Thankyouforauditioningfor

SATURDAYNIGHTFEVER

atTHEJOHNW.ENGEMANTHEATER

ROLE:JOEY

Presentintheroomwillbedirector,choreographer,musicaldirector,producingteam&casting.

Pleaseprepare:

• ThisENTIREpacket.• Haveasongofyourowninthestyleoftheshow,incasetheteamneedstohearsomethingelse.

Pleasehaveyourfullbookofmusicwithyouatalltimes.

INSTRUCTIONS:

Besuretobringyourpictureandresume,otherwisewewillnothaveoneintheroom!

Thankssomuch!

W|SCasting

SaturdayNightFeverTheMusical2/15/17

13

SCENE 3 SATURDAY NIGHT--OUTSIDE OF 2001 ODYSSEY

#2 BOOGIE SHOES

(lights up on THE FACES one by one during the beginning of the song as they assume the ritual of getting ready for Saturday night)

JOEY

GIRL TO BE WITH YOU IS MY FAVORITE THING, YEAH

BOBBY AHH, I CAN’T WAIT TILL I SEE YOU AGAIN

GUS, JOEY, BOBBY & DOUBLE-J

I WANNA PUT ON MA, MA, MA, MA, MA BOOGIE SHOES JUST TO BOOGIE WITH YOU I WANNA PUT ON MA, MA, MA, MA, MA BOOGIE SHOES JUST TO BOOGIE WITH YOU

(the scene transitions to the outside of 2001 Odyssey)

DOUBLE-J

I WANT TO DO IT TILL THE SUN COMES UP

JOEY Yeah, says the two–pump chump.

(the GUYS laugh)

GUS I WANT TO DO IT, TILL I CAN’T GET ENOUGH ...and enough, and enough, and enough.

GUS, JOEY, BOBBY & DOUBLE-J I WANNA PUT ON MA, MA, MA, MA, MA BOOGIE SHOES

JUST TO BOOGIE WITH YOU I WANNA PUT ON MA, MA, MA, MA, MA BOOGIE SHOES JUST TO BOOGIE WITH YOU

(TONY enters)

JOEY Aaaaaaaaaayyyyyy...Y-yo! (pronounced “Why-yo”) Here he is...lookin’ sharp, heh?

SaturdayNightFeverTheMusical2/15/17

14

BOBBY Hey Tony, we’ve been waitin’. What happened to ya?

TONY Seven Hail Marys and an Act of Contrition.

(TONY crosses himself) Hey Bobby, Pauline came by the store today. She was askin’ ‘bout ya.

GUS Jesus Christ, Bobby. I thought we told you how to handle that. It’s high school crap.

TONY What do ya know about high school? You barely finished the eighth grade.

BOBBY She’s been callin’ me all week...left seven messages with my mother, two with my father, and now you. Next, she’s gonna take an ad in the Pennysaver.

JOEY Madone!

BOBBY I just feel bad, you know.

(beat)

DOUBLE-J You feel? You feel, what? What the hell is that?

BOBBY I feel...you know, bad. I mean we grew up together.

JOEY No, Bobby, we grew up together. Us guys. She’s just a chick from the neighborhood.

GUS Bobby, we told ya...“It is what it is.”

BOBBY Yeah but...

DOUBLE-J Bobby. “It is...what it is.”

SaturdayNightFeverTheMusical2/15/17

15

BOBBY Tony, what do you think? I mean, I trust what you say. Tony...you and I, we’re almost cousins.

TONY We’re Italian, Bobby...everybody’s our cousin.

BOBBY

Tony, come on, I’m serious.

TONY Alright, alright, listen...Pauline’s a good girl, a nice girl. But look at this place, Bobby. What do you see?

BOBBY A disco.

TONY A disco?

(he laughs and looks around at the FACES)

A disco. No, Bobby. This is not a disco. This? This is...hot...sweaty, mind-numbing groovin’. Where the most beautiful, most slammin’, most damn-fine women come. This is the hottest club in the coolest city on the face of the planet. The center of the universe, Bobby, just happened to land in Bay Ridge. Right here...right now. And they’ve all come...all these chicks have come for one reason...and one reason only.

(beat) To dance.

GUS, JOEY, TONY, DOUBLE-J I WANNA PUT ON MA MA MA MA MA BOOGIE SHOES

JUST TO BOOGIE WITH YOU

(convinced by the guys, BOBBY joins their dancing)

GUS, BOBBY, JOEY, TONY, DOUBLE-J I WANNA PUT ON

MA MA MA MA MA BOOGIE SHOES JUST TO BOOGIE WITH YOU

(button...the FACES all hoot and howl)

SaturdayNightFeverTheMusical2/15/17

59

SCENE 11 WEDNESDAY MORNING--A BROOKLYN STREET

(we hear the sound of a truck pulling down the street...lights up on street...the FACES are playing stickball)

DOUBLE-J

Damn bread truck. He’s gotta drive right though our game, huh?

JOEY That’s all right, we’ll make sure we hit ‘em double in the mornin’.

BOBBY GAME ON! Hey, give me the ball.

GUS (entering with a brown deli delivery box)

Fresh bread and doughnuts!

(the GUYS grab the bread and start eating)

DOUBLE-J

I still can’t believe those dumb-asses just leave ‘em outside the deli door.

BOBBY I can’t believe you guys get up this early to swipe the bread delivery. You never got up this early for nothin’ in your whole life.

JOEY You don’t understand. This is no normal bread. We’re talkin’ Caputo’s fresh semolina...still warm.

DOUBLE-J It’s so good it’s like God gave birth in my mouth.

(beat)

SaturdayNightFeverTheMusical2/15/17

60

JOEY What the hell is wrong with you? That’s disgusting!

