaKturihre geschichte von der gründung bis heute
360 pages, 23 x 30 cm, more than 300 illustrations in colour and b/w.Hardback with dust jacket. German.
€ 78 [D] | US$ 135 | £ 70ISBN 978-3-89790-397-5October 2013
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The artist and organiser Heinz Siery was one of the most important personalities in the field of ceramics design in the 1950s and 1960s. His design forms significantly shaped the style of the prod-ucts of companies such as Fohr, Scheurich, Carstens and Ruscha. In addition, he planned and organised the entire production pro-cess and introduced performance-related pay. Ingrid Siery also began her artistic career in the ceramics industry. She designed decorative objects for Georg Schmider and Carstens and oversaw the design department at the Wächtersbach earthenware factory. Since 1969, the artist couple have been working independently in their own Syré atelier. Apart from commissioned work such as designing tiled stoves and ceramic wall decorations, they also cre-ate their own works, such as figural sculptures made of bronze, whose simplicity and elegance have fascinated the couple from the beginning. They have created sleek sculptures with a minimalist, classical form and clear lines that are reminiscent of Henry Moore and Joannis Avramidis. People and their relationships form the subject matter of their art. Their expressive figures, often portrayed as a group, radiate warmth and harmony. While the theme of relationships is predominant in the Sierys’ art, art is a dominant feature of their whole life together as a couple. Their atelier near Euskirchen has now grown to an ensemble of more than five farmhouses which they renovated them-selves. It houses a sculpture park and more than 300 of the cou-ple’s works – it is in itself a work of art reflecting the artistic life of Ingrid and Heinz Siery.
With contributions by Dierk Engelken, Dirk Kandziora, Horst Makus, Alexandra Marx, Emiel Monnink.
the first monograph about the oeuvre of this unusual artist couple. Knowledgeable texts and 160 illustrations trace the sierys’ artistic development and outstanding design since the 1950s. With an overview of the ceramic design works of Heinz and ingrid siery.
Horst Makus | Alexandra Marx et al.
heinz and ingrid sieryceramics − Bronze − interiorsa life with art
160 pages, 21 x 28 cm, approx. 160 illustrations in colour and b/w.Hardback. English and German.
€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-401-9October 2013
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Glassblowing is a venerable tradition on Murano. The early twentieth century saw radically new artistic departures: in 1932 Antonio Seguso and his sons Archimede and Ernesto joined forces with Napoleone Barovier and Luigi ‘Olimpio’ Ferro to found Artistica Soffiera e Vetreria-Barovier Seguso Ferro; the name of the firm was changed to Seguso Vetri D’Arte in 1937. The turbulent era of the company’s history – marred by some severe economic downturns – ended in 1973 when it was taken over by Maurizio Albarelli. Today it is owned by Gianluca Seguso.On entering the firm in 1934, Flavio Poli turned the programme around to make it fresh and contemporary. Thus Seguso Vetri D’Arte became one of the leading glass factories on Murano. Flavio Poli’s designs chimed perfectly with the 1950s and ’60s zeitgeist. Winning the most prestigious awards (a. o. at the Milan Triennale and the Venice Biennale), his creations in glass were now launched to worldwide acclaim. We are indebted indeed to Marc Heiremans, the author of the pres-ent publication, for devoting years of hard work at various Murano sites to tracking down almost all the Seguso archive material (from the company’s beginnings): an incredible treasure trove (some 30,000 drawings alone), which he has been evaluating, working up and subjecting to meticulous scholarly treatment for the past ten years. The fruits of his labours are presented in this book, which is essentially a catalogue of works. Unfortunately, the quantity of material unearthed is so vast that it could not be covered in a book of this kind. Hence the author has had to limit himself to publishing a selection of material.
this authoritative reference book on the important seguso vetri D’arte glass factory closes a yawning gap. not only will it provide collectors, auctioneers and art historians with a wealth of previously unpublished drawings and photographs. the market value of the seguso objects will also have to be readjusted in the light of such momentous discoveries that reveal the true importance of the factory.
Marc Heiremans
seguso vetri d’arteglass objects from murano (1932−1973)
Approx. 400 pages, 24 x 30 cm, more than 2,000 illustrations (many of them in colour). Hardback, decorative slipcase. English.
€ 198 [D] | US 340 | £ 180ISBN 978-3-89790-162-9October 2013
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Glassblowing is a venerable tradition on Murano. The early twentieth century saw radically new artistic departures: in 1932 Antonio Seguso and his sons Archimede and Ernesto joined forces with Napoleone Barovier and Luigi ‘Olimpio’ Ferro to found Artistica Soffiera e Vetreria-Barovier Seguso Ferro; the name of the firm was changed to Seguso Vetri D’Arte in 1937. The turbulent era of the company’s history – marred by some severe economic downturns – ended in 1973 when it was taken over by Maurizio Albarelli. Today it is owned by Gianluca Seguso.On entering the firm in 1934, Flavio Poli turned the programme around to make it fresh and contemporary. Thus Seguso Vetri D’Arte became one of the leading glass factories on Murano. Flavio Poli’s designs chimed perfectly with the 1950s and ’60s zeitgeist. Winning the most prestigious awards (a. o. at the Milan Triennale and the Venice Biennale), his creations in glass were now launched to worldwide acclaim. We are indebted indeed to Marc Heiremans, the author of the pres-ent publication, for devoting years of hard work at various Murano sites to tracking down almost all the Seguso archive material (from the company’s beginnings): an incredible treasure trove (some 30,000 drawings alone), which he has been evaluating, working up and subjecting to meticulous scholarly treatment for the past ten years. The fruits of his labours are presented in this book, which is essentially a catalogue of works. Unfortunately, the quantity of material unearthed is so vast that it could not be covered in a book of this kind. Hence the author has had to limit himself to publishing a selection of material.
this authoritative reference book on the important seguso vetri D’arte glass factory closes a yawning gap. not only will it provide collectors, auctioneers and art historians with a wealth of previously unpublished drawings and photographs. the market value of the seguso objects will also have to be readjusted in the light of such momentous discoveries that reveal the true importance of the factory.
Marc Heiremans
seguso vetri d’arteglass objects from murano (1932−1973)
Approx. 400 pages, 24 x 30 cm, more than 2,000 illustrations (many of them in colour). Hardback, decorative slipcase. English.
€ 198 [D] | US 340 | £ 180ISBN 978-3-89790-162-9October 2013
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The ring is a significant cultural reference in our society: it bears a coveted diamond or is a symbol of togetherness. This is not the case with Bernhard Schobinger! His objects created over the last 45 years reflect artistic and social developments. The ring as the witness of an era: concrete art, the aesthetics of punk, postmod-ernism and so on. Bernhard Schobinger is one of the most provocative, critical, and artistically inspiring contemporary jewellery artists, who has revo-lutionised his craft. He has turned away from conventional materi-als, in favour of those that have an emotional quality or a concep-tual value. These can take the form of old rusty nails, used for making a ring, or a direct reaction to 9/11 by engraving an aero-plane into the ring. He interprets the piece of jewellery as a con-temporary witness of our society. The book is based on an overview of nearly all the rings that Bern-hard Schobinger has created over the last 45 years. It is conceived as a reference work and documents nearly half a century of the design and creative power of this Swiss artist. Bernhard Schobin-ger was awarded the Grand Prix Design (2007).
through his departure from traditional jewellery, Bernhard schobinger denies jewellery its function as a status symbol and makes it into a vehicle for expressing a universal critical voice.
Glenn Adamson
Bernhard schoBingerthe rings of saturn
Approx. 250 pages, 14 x 20 cm, approx. 420 colour illustrations.Hardback – an artist’s book! English.
€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-402-6October 2013
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Bernhard SchobingerJewels Now!€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-183-4 (cf. p. 35)
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In Israel East meets West. Their jewellery traditions blend, resulting in creative innovations. In the 1930s, immigrants from Germany and other European countries introduced the spirit of the Bauhaus, while oriental craftsmanship was invigorated in the 1950s and ’60s by immigration from Islamic countries. State jewellery companies preserved traditional crafts, while at the same time developing a new and elegant style, designed to express the national identity of the still young state of Israel. There are important links between native jewellery makers and European and American jewellery artists, who were guest lecturers at the Bezalel Academy of Art and Design in the 1970s and had a lasting influence on Israeli artists. The transition to art jewellery was finally completed in the 1980s, paving the way for artists who are now internationally renowned, such as Bianca Eshel Gershuni, Esther Knobel, Deganit Stern Schocken and Vered Kaminski, whose works are presented here in detail. A further chapter in this comprehensive presentation of Israeli art jewellery is dedicated to contemporary works by some out-standing young artists. Although their works are part of the global jewellery scene, they are also dedicated to their homeland, for example through unequivocal references to local political tensions.
Based on the most outstanding representatives and most fascinating current developments, this publication is the first comprehensive presentation of the history and devel-opment of art jewellery in Israel.
About the author: Dr. Iris Fishof studied Art History at the Hebrew University of Jerusalem. From 1983 to 2003 she worked at the Israel Museum, in Jerusalem, as Chief Curator of Judaica and Jewish Ethnography. Since 2005, she is a Senior Lecturer on jewellery at the Shenkar College of Engineering and Design in Ramat-Gan.
Iris Fishof
Jewellery in israelMulticultural Diversity1948 to the Present
Approx. 200 pages, 22 x 29 cm, approx. 200 illustrations in colour and b/w. Hardback with dust jacket. English, with Hebrew summary.
€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-396-8October 2013
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08 GReeN teRRaCe CaNyON, 1975. Glazed earthenware, raku-fired. 13 × 13 × 11 inches. Collection: Marlin and Regina Miller09 deeP COVe, 1972. Glazed earthenware, raku-fired. 13 × 13 × 11 inches. Collection: david Owsley Museum of art, ball state University, Muncie, indiana
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51 Preliminary drawing for SkyWell FallS, 2008. Ink on paper. 13 × 9 ½ inches. Collection of the artist50 SkyWell FallS, 2009 (view from below)
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‘Wayne Higby is a highly self-critical artist, whose reflections about his own work are at the same time poetic, profound, and unassailable.’ (Peter Held) Wayne Higby (born in 1943) is one of the interna-tional protagonists amongst contemporary ceramic artists. His work, in the tradition of American Land-scape Art, ranges from vessels to sculptures and the large-scale architecture installations EarthCloud and SkyWell Falls. His abstract interpretations use Raku and celadon techniques and have an almost eerie presence.
This monograph of the pioneering ceramicist Wayne Higby presents all his groups of works, with 170 illustrations. Expert essays illuminate his oeuvre from various perspectives.
Peter Held (ed.)
INFINITE PLACEThe Ceramic Art of WAYNE HIGBY
216 pages, 24 x 30 cm, 170 colour illustrations.Hardback with dust jacket. English.
€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-384-5
Narcissus Quagliata (born in 1942) is one of the most significant contemporary glass artists. He has be-come renowned internationally through spectacular works in public spaces, such as the ‘Taiwan Dome of Light’, the world’s largest glass roof, in the Kaohsiung subway station in Taiwan. His glass dome in the Santa Maria degli Angeli e dei Martiri church, which was built in the Baths of Diocletian and designed by Michelangelo, is equally well-known. This publication documents public and private works by the artist, with contributions by expert authors and impressive close-up images.
Narcissus Quagliata creates an accomplished symbiosis of glass art, architecture and paint-ing, using his unique artistic language.
Rosa Barovier | William Warmus | Maricruz Patiño | Pearl Chou et al.
NARCISSuS QuAGLIATAArchetypes and Visions in Light and Glass
256 pages, 24 x 30 cm, 355 colour illustrations.Hardback with dust jacket. English.
€ 68 [D] | US$ 115 | £ 60ISBN 978-3-89790-378-4October 2013
HW13_230513_END_CS4.indd 26 25.05.13 17:57
www.arnoldsche.com 25
In Israel East meets West. Their jewellery traditions blend, resulting in creative innovations. In the 1930s, immigrants from Germany and other European countries introduced the spirit of the Bauhaus, while oriental craftsmanship was invigorated in the 1950s and ’60s by immigration from Islamic countries. State jewellery companies preserved traditional crafts, while at the same time developing a new and elegant style, designed to express the national identity of the still young state of Israel. There are important links between native jewellery makers and European and American jewellery artists, who were guest lecturers at the Bezalel Academy of Art and Design in the 1970s and had a lasting influence on Israeli artists. The transition to art jewellery was finally completed in the 1980s, paving the way for artists who are now internationally renowned, such as Bianca Eshel Gershuni, Esther Knobel, Deganit Stern Schocken and Vered Kaminski, whose works are presented here in detail. A further chapter in this comprehensive presentation of Israeli art jewellery is dedicated to contemporary works by some out-standing young artists. Although their works are part of the global jewellery scene, they are also dedicated to their homeland, for example through unequivocal references to local political tensions.
Based on the most outstanding representatives and most fascinating current developments, this publication is the first comprehensive presentation of the history and devel-opment of art jewellery in Israel.
About the author: Dr. Iris Fishof studied Art History at the Hebrew University of Jerusalem. From 1983 to 2003 she worked at the Israel Museum, in Jerusalem, as Chief Curator of Judaica and Jewish Ethnography. Since 2005, she is a Senior Lecturer on jewellery at the Shenkar College of Engineering and Design in Ramat-Gan.
Iris Fishof
Jewellery in israelMulticultural Diversity1948 to the Present
Approx. 200 pages, 22 x 29 cm, approx. 200 illustrations in colour and b/w. Hardback with dust jacket. English, with Hebrew summary.
€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-396-8October 2013
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08 GReeN teRRaCe CaNyON, 1975. Glazed earthenware, raku-fired. 13 × 13 × 11 inches. Collection: Marlin and Regina Miller09 deeP COVe, 1972. Glazed earthenware, raku-fired. 13 × 13 × 11 inches. Collection: david Owsley Museum of art, ball state University, Muncie, indiana
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51 Preliminary drawing for SkyWell FallS, 2008. Ink on paper. 13 × 9 ½ inches. Collection of the artist50 SkyWell FallS, 2009 (view from below)
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‘Wayne Higby is a highly self-critical artist, whose reflections about his own work are at the same time poetic, profound, and unassailable.’ (Peter Held) Wayne Higby (born in 1943) is one of the interna-tional protagonists amongst contemporary ceramic artists. His work, in the tradition of American Land-scape Art, ranges from vessels to sculptures and the large-scale architecture installations EarthCloud and SkyWell Falls. His abstract interpretations use Raku and celadon techniques and have an almost eerie presence.
This monograph of the pioneering ceramicist Wayne Higby presents all his groups of works, with 170 illustrations. Expert essays illuminate his oeuvre from various perspectives.
Peter Held (ed.)
INFINITE PLACEThe Ceramic Art of WAYNE HIGBY
216 pages, 24 x 30 cm, 170 colour illustrations.Hardback with dust jacket. English.
€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-384-5
Narcissus Quagliata (born in 1942) is one of the most significant contemporary glass artists. He has be-come renowned internationally through spectacular works in public spaces, such as the ‘Taiwan Dome of Light’, the world’s largest glass roof, in the Kaohsiung subway station in Taiwan. His glass dome in the Santa Maria degli Angeli e dei Martiri church, which was built in the Baths of Diocletian and designed by Michelangelo, is equally well-known. This publication documents public and private works by the artist, with contributions by expert authors and impressive close-up images.
Narcissus Quagliata creates an accomplished symbiosis of glass art, architecture and paint-ing, using his unique artistic language.
Rosa Barovier | William Warmus | Maricruz Patiño | Pearl Chou et al.
NARCISSuS QuAGLIATAArchetypes and Visions in Light and Glass
256 pages, 24 x 30 cm, 355 colour illustrations.Hardback with dust jacket. English.
€ 68 [D] | US$ 115 | £ 60ISBN 978-3-89790-378-4October 2013
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Majoliken · Faenza
30
Form 9. Malerei in Ocker, Gelb, Blau, Blaugrün, Grau, Schwarz, Weiß, Violett und Braun; wenige Weißhöhungen. Die Konturen blau und in Lokalfarben. Die Lippe gelb, blau abgesetzt. Die Szene spielt vor einer monumentalen Pfeiler-halle, aus der Joseph auf die vor ihm auf den Knien liegenden Brüder zutritt und den jüngsten umarmt. Im Hintergrund ein Kuppelbau. – Auf der Unterseite in Blau von derselben Hand wie auf Kat. Nr. 71 die Beschriftung „li fratelli d[i] jo-sefe / selli zetano ali pie / di“ (Die Brüder Josephs werfen sich ihm zu Füßen). – Später hinzugefügt in Schwarz „6.“ und in Sepia „GH.924“ sowie das Etikett der Klassik Stiftung Weimar mit der Inventarnummer.
D. 30, 8 cm, H. 6,1 cm.
Joseph schließt Benjamin in die Arme und gibt sich seinen Brüdern zu erkennen, die in Angst und Staunen vor ihm knien (1. Mose 45,3). Bernard Salomons Holzschnitt in den Figure del vecchio testamento von 1554 liegt der Darstellung zu-grunde (Abb. 70.1).2 Der Maler hat jedoch die Anzahl der Fi-guren reduziert und die Anordnung der Architekturmotive verändert. Den vollständigen Holzschnitt hat der „Maestro dei panneggi“ in Faenza auf einem fragmentarischen Becken im Stil der Bianchi di Faenza wiedergegeben.3
Nach der Darstellung des siegreichen Kampfes des Her-kules gegen die Amazonen auf einem weder signierten noch datierten, aber im Stil der Malerei prägnanten Teller in Braunschweig hat Karl Friedrich Leonhardt die eng ver-wandten Stücke als aus der „Amazonenbottega“ bezeichnet.4 Die Majoliken charakterisieren leuchtende und zugleich lasierende Farben sowie eine weich modellierende, tempe-ramentvolle Malerei mit ausgeprägten, schnell und sicher gemalten Konturen; Elemente, die den Einfluss des Stile compendiario erkennen lassen. Der manieristische Figurenstil basiert auf dem als Vorlage genutzten Holzschnitt Salomons.5
Leonhardt hatte die Werkstatt um 1565 in Venedig tätig vermutet.6 Dagegen argumentierte Lessmann für einen Ur-sprung in Faenza.7 Ravanelli Guidotti hat diese These aufge-griffen:8 1561 datiert ist ein großer Teller im Louvre mit einer Reiterschlacht, welcher in der fast nur auf Blau- und Ocker-
70 Schale · Scodella Joseph gibt sich seinen brüDern zu erkennen Faenza, Werkstatt des Virgiliotto Calamelli/Leonardo Bettisi, Maler der Amazonenschlacht, um 1565–1575Inv. Nr. GKg/Sch.II.359,374Provenienz: vielleicht 1823 oder später von Johann Jacob Lechner, Nürnberg, erworben; aus dem Nachlass von Georg Wilhelm Friedrich von Löffelholz, Nürnberg, der 1823 versteigert wurde1
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töne reduzierten Palette ganz unter dem Einfluss des Stile compendiario entstand. Er trägt auf der Rückseite die Bezeich-nung „1561 in Faenza“.9 Auch der Reversdekor mit flächende-ckenden konzentrischen Kreisen in Blau- und Gelbtönen weist auf Faenza. Die Kampfszene, deren ikonographische Vorlage wir nicht kennen, ist in ihrer Raumkomposition
Majoliken · Venedig
26
Großes, fast kugelförmiges Gefäß auf glatter Standfläche mit kurzem, leicht abgesetztem Hals. Der Scherben rötlich. Mehrere Anbacks und Fehlstellen in der Glasur. Neben Diana an der Gefäßschulter Schnitte in der Oberfläche. Bemalung in Blau, Grün, Ocker, Gelb, Grau, Schwarzbraun, Weiß und Violett; mit Weißhöhungen. Die Konturen blau, ocker, grau und violett. – An den beiden Schauseiten Venus Marina bzw. Diana, jeweils in einem Medaillon, das von einem mit Rosettenblüten und Früchten besetzten Blatt-kranz umschlossen wird. – Die Liebesgöttin gleitet auf einem Delphin liegend vor einer fernen Bergkette über das Meer. Um ihren Kopf bauscht sich in weitem Bogen ihr Man-tel, den sie mit beiden Händen fasst. Auf der Gegenseite schreitet Diana mit einem Pfeil in der Hand auf Wolken. Die Wandung des Gefäßes ist mit Blattranken überzogen, in denen Blüten, Trauben und ein Granatapfel hängen sowie ein Delphin hervorschaut. Die Motive sind aus dem tief-blauen Grund, aus dem kleine Schnörkel ausgekratzt sind, ausgespart. – Über der Standfläche ein blau eingefasster, ockerfarbener Kreis. Um den Hals läuft eine Lorbeerranke auf weißem Grund.
An der Mündung ein Ausbruch von 8 cm Länge.
D. 36 cm, H. 38 cm.
Als Goethe die „Vase“ erwarb, gehörte der Leuchter aus Pesaro als Deckel dazu (Kat. Nr. T 3).3 Schuchardt assoziierte mit dem Ensemble eine Potpourri-Vase.4 Es handelt sich um ein Apothekengefäß in einem Formtypus, wie er in Italien aus dem späten 15. Jahrhundert überliefert ist.5 Seit etwa der Mitte des 16. Jahrhunderts sind diese Gefäße vor allem aus Castel Durante und Venedig erhalten. Sie zeigen oft die glei-che Ornamentik – Trophäen und lockere Blattranken mit Früchten auf weißem Grund –, so dass eine genauere Bestimmung oft schwierig ist, zumal Majolikamaler zwi-schen den Produktionsorten auch wanderten.6 Die Herkunft des Weimarer Stückes aus der Werkstatt des Domenico da Venezia bezeugt der Vergleich mit den Rückseiten der bei-den von Domenico signierten und 1568 datierten großen
Teller in Braunschweig und deren üppigem Pflanzen- und Blütendekor in blauem Grund.7 Solche Kugeltöpfe in ver-schiedenen Größen und Dekoren gehören ebenso wie Alba-relli zu den eindrucksvollsten Produkten der Werkstatt.
Selten tragen Boccioni eine Inschrift, die ihren Inhalt bezeichnet.8
Im Katalog zur Auktion des Derschau-Nachlasses 1825 heißt es zu dem Gefäß: „Nach einer Raphaelischen Zeich-nung“,9 wobei Zeichnung für Entwurf steht. Auf Raffael lässt sich die Gestalt der Diana zurückführen, denn als Vorbild diente die Venus aus dem Urteil des Paris, das Marcanton Raimondi und Marco Dente gestochen haben (Abb. 84.1 und ## unter Kat. Nr. T 52 ).10 Als Göttin der Jagd wurde sie mit der Mondsichel im Haar und einem Pfeil anstelle des golde-nen Apfels in der Hand ausgestattet. Die Isolierung einer Figur aus einer größeren Komposition wurde in Venedig in der zweiten Hälfte des 16. Jahrhunderts oft praktiziert.11 Als Anregung für den sich bauschenden Mantel der Diana diente vielleicht Venus auf einem Stich von Giacomo Francia (84.2).12
Die Schöne auf dem Delphin wurde als Venus Marina, aber auch als Galathea gedeutet.13 Beide mythologischen Gestal-ten sind, wenn sie ohne Attribute bleiben, nicht zu unter-scheiden.14 In dieser Pose gehört die Figur, meist als Venus, zum Repertoire Domenicos. Mit Amor erscheint sie zum Beispiel an dem signierten und 1568 datierten Albarello im Museum für Angewandte Kunst Frankfurt 15.15 Sie ist auf den bereits erwähnten großen Tellern in Braunschweig, signiert und datiert 1568 von Domenico, in die üppige Randdekora-tion auf den Schauseiten integriert.16 Auf einem Delphin – wie auf dem Weimarer Exemplar – lagert sie auf der Fahne eines großen Tellers mit den drei apokalyptischen Reitern.17
Literatur: Anhang Derschau 1825, Nr. 1, [S. 36]; Schuchardt 1848, Bd. 2, S. 362, Kat. Nr. 391 (Anhang Schuchardt 1848); Schuette 1910, S. 46; Topfmeier 1958, Nr. 86.
1 Anhang Derschau 1825, [S. 36], Nr. 1. Der Zuschlagpreis lag 1825 bei 47 Floren.
2 Anhang Löffelholz 1823, Nr. 35. In der Löffelholz-Auktion hatte Frau von Derschau für 36 Floren eine „Vase mit Arabesken reich verziert“ ersteigert. Unter Arabesken verstand man auch Rankenwerk. Venus und Diana sind in der Liste 1823 ebenso wenig erwähnt wie der 1825 als „Deckel“ deklarierte Leuchter (T 3). Der Auktionskatalog war bisher nicht auffindbar.
84 Apothekengefäß · Boccione Diana unD Venus Venedig, Werkstatt des Domenico da Venezia, um 1560–1570Inv. Nr. GKg/Sch.II.361,391Provenienz: 1825 oder später erworben aus dem Nachlass von Hans-Albrecht von Derschau, Nürnberg;1 vielleicht aus dem Nachlass von Georg Friedrich Wilhelm Löffelholz, Nürnberg, der 1823 versteigert wurde2
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Eva Ströber
MINGPorcelain for a Globalised Trade
Approx. 240 pages, 24 x 29 cm, approx. 200 colour illustrations.Hardback with dust jacket. English.
€ 58 [D] | US$ 95 | £ 49.50ISBN 978-3-89790-389-0August 2013
Johanna Lessmann
ITALIENISCHE MAjOLIkA AuS GOETHES BESITzBestandskatalog der klassik Stiftung Weimar
Approx. 360 pages, 22 x 28 cm, approx. 220 illustrations in colour and b/w.Hardback. German.
€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-386-9December 2013
‘Serene pleasure’ was what Johann Wolfgang von Goethe felt with regard to his collection of Italian majolica, painted with vibrant high-fire colours and reflecting biblical, mythological, and historical themes. 97 majolicas from his art collection have been preserved. This publication provides the first comprehensive art historical study of the individual objects, on the basis of the latest research findings. The provenance of the majolica purchased by Goethe between 1800 and 1830 sheds light on the relationships between Venice and the southern German trade centres, opening up new insights into the trade in tin-glazed ceramics.
This publication presents all of the objects in Johann Wolfgang von Goethe’s majolica collec-tion, expertly described and with large-scale images.
Based on the exceptional porcelain collection at the Princessehof Museum, Leeuwarden, the complete range of Ming porcelain is presented for the first time within one publication: the ‘Ming myth’ is unveiled by contrasting spectacular pieces created for the Chinese imperial court, with various export ceramics destined for the Southeast Asian market, as well as the blue and white porcelain customised for Euro-pean tastes.
In relation to its historical and cultural context, this publication tells the story of Chinese Ming porcelain, which was created both for the impe-rial court and for a globalised market in South-east Asia and Europe.
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Anna Rikkinen, A DUTCH ENCOUNTER V, 2011, digital photograph, 800 x 600 mm
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LIV BLÅVARPBorn 1956
Since the 1980s, Liv Blåvarp has worked mainly with neck pieces, exploring and perfecting the
sculptural possibilities of this jewellery genre. She chose wood as her material, which was at
the time unusual in Norwegian jewellery circles. Throughout history, jewellery has been associ-
ated with precious materials, such as gem stones, a convention Blåvarp rejected in opting for
wood. As one of the fi rst Norwegian jewellery artists to break with tradition in this way, she dem-
onstrated that jewellery was about something other than status and preciousness. A recurrent
feature of Blåvarp’s work is the use of wood and of natural, organic forms. In the 1980s and 1990s
she used a fi gurative language to create neck pieces with representations of natural objects, such
as banana fruits and leaves. In the late 1990s she began to treat these natural themes with greater
abstraction, developing a non-fi gurative language of organic form with undulating shapes and
a greater emphasis on shades of wood and colour. Over the years, Blåvarp has developed a distinc-
tive and highly personal idiom that combines an exceptional sense of form with a perfected tech-
nique in jewellery that is supple and accommodating, both to wear and to look at. K.A.B.
EDUCATION
1979–83 Department of Metalworking, Oslo National College of Art
and Design, Oslo, Norway
PUBLIC COLLECTIONS
Designmuseum Danmark, Copenhagen, Denmark
Museum of Decorative Arts, Berlin, Germany
National Museum of Scotland, Edinburgh, Great Britain
Art Museums of Bergen, Norway
The Art Museum of Northern Norway, Trømso, Norway
MiST – Nordenfjeldske Kunstindustrimuseum, Trondheim, Norway
National Museum of Art, Architecture and Design, Oslo, Norway
Nationalmuseum, Stockholm, Sweden
The Röhsska Museum for Fashion, Design and Decorative Arts,
Gothenburg, Sweden
Cooper-Hewitt National Design Museum, New York, USA
Museum of Arts and Design, New York, USA
Mint Museum, Charlotte, USA
Museum of Fine Arts, Boston, USA
The Museum of Fine Arts (The Helen Williams Drutt Collection),
Houston, USA
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Anna Rikkinen, necklace A DUTCH ENCOUNTER V, 2011, lacquered wood, paper yarn, 600 x 500 x 120 mm
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<< Liv Blåvarp, necklace BAT, 2011, birdseye maple, cocobolo, ebony, dia. c. 300 mm
Liv Blåvarp, necklace SUNDANCE II, 2010, peroba rosa, amarello, amboina, whale tooth, dia. c. 350 mm
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aftermath
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From the Coolest Corner presents fresh and innova-tive jewellery from northern Europe. The best and most groundbreaking Scandinavian art jewellery is assessed according to its possibilities and potential at the start of the twenty-first century, challenging stereotypical notions about northern European jewellery. Are there still any typically northern or Scandinavian design trends? Or has the internation-alisation of design become so dominant that there are no longer any regional characteristics?
With 156 works by 61 artists from Denmark, Estonia, Finland, Iceland, Norway and Sweden, this publication assesses the significance of northern art jewellery, as well as its techniques and trends at the beginning of the twenty-first century.
Widar Halén (ed.)
FROM THE COOLEST CORNERNordic jewellery
With contributions by Liesbeth den Besten (NL), Widar Halén (NO), Love Jönsson (SE), Päivi Ruutiainen (FI), Jorunn Veiteberg (DK/NO).248 pages, 23 x 25 cm, 228 colour illustrations.Hardback with dust jacket. English.
€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-373-9
Aftermath of Art Jewellery presents perspectives on contemporary art jewellery, which has established itself as an autonomous form of artistic expression over the last 50 years. Now it has to find a new way forwards and establish productive links between the jewellery centres, as well as beyond the boundaries of jewellery. With this in mind, eight pioneering representatives of the young generation, from Munich and Oslo, have come together to explore new con-cepts for the jewellery of the future.
A creative and interdisciplinary assessment of the significance and potential of contemporary art jewellery, according to discussions between four artists from Oslo and four from Munich.
André Gali | Petra Hölscher | Hege Henriksen (ed.)
AFTERMATHof Art jewellery
80 pages, 20 x 20 cm, 40 illustrations in colour and 36 in b/w.Hardback. English (German and Norwegian as a download on www.arnoldsche.com).
€ 24.80 [D] | US$ 40 | £ 20ISBN 978-3-89790-379-1
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Ulo Florack
THE WOODRuFF kEYjewellery and Objects
With a contribution by Beatriz Chadour-Sampson.128 pages, 17.1 x 12.6 cm, 116 colour illustrations.Cloth-bound, Japanese binding. English and German.
€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-385-2
Florian Hufnagl | Die Neue Sammlung – The International Design Museum Munich (eds.)
