storytelling part 2: how-to

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How-to Craft a Great Story It’s not too late to become a better storyteller Part II [email protected] https://www.linkedin.com/pub/michael-kurz/9/b59/2a0

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  • How-to Craft a Great StoryIts not too late to become a better

    storyteller

    Part II

    [email protected]://www.linkedin.com/pub/michael-kurz/9/b59/2a0

  • Once upon a time

  • There was a young and beautiful girl named Scheherazade

  • Every day she was watching her father, a vizier of Sultan Shahryar of Persia, who's duty was to provide

    the Sultan with a virgin to marry him and just being executed the very

    next morning.

  • One day her father couldn't find another virgin anymore.

  • Because of that, Scheherazade offers herself as the next bride and

    her father reluctantly agrees.

  • That night Scheherazade begins to tell the Sultan a story, but doesn't end it. The Sultan, curious about

    how the story ends, postpones the execution in order to hear the

    conclusion. Every night, as soon as she finishes one story, she

    immediately starts a new one.

  • Until finally, after One Thousand and One Nights, the Sultans dies and Scheherazade is free again.

  • Ever since the Power of Storytelling is universally known

  • In this presentation you will learn how to craft better stories and

    communicate ideas to an audience in the most effective way.

  • Storytelling is not a discipline, its rather a technique and art form to draw people into something and

    convey a message.

  • If you tell a story well, people will

    come. Damian Lewis

  • Whoever tells the best story shapes the culture.

    Erwin McManus

  • A definition of story Story begins when an event, either by human

    decision or accident in the universe, radically upsets the balance of forces in the protagonist's life,

    arousing in that character the need to restore the balance of life. To do so, that character will conceive of what is known as an "Object of Desire," that which

    they feel they need to put life back into balance. They will then go off into their world, into themselves, in the

    various dimensions of their existence, seeking that Object of Desire, trying to restore the balance of life, and they will struggle against forces of antagonism

    that will come from their own inner natures as human beings, their relationships with other human beings,

    their personal and/or social life, and the physical environment itself. They may or may not achieve that Object of Desire; they may or may not finally be able to restore their life to a satisfying balance. That, in the simplest possible way, defines the elements of story - an event that throws life out of balance, the need and

    desire to restore the balance, and the Object of Desire the character conceives of consciously or unconsciously that they can pursue against the

    forces of antagonism from all of the levels of their life that they may or may not achieve.

    - Robert McKee

  • The task of story design is simple.

    Hook, hold and payoff the audience's interest.

  • The Hook Does my story immediately hook or engage the

    audience and builds curiosity?

    Hold Does the protagonist's constant pursuit of his or her

    desire hold the audience interest?

    Pay-Off Does the story climax close all of the audience open emotions and answer all of the audience questions of

    cause and effect, of why and how?

  • There are various forms of story told in different types of media

    *Each medium offers own characteristics and possibilities (e.g. presentation, actions, interactivity) and faces consumer behaviors (e.g. attention spam, lean in vs lean back mode)

  • Since Aristotle novels, screenplays, games, even ballets have a simple overarching 3-act structure in

    common

    Act 3Act 2Act 1 II EndMiddleI IBeginning

    *This 3-act structure can be found not just in whole screenplays, but in acts, sequences and scenes

  • A story should have a beginning, a middle and an end,

    but not necessarily in that order.

    - Jean Luc Godard

    Which doesnt mean you cannot be creative anymore.

  • A story is a journey. A change from an old status quo to

    a new one through action and conflict

  • Act 3Act 2Act 1 II EndMiddleI IBeginning

    Risin

    g Ac

    tion

    Exposition

    Climax

    Faling Action

    ResolutionBeginning of the story where characters and setting are introduced

    Where the main character faces a series

    of conflicts

    Events leading to the end of the story

    End of the story

    The most exciting part of the story; Where the central question posed by

    the story is answered

  • Story design is built from an inciting incident, when things went out of balance, to the climax when

    balance is restored.

    Risin

    g Ac

    tion

    Exposition

    Climax

    Faling Action

    Resolution

    Inciting Incident or Plot point (= an event or moment that begins a storys problem)

  • Nice, but whats in it for you?

  • Story design is teaching us the most effective way to involve an

    audience.

  • Through stories we are able to communicate in a way that

    resonates, creates excitement and conveys an idea in a way that

    people can remember and pass on.

  • In Short:

    Storytelling is the most powerful way to put ideas into the world today.

    Robert McKee

  • Nancy Duarte shows us the way how to incorporate stories into presentations

  • Here you can see the basic story structure of presentations made by the greatest

    communicators of all time.

  • The structure takes the audience on a journey that evolves around the story design of our

    3-act structure:

    The Status Quo = ExpositionObstacles = Rising & Falling Action

    What could be = Resolution

  • What is (Old world/Status Quo)

    What could be (Future)

    Gap

    What is (Obsticles)

    What could be What could be New World description (Resolution)

    What is (Obsticles)

    What is (Obsticles)

    Inciting Incident or Plot point (= an event or moment that begins a storys problem)

    Like in every good story overcoming obstacles leads to a transformation which

    paints a picture of the new bliss.

