the rise of realism: 1850-1900

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THE RISE OF REALISM: 1850-1900 “The only reason for the existence of a novel is that it does attempt to represent life.” -Henry James Prisoners from the Front, Winslow Homer, 1922.

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The Rise of Realism: 1850-1900. “The only reason for the existence of a novel is that it does attempt to represent life.” -Henry James. Prisoners from the Front, Winslow Homer, 1922. People, places, & Things: 1850 - 1900. What are some of the important events? - PowerPoint PPT Presentation

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Page 1: The Rise of Realism: 1850-1900

THE RISE OF REALISM:1850-1900“The only reason for the existence of a novel is that it does attempt to represent life.”

-Henry James

Prisoners from the Front, Winslow Homer, 1922.

Page 2: The Rise of Realism: 1850-1900

PEOPLE, PLACES, & THINGS:1850 - 1900

What are some of the important events?

Who are some authors of this period?

What are some of the important works of this time?

Page 3: The Rise of Realism: 1850-1900

REALISM: A “VERY MINUTE FIDELITY”

Realism – dominated fiction in America from the late 19th century until the middle of the 20th.

The Realists: were writers who sought to portray real life

without filtering it through personal feelings, romanticism, or idealism;

wanted to be as accurate as possible when depicting people, places, and things. [Think of Realism as the photography of writing.]

Page 4: The Rise of Realism: 1850-1900

A REACTION TO ROMANTICISM

Realism is a reaction to idealized “romantic” novels of the previous period.

Romanticism Recall: Edgar Allan Poe,

Nathaniel Hawthorne, Ralph Waldo Emerson, and Henry David Thoreau.

Fallen Monarchs, William Bliss Backer, 1886.

Page 5: The Rise of Realism: 1850-1900

CHARACTERISTICSRealistic writing is characterized by:

honest, believable characters;realistic dialogue;events in the story that seem

possible in real life;characters that are driven by

real motives and emotions;characters that don’t change

without sufficient reason;objectivity.

Young Soldier, Winslow Homer, 1861.

Page 6: The Rise of Realism: 1850-1900

REALISM VS. ROMANTICISM

Realism Romanticism

Characters are ordinary people

Characters are “larger than life”

The language is common vernacular (ordinary speech and dialect)

The language is of a more elevated style

Settings exist or are based on actual places

Settings are often fictional or exotic and mysterious (or both)

Plot is developed with ordinary events and circumstances

Plot is developed by unusual events, mystery, or high adventure

Attempts to be objective Highly subjective

Page 7: The Rise of Realism: 1850-1900

THE CIVIL WAR Casualties, 1861-1865

Federal: 664,928 Confederate: 483,026

Battles destroyed farms and homes.

Cities were bombarded and burned. Sherman’s March to

the Sea Suddenly, life wasn’t so

nice. The romantic heroes of

the past weren’t cutting it anymore.

Four dead soldiers in the woods near Little Round Top, Alexander Gardner, 1863.

Page 8: The Rise of Realism: 1850-1900

THE CIVIL WAR, CONT.

Journalistic accounts of the Civil War developed a taste for realistic writing.

Increased use of photography also helped shaped America’s taste for realistic depictions.

Body of a Confederate Soldier Near Mrs. Alsop's House, 1864.

Page 9: The Rise of Realism: 1850-1900

NATURALISM

Naturalism holds the same view as Realism with the addition of: Man has LITTLE

control over his fate; Life is NEVER perfect;

problems exist in society;

Life is ALMOST NEVER fair;

Good ALMOST NEVER wins over Evil;

Hiding in the Haycocks, William Bliss Baker, 1881.

Nature does not care about the plight of man.

Page 10: The Rise of Realism: 1850-1900

NATURALISM, CONT.

A man said to the universe:“Sir, I exist!”

“However,” replied the universe,“The fact has not created in me

A sense of obligation.”- Stephen Crane

How does this poem espouse the tenants of Naturalism?

