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PROGRAMME(

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8!and!9!November!2013!

MAP

Emergency,Evacua0on,Procedure,

On#hearing#fire#alarm,#please#follow#the#emergency#evacua8on#procedures:1.Leave#the#building#by#the#nearest#safe#route#using#emergency#doors#if#necessary.#2. Go#to#the#assembly#point#and#await#instruc8ons.

Emergency#Assembly#Points:Bridge'Wardens’'College'and'Engineering'Workshop:#The#War#Memorial#next#to#HMS#Cavalier.

Smitheries:#Dockyard#Visitors#car#park.Mezzanine,'Slip'3:#In#the#museum#square.

F1#Galvanising#ShopF2#SmitheriesF5#Engineering#Workshop#(Studio#1)F6#Bridge#Wardens#College#(BWC)F9#Mezzanine,#Slip#3R1#Wheelwrights#RestaurantL2#Royal#Dockyard#Church

TIME EVENT PLACE10:15%–%11:00 Registration,%Coffee Galvanising%Shop,%Front%Space11:00%–%13:00 Paper%Sessions Galvanising%Shop%and%BWC10213:00%–%14:00 LUNCH%BREAK Galvanising%Shop,%Front%Space14:00%–%15:30 Paper%Sessions Galvanising%Shop%and%BWC10215:30%–%16:00 COFFEE%BREAK Galvanising%Shop,%Front%Space16:00%–%16:55 Paper%Sessions Galvanising%Shop%and%BWC10216:55%L%18:45 Posters%Session Studio%1%(Engineer's%Workshop)

Listening%Rooms%(Open%10:00%L%19:00) BWC202/203Installations%(Open%10:00%L%19:00) Studio%1%(Engineer's%Workshop),%

Smitheries19:00%L%21:00 Concert%1 Royal%Dockyard%Church

TIME EVENT PLACE10:15%–%10:45 REGISTRATION,%COFFEE Galvanising%Shop,%Front%Space10:45%L%11:30 Paper%Sessions Galvanising%Shop%and%BWC10211:30%L%12:00 COFFEE%BREAK Galvanising%Shop,%Front%Space12:00%–%13:00 Paper%Sessions Galvanising%Shop%and%BWC10213:00%–%14:00 LUNCH%BREAK Galvanising%Shop,%Front%Space14:00%–%15:30 Paper%Sessions Galvanising%Shop%and%BWC10215:30%–%16:00 COFFEE%BREAK Galvanising%Shop,%Front%Space16:00%L%16:45 Panel%discussion Galvanising%Shop16:45%L%18:45 Posters%Session Studio%1%(Engineer's%Workshop)

Listening%Rooms%(Open%10:00%L%19:00) BWC202/203Installations%(Open%10:00%L%19:00) Studio%1%(Engineer's%Workshop),%

Smitheries19:00%L%21:00 Concert%2 Mezzanine,%Slip%3

FRIDAY/8/NOVEMBER

SATURDAY/9/NOVEMBER

GENERAL/PROGRAMME

TIME TITLE AUTHOR PLACE10:15%–%11:00 REGISTRATION,%COFFEE Galvanising%Shop,%Front%Space11:00%–%11:15 Welcome%from%the%Chair Aki%Pasoulas Galvanising%Shop11:15%–%11:45 Keynote%speech%J%On%the%

Concept%of%Acoustic%Ecology%[Pending]

Katharine%Norman% Galvanising%Shop

11:45%J%11:50 Q&A Galvanising%Shop12:00%–%12:15% Rauschen:%or,%the%soundscape%

is%musicLawrence%Dunn Galvanising%Shop

12:15%–%12:30 The%Philosophy%of%Binaural%Music%

Tariq%Emam Galvanising%Shop

12:30%–%12:45 ECOACOUSTICS:%Ecology%and%Environmentalism%in%Contemporary%Music%and%Sound%Art

Jonathan%Gilmurray Galvanising%Shop

12:45%J%12:55 Q&A Galvanising%Shop13:00%–%14:00 LUNCH%BREAK Galvanising%Shop,%Front%Space14:00%–%14:40 Keynote%speech%J%From%

phonographs%to%sonographs:%the%science%of%bioacoustics

Richard%Ranft Galvanising%Shop

14:40%J%14:45 Q&A Galvanising%Shop14:45%–%15:00 BRIDGE:%Bioacoustics%research,%

interaction%design,%and%gamification%in%ecology

Isak%Herman,%Alan%F.%Blackwell,%Chris%Sandbrook

Galvanising%Shop

15:00%–%15:15 Soundscape%ReJmediation% Mikael%Fernström%and%Sean%Taylor Galvanising%Shop15:15%J%15:25 Q&A15:30%–%16:00 COFFEE%BREAK Galvanising%Shop,%Front%Space16:00%–%16:15 URBAN%Soundscapes%and%

Critizal%Citizenship:%Towards%a%People’s%Soundscape

Aileen%Dillane,%Mikael%Fernström%and%Tony%Langlois

Galvanising%Shop

16:15%J%16:30 Where%is%the%Soundscape?%Landscape%and%Site:%Reconsidering%Location.

