www.augustaballet.org

Augusta BalletSallie Carlson established the company as the Augusta Civic Ballet in 1962 and

served as its first Artistic Director. In 1964, the name was changed to Augusta Ballet and in the course of over forty years of operation, Augusta Ballet rose from a small civic ballet to a nationally recognized arts organization.

The Augusta Ballet’s choice of programming has been wide in scope yet pertinent to today’s audiences as demonstrated by the acquisition and performance of works by Lar Lubovitch and Merce Cunningham. The Augusta Ballet has consistently reached out to other performing organizations with exciting collaborations such as The Bitter Sweet Saga of Sugar Cane and Sweetie Pie with Wynton Marsalis, Peter and the Wolf with the Augusta Symphony, and The Legend of the Hatfields and McCoys with Grammy nominated bluegrass composer and musician, Sam Bush. Additionally, Augusta Ballet has presented Chuck Davis and the African American Dance Ensemble, Ailey II, Garth Fagan, and Urban Bush Women for the Martin Luther King, Jr. birthday celebration.

The leadership of the Augusta Ballet is dedicated to providing outstanding programming on the stage and in the community, collaborating with other arts organizations and dance schools throughout the southeast, and welcoming all those who want to experience dance at its very best.

Mrs. Susan EverittMr. Greg Kirby

Mr. Ted McLymanMrs. Bebe Schweppe

Mr. David Clayton Carrad

Trustees

Augusta Ballet Board of TrusteesChair, Mrs. Meredith Stiff

Vice Chair, Mrs. Jan Hodges BurchTreasurer, Mrs. Summer Bell

Secretary, Dr. Tina Marshall-BradleyPast President, Mrs. Nadia Butler

Augusta Ballet StaffJennifer Franks, Executive Director

Courtney Murrah, Assistant Director

Advisory BoardMrs. Shell Knox BerryMs. Rebekah Henry

Mrs. Jane HowingtonMs. Karen Kierath

Mrs. Caroline MorrisMrs. Tara Rice Simkins

Augusta Ballet 50th Anniversary

Season of the Surreal

It is surreal in itself…. 50 years of our serving the Central Savannah River Area as its premier Ballet. Courageously bearing the title Ballet in an era in which The New York Times recently wrote: Is Ballet Dead or Dying, Augusta Ballet lives on.

The secret to this success has been Augusta Ballet’s consistent commitment to quality. Today Augusta Ballet presents the world’s finest dance, therein bringing a greater world-view to the CSRA, represented in its vision: to inspire and unite the world through dance.

Augusta Ballet’s major task is not to change its commendable road but to com-municate and grow its essence. The fact remains that less than 7% of the U.S. population has even seen a live dance performance, resulting in the stereotype that attending ballet means tip toes and tutus, so to say.

As we communicate what dance is now about... i.e. the diversity and unique potential of this fine art (notwithstanding its ability to reinstate a lost culture of physical movement among youth), we must cross boundaries into modern consciousness.

For our 50th year anniversary season we will celebrate traditional ballet juxta-posed to what some might call modern dance’s surreal qualities. We will take our audience on a marvelous journey of looking back while boldly forging ahead.

Throughout this program you will learn more about Augusta Ballet, our art form and cherished community of which we are a crucial part. It is through your gen-erous support that Augusta Ballet will not just live but thrive.

Thank you for coming tonight to christen Augusta Ballet’s 50th Anniversary Season of the Surreal.

Yours with gratitude,

Jennifer FranksExecutive Director, Augusta Ballet

Surreal: having the quality of a dream; unreal; fantastic.

Crowning Georgia Health Sciences University’s new College of Dental Medi-cine is the magnificent mosaic sculpture titled Four Stages of Higher Learning (above); this art work created by Paul Pearman, recently won a Juror’s Choice award from the Society of American Mosaic Artists, one of the highest honors a mosaic can achieve. The sculpture inspired our celebration tonight, recalling ballet’s connection to the surreal.

Pearman cites Dali’s Geopoliticus Child Watching the Birth of the New Man (right) as his sculpture’s main inspira-tion. The metamorphic painting exhib-its a canopy similar to the sculpture’s tiers appropriately representing the stages of education.