Page 11: The Rise of Realism: 1850-1900

REGIONALISM, OR LOCAL COLOR

Regionalism has ALL the characteristics of Realism PLUS: using regional dialects; descriptions of a local

area or region; local cultures and

customs. Writers attempt to

make the reader feel they’ve been to an area without actually going there.

Champions of the Mississippi, Currier & Ives.

Page 12: The Rise of Realism: 1850-1900

STEPHEN CRANE

Stephen Crane.

Associated with the Naturalist movement

b. 1871 (remember this date)

Youngest of fourteen children; often ill as a child

First work “published” in 1893 Maggie: A Girl of the

Streets Financial failure

Page 13: The Rise of Realism: 1850-1900

STEPHEN CRANE, CONT.

The Red Badge of Courage (1895) A novel about the Civil War

told through the point of view of a young private.

The highlight of his literary career.

Remember his birth date…? Wrote numerous stories and

poems and worked as a newspaper correspondent (Nothing as popular as Red Badge, however.)

Stephen Crane in Athens, 1897.

Page 14: The Rise of Realism: 1850-1900

STEPHEN CRANE, CONT.

While enroute to Cuba in 1896, Crane met Cora Taylor (a “hostess”).

The pair journeyed to Greece in 1897 to cover the Greco-Turkish War.

Unfortunately, Crane spent the rest of his life plagued by both finical and health struggles.

Diagnosed with tuberculosis, he died in a sanitarium in Germany in 1900.

He was only twenty-eight years old.

Page 15: The Rise of Realism: 1850-1900

AMBROSE BIERCE b. 1842 Father: Marcus Aurelius

Bierce an “eccentric and

unsuccessful farmer” Fought on the side of the

Union during the Civil War Part of Sherman’s March to

the Sea Severely wounded and cited

for bravery fifteen times

Left the army, moved to San Francisco, began to write for newspapers

Ambrose Bierce, 1892.

Page 16: The Rise of Realism: 1850-1900

AMBROSE BIERCE, CONT.

Worked for several newspapers in San Francisco

Married in 1871, separated in 1888 (Bierce discovered

“compromising letters” from an admirer of his wife.)

The Devil’s Dictionary, 1906.

d. 1914 ((we think))

Ambrose Bierce, J.H.E. Parington.

Page 17: The Rise of Realism: 1850-1900

AMBROSE BIERCE, CONT.

Bierce left America in 1913 to report on (or perhaps join) the Mexican Revolution.

In one of his last letters, Bierce wrote the following to his niece, Lora:

“Good-bye — if you hear of my being stood up against a Mexican stone wall and shot to rags please know that I think that a pretty good way to depart this life. It beats old age, disease, or falling down the cellar stairs.”

And that was the last anyone heard from him...

Page 18: The Rise of Realism: 1850-1900

THE DEVIL’S DICTIONARY

The Devil's Dictionary is a satirical "reference" book written by Ambrose Bierce. The book offers reinterpretations of terms in the English language, lampooning cant and political doublespeak, as well as other aspects of human foolishness and frailty.

Page 19: The Rise of Realism: 1850-1900

THE DEVIL’S DICTIONARY, CONT.

Bore, n. A person who talks when you wish him to listen.

Cannon, n. An instrument employed in the rectification of national boundaries.

Circus, n. A place where horses, ponies and elephants are permitted to see men, women and children acting the fool.

Clarionet, n. An instrument of torture operated by a person with cotton in his ears. There are two instruments that are worse than a clarionet — two clarionets.

Page 20: The Rise of Realism: 1850-1900

THE DEVIL’S DICTIONARY, CONT.

Corporation, n. An ingenious device for obtaining individual profit without individual responsibility.

Idiot, n. A member of a large and powerful tribe whose influence in human affairs has always been dominant and controlling.

Love, n. A temporary insanity curable by marriage.

Novel, n. A short story padded. Telephone, n. An invention of the devil

which [has] the advantages of making a disagreeable person keep his distance.

Page 21: The Rise of Realism: 1850-1900

THE DEVIL’S DICTIONARY, CONT.