Marcus%Leadley Galvanising%Shop

16:30%J%16:45 Same%Questions,%Different%Answers?%the%convergence%of%art%and%science%in%the%pilot%module%‘Acoustic%Ecology’

Matthew%Barnard,%MagnusJohnson,%Rob%Mackay

Galvanising%Shop

16:45%J%16:55 Q&A Galvanising%Shop16:55%J%18:45 POSTERS%SESSION Studio%1%(Engineer's%Workshop)

LISTENING%ROOMS%(Open%10:00%J%19:00)

BWC202/203

INSTALLATIONS%(Open%10:00%J%19:00)

Studio%1%(Engineer's%Workshop),%Smitheries

19:00%J%21:00 CONCERT%1 Royal%Dockyard%Church

TIME TITLE AUTHOR PLACE12:00%–%12:15% Socioacoustics%And%Urban%

Sound%Ethnography.%Reflections%On%The%Case%Of%Tarragona's%'Part%Alta'

Miguel%AlonsoJCambrón BWC102

12:15%–%12:30 What%Do%We%Expect%Certain%Places%To%Sound%Like?:%An%Interpretive%–%Historical%Research%Of%Thessaloniki%During%The%Last%Century,%Through%The%“Ears”%Of%Five%Distinguished%Authors

Aimilia%Karapostoli%and%Nikolaos%P.%Tsinikas

BWC102

12:30%–%12:45 Studying%the%spatiotemporal%dynamics%of%the%soundscape%in%a%protected%area%in%Greece;%a%mixedJmethods%approach%approach%

Dimitrios%Bormpoudakis BWC102

12:45%J%12:55 Q&A BWC102LUNCH%BREAK

14:45%–%15:00 The%Biopsychosocial%Condition%of%Listening

Seth%Ayyaz%Bhunnoo BWC102

15:00%–%15:15 Pulse%Project:%Towards%a%New%Ecology%of%Embodied%Sounds

Michelle%LewisJKing BWC102

15:15%J%15:25 Q&A BWC102COFFEE%BREAK

16:00%–%16:15 12%Tones%Of%London:%Parsing%The%Urban%Sound%Environment%Along%Geodemographic%Lines

Ian%Rawes BWC102

16:15%J%16:30 Sound%Mapping%on%the%Web:%Current%Solutions%and%Future%Directions

Brandon%Mechtley,%Perry%Cook,%Andreas%Spanias

BWC102

16:30%J%16:40 Q&A BWC102

FRIDAY080NOVEMBER

PARALLEL&SESSIONS&FRIDAY&8&NOVEMBER

PAPER0SESSIONS

TIME TITLE AUTHOR PLACE10:15%–%10:45 REGISTRATION,%COFFEE Galvanising%Shop,%Front%Space10:45%B%11:00 Creativity%And%Reproducibility%

In%Loudspeakers%Sound%Diffusion%Performances

Tommaso%Perego

11:00%–%11:15 Mimetic%Machines%and%the%Sensuous%Soundscape

Dan%Scott Galvanising%Shop

11:15%–%11:25 Q&A Galvanising%Shop11:30%B%12:00 COFFEE%BREAK Galvanising%Shop,%Front%Space12:00%–%12:15% Strata%Sequence:%From%Musical%

Rocks%To%PalaeoBSoundscapes%Robert%Mackay Galvanising%Shop

12:15%–%12:30 Sanitary%Soundscapes:%the%noise%effects%from%ultraBrapid%“ecological”%hand%dryers%B%a%listening%approach

John%Drever Galvanising%Shop

12:30%–%12:45 The%touristic%noise%of%Muzeum%AUSCHWITZBBIRKENAU%

Emmanuel%Spinelli Galvanising%Shop

12:45%B%12:55 Q&A13:00%–%14:00 LUNCH%BREAK Galvanising%Shop,%Front%Space14:00%–%14:35 Keynote%Speech%B%Listening,%

Acoustic%Space%and%Soundscape%Composition

Barry%Truax Galvanising%Shop

14:35%B%14:40 Q&A14:45%–%15:00 Soundscape%composition%as%a%

genre%of%electroacoustic%music%João%Castro%Pinto Galvanising%Shop

15:00%–%15:15 (Auto)%Dialogical%Feedback%&%The%Poetics%Of%Letting%Go

Mark%Peter%Wright Galvanising%Shop

15:15%B%15:25 Q&A15:30%–%16:00 COFFEE%BREAK Galvanising%Shop,%Front%Space16:00%B%16:45 Panel%discussion%B%A%Retuning%of%

the%World:%Future%Directions%for%Acoustic%Ecology

Stephan%Moore,%Scott%Smallwood,%Katharine%Norman,%Barry%Truax,%Richard%Ranft,%John%Drever%

