the fruitcake special project work

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The Fruitcake Special By Frank Brennan (Form 4 Short Story) REMIE LEE REN-YI M2009200823 CONTENT (1) The Author , Frank Brennan (2) Title, The Fruitcake Special (3) Introducing the Short Story’s Elements (4) Lesson Plans’ Storyboard and Work Sheet (5) Reflection (6) Discourse Analysis (7) Glossary (8) Galleria (9) Reference THE AUTHOR: Frank Brennan Frank Brennan hails from the North West of England and is a graduate of the University of Wales. LITERATURE COMPONENT FOR FORM 4 Short Story

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Page 1: The Fruitcake Special Project Work

The Fruitcake Special By Frank Brennan (Form 4 Short Story)

REMIE LEE REN-YI

M2009200823

CONTENT

(1) The Author , Frank Brennan

(2) Title, The Fruitcake Special

(3) Introducing the Short Story’s Elements

(4) Lesson Plans’ Storyboard and Work Sheet

(5) Reflection

(6) Discourse Analysis

(7) Glossary

(8) Galleria

(9) Reference

THE AUTHOR: Frank Brennan

• Frank Brennan hails from the North West

of England and is a graduate of the

University of Wales.

• He has published original short

stories and plays and written

literature guide books for

secondary students.

• Currently, he is working on a new

collection of short stories.

LITERATURE COMPONENT FOR FORM 4Short Story

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TITLE: THE FRUITCAKE SPECIAL

• The fruitcake plays an important

role in the story

• This story revolves around this

special fruitcake and how in an

instant it can change :

-The lives of people

-Their emotion

-Their reaction to others

Introducing the Short Story’s Elements

(A) Setting

(B) Literary Devices

(C) Moral Values

The fruitcake plays an important role in the story

This story revolves around this special fruitcake and how in an instant it can

change :

-The lives of people

-Their emotion

-Their reaction to others

SETTING

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Amos Cosmetic factory in New Jersey, USA

• Anna works in Amos Cosmetics Factory, USA. She is a chemist and

she designs perfume for the company

French restaurant

• It is an expensive place for food and drinks. David Amos brought her

here for their dinner date. Both David and the waiter try to win Anna’s

love and fight over her.

Home

• Lives with her mother who is worried she is still single.

Aunt Mimi’s apartment

• Aunt Mimi lives in a nice little apartment on the other side of town. She

wants to help Anna find a suitable husband.

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Literary Devices in the Story

Point of View

- This story is written from the first person point of view. The narrator is also

the main character. The pronoun “I” is used. We see the events from Anna’s

perspective. We can experience her thoughts and feelings.

Tone

-The story is narrated in a humorous way.

Diction (the choice of words used in the story)

-Lighthearted/ humorous - …he smiled until I thought his face would break

into two

-Casual – use of slang e.g. momma, guy

-Use of clichés (overused expressions) e.g. I’m crazy about you; You are so

beautiful

-Simple vocabulary; short dialogues; lots of exclamation marks (!); unfinished

sentences (…); use of italics (darling) to show emphasis and unexpected

surprise

-American slang– boss

Simile

The story has several interesting and funny similes e.g. He looked like a dog

who had just found a bone; mouths wide open like a couple of fish, etc.

Stereotypes

– e.g. pretty young models; rich and handsome employer;

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Slapstick comedy

e.g. ridiculous behavior of singing waiter; silly fights

Imagery

The fruitcake ingredient makes the sophisticated perfume smell like a glorious

mix of all natural, delicious, inviting and warm smells (like fresh bread and

flowers and sunshine all mixed together).

Moral Values

Here are some moral values:

(1) We must not be blinded by physical attraction

(2) Appreciate ourselves for what we are

(3) Do not be deceived by flattery intention

(4) We must be able to differentiate between physical attraction/sincere love

(5) We should respect the opinion of our elders

(6) Hard work is the key to success

(7) We must not compromise on our dignity

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LESSON 1

It’s All in the Title

Aim

To make predictions on the setting based on its title

Time

30 minutes

Steps

(1) Distribute one worksheet L(1) to each student. Before students begin

reading the story; ask them to complete questions 1 & 2. Ask students

to predict what the story is about based on the title.

(2) After reading the story, ask students to complete questions 3 & 4.

(3) Discuss students’ predictions. Ask students to brainstorm on the

suitability of the setting.

(4) Finally, have students suggest a new title for the story and justify their

choice.

Notes

Bring a real fruitcake to arouse students’ interest.

This activity is also suitable for groups.

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LESSON 1 WORK SHEET L(1)

Think about the title of the story “The Fruitcake Special” and complete

the table below.