OTTO küNzLI – THE BOOk696 pages, 20.5 x 27 cm, more than 1,000 illustrations.Cloth-bound.
€ 68 [D] | US$ 115 | £ 60English: ISBN 978-3-89790-383-8German: ISBN 978-3-89790-382-1
Jewellery pieces by Otto Künzli (born in1948) are never merely aesthetic objects. The artist and revo-lutionary plays with real images and uses symbols of power or of the trivial. His works are based on com-plex reflections and a visual power of imagination, are characterised by minimalist clarity and technical perfection, and are full of wit and sensual intensity. Künzli – as an artist, author, and teacher – holds a unique position in the world of art jewellery. This monograph provides a richly illustrated overview of all Künzli’s groups of works and a knowledgeable and philosophical perspective on his oeuvre.
This exceptional art book covers all of Otto Künzli’s groups of works. Expert texts explore his oeuvre from a philosophical perspective and in the light of jewellery theory.
The representation of mysterious and fantastical figures, magical inscriptions, and mythical beings are characteristic of Ulo Florack’s jewellery works and art objects. With artistic mastery and an exuberant imagination, he tells stories using gold, silver, plati-num, and enamel. He has a very distinctive style, resulting from the cross-pollination of his skills as a painter and as a jewellery artist. Consequently, his (jewellery) objects feature surprising and intelligent imagery, which consciously hovers in the grey area between fantasy and reality.
A book with Japanese binding, about the extra-ordinary jewellery works by Ulo Florack, which are characterised by humour, wit, and critical powers of observation.
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Marie Ellenrieder: Fürstin Therese Jablonowska, um 1819Öl auf Leinwand, 95,5 × 66,9 cmRosgartenmuseum Konstanz
folgende Doppelseite:
Marie Ellenrieder: Johannes der Täufer als Knabe mit Lamm, 1823/24Bleistift, Kohle und Kreide auf Papier, 63,9 × 49,5 cmRosgartenmuseum Konstanz
Marie Ellenrieder: Johannesknabe in Landschaft, ein Kreuz bindend, 1827Öl auf Holz, 73,2 × 56,5 cmRosgartenmuseum Konstanz
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Marie Ellenrieder was one of the most significant female painters of the nineteenth century, as well as a pioneer: she was the first woman admitted to study at the Munich Art Academy and to paint altar-pieces for a Catholic church in Germany. She enjoyed artistic success as a sought-after portraitist. After a journey to Italy, the artist – who had been appointed as the Baden court painter – dedicated herself increasingly to religious themes, in the style of the Nazarene art movement. Her works are characterised by a freshness of perception, an intuitive use of colours and clear compositions.
Based on her newly researched biography, this publication presents a fundamentally revised picture of Marie Ellenrieder as a successful female artist and confident woman, introducing current research findings about her artistic works.
Tobias Engelsing | Barbara Stark (eds.)
EINFACH HIMMLISCH!Die Malerin Marie Ellenrieder 1791–1863
192 pages, 22 x 28.5 cm, 131 illustrations in colour and b/w.Hardback. German.
€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-388-3
Annelies Strba (born in 1947) is one of the most significant and interesting contemporary photo and video artists. Her pictorial world is one of phantas-mas, premonitions, curses, mysteries, fairytales and myths. With the extreme intimacy of the trance-like and fantastical shots of her current cycle ‘My Life’s Dreams’, she succeeds in confronting the viewer with his own memories and emotions. Her unique concept of depiction and its transposition onto new realities is without parallel. Therefore the arrange-ment of the work group ‘My Life’s Dreams’, inspired by tales, appears as the pinnacle and natural con-tinuation of all her previous work.
Immerse yourself in the fascinating world of Annelies Strba. Let yourself be enchanted by the magic of her previously unseen pictorial worlds.
John Hutchinson | Ildegarda Scheidegger
ANNELIES ŠTRBAMy Life’s Dreams
224 pages, 32 x 21.5 cm, 210 colour illustrations.Half-linen cover. English and German.
€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-380-7
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Ulo Florack
THE WOODRuFF kEYjewellery and Objects
With a contribution by Beatriz Chadour-Sampson.128 pages, 17.1 x 12.6 cm, 116 colour illustrations.Cloth-bound, Japanese binding. English and German.
€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-385-2
Florian Hufnagl | Die Neue Sammlung – The International Design Museum Munich (eds.)
OTTO küNzLI – THE BOOk696 pages, 20.5 x 27 cm, more than 1,000 illustrations.Cloth-bound.
€ 68 [D] | US$ 115 | £ 60English: ISBN 978-3-89790-383-8German: ISBN 978-3-89790-382-1
Jewellery pieces by Otto Künzli (born in1948) are never merely aesthetic objects. The artist and revo-lutionary plays with real images and uses symbols of power or of the trivial. His works are based on com-plex reflections and a visual power of imagination, are characterised by minimalist clarity and technical perfection, and are full of wit and sensual intensity. Künzli – as an artist, author, and teacher – holds a unique position in the world of art jewellery. This monograph provides a richly illustrated overview of all Künzli’s groups of works and a knowledgeable and philosophical perspective on his oeuvre.
This exceptional art book covers all of Otto Künzli’s groups of works. Expert texts explore his oeuvre from a philosophical perspective and in the light of jewellery theory.
The representation of mysterious and fantastical figures, magical inscriptions, and mythical beings are characteristic of Ulo Florack’s jewellery works and art objects. With artistic mastery and an exuberant imagination, he tells stories using gold, silver, plati-num, and enamel. He has a very distinctive style, resulting from the cross-pollination of his skills as a painter and as a jewellery artist. Consequently, his (jewellery) objects feature surprising and intelligent imagery, which consciously hovers in the grey area between fantasy and reality.
A book with Japanese binding, about the extra-ordinary jewellery works by Ulo Florack, which are characterised by humour, wit, and critical powers of observation.
HW13_230513_END_CS4.indd 29 25.05.13 17:58
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Marie Ellenrieder: Fürstin Therese Jablonowska, um 1819Öl auf Leinwand, 95,5 × 66,9 cmRosgartenmuseum Konstanz
folgende Doppelseite:
Marie Ellenrieder: Johannes der Täufer als Knabe mit Lamm, 1823/24Bleistift, Kohle und Kreide auf Papier, 63,9 × 49,5 cmRosgartenmuseum Konstanz
Marie Ellenrieder: Johannesknabe in Landschaft, ein Kreuz bindend, 1827Öl auf Holz, 73,2 × 56,5 cmRosgartenmuseum Konstanz
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30 www.arnoldsche.com
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Marie Ellenrieder was one of the most significant female painters of the nineteenth century, as well as a pioneer: she was the first woman admitted to study at the Munich Art Academy and to paint altar-pieces for a Catholic church in Germany. She enjoyed artistic success as a sought-after portraitist. After a journey to Italy, the artist – who had been appointed as the Baden court painter – dedicated herself increasingly to religious themes, in the style of the Nazarene art movement. Her works are characterised by a freshness of perception, an intuitive use of colours and clear compositions.
Based on her newly researched biography, this publication presents a fundamentally revised picture of Marie Ellenrieder as a successful female artist and confident woman, introducing current research findings about her artistic works.
Tobias Engelsing | Barbara Stark (eds.)
EINFACH HIMMLISCH!Die Malerin Marie Ellenrieder 1791–1863
192 pages, 22 x 28.5 cm, 131 illustrations in colour and b/w.Hardback. German.
€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-388-3
Annelies Strba (born in 1947) is one of the most significant and interesting contemporary photo and video artists. Her pictorial world is one of phantas-mas, premonitions, curses, mysteries, fairytales and myths. With the extreme intimacy of the trance-like and fantastical shots of her current cycle ‘My Life’s Dreams’, she succeeds in confronting the viewer with his own memories and emotions. Her unique concept of depiction and its transposition onto new realities is without parallel. Therefore the arrange-ment of the work group ‘My Life’s Dreams’, inspired by tales, appears as the pinnacle and natural con-tinuation of all her previous work.
Immerse yourself in the fascinating world of Annelies Strba. Let yourself be enchanted by the magic of her previously unseen pictorial worlds.
John Hutchinson | Ildegarda Scheidegger
ANNELIES ŠTRBAMy Life’s Dreams
224 pages, 32 x 21.5 cm, 210 colour illustrations.Half-linen cover. English and German.
€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-380-7
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48 Frankreich / Belgien
Edward Colonna (1862–1948)
27 Möbelgarnitur Entwurf um 1899
Ausgeführt von Siegfried Bing
für L’Art Nouveau, Paris
Sofa, Armsessel und Tisch,
Palisander (Tisch), Mahagoni
(Sofa und Armsessel),
Samtpolsterung (Neupolsterung)
Tisch: 71 × 100 × 59,5 cm;
Sofa: 98,5 × 132,8 × 61,5 cm;
Sessel: 98,5 × 62 × 54,5 cm
RZ_jugend_001_352NEU.qxd 06.10.2010 11:10 Uhr Seite 48 RZ_jugend_001_352NEU.qxd 06.10.2010 11:12 Uhr Seite 49RZ_jugend_001_352NEU.qxd 06.10.2010 11:49 Uhr Seite 161
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www.arnoldsche.com 31
SP
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Florian Hufnagl | Rüdiger Joppien | Peter Schmitt
HANS-THEO BAuMANNart & design 1950–2010
304 pages, 24 x 30 cm, 341 illustrations in colour and b/w.Hardback with dust jacket. English and German.
€ 19.95 [D] | $ 35 | £ 17.50(formerly € 49.80 [D] | $ 85 | £ 45)ISBN 978-3-89790-323-4
Margot Th. Brandlhuber | Michael Buhrs (eds.)
DIE juGEND DER MODERNEArt Nouveau und jugendstil –Meisterwerke aus Münchner Privatbesitz
540 pages, 24.5 x 30.5 cm, 362 colour illustrations.Hardback with dust jacket. German.
€ 24.95 [D] | $ 40 | £ 20(formerly € 49.80 [D] | $ 85 | £ 45)ISBN 978-3-89790-338-8
More than 350 objects from German private collec-tions portray the wide spectrum of Jugendstil art, which created a ’new style‘ beyond all limitations of material and genre. This publication captivates with the quality and uniqueness of Jugendstil treasures rarely seen before, with works by the most important European and some American artists, designers and manufacturers. These reveal impressively the whole dynamics of this movement: the merging of art and live.
Works, some of which published for the first time, as well as texts by renowned experts present a comprehensive panoramic view of Jugendstil. Detailed descriptions of objects and artists’ biographies as well as illustrations of signatures and marks provide vital information. A rendering of European Jugendstil and Art Nouveau, unrivalled in scope and quality!
Furniture, dishes, glassware and cutlery – until today many items of Hans-Theo Baumann can be found in many kitchens, dining- and living rooms all over the German republic. Since the 1950s he has been the designer of German everyday life. Internationally leading companies such as Rosenthal, Vitra or Stoll produced his popular designs and were respon-sible for the immense distribution of these notably functional objects. This publication offers for the first time a comprehensive overview of Baumann’s designs.
A publication on outstanding design in every-day life, for Hans-Theo Baumann considered the design of industrially manufactured mass-produced products to be art that makes itself useful.
SPECIAL EDITION
SPECIAL EDITION
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MOLL
ARNOLDSCHE Art PublishersARNOLDSCHE Art Publishers ARNOLDSCHE Art Publishers
SiLvER + GOLD
Erstmals präsentiert dieses Buch die Arbeiten des Silberschmieds Wilfried Moll umfassend in großformatigen Abbildungen und fachkundigen Texten.in der Gegenüberstellung mit den Schmuckobjekten von Gerda Moll wird nicht nur die zeitlose Schönheit der Werke beider Künstler sichtbar, auch die fruchtbaren Wechselwirkungen innerhalb einer nun schon fast 50 Jahre andauernden Künstler und Lebensverbindung lassen sich nachvollziehen. Daran teilzuhaben ist ein Gewinn – eine »versilberte Zeit«!
For the first time and in large format illustrations this publication presents the work of the silversmith Wilfried Moll.Juxtaposed with the jewellery objects of Gerda Moll, the timeless beauty of both works is unveiled. the prolific interaction between the enduring artists and life partnership over the last nearly fifty years becomes apparent to take part in this is a prize in itself – a ›sterling time‹!
Ausgewählte Publikationen zum Design aus unserem Programm:Selected books on design from our list:
Christianne WeberStöber (Hg.)SILBERTRIENNALE INTERNATIONAL 16. weltweiter Wettbewerb 208 Seiten, 140 AbbildungeniSBN 9783897903401
W.O. BauerEUROPÄISCHES BESTECK-DESIGN19482000Die Sammlung Bauer208 Seiten, 16 Farbtafeln und über 200 AbbildungeniSBN 9783897902466
Jochen AmmeHISTORISCHE BESTECKEFormenwandel von der Alterssteinzeitbis zur Moderne672 Seiten, 450 Farbtafeln, über 1.000 MarkenabbildungeniSBN 9783897901674
Hufnagel / Joppien / SchmittHANS-THEO BAUMANNkunstdesign 19502010304 Seiten, 313 AbbildungeniSBN 9783897903234
Reinhold LudwigSCHMUCK-DESIGN DER MODERNEGeschichte und Gegenwart400 Seiten, ca. 800 AbbildungeniSBN 9783897902923
Wir informieren Sie gerne:For further information conatct:
ARNOLDSCHE Art PublishersListstraße 9D70180 StuttgartTel. +49 / (0)711 / 64 56 180Fax +49 / (0)711 / 64 56 1879www.arnoldsche.com
,!7ID8J7-jaceci!
Moll
iSBN 9783897903470
MO
LL S
iLvER
+ GO
LD
A
RN
OLD
SC
HE
ARNOLDSCHE ART PUBLISHERS ARNOLDSCHE ART PUBLISHERS
HARTMUT ESSLINGER FOUNDER OF FROG DESIGN
HA
RT
MU
T E
SS
LIN
GE
RA
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OL
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CH
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CREATIVE STRATEGIES FOR SUSTAINABLE CHANGE
DE
SIG
NFO
RW
AR
DC
RE
AT
IVE
ST
RA
TE
GIE
S F
OR
SU
STA
INA
BL
E C
HA
NG
E
“You can’t connect the dots looking forward; you can only connect them
looking backwards. So you have to trust that the dots will somehow connect
in your future.” STEVE JOBS
ISBN 978-3-89790-381-4
Be
rn
ha
rd
Sc
ho
Bin
ge
rThe r
ings of Saturn
ar
no
ldS
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Hartmut Esslinger (ed.) Widar Halén (ed.) Axel Thallemer | Martin Danzer Axel Thallemer | Jens Reese
Design ForwardCreative Strategies for Sustainable Change
Dysthe DesignSwinging 60
RoboticArt & Design
ScionicPurpose-driven GestaltThe End of Design?
308 pages, 235 illustrations and graphics. Flexibind. English. 2nd edition.€ 29.80 [D] | US$ 40 | £ 25ISBN 978-3-89790-381-4June 2013
200 pages, 125 illustrations in colour and b/w. Hardback. English and Norwegian.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-390-6June 2013
120 pages, 120 illustrations. Silk-screen printing on Stone Paper. Japanese binding. A book object including a film!€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-352-4
E-Book € 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-100-1
456 pages, approx. 900 illustrations. Paperback, Japanese binding, text supplement, slipcase. English.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-312-8
Axel Thallemer | Jens Reese Christianne Weber-Stöber (ed.) Christianne Weber-Stöber (ed.)Grotkamp-Schepers | Joppien | Schmitt | Spielmann | Weber-Stöber
Florian Hufnagl | Rüdiger Joppien | Peter Schmitt
Visual PermutationsThe Creativity of the Here and Now
Silver Triennial International17th Worldwide Competition
Silver Triennial International16th Worldwide Competition
MollSilver + Gold
Hans-Theo Baumannart & design 1950–2010
240 pages, 235 colour illustrations. Paperback with interleaving pages. English.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-313-5
192 pages, 93 colour illustrations. Hardback. English and German.€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-387-6
208 pages, 140 colour illustrations. Hardback. English and German.€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-340-1
184 pages, 114 colour illustrations. Hardback with dust jacket. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-347-0
304 pages, 341 illustrations in colour and b/w. Hardback with dust jacket. English and German.