Geopoliticus Child Watching the Birth of the New Man bySalvador Dali, 1943

Four Stages of Higher Learning by Paul Pearman, 2011Photo Credit: Sally Kolar

Crowning Georgia Health Sciences University’s new College of Dental Medi-cine is the magnificent mosaic sculpture titled Four Stages of Higher Learning (above); this art work created by Paul Pearman, recently won a Juror’s Choice award from the Society of American Mosaic Artists, one of the highest honors a mosaic can achieve. The sculpture inspired our celebration tonight, recalling ballet’s connection to the surreal.

Pearman cites Dali’s Geopoliticus Child Watching the Birth of the New Man (right) as his sculpture’s main inspira-tion. The metamorphic painting exhib-its a canopy similar to the sculpture’s tiers appropriately representing the stages of education.

Geopoliticus Child Watching the Birth of the New Man bySalvador Dali, 1943

Four Stages of Higher Learning by Paul Pearman, 2011Photo Credit: Sally Kolar

Salvador Dali: Man behind Surrealism... and the MustacheSalvador Felipe Jacinto Dali I Domenech was born at 8:45 on the morning of May 11, 1904 in the small agricultural town of Figueres, Spain. Figueres is located in the foothills of the Pyrenees, only sixteen miles from the French border in the principality of Catalonia. The son of a prosperous notary, Dali spent his boyhood in Figueres and at the family’s sum-mer home in the coastal fishing village of Cadaques where his parents built his first studio. As an adult, he made his home with his wife Gala in nearby Port Lligat. Many of his paintings reflect his love of this area of Spain.

The young Dali attended the San Fernando Academy of Fine Arts in Madrid. Early recognition of Dali’s talent came with his first one-man show in Barce-lona in 1925. He became internationally known when three of his paintings, including The Basket of Bread (now in the Museum’s collection), were shown in the third annual Carnegie International Exhibition in Pittsburgh in 1928.

The following year, Dali held his first one-man show in Paris. He also joined the surreal-ists, led by former Dadaist Andre Breton. That year, Dali met Gala Eluard when she vis-ited him in Cadaques with her husband, poet Paul Eluard. She became Dali’s lover, muse, business manager, and chief inspiration.

Dali soon became a leader of the Surrealist Movement. His painting, The Persistance of Memory, with the soft or melting watches is still one of the best-known surrealist works. But as the war approached, the apolitical Dali clashed with the Surrealists and was “expelled” from the surrealist group during a “trial” in 1934. He did however, exhibit works in international surrealist exhibitions throughout the decade but by 1940, Dali was

moving into a new type of painting with a preoccupation with science and religion. Dali and Gala escaped from Europe during World War II, spending 1940-48 in the United States. These were very important years for the artist. The Museum of Modern Art in New York gave Dali his first major retro-spective exhibit in 1941. This was followed in 1942 by the publication of Dali’s autobiography, The Secret Life of Salvador Dali.

The Persistance of Memory, Salvador Dali, 1931

As Dali moved away from Surrealism and into his classic period, he began his series of 19 large canvases, many concerning scientific, historical or religious themes. Among the best known of these works are The Hallucinogenic Toreador, and The Discovery of America by Christopher Columbus in the museum’s col-lection, and The Sacrament of the Last Supper in the collection of the National Gallery in Washington, D.C. In 1974, Dali opened the Teatro Museo in Figueres, Spain. This was followed by retro-spectives in Paris and London at the end of the decade. After the death of his wife, Gala in 1982, Dali’s health began to fail. It deterio-rated further after he was burned in a fire in his home in Pubol in 1984. Two years later, a pace-maker was implanted. Much of this part of his life was spent in seclusion, first in Pubol and later in his apartments at Torre Galatea, adjacent to the Teatro Museo. Salvador Dali died on January 23, 1989 in Figueres from heart failure with respiratory complications.

As an artist, Salvador Dali was not limited to a particular style or media. The body of his work, from early impressionist paintings through his transitional surrealist works, and into his classical period, reveals a constantly growing and evolving artist. Dali worked in all media, leaving behind a wealth of oils, watercolors, drawings, graphics, and sculp-tures, films, photographs, performance pieces, jewels and objects of all descriptions. As important, he left for posterity the permission to explore all aspects of one’s own life and to give them artistic expression.