Galvanising%Shop

16:45%B%18:45 POSTERS%SESSION Studio%1%(Engineer's%Workshop)LISTENING%ROOMS%(Open%10:00%B%19:00)

BWC202/203

INSTALLATIONS%(Open%10:00%B%19:00)

Studio%1%(Engineer's%Workshop),%Smitheries

19:00%B%21:00 CONCERT%2 Mezzanine,%Slip%3

TIME TITLE AUTHOR PLACE10:45%B%11:00 Soundscape%as%Radio%Art Magz%Hall BWC10211:00%–%11:15 To%Sleep%To%Dream:%Hybrid%

Approaches%to%Multichannel%Environmental%Sound%Design%in%an%"Ear%Film."%

Stephan%Moore,%Chris%Timpson%and%Adrian%Gierakowski

BWC102

11:15%–%11:25 Q&A BWC102COFFEE%BREAK

12:00%–%12:15% Field%Recordings%In%Improvised%Music

Roger%Thomas BWC102

12:15%–%12:30 Losperus%:%An%Approach%to%Improvised%Sound%Performance

Scott%Smallwood%&%Stephan%Moore BWC102

12:30%–%12:45 Collectively%Improvised%Soundscapes:%The%Seattle%Phonographers%Union

Christopher%Delaurenti%(via%Skype) BWC102

12:45%B%12:55 Q&ALUNCH%BREAK

14:45%–%15:00 The%Sounds%and%Acoustic%Experiences%of%Buddhist%Practice:%Experience%One%Day%in%a%Chinese%Han%Buddhist%Temple%with%Ears%

Yi%Yuan BWC102

15:00%–%15:15 Wayback%Sound%Machine:%Sound%Through%Time,%Space,%and%Place

Maile%Colbert%(via%Skype) BWC102

15:15%B%15:25 Q&A

PARALLEL&SESSIONS&SATURDAY&9&NOVEMBER

SATURDAY090NOVEMBERPAPER0SESSIONS

Author Title

Andrew'Hill Aural'Histories'Project'

Stacey'Sewell Scripting'Flow'in'Annea'Lockwood’s'Sound'Map'of'the'Hudson'River'

Gianpaolo'D'Amico'and'Sara'Lenzi Foodfrequency:'a'multisensory'participatory'experience'through'food'and'sound'

Dan'Stowell,'Dimitrios'Giannoulis,'

Emmanouil'Beneto,'Daniele'

Barchiesi'and'Mark'Plumbley

Machine'listening:'automatic'analysis'of'soundscapes'at'C4DM

Composer/Artist TitleMarios'Athanasiou'(UK) Rush

Seth'Ayyaz'Bhunnoo'(UK) the'bird'ghost'at'the'zaouia

Matthew'Barnard'(UK) Woche

João'Castro'Pinto'(Portugal) Catachresis

Werner'Cee'(Germany) The'Lore'of'Sounds'

Aidan'Deery'(UK) Coast

James'Dooley'(UK) Duo

Alan'Dormer'(Ireland) Untitled

Anastasya'Koshkin'(Canada) Biding'and'Unseen

JayWDea'Lopez'(Australia) The'Great'Silence

Tim'Meacham'(UK) Soundmark

Farah'Mulla'(UK) Memories'of'a'Place'in'a'Space

Pablo'Sanz'(UK) [in]audible

Composer/Artist TitleMagz'Hall'&'Jim'Backhouse'(UK) Still'moving'sculpture'off'the'pier

Composer/Artist TitleMarcus'Leadley'(UK) Medway'Campus'Installation

Composer/Artist TitlePietro'Bonanno'&'Fabio'Lattuca'

(Italy)Gradients'(Fri'AM'&'Sat'PM)

Clay'Gold'(UK) Distortion'6

Matilde'Meireles'&'Aidan'Deery'

(UK)Lagan:'Behind

Eduardo'Patricio'(UK) Sienkiewicz'Pipes

Tim'Shaw'(UK) Sound'and'Seclusion'(Fri'PM'&'Sat'AM)

INSTALLATIONS

BRIDGE:WARDEN'S:COLLEGE:=:Main:Entrance

GALVANISING:SHOP:=:Front:Space:

SMITHERIES:

POSTERS::STUDIO:1,:ENGINEER'S:WORKSHOP:(Friday:and:Saturday:16:45:=:18:45)POSTERS:SESSION