Special price € 19.95 [D] | US$ 35 | £ 17.50(formerly € 49.80 [D] | US$ 85 | £ 45)ISBN 978-3-89790-323-4
Cornelia Lund | Holger Lund (eds.) Oliver Herwig | Axel Thallemer Oliver Herwig | Axel Thallemer Glenn Adamson
audio · visualOn Visual Music and Related Media
Water | WasserUnity of Art and Science
Air | LuftUnity of Art and Science
Bernhard SchobingerThe Rings of Saturn
320 pages, approx. 200 colour illustra-tions. Hardback with dust jacket. DVD. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-293-0
296 pages, more than 700 colour illus-trations. Hardback. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-266-4
336 pages, approx. 400 colour illustra-tions. Hardback. English and German. A book object with airbag!€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-214-5
Approx. 250 pages, approx. 420 colour illustrations. Hardback. English.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-402-6October 2013
De
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32 For more information on our backlist visit www.arnoldsche.com
NEW
NEW
NEW
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Jorunn Veiteberg (ed.)
Konrad MehusForm følgjer fiksjon . Smykke og objektForm Follows Fiction . Jewellery and Objects
Arnoldsche Art publishers
Arn
old
sche
J. Veiteb
erg (ed
.)sm
ykke og objektJew
ellery and objects
Kon
rad Mehus
Første monografi om den banebrytande norske smykkekunstnaren Konrad Mehus. Med humor og ironi overfører han daglegdagse sosiale og politiske emne til underfundige, forteljande smykke.
The first monography of the groundbreaking Norwegian jewellery artist Konrad Mehus, who translates daily social and political themes into narrative jewellery objects in an ironic and subtle way.
ArnoldscheMehus
ISBN 978-3-89790-360-9
Elisabeth J. Gu. Defner
Mensch / Natur / KosmosSchmuck und Gerät
Man / Nature / CosmosJewellery and Object
Ar
no
ldsc
he
Bollm
annE
lisabeth J. Gu. D
efnerDie Publikation präsentiert das einzigartige Werk von Elisabeth J. Gu. Defner – Schmuck in einer bisher unbekannten Ausrichtung: eine Einheit zwischen Mensch, Natur und Kosmos.This publication presents the unique work of Elisabeth J. Gu. Defner – jewellery that treads a previously unknown path: a unity of man, nature and cosmos.
ISBN 978-3-89790-353-1
Arnoldsche Art PublishersArnoldsche Art Publishers Arnoldsche Art Publishers
Karl Bollmann elisabeth J. Gu. defner zählt seit den 1960er Jahren zu den profiliertesten
schmuck-Künstlerinnen Österreichs. Ihre Arbeiten sind heute in Museen u. a.
in Wien, Graz, Pforzheim, Köln, Prag und london vertreten. defner sieht
schmuck nicht allein als eine ästhetische Angelegenheit, sondern auch als eine
gesundheitsfördernde ergänzung für Körper, Geist und seele. Im sinne einer
ganzheitlichen Vorstellung stehen die energie ausstrahlenden Metalle und
steine mit den Formen des schmucks in einklang und können zu einer inneren
Veränderung der Träger beitragen. dabei werden Broschen, ohrschmuck,
ringe oder Anhänger mit abgeformten Blättern von Pflanzen verbunden, so
dass die schönheit des schmucks mit der magischen Wirkung der Pflanze eine
idealtypische Verbindung eingehen kann.
since the 1960s, elisabeth J. Gu. defner has been one of Austria’s most prominent
jewellery artists. nowadays her works are displayed in museums in e.g. Vienna,
Graz, Pforzheim, cologne, Prague and london. defner sees jewellery not
merely as an aesthetic matter, but also as a form of complementary healthcare
for body, soul and spirit. The energy radiated from the metals and stones is
in holistic harmony with the forms of the jewellery and can bring about an
inner transformation of the wearer. Brooches, earrings, rings or pendants are
combined with moulded plant leaves, so that the beauty of the jewellery can
merge symbolically with the magical effect of the plant.
Ausgewählte Publikationen über schmuck aus unserem Programm:selected books on jewellery from our list:
Liesbeth den BestenOn JewelleryA Compendium of International Contemporary Art Jewellery
240 seiten, 191 Abbildungen. Flexo-cover. Text in englisch.240 pages, 191 illustrations. Flexcover. In english.IsBn 978-3-89790-349-4
Fritz FalkSerpentinaDie Schlange im Schmuck der WeltSnake Jewellery from around the World
192 seiten, 238 Abbildungen. hardcover mit schutzumschlag. Text in deutsch und englisch.192 pages, 238 illustrations. hardcover with dust jacket. In english and German.IsBn 978-3-89790-354-8
Art Meets Jewellery20 Jahre Galerie Slavik Wien20 Years of Galerie Slavik, Vienna
200 seiten, 290 Abbildungen. hardcover. Text in deutsch und englisch.200 pages, 290 illustrations. hardcover. In english and German.IsBn 978-3-89790-332-6
Cornelie Holzach | Katja PoljanacSchatzsuche mit Schmucki der Perlsauim Schmuckmuseum Pforzheim für Groß und Klein
80 seiten, 105 Abbildungen, 12 Bastelbogen. Klappen-Broschur. Text in deutsch.80 pages, 105 illustrations, 12 craft pages. Brochure with flaps. In German.IsBn 978-3-89790-351-7
Bauhuis | Gaspar | MazumdarPeter BauhuisABECEDARIUM – Schmuck. Gefäß. Gerät.ABECEDARIUM – Jewel. Vessel. Implement.
160 seiten, 200 Abbildungen. hardcover mit leineneinband. Text in deutsch und englisch.160 pages, 200 illustrations. cloth-bound. In english and German.IsBn 978-3-89790-361-6
Maas | Otto | SchetelichPetra ZimmermannSchmuck 1998–2010Jewellery 1998–2010
128 seiten, 239 Abbildungen. hardcover. Text in deutsch und englisch.128 pages, 239 illustrations. hardcover. In english and German.IsBn 978-3-89790-346-3
Arnoldsche Art Publishers
FROM THE
COOLEST CORNER
Nordic Jewellery
Widar Halén (ed.)
ARNOLDSCHE ARNOLDSCHE
FRO
M TH
E COO
LEST CO
RN
ER N
ordic Jewellery
Widar H
alén (ed.)
AR
NO
LDS
CH
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With 156 works by 61 artists from Denmark, Estonia, Finland, Iceland, Norway and Sweden, this publication considers the signifi cance, strategies and trends of Nordic art jewellery in the early twenty-fi rst century. Expert authors present the backgrounds, developments and characteristics of the contemporary jewellery.
ARNOLDSCHE Art Publishers
ISBN 978-3-89790-373-9
From the Coolest Corner – Nordic Jewellery presents ground-breaking and fresh jewellery from Northern Europe, a comprehensive selection of current works by artists from Denmark, Estonia, Finland, Iceland, Norway and Sweden. The best and most innovative Scandinavian art jewellery is presented, assessing its possibilities and potential at the beginning of the twenty-fi rst century.
From the Coolest Corner – Nordic Jewellery challenges stereotypical notions of northern European art jewellery. Do the typical Nordic trends of the nineteen-nineties still apply today? Indeed are there currently any general-trends at all in Scandinavian design? Or has the orientation towards international design become so dominant that there are no longer any regional characteristics?
Renowned experts have made a selection of representa-tive works, as a basis for researching the role of northern European jewellery in the context of international art.
With contributions by Liesbeth den Besten, Knut Astrup Bull, Widar Halén, Love Jönsson, Charlotte Malte, Päivi Ruutiainen, Jukka Savolainen, Harpa Thórsdóttir and Jorunn Veiteberg.
ARNOLDSCHE Art PublishersListstraße 9D – 70180 StuttgartPhone +49 (0)711/64 56 18 0Fax +49 (0)711/64 56 18 [email protected]
FTCC_cover_041212_end.indd 1 06.12.12 13:05
AF
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YA
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SCH
E ARNOLDSCHE Art PublishersARNOLDSCHE Art Publishersaftermath
ISBN 978 -3- 8979 0 -379 -1
Shou
ld je
wel
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be
con
sid
ered
art
, des
ign
or m
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n? What is
the relation between art jewellery and contemporary art? How does the future lo
ok fo
r art jewellery?
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qu
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on
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he works of eight internationally recognised and emerging jew
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Arnoldsche Art Publishers
ISBN 978-3-89790-326-5
Arn
old
sche
Thin
kin
gJewellery
Schm
uck
Den
kenW
. Lind
eman
n
& FH
Trier / Idar-O
berstein
SchmuckDenkenunterwegs zu einer Theorie des Schmucks
Arnoldsche Theorie
W. Lindemann & FH Trier/ Idar-Oberstein
ThinkingJewelleryon the way towards a theory of jewellery
SchmuckDenken_cover_280411_BEL.indd 1 28.04.2011 17:21:38 Uhr
IrIs FIshoF
Jewellery In Israel
MultIcultural DIversIty
1948 to the Present
arnolDsche
Iris Fishof
Florian Hufnagl | Die Neue Sammlung – The International Design Museum Munich (eds.) Ulo Florack Widar Halén (ed.)
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Jewellery in IsraelMulticultural Diversity1948 to the Present
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Aftermathof Art Jewellery
Approx. 200 pages, approx. 200 illustra-tions in colour and b/w. Hardback with dust jacket. English, with Hebrew summary.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-396-8October 2013
696 pages, more than 1,000 illustra-tions. Cloth-bound.€ 68 [D] | US$ 115 | £ 60English: ISBN 978-3-89790-383-8German: ISBN 978-3-89790-382-1
With a contribution by Beatriz Chadour-Sampson. 128 pages, 116 colour illustra-tions. Cloth-bound, Japanese binding. English and German.€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-385-2
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80 pages, 40 illustrations in colour and 36 in b/w. Hardback. English (German and Norwegian as a down-load on www.arnoldsche.com).€ 24.80 [D] | US$ 40 | £ 20ISBN 978-3-89790-379-1
Wilhelm Lindemann Wilhelm Lindemann (ed.) Jorunn Veiteberg (ed.) P. Bauhuis | M. Gaspar | P. Mazumdar Karl Bollmann et al.
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Konrad MehusForm Follows FictionJewellery and Objects
Peter BauhuisABECEDARIUMJewel. Vessel. Implement.
Elisabeth J. Gu. DefnerMan – Nature – CosmosJewellery and Objects
224 pages, approx. 225 colour illustra-tions. Hardback with dust jacket. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-374-6
224 pages, 219 colour illustrations. Hardback with dust jacket. English and German. 2nd edition.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-203-9
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160 pages, 200 illustrations in colour and b/w. Cloth-bound. English and German.€ 34.80 [D] | US$ 60 | £ 30ISBN 978-3-89790-361-6
248 pages, approx. 330 illustrations in colour and b/w. Hardback with dust jacket. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-353-1
Liesbeth den Besten Wilhelm Lindemann (ed.) Hermann Schadt Kadri Mälk | Tanel Veenre (eds.)HAWK Hildesheim | Kolloquium Nordrhein-Westfalen
On JewelleryA Compendium of International Contemporary Art Jewellery
SchmuckDenkenOn the Way towards a Theory of Jewellery
Goldsmiths‘ Art5000 Years of Jewelry and Hollowware
Castle in the Air | õhuLossJewellery from Estonia
Total StahlStahlschmuckpreis IV
240 pages, 150 illustrations in colour and 41 in b/w. Flexibind. English.€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-349-4
352 pages, 110 illustrations in colour and 230 in b/w. Hardback. English.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-326-5
240 pages, 364 illustrations in colour and b/w. Paperback. English.Special price: € 25 [D] | US$ 40 | £ 20ISBN 978-3-925369-54-6
296 pages, more than 200 colour illus-trations. Hardback. English and Estonian.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-359-3
128 pages, 85 colour illustrations. Hardback with dust jacket. German.€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-364-7
For more information on our backlist visit www.arnoldsche.com 33
NEW
HW13_230513_END_CS4.indd 33 25.05.13 17:36
ba
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lis
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Vivienne Becker et al. Ellen Maurer Zilioli Florian Hufnagl (ed.)
Art Meets Jewellery20 Years of Galerie Slavik, Vienna
Grossé + Bijoux Christian DiorHenkel & Grosse
Ulla + Martin KaufmannDifferent from
Gerd RothmannCatalogue raisonné1967–2008
Dorothea PrühlNecklaces
200 pages, 218 illustrations in colour and 72 in b/w. Hardback. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-332-6
192 pages, 346 colour illustrations. Hardback with dust jacket. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-335-7
144 pages, 133 illustrations in colour. Hardback. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-328-9
404 pages, more than 600 colour illustrations. Paperback. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-306-7
96 pages, 52 colour illustrations. Hardback. English and German. € 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-301-2
Fritz Falk Cornelie Holzach (ed.) Wilhelm Lindemann (ed.) Reinhold Ludwig Kadri Mälk (ed.)
Art Nouveau Jewelleryfrom Pforzheim
Art Déco Jewelleryand AccessoriesA New Style for a New World
Bengel Art Déco JewelleryJewellery and Industrial Monument, Idar-Oberstein/Germany
Modern Jewellery DesignPast and Present
Just MustBlack International Jewellery
328 pages, approx. 700 illustrations. Hardback with dust jacket. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-280-0
160 pages, 183 colour illustrations. Hardback. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-290-9
216 pages, 245 illustrations. Hardback with dust jacket. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-271-8
400 pages, approx. 800 colour illustra-tions. Hardback with dust jacket. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-292-3
With contributions by Krista Kodres, Tanel Veenre et al.216 pages, 140 illustrations. Cloth-bound. English and Estonian.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-296-1
Jorunn Veiteberg | Cecilie Skeide B. Maas | W. Otto | A. Schetelich Ellen Maurer Zilioli (ed.) Florian Hufnagl (ed.)
Sigurd BrongerLaboratorium MechanumJewellery | Schmuck | Smykker
Petra ZimmermannJewellery 1998–2010
Georg DoblerJewellery 1980–2010
NOWJewels by Norman Weber
Giampaolo BabettoL’Italianità dei Gioelli
216 pages, 196 illustrations. Hardback. English, Norwegian, German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-389790-345-6
128 pages, 193 illustrations in colour and 46 in b/w. Hardback. English and German.€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-346-3
208 pages, 164 colour illustrations. Hardback. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-330-2
144 pages, 120 colour illustrations. Hardback. English and German.€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-331-9
Photographs by Ulrike Myrzik and Manfred Jarisch.2 vol., 352 pages, 250 colour illus-trations. Paperback with gilt edging. English, Italian, German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-327-2
34 For more information on our backlist visit www.arnoldsche.com
HW13_230513_END_CS4.indd 34 25.05.13 17:36
ba
ck
lis
t
Jorunn Veiteberg (ed.)
Konrad MehusForm følgjer fiksjon . Smykke og objektForm Follows Fiction . Jewellery and Objects
Arnoldsche Art publishers
Arn
old
sche
J. Veiteb
erg (ed
.)sm
ykke og objektJew
ellery and objects
Kon
rad Mehus
Første monografi om den banebrytande norske smykkekunstnaren Konrad Mehus. Med humor og ironi overfører han daglegdagse sosiale og politiske emne til underfundige, forteljande smykke.
The first monography of the groundbreaking Norwegian jewellery artist Konrad Mehus, who translates daily social and political themes into narrative jewellery objects in an ironic and subtle way.