    Source: https://www.ted.com/speakers/nancy_duarte

  • The most popular story structure is Joseph Campbells monomyth" also know as

    The Heros Journey

    Road Back

    Resurrection

    Return with the Elixir

    Ordinary World

    Call to Adventure

    Refusal of the Call

    Meeting the Mentor

    Crossing the Threshold

    Test, Allies & Enemies

    Approach the Inmost

    Cave

    Ordeal

    Reward

    Ordinary World

    Special World

    1

    2

    12

    11

    10

    6

    5

    9

    8

    7

    3

    4

    Source: Campbell J. The Hero With a Thousand Faces

  • Source: http://thewritingcafe.tumblr.com

    Road Back

    Resurrection

    Return with the Elixir

    Ordinary World

    Call to Adventure

    Refusal of the Call

    Meeting the Mentor

    Crossing the Threshold

    Test, Allies & Enemies

    Approach the Inmost

    Cave

    Ordeal

    Reward

    1

    2

    12

    11

    10

    6

    5

    9

    8

    7

    3

    4

    Limited awareness of

    a problem

    Increased awareness

    Reluctance to change

    Overcoming reluctance

    Committing to change

    Experimenting with first change

    Experimenting with first change

    Final mastery of the problem

    Final attempt at a big change

    Rededication to change

    Consequences of the attempt

    Attempting a big change

    Luke dreams of joining the academy but feels he is going nowhere on his uncles farm

    R2D2 plays a portion of Princess Leias call for help.

    Luke refuses to follow Obi-Wan

    R2D2 plays the entire message, revealing that Luke holds the plans of Death Star. Obi Wan gives Luke his fathers lightsaber

    and tells him of his heritage

    Lukes aunt and uncle are killed, so he is free

    They hire Han Solo and Chewbacca to join their allies and escape the Stormtroopers

    Ob Wan teaches Luke how to use the Force. The ship is captured by the Death Star the find

    themselves inside the enemys stronghold

    Dressed as Stormtroopers they discover the princess, and attempt to rescue her

    The power of the Evil Empire is destroyed

    In the final battle, Luke hears Obi-Wans voice and uses the Force to make an impossible

    shot that destroys the Death Star.

    Obi-Wan sacrifices himself to help the team to escape. The

    Death Star follows them to destroy the Rebels base

    In the trash compactor, Luke is

    pulled underwater by a creature but is rescued by his

    friends

    Source: http://justinswapp.com

  • To unfold a story using Campbells structure is not just possible for epic stories like Star Wars or The Lord of the Rings, but can also be used for short stories/ads with limited time.

  • Source: https://www.youtube.com/watch?v=0N8axp9nHNU

  • Nevertheless there are Commonalities and Distinctions

    between unfolding a story for a novel/featured film

    or a short film/ad.

  • Time is what differentiates a short film/ad from a novel/featured film

    most.

  • Condense

  • Put your emphasis on a key moment rather than try to tell a whole life

    story from birth to death

  • Show dont Tell

  • Life is one fucking beauty contest after another

  • Actions speak louder than words

  • Having less time to establish a character means characters have to

    be defined by the actions we see

  • What is true for all stories

  • True for all stories are the basic elements that shape action

    The Story Whats the essence of the story

    The Protagonist Who the story is about

    The Setting Where and when the story

    takes place

  • Create Universal Appeal

  • Hollywood is well known for stories with an universal appeal even

    though there is a tendency toward spectacle over substance

  • Drama is Conflict

  • A protagonist needs an antagonist, which in a business context can be a competitor or a game changing

    technology.

  • Overcome obstacles

  • Your protagonist must have a goal and something or someone standing in the

    way of that goal.

  • Characters have to change & evolve

  • A transformation can be both inside and outside

  • Make it personal

  • Barack Obamas political career was launched by

    building empathy with the book

    Dreams from My Father

  • Be Original

  • The future isnt a place that we gonna go, its a place that you get to

    create

  • Make them laugh

  • Your audience loves to get physical

  • Even the best storytellers start with a blank paper.

    If you catch yourself staring at it for too long, the Story Spine is a narrative tool to make up stories and has

    already been used by Pixars greatest minds.

  • The Story Spine - A creative exercise to develop high-level structural ideas

    Once upon a time there was ___(introduces the protagonist). Every day,___(sets the scene before the trigger or catalyst). One day ___(introduces what happened the trigger or catalyst that sets the story in motion). Because of that, ___(explains the response to what happened). Because of that, ___(repeat as needed to trace what happened). Until finally ___(.until the story reaches a climax or turning point). Ever since then___(resolves the story and describes what things are like now)

    Source: http://www.aerogrammestudio.com/2013/03/22/the-story-spine-pixars-4th-rule-of-storytelling/

  • Ready? Let it out, because

    There is no agony like bearing an untold story inside of you.

    Maya Angelou

  • Thats all Folks [email protected]

    https://www.linkedin.com/pub/michael-kurz/9/b59/2a0