the canary in the digital coal mine

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The Canary in the Digital Coal Mine What can publishing learn from a decade of digital music? Milan, February 2nd 2012

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Sascha Lazimbat explores lessons to learn from digital music, with a concrete approach.

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  • 1. The Canary in the Digital Coal MineWhat can publishing learn from a decade of digital music? Milan, February 2nd 2012
  • 2. Introduction Sascha LazimbatSince 2010 Managing Director A2 Electronic Publishing2007 - 2010 Managing Director Business & Corporate Development Warner Music Group C&EE2005 2007 Co-Founder, Zebralution Digital Music Distribution2001 - 2005 Head Of Music & Video Vodafone Germany
  • 3. Similarities- Similar traditional value chain- Similar copyright framework- Similar operational challenges- Same new digital retailers
  • 4. Differences- Music already became digital with the CD- Users consume music in a different way- Songs can travel without translation- Its 2012 and the world keeps spinning faster!
  • 5. What happened to the music industry sincethe turn of the century?- Global recorded music revenues down > 30% German music industry turnover 2001-2010 in million , source: Bundesverband Musikindustrie
  • 6. What happened to the music industry sincethe turn of the century?- Global recorded music revenues down > 30%- Out of 5 major companies, only 3 survive
  • 7. What happened to the music industry sincethe turn of the century?- Global recorded music revenues down > 30%- Out of 5 major companies, only 3 survivex x
  • 8. What happened to the music industry sincethe turn of the century?- Global recorded music revenues down > 30%- Out of 5 major companies, only 3 survive- 1/3 of jobs in the industry lost Blue line: employees in German music industry 2001-2010, source: Bundesverband Musikindustrie
  • 9. What happened to the music industry sincethe turn of the century?- Global recorded music revenues down > 30%- Out of 5 major companies, only 3 survive- 1/3 of jobs in the industry lost- At the same time: more music released and consumed than ever before
  • 10. Timeline of physical / digital music units700,00 Rio and Napster iPod 2G Musicload iTunes YouTube 100 Mill. iPhone in Rapid- iTunes Creative closes, and Store in Launch MySpace EU share #10 DRM- MP3- Kaazaa MySpace EU, Accounts website free,600,00 Player launches Launch Vodafone worldwide Amazon iTunes MP3 MP3 in SW + phones EU iPod500,00400,00300,00200,00100,00 0,00 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 PHYSISCHE TONTRGER PHYSICAL SALES DIGITALE VERKUFE DIGITAL SALES GEBRANNTE CDs/DVDs BURNED CDs/DVDs ILLEGALE DOWNLOADS ILLEGALAll figures for Germany only in millions of units. Sources: GfK MediaControl Download-Report, Brenner-Studie Bundesverband Musikindustrie
  • 11. Shift in music consumer spending Basis in Mrd. 5,10 5,13 4,48 4,49Source: Veranstaltungsstudie 2008 idkV / Musikmarkt/ GfK MediaControl
  • 12. The record companiesresponse:the 360 model d2c online ads Synch Merchandising Endorsement fan clubs compass image: Smial, used under http://creativecommons.org/ licenses/by-sa/3.0/deed.en
  • 13. Physical products are still the musicindustrys cash-cow in Europe Configuration- specific digital market shares for the UK in 2011: - Albums 23,5% - Singles 99,3% Sources: IFPI Digital Music Report 2012, BPI, Trendreport Bundesverband Musikindustrie
  • 14. AssumptionsPublishing must...- support legal alternatives to piracy- be prepared for decreasing revenues- look for additional revenue streams- not neglect its physical product
  • 15. Digital Rights Management - Apple utilizes ConsumerAll major labels Fairplay groupsinsist on DRM - other retailers critize Apple rely on Windows DRMOpenletterFrom SteveJobs, Feb.2007 EMI drops DRM other majors follow in 2008DRM is nowadays only used within subscription conditional downloadservices like Napster, Spotify etc.!
  • 16. Assumptions- DRM frustrates consumers when it does not work seamlessly and incompatibilities arise- DRM benefits closed eco-systems and hurts independent retailers and device makers- DRM has not saved any media industry, neither will its abolishment destroy any industry
