The Curriculum Vitae epaper edition

Tipical London weather www.behance.net/mariannapascarielloToday, This monTh, CurrenT year

Looking forward to the next level

Education Experience

by

Alice Moonof

Marianna Pascariello, best known as Mary, was seen browsing around London City with a bunch of papers, ringing the advertising and communication agencies in search of gaining some atten-

tion for her portfolio. Moved to London in the October of 2013 from a very sunny and thriving city located in south Italy, she approached the En-glish lifestyle with enthusia-sm and positive attitude as soon as she got off her three hour flight. Her friends say: “Mary is extremely cheerful

and very hands-on person. You can either laugh together or share your emotions with her”. Her sister says about her: “Since she left home, I am missing her great sense of humour and her bright smile”. She has left behind the Royal Palace of Caserta to embrace the beauty of Bu-

by SeAn 0'brien

Born in 1990, on the 23rd of March, Marianna Pascariello studies graphic advertising for five years at Professio-nal Institute for Advertising Commercial and Touristic Services “E. Mattei” based in Caserta, Italy. Then she decides to keep on study in the same field so, she moves to Rome where she attends a course in graphic design which lasts three years at European Institute of De-sign (IED), taking degree in 2011. In October 2013, Marianna arrives in Lon-don and attends a course of English for three months at Edgware Academy.

by roMeo HeneS

Marianna approaches to the working world with a three month internship in 2011 at “Freemind”, a graphic stu-dio based in Caserta, Italy, where she deals mostly with brand identity. In January 2012 she starts working at “Lifecircus”, a communi-cation agency located in Bolzano, Italy, where she is employed till December 2012. Throughout the entire year she manages creation and development of both print and web material. She currently works for Pro-gressive Digital Media, a media company in London, since March 2014.

ckingham Palace and pursue her dream of bringing a cre-ative pure Italian touch to the British media environment. Currently employed by a me-dia company, for the in-hou-se graphic department of the publication division, where she works as graphic desi-gner, she is now ready for

the next step in the working world. Responsible, attenti-ve to details, open-minded, consistent, enjoyable, light-hearted, laid-back and with a really strong willpower, she would be the perfect em-ployee. Her positive mindset and determination will take her places.

Very creative and skilled italian designer looking for her career opportunity in London

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editorial editorial

by

KAte o'rourKe

Future Banking is a maga-zine which talks about mar-keting policies, technology and innovation regarding the banking field. On the cover of the sixteenth issue, showed below, the headline "Digital: the modern art of banking" lets catch a quite clear glimpse on one of the main topic of the publica-tion. Four members of the major bank brands tell their

by

corinnA McGreG

A lab-on-a-chip (LOC) is a device that integrates one or several laboratory functions on a single chip of only mil-limeters to a few square centimeters in size. LOCs deal with the handling of extremely small fluid volu-mes down to less than pico liters. Lab-on-a-chip devi-ces are a subset of MEMS devices and often indicated by "Micro Total Analysis Systems" (µTAS) as well. LOC is closely related to, and overlaps with, micro-fluidics which describes primarily the physics, the manipulation and study of minute amounts of fluids. As the article of Medical Device Development ex-plains, thanks to this techno-logy, many lives could be saved and several problems and serious diseases, like HIV and AIDS, could be, entirely or at least partly, re-

by

DoriAn Avery

If you write on Google "flight MH370", this is part of what you got reading the first of a long list of links that leads you on the Wiki-pedia page: "Malaysia Ai-rlines Flight 370 (MH370/MAS370) was a scheduled international passenger flight that disappeared on Saturday, 8 March 2014, while flying from Kuala Lumpur International Ai-rport near Kuala Lumpur, Malaysia to Beijing Capital International Airport in Bei-jing, China. Flight 370 last made voice contact with air traffic control at 01:19 MYT (17:19 UTC, 7 March) when it was over the South China Sea, less than an hour after takeoff, and the aircraft di-sappeared from air traffic controllers' radar screens at 01:21. Malaysian milita-ry radar continued to track

story about the company they work for and all the digital tools that banks are nowadays using to simplify several processes and plea-se the customers as much as they can. From this concept, born the idea of having an exhibition room as visual, showing those four faces in an Andy Warhol style painting, with a young man staring at it, admired and interested. It perfectly com-municates through an image the meaning that the article

solved. Sadly though, as of-ten happens in experimental and research areas, the deve-lopment of this technique re-quires time and, first of all, money. And it is of course possible to search investors, but it turns out that is not so easy to find eager investors when, the only profit that can be promised to them in return, is only social and not financial as the main bene-ficiares of those services are mostly poor. So, it is defini-tely true that money rules the world, but, what we hope, is that maybe, once in a while, a bit of goodness and social interest could take over. But let's now change the subject for a moment to relieve the conversation and dedicate some words, that couldn't be anything but positive, to the cover article. A very nice and meaningful use of typography surrounded by a clean and simple graphic that recalls, suitably, part of a microchip structure.