Whether working from pure inspiration or on a commissioned illustration, Dali’s match-less insight and symbolic complexity are apparent. Above all, Dali was a superb drafts-man. His excellence as a creative artist will always set a standard for art.

Information courtesy of The Dali Musuem, St. Petersburg, FL.

Salvador Dali with ocelot and cane, photo by Roger Higgins (World Telegraph staff photographer), 1965

The Basket of Bread by Salvador Dali, 1926 The Swallow’s Tail, Salvador Dali, 1983. The artist’s last painting.

Lot 1

Angie’s Lips by pAuL peArmAn, 2012Belt buckle of deep ruby red Swarvoski crystals with layers of 24kt Gold Leaf surround lustrous bright white freshwater pearls, hand-forged metals including all mechanisms. Pearman visited Spain viewing the original Ruby Red Lips (seen below) along with the collection Dalí-Joies, a permanent exhibition at the Dalí Theatre-Museum in Figueres; this exhibit inspired Pearman to create his own take on the lips which Salvador Dali fashioned after Mae West’s lips in 1949.

Estimate: $1,200-$1,400

Photo Credit: Bettmann/CORBIS

May 1959: “Looking like the back-seat driver of a flying saucer,” Madelle Hegeler wears surrealist jewelry by Salvador Dali in New York. Sculptured gold hand, red ruby lips with pearl teeth (inspiring Pearman’s above piece), and “Eye of Time” watch worn like a monocle, and a “Corset Ring”.

Lot 2Original SOuvenir PhOtOgraPhS Of PariS by Pierre yveS-Petit (knOwn aS yvOn), C. 1920S tOgether with Signed biOgraPhy &

framing gift CertifiCate

Pont Royal and Quai des Tuileries, Yvon, c. 1920s

Author’s expert description of Yvon’s works:

The photographer Pierre Petit, who called himself “Yvon,” wandered the streets of Paris between the world wars looking for the moment when the shifting light and clouds would perfectly reveal the city’s ephemeral, iconic beauty. The dramatic images of the city and its people that he made during those years would become the most popular postcards in France, still bought today on Parisian quais and eagerly sought by collectors.

With an eye for startling viewpoints and unusual weather conditions, Yvon photographed the city awakening at dawn, in the shimmering afterglow of rain, or seen over the shoulder of a gargoyle high atop a cathedral. The accompanying book in this lot, “Yvon’s Paris”, reproduces more than sixty of his loveliest images, many made from recently discovered prints in the archive of the company Editions Yvon, still selling postcards of France today. This elegant and poetic collection captures the magic of Paris at its most photogenic—the way many of us romantically wish it still were.

Photo series (one of two) of Paris taken in the 1920s by famed photographer Yvon. Housed in original Art Deco card case and created for the tourists trade, these served as the model for countless postcards of the period still widely collected. Lot includes $100 gift certificate to frame the 20 miniature photographs (The Frame Shoppe, Augusta, GA). Photographs cour-tesy of an anonymous collector of French art.

Estimate: $600

Lot 3

Hot Air BAlloon ride &

PAris Picnic

Estimate: $500

Romantic balloon ride and lavish picnic for two. Courtesy of David Fields Tires and Brakes via the expert balloon team Droppin-in and Tea with a Dutchess.

Lot 4

design drAwing of A troPHy Picture frAme or mirror, 18tH-century

Estimate: $200-$500

This rare design drawing depicts a “trophy” picture or mirror frame. The elaborate objects and crown - to be hand-carved and gilt - suggests the frame was intended for a person of kingly rank. Such frames were costly, often exceeding the price of the paint-ing itself. Depictions of open frames often seen in surrealist art provoked the viewer’s imagination of what should or might appear within. A classic example is the painting “The Empty Picture Frame” by Dali’s celebrated contemporary Rene Magritte (1898-1967). From an anonymous collector of 18th-century Decorative Arts.

A later image celebrating the first hot air bal-loon ride in Paris (September 19, 1783). Illustra-tion from the “Encyclopedia of the Exquisite”.