  • 17. Digital music retail landscape- iTunes clear market leader- Amazon second where the company operates local stores- Few serious la carte competitors- Subscription services strong in some markets
  • 18. Ebook digital retail landscapeWho else?
  • 19. Assumptions- Amazon will be here to stay, making it difficult even for Apple and Google- Bricknmortar booksellers will struggle to compete with the Internet champions- There may be niches for specialized retailers and different business models
  • 20. Turning physical dollars into digital cents
  • 21. Turning physical dollars into digital cents,Part II
  • 22. E-Book end consumer prices - a spot check No. Title Source Price 1 Stealing Phoenix For. Publisher 6,45/0,99 2 Entfhrt Self-Publisher 0,89 3 Grimms Mrchen For. Publisher 0,99 4 Sonne, Wind und Mond Self-Publisher 0,99 5 Kindle - das inoffizielle Self-Publisher 2,99 Handbuch 6 Der Junge, der Trume Trad. Publisher 8,49 schenkte 7 Holunderksschen Self-Publisher 2,99 8 Der Beobachter Trad. Publisher 8,99 9 Verblendung Trad. Publisher 8,99 10 Der Hundertjhrige, ... Trad. Publisher 11,99German Kindle store charts on randomly picked day in January 2012
  • 23. E-Book end consumer prices - a spot check No. Title Source Price 1 Stealing Phoenix For. Publisher 6,45/0,99 2 Entfhrt Self-Publisher 0,89 3 Grimms Mrchen For. publisher 0,99 4 Sonne, Wind und Mond Self-Publisher 0,99 5 Kindle - das inoffizielle Self-Publisher 2,99 Handbuch 6 Der Junge, der Trume Trad. Publisher 8,49 schenkte 7 Holunderksschen Self-Publisher 2,99 8 Der Beobachter Trad. Publisher 8,99 9 Verblendung Trad. Publisher 8,99 10 Der Hundertjhrige, ... Trad. Publisher 11,99German Kindle store charts on randomly picked day in January 2012
  • 24. DIY in the music industry: Long Tail or Long Fail?- 76,685 albums released in the U.S. in 2011- 88,5% of sales from just 1,500 titles- Only 1,215 albums sold more than 10,000 copies- 80% of titles sold less than 100 copies- DIY service providers like CD baby pay out an average $100 per artist / annum
  • 25. DIY: in the future, everybody will be famous for fifteen minutes- Tila Tequila: most famous person on MySpace in 2006- 32 million views of her song- Releases failed to enter Billboard charts- Became the star of a now cancelled reality show Photo: Philip Nelson, used under http://creativecommons.org/licenses/by-sa/2.0/deed.de
  • 26. DIY: which music artists can do it on theirown?established artists newcomers withformerly on majors strong fan base
  • 27. Self-Publishing: the eBook revolution- John Locke and Amanda Hocking enter Kindle million club- KDP generating substantial Kindle sales- Apple launches iBooks Author- Self-publishing platforms
  • 28. Our own experience with self-published titles- Short stories by one of Germanys most popular bloggers- Social media marketing buzz via Twitter- #1 iBookstore, top 5 Kindle store
  • 29. eriginals berlin e-book imprint- No traditional marketing or PR- Social media marketing- Digital retail marketing- #1 & #2 iBookstore releases and seven further top 50 ebooks
  • 30. Why does self-publishing work better for ebooks than for music? An assumption...- Music purchases are triggered by a combination of stimuli - radio, MTV, billboards, reviews, interviews, live shows etc.- Readers seem to rely much more on trusted recommendations - social media/social reading/recommendations will be king! BUT: PRICE MAY BE ANOTHER KEY TO SELF-PUBLISHINGS BIG SUCCESS STORY!
  • 31. Digital music pricing: superstar vs.newcomer
  • 32. What readers say about 99 cent self- published books For 99 cent its The book is definitely worth well-written and buying! perfect for its Big reading fun price tag at xxs-price A great book Total crap! save for the Would be OK for dialogues! free but at 0,99 it s too expensiveSource: all quotes from German iBookstorecustomer reviews
  • 33. What did Steve Jobs say?I can tell you asone of the largestsellers of contenton the internet todate - price itaggressively andgo for volume. Photo: Matt Yohe, used under http://creativecommons.org/licenses/by-sa/2.0/deed.de
  • 34. Outlook- More books will be read, but readers will spend less- Everybody in the business will have to do more to keep afloat- Only lean organizations will survive- Self-publishing might be a game-changer
  • 35. Thank you! [email protected]://www.linkedin.com/pub/sascha- lazimbat/0/5a6/44b