Flight 370 as it deviated from its planned flight path and crossed the Malay Pe-ninsula; Flight 370 left the range of Malaysian mili-tary radar at 02:22 while over the Andaman Sea, 200 nautical miles (370 km; 230 mi) northwest of Penang in northwestern Malaysia. The aircraft, a Boeing 777-200ER, was carrying 12 Malaysian crew members and 227 passengers from 15 nations." And many more lines and articles, of course, have been written about such a tragic event. Future Airport, in its "The intellin-ce" section, tries to tell all the steps of the dramatic di-sappearance of the airplane in a different, more schema-tic way, through a page of infographic and news that explains both the scheduled and the hypothetical paths of the flight in a vintage key, like an old, accurate map to the treasure.

tries to explain in words; di-gital banking is like a social movement and these people are the main characters. And like every other social, cul-tural or artistic movement, it needs leaders to illustrate, step by step, what is going on and what is next. A re-ally appropriate and well done cover image made by graphic designer Marianna Pascariello for the publica-tion division of the media company "Progressive Digi-tal Media".

by

GAvin Mcfee

Think to the word "milk". Now figure a place linked to it. I would imagine a huge white, snowy, soft and swe-et country, full of cows and wooden barrels. And, pro-bably, we can actually keep some of this picture, but the colour is definitely wrong. Place of fairies and ma-gic, primordial passion and pagan memories, could be nowhere else but the poetic Emerald Isle. When we talk

about milk, the most fore-front country for its produc-tion and innovation is Ire-land. This is what the article named "The milky way", contained in the fourth issue of the magazine Ingredients insight, is about. Coming back on the "link the word with an image" point, here the brilliant combination: a shamrock, representati-ve of Ireland, entirely made of milk. The word "milky" within the headline, always made of milk, highlights the main topic, and, as we

are also talking about Ire-land, nothing could be better than a touch of characteristic green to remind it. The au-thor of the visual, Marianna, says: "The idea popped up in my mind as soon as I start reading the copy! Of course, I've also tried other different options and combinations but, in the end, comparing all them toghether, no one was strong and effective like this one." A smart and origi-nal solution which shows the basic concept of the article in a fun and charming way.

Digital: the modern art of banking

Where the chips fall

All the connections between "green and white"

Microfluidics lab-on-a-chip technology: the good and the bad

The milky wayThe hunt for flight MH370

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editorial

by

Will ADler

World Cruise Industry Re-view is a publication based on all the news and vital informations regarding cru-ises, ships and everything else that is able to sail abo-ve the sea level. In this pre-cise article, the discussion taking place is about fuel. Obviously, ships need fuel, and, as we live in a socie-ty which progresses every single day, this is a sector in evolution too. Fuel costs are rising more and more, and they are now one of the

major part of the total cost in this industry. That's why new fuel alternatives are co-ming. And, as always, every new thing, every growth and evolution, goes hand in hand with a revolution. And, as history teach, what is best to represent a revolution than a poster made for it?! A hand holding a nozzle of a fuel pump in a perfect futurist style just above the huge, sharp headline "Fuel a revo-lution". And, if you are still sceptical about it, try to turn the page and watch the scary "fuel dispenser transformer" without change your mind!

