review of the builders association - nytimes
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8/2/2019 Review of the Builders Association - NYTimes
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media Show from the Builders Association - NYTimes.com
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HEATER REVIEW | 'JET LAG'
Going Places in a Media-Saturated World
Jennifer Taylor for The New York Times
avid Pence in a scene from Jet Lag.
y JASON ZINOMAN
ublished: September 29, 2010
he dazzling shows of the BuildersAssociation make just about
very other theater company look as if its living in the past. Three-
imensional computer animation, floating videos, seamless
ntegration of the real and the virtual the eye-popping stagecraft
eems from the future, but the content is typically of the moment.
Technology moves fast, so the revivalof the groups 2000 drama Jet Lag
a moody, multimedia production
that surrounds its puzzled characters
in a media-saturated world is,
perhaps inevitably, going to seem like
a period piece. Staged elegantly by the
Builders artistic director, Marianne
Weems, with the help of the
architectural firm Diller Scofidio and
Renfro, Jet Lag follows two tragic
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8/2/2019 Review of the Builders Association - NYTimes
2/3
media Show from the Builders Association - NYTimes.com
www.nytimes.com/2010/09/29/theater/reviews/29jet.html[10/17/11 9:16:42 PM]
THEATER
'Jet Lag'An Excerpt
SHARE
version of this review appeared in print on October 2, 2010, on page
10 of the New York edition.
characters escaping the world through
travel.
A British sailor (an anxious, deadpan
David Pence), loosely based on a real
person, fakes a voyage around the
world with the help of a video journal,
and an elderly woman (Moe Angelos)
and her grandson embark on 167
consecutive transcontinental flights set
in a nonspecific present. The narratives
are as simple as fairy tales, and the
setting seems to be less a distinct place
and time than a virtual world of
amplified voices and moving screens
where nothing is exactly as it seems. In a consideration of the show in 2000, Herbert
Muschamp, then the architecture critic for The New York Times, described the media as
he main character and compared those that are human to something out ofThe
Matrix.
he production can seem a little cool at times, in the way that the movie 2001 does,
ut there is a hypnotic and ominous point of view behind this mood. The look of Jet
ag remains startling, if not as ambitious as more recent shows that work harder to
lend the virtual and the real, and to employ a less conventional structure.
oday when someone wants to escape the world or create a fake life, they probably do so
nline. The distracted characters in Jet Lag use technology to isolate themselves, but
hey also physically go places, even if where those may be is something of a mystery. The
ind of loneliness portrayed here seems different from that in an age of social
etworking.
he most striking visual in Jet Lag is a three-dimensional animation of the interior of
n empty airplane getting built, row-by-row, right in front of your eyes. After Sept. 11, of
ourse, a crowded plane might be more chilling than a deserted one, but this is still a
otent image. This show makes you feel as if you are living in a video game, while more
ften, in todays world, it can seem as though you are lost in the chaos of a crowd.
Jet Lag continues through Sunday at the Alexander Kasser Theater, Montclair State
University, Mont clair, N.J.; (973) 655-5112, peakperf.org.
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