Vote, n. The instrument and symbol of a freeman's power to make a fool of himself and a wreck of his country.

Yankee, n. In Europe, an American. In the Northern States of our Union, a New Englander. In the Southern States the word is unknown.

Zeal, n. A certain nervous disorder afflicting the young and inexperienced.

Page 22: The Rise of Realism: 1850-1900

JACK LONDON

b. 1876 “As a boy, he was largely

uncared for by his parents” (495).

In his teens, he: was an oyster pirate; sailed on a schooner; went seal-hunting; wrote for several

newspapers; prospected for gold in

the Klondike. Portrait of Jack London, Arnold Genthe.

Page 23: The Rise of Realism: 1850-1900

JACK LONDON, CONT.

Jack London.

London left the Klondike after only a year due to illness.

His time in the Klondike, however, convinced him that “life is a struggle in which the strong survive and the weak do not” (495), a perspective which highly influenced his work.

His story “To Build a Fire” is based on his experiences in the Klondike.

Page 24: The Rise of Realism: 1850-1900

JACK LONDON, CONT.

The Call of the Wild (1903) is his most famous work. The Call of the Wild is the story of a sled dog

named Buck who escapes to freedom. In his later years, London’s health

deteriorated due to alcoholism. d. 1916

London overdosed on narcotics in November of 1916 and lapsed into a coma.

He died the following evening at the age of forty.

Page 25: The Rise of Realism: 1850-1900

KATE CHOPIN b. 1851, in St. Louis Married Oscar

Chopin, a Creole businessman, and settled in New Orleans in 1870.

Oscar died of malaria is 1882 leaving the family in debt.

She raised her children alone and managed her husband’s business before returning to St. Louis.

Page 26: The Rise of Realism: 1850-1900

KATE CHOPIN, CONT. In 1889, her first poem

and story were published. Over then next ten years,

she published two novels, more than a hundred short stories, and many reviews and poems.

Her local color stories, about Creoles, Cajuns, African-Americans, and Indians whom she had known in Louisiana won her acclaim, but her stories about women aroused protest.

Page 27: The Rise of Realism: 1850-1900

KATE CHOPIN, CONT.

Severe criticism was directed at her second novel, The Awakening (1899), for its depiction of a woman’s adulterous affair.

The novel and Chopin’s other works dealing with women’s issues have since received greater appreciation.

The Awakening Conscience (1853), William Holman Hunt

Page 28: The Rise of Realism: 1850-1900

MARK TWAIN b. 1835, born as

Samuel Clemens in Florida, MO.

When he was four, Twain's family moved to Hannibal, Missouri, a port town on the Mississippi River

Twain grew up in Hannibal, Missouri, which provided the setting for Huckleberry Finn and Tom Sawyer.

Page 29: The Rise of Realism: 1850-1900

MARK TWAIN, CONT.

After an apprenticeship with a printer, he worked as a typesetter and contributed articles to the newspaper of his older brother Orion.

He later became a riverboat pilot on the Mississippi River before heading west to join Orion in Nevada.

Page 30: The Rise of Realism: 1850-1900

MARK TWAIN, CONT.

In 1865, his humorous story, "The Celebrated Jumping Frog of Calaveras County,". The short story brought international attention

His wit and satire, in prose and in speech, earned praise from critics and peers.

Page 31: The Rise of Realism: 1850-1900

MARK TWAIN. CONT.

Twain was born after a visit by Halley's Comet, he predicted that he would "go out with it," too. He died the day following the comet's return.

He was lauded as the "greatest American humorist of his age,“ and William Faulkner called Twain "the father of American literature."

Page 32: The Rise of Realism: 1850-1900

WORKS CONSULTED

Arpin, Gary Q. “The Rise of Realism: The Civil War and Postwar Period.” Elements of Literature. Austin: Holt, Rinehart &

Winston, 2000. 408-422. Vanderziel, Jeffery. "Civil War Statistics." The

American Civil War. 2001. 17 Feb 2009

<http://www.phil.muni.cz/~vndrzl/amstudies/civilwar_stats.htm>.