theater history. take notes now. no really, this will be on a test

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Theater History

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Page 1: Theater History. Take notes now. No really, this will be on a test

Theater History

Page 2: Theater History. Take notes now. No really, this will be on a test

Take notes now.

Page 3: Theater History. Take notes now. No really, this will be on a test

No really, this will be on a test.

Page 4: Theater History. Take notes now. No really, this will be on a test

Seriously, I know there was no test last

year but this year there will be a

test.

Page 5: Theater History. Take notes now. No really, this will be on a test

Okay, I warned you.

Page 6: Theater History. Take notes now. No really, this will be on a test

Greek and RomanTheater

“Drama…an imitation of action not the action itself.”

-Aristotle

Page 7: Theater History. Take notes now. No really, this will be on a test

The role of “drama” in the ancient Greek culture was a specific one: it played a significant part in the

religious rites of the period.

Page 8: Theater History. Take notes now. No really, this will be on a test

Thank you to Lycurgus who, aside from giving us that great name which I will

probably give to my first born son, also established a library in 330BC, which was the only way in which we have any record

of any of these early Greek works.

While the Greeks were great at writing plays, they were not so

great at keeping them for future reading, most of the early great

works were lost.

How do we know about the Greeks?

Page 9: Theater History. Take notes now. No really, this will be on a test

Thespis, was the earliest recorded theater practitioner. He was the first

recorded winner of the competition for the performance of tragic plays. It is unclear whether he was an actor, a

playwright, a priest, or all or some of these.

I am a “Thespian”

His name lives on in the word “Thespian,” which is the name for

someone who practices the art of the theater.

Page 10: Theater History. Take notes now. No really, this will be on a test

Greek Theater

Page 11: Theater History. Take notes now. No really, this will be on a test

DIAGRAM OF AN ANCIENT GREEK THEATER SPACE

You might wish to copy this down, this looks strikingly similar to the diagram that you will be drawing and labeling on the test. Only if you

want…I don’t want to bother you…

Page 12: Theater History. Take notes now. No really, this will be on a test

Orchestra: a circular area with an altar in the center where the performances took place

Skene: A building behind everything in which the actors changed costumes

The Ancient Greek Theatre Space

Proskenion: a raised platform that supported a small stage.

AMC FULLERTON MOVIE TIMES WEDDING CRASHERS 2:00 4:15 6:45 7:05 8:45 10:00 WAR OF THE WORLDS 3:30 5:45 7:00 8:15 9:45 10:30 BEWITCHED 2:45 4:00 5:15 7:00 8:30 9:30

THE RED TIMES ARE ON THE “CLASSIC SIDE” THE YELLOW TIMES ARE ON THE “STADIUM-SEATING

SIDE”Audience: Usually the theatre spaces were built into hillsides and the seating was arranged in a

large semi-circle

Page 13: Theater History. Take notes now. No really, this will be on a test
Page 14: Theater History. Take notes now. No really, this will be on a test

Eccyclema: a platform on wheels used to display the effects of violence within a play

Periaktos: Triangle prisms which could be pivoted to reveal three different backgrounds

The Ancient Greek Theatre Space

Deus ex Machina: (god from the machine) a crane-like machine that was used to lower an actor, playing

the part of god, onto the stage in order to fix the problems at hand

Page 15: Theater History. Take notes now. No really, this will be on a test

THE CHORUSa group of actors onstage who often spoke in unison to prepare the audience for what is about to happen

or what has just taken place

Page 16: Theater History. Take notes now. No really, this will be on a test

The mask was designed to be oversized in order to better convey the expressed emotion to an

audience in a large theater.

Some masks were designed with a megaphone-like mouth-piece in order to help the actor “project” his

voice.

Masks also allowed for one actor to play many different parts in the course of one play.

The Mask

What does it mean to “project” your voice?

Page 17: Theater History. Take notes now. No really, this will be on a test

The Tragedy: A play in which the main character(s) struggle against an outside force, and usually comes

to a disastrous conclusion. Most of the successful surviving Greek plays were in the “tragic” form.

THE TRILOGY (OH AND A COMEDIC PLAY MEANT TO MAKE YOU FORGET WHAT YOU JUST SAW)

The Ancient Greek Plays & Playwrights

Tragedies were often presented in threes, connected by a theme or storyline, and then

followed by a comic piece called a “satyr play” The Satyr play: These plays were used to “sugar the pill” of the tragedy and would often pick up the same

story-line and poke fun at it. Sometimes these would be

indecent or base.

Page 18: Theater History. Take notes now. No really, this will be on a test

•A choric performer

Sophocles (496-406 BC)

The Ancient Greek Plays & Playwrights

•Introduction of the third actor•His works became more actor-lead rather than

choric-lead – “characterization by action”

•Wrote over 100 plays – 20 won him first prize

ONLY SEVEN TEXTS SURVIVEDAjax, The Trachiniae, Philoctetes, Electra

THE THEBAN LEGEND: His only remaining trilogy consists of “Oedipus Rex,” “Oedipus

at Colonus,” and “Antigone.”

What is the “Oedipus Complex?”

Page 19: Theater History. Take notes now. No really, this will be on a test

•Late start – studied philosophy and didn’t win a festival until age 40 (next at 54)

Euripedes (480-406 BC)

The Ancient Greek Plays & Playwrights

•Developed the Prologue•Emphasis on personal life – daily living

•Wrote over 90 plays – 5 won him first prize

18 TEXTS SURVIVEDHis plays often dealt with serious,

controversial issues in society: roles of women and illegitimate children.

Many of his plays deal with a central female character that was shown as very strong

Page 20: Theater History. Take notes now. No really, this will be on a test

•Used pen-name (pseudonym) “Kallistratos”

Aristophanes (445-380 BC)

The Ancient Greek Plays & Playwrights

•He used his plays to poke fun at Euripedes

•Old Comedy: poked fun at period-specific events, people, and places•Wrote over 40 comedies

11 TEXTS SURVIVEDThe Clouds (mockery of Socrates & philosophy)

The Frogs (mockery of Euripedes)

Many of his plays poke fun at the poor and democracy. It is said that he was desperately

trying to fit in with “high class” people.

Page 21: Theater History. Take notes now. No really, this will be on a test

•Philosopher and scientist

Aristotle (384-322 BC)

The Ancient Greek Influence

•“Cathartic Effect” – it allows the viewer to watch the experience without being to involved

Aristotle Quotes:

“The instinct for imitation is inherent in man from his earliest days, he learns

earliest lessons by imitation.”

“Drama is an imitation of action not the action itself.”

ARISTOTILEAN CASE

Page 22: Theater History. Take notes now. No really, this will be on a test

Roman Theater

Page 23: Theater History. Take notes now. No really, this will be on a test

Ancient Roman Theater

ROMAN MASKS

The Roman masks were now more specific to archetypal characters:

the handsome youth, the father, the prostitute, the parasite, the miser, the mother,

the clever slave, and the braggart soldier(you do need to know these archetypes)

Page 24: Theater History. Take notes now. No really, this will be on a test

•A freed slave

Terence (190-159 BC)

The Ancient Roman Plays & Playwrights

•All of his plays were re-workings of Greek plays

•His works were characterized as “light and witty” with a sophisticated plot

ONLY SIX TEXTS SURVIVED

Andria, Hecyra, Heauton, Timorumenos, Eunuchus, Phormio, Adelphi

•Four of his surviving plays are carbon-copies of Meander’s Greek comedies

Beginnings of “stealing” or “borrowing” works

Page 25: Theater History. Take notes now. No really, this will be on a test

•Roman comic actor

Plautus (254-184 BC)

The Ancient Roman Plays & Playwrights

•Plays based on Greek works•Plays included debauchery, songs, jokes,

and topical allusions•Wrote over 130 plays - 20 TEXTS SURVIVED

Seneca (4 BC – 65 AD)•Only example of Roman tragedy to survive •His father was a famous rhetorician so he was

often referred to as “Seneca the Younger” •Became tutor to Nero (emperor of Rome) – 65 AD he was implicated in a plot to assassinate Nero and was

condemned to death but he took his own life