program fronta 2011

8/4/2019 Program Fronta 2011

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esti plesni festival Front@ je sestavljen iz zelo razlinih umetnikihdogodkov. Program vkljuuje ples, kot ga vidi oko kamere, plesnoposeganje v javni prostor, ustvarjanje na ulici, ples besed v poeziji,

pregled plesnih programov zasnovanih za Evropsko prestolnicokulture 2012, predstavitev mladih plesalcev, plesne delavnice inizbor izjemnih predstav ter pogovorov z njihovimi ustvarjalci.Festival Front@ je mesto razlinih sreevanj, zato smo e posebejponosni na program, ki omogoa sreevanje prebivalcev mestaMurska Sobota s tujci, gledalcev z umetniki, plesa s poezijo,videa in lma s plesom, uencev z vrstniki od drugod, nakljunihmimoidoih s plesalci, ki ustvarjajo na ulici, mladih plesalcevz uveljavljenimi kolegi, teajnikov s pedagogi in e bi lahko

nateval. im ve je razlinih sreevanj in zblievanj med gosti,obiskovalci festivala in prebivalci mesta, tem blije smo bistvufestivala. Prav zato smo se odloili, da programa ne delimo ve naglavni in spremljevalni del, saj ima vsak festivalski dogodek enakopomembno vlogo pri vzpodbujanju k sporazumevanju skozi ples.Veseli smo nove gledalike dvorane v Murski Soboti, v kateri sebodo odvijale predstave, hkrati pa elimo vzpostaviti povezavo meddogajanjem v tej imenitni stavbi in ivljenjem v mestu. Ples se boodvijal tudi na odprtem odru, v videu na fasadi gledalia, na uliciter na prehodih za pece. V sodelovanju z razlinimi kulturnimi

organizacijami iz Murske Sobote in partnerji iz tujine smo ustvariliprogram, ki plesa ne zapira v ozke kroge poznavalcev temvevzpodbuja odprtost in stik mednarodnega vrhunskega ustvarjanjas im irim obinstvom. Ples je lahko tudi orodje in vzpodbuda zabolj odprt dialog med razlinimi drubenimi skupinami.

Matja FariUmetniki vodja festivala Front@ sodobnega plesa

The sixth edition of the Front@ Festival comprises a number ofdifferent art events. The programme includes dance as seen throughthe eye of the camera, dance interventions into the public space,on-the-street creation, the dance of words in poetry, an overview ofdance events programmed for the European Capital of Culture 2012,presentation of young dancers, dance workshops, and a selection

of outstanding performances followed by discussions with theirmakers.The Front@ Festival is a meeting place of different stories. TheFront@ team takes special pride in the festivals programme whichmakes possible that Murska Sobotas inhabitants meet with thepeople from abroad, that the viewers meet with the artists, videoand lm with dance, students with their peers from elsewhere,accidental passers-by with the dancers dancing on the street, youngdancers with their established collegues, workshoppers with the

pedagogues, and so on. The more the guests of the festival, itsvisitors, and the citys inhabitants come together, the closer weare to the essence of the festival. Precisely for this reason we havedecided to no longer separate its programme to the main and theaccompanying programme, because each of the festivals eventshas an equally important role in the process of encouraging forcommunication through dance.Front@ is bidding a warm welcome to the new theatre hall inMurska Sobota, where the festivals performances will take place,with which we aim to establish a connection between the events

in this notable building and the life of the city. We will also have achance to see dance on the open stage, in the videos projected onthe theatres walls, on the street, and on pedestrian crossroads. TheFront@ team has designed a programme, together with differentcultural organisations from Murska Sobota and the partners fromabroad, which does not enclose dance into the narrow circles ofconnoisseurs, but encourages openness, establishing connectionsbetween top-notch makers and the widest possible audience.Dance can also be a tool and a motivation for a more open dialogue

between different social groups.

Matja FariArtistic Director of the Front@ ofContemporary Dance Festival

UVODNIK

INTRODUCTION


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PROGRAM

PROGRAMME

24. avgust / August 24



24. - 27. avgust / August 24 toAugust 27


Gledalie ParkTheatre Park

Star MaxStar Max

Odprti oderOpen stage

Glavno kriieMain crossroad

MikkMikk

Nastop plesnih ol / Performances bydance schools (HR/SI) (70 min)

Predstavitev delavnice / Workshop presenