slide deck available at …...video cannot be played here sound is half of film and video, yet often...
TRANSCRIPT
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About Me
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Special thanks to my co-author and mixer/sound designer Cheryl
Ottenritter, Ott House Audio, for several examples and screenshots.
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Which story elements do you hear?
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Photo credit: Kevin Wolf
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Sennheiser MKE2 kit
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Power DeWise wired lav mic
Rode Smart Lav/Condenser
Samson Go Mic Mobile
Saramonic Blink500
Rode NT-USB Snowball
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Template from website resources,
Nonfiction Sound & Story (Routledge)
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Call
Sheet
Audio
notes
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Isn’t Always Costly
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26
Potential
location
sound
emergency
Worried
Producer
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27
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28
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• Role of Sound in Storytelling
• Preparing for Good Sound
• On Location Sound Acquisition
www.amydelouise.com/slide-decks
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PREPARING FOR YOUR MIX
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Streambox
Cinesync
Evercast
Source Live
Session Link Pro
https://www.studentfilmmakers.com/is-the-future-of-video-production-remote/
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• Field reports
• Wild sound
notes
• Known issues
• Location of
key tracks
• Foley/SFX
ideas
• Music options
or scoring plan
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Organize your tracks
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What’s Old is New Again
Clemente Ader’s Theatrophone, 1881
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In a Dolby Atmos™ Mix we
place “sound objects”
anywhere in 3D space
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360 vs VR Audio
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Binaural Recording:
Arranging 2 Mics with
the intent of creating
a 3D/360 Space
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www.galsngear.tv
www.amydelouise.com/slide-decks