The icebreakersThe importance of unification

for de-icing procedures by

KAren McfArlAnD

Flying during icy and free-zing conditions can be re-ally dangerous. If you are interested in knowing the details, the reasons why, as well as the solutions found so far, this is an article made for you. Written for the issue thirty-two of the magazine Future Airport, which discusses everything that matters in terms of air traffic and airports world,

this feature reveals all the "behind the scenes” neces-sary tricks to take off, and be safe anyway, in situations of rain, snow and especially ice. And there are, nowa-days, more than one de-icing procedures to do that. Quite often, every airport and eve-ry air company has its own solution, but it would be a lot easier, safer and less ex-pensive if there was only one

single procedure internatio-nally approved. The Council for Globalised Aircraft De-icing Standards is trying to solve this problem working in order to decide a unique method that makes everybo-dy happy but, at the same time, safe. The principal needs is to understand that all the de-icing process must not be seen as a competion between an airport and another or two different air companies; it is something necessary for all the parts involved in it, and, above all, the safety of the passen-gers and the success of the flight. The graphic designer Marianna Pascariello, who took care of the project, has decided to communicate it with an outstanding, provo-cative image. Indeed, what we can see on the cover ar-ticle, is a massive, imposing plane coming out, fierce and strong, from a harsh block of ice. Because, with the right weapons, a plane can dare to challenge and win weather conditions. Because, when possible, there is the need to bring every single passenger to their destination, safely and successfully.

Fuel a revolution

With the right weapons, a plane

can dare to challenge and win

weather conditions.

6 7

editorialeditorial

Sometimes looks can be deceiving

Metonimy

Creative agenda for creative peopleFrom January to December, a whole year full of colours, creativity and art

by

Sery SluMber

With the word “agenda” (from Latin – things to do), means a small book or bin-der that is designed to be portable. It usually contains a diary, calendar, address book, blank paper, and other sections.A personal organizer may also include pages with useful information, such as maps and telephone codes. It is related to the separa-te desktop stationery items that have one or more of the same functions, such as appointment calendars, ro-lodexes, notebooks, and al-manacs. This is the definition of the object that is supposed to re-mind you that every second, every minute, every hour, every day, every week, eve-ry month, every year in the

life is special, unforgettable and, in some way, different from the others. But, actual-ly, it sounds a bit boring, do-esn't it?! So, how could be made more

interesting? Easy! Simply, add some colour, a touch of creativity and a breath of originality to your agen-da and you'll add the same magic poison straightway to

your life too! Well, a group of thesis students onboar-ded this project and made it real. Targeting an audience mostly made of creative and young idividuals, the project

was named METONIMY. Each month is identified by a colourful symbol; each week is associated to a me-morable image to promote and explain the main creati-ve across the week. Bread and Butter, Sonar, 100% Design, Cosmit, Co-micon, Mittlemoda, Berlina-le, Miart, just to name some of the famous festivals inclu-ded in it. Remember, this is not just a day planner, it’s a cultural product too. Thanks to twel-ve original embedded info-graphics, you can even learn interesting stuff about the main topics of the creative world like art, fashion, de-sign, music, food, architectu-re and paint. A concentrate of pure creativity expressed in every possible way hold together in a handy 105x150 mm format is what we call METONOMY.

by

MArcuS fApSco

Metonymy is a figure of spe-ech in which a thing or con-cept is called not by its own name but rather by the name of something associated in meaning with that thing or concept. In particular, a specific kind of metonimy is the Synecdo-che, wherein a specific part of something is used to refer to the whole. On this concept are based all the 64 graphics (52 weeks + 12 months) thought up for METONIMY Agenda. Each week advertises an event thanks to a pictogram related with the field as you can see in the some exam-ples on the left.

“Each graphic is developed in two pages: first, you see just a no-sense symbol, that, in the second page becomes the pictogram which identi-fies the event.” says Marian-na, one of the project mana-ger. “The same treatment is replicated in the opening of every month.” Twelve categories, twelve infographics and twelve co-lours for twelve months that build a kind of original game made with shapes, images and meanings, starting by its naming, METONIMY, which contains the word “toy” in itself. All the elements follow a thoughtful family feeling which give a wonderful sen-se of harmony and balance to the whole graphic.

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editorialeditorial

INverso. Music at 180°All the best music told in a sublime graphic design conteiner

Are you rock?

