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Teachers Reflecting On Practices In Contexts Instructional Intelligence Acknowledgements to WA Central Institute, Barrie Bennett and Peter Smilanich

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Teachers Reflecting On Practices In. Contexts. –. Instructional Intelligence. Acknowledgements to WA Central. Institute, Barrie Bennett and Peter. Smilanich. Workshop Outcomes. - PowerPoint PPT Presentation

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Page 1: Teachers Reflecting On Practices In

Teachers Reflecting On Practices In Contexts – Instructional Intelligence

Acknowledgements to WA Central

Institute, Barrie Bennett and Peter

Smilanich

Page 2: Teachers Reflecting On Practices In

Workshop Outcomes

Identify and use different types of graphic organisers in group training to assist with checking learners understanding or prior knowledge of subject content.

“A Picture is worth a thousand

words”

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 2

Page 3: Teachers Reflecting On Practices In

Graphic Organisers? What are they?

• Graphic organisers are visual aids to the learner/learning process

• They can be used for showing the relationships between ideas or concepts

• They can be a teaching tactic e.g. Venn diagrams or Fishbone diagrams

• They can be a teaching strategy e.g. Mind Maps and Concept Maps

• They can be used for delivery of ideas or revision of a topic or competency

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 3

Page 4: Teachers Reflecting On Practices In

Let’s look at the most commonly used Graphic organisers

• Venn Diagrams:- Visual representation of the interaction of two or more data sets

• Fishbone Diagrams:- Visual description of the interrelation of ideas and topics

• Mind Maps:- Shows inter-relationships of ideas, from most to least complex, ties new knowledge to existing knowledge

• Concept Maps:- Complex map of how ideas/topics interweave to form linkages in a hierarchical structure from complete concept to the separate/subordinate parts

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 4

Page 5: Teachers Reflecting On Practices In

Venn Diagrams

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 5

Page 6: Teachers Reflecting On Practices In

Essentials of Venn Diagrams

• Venn diagrams are a graphical depiction of the relationship between two data sets

• They are used to organise information• The learner works at the analysis level• The do not have to overlap• They can be a single circle, overlapping,

or concentric circles or not touching at all

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 6

Page 7: Teachers Reflecting On Practices In

Your Turn:

• Construct a Venn diagram on a topic you teach or have taught

• Make it as complex as you feel necessary

• Try to use colour or linkages to shown connections

• Move from most to least complex ideas• And remember:- Have fun, learning

occurs best when you are enjoying it.

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 7

Page 8: Teachers Reflecting On Practices In

Fishbone Diagrams:

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 8

Johnsons Five basic Elements of Group Learning

Page 9: Teachers Reflecting On Practices In

Fishbone Diagrams:

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 9

Page 10: Teachers Reflecting On Practices In

Essentials of Fishbone Diagrams:

• The head of the fishbone is the focus topic or issue

• They invite students to “Consider all factors” affecting issue

• Shows graphically the relevant contributing ideas or factors

• Ideas are classified along main and sub groupings (Blooms analysis and evaluation levels)

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 10

Page 11: Teachers Reflecting On Practices In

Your Turn:

• Try constructing a Fishbone Diagram to show the factors/topics on a competency you teach or have taught.

• Make it as complex as you feel necessary

• Try to show connections between ideas and sub-ideas (This is the whole idea after all)

• Have fun

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 11

Page 12: Teachers Reflecting On Practices In

Lets move on:

• We have looked at simple graphic organisers, now lets look at some more complex forms:

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 12

Page 13: Teachers Reflecting On Practices In

Complex Organizers:

• Mind Mapping and Concept Mapping• Mind Mapping and Concept Mapping are

forms of Advance Organizers; these help the learner to connect existing knowledge with new knowledge; this makes knowledge dynamic rather than passive. As framework tools, they assist in the formation of connections, in organizing concepts and the relationships between concepts.

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 13

Page 14: Teachers Reflecting On Practices In

Mind Mapping

Is an analytical process that can be used:

• to take notes • to study for an exam• to brainstorm• or to make connections between ideas

It enhances memory.

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 14

Page 15: Teachers Reflecting On Practices In

Essentials of Mind Mapping

• The central image represents the subject being mapped

• The main themes radiate like branches from that central image

• Those branches have a key image or key word printed on an associated line

• The branches have a connected structure• Optional (recommended): Use of colour and

codes/links

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 15

Page 16: Teachers Reflecting On Practices In

Mind Maps Materials:

• A sheet of paper for each student or group

• Coloured pens or crayons, even scissors and glue if pictures will be used

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 16

Page 17: Teachers Reflecting On Practices In

Mind Maps Process:

• Select a topic. It helps to think of a visual that capture the essence of that topic and use it in the centre

• Brainstorm the key ideas related to that topic• Record all ideas• Group into common categories• Draw a picture or symbol that represents each of the key ideas

brainstormed• Position those visuals around the outside of the visual in the

centre of the map• Put in the key word then connect the key words to the centre • Flow with ideas radiating out from each of the key ideas and

continue the above process• Reflect - alone, with a partner, with a small group or with the

class. Talk through the journey you took to conceptualize the key ideas related to the topic. Explore the relationships between different aspects of the map

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 17

Page 18: Teachers Reflecting On Practices In

Sample Mind Maps

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 18

Page 19: Teachers Reflecting On Practices In

Sample Mind Maps

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 19

Page 20: Teachers Reflecting On Practices In

Checking for Mind Map Performance Levels (the higher the level achieved the better the Mind Map)

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 20

Criteria Performance Indicators(Observable descriptors indicating extent to which a criterion is met)

Level 1 Level 2 Level 3 Level 4

Central Image Not clear: difficult to separate from other information

Present: not eye catching or memorable

Clear: use 0f picture or image that relates to key idea

Stands out:Meaningfully grasps the key idea through metaphor or humour

Ideas radiate out from central image and from most to least complex

Little or no indication that ideas are connected to an radiate out from centre, from most to least complex

Ideas radiate out from centre, some confusion as you follow ideas from most to least complex.