Lot 5EscapE to aspEn

Estimate: $8,000

Relax in the comfort of an elegant Aspen condominium at The Gant while enjoying the luxurious services of a premier hotel. Trip includes 2 tickets and “meet and greet” with the Aspen Sante Fe Ballet (if company is in town at time of rental). The Gant was named “Top 50 Ski Hotels” - Conde Nast Traveler.

Amenities include:Elegant private lodging with two bedrooms and includes full kitchen, fireplace, balcony, and more. Year-round heated outdoor pools, saunas, hot tubs, fitness facility and five championship tennis courts. Valet and bell service, personalized concierge, and compli-mentary in-town transportation. Enjoy the seclusion of five beautifully landscaped acres, while being just a short stroll from exhilarating skiing and downtown Aspen’s shopping, world-class dining, nightlife and cultural attractions. Graciously donated by the founder of Aspen Santa Fe Ballet, Ms. Bebe Schweppe

ONE WEEK AT A DATE OF MUTUAL AGREEMENT BY OWNER AND WINNING BIDDER. THANKSGIVING, CHRISTMAS, AND FOOD AND WINE FESTIVAL WEEKS ARE UNAVAILABLE.

Lot 6augusta BallEt surrEal sEason packagE

& dinnEr at thE BEEs knEEs

Estimate: $350

Lot includes four choice tickets to Augusta Ballet’s Season of the Surreal events, followed by dinner at The Bees Knees (two $50 gift certificates), where you can sample signature cocktails, including those inspired by Salvador Dali tonight on the 3rd floor Dali Lounge.

Lot 7

This mixed media piece served as cover art for the Magic City Art Connec-tion Annual Board meeting invitation in Birmingham, Alabama, circa 1994. Dr. Azziz’s passion and creativity reflects Augusta’s continuous ties be-tween the arts and sciences; Georgia Health Sciences University’s College of Dental Medicine houses not only a work by Dr. Azziz but also an excep-tional collection of local artwork including Paul Pearman’s internationally-celebrated mosaic chandelier. “Crying” well represents Dr. Azziz’s talent for medicine as well as his love of surrealism. Generous gift of the artist.

Estimate: $550

“Crying” by riCardo azziz. Mixed Media; Collage, ink & graphite, 1994.

Lot 8Shell moSaic by Grace l. madeira, 2007; formerly exhibited at

the academy of Natural ScieNceS, PhiladelPhia, Pa

Estimate: $500

Meticulously crafted shell mosaic by the notable Philadelphia shell artist, Grace Madeira, best known for her “Sailor Valentines”. In the style of a floral still life with basket, this lot recalls “shellwork” of the 18th century, an era in which gardens and entire rooms were fashioned in shells. Expertly framed with respect to conservation and labeled at back. From an anonymous collector of Decorative Art & Garden Antiques.

Lot 9aNtique freNch oPera GlaSSeS or “lorGNetS”, circa 1920

Estimate: $300

Visit the Ballet in elegant 1920s style. French sterling silver folding opera glasses with Louis XVI-style decoration. Highly detailed with sculpted floral trophy and etched pat-terns at front and back. Gift of Windsor Jewelers (Estate Collections).

Ancient shell mosaic, illustrating art form still practiced today.

German film actress Dolly Haas with lorgnette

Ballet Russe & the Surreal, 1917The first surreal work of art is often noted as the ballet Parade performed in May 1917; here the term surreal was coined by poet/art critic Guillaume Apollinaire (1880-1918), appearing for the first time in the Parade’s program (left) notes. The Ballets Russes production enlisted the talents of Pablo Picasso, Jean Cocteau, Erik Satie and Leonid Massine.

Surreal Ballet, 2012British born fashion designer Gareth Pugh returned to his dancing routes when asked to create the costumes (right) for the new Wayne McGregor ballet at the Royal Opera House in London. Mark Ronson composed the score to match Pugh’s notorious sharp edges and spiky angles dominating the costumes, recalling those designed by Pablo Picasso for the world’s first sur-real ballet Parade.

Augusta Ballet: Season of the Surreal, 2013A tribute to Augusta Ballet’s sport and science partnership fighting childhood obesity, the Ballet will present Symbiosis by Pilobolus Dance Theater (left) on March 16, 2013, merging dance and biology. Juxtaposed to this avant-garde performance will be Aspen Santa Fe Ballet on Sept. 27, 2012.

Surreal: having the quality of a dream; unreal, fantastic.

Georgia Power Proudly Supports

georgiapower.com

The AugustaBallet.

Augusta Ballet’s vision to inspire and unite the world through dance most importantly starts with community. With each performance, Augusta Ballet hosts Master Classes taught by dance’s current elite. Master Classes are open to all dance students of the Central Savannah River Area and are free to Augusta Ballet school partners including Davidson Fine Arts Mag-net School, Jessye Norman School of Arts, among others.

Under Good Moves 2012-2013 Outreach, Master Classes will include a health segment, Fueling the Dancer’s Body, via the International Associa-tion for Dance Medicine & Science.

Today (above): Abby Silva, principal dancer of Parsons Dance (New York, N.Y.), teaches Augusta Ballet Master Classes at Davidson Fine Arts Magnet School, open to all dance students of the C.S.R.A.

July 1970 (left): Four members of Augusta Ballet leaving for a one-month study at David Joffrey’s American Ballet Center in New York City (L-R) Karen Brown, Joanne McKenney, Melinda Jordon and Merry Dicks Clark

Augusta Ballet Master ClassesGlobal dance education for local students

Community Gold SponSorSThe Augusta ChronicleThe Partridge Inn

Community Silver levelAugusta MagazinePublix Super Markets Charities, Inc.WFXG - Fox 54 TV

AmbASSAdor levelAspen Community Foundation - Mr. & Mrs. David and Bebe SchweppeCoca-Cola Bottling Company of AugustaEnterprise Mill EventsGeorgia Power CompanyManuel’s Bread CaféSavannah River Nuclear SiteSRP Federal Credit UnionMr. & Mrs. Jim and Meredith Stiff

diGnitAry levelAmerican Audio Visual ServicesApexx Behavioral Solutions Financial GroupAugusta ENT PCThe Bee’s KneesMrs. Summer Finley BellMr. & Mrs. Reab Berry, Jr.Mr. & Mrs. Robert M. Burch, Jr.Mr. & Mrs. Paul and Nadia ButlerCharleston StreetDanceWareMr. & Mrs. Rich and Susan EverittFirst Bank of GeorgiaThe Georgia CenterDr. & Mrs. Jerry HowingtonKilpatrick Townsend LLP Attorneys at LawMr. & Mrs. Greg KirbyMr. & Mrs. Wyck and Shell KnoxDr. & Mrs. Andrew MellorMr. & Mrs. William Morris, IVPlan C SpacesRanco Tent RentalsMr. Daire Rooney and Mr. David ScottTea with a DutchessMr. & Mrs. H. Montague Osteen, Jr.Mr. & Mrs. LeRoy and Sarah Simkins Mr. & Mrs. N. Turner SimkinsMr. & Mrs. Barry L. StoreyStorey Foundation, Inc.Dr. & Mrs. Don Williamson

Contributor level Dr. Miriam J. AtkinsMr. & Mrs. Braye C. BoardmanDoctors George C. Bradley and Tina Marshall-BradleyDoctors Chris and Niti CarlsonMr. David CarradMr. & Mrs. Trey and Indee FewMr. & Mrs. Robert P. KirbyMr. & Mrs. William Morris, IIIMr. J. Nick ShawMr. & Mrs. Tracy ShowmanMs. Pam Tankersley

Friend levelDr. & Mrs. William ClarkMr. Gould HaglerDr. & Mrs. Andy C. and Alice L. ReeseSanford, Bruker & BanksDr. & Mrs. Robinson Schilling, Jr. Ms. Mary SchorschSurrey Center Shopping Center

HoSpitAlity SeASon SponSorSManuel’s Bread CaféAugusta Ballet trusts Manuel’s Bread Café as its hospitality sponsor providing an exquisite menu for MOMIX and Ballet Hispanico dancers and crew.

The Partridge InnAugusta Ballet trusts the Partridge Inn as its lodging sponsor providing Southern hospitality for all season dancers and crew.

younG FriendS oF AuGuStA bAlletGould Hagler, PresidentLindsay Thetford, President-ElectFor information on Y-FAB, email info@augustaballet.org.