BEFORE READING THE STORY:

(1) Based on the title, what do you think this story might be about?

____________________________________________________________

____________________________________________________________

(2) Based on the title, what types of characters do you expect to be in the

story?

____________________________________________________________

____________________________________________________________

AFTER READING THE STORY:

(3) Do you think the setting is suitable? Give reasons for your answer.

______________________________________________________________

______________________________________________________________

(4) If you could change the setting of the story, what would it be? Why?

______________________________________________________________

______________________________________________________________

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LESSON 2

Introducing the Setting

Aim

To analyze the setting of the story

Time

30 minutes

Steps

(1) Distribute one worksheet L(2) to each student.

(2) Students sit in groups and discuss the setting of the story.

(3) Students fill in the worksheet L(2) with notes on the relevant aspects of

setting.

(4) Discuss students’ predictions and come to a common conclusion.

Notes

Teacher can pre teach the four elements in the worksheet.

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LESSON 2 WORK SHEET L(2)

Discuss the following elements based on the story you have read. Complete

the spaces provided with details from the story.

LESSON 3

Meeting New Meaning of Literary Devices

Aim

To find what exactly the literary devices in this short story are and provide

evidences

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Time

40 minutes

Steps

(1) (1)Distribute one worksheet L(3) to each student.

(2)Ask each student to identify 3 literary devices in this short story and then

find the meaning of it using dictionary.

(3) Get students into groups to compile their literary devices and meanings.

Ask students to provide evidences for every literary devices found.

Notes

Bring dictionaries to arouse students’ interest. Get the students into groups to

look for evidences of the literary devices

LESSON 3 WORK SHEET L(3)

In the space provided below, identify the literary devices in the short

story and then write down the meaning found from the dictionary and

evidences

Literary Devices Meaning and Evidences

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LESSON 4

Making Prediction of Literary Devices through Pictures

Aim

To make prediction about the literary devices involved by looking at the

pictures from the short story.

Time

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40 minutes

Steps

(1) Provide one worksheet L(4) for each student.

(2) In pairs, ask them to discuss what they think the story’ s literary devices is about based on the pictures.

(3) Ask students to list out the predicted literary devices based on each picture.(4) Read the story together in class and see if your predictions are right

Notes

Call good readers to take turns to read the story.

LESSON 4 WORK SHEET L(4)

The pictures below are taken from the short story, “The Fruitcake

Special”. Based on the picture, what do you think the story’s literary

devices are about? Are your predictions correct?

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LESSON 5

Who Am I?

Aim

To select the most suitable meaning for each literary element in a short story

Time

50 minutes

Steps

(1) Distribute one worksheet L(5) to each student. Ask each student to match the description to the correct literary element and fill in the third column with the correct number.

(2) Get students to exchange their worksheets and correct answers based on the answer key.

(3) Get students into groups to suggest examples of each literary element based on the story where relevant e.g. similes -.mouths wide open like a couple of fish.

(4) Finally, get groups to present their examples.

Notes

Teacher can assist by giving the first example for each element first.

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LESSON 5 WORK SHEET

L(5)

Match the description in the first column to the correct literary element

in the second column. Write the correct number in the third column.

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LESSON 6

Moral Value Search

Aim

To identify two moral values and give evidence from the story to support the

answer.

Time

50 minutes

Steps

(1) Distribute one worksheet L(6) to each student pair.

(2) Ask each pair to identify two moral values and provide supporting evidence from the story.

(3) Get pairs to get into groups to compile their work on mahjong paper.

(4) Get groups to present their work. Provide feedback.

Notes

Some other moral values may be added depending on students’ suggestions.

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LESSON 6 WORK SHEET L(6)

In the space provided below, suggest two moral values you have learnt

from “The Fruitcake Special”. Give evidence from the story to support

your answer

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LESSON 7

The Secret Recipe

Aim

To encourage creativity in students.

Time

1 hour

Steps

(1) Distribute worksheet L(7) to all students. Get students to discuss in groups the secret recipe of our life based on the short story’s moral values.

(2) Get students to recap the story and ponder what the special ingredient are then jot and draw on mahjong paper

(3) Let groups to compile their creative work on mahjong paper. Get groups to present their work. Provide feedback.

Notes

Allow for student creativity.

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LESSON 7 WORK SHEET L(7)

Think and draw creatively of some special ingredient that are suppose

to be in LIFE based on the short story.