Ideas clearly connect to central image and ideas, and for the most part move from most to least complex

Ideas clearly connect to central image and ideas consistently and accurately shift from most to least complex

Ideas have key images or key words

Little or no evidence of key images. May have a few keywords or vice-versa

Images and key words are evident, but either too few or unclear

Images and key words clearly show an understanding of content, although not memorable

Dynamic use of images and key words. They clearly connect to central image.

Colour or codes/links used to illustrate connections between ideas

Little or no use of colour, codes or links to illustrate connections between ideas/images

Obvious attempt is made to use colour, codes or linkages to enhance clarity and memory though not fully successful.

Clearly uses colour, codes or links to clarify connections and to assist with memory for most aspects of Mind Map

Effectively uses colour, codes or links to meaningfully clarify connections for all aspects of Mind Map

Depth of coverage Insufficient coverage of content shown

Shows basic level of coverage of key ideas but little extension of those ideas

Shows a solid grasp of most of the content and shows extensions of most key ideas

Shows a solid grasp of all the content covered. Extensions between ideas shows a deep understanding of all the content.

Page 21: Teachers Reflecting On Practices In

Your Turn:

• Construct a simple Mind Map on a topic you teach or have taught.

• Make it as complex as you feel necessary

• Try to use colour or codes/link to shown connections

• Move from most to least complex ideas• Have fun, learning occurs best when

you enjoy it.

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 21

Page 22: Teachers Reflecting On Practices In

Concept Maps:

• A Concept Map is a visual representation that illustrates the relationships between facts, concepts and ideas.

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 22

Page 23: Teachers Reflecting On Practices In

Concept Maps Essentials:

• Start with a major term or idea from which the next term or idea extends either in a hierarchical or radiating format – Concept Maps usually start at the top of the page.

• Shift is from more complex to less complex idea or major to minor

• Connecting lines are drawn between concepts• Linking words are placed on the lines stating the

relationship between concepts• Cross links can be made between one part of the concept

hierarchy or classification and another• Optional: Colour can be used to follow relationships,

Examples of concepts can be added

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 23

Page 24: Teachers Reflecting On Practices In

Concept Maps Materials:

• A sheet of paper for each student or group

• Post It Notes or index cards

• Coloured pens or crayons, even scissors and glue if pictures will be used

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 24

Page 25: Teachers Reflecting On Practices In

Concept Maps Process:

• Brainstorm, individually or in a group, the key ideas• Students put their ideas onto cards or post-it notes• Sort / classify these cards, looking for relationships

between ideas• Paste or transfer the ideas onto the large piece of paper• Draw lines between concepts and place words on the

lines that illustrate their relationships • Look for cross links between different concepts

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 25

Page 26: Teachers Reflecting On Practices In

Concept Maps Samples

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 26

Page 27: Teachers Reflecting On Practices In

Concept Maps Samples

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 27

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Samples:- here’s one I prepared earlier

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And of course the BIG ONE:

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Page 30: Teachers Reflecting On Practices In

Evaluating a Concept Map

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 30

Performance Indicators

Level 1 Level 2 Level 3 Level 4

Concepts Insufficient number of concepts selected relating to topic.

Arrangement of concepts shows no understanding of conceptual relationships

Minimal but acceptable number of concepts selected, with some relationships to the topic.

Arrangements of concepts shows simple understanding of subordinate conceptual relationships

Most concepts relating to topic were selected

Arrangements of concepts shows an understanding of subordinate conceptual relationships

Most concepts and all significant concepts selected and they clearly relate to topic

Arrangement of concepts shows complete understanding of subordinate conceptual relationships

Hierarchical Structure

Concepts are displayed in a linear sequence. Little or no sense of Hierarchical structure

Limited hierarchical structure used

Concepts connected in a hierarchical structure

Concepts connected in a hierarchical structure leading to more specific ideas

Linkages Some basic linkages indicated by connected lines

Linking words are simple and repetitive

Straightforward linkages connected with linking words

Linking words show variety

Most linkages indicated with a connecting line and labelled with linking words

Linking words are accurate and varied

All linkagesIndicated by a connecting line and accurately labelled with appropriate linking wordsLinking words are expressive and purposeful

Cross Links Cross links not used Few cross links are used to illustrate minimal connections

Cross links used to reflect straightforward connections

Cross links show complex relationships between two or more distinct segments of the concept map

Page 31: Teachers Reflecting On Practices In

Your Turn:

• Construct a “simple” Concept Map on a topic you teach or have taught.

• Make it as complex as you feel necessary

• Try to use colour or linkages to shown connections

• Move from most to least complex ideas• And remember:- Have fun, learning

occurs best when you are enjoying it.

Acknowledgements to WA Central Institute, Barrie Bennett and Peter

Smilanich 31