The Board of Trustees and staff of Augusta Ballet give special thanks to the following for their tireless support of world-class dance and events shaping our community:A B Beverage CompanyAugusta Sports CouncilJason BarronMatthew BuzzellTim CampbellCooking MattersDavidson Fine Arts Magnet SchoolRandy DuTeauGoodwill Industries’ newly accredited Helms Career InstituteJessye Norman School of the ArtsPaul MarshBrian PattersonCoco RubioMeilin RuizCharles ScavulloRenee TooleTriAugusta Triathlon Club

This Surreal Gala was made possible in part by the following season sponsors.Contributions received after 5/8/2012 will be listed in forthcoming season media.

dance in the Garden City Season

Augusta Ballet’s Surreal Gala was made possible by the following event sponsors:

Film & Decor:American Audio Visual Services

Digital BlueprintCharleston Street

The Frame ShoppeHouse of the Bride

Plan C SpacesRanco Tent Rentals

Catering:The Bee’s KneesRoux’s Catering

Tea with a DutchessThe White Horse

Hospitality:Georgia Health Sciences University

The Partridge InnThe White Crane

Special Thanks:Zachary Boyden-Holmes, Photojournalist

Matthew Buzzell, ASU/GHSU Faculty & Film ConsultantConnie Drisco, Dean of College of Dental Medicine

Paul Pearman, ArtistIngrid Tutt, GHSU Special Events

Chef Manuel Verney-Carron, Manuel’s Bread Café

Art: (ärt)n(6.a). A system of principles and methods employed in the performance of a set of activities

A u g u s tA

Qu a l i t y - Ex c E l l E n c E - in t E g r i t y - rE s p E c t

t h e A r t o f P r o v i d i n g r e f r e s h m e n t

748 Greene Street • Augusta, GA 30901

706-724-3040

Kilpatrick Townsend & Stockton LLPWells Fargo Bank BuildingSuite 1400 699 Broad StreetAugusta, Georgia 30901-1453706.724.2622

Brian K. EppsJoseph H. Huff Laurel Payne LandonMark H. ReevesR. Perry Sentell, IIIW. Craig Smith www.kilpatricktownsend.com

Kilpatrick Townsend & Stockton LLP is proud to support the AUGUSTA BALLET.

Working together — it’s how we’re making our communities better places to live and work.

ATLANTA AUGUSTA CHARLOTTE DENVER DUBAI NEW YORK OAKLAND RALEIGH SAN DIEGO SAN FRANCISCO SEATTLE SILICON VALLEY STOCKHOLM TAIPEI TOKYO WALNUT CREEK WASHINGTON WINSTON-SALEM

Savannah River Nuclear Solutions. Leading the way in innovative and creative solutions for our nation’s most pressing initiatives.

11PA00123kp

Savannah River Nuclear Solutions is creating a new and exciting future at the Savannah River Site.

Savannah River Nuclear Solutions proudly supports the Augusta Ballet.

SRNS offers uniquely skilled people, diverse nuclear operations

and research facilities, and first-of-a-kind technologies to spark

business opportunities throughout the nation and beyond.

We’re home to the Savannah River National Laboratory,

an engine for growth in advanced environmental and

national security technologies, as well as clean energy research.

Savannah River Nuclear Solutions. Leading the way in innovative and creative solutions for our nation’s most pressing initiatives.

11PA00123kp

Savannah River Nuclear Solutions is creating a new and exciting future at the Savannah River Site.

Savannah River Nuclear Solutions proudly supports the Augusta Ballet.

SRNS offers uniquely skilled people, diverse nuclear operations

and research facilities, and first-of-a-kind technologies to spark

business opportunities throughout the nation and beyond.

We’re home to the Savannah River National Laboratory,

an engine for growth in advanced environmental and

national security technologies, as well as clean energy research.

Bringing Business And The Arts Together.

FEDERAL CREDIT UNIONood things happen atG

AugustA BAlletPost Office Box 3828 Augusta, GA 30914Phone: 706.261.0555

Facsimile: 706.261.0551www.augustaballet.org

Photo by Sally Kolar: “Four Stages of Higher Learning”, sculpture mosaic by Paul Pearman, GHSU College of Dental Medicine