randall d. standridge - stanton'slisteninglab.stantons.com/scores/b/1/6/7/6/b1676.pdf · iron...
TRANSCRIPT
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Extra Conductor Score: $5.00 Extra Parts: $2.50
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FJH developing band
metalheads Randall D. Standridge
1 - Conductors Full Score 8 - Flute 2 - Oboe 2 - Bassoon 5 - B Clarinet 1 5 - B Clarinet 2 2 - B Bass Clarinet 4 - E Alto Saxophone 2 - B Tenor Saxophone 2 - E Baritone Saxophone 4 - B Trumpet 1 4 - B Trumpet 2 4 - F Horn 4 - Trombone 2 - Baritone /
Euphonium
2 - Baritone T.C.4 - Tuba2 - Bells2 - Vibraphone2 - Percussion 1
Snare Drum Hi-hat 2 Tom-toms (high and low)
2 - Percussion 2 Bass Drum2 - Percussion 3 China Crash Cymbal Brake Drum2 - Percussion 4 2 Metallic Objects (high and low)1 - Drum Set (opt.)
Instrumentation
Grade 1.5-2
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B1676
2
the ComposerRandall D. Standridge (b. 1976) grew up in Little Rock, Arkansas and received his Bachelors of Music Education from Arkansas State University, where he studied composition with Dr. Tom OConnor. He returned to Arkansas State University and received his Masters in Music Composition, studying with Dr. Tom OConnor and Dr. Tim Crist.
Randall is a member of ASCAP and is in demand as a composer, arranger, clinician, and designer. His pieces have been performed internationally, and numerous pieces have been selected to the J.W. Peppers Editors Choice list. He has also had several pieces selected for performance at the Midwest Clinic in Chicago, IL, and his work Art(isms) was performed at the 2010 CBDNA Conference in Las Cruces, New Mexico. His music is recognized as worthwhile literature for concert festivals and band concerts across the United States and throughout the world.
In addition to his career as a composer, Randall is a marching band designer, having created numerous award winning marching band arrangements, compositions, and drill designs. He also works as a freelance film composer, artist/photographer, and writer. He lives in Jonesboro, Arkansas with his family.
Program NotesI love heavy metal music. Having grown up in the 80s and 90s, many of my first music purchases were heavy metal bands. Iron Maiden, Metallica, Megadeth, and many others all hold very special places in my memories of that time.
Metalheads is a piece for young band inspired by the rhythms, harmonies, and style of heavy metal music. The driving pedal tones, the Phrygian mode, and the harmonies in 5ths are all intended to give your students a taste of this exciting musical style.
The title Metalheads also serves as a play-on-words as the percussion parts consist of many metallic instruments. Bells, vibraphone, brake drum, cymbals, and two metallic objects (think pots, pans, anvils, whatever you can find) bring an industrial edge to this rockin tune.
Rehearsal suggestionsFor the two metallic objects, experiment and find instruments that produce a loud, clear, sharp sound, and are distinctly high and low. I would recommend using either acrylic or metallic mallets for these instruments, as plastic or wooden mallets tend to sound a bit muted on such material.
The bass drum should be somewhat choked to achieve the authentic sound of a kick bass, as on a drum set.
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B1676
Copyright 2016 The FJH Music Company Inc. (ASCAP).International Copyright Secured. Made in U.S.A. All Rights Reserved.
WARNING! The music, text, design, and graphics in this publication are protected by copyright law. Any duplication is an infringement of U.S. copyright law.
RANDALL D. STANDRIDGE (ASCAP)
Hear and download this piece at www.fjhmusic.com
Duration: 2:00
metalheads
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Flute
Oboe
Bassoon
12
B Bass Clarinet
E AltoSaxophone
B Tenor Saxophone
E BaritoneSaxophone
12
F Horn
Trombone
Baritone /Euphonium
Tuba
Bells
Vibraphone
Percussion 1(Snare Drum, Hi-hat,Hi and Low Toms)
Percussion 2(Bass Drum)
Percussion 3(China Crash Cymbal,
Brake Drum)
Percussion 4(2 Metallic Objects,
Hi and Low)
Drum Set(Optional)
B Trumpets
B Clarinets
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2 Toms
China Crash
Brake Drum
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Moderate, heavy rock ( = 128)
Moderate, heavy rock ( = 128)
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B1676
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Perc. 1
Perc. 2
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D.S.
Tpts.
Cls.
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B1676
5
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Ob.
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12
B. Cl.
A. Sax.
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B. Sax.
12
Hn.
Tbn.
Bar. /Euph.
Tuba
Bells
Vibes.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
D.S.
Tpts.
Cls.
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Hi-hat and S.D.
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B1676
6
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B. Cl.
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B. Sax.
12
Hn.