ArnoldscheMehus
ISBN 978-3-89790-360-9
Elisabeth J. Gu. Defner
Mensch / Natur / KosmosSchmuck und Gerät
Man / Nature / CosmosJewellery and Object
Ar
no
ldsc
he
Bollm
annE
lisabeth J. Gu. D
efnerDie Publikation präsentiert das einzigartige Werk von Elisabeth J. Gu. Defner – Schmuck in einer bisher unbekannten Ausrichtung: eine Einheit zwischen Mensch, Natur und Kosmos.This publication presents the unique work of Elisabeth J. Gu. Defner – jewellery that treads a previously unknown path: a unity of man, nature and cosmos.
ISBN 978-3-89790-353-1
Arnoldsche Art PublishersArnoldsche Art Publishers Arnoldsche Art Publishers
Karl Bollmann elisabeth J. Gu. defner zählt seit den 1960er Jahren zu den profiliertesten
schmuck-Künstlerinnen Österreichs. Ihre Arbeiten sind heute in Museen u. a.
in Wien, Graz, Pforzheim, Köln, Prag und london vertreten. defner sieht
schmuck nicht allein als eine ästhetische Angelegenheit, sondern auch als eine
gesundheitsfördernde ergänzung für Körper, Geist und seele. Im sinne einer
ganzheitlichen Vorstellung stehen die energie ausstrahlenden Metalle und
steine mit den Formen des schmucks in einklang und können zu einer inneren
Veränderung der Träger beitragen. dabei werden Broschen, ohrschmuck,
ringe oder Anhänger mit abgeformten Blättern von Pflanzen verbunden, so
dass die schönheit des schmucks mit der magischen Wirkung der Pflanze eine
idealtypische Verbindung eingehen kann.
since the 1960s, elisabeth J. Gu. defner has been one of Austria’s most prominent
jewellery artists. nowadays her works are displayed in museums in e.g. Vienna,
Graz, Pforzheim, cologne, Prague and london. defner sees jewellery not
merely as an aesthetic matter, but also as a form of complementary healthcare
for body, soul and spirit. The energy radiated from the metals and stones is
in holistic harmony with the forms of the jewellery and can bring about an
inner transformation of the wearer. Brooches, earrings, rings or pendants are
combined with moulded plant leaves, so that the beauty of the jewellery can
merge symbolically with the magical effect of the plant.
Ausgewählte Publikationen über schmuck aus unserem Programm:selected books on jewellery from our list:
Liesbeth den BestenOn JewelleryA Compendium of International Contemporary Art Jewellery
240 seiten, 191 Abbildungen. Flexo-cover. Text in englisch.240 pages, 191 illustrations. Flexcover. In english.IsBn 978-3-89790-349-4
Fritz FalkSerpentinaDie Schlange im Schmuck der WeltSnake Jewellery from around the World
192 seiten, 238 Abbildungen. hardcover mit schutzumschlag. Text in deutsch und englisch.192 pages, 238 illustrations. hardcover with dust jacket. In english and German.IsBn 978-3-89790-354-8
Art Meets Jewellery20 Jahre Galerie Slavik Wien20 Years of Galerie Slavik, Vienna
200 seiten, 290 Abbildungen. hardcover. Text in deutsch und englisch.200 pages, 290 illustrations. hardcover. In english and German.IsBn 978-3-89790-332-6
Cornelie Holzach | Katja PoljanacSchatzsuche mit Schmucki der Perlsauim Schmuckmuseum Pforzheim für Groß und Klein
80 seiten, 105 Abbildungen, 12 Bastelbogen. Klappen-Broschur. Text in deutsch.80 pages, 105 illustrations, 12 craft pages. Brochure with flaps. In German.IsBn 978-3-89790-351-7
Bauhuis | Gaspar | MazumdarPeter BauhuisABECEDARIUM – Schmuck. Gefäß. Gerät.ABECEDARIUM – Jewel. Vessel. Implement.
160 seiten, 200 Abbildungen. hardcover mit leineneinband. Text in deutsch und englisch.160 pages, 200 illustrations. cloth-bound. In english and German.IsBn 978-3-89790-361-6
Maas | Otto | SchetelichPetra ZimmermannSchmuck 1998–2010Jewellery 1998–2010
128 seiten, 239 Abbildungen. hardcover. Text in deutsch und englisch.128 pages, 239 illustrations. hardcover. In english and German.IsBn 978-3-89790-346-3
Arnoldsche Art Publishers
FROM THE
COOLEST CORNER
Nordic Jewellery
Widar Halén (ed.)
ARNOLDSCHE ARNOLDSCHE
FRO
M TH
E COO
LEST CO
RN
ER N
ordic Jewellery
Widar H
alén (ed.)
AR
NO
LDS
CH
E
With 156 works by 61 artists from Denmark, Estonia, Finland, Iceland, Norway and Sweden, this publication considers the signifi cance, strategies and trends of Nordic art jewellery in the early twenty-fi rst century. Expert authors present the backgrounds, developments and characteristics of the contemporary jewellery.
ARNOLDSCHE Art Publishers
ISBN 978-3-89790-373-9
From the Coolest Corner – Nordic Jewellery presents ground-breaking and fresh jewellery from Northern Europe, a comprehensive selection of current works by artists from Denmark, Estonia, Finland, Iceland, Norway and Sweden. The best and most innovative Scandinavian art jewellery is presented, assessing its possibilities and potential at the beginning of the twenty-fi rst century.
From the Coolest Corner – Nordic Jewellery challenges stereotypical notions of northern European art jewellery. Do the typical Nordic trends of the nineteen-nineties still apply today? Indeed are there currently any general-trends at all in Scandinavian design? Or has the orientation towards international design become so dominant that there are no longer any regional characteristics?
Renowned experts have made a selection of representa-tive works, as a basis for researching the role of northern European jewellery in the context of international art.
With contributions by Liesbeth den Besten, Knut Astrup Bull, Widar Halén, Love Jönsson, Charlotte Malte, Päivi Ruutiainen, Jukka Savolainen, Harpa Thórsdóttir and Jorunn Veiteberg.
ARNOLDSCHE Art PublishersListstraße 9D – 70180 StuttgartPhone +49 (0)711/64 56 18 0Fax +49 (0)711/64 56 18 [email protected]
FTCC_cover_041212_end.indd 1 06.12.12 13:05
AF
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YA
RN
OLD
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ISBN 978 -3- 8979 0 -379 -1
Shou
ld je
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be
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art
, des
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or m
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the relation between art jewellery and contemporary art? How does the future lo
ok fo
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ellery artists.
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s an
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Pet
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ositions them in the context of the history of art jew
ellery.
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pro
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th
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ant to get stones ro
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AR
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N H
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, RU
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LEN,
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EBORG
RESELL ELIESON AND NORMAN WEBER.
AFTERMATH
OF ART
JEWELLERY
ANDRÉ GALI / PETRA HÖLSCHER / HEGE HENRIKSEN (ED.)
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Arnoldsche Art Publishers
ISBN 978-3-89790-326-5
Arn
old
sche
Thin
kin
gJewellery
Schm
uck
Den
kenW
. Lind
eman
n
& FH
Trier / Idar-O
berstein
SchmuckDenkenunterwegs zu einer Theorie des Schmucks
Arnoldsche Theorie
W. Lindemann & FH Trier/ Idar-Oberstein
ThinkingJewelleryon the way towards a theory of jewellery
SchmuckDenken_cover_280411_BEL.indd 1 28.04.2011 17:21:38 Uhr
IrIs FIshoF
Jewellery In Israel
MultIcultural DIversIty
1948 to the Present
arnolDsche
Iris Fishof
Florian Hufnagl | Die Neue Sammlung – The International Design Museum Munich (eds.) Ulo Florack Widar Halén (ed.)
André Gali | Petra Hölscher | Hege Henriksen (ed.)
Jewellery in IsraelMulticultural Diversity1948 to the Present
Otto Künzli – The Book The Woodruff KeyJewellery and Objects
From the Coolest CornerNordic Jewellery
Aftermathof Art Jewellery
Approx. 200 pages, approx. 200 illustra-tions in colour and b/w. Hardback with dust jacket. English, with Hebrew summary.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-396-8October 2013
696 pages, more than 1,000 illustra-tions. Cloth-bound.€ 68 [D] | US$ 115 | £ 60English: ISBN 978-3-89790-383-8German: ISBN 978-3-89790-382-1
With a contribution by Beatriz Chadour-Sampson. 128 pages, 116 colour illustra-tions. Cloth-bound, Japanese binding. English and German.€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-385-2
248 pages, 228 colour illustrations. Hardback with dust jacket. English.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-373-9
80 pages, 40 illustrations in colour and 36 in b/w. Hardback. English (German and Norwegian as a down-load on www.arnoldsche.com).€ 24.80 [D] | US$ 40 | £ 20ISBN 978-3-89790-379-1
Wilhelm Lindemann Wilhelm Lindemann (ed.) Jorunn Veiteberg (ed.) P. Bauhuis | M. Gaspar | P. Mazumdar Karl Bollmann et al.
MunsteinerThe Young GenerationTom + Jutta Munsteiner
Bernd MunsteinerReflections in Stone
Konrad MehusForm Follows FictionJewellery and Objects
Peter BauhuisABECEDARIUMJewel. Vessel. Implement.
Elisabeth J. Gu. DefnerMan – Nature – CosmosJewellery and Objects
224 pages, approx. 225 colour illustra-tions. Hardback with dust jacket. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-374-6
224 pages, 219 colour illustrations. Hardback with dust jacket. English and German. 2nd edition.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-203-9
208 pages, 180 colour illustrations. Flexibind. English and Norwegian.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-360-9
160 pages, 200 illustrations in colour and b/w. Cloth-bound. English and German.€ 34.80 [D] | US$ 60 | £ 30ISBN 978-3-89790-361-6
248 pages, approx. 330 illustrations in colour and b/w. Hardback with dust jacket. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-353-1
Liesbeth den Besten Wilhelm Lindemann (ed.) Hermann Schadt Kadri Mälk | Tanel Veenre (eds.)HAWK Hildesheim | Kolloquium Nordrhein-Westfalen
On JewelleryA Compendium of International Contemporary Art Jewellery
SchmuckDenkenOn the Way towards a Theory of Jewellery
Goldsmiths‘ Art5000 Years of Jewelry and Hollowware
Castle in the Air | õhuLossJewellery from Estonia
Total StahlStahlschmuckpreis IV
240 pages, 150 illustrations in colour and 41 in b/w. Flexibind. English.€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-349-4
352 pages, 110 illustrations in colour and 230 in b/w. Hardback. English.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-326-5
240 pages, 364 illustrations in colour and b/w. Paperback. English.Special price: € 25 [D] | US$ 40 | £ 20ISBN 978-3-925369-54-6
296 pages, more than 200 colour illus-trations. Hardback. English and Estonian.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-359-3
128 pages, 85 colour illustrations. Hardback with dust jacket. German.€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-364-7
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Vivienne Becker et al. Ellen Maurer Zilioli Florian Hufnagl (ed.)
Art Meets Jewellery20 Years of Galerie Slavik, Vienna
Grossé + Bijoux Christian DiorHenkel & Grosse
Ulla + Martin KaufmannDifferent from
Gerd RothmannCatalogue raisonné1967–2008
Dorothea PrühlNecklaces
200 pages, 218 illustrations in colour and 72 in b/w. Hardback. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-332-6
192 pages, 346 colour illustrations. Hardback with dust jacket. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-335-7
144 pages, 133 illustrations in colour. Hardback. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-328-9
404 pages, more than 600 colour illustrations. Paperback. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-306-7
96 pages, 52 colour illustrations. Hardback. English and German. € 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-301-2
Fritz Falk Cornelie Holzach (ed.) Wilhelm Lindemann (ed.) Reinhold Ludwig Kadri Mälk (ed.)
Art Nouveau Jewelleryfrom Pforzheim
Art Déco Jewelleryand AccessoriesA New Style for a New World
Bengel Art Déco JewelleryJewellery and Industrial Monument, Idar-Oberstein/Germany
Modern Jewellery DesignPast and Present
Just MustBlack International Jewellery
328 pages, approx. 700 illustrations. Hardback with dust jacket. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-280-0
160 pages, 183 colour illustrations. Hardback. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-290-9
216 pages, 245 illustrations. Hardback with dust jacket. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-271-8
400 pages, approx. 800 colour illustra-tions. Hardback with dust jacket. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-292-3
With contributions by Krista Kodres, Tanel Veenre et al.216 pages, 140 illustrations. Cloth-bound. English and Estonian.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-296-1
Jorunn Veiteberg | Cecilie Skeide B. Maas | W. Otto | A. Schetelich Ellen Maurer Zilioli (ed.) Florian Hufnagl (ed.)
Sigurd BrongerLaboratorium MechanumJewellery | Schmuck | Smykker
Petra ZimmermannJewellery 1998–2010
Georg DoblerJewellery 1980–2010
NOWJewels by Norman Weber
Giampaolo BabettoL’Italianità dei Gioelli
216 pages, 196 illustrations. Hardback. English, Norwegian, German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-389790-345-6
128 pages, 193 illustrations in colour and 46 in b/w. Hardback. English and German.€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-346-3
208 pages, 164 colour illustrations. Hardback. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-330-2
144 pages, 120 colour illustrations. Hardback. English and German.€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-331-9
Photographs by Ulrike Myrzik and Manfred Jarisch.2 vol., 352 pages, 250 colour illus-trations. Paperback with gilt edging. English, Italian, German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-327-2
34 For more information on our backlist visit www.arnoldsche.com
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CeramiCsbetween the Possible and the Impossible
Ulrich Haass (ed.) Beatriz Chadour-SampsonE. Goring | H. Clifford | N. Romano | F. Carli | R. Strong Tacey Rosolowsky et al.
Gabriela Koschatzky-Elias | Carl Aigner (eds.)
As we like itJewellery and Tableware 1998–2008Berufskolleg für Design, Pforzheim
David WatkinsArtist in Jewellery
Kevin CoatesA Hidden AlchemyGoldsmithing: Jewels and Table-Pieces
Sculpture to WearThe Jewelry of Marjorie Schick
Fritz Maierhoferjewellery and more
288 pages, approx. 300 colour illustra-tions. Hardback. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-291-6
Foreword by Fritz Falk.208 pages, 313 illustrations. Hardback with dust jacket. English.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-925369-96-4
316 pages, 670 colour illustrations. Cloth-bound. English.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-284-8
240 pages, 240 colour illustrations, catalogue of works with 474 entries. Hardback with dust jacket. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-258-9
224 pages, 250 illustrations. Half-linen cover. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-245-9
Ellen Maurer Zilioli | Karl Bollmann | Wolfgang Prohaska Barbara Maas | Peter van Kester Ellen Maurer Zilioli | Karl Bollmann Yvònne Yoris | Ida van Zijl R. Fayet | F. Hufnagl (eds.)
Helfried KodréVedere l’invisibile
Herman HermsenJewellery, Light and More
Bruno MartinazziL’oro e la pietra
Gijs Bakker and JewelryCatalogue of Jewelry
Bernhard SchobingerJewels Now!
96 pages, 167 colour illustrations. Paperback with flaps. English and German.€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-239-8
64 pages with fold-out panels, 50 pages in Japanese binding, 164 illustrations. Paperback with flaps. English, Dutch, German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-252-7
112 pages, 60 colour illustrations. Hardback. English and German.€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-260-2
272 pages, 491 colour illustrations. Hardback. English and Dutch.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-223-7
Photographs by Annelies Strba.184 pages, 240 colour illustrations, fold-out panel. Hardback. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-183-4
Graziella Folchini Grassetto Arnold | Joppien | Chadour-Sampson Olaf Thormann (ed.) Jorunn Veiteberg | Kerstin Wickman
Contemporary JewelleryThe Padua School
Friedrich BeckerJewellery. Kinetics. Objects.
