rules of brand fiction from @bettydraper and @roger_sterling

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session hashtag = sxswbf @BettyDraper aka @AdBroad @Roger_Sterling aka @Bissell

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"Rules of Brand Fiction from Twittering MadMen" panel given March 13, SXSW 2010 by Helen Klein Ross and Michael Bissell, with contribution from Ellen Mahoney.

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Page 1: Rules Of Brand Fiction from @BettyDraper and @Roger_Sterling

session hashtag = sxswbf

@BettyDraper aka @AdBroad

@Roger_Sterlingaka @Bissell

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what is brand fiction?

• participatory entertainment in service of a brand

brandfictionfactory.com

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brands used to tell stories that ended when the commercial was over

image from AMC’s Mad Men website

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invitation to participate = the new ad

created by Deep Focus for AMC

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brand fiction inspires consumers to fanatically spread the brand story

proliferated by Deep Focus for AMC

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participation=the new metric

self-portrait as Mad Woman via MadMenYourself

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gets results

• 1 million unique visits• 600,000 avatars created, “advartising”• 3.3 million tuned-in to season premiere

stats courtesy Ian Schafer, CEO Deep Focus

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Mad Men on Twitter

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TV characters began leading parallel lives in the twitterverse

Paul Isakson

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giving audience a new way to connect with the show

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building engagement

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keeping up excitement between episodes, seasons

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attracting new audience among potential fans around the world

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remaining rigorously consistent with character

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expanding to other social media channels

brandfictionfactory.com

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brandfictionfactory.com

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We began to create opportunities for deeper audience interaction

brandfictionfactory.com

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inviting others to become part of the fictional universe

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enabling them to create stories of their own

brandfictionfactory.com

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fictional world was expanded by fan-invented characters

Budd Caddell

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this added dimension to the universe

Sabina Maschi

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extending it beyond the life of the show.

David Benardo

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We went on to play with the time-space continuum

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“tweaser” timed for Season 3 premiere

• an hour before Season 3 premiere

• a twitter event titled “Mad Worlds Collide”

• story: Mad Men on Twitter characters attend movie premiere of “It’s a Mad, Mad, Mad World” which premiered 1963

• inclusive concept designed to accommodate all who wanted to participate

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we prepared the venue

brandfictionfactory.com

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set the stage

brandfictionfactory.com

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We promoted event via tweets & blog

brandfictionfactory.com

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“sold” tickets

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which allowed us to collect names and email of ardent fans

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which provided eligibility for snazzy Mad Men-era prizes

vintage Radio City Playbill

copy of signed Mad Men script

1960s Radio City Music Hall Pin

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As showtime approached, we drew up timeline so we could synchronize our

(winding) watches

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then launched our experimental improv theater

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the audience had as much fun as we did.

brandfictionfactory.com

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we ensured the event endured beyond the fleeting life of search.twitter.com

brandfictionfactory.com

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the payoff

• deepens audience engagement with show• builds new audience• goodwill for brand• keeps show alive between episodes, seasons• provides deeper profiles of most ardent

supporters (stats of great interest to advertisers who no longer settle for age, income demo)

brandfictionfactory.com

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Mad Men on Twitter was first fan-based campaign recognized for its branding power

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every brand has a story

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stories add warmth to frozen dinners

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and make drinking soda an even happier experience

• coke happiness

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just think if nescafe spots ran today

brandfictionfactory.com

foursquare | match.com | facebook | twitter | craigslist

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so what are the rules of brand fiction?

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1. content is king

• success depends on quality of creative• appoint a dedicated brand fiction manager• design a Brand Fiction Canon:

• highly detailed account of characters, settings, vernacular rising from central story

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2. maintain continuity across platforms

• it’s not an alternate universe, it’s one universe.

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3. be authentic—content must embody brand values

brandfictionfactory.com

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4. be relevant to your audience

• know your brand fans• what distinguishes your story from others in their

minds?• consumer and programming insights enrich the

experience• the medium changes the message

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5. share

• let fans engage• respond, retweet, relationship

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6. don’t trust a zombie. your bot will show.

brandfictionfactory.com

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7. Don’t dilute the brand

brandfictionfactory.com

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7. Don’t dilute the brand

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8. campaign assessment or the Scheherazade factor

• Monitoring• Engagement• Redirecting/Harnessing• Tracking• Archiving

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9. Don’t underestimate time/effort necessary for success.

“The high-complexity nature of Digital programs makes it the most labor-intensive medium in the advertising industry.”

--A Marketer's Guide to Understanding the Economics of Digital Compared to Traditional Advertising and Media Services

report published 3/09 by The 4A’saaaa.org

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10. Have fun

Lady Gaga brand fiction by former creative writing student

Stefani Germonatta

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to speculate further…

Helen Klein Ross

helen@brandfictionfactoryMichael Bissell

bissell@ conquent.com