Or are you disco pop?

by

MAry WinSton

Buy a magazine, sit down and start reading. Once you come to the end, close it and that's all. This is the natural process to read any standard magazine. Well, until yester-day, from today it will be not in this way anymore. INverso arrives on the mar-ket, one of the coolest music magazine ever. Its peculari-ty is to be bivalent, in every single element. For every is-sue of the magazine there is a “match” between two music bands or singers, each with an opposite style to the other. So, two bands, two sides, two verses, two point of view, two main comple-mentary colours; everything

is opposite but consistently linked by common factors, first among the others, the passion for the music. Created for a school project, the first issue pits the Ra-mons versus the Bee Gees. Rock music versus disco pop music, black versus white, magenta versus green, grun-ge textures versus paillette and so on. Furthermore to celebrate all this wonderful artists, for every issue of the magazine has been created a special edition packaging of one album of both bands, obviously always connected with the mood. In this case, “Subterranean jungle” for Ramones and “Mr. Natural” for Bee Gees. The pack of “Subterranen jungle” repre-sents a dark and dirty toilet

seat, while, the pack of “Mr. Natural” is a hair kit with grease and comb. Whether you get crazy about the deals “any two for the price of one” or just you like music and a good reading about it, INverso will widely satisfy your expectations. You must just decide from which part you want to start. Then, turn it and start over!

by

freDDie fox

On the other hand, if you would love to rampage on a dance floor right now, well, you are definitely in the di-sco pop team! Representant of the category, the hystori-cal Bee Gees. The Bee Gees were a pop mu-sic group that was founded in 1958. The group's line-up consisted of brothers Barry, Robin, and Maurice Gibb. The trio were successful for most of their decades of re-cording music, but they had two distinct periods of ex-ceptional success: as a rock act in the late 1960s and early 1970s, and as promi-nent performers of the disco music era in the late 1970s. The group sang recognisable three-part tight harmonies; Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Bar-ry's R&B falsetto became their signature sound during

the late 1970s and 1980s. They wrote all of their own hits, as well as writing and producing several major hits for other artists. Born on the Isle of Man to English parents, the Gibb brothers lived in Chorlton, Man-chester, England, until the late 1950s. The family then

moved to Queensland, Au-stralia, where the brothers began their music careers. After achieving their first success in Australia with "Spicks and Specks", they returned to the UK in 1967 where producer R.Stigwood began promoting them to a worldwide audience.

by

eve blAcK

If you “play” for the rock team, this month you will be really proud to read rock texts and watch rock graphi-cs about the Ramones. The Ramones were an Ame-rican rock band that formed

in the New York City nei-ghborhood of Forest Hills, Queens, in 1974. They are often cited as the first punk rock group. De-spite achieving only limited commercial success, the band was a major influence on the punk rock movement in both the United States

and, perhaps to a greater extent, in the United King-dom. All of the band mem-bers adopted pseudonyms ending with the surname "Ramone", although none of them were related. They performed 2,263 concerts, touring virtually nonstop for 22 years. In 1996, after a tour with the Lollapaloo-za music festival, the band played a farewell concert and disbanded. Only a little more than eight years after the breakup, all three of the band's founding members—lead singer (and, at the time of founding, drummer) Joey Ramone, guitarist Johnny Ramone, and bassist Dee Dee Ramone—had died. Their only record with enou-gh U.S. sales to be certified gold was the compilation album Ramones Mania. However, recognition of the band's importance built over the years, and they are now mentioned in many as-sessments.

identity

10

Visions from Mexico

Double your senses

Mezcal, father of famed tequila lands in Europe

Vázquez

by

AnGelA GinGer

Though Mezcal is not as popular as tequila, Vázquez made of this liquor a very pleasant distilled alcoholic drink which attracts expert drinker and communicate a sense of unicity. Alongside with its flavouring fragran-ces, the packaging is playing a fundamental role in its commercial success. With a geometrical designed label picturing the brand name, Vázquez has seen its promo-

tional launch in 2011 world-wide. Author of the branding success is Marianna Pasca-riello in her early 20th who designed from scratch the-Vázquez label for scholastic duties, using rhombus and square shapes to reproduce a sense of hypnotism which is usually caused by the stron-gest hallucinogen natural drug in the world, the peyote. Through stylized lines pic-turing the small water-retai-ning plant which the peyote is, Marianna meant to give the brand realistic relevance.

“Since the first day Mary took the lead on this project determined to be the creator of the Vázquez label. Always available to share creative ideas and open to critici-sm, she nailed the intent of communicate elegance and pleasure through such a delicate product, partially evocating illegal substan-ces. She managed to design a brilliant label being con-stantly attentive to shapes and the use soft colours. She definetly made this brand a great one.” vAzquez ceo

by

JeAn luc tieScion

Think about Mexico, think about liquor, think about new experience. This is the basic idea for all the iden-tity of the project. From the branding to the adverti-sment, through the corpora-te image, the packaging and all the promoting material, everything follow the same principle. Geometrical sha-pes to identify the brand as been inspired by one of the most common effect caused by consumption of the mexi-can peyote: when taken can provoke geometrical visions. The same way this drug is

expanding your senses up to double them, Vázquez free up your mind enhancing the most delight pleasure only a real drink can give you. Vázquez aims at giving the costumer an unforgettable experience. Avaliable in th-ree fragrances, Vázquez is able to satisfy various pala-tes. Blanco, if you like the “youth” of the liquor; Repo-sado, destinated to the folk who believe in the “shades of grey”; and, last, but defi-nitely not least, Añejo, for the people who love taste the power of the alcohol with a touch of sweetness. Three different flavuors to double your senses.

identity identity

12 13

Stroke A step back throughout the colourby

ricHArD GriGGle

The foundations of pre-20th-century color theory were built around "pure" or ideal colors, characterized by sensory experiences ra-ther than attributes of the physical world. This has led to a number of inaccuracies in traditional color theory principles that are not al-ways remedied in modern formulations. Color theory was originally formulated in terms of three "primary" or "primitive" co-lors—red, yellow and blue (RYB)—because these co-lors were believed capable of mixing all other colors. This color mixing behavior had long been known to printers, dyers and painters, but these trades preferred

pure pigments to primary color mixtures, because the mixtures were too dull (un-saturated).Goethe's color wheel from his 1810 Theory of Colours.

The RYB primary colors be-came the foundation of 18th century theories of color vision, as the fundamental sensory qualities that are blended in the perception

of all physical colors and equally in the physical mi-xture of pigments or dyes. These theories were enhan-ced by 18th-century investi-gations of a variety of purely

psychological color effects, in particular the contrast between “complementary” or opposing hues that are produced by color afterima-ges and in the contrasting shadows in colored light. These ideas and many perso-nal color observations were summarized in two founding documents in color theory: the Theory of Colours (1810) by the German poet and go-vernment minister Johann Wolfgang von Goethe, and The Law of Simultaneous Color Contrast (1839) by the French industrial chemist M.E.Chevreul.Subsequen-tly, German and English scientists established in the late 19th century that color perception is best described in terms of a different set of primary colors—red, green and blue violet (RGB).

by

MArK pAffet

A basic circle shape as de-fault structure is what this new paint factory, Stroke, uses to picture its brand. In this symbolic label which re-minds a stylized gecko, Stro-ke represents its identity. The choice came from the need to concretise the ability of this animal in camouflage himself with the surroun-ding world, which also what Stroke tries to demostrate fitting to every space and habitat. This idea lives fir-stly in its corporate identity: all the material created for the company’s image uses a texture made by the brand as visual. The purpose of the texture is to emphasize the concept of adaptation to every kind of situation, eve-ry need and every taste. All surrounded by its communi-cative and sober pattern.

A promising start-up for an original paint factory

Paint of view

Colour will be in touchby

roSitA iSolDA

Unleash your creative po-tential, pick up your favou-rite colour and start giving your life a touch of tone. Black&White is the white-board to start from when intentioned to picture your life. Black&White is the ideal situation to start from in total freedom when ea-ger to shade off your life. Black&White is where all the ideas bloom from and where none of them is in-fluenced by any sense. It’s a perfect status to get inspired when keen on colour your life. With this concept clear in her mind, Marianna Pa-scariello tailored the spon-soring material for Stroke,

the start-up paint factory. She left out any colours but dark purple from print mate-rials on purpose. She wanted to leave the customers free to image and picture their new life with their favourite

surrounding world. When human beings get in touch with the world they feel the necessity to shape them-selves, therefore to assume colours. This is inevitable when Stroke get into custo-mers mind: it shapes their mind and let grow in them the desire to colour their day to day life. As in their pro-ducts and promoting mate-rial, wherein everything is surrounded by its commu-nicative and sober pattern, also the advertisment shows the spontaneous and natural connection that Stroke pu-shes out between people and environment. This is the way Stroke pla-ced itself on the market: as remedy to paint your life wi-thout restrictions.

colours. No touch of yellow, red or green appears in the advertising. No coloured li-nes. Only black and white. The advertising logic is ba-sed on a concept of relation between human beings and

When human beings get in touch with the world they feel the necessity to shape themselves,

therefore to assume colours.

14 15

ads & postersads & posters

Express yourself through typography

Drink more milk! Eleven. Coming soonNew way of making ‘movie art’,

inspired by September 11thby

AuGuStine KAnt

A slogan must always have a strong influence on peo-ple. Sometimes a slogan can have on you more power than you would expect. Drink more milk: the slogan of the famous italian come-dy “The temptation of Doc-tor Antonio” (original title: Le tentazioni del Dottor Antonio) deirected by Fede-rico Fellini in 1962. Set in Rome, the plot tell about Dr Antonio Mazzuolo who is a tireless campaigner for mo-

ral decency, forcing young couples out of Lover’s Lane, demanding that women with revealing decolletages co-ver themselves, getting rid of girlie magazines from newsstands and so on. He is outraged when a giant bil-lboard is erected in the open space opposite his apart-ment, which features Anita Ekberg advertising milk in a provocative and revealing pose. He marshals every re-source to have the billboard removed, even pelting it in paint in frustration before it is eventually covered up.

Antonio then begins to have visions of Anita Ekberg ap-pearing to him. One night, he goes down to confront the billboard only for the giant-sized Anita to step out from it. As she walks through the streets, Anita proceeds to tempt and drive Dr Anto-nio crazy. The visual, the-refore, wants to capture his obsession for this woman. A visual swirl created by the main feminine character sil-houette while handling and drinking a glass of milk in a sexy way, is what the movie poster made his fame on.

by

JoHn JuDAH

Will be released at the end of the month the remake of the movie “11'09''11 – Sep-tember 11” (2002), where the effects of the terrorist attack are told from different points of view around the world. Eleven films by eleven di-rectors of eleven different nationalities that, in eleven minutes and nine seconds each, consider the events of September 11th. The di-rectors include Ken Loach, Claude Lelouch, Alejandro Gonzalez Inarritu and Sean Penn, and the countries re-presented include Egypt and Burkina Faso, Israel and Iran. Put together by the French producer Alain Bri-gand, the films vary from the quietly reflective and personal to the more interna-tionalists and polemical. All the contributions are provo-cative in different ways. The US played in the movie by

Sean Penn through a beauti-fully shot film featuring Er-nest Borgnine as an elderly and confused widower who lays out his dead wife's dress for her and remains locked in his own private grief and bereavement as the events of the day unfold, unnoticed by him on the television in his tiny apartment. “The events of that day, tragic as they were, seemed to have been overwhelmin-gly coopted by the media. And somewhere inside all of us, I think, is not only the recognition of the losses and impact of those horri-fying events but also of the mother who lost a son to a drunk driver on that day, to an overdose, a daughter to a murder, a father to an illness.” says Penn. “Loss comes every day and pain follows it. The question has always been how to be at pe-ace with today.” After the terrorist attack, the US has lost one of the most

famous and characteristic symbol of the Country. This huge lost has deeply chan-ged the nature of the US. Marianna Pascariello aims at spreading this message around through the creation of the poster, realized in a two step communication. On

the teaser you can see the whole american flag, while, in the final version of the poster, which is reproducing the consequences of the tra-gic event, you can capture a methaforical realization of the Twin Towers pictired by two big tears on the flag.

by

DiAne telforD

Whether you are an artist, a graphic designer, an archi-tect, or anything else close to creative design, typogra-phy stays in your day to day life. Always and forever. Actually, the word “typo-graphy” descends from the greek words “typos” and “graphe” which respective-

ly mean “form” and “wri-ting”. Any concept, any idea, is composed by sentences and words, that, in turn, are made by letters, created also thanks to typography. This means that it is a substantial part whatever is expressed in writing. Without it we could not communicate in the same way, we could not express ourselves with the same emphasis. This is the

reason why people started to celebrate it across so many different ways: books, sculp-ture, painting. Related to this magnificent discipline, it was also set a delightful contest ended last Decem-ber. Everyone who wishes, could take easily part to it, free of any fee or duty. The only thing you need to do, is to create your personal po-ster to say ‘Thank to typo!’.

I know what you’re thinking right now... It would be nicer to leaf through real pages rather than clicking on a mouse to peer into my portfolio. Well, no job, no money, no paper. Anyhow, this is how I usually come up with clever solution when circumstances are limited in what I love and do: graphic design.

CONTACT MEpascariellomarianna@gmail.com

+44 07847778363

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