Vessel | Sculpture 2German and International Ceramics since 1946GRASSI Museum of Applied Art Leipzig
Torbjørn Kvasbø – CeramicsBetween the Possible and the Impossible
168 pages, 160 illustrations. Hardback with dust jacket. English and Italian.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-202-2
304 pages, 425 illustrations. Cloth-bound with dust jacket. English and German. 2nd edition.€ 89.80 [D] | US$ 150 | £ 80ISBN 978-3-925369-76-6
504 pages, approx. 550 colour illustra-tions. Hardback. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-391-3October 2013
Approx. 176 pages, approx. 100 illus-trations in colour and b/w. Hardback. English, Norwegian, Swedish.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-377-7September 2013
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dokumente zum
Jugendstil Art nouveAu documents
modernes kunstgewerbe modern APPlied Arts
1902–1908
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1902 wurde das Magazin „Dokumente des Modernen Kunstgewerbes“ erstmals vorgestellt. Es erschien bis 1908, verteilt auf fünf inhaltlich gegliederte Serien, ausnahmslos in aufwendiger Ausstattung und mit zahlreichen hervorragenden Abbildungen. Durch den kleinen Kreis der Abonnenten blieben die „Dokumente“ bis heute weitgehend unbekannt. Doch handelt es sich bei ihnen um einen einzigartigen Fundus von Jugendstil-Objekten, der sowohl namhafte wie auch bislang unbehan-delte Entwerfer und Hersteller ebenso wie unbekannte Schaffensseiten renommierter Künstler präsentiert.Die jetzt vorliegende Neubearbeitung macht dieses Werk endlich zu -gänglich. Auf rund 1.000 Abbildungen werden über 1.500 Einzelobjekte der deutschen und internationalen Jugendstil-Kunst in einer neuen Zusammenstellung gezeigt: Möbel, Metall, Glas, Keramik, Schmuck sowie Textilkunst. Ein um Künstlerbiographien und Firmengeschichten erweitertes Register mit rund 500 Nennungen erlaubt einen schnellen Zugriff: Die gezielte Suche, Auffindung und Identifizierung von Objek-ten ist nun möglich!Herausgeber und Autor war Heinrich Pudor (1865 –1943), der heute nur noch als völkischer Literat und Publizist bekannt ist. Seine „Dokumente des Modernen Kunstgewerbes“ zeichnen sich hingegen durch einen konsequenten Sachbezug und eine weltanschauliche Neutralität aus. Heinrich Pudors umfangreiche publizistischen und gesellschaftlichen Aktivitäten um die Jahrhundertwende reichten vom Nudismus, dem Vegetarismus und der Ernährungsphysiologie über die Sozial- und Kul-turpolitik und die Sexualwissenschaft bis hin zur Musikgeschichte sowie Sprachgeschichts- und Vorzeittheorien.
In 1902 the magazine ‘Documents of Modern Applied Arts’ was intro-duced for the first time. It was published until 1908, comprising five series divided by content, without exception in lavish quality and with numerous splendid illustrations. Because of the small circle of subscrib-ers the ‘Documents’ remained widely unknown until today. However, they are a unique art nouveau resource, presenting famous as well as less well-known designers and manufacturers, and furthermore present-ing unknown works by famous artists.This new edition finally makes this work accessible. Around 1,000 illus-trations present more than 1,500 individual artistic items from the Ger-man and international art nouveau era in a new constellation: furniture, metal, glass, ceramics, jewellery as well as textile. An index comprising artists’ biographies and company histories now enables easy reference: targeted searches, finding and identification of objects. The editor and author was Heinrich Pudor (1865 –1943), known today only as a national literary man and publicist. His ‘Documents of Modern Applied Arts’ are however characterised by thorough evaluations and an ideological neu-trality. Heinrich Pudor’s comprehensive journalistic and social activities around the turn of the century comprised nudism, vegetarianism, nutri-tional physiology, social and cultural policies, sexual science, the history of music, and theories about the history of language and prehistory.
Bengt NyströmRöRstRandJugendstil-Porzellan aus Schweden Art Nouveau Porcelain from Sweden224 S. / pp., 200 Farbabb. / colour ill.ISBN 978-3-89790-341-8
Dietrich / WagnerKayseRzinnEngelbert Kayser. Jugendstil-Zinn aus Köln Engelbert Kayser. Jugendstil Pewter from Cologne288 S. / pp., ca 1100 Abb. / ill.ISBN 978-3-89790-357-9
Fritz FalkJugendstil-schmucK aRt nouveau JewelleRyaus Pforzheim / from Pforzheim328 S. / pp., ca 700 Abb. / ill.ISBN 978-3-89790-280-0
Brandlhuber / Buhrs (Hg. / ed.)die Jugend deR modeRne Art Nouveau und Jugendstil. Meisterwerke aus Münchner Privatbesitz540 S. / pp., 362 Farbabb. / colour ill., in Deutsch / GermanISBN 978-3-89790-338-8
Julius Hoffmann (ed.)deR modeRne stil the modeRn styleJugendstil / Art Nouveau1899 –1905496 S. / pp., 2000 Abb. / ill.ISBN 978-3-89790-229-9
Wir informieren Sie gerne:For further information contact:
aRnoldsche art PublishersListstraße 9D-70180 StuttgartTel. +49 / (0)711 / 64 56 18-0Fax +49 / (0)711 / 64 56 [email protected]
Robotic
Serpentina
On Jewellery
OhuLoss
Defner
Cheret
Kayser Zinn
Pudor
Out of Order
10000 times
Pensontimes
ISBN 978-3-89790-355-5
Ausgewählte Publikationen zu Jugendstil aus unserem Programm: Selected books on Art Nouveau from our list:
mit 1.000 Abbildungen und 1.500 Objekten
with 1,000 illustrations and 1,500 objects
A R N O L D S C H E A R T P U B L I S H E R SA R N O L D S C H E A R T P U B L I S H E R S
Heute erweist sich Kochs damalige (1953) Auswahl von Leuchten internationaler Gestalter und Hersteller als geradezu visionär. Er breitet ein Spektrum gestalteri-scher Vielfalt aus, dessen Ursprünge nicht nur in der Addition geometrischer Grundformen im Sinne der Vorkriegs-Avantgarden lag, sondern auch in den jewei-ligen Temperamenten der unterschiedlichen Herkunftsländer, Designer und Manu-fakturen. Ein unentbehrliches Standardwerk für Sammler und Liebhaber moderner Leuchten.
Nowadays Koch’s then (1953) selection of lighting by international designers and manufacturers seems truly visionary. Koch presents a spectrum of diverse designs, whose origins lay not only in the addition of basic geometrical shapes as with the pre-war avant-gardists, but also in the respective temperaments of the different countries of origin, designers and manufactures. A standard work for collectors and modern lighting enthusiasts.
D ES I GN ER U N D H ERSTE L L ER (Auswahl)D ES I GN ER AN D M A K ERS (Selection)
Arteluce S. A., BAG Bronzewarenfabrik AG, Alexey Brodovitch, Pier Giacomo Castiglioni, Hans Hoffmann-Lederer, Walter Gropius, J. T. Kalmár, Knoll Associates Inc., Walter von Nessen, Richard Neutra, Isamu Noguchi, Angelo Ostuni, Guiseppe Ostuni, Widdicomb Robsjohn-Gibbings, Jean Jacques Royère, Gino Sarfatti, Stil-novo, Wolfgang Tümpel, Paavo Tynell, Vereinigte Werkstätten für Kunst im Hand-werk / United Workshops for Art in Handcraft, K. Versen, Herta Witzemann, Zeiss-Ikon AG, Goerzwerk
ISBN 978-3-89790-367-8
A L E X A N D E R K O C H
N E U Z E I T L I C H E L E U C H T E N D E R 5 0 e r J A H R E
M O D E R N L I G H T I N G O F T H E ’ 5 0 s
A.
KO
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NEU
ZEITLICHE LEUCH
TEN / M
ODERN
LIGHTIN
GA
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LDSCH
E A R N O L D S C H E A R T P U B L I S H E R SA R N O L D S C H E A R T P U B L I S H E R SA R N O L D S C H E A R T P U B L I S H E R SA R N O L D S C H E A R T P U B L I S H E R S
Heute erweist sich Kochs damalige (1953) Auswahl von Leuchten internationaler Gestalter und Hersteller als geradezu visionär. Er breitet ein Spektrum gestalteri-scher Vielfalt aus, dessen Ursprünge nicht nur in der Addition geometrischer Grundformen im Sinne der Vorkriegs-Avantgarden lag, sondern auch in den jewei-ligen Temperamenten der unterschiedlichen Herkunftsländer, Designer und Manu-fakturen. Ein unentbehrliches Standardwerk für Sammler und Liebhaber moderner Leuchten.
Nowadays Koch’s then (1953) selection of lighting by international designers and manufacturers seems truly visionary. Koch presents a spectrum of diverse designs, whose origins lay not only in the addition of basic geometrical shapes as with the pre-war avant-gardists, but also in the respective temperaments of the different countries of origin, designers and manufactures. A standard work for collectors and modern lighting enthusiasts.
D ES I GN ER U N D H ERSTE L L ER (Auswahl)D ES I GN ER AN D M A K ERS (Selection)
Arteluce S. A., BAG Bronzewarenfabrik AG, Alexey Brodovitch, Pier Giacomo Castiglioni, Hans Hoffmann-Lederer, Walter Gropius, J. T. Kalmár, Knoll Associates Inc., Walter von Nessen, Richard Neutra, Isamu Noguchi, Angelo Ostuni, GuiseppeOstuni, Widdicomb Robsjohn-Gibbings, Jean Jacques Royère, Gino Sarfatti, Stil-novo, Wolfgang Tümpel, Paavo Tynell, Vereinigte Werkstätten für Kunst im Hand-werk / United Workshops for Art in Handcraft, K. Versen, Herta Witzemann, Zeiss-Ikon AG, Goerzwerk
ISBN 978-3-89790-367-8
A L E X A N D E R K O C H
N E U Z E I T L I C H E L E U C H T E NN E U Z E I T L I C H E L E U C H T E ND E R 5 0 e r J A H R E
M O D E R N L I G H T I N GM O D E R N L I G H T I N GO F T H E ’ 5 0 s
A.
KO
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ZEITLICHE LEUCH
TEN
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ZEITLICHE LEUCH
TEN // M
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LIGHTIN
G M
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LIGHTIN
GA
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Die Aelteste Volkstedter
Porzellan-manufaktur
Ihre Geschichte von der Gründung
bis heute
Christoph Fritzsche
ArnoldsChe
Johanna Lessmann
ITALIENISCHE MAJOLIKA AUS GOETHES BESITZBestandskatalog der Klassik Stiftung Weimar
ArNOLdSCHE
Christoph Fritzsche Horst Makus | Alexandra Marx et al. Marc Heiremans Johanna Lessmann Alexander Koch
Die Aelteste Volkstedter PorzellanmanufakturIhre Geschichte von der Gründung bis heute
Heinz and Ingrid SieryCeramics – Bronze – InteriorsA Life with Art
Seguso Vetri D‘ArteGlass Objects from Murano (1932–1973)
Italienische Majolika aus Goethes BesitzBestandskatalog der Klassik Stiftung Weimar
Modern Lightingof the 50s
360 pages, more than 300 illustrations in colour and b/w. Hardback with dust jacket. German.€ 78 [D] | US$ 135 | £ 70ISBN 978-3-89790-397-5October 2013
160 pages, approx. 160 illustrations in colour and b/w. Hardback, decorative slipcase. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-401-9October 2013
Approx. 400 pages, more than 2,000 illustrations (many of them in colour). Hardback, decorative slipcase. English.€ 198 [D] | US$ 340 | £ 180ISBN 978-3-89790-162-9October 2013
Approx. 360 pages, approx. 220 illustra-tions in colour and b/w. Hardback. German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-386-9December 2013
128 pages, 266 illustrations in b/w and 13 in colour. Hardback. English, French, German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-367-8
M. Th. Brandlhuber | M. Buhrs (eds.) Bengt Nyström
Melinda and Paul Sullivan Foundation for the Decorative Arts | Meredith Chilton | Claudia Lehner-Jobst et al. Ulrich Pietsch Patricia Brattig (ed.)
Die Jugend der ModerneArt Nouveau und Jugendstil – Meisterwerke aus Münchner Privatbesitz
RörstrandArt Nouveau Porcelain from Sweden
Fired by PassionViennese Baroque Porcelain of Claudius Innocentius Du Paquier
Passion for MeissenThe Said and Roswitha Marouf Collection
MeissenBarockes Porzellan
540 pages, 362 colour illustrations. Hardback with dust jacket. German.
Special price: € 24.95 [D] | US$ 40 | £ 20(formerly € 49.80 [D] | $ 85 | £ 45) ISBN 978-3-89790-338-8
224 pages, 200 illustrations in colour and 90 in b/w and duotone. Hardback with dust jacket. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-341-8
3 vol., 1,432 pages, more than 2,000 colour illustrations. Cloth-bound in decorative slipcase. € 199.80 [D] | US$ 340 | £ 180English: ISBN 978-3-89790-304-3German: ISBN 978-3-89790-308-1
368 pages, 590 colour illustrations. Hardback with dust jacket. English and German.€ 64.80 [D] | US$ 110 | £ 55ISBN 978-3-89790-334-0
432 pages, more than 1,180 colour illustrations. Hardback with dust jacket. German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-329-6
Michael Buhrs (ed.) G. Dietrich | E. Wagner (eds.) Joseph Maria Olbrich Heinrich Pudor Julius Hoffmann (ed.)
Jules ChéretPioneer of Poster Art
KayserzinnEngelbert KayserJugendstil-Pewter from Cologne
Ideen von Olbrich Art Nouveau DocumentsModern Applied Arts 1902–1908
The Modern StyleJugendstil/Art Nouveau 1899–1905
168 pages, 121 colour illustrations. Paperback with flaps. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-356-2
256 pages, approx. 1,300 illustrations. Hardback with dust jacket. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-357-9
Foreword by Ludwig Hevesi.196 pages, more than 200 illustrations. Cloth-bound, slipcase. German.€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-279-4
Introduction and commented index by Horst Makus.256 pages, approx. 1,000 illustrations. Hardback with dust jacket. English and German.€ 78 [D] | US$ 135 | £ 70ISBN 978-3-89790-355-5
Introduction by Horst Makus in English and German.496 pages, approx. 2,000 objects reproduced in b/w, directory of artists and manufacturers. Hardback with dust jacket. € 99.80 [D] | US$ 170 | £ 90ISBN 978-3-89790-229-9
36 For more information on our backlist visit www.arnoldsche.com
NEWNEWHeinz and ingrid Siery
Ceramics − Bronze − interiorsA Life with Art
ArnoLdsche
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Robert E. Dechant | Filipp Goldscheider Peter Held (ed.) Susan Jefferies et al. J. Straßer | P. Nickl | S. Jefferies et al. Ingrid Vetter
GoldscheiderHistory of the Company and Catalogue of Works
Infinite PlaceThe Ceramic Art of WAYNE HIGBY
Yasuhisa KohyamaThe Art of Ceramics
Gilbert PortanierŒuvres 2000–2009
Modern 20th-Century CeramicsInventory catalogue of the Hinder/Reimers Collection
640 pages, more than 2,300 illustra-tions, approx. 1,600 models and 163 signatures reproduced. Hardback with dust jacket. English and German.€ 149.80 [D] | US$ 250 | £ 135ISBN 978-3-89790-216-9
216 pages, 170 colour illustrations. Hardback with dust jacket. English.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-384-5
112 pages, 95 colour illustrations. Hardback. English.€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-362-3
200 pages, 158 colour illustrations. Hardback with dust jacket. English, French, German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-289-3
304 pages, 1,943 illustrations, 219 signatures. Hardback with dust jacket. English and German.€ 64.80 [D] | US$ 110 | £ 55ISBN 978-3-89790-275-6
Peter Siemssen et al. Horst Makus Carolus Hartmann Barry Friedman (ed.)Barry Friedman | Janet Koplos | Attila Dorigato et al.