The Secret Recipe of LIFE

The Secret Recipe of LIFE

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(This is an just an example. Students may do it creatively)

Reflection

Lesson carried out: Lesson 7

Lesson and recording was carried out : 29th September 2010 (Wednesday)

Venue: Multi Media Room1, S.M SAN MIN (SUWA), Teluk Intan, Perak

Target Students: Senior 1P (Equivalent to Form 4)

This reflection involves more than just describing what I do or what I

have done. As individuals cum teachers, each with our own background and

experience, we bring certain beliefs, assumptions, knowledge, attitudes and

values to teaching. My reflection in this lesson carried out means exploring

the implications of all these complex factors with the intention of

understanding and improving our practice, methods and approaches in

teaching the literature component.

In a sense from my observation, I reflect constantly as I teach,

responding to ongoing situations in the classroom as they arise. I ask myself

what learning means to me and what qualifies as a successful learning

situation. Before the lesson was carried out, I ask myself some questions

about teaching. What are my goals and aspirations as a teacher? What are

my beliefs about teaching, and how I categorize my role in the classroom?

I thought to myself, since I will be teaching them the Fruitcake Special,

why not I bring along some fruitcakes to the class. The students will surely

recognize know what actually fruitcake is and how it taste like. To me, this is

more like an intentional choice that helps to teach my students more

effectively and lead to enhanced student learning.

Moreover, I think about specific designs, course materials, lesson

plans, assessment instruments and student evaluations of my teaching before

I conduct the lesson plan. In this case, I have prepared a short video clip on

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how to make a fruitcake cake. My intention is to arouse the students’

interest. . As a result, they like it and enjoy the whole learning session

I tried to have students respond to question individually before

discussing the question in small groups. This leverages a classroom response

system’s ability to allow all students a chance to think about a question

independently of their peers.

Not only that, for some questions, I have students think of their

answers before showing them the answer choices. Since generating an

answer is often more challenging, this can help make them understand better

before hand.

Students responded effectively throughout a class session. Although

questions at the beginning and end of class sessions can serve particular and

useful functions, questions asked every ten to fifteen minutes help focus

students’ attention throughout the class.

I found out that students often appreciate hearing their instructor’s

perspective on the answer choices they selected; even when they know those

choices are incorrect. After reviewing the questions with students, I have them

share their reasons for their answers. Not only does this shift students’ focus

away from getting questions right or wrong and toward thinking critically, but it

also provides useful insights into students’ thinking.

Finally, I reviewed the results of a carried out lesson plan immediately

after administering it. The result was satisfactory. Students were able to

accomplish what that have been instructed; they understood my instruction

easily and was able to absorb and assimilate what I have taught them during

the lesson plan.

As a conclusion, immediately after class, I took a few notes about how

particular questions played out during class. A little reflection right after class

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really help me in refining and improving my way of teaching and learning at

the same time. As such, I discover that this lesson plan carried out is very

useful in helping students lean more effectively and more enjoyably.

Discourse Analysis

The context specified here is a Chinese high school English classroom

of non-English major. As the fundamental aim of high school English

education is to foster communication skills and better understanding, it is of

great interest to analyze their high school English classroom discourse in

order to improve teaching and to make learners proficient users of English.

The data are collected from San Min Independent Private High

School’s English classroom of non-English major in Chinese. As many

classroom-oriented researchers have pointed out, it is only through a better

understanding of classroom interaction processes that teachers can render

their teaching more profitable for learners (Jamila Boulima, 1999:15).

As a former English teacher of this high school, the lesson plan 7 of

The Fruitcake Special is of great interest to me in that I want to know what

really goes on in our own classrooms and what I can do to improve their

English via this Form 4 Literature Component. The class which was observed

and recorded from on that day were of intermediate to good English

performing range students with thirty students in Senior 1 Purple (Equivalent

to Form 4). The students were about 16 years old and the majority of the

students have studied English for 9 years although there is considerable

difference in level because they came from different places with different level

of English teaching. The English teacher, Mr William Soo, a Master Holder, in

this class had almost 10 years of teaching experience.

This study is significant in that it reveals the characteristics of

classroom interaction that is most favorable for promoting learners’ English

and has insightful implications for English teaching and learning. The aim of

the present study is to develop teacher’s reflective thinking about what goes

on in their own classrooms and to provide information for improving teaching

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and learning in high school English classrooms. The data were collected on

29th September 2010 in San Min Independent High School, Diamond Bay,

Perak, English class.

Nunan (Nunan, 1989:76) said “ there is no substitute for direct

observation as a way of finding out about language classrooms”, therefore in

this study ,I came into the classroom personally to observe. The observation

was conducted in a double periods (40 minutes for each period) was

observed and recorded. The analysis of classroom discourse is a very

important form which classroom process research has taken. The present

discourse analysis focuses on a Chinese Independent High School English

classroom discourse. After class, I had a reflection and discussion with the

English teacher and feedback from the students, knowing more about their

ideas and feeling about their teacher and class.

