psyart_ an online journal for the psychological study of the arts

Upload: cipef

Post on 05-Apr-2018

214 views

Category:

Documents


0 download

TRANSCRIPT

  • 8/2/2019 PsyArt_ an Online Journal for the Psychological Study of the Arts

    1/5

    Search

    by Zoltn Kvecses December 1, 2001Metaphor and Psychoanalysis: A cognitive linguistic view of metaphor and therapeutic discourse

    abstract

    In the cognitive linguistic view, three levels of metaphor can be usefully distinguished (see Kvecses, 2002, ch. 17): (1) the "supra-individual" level, (2) the

    individual level, and (3) the "sub-individual" level. I suggest that each "conceptual metaphor" (as Lakoff and Johnson, 1980, call metaphors of thought, not just of

    language) can be analyzed on these three levels. Most of the recent research in cognitive linguistics takes place on and is directed at one or several of these

    levels. In this paper, I will try to characterize the three levels, point out some common misunderstandings concerning metaphor analysis, and show some of the

    potential of this view of metaphor for psychotherapy. My goal in this paper is not to deal with any specific issues concerning the study of metaphor in

    psychotherapy (such as whether

    article

    The supra-individual level

    Let me begin with the supra-individual level of analyzing metaphors. What "supra-individual" simply means is that there is a level of metaphor that is based on

    the conventionalized linguistic metaphors of a given language (such as English, Chinese, Zulu, Wolof, Hungarian, etc.). Consider some metaphorical

    expressions relating to anger in English (see Kvecses, 1986, 1990; Lakoff, 1987; Lakoff and Kvecses, 1987). People talk about "boiling" and "seething" with

    anger, the angry person being "insane" with anger, "unleashing" your anger, having a "stormy" meeting in the office, a comment "getting the boss going," two

    people "snarling at each other," etc. These are English words and phrases that are conventionally available to speakers to talk about their, or somebody else's,

    anger. For most therapists, this is what metaphors are--words and expressions that cannot be literally true when we use them about emotions, relationships, life,

    death, and other abstract topics, concepts, or domains, such as anger in the example above. Indeed, this is the most widespread view of metaphor that goes

    back to Aristotle, and therapists and analysts of various persuasions have made abundant use of this view for both theoretical and practical purposes.

    But the cognitive linguistic view goes way beyond the time-honored traditional conception of metaphor. Cognitive linguistic research begins where the traditional

    view ends, that is, with identifying conventionalized metaphorical linguistic expressions. Researchers within the cognitive linguistic paradigm typically collect

    conventionalized metaphorical expressions from dictionaries, thesauri, random other sources such as books, newspapers, magazines, and other news reports in

    the media, or from their own "mental lexicon" as native speakers of a language. They then analyze these collections of conventionalized metaphorical

    expressions by grouping them into what came to be called "conceptual metaphors." (Kvecses, 2000a, is a large-scale application of this procedure to the

    domain of emotions.) Conceptual metaphors have a concrete source and an abstract target domain (see Lakoff and Johnson, 1980; Kvecses, 2002). One suchgrouping of expressions that emerges from such an analysis of anger-related expressions is the following: "boilwith anger," "bepissed off," "seethe with anger,"

    "make one's blood boil," "simmer down," and many others (see Kvecses, 1986, 1990; Lakoff, 1987; Lakoff and Kvecses, 1987). What makes it possible to

    group these expressions together is the fact that they all have to do with a hot fluid in a container. This is a concrete conceptual domain that we call the "source

    domain" of a metaphor. The target domain will be anger because it is the abstract emotion concept of anger that is the "target" of the linguistic expressions in the

    source; they can all have an anger-related meaning in the appropriate context. Such a pairing of the hot fluid in a container as source with anger as target leads

    us to establish the conceptual metaphor that we can put as anger is a hot fluid in a container. In other words, we can now use the term "metaphor" to refer to two

    "things": metaphorical linguistic expressions (such as "boilwith anger") and conceptual metaphors (such as anger is a hot fluid in a container). I will use the term

    metaphor here in primarily in the second sense.

    Conceptual metaphors are constituted by what are termed "mappings." Mappings are fixed conceptual correspondences between a source and a target domain.

    (On mappings, see Lakoff, 1993 and Kvecses, 2002). Mappings provide a certain structure for the abstract domain to which a source domain applies. We can

    find out what the mappings are between a source and a target on the basis of the metaphorical linguistic expressions that guide us to recognize conceptual

    metaphors. Let us see the mappings, or correspondences, in the case of the anger is a hot fluid in a container metaphor. We find that the container in the source

    conceptually corresponds to the body of the angry person in the target (i.e., anger is seen as beinginside the body); that the hot fluid corresponds to the anger

    emotion (such as in "boilingwith anger"); that the intensity of the heat of the fluid corresponds to the intensity of anger (such as in "simmering down"); that the

    cause of the heat rising corresponds to the cause of anger (such as in "makingsomeone boil"). We can spell out the mappings as follows:

    source: hot fluid in a container target: anger

    container body

    hot fluid anger

    intensity of heat intensity of anger

    cause of heat cause of anger

    What we see here is that the source is characterized by a simple, coherent, and tightly organized knowledge structure that is utilized in understanding, or making

    sense of, the target, that is, the anger emotion in the present example. This notion of imposing a coherent and tightly organized knowledge structure on the

    target by means of a set of mappings has, in my view, far-reaching implications for psychotherapy. I take it that at least a large part of psychotherapy involves

    achieving an understanding, or making sense of, in a coherent fashion of a difficult-to-handle emotion, a difficult life s ituation, a traumatic experience, and the

    like. It is precisely the same kind of cognitive function that conceptual metaphors have in "normal" cases for "normal" people, but this function is especially

    foregrounded in and relevant to the "deviant" cases encountered in psychotherapeutic and psychoanalytic practice. It is my assumption that the goal of therapy

    is to achieve an understanding of our problems associated with emotions, life situations, etc., and that treatment, cure, and "insight" crucially depend on finding

    such a coherent and t ightly organized knowledge structure that is mapped onto a problematic target domain.

    home articles by year note to authors submission editorial process editorial board

    rt: An Online Journal for the Psychological Study of the Arts http://www.psyartjournal.com/article/show/kvecses-metaphor_and

    5 03/11/2011 1

  • 8/2/2019 PsyArt_ an Online Journal for the Psychological Study of the Arts

    2/5

    rt: An Online Journal for the Psychological Study of the Arts http://www.psyartjournal.com/article/show/kvecses-metaphor_and

    5 03/11/2011 1

  • 8/2/2019 PsyArt_ an Online Journal for the Psychological Study of the Arts

    3/5

  • 8/2/2019 PsyArt_ an Online Journal for the Psychological Study of the Arts

    4/5

    rt: An Online Journal for the Psychological Study of the Arts http://www.psyartjournal.com/article/show/kvecses-metaphor_and

    5 03/11/2011 1

  • 8/2/2019 PsyArt_ an Online Journal for the Psychological Study of the Arts

    5/5

    rt: An Online Journal for the Psychological Study of the Arts http://www.psyartjournal.com/article/show/kvecses-metaphor_and