Ceramics – A Lifelong PassionCollection Peter Siemssen Foundation
Keramik der 50er JahreFormen, Farben und DekoreEin Handbuch
Glasmarken-Lexikon 1600–1945Signaturen, Fabrik- und HandelsmarkenEuropa und Nordamerika
Michael GlancyInfinite Obsessions
Venice. 3 Visions in GlassCristiano Bianchin, Yoichi Ohira, Laura de Santillana
312 pages, 248 illustrations in colour and 125 in b/w. Hardback with dust jacket. € 49.80 [D] | US$ 85 | £ 45English: ISBN 978-3-89790-256-5French: ISBN 978-3-89790-257-2German: ISBN 978-3-89790-255-8
672 pages, approx. 700 illustrations in colour and 300 in b/w, 400 signatures, indices of model numbers. Hardback. German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-220-6
1,008 pages, more than 11,000 signatu-res and marks reproduced. Cloth-bound with dust jacket, slipcase. German.€ 199.80 [D] | US$ 340 | £ 180ISBN 978-3-925369-37-7
228 pages, 380 colour illustrations. Hardback with dust jacket. English.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-344-9
468 pages, 634 colour illustrations. Hardback with dust jacket. English and French.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-303-6
Carlo Burschel | Heinz Scheiffele Carlo Burschel | Heinz Scheiffele Jochen Amme Jochen Amme Jochen Amme
WMF Ikora & Myra Glassfrom the 1920s to the 1950s
WMF Ikora Metalworkfrom the 1920s to the 1960s
Historische BesteckeFormenwandel von der Altsteinzeit bis zur Moderne (AMME 2002)
Historische Bestecke IISupplement to AMME 2002
Historische Bestecke IIIVon der Frühzeit bis in die Zeit um 1600
200 pages, 150 illustrations, 163 plates from the original company catalogues. Hardback. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-189-6
264 pages, 230 illustrations, 300 plates from the original company catalogues. Hardback. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-191-9
672 pages, 450 colour plates, more than 1,000 marks reproduced. Cloth-bound with dust jacket, decorative slipcase. German.€ 124.80 [D] | US$ 210 | £ 115ISBN 978-3-89790-167-4
224 pages, 100 colour plates. Hardback with dust jacket. German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-261-9
300 pages, 165 colour plates. Cloth-bound with dust jacket. German.€ 68 [D] | US$ 115 | £ 60ISBN 978-3-89790-254-1
For more information on our backlist visit www.arnoldsche.com 37
HW13_230513_END_CS4.indd 37 25.05.13 17:39
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Cairo Fash
ion D
esigna
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978
-3-
89
790
-34
8-7
S. Kü
mper
CairoFashionDesignarnoldschearnoldsche
Alexander Kuznetsov
Pavel TchelitchewMetamorphoses
A. K
uzn
etsov
Pavel Tch
elitchew
M
etamorph
oses
AR
NO
LD
SC
HE ARNOLDSCHE Art PublishersARNOLDSCHE Art Publishers
ISBN 978-3-89790-368-5
Owing to his comprehensive and complex oeuvre, Pavel Tchelitchew (1898–1957) is today one of the most fascinat-ing artist personalities of the modern era. After completing his apprenticeship with Alexandra Exter in Moscow and Kiev, he worked at the beginning of the 1920s as a success-ful stage designer in Berlin, before relocating to Paris in 1923. Gertrude Stein and later Edith Sitwell were amongst Tchelitchew’s illustrious supporters at the time. In Paris he moved in the so-called Neo-Romantic circles and was influ-enced not only by Surrealism but also by the Russian Sym-bolism of the turn of the century, to which he added ele-ments of Cubism.In the 1940s, having moved to New York, Tchelitchew dedi-cated himself to ‘inner landscapes’ and ‘X-ray’ portraits of heads and bodies, streaked with glowing veins, arteries and pathways of nerves. He eliminated the boundaries between the inside and the outside and dissolved the body into net-works of energy.Tchelitchew experimented continually with new styles in order to find imagery for transcendent elements, cosmic structures and philosophical concepts. The comprehensive collection of studies, sketches and paintings created in the process constitutes an extraordinarily individual contribu-tion to art in the modern era. This publication pays tribute for the first time to the full scope of his work and presents him within the context of contemporary art.
Alexander Evengenyevich Kuznetsov was born in 1965 in the city of Kazan in the former Soviet Union (now the Russian Federation). In 2000, he graduated from the Department of Art History of the Russian Academy of Arts (Ilya Repin Institute) in St Petersburg. The author of numerous articles on the history of Russian art in the late nineteenth and first half of the twentieth century, Alexander Kuznetsov has collaborated widely with galleries in St Petersburg and Moscow from the late 1990s. Since 2006, he has been particularly interested in the Parisian group of Neo-Romantics, namely Christian Bérard, Eugène Berman and Pavel Tche-li tchew. In 2006 and 2011, he curated two major retrospectives of the painting and graphic art of Pavel Tche litchew at the Kournikova Gallery in Moscow. This work was continued in his catalogue raisonné of the artist’s oeuvre. He is currently writing a monograph on Nikolai Bogdanov-Belsky. Since April 2005, Alexander Kuznetsov has been a leading expert on paintings and drawings for MacDougall’s Fine Art Auctions in London.
This first comprehensive monograph of the Russian painter Pavel Tchelitchew (1898–1957) presents his most important and compelling paint-ings, complemented by a selection of sketches and stage designs. The colourful versatility and striking individuality of the artist’s exciting oeuvre are documented here for the first time.
cover_tchelitchew_190912.indd 1 25.09.12 11:29
Leonard rickhardPaintings
arnoLdsche art Publishers arnoldsche
IsBn 978-3-89790-380-7
an
nelIe
s Š
trB
a a
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an
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a h
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Fashion IllustrationA Manual
prints 1963–2013 arnoldsche
Iris Edenheiser | Astrid Nielsen (eds.) for the Dresden State Art Collections Lars Eisenlöffel Rita Selvaggio | Audun Eckhoff
Cecilie Malm Brundtland | Eva Furseth | Eivind Tjønneland
Tecumseh, Keokuk, Black HawkPortraits of Indians in the Era of Treaties and Removal
Bjørn RansvePrints 1963–2013
RansvePaintings 1962–2009
RansveDrawings 1961–2005
200 pages, 70 colour illustrations. Hardback. English and German.€ 34.80 [D] | US$ 60 | £ 30ISBN 978-3-89790-400-2September 2013
Approx. 700 pages, approx. 1,200 colour illustrations. Hardback, decorative slipcase.€ 99.80 [D] | US$ 170 | £ 90English: ISBN 978-3-89790-370-8 (includes German translation)Norwegian: ISBN 978-3-89790-398-2October 2013
684 pages, more than 670 colour illus-trations. Hardback, decorative slipcase.€ 99.80 [D] | US$ 170 | £ 90English: ISBN 978-3-89790-310-4 (includes German translation)Norwegian: ISBN 978-3-89790-317-3
636 pages, more than 1,400 colour illustrations. Hardback, decorative slipcase.€ 99.80 [D] | US$ 170 | £ 90English:ISBN 978-3-89790-244-2(includes German translation)Norwegian: ISBN 978-3-89790-253-4
Martin Herbert | Åsmund Thorkildsen John Hutchinson | Ildegarda Scheidegger Tobias Engelsing | Barbara Stark (eds.) Alexander KuznetsovRosa Barovier | William Warmus | Maricruz Patiño | Pearl Chou et al.
Leonard RickhardPaintings
Annelies StrbaMy Life’s Dreams
Einfach himmlisch!Die Malerin Marie Ellenrieder 1791–1863
Pavel TchelitchewMetamorphoses
Narcissus QuagliataArchetypes and Visions in Light and Glass
Introduction by Jorunn Veiteberg.312 pages, 220 colour illustrations. Cloth-bound. English, Norwegian, German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-372-2
224 pages, 210 colour illustrations. Half-linen cover. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-380-7
192 pages, 131 illustrations in colour and b/w. Hardback. German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-388-3
336 pages, 370 colour illustrations. Hardback with dust jacket, decorative slipcase. English (summaries in German, Russian, French).€ 68 [D] | US$ 115 | £ 60ISBN 978-3-89790-368-5
256 pages, 355 colour illustrations. Hardback with dust jacket. English.€ 68 [D] | US$ 115 | £ 60ISBN 978-3-89790-378-4October 2013
Peter Schmitt (ed.) G. Czymmek | H. Kessler Aurisch (eds.) Willemina Hoenderken (ed.) Susanne Kümper (ed.)
Florian Lechnerand Glass
German Impressionist Landscape PaintingLiebermann – Corinth – Slevogt
Fashion IllustrationA Manual
Cairo Fashion DesignYoung Tendencies
216 pages, 275 illustrations in colour and b/w. Hardback. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-371-5
256 pages, 170 colour illustrations. Cloth-bound.€ 39.80 [D] | US$ 70 | £ 35English: ISBN 978-3-89790-321-0German: ISBN 978-3-89790-322-7
320 pages, approx. 400 colour illustra-tions. Hardback. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-395-1June 2013
224 pages, 243 illustrations. Flexibind. English, Arabic, German.€ 34.80 [D] | US$ 60 | £ 30ISBN 978-3-89790-363-0
Special edition with embroidery – every book a one-off!€ 79.80 [D] | US$ 135 | £ 70ISBN 978-3-89790-212-1
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38 For more information on our backlist visit www.arnoldsche.com
Tecumseh, KeoKuK,
BlacK hawKPortraits of Indians
in the Era of Treaties and Removal
ARnoldschE
NEW
NEW
NEW
HW13_230513_END_CS4.indd 38 25.05.13 17:40
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Robert E. Dechant | Filipp Goldscheider Peter Held (ed.) Susan Jefferies et al. J. Straßer | P. Nickl | S. Jefferies et al. Ingrid Vetter
GoldscheiderHistory of the Company and Catalogue of Works
Infinite PlaceThe Ceramic Art of WAYNE HIGBY
Yasuhisa KohyamaThe Art of Ceramics
Gilbert PortanierŒuvres 2000–2009
Modern 20th-Century CeramicsInventory catalogue of the Hinder/Reimers Collection
640 pages, more than 2,300 illustra-tions, approx. 1,600 models and 163 signatures reproduced. Hardback with dust jacket. English and German.€ 149.80 [D] | US$ 250 | £ 135ISBN 978-3-89790-216-9
216 pages, 170 colour illustrations. Hardback with dust jacket. English.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-384-5
112 pages, 95 colour illustrations. Hardback. English.€ 29.80 [D] | US$ 50 | £ 25ISBN 978-3-89790-362-3
200 pages, 158 colour illustrations. Hardback with dust jacket. English, French, German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-289-3
304 pages, 1,943 illustrations, 219 signatures. Hardback with dust jacket. English and German.€ 64.80 [D] | US$ 110 | £ 55ISBN 978-3-89790-275-6
Peter Siemssen et al. Horst Makus Carolus Hartmann Barry Friedman (ed.)Barry Friedman | Janet Koplos | Attila Dorigato et al.
Ceramics – A Lifelong PassionCollection Peter Siemssen Foundation
Keramik der 50er JahreFormen, Farben und DekoreEin Handbuch
Glasmarken-Lexikon 1600–1945Signaturen, Fabrik- und HandelsmarkenEuropa und Nordamerika
Michael GlancyInfinite Obsessions
Venice. 3 Visions in GlassCristiano Bianchin, Yoichi Ohira, Laura de Santillana
312 pages, 248 illustrations in colour and 125 in b/w. Hardback with dust jacket. € 49.80 [D] | US$ 85 | £ 45English: ISBN 978-3-89790-256-5French: ISBN 978-3-89790-257-2German: ISBN 978-3-89790-255-8
672 pages, approx. 700 illustrations in colour and 300 in b/w, 400 signatures, indices of model numbers. Hardback. German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-220-6
1,008 pages, more than 11,000 signatu-res and marks reproduced. Cloth-bound with dust jacket, slipcase. German.€ 199.80 [D] | US$ 340 | £ 180ISBN 978-3-925369-37-7
228 pages, 380 colour illustrations. Hardback with dust jacket. English.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-344-9
468 pages, 634 colour illustrations. Hardback with dust jacket. English and French.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-303-6
Carlo Burschel | Heinz Scheiffele Carlo Burschel | Heinz Scheiffele Jochen Amme Jochen Amme Jochen Amme
WMF Ikora & Myra Glassfrom the 1920s to the 1950s
WMF Ikora Metalworkfrom the 1920s to the 1960s
Historische BesteckeFormenwandel von der Altsteinzeit bis zur Moderne (AMME 2002)
Historische Bestecke IISupplement to AMME 2002
Historische Bestecke IIIVon der Frühzeit bis in die Zeit um 1600
200 pages, 150 illustrations, 163 plates from the original company catalogues. Hardback. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-189-6
264 pages, 230 illustrations, 300 plates from the original company catalogues. Hardback. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-191-9
672 pages, 450 colour plates, more than 1,000 marks reproduced. Cloth-bound with dust jacket, decorative slipcase. German.€ 124.80 [D] | US$ 210 | £ 115ISBN 978-3-89790-167-4
224 pages, 100 colour plates. Hardback with dust jacket. German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-261-9
300 pages, 165 colour plates. Cloth-bound with dust jacket. German.€ 68 [D] | US$ 115 | £ 60ISBN 978-3-89790-254-1
For more information on our backlist visit www.arnoldsche.com 37
HW13_230513_END_CS4.indd 37 25.05.13 17:39
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Cairo Fash
ion D
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978
-3-
89
790
-34
8-7
S. Kü
mper
CairoFashionDesignarnoldschearnoldsche
Alexander Kuznetsov
Pavel TchelitchewMetamorphoses
A. K
uzn
etsov
Pavel Tch
elitchew
M
etamorph
oses
AR
NO
LD
SC
HE ARNOLDSCHE Art PublishersARNOLDSCHE Art Publishers
ISBN 978-3-89790-368-5
Owing to his comprehensive and complex oeuvre, Pavel Tchelitchew (1898–1957) is today one of the most fascinat-ing artist personalities of the modern era. After completing his apprenticeship with Alexandra Exter in Moscow and Kiev, he worked at the beginning of the 1920s as a success-ful stage designer in Berlin, before relocating to Paris in 1923. Gertrude Stein and later Edith Sitwell were amongst Tchelitchew’s illustrious supporters at the time. In Paris he moved in the so-called Neo-Romantic circles and was influ-enced not only by Surrealism but also by the Russian Sym-bolism of the turn of the century, to which he added ele-ments of Cubism.In the 1940s, having moved to New York, Tchelitchew dedi-cated himself to ‘inner landscapes’ and ‘X-ray’ portraits of heads and bodies, streaked with glowing veins, arteries and pathways of nerves. He eliminated the boundaries between the inside and the outside and dissolved the body into net-works of energy.Tchelitchew experimented continually with new styles in order to find imagery for transcendent elements, cosmic structures and philosophical concepts. The comprehensive collection of studies, sketches and paintings created in the process constitutes an extraordinarily individual contribu-tion to art in the modern era. This publication pays tribute for the first time to the full scope of his work and presents him within the context of contemporary art.
