rev. hidden treasures of ancient egypt. unearthing the masterpieces of egyptian history
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Hidden Treasures of Ancient Egypt. Unearthing the Masterpieces of Egyptian HistoryTRANSCRIPT
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Review Author(s): Darren Glazier Review by: Darren Glazier Source: Near Eastern Archaeology, Vol. 70, No. 2 (Jun., 2007), pp. 115-116Published by: The American Schools of Oriental ResearchStable URL: http://www.jstor.org/stable/25067704Accessed: 27-06-2015 19:27 UTC
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(Hebrew Bible, New Testament, and Apocrypha references; the
list also comprises places that do not have an entry in the book).
In a new edition, it would be helpful to add a selected (and annotated) bibliography that could guide the reader to further
readings and other useful tools such as atlases or collections of
(translated) inscriptions.
Peter Lampe
University of Heidelberg
Hidden Treasures of Ancient
Egypt: Unearthing the Master
pieces of Egyptian History By Zahi Hawass. Washington, D.C.: National Geographic Books. Pp. 11 + 239; plates, maps. Cloth, $35.00. ISBN 0-7922-6319-7.
In
his role as Secretary General of Egypt's
Supreme Council of
Antiquities, Zahi Hawass has done much to bring the past of Egypt to a
wider audience. The most
visible head of the council for some time, Hawass has
set about transforming the
country's antiquities service
while popularizing the past
on page and screen. Any
publication by Hawass is thus guaranteed to be received with interest by the world of Egyptian archaeology. His latest offering, Hidden Treasures of Ancient Egypt, is
inspired by an exhibition that marked the centenary of the
Egyptian Museum in 2002. The exhibition brought together 250 hitherto unseen items from the national collection; artefacts that, alongside some of Egypt's more recognizable
antiquities, form the basis of the hidden treasures offered to us by Hawass. Yet this is no simple exhibition catalog: the
author uses these artefacts to narrate the history of Egyptian
archaeology, skillfully weaving tales of politics, colonialism, and resurgent national pride into accounts of the discovery of
the artifacts themselves. Nor are these treasures presented to
us conventionally. Rather, Hawass leads us on a journey from
1850 to the present day, through periods of colonial obsession and nationalist struggle, international cooperation and
political wrangling, through to the "exciting new discoveries"
of the present.
There are indeed many hidden treasures in this book.
Perhaps the most intriguing, however, are those found in the
introductions to each section. Hawass eschews the temptation
to simply recount a history of great excavations, focusing instead
upon the development of indigenous Egyptian archaeology and its nascent Antiquities Service, a revisionist history that
is not only refreshing, but innovative in a book aimed at a
general audience. Endeavoring to write the history of Egyptian
archaeology in just a few pages is no small undertaking. That
Hawass is able to introduce us to the Egyptians who have
shaped Egyptian archaeology while avoiding the temptation to simplify the past is testimony to his abilities as both scholar and popularizer.
This emphasis on the development of Egyptian archaeology
is continued in the main body of the book itself; the great characters of Egyptian archaeology, both native and foreign,
permeate the discussion of Egypt's hidden treasures. These finds are brought to life through a range of biographical insights, with stories of their ancient owners, but also of their more recent
discoverers. It is, though, the author's use of oral testimony
from Egyptian archaeologists that is truly innovative, "peopling"
the past, but also, subtly, "Egyptianizing" Egyptian archaeology.
The retelling of the story of Carter and Tutankhamen through the accounts of the Egyptian archaeologists involved in the
excavation, for example, reinvigorates an oft-repeated tale
while reminding us that Egypt's past is, first and foremost, the
past of the Egyptians. That is not to suggest, however, that Hidden Treasures is
solely about excavation. Hawass and the Supreme Council of
Antiquities place great emphasis on both conservation and the
return of illegally exported antiquities, an emphasis reflected
in the choice of artifacts found within this volume. The range
is indeed impressive, from the unfinished obelisk at Aswan, to an ancient prosthetic toe manufactured some 2800 years ago.
Nor, despite the title, are these artefacts presented simply as
treasures?detailed discussions of archaeological and historical
significance lend scholarly gravitas to the individual beauty of the artifacts themselves.
Yet, paradoxically, it is this very range of artifacts that
contributes to a sense of inconsistency within the volume. It
is never completely clear, for example, what criteria have to be
met for an artifact or site to be included as a hidden treasure. Is it
archaeological significance? Aesthetics? Historical importance? It is certainly not scholarly/public neglect: just how hidden is the mask of Tutankhamen? It is perhaps symptomatic of the social obsession with all things Pharaonic that it was deemed
NEAR EASTERN ARCHAEOLOGY 70:2 (2007) 115
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necessary to include such mainstays o? Egyptian archaeology at the expense of other, less-well-known pieces. Nor is this
a book for the absolute beginner in Egyptian archaeology, presupposing as it does a certain amount o? knowledge of
ancient Egypt amongst its audience. While this is indeed a
book for the lay reader, it is not a book for every lay reader. It
is a book to flip through, to dip in and out o? and return to at
leisure. And return to it you will, thanks in no small part to
the quality of its illustrations.
As one would expect from a National Geographic
publication, Hidden Treasures is sumptuously illustrated. The
vast majority of the photographs were taken by Ken Garrett, a
photographer of consummate skill and vision. Garrett's images
of the artifacts are breath takingly exquisite, yet the real hidden
treasures, the real masterpieces of Egyptian history, may just be
the period photos themselves, images o? the great players in
Egyptian archaeology, which contribute a sense of vibrancy
and life to the historical accounts of Hawass.
Zahi Hawass clearly cares deeply about the past of Egypt.
Perhaps more importantly, he also cares about its future. He
has set about transforming the Supreme Council of Antiquities,
training a new generation of Egyptian archaeologists and
laying down new guidelines for the exploration of Egypt's past.
With this publication, and with others, he has also set about
bringing Egyptian archaeology to a wider audience. In Hidden
Treasures, Hawass demonstrates that he has the skill, energy,
and vision to truly transform both Egyptian archaeology and
wider perceptions o? the Egyptian past. This is an admirable
contribution to that process; it is unlikely to be his greatest.
Darren Glazier
University of Southampton
Idols of the People: Miniature Images of Clay in the Ancient
Near East
By R R. S. Moorey. Oxford: Oxford University Press. 2003. Pp. viii + 81; plates, maps. Cloth, $45.00, ISBN 0-19-726280-5.
Scholars who study ceramic figurines may differ in their
temporal and geographic interests, but they all face similar constraints. Many more figurines come from rubbish
dumps than from the settings in which they were originally used. Virtually no figurine comes with any form of written
identification. It should come as no surprise, then, that there
is little consensus about the purpose of clay miniatures. Were
they secular objects such as toys or hermeneutic devices,
or were they used in religious pursuits, as votives or as
representations of deities? Indeed, is it reasonable to expect a
single overarching explanation to cover all known figurines?
As Roger Moorey points out in his excellent new book entitled Idols of the People: Miniature Images of Clay in the Ancient Near
East, "At the best of times few things in archaeology are more
elusive than the definition of functions determined socially rather than inherent in the objects themselves" (pp. 67-68).1
The absence o? broadly accepted guidelines makes the
study of figurines even more daunting. Scholars o? historic
period figurines utilize research on prehistoric periods and
on regions outside the Near East, to develop their own
theoretical frameworks. In addition, they increasingly
utilize methodological advances drawn from fields such as
anthropology and women's studies. Recent archaeological
discoveries have had a powerful impact on biblical scholarship, which in turn has influenced the interpretation of figurines from Iron Age Israel and Judah.
Moorey's interest in figurines spanned his lengthy career
in archaeology. The author of more than a hundred books,
articles, museum handbooks and more, he wrote about
iconography and imagery on many occasions.2 Most recently,
he catalogued the Ashmolean Museum's collection of Near
Eastern terracottas (p. x). In the three 2001 Schweich lectures
that provided the basis for Idols of the People, Moorey set out to examine ceramic figurines from Bronze Age Syria and Canaan
and from Iron Age Israel and Judah. In his words, "These miniature images are treated ... as a distinctive phenomenon
with prehistoric antecedents and recurrent characteristics
across millennia" (p. ix). This theme was developed as
figurines were examined not as isolates, but rather as elements
integral to larger archaeological assemblages. While this
might sound commonsensical, it is certainly not common.
Anthropomorphic figurines are
rarely viewed in conjunction with
zoomorphic or other counterparts;
female figurines are rarely analyzed
in conjunction with their male
counterparts; figurines are rarely
looked at in conjunction with
images on seals and sealings, and so
forth. Putting them all together, as
Moorey has so ably done, changes
the discussion.
116 NEAR EASTERN ARCHAEOLOGY 70:2 (2007)
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Article Contentsp. 115p. 116
Issue Table of ContentsNear Eastern Archaeology, Vol. 70, No. 2 (Jun., 2007) pp. 65-120Front MatterFrom the EditorForumReading Northwest Semitic Inscriptions [pp. 68-74]
The Harbor of Atlit in Northern Canaanite/Phoenician Context [pp. 75-84]Sussita-Hippos of the Decapolis: Town Planning and Architecture of a Roman-Byzantine City [pp. 86-107]Arti-FactsMind the Gap: Continuity and Change in Iranian Sistan Archaeology [pp. 109-110]"Crossing Jordan" in Washington, D.C.: The Tenth International Conference on the History and Archaeology of Jordan [pp. 111-113]
ReviewsReview: untitled [pp. 114-115]Review: untitled [pp. 115-116]Review: untitled [pp. 116-118]Review: untitled [pp. 118-119]Review: untitled [pp. 119-120]
Back Matter