Discourse is defined as “the language in use” (Cook, 1989:6) and

discourse analysis is concerned with the “the analysis of language in use”

(Brown and Yule, 1983:1). Discourse analysis refers to the study of the

relationship between language and the contexts in which it is used. It involves

looking at both language form and language functions and includes the study

of both spoken interaction and written texts.

It identifies linguistic features that characterize different genres as well

as social and cultural factors that aid in our interpretation and understanding

of different texts and types of talk. Discourse analysis helps us in

understanding how real people use real language, as opposed to studying

artificially created sentences.

It is therefore of immediate interest to language teachers because we

need to consider how people use language when we design teaching

materials, or when we engage learners in exercises and activities aimed at

making them proficient users of their target language, or when we evaluate a

piece of commercially published material before deciding to use it (Michael

McCarthy, 2002)

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Classroom discourse analysis is an aspect of classroom process

research, which is one way for teachers to monitor both the quantity and

quality of students’ output. Nunan has pointed that “If we want to enrich our

understanding of language learning and teaching, we need to spend time

looking in classroom” (Nunan, 1989:76). According to researchers of

communicative teaching, “failed communication is a joint responsibility and

not the fault of speaker or listeners.

Similarly, successful communication is an accomplishment jointly

achieved and acknowledged” (Jack C. Richards and Theodore S.Rodgers,

2000: 77); “It is the teachers’ responsibility to organize the classroom as a

setting for communication and communicative activities” (Jack C. Richards

and Theodore S.Rodgers, 2000:78). In recent years, a much greater role has

been attributed to interactive features of classroom behaviors, such as “turn-

taking, questioning and answering, negotiation of meaning, and feedback”

(Chaudron, 1988:10).

The background of this lies in the fact that “second language learning is

a highly interactive process” (Richard and Lockhart, 1996:138) and “the

quality of this interaction is thought to have a considerable influence on

learning” (Ellis, 1985, cited from Richard and Lockhart, 1996:138). In second

language classrooms, “learners often do not have a great number of tools…,

teachers’ questions provide necessary stepping stones to communication”

(Brown, 1994a: 165).

More fundamentally, however, it is because they are a teacher’s best

instruments to regulate the quantity and quality of language used in the

classroom. The problem which is going to be mainly investigated here is

patterns of classroom discourse. Because “two of the most common ways in

which L2 teachers engage in interaction with learners is by way of asking

questions and providing feedback, and these deserve some consideration”

(Holland and Shortall, 1997:104), focusing on them can be expected to show

useful findings which will contribute to deeper insights about the ways to

improve L2 teaching and learning.

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When a student replies the teacher’s question, the other students may

not hear clearly sometimes. So the teacher needs to repeat the students’

words so as to make it clear to all the students. What’s more important is that

the teacher should give “feedback” to the student’s answer, to show whether

the answer is right or whether it is the answer expected by the teacher. For

example:

Example

Teacher: (elicit) What do you think are the moral values in this short story?

Student: (reply) Hardwork.

T: (feedback) Not only hardwork, we have another word for it.

P: (reply) Diligence

T: (feedback) Good, diligence, yes.

An exchange is formed by at least two moves (initiation and response),

and at most by five moves. Look at the following example:

Example

Teacher: Can anyone tell me what this word “ intrigue” means?

Student: Does it mean like or attractive?

Teacher: Yes, in another word, it means fascinate …

In this case, pupil’s words are not only a response to teacher’s

question, but also an initiation. In this English classrooms where the students

have low proficiency, discourse acts such as “loop”, “nomination”, “prompt”,

and “clue” are expected to appear, because when a teacher does not get a

response or gets a wrong answer to an elicitation, I have to start again by

repeating or rephrasing the question, or move on to another student.

Chinese students have been disciplined not to speak in classes without

a teacher’s direction, and most of them are unwilling to speak English in front

of their classmates because they fear making mistakes and causing laugh

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from others. These students simply can’t speak freely because of their poor

spoken English, so they only speak when they were asked to in most of

cases.

It is observed that the students sometimes just kept silence or gave a

wrong answer to the teacher’s elicitation so the teacher would start again by

repeating or rephrasing the question, or move on to another student as in the

following examples:

Example

Teacher: “he smiled until I thought his face would break into two” Who can

translate? Xiu Xin, could you please?

Student(Xiu Xin): Sorry teacher, I can’t.

Teacher: Chuan Wen, what about you?

Student(Chuan Wen): “The person smile widely until Anna find it funny that if

the face would break into two.”