Alexander Evengenyevich Kuznetsov was born in 1965 in the city of Kazan in the former Soviet Union (now the Russian Federation). In 2000, he graduated from the Department of Art History of the Russian Academy of Arts (Ilya Repin Institute) in St Petersburg. The author of numerous articles on the history of Russian art in the late nineteenth and first half of the twentieth century, Alexander Kuznetsov has collaborated widely with galleries in St Petersburg and Moscow from the late 1990s. Since 2006, he has been particularly interested in the Parisian group of Neo-Romantics, namely Christian Bérard, Eugène Berman and Pavel Tche-li tchew. In 2006 and 2011, he curated two major retrospectives of the painting and graphic art of Pavel Tche litchew at the Kournikova Gallery in Moscow. This work was continued in his catalogue raisonné of the artist’s oeuvre. He is currently writing a monograph on Nikolai Bogdanov-Belsky. Since April 2005, Alexander Kuznetsov has been a leading expert on paintings and drawings for MacDougall’s Fine Art Auctions in London.
This first comprehensive monograph of the Russian painter Pavel Tchelitchew (1898–1957) presents his most important and compelling paint-ings, complemented by a selection of sketches and stage designs. The colourful versatility and striking individuality of the artist’s exciting oeuvre are documented here for the first time.
cover_tchelitchew_190912.indd 1 25.09.12 11:29
Leonard rickhardPaintings
arnoLdsche art Publishers arnoldsche
IsBn 978-3-89790-380-7
an
nelIe
s Š
trB
a a
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old
sc
he
an
nelIe
s Š
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a a
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a h
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MODE
e i n h a n d b u c h
Fashion IllustrationA Manual
prints 1963–2013 arnoldsche
Iris Edenheiser | Astrid Nielsen (eds.) for the Dresden State Art Collections Lars Eisenlöffel Rita Selvaggio | Audun Eckhoff
Cecilie Malm Brundtland | Eva Furseth | Eivind Tjønneland
Tecumseh, Keokuk, Black HawkPortraits of Indians in the Era of Treaties and Removal
Bjørn RansvePrints 1963–2013
RansvePaintings 1962–2009
RansveDrawings 1961–2005
200 pages, 70 colour illustrations. Hardback. English and German.€ 34.80 [D] | US$ 60 | £ 30ISBN 978-3-89790-400-2September 2013
Approx. 700 pages, approx. 1,200 colour illustrations. Hardback, decorative slipcase.€ 99.80 [D] | US$ 170 | £ 90English: ISBN 978-3-89790-370-8 (includes German translation)Norwegian: ISBN 978-3-89790-398-2October 2013
684 pages, more than 670 colour illus-trations. Hardback, decorative slipcase.€ 99.80 [D] | US$ 170 | £ 90English: ISBN 978-3-89790-310-4 (includes German translation)Norwegian: ISBN 978-3-89790-317-3
636 pages, more than 1,400 colour illustrations. Hardback, decorative slipcase.€ 99.80 [D] | US$ 170 | £ 90English:ISBN 978-3-89790-244-2(includes German translation)Norwegian: ISBN 978-3-89790-253-4
Martin Herbert | Åsmund Thorkildsen John Hutchinson | Ildegarda Scheidegger Tobias Engelsing | Barbara Stark (eds.) Alexander KuznetsovRosa Barovier | William Warmus | Maricruz Patiño | Pearl Chou et al.
Leonard RickhardPaintings
Annelies StrbaMy Life’s Dreams
Einfach himmlisch!Die Malerin Marie Ellenrieder 1791–1863
Pavel TchelitchewMetamorphoses
Narcissus QuagliataArchetypes and Visions in Light and Glass
Introduction by Jorunn Veiteberg.312 pages, 220 colour illustrations. Cloth-bound. English, Norwegian, German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-372-2
224 pages, 210 colour illustrations. Half-linen cover. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-380-7
192 pages, 131 illustrations in colour and b/w. Hardback. German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-388-3
336 pages, 370 colour illustrations. Hardback with dust jacket, decorative slipcase. English (summaries in German, Russian, French).€ 68 [D] | US$ 115 | £ 60ISBN 978-3-89790-368-5
256 pages, 355 colour illustrations. Hardback with dust jacket. English.€ 68 [D] | US$ 115 | £ 60ISBN 978-3-89790-378-4October 2013
Peter Schmitt (ed.) G. Czymmek | H. Kessler Aurisch (eds.) Willemina Hoenderken (ed.) Susanne Kümper (ed.)
Florian Lechnerand Glass
German Impressionist Landscape PaintingLiebermann – Corinth – Slevogt
Fashion IllustrationA Manual
Cairo Fashion DesignYoung Tendencies
216 pages, 275 illustrations in colour and b/w. Hardback. English and German.€ 49.80 [D] | US$ 85 | £ 45ISBN 978-3-89790-371-5
256 pages, 170 colour illustrations. Cloth-bound.€ 39.80 [D] | US$ 70 | £ 35English: ISBN 978-3-89790-321-0German: ISBN 978-3-89790-322-7
320 pages, approx. 400 colour illustra-tions. Hardback. English and German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-395-1June 2013
224 pages, 243 illustrations. Flexibind. English, Arabic, German.€ 34.80 [D] | US$ 60 | £ 30ISBN 978-3-89790-363-0
Special edition with embroidery – every book a one-off!€ 79.80 [D] | US$ 135 | £ 70ISBN 978-3-89790-212-1
fas
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38 For more information on our backlist visit www.arnoldsche.com
Tecumseh, KeoKuK,
BlacK hawKPortraits of Indians
in the Era of Treaties and Removal
ARnoldschE
NEW
NEW
NEW
HW13_230513_END_CS4.indd 38 25.05.13 17:40
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Quentin Roosevelt’s China
Ancestral Realms of the NaxiEdited by Christine Mathieu and Cindy Ho
Rubin museum of aRt ⁄ aRnoldsChe aRt PublisheRs
“...an artistic style which is certainly found nowhere else.”Quentin Roosevelt
Math
ieu / H
o (eds.)
Qu
entin
Ro
osevelt’s Ch
ina A
ncestral Realm
s of the N
axiaRn
old
sChe
,!7ID8J7-jaceci!
Naxi
isbn 978-3-89790-343-2
aRnoldsChe aRt PublisheRs
Christine Mathieu, Cindy Ho (eds.)
Quentin Roosevelt’s China
Ancestral Realms of the Naxi
The Naxi people are an ethnic minority of Yunnan Province, in southwestern China. Their culture has developed at a crossroad of the civilizations of China, Tibet, and South and Central Asia to produce a rich mythology and religious culture called Dongba. A folk religion with ancient roots in animism and shamanism, Dongba is a syncretic practice with elements of Chinese and Tibetan traditions and especially the Bon religion. Its corpus comprises about one thousand ceremonies and subceremonies, contained in extraordinary manuscripts written in the world’s only living pictographic script. The Dongba priests are also artisans, and artists. While their art and artifacts show a connection to Tibet, China, and India, the Dongba religion is endowed with a unique aesthetic freedom and a vigorous and distinctive art and iconography.
This book offers a comprehensive introduction to Naxi art and culture through rare artifacts, many collected by Quentin Roosevelt—the grandson of the U.S. president Theodore Roosevelt—on his travels to China in 1939 at the age of nineteen, and Joseph Rock, who lived among the Naxi from 1922 to 1949. The objects include funeral scrolls, ceremonial banners, paintings, and crowns and ritual implements such as trumpets, bells, and swords, as well as pictographic manuscripts. The book provides essays on Dongba art, religion, ritual language and scripts, Naxi history and society, and biographical pieces on Quentin Roosevelt and Joseph Rock.
Christine Mathieu is an ethnohistorian who has studied the histories and cultures of the Naxi and Mosuo people since 1989. She was one of the first anthropologists to work in the field of Naxi studies after the communist revolution of 1949. In 1997 she joined Cindy Ho to work on the Roosevelt exhibition. She has contributed chapters to several anthologies and two books on the Naxi and Mosuo, A History and Anthropological Study of the Ancient Kingdoms of the Sino-Tibetan Borderland and Leaving Mother Lake, with Yang Erche Namu. Mathieu lives in Melbourne, Australia.
Cindy Ho reconstructed the Quentin Roosevelt collection and conceived the idea for Quentin Roosevelt‘s China: Ancestral Realms of the Naxi in 1993. She identified the Naxi Dongba artifacts collected by Roosevelt, forgotten and dispersed in five different locations. Ho has lectured about the Roosevelt collection at Harvard University and New York’s China Institute. In 1997 she produced Trailing the Written Word: The Art of Writing Among China’s Ethnic Minorities and West of the East—A Journey Through Macau, Asia’s First and Last Colony in 1999, sponsored by the New York Foundation for the Arts and supported by Fundaçao Oriente. Ho lives in New York City.
Selected books on Asian Art at ARNOLDSCHE Art Publishers:
Martin BrauenMANDALASacred Circle in Tibetan Buddhism264 pages, 171 illustrations. Hardcover with dust jacket. In English.ISBN 9783897903050
Elena TsarevaTURKMEN CARPETSMasterpieces of the Art of the Steppes, 16th to 19th CenturyHoffmeister Collection176 pages, 180 colour illustrations. Hardcover. In English and German.ISBN 9783897903425
WolfDieter SeiwertJEWELLERY FROM THE ORIENTTreasures from the Bir Collection320 pages, 342 colour illustrations. Hardcover with dust jacket.ISBN 9783897903197 (English edition)ISBN 9783897903180 (Deutsche Ausgabe)
Gisela JahnMEIJI CERAMICSThe Art of Japanese Export Porcelain and Satsuma Ware 1868–1912360 pages, 300 illustrations in colour, 180 signatures. Hardback with dust jacket in a decorative slip case. In English.ISBN 9783897901971
For further information contact:
ARNOLDSCHE Art PublishersListstraße 9D70180 StuttgartTel. +49 / (0)711 / 64 56 180Fax +49 / (0)711 / 64 56 1879www.arnoldsche.com aRnoldsChe aRt PublisheRs
lichtmaler
Kunst-Photographie um 1900
lichtmalerKunst-Photographie um 1900ISBN 978-3-89790-026-4
Die Beziehung zwischen Kunst und Photographie hat eine komplizierte, mitunter angespannte, aber auf jeden Fall aufregende Geschichte. In diesem Buch kann man sie wie in einer Zeitreise verfolgen.
Seit Mitte des 19. Jahrhunderts lieferten Photographen Malern Vorlagen für ihre Werke, um gleichzeitig aber auch mit der Kunst zu wetteifern. So ent wickelte die Photographie eine neue, seinerzeit unerhörte Bildsprache. Um die Jahrhundertwende experimentierten Amateur photo gra phen mit aufwändigen Techniken wie dem Gummidruck, um besondere malerische Wirkungen zu erzielen. Entstanden sind Bilder zwischen Edelkitsch und Avantgarde, die eine neue Perspektive auf die Moderne eröffnen.
Eva StröbEr
MING!PorcElain for a GlobaliSEd tradE
arNoldsche
Adelheid Rasche | Anna Zika (eds.) Adelheid Rasche (ed.)
Florian Hufnagl, Die Neue Sammlung – The International Design Museum Munich (ed.) | Jürgen Adam Eva Ströber
STYLDas Berliner Modejournal der frühen 1920er Jahre
Christian Diorand Germany1947–1957
Moroccan Carpets and Modern Art
MINGPorcelain for a Globalised Trade
208 pages, 177 colour illustrations. Cloth-bound, gold-tooled. German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-316-6
270 pages, 214 colour illustrations.Silk cover with dust jacket.€ 49.80 [D] | US$ 85 | £ 45English: ISBN 978-3-89790-265-7German: ISBN 978-3-89790-263-3
448 pages, 735 colour illustrations. Hardback with punching. English and German.€ 68 [D] | US$ 115 | £ 60ISBN 978-3-89790-399-9September 2013
Approx. 240 pages, approx. 200 colour illustrations. Hardback with dust jacket. English.€ 58 [D] | US$ 95 | £ 49.50ISBN 978-3-89790-389-0August 2013
Eva Ströber Thomas Kaiser Christine Mathieu | Cindy Ho (eds.) Elena Tsareva Wolf-Dieter Seiwert
Symbols on Chinese Porcelain10 000 Times Happiness
Painted SongsContinuity and Change in Indian Folk Art
Ancestral Realms of the NaxiQuentin Roosevelt’s China
Turkmen CarpetsMasterpieces of Steppe Art from 16th to 19th CenturiesThe Hoffmeister Collection
Jewellery from the OrientTreasures from the Bir Collection
240 pages, 175 colour illustrations. Hardback with dust jacket. English.€ 58 [D] | US$ 95 | £ 49.50ISBN 978-3-89790-350-0
192 pages, 196 illustrations, 2 maps. Hardback.€ 39.80 [D] | US$ 70 | £ 35English: ISBN 978-3-89790-366-1German: ISBN 978-3-89790-365-4
200 pages, 213 illustrations. Hardback with dust jacket. English.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-343-2
192 pages, 183 colour illustrations, fold-out plate. Hardback with dust jacket. English, with German translation.€ 64.80 [D] | US$ 110 | £ 55ISBN 978-3-89790-342-5
320 pages, 342 colour illustrations. Hardback with dust jacket.€ 49.80 [D] | US$ 85 | £ 45English: ISBN 978-3-89790-319-7German: ISBN 978-3-89790-318-0
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Gisela Jahn Patrizia Jirka-Schmitz Bernd Stiegler | Felix Thürlemann (eds.) Ildar Galeyev | Miron Penson
Meiji CeramicsThe Art of Japanese Export Porcelain and Satsuma Ware 1868–1912
NetsukeThe Trumpf Collection
LichtmalerKunst-Photographie um 1900
Max PensonPhotographer of the Uzbek Avant-Garde. 1920s–1940s
360 pages, 253 illustrations, 180 signa-tures reproduced. Hardback with dust jacket, decorative slipcase. English.€ 99.80 [D] | US$ 170 | £ 90ISBN 978-3-89790-197-1
Vol. 1 (112 Masterpieces): 288 pages, 325 ill.€ 64.80 [D] | US$ 110 | £ 55ISBN 978-3-925369-88-9Vol. 2 (inventory catalogue): 416 pages, 900 ill., 342 signatures.€ 99.80 [D] | US$ 170 | £ 90ISBN 978-3-925369-90-2Vol. 1 + 2 in decorative slipcase:€ 149.80 [D] | US$ 250 | £ 135ISBN 978-3-925369-89-6
96 pages, 172 illustrations. Hardback. German.€ 24.80 [D] | US$ 40 | £ 20ISBN 978-3-89790-026-4
184 pages, 155 illustrations. Hardback. English, Russian, German.€ 39.80 [D] | US$ 70 | £ 35ISBN 978-3-89790-025-7
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For more information on our backlist visit www.arnoldsche.com 39
Götter und Dämonen, Leben und Tod, Liebe und Freundschaft sind Th emen, die sich in der bildge wal-tigen und farbenfrohen Volkskunst indischer Maler-sänger mit ihren Bildrollen wiederfi nden. Ihre Geschichten verbreiten sie bereits seit 2.000 Jahren singend und sprechend unter der heimischen Land-bevölkerung. Von dort ausgehend, wanderte ihre Kunst durch China bis nach Japan und in westlicher Richtung bis in den Mittelmeerraum.
Die technischen Neuerungen des 20. Jahrhunderts leiteten einen tiefgreifenden Wandel in der indischen Volkskunst ein. Zwei bengalische Bild rollen tradi-tionen trotzen den widrigen Bedingungen bis heute. Doch während die patua ihre überlieferte Erzähl kunst in eine zeitgenössische Form überführen, scheitern die jadopatia an der Herausforderung – ihre Kunst steht vor dem Aus.
Profunder Fachtext und 160 leuchtende Beispiele einer einzigartigen, bisher nicht zugänglichen Samm-lung veranschaulichen erstmals Ursprung und Ent-wicklung der faszinierenden bengalischen Bildrollen-kunst bis in unsere Zeit.
ARNOLDSCHE Art Publishers
ISBN 978-3-89790-365-4
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BildrollenDauer und Wandel einer indischen Volkskunst
Thomas Kaiser
ARNOLDSCHE Art Publishers
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