ENGINEER'S:WORKSHOP:–:STUDIO:1:&:CORRIDOR

Composer TitleBrona&Martin&(UK) The&thing&about&listening&is......Mei7Fang&Lin&(USA) Internal&LandscapeMarcus&Vinicius&Marvila&Das&Neves&(Brazil) Elétrico&28&Lisbon&7&Alfama&to&BaixaNicholas&Cline&(USA) grainstreamSang&Mi&Ahn&(USA) Permission&to&EngageYiorgis&Sakellariou&(UK) GdanskOrestis&Karamanlis&(UK) SterfosBenjamin&O'Brien&(USA) OSCinesKyle&Vanderburg&(USA) Creatures&from&the&Black&BassoonGerard&Gormley&(UK) MochorelC.R.&Kasprzyk&(USA) veiledSteve&McCourt&(Ireland) Ac71Ian&Rawes&(UK) The&Lifting&of&Tower&BridgeJuan&Vasquez&(UK) Landscape&Collage&No.&4Emanuele&Magni&(Italy) Disinterment

J&Armour&(UK) UnwantedMichael&Dzjaparidze&(UK) Stable&EquilibriumJono&Gilmurray&(UK) Badock's&WoodJuan&José&Ripalda&Zenck&(Ecuador) Mapa&Sonoro&de&GuayaquilPhilip&Dalton&(UK) A&Different&Kind&of&IslandPanayiotis&Kokoras&(USA) Mnemonic&GeneratorC.R.&Kasprzyk&(USA) Ceçi&n'est&pas&durabilitéRobin&Parmar&(Ireland) Caged&Birds&(Augmentation)Fabian&Avila&Elizalde&(Mexico) Never7to7be7forgottenMark&Pilkington&(UK) PeterlooMatthew&Barnard&(UK) The&Piano&MakersAmbrose&Seddon&(UK) Fleeting&StrandsRobert&Mackay&(UK) Living&WavesPablo&Sanz&(UK) Limnee

LISTENING2ROOM2BWC202

LISTENING2ROOM2BWC203

LISTENING2ROOMS

Composer TitleStephan(Moore;(Scott(Smallwood((USA,(Canada) Losperus,(by(Evidence For(microphones,(resonant(objects(and(motorized(devicesGreg(Dixon((USA) Cedar(Forest Fixed(stereophonicChris(Wood((UK) Walking(on(Slow(Scree Laptop(performanceVassilis(Roupas((Greece) Bad(Weather Fixed(stereophonicBethan(Parkes(((UK) CloudLines Fixed(quadraphonicBREAKDuncan(MacLeod((UK) The(New(Atlandis For(harspichord(and(electronicsDominic(Thibault((UK) Commme(si(la(foudre(pouvait(durer Fixed(stereophonicYiannis(Christofides((USA) Odas Fixed(stereophonicKatharine(Norman(UK) Making(Place For(piano,(intercative(processing(of(animation,(text(and(audio

Composer TitleBarry(Truax((Canada) Aeolian(Voices OctophonicGordon(Delap((Ireland) La(Naissance(d'une(Flûte Stereophonic(soundDavid(Ikard((USA) Memoir(of(a(Daydream Stereophonic(soundJoao(Pedro(Oliveira((Brazil) Hydatos OctophonicFelipe(Otondo((UK) Night(Study(No.(1((colours)([(WORLD(PREMIERE Stereophonic(soundBREAKAki(Pasoulas((UK) Paramnesia Stereophonic(soundAndrew(Hill((UK) Abstracted(Journeys Stereophonic(soundMichele(Del(Prete((Italy) Selva(di(varie(intonazioni OctophonicBarry(Truax((Canada) Earth(and(Steel([(WORLD(PREMIERE Octophonic

FRIDAY585NOVEMBER,57pm:5ROYAL5DOCKYARD5CHURCH

SATURDAY595NOVEMBER,57pm:5MAAST5CONCERT5C5MEZZANINE5SLIP53

CONCERTS

Partners

• Sound-Image-Space Research Group (SIS; University of Kent) • Durrell Institute of Conservation and Ecology (DICE; University of Kent) • Unit for Sound Practice Research (SPR; Goldsmiths, University of London) • UK and Ireland Soundscape Community (UKISC; an affiliated member of the World Forum

for Acoustic Ecology) • Chatham Historic Dockyard Trust

Funded by

• Kent Institute for Advanced Studies in the Humanities (KIASH) • School of Music and Fine Arts (SMFA) • School of Anthropology and Conservation • Goldsmiths College

Organising Committee

• Dr Aki Pasoulas (chair), University of Kent, UK • Dr John Levack Drever, Goldsmiths College, UK • Dr Joseph Tzanopoulos, University of Kent, UK • Duncan MacLeod, University of Kent, UK

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http://www.kent.ac.uk/smfa/musicandaudio/!

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cover photograph courtesy of http://naturesounds.co.nz

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