GUS Hey--did you see what the Yankees are gonna pay Jackson?

JOEY Yeah--I heard. My Pop’s all pissed off cause they’re paying him more than Piniella. Just another case of a paisan gettin’ screwed.

DOUBLE-J Piniella ain’t Italian.

JOEY What?!

DOUBLE-J No--he’s like Spanish or somethin’.

JOEY You know, you just ruined my entire day.

GUS If I had that type of money, I’d get myself a Mercedes, you know.

JOEY You’re never gonna get yourself a Mercedes...

#8 DOG-EAT-DOG ...those things cost too much money. You’ll never have that type of money.

DOUBLE-J Hey you...you know I’ve had you up to here, you. That’s your favorite speech!

JOEY You’re never gonna have that type of money in your whole life. Not you, not me, not anybody.

THEY’RE SELLIN’ YOU A STORY AND YOU’RE ALL JACKED-UP TO BUY

V&?

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Key. 1

52 œ œ œ œ œ œ œ œ œ œ œ œdog eat dog world that ya got ta sur vive.

52 œœœ œœ œ œœœ œœ œ

..œœjœœ ..œœ

jœœ

ALL: œ Œ Œ ‰ œ œAnd theœœœ œœ œ œœ œ œœ

..œœjœœ ..œœ

jœœ

- - - -

V&?

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Key. 1

54 œ œ œ œ œ œ œ œ œ œ œdog who eats the dog is stay in a live!

54 œœœ œœœ œœœ œœœ˙̇ ˙̇

Jœ ‰ Œ Óœœœ œœ ≈ œœœ œœœ œœ œ œœœ œœ ≈ œœœ œœœ œœ œ

œœ œœ ‰ jœœœœœœ>‰ œœ œœ ‰ jœœœœœœ>

‰*L.H. black key cluster

∑œœ ≈ œœ œ œœ ≈ œ œ œ Œ

œœjœœœœœœ>

‰ œœ œœ ‰ jœœœœœœfl‰

(GUS knocks the groceries out of Gabriel's hands)

ß

- -

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..

..

..

..

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Key. 1

57 ∑∑

57 ’ ’ ’ ’57

Œ ‰ . rœ œ. œ. Œ

œ .œ œ œ. œ. Œ

Vamp

Bongos lightly with hands, ad lib.

P

P

PBs.

Vln, Vc (pizz)

VAMP UNTIL FIRST TIME JOEY SAYS:JOEY: "Hombre, you will die?"Then MUSIC OUT

∑∑

’ ’ ’ ’

Œ ‰ . rœ œ. œ. Œ

œ .œ œ œ. œ. Œ

ÓU Œ ‰ œ œIt's a

ÓU Ó∑

ÓU œœœœn œœœœ œœœœ œœœœÓU

œœ œœ œœ œœ

HOLD UNTIL:JOEY: "Come on...let’s get thehell outta here...Hombre." [MUSIC IN]

JOEY, BOBBY:f

F

PIANO (loco)Tutti

GUS, DOUBLE-J:

œ œ œ œ œ œ œ œ œ œ œ œdog eat dog world that ya got ta sur vive.œ œ œ œ œ œ œ œ œ œ ŒBeg 'em for the scraps, beg 'em for the crumbs.

∑œœœœ œœœœ œœœœ œœœœ

..œœjœœ ..œœ

jœœ

f

f

- - - -

7#8 Dog-Eat-Dog

85

VV

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Key. 1

61 œ Œ Œ ‰ œ œAnd theœ œ œ œ œ œ œ œ œ œ Œ

Beg 'em for a chance 'til it ne ver comes.

61 œœœ œœœ œœœ œœœ

..œœjœœ ..œœ

jœœ

p œ œ œ œ œ œ ‰ œ œdog who eats the dog is a

œ œ œ œ Jœ ‰ œ œ œ œ Jœ ‰Beg gin' for an out. Beg gin' for a spot.

œœœ œœœ œœœ œœœ..œœ

jœœ ..œœjœœ

p cresc.

cresc.

cresc.p+Hns.

- - -

V

V

&?

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Key. 1

63 œ œ œ œ œ œ ‰ œ œdog who's ne ver lost. Yeah the

œ œ œ œ Jœ ‰ œ œ œ œ œ œ œBeg gin' for your life. Beg gin' for a shot. Yeah the

63 œœœ œœœ œœœœ œœœœ œœœœ œœœœ..œœ

jœœ ..œœjœœ

ƒ

ƒ œ œ œ œ œ œ œ œ œ œ œdog who eats the dog is stay in' a live!

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœdog who eats the dog is stay in' a live!

œœœœ œœœ œœ œ œœœ..œœ

jœœ ..œœjœœ

GUS:DOUBLE-J:

ƒ

- - - -

- - -

VV

&?

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Key. 1

65 ˙ ˙

˙̇ ˙̇65 œœœ œœ œ œœœ œœœ

..œœjœœ ..œœ

jœœ

˙̇ ˙Ahh

˙̇ ˙̇Ahh˙̇̇̇ ˙̇̇̇

œœ œœ œœ œœ œœ

JOEY:BOBBY: ww

wwœœœ œœ ≈ œœœ œœœ œœ œ œœœ> œœ> ≈ œœœ> œœœ œœ> œ>

œœ œœ ‰ jœœœœœœ>‰ œœ>

œœ>œœ>

œœ>*L.H. black key cluster

Jœœ ‰ Œ Ó

Jœœ ‰ Œ Ó

Jœœœ̆ ‰ Œ Ó

jœœfl‰ Œ Ó

8 #8 Dog-Eat-Dog

86