the lens barbara bosworth salmon, 1994 & depth of field

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The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

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Page 1: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

The lens

Barbara Bosworth Salmon, 1994

& DEPTH OF FIELD

Page 2: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

Before we discuss depth of field, lets take a quick look at the general

purpose of a lens.

Page 3: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

Light must be controlled if our eyes or our cameras are to form images of objects.

Page 4: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

This drawing shows light rays that are uncontrolled. If they were to hit the film in their jumbled state the resulting image would be an unfocused blob.

If you wear eye glasses, take them off. Blobs right? What you just did was take away your light controlling device. The lens!

Film

Page 5: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

A lens controls and focuses light by bending the light rays.

This bending of light rays is called refraction.

Page 6: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

Uncontrolled light A lens is used to gather & focus the light

Page 7: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

Now let’s move on to depth of field

Page 8: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

Depth of field

Part 1

Johnny and a the mountain

Page 9: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

Imagine…

…a field, any kind of field you want…hay, wheat, flowers. There is a mountain in the background. There are flowers in the foreground and middleground.

Page 10: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

Now, Let’s pick a subject to put in the field-Say… Johnny Depp (or whoever you want to imagine…

BTW:This is what kind of DOF?

(But what if you want to really focus on Johnny?)

Page 11: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

You might:

Adjust your f-stop… but which way?

Page 12: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

You could simply move closer to Johnny (I like this idea)

This would be called Distance to Subject

Or even…

Page 13: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

So…When you are going to photograph something, think about what is in front of them or behind

them. Does it add or detract from the subject? What do you want in focus?

Your decision will determine whether you have many elements in focus or just one.

This is depth of field

Page 14: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

• the amount of acceptable focus in a photograph

• the area between the nearest and farthest points from the camera that are acceptably sharp in an image.

def. depth of field:

Page 15: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

There are 2 types of depth of field:

Shallow*Great/ Broad

*Keep in mind that great does not mean wonderful or good. Think of it as deep focus…everything from the front to the back in the image is in focus.

Page 16: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD
Page 17: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD
Page 18: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

Elliot Erwitt New York, 1946

Page 19: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

Great depth of field

Karl Baden Amelia, 1995

Page 20: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

Great

Page 21: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

Jack Dykinga Mojave National Preserve, California

Page 22: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD
Page 23: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

Activity:

Working in teams of two or individually:

Using post-it notes or a marker, please label each imageEither “shallow” or “great”.

Tape them on the white board.

Using magazines, find…

2 examples of great depth of field and2 examples of shallow depth of field.

*please find the best examples you can

Page 24: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

*controlling what is in focus in your images

*Controlling depth of field

Part 2

Page 25: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

There are 3 ways to control dof:

1. Lens focal length (how your lens sees)

2. Camera to subject distance (how far away your main subject is from the camera)

3. Lens aperture (how big or small the hole in the lens is)

Page 26: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

Let’s begin with lens focal length

Focal length refers to how much a lens sees.

There are four general types of lenses:

1. normal

2. wide angle

3. telephoto

4. zoom

Page 27: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

This drawing shows the angle of view of different focal lengths

Focal length degrees

Page 28: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

A normal lens for a 35mm camera sees just like your eye does. There is no or little distortion.

50mm lens

Page 29: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

28mm lens

A wide angle lens, (a.k.a. a short lens) sees more than what your eye typically sees.The view is widened and objects appear smaller.

Page 30: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

85mm lens 300mm lens

Telephoto lenses (a.k.a. long lenses) see far away objects close-up. They magnify the object so it appears larger than it really is.

Page 31: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

Zoom lenses basically have all three of the other types built into them. Zoom lenses are nice because you can pick which focal length or angle of view you want.

28-85mm zoom

The disadvantage of zoom lenses is that they don’t have large apertures so you need plenty of light to use one.

Page 32: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

So how is dof affected by the lens focal length?

Here’s the rule:

The shorter the lens ( like a 17 or 28mm lens)The greater the dof.

Page 33: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

The shorter the lens ( like a 17 or 28mm lens)The greater the dof.

Page 34: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

The second technique to control dof is using camera to subject distance.

The rule with this one is…

The farther away the camera is from the subject the greater the dof.

Page 35: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

The farther away the camera is from the subject the greater the dof.

Page 36: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

The last technique to control dof is by using the lens aperture.

The rule with this one is…

The smaller the aperture the greater the dof.

Page 37: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

The smaller the aperture the greater the dof.

Page 38: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

So let’s review how to control…

depthof

field

Page 39: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

Focal length

Camera to subject distance

Aperture size

Page 40: The lens Barbara Bosworth Salmon, 1994 & DEPTH OF FIELD

Questions ?!

Now…on to the assignment.Tomorrow!