Teacher: Very good. Sit down please.

Example

Teacher: What does “O Sole Mio” mean in the short story?

Students: (silence)

Teacher: Bao Shuang?

Student(Bao Shuang): Pardon?

Student(Cheah Yen): My love one?

Student(Chun Wey): Wo de wei yi(in Chinese) (Code Switching take places)

Teacher: Yes. That’s right. It means “My Sun, my one and only”

In the example above, when students kept silent, I nominated a girl

student. Failing to get correct answer from her, I went on to another student,

then the second bound initiation was formed, followed by Response and

Feedback.

Example

Teacher: Good. Could you give me example of clichés used in this short

story?

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Students: (silence)

Teacher: For example, what are the overused expressions in this short story?

Who can answer this question? (in Chinese) Qian Yang, could you please?

Student(Qian Yang): Teacher, it would be “I’m crazy about you; You are so

beautiful”

Teacher: Very good.

Conclusion

In sum, the lesson plan carried out showed that the English teaching

and learning in the S1P classroom observed aimed to apply new teaching

methods and concepts and teachers made a great effort in motivating the

students in participating in classroom activities and communication as the

Lesson 7 carried out where it is a project work having them to work

collaboratively and cooperatively together. Communication in English did exist

although there are some students who coded switched from Chinese

Language from time to time.

The study result is significant in improving their English teaching and

learning and promoting students’ English proficiency in Form 4 Literature

Short Story Component, The Fruitcake Special. Based on the study above,

the following strategies are suggested for the college English teachers to refer

to for the purpose of sustaining student engagement and communicative

interaction in classrooms:

1) Involving more “negotiated interaction” in classroom discourse

This means that teacher and students lack skill in keeping the

classroom discourse in a sustained and smooth flow. Negotiated interaction is

a solution to this problem.

Negotiated interaction involves skills in “helping one another to

communicate, for example, by jointly expressing messages, filling in lapses in

the conversation, indicating gaps in understanding, and repairing

communication breakdown” (Boulima, 1999:4). In non-negotiated interaction,

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the moves “initiation”, “response” and “feedback” usually succeed one

another, and have a clear-cut function. “Initiation” opens the exchange,

“response” constitutes a reply to the preceding “initiation”, and “feedback”

evaluates the preceding “response” and closes the exchange.

In “negotiated interaction”, however, these moves do not necessarily

succeed one another, and their functions seem to overlap. Negotiated

interaction can be initiated for two main purposes: to resolve interactive

problems or to sustain the conversation. Obviously, negotiated interaction will

be useful and helpful in sustaining classroom discourse and make it more

tactful.

2) Maximize opportunities for students’ participation

This discourse analysis tells me that usually it is the teacher who is

dominating the classroom. The teacher should bear in mind that it is students

who are learning language; therefore maximizing opportunities for students’

participation to let them dominate the classroom is very necessary and

important.

Such target can be reached by such activities as role-play, story telling,

and making presentations etc. In a word, enlarging students’ portion in

classroom and letting the learners dominate their own classroom, with the

teachers only playing the role of a guide and an organizer is a challenging but

beneficial aim, which is also the direction to which teachers in English

classrooms are working.

As an English teacher, we should also keep in mind that classroom

discourse is a cooperative event in which the teacher and the students

cooperate and negotiate with each other in achieving certain instructional

goals in the classroom. Language classroom teachers can consider

classroom discourses being composed of pedagogic and natural discourse at

two poles of an instructional discourse continuum rather than as alternatives.

Hence, we can encourage natural discourse in the language classroom by

motivating more equal participation in the negotiation of meaning through

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various tasks and thus shifting the focus from on the interactive process itself

to on promoting students’ virtual language proficiency.

Glossary

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Galleria

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References

Amy B. M. Tsui. (2000). English Conversation. Shanghai: Shanghai Foreign

Language Education Press.

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Brown, H.D. (1994a). Teaching by Principles: An Interactive Approach to

Language Pedagogy. Englewood Cliffs, New Jersey: Prentice Hall.

Coulthard, M. (1992). Advances in spoken discourse analysis. London:

Routledge

Ellis, R. (1994). The Study of Second Language Acquisition. Oxford: Oxford

University Press.

Holland, R and Shortall, T. (1997). Classroom Research and Research

Methods. Birmingham: The Center for English Language Studies.

Michael McCarthy. (2002). Discourse Analysis for Language Teachers.

Shanghai: Shanghai Foreign Language Education Press.

Sinclair, J. and Coulthard,M.. (1975). Towards an Analysis of Discourse.

Oxford: Oxford University Press.