Tbn.
Bar. /Euph.
Tuba
Bells
Vibes.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
D.S.
Tpts.
Cls.
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B1676
7
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12
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12
Hn.
Tbn.
Bar. /Euph.
Tuba
Bells
Vibes.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
D.S.
Tpts.
Cls.
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B1676
8
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12
B. Cl.
A. Sax.
T. Sax.
B. Sax.
12
Hn.
Tbn.
Bar. /Euph.
Tuba
Bells
Vibes.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
D.S.
Tpts.
Cls.
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B1676
9
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Fl.
Ob.
Bsn.
12
B. Cl.
A. Sax.
T. Sax.
B. Sax.
12
Hn.
Tbn.
Bar. /Euph.
Tuba
Bells
Vibes.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
D.S.
Tpts.
Cls.
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28
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B1676
10
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Fl.
Ob.
Bsn.
12
B. Cl.
A. Sax.
T. Sax.
B. Sax.
12
Hn.
Tbn.
Bar. /Euph.
Tuba
Bells
Vibes.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
D.S.
Tpts.
Cls.
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32
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B1676
11
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Fl.
Ob.
Bsn.
12
B. Cl.
A. Sax.
T. Sax.
B. Sax.
12
Hn.
Tbn.
Bar. /Euph.
Tuba
Bells
Vibes.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
D.S.
Tpts.
Cls.
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38
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39
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40
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41
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B1676
12
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Fl.
Ob.
Bsn.
12
B. Cl.
A. Sax.
T. Sax.
B. Sax.
12
Hn.
Tbn.
Bar. /Euph.
Tuba
Bells
Vibes.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
D.S.
Tpts.
Cls.
. . . . . . . .
. . . . . . . .
>
>
. . . .
. . . n> . . -
>
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42
(Bottom Notes Optional)
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43
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44
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46
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f
f
f
f
f
f
f
-
B1676
13
&
&
?
&
&
&
&
&
&
&
?
?
?
&
&
b
b
b
#
#
# #
#
# #
#
b
b
b
b
b
Fl.
Ob.
Bsn.
12
B. Cl.
A. Sax.
T. Sax.
B. Sax.
12
Hn.
Tbn.
Bar. /Euph.
Tuba
Bells
Vibes.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
D.S.
Tpts.
Cls.
> > > >
> > > >
> > > >
>>
>>
> > > >
> > > >
> > > >
> > > >
>>
>
>
> > > >
> > > >
> > > >
> > > >
> > > >
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
47
>>
>>
>>
>>
47
47
> > b> >
n> > b> >
> > b> >
#>>
nn >>
> > n> >
#> > n> >
> > n> >
> > n> >
#>>
nn >>
#> > n> >
> > b> >
> > b> >
> > b> >
> > b> >
n>>
bb >>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
48
>>
>>
>>
>>
> >
> >
> >
>>
> >
> >
> >
> >
>>
> >
> >
> >
> >
> >
> b >
>
>
>> j
>>> j
>
> >
>
>
>
>
>
49
>
>
> J
> J
> b > > >
>
>>>
>> j
>>>>
>>>
> >
>
>>>>
50
>
>>>
> J
>>>
-
B1676
14
&
&
?
&
&
&
&
&
&
&
?
?
?
&
&
b
b
b
#
#
# #
#
# #
#
b
b
b
b
b
Fl.
Ob.
Bsn.
12
B. Cl.
A. Sax.
T. Sax.
B. Sax.
12
Hn.
Tbn.
Bar. /Euph.
Tuba
Bells
Vibes.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
D.S.
Tpts.
Cls.
> > > >
>> >
>
> > > >
> > > >
> > > >
>>
> >
> > > >
> > > >
> > > >
> > > >
>> >
>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
51
>>
>>
>>
>>
n b
n b
> > b> >
#>> nn >
>
> > n> >
n
> > n> >
> > n> >
#>> nn >
>
b
> > b> >
> > b> >
> > b> >
> > b> >
n>> bb >
>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
52
>>
>>
>>
>>
> >
> >
. . . > . . . >
a>>
. . . > . . . >a> >
. . . > . . . >
. . . > . . . >
a>>
N> >
. . . > . . . >
. . . > . . . >
. . . > . . . >
> >
> >
>
>
.>
j .>
j> >
>
>
>
>
>
53
>
> .
>J .
>J
div.
> > > > J> > > > > J>
> b> > > J>
> > > j>
>n> > > j>
> > > > J>
> n> > > j>
>n> > > J>
> > > > j>
> > > j>
> b> > > J>
> b> > > J>
> b> > > j>
> > > > j>
> > > > j>
>
>>>
.>
j >>>
>>>
>>>>
>
>>>>
54
>
>>>
.>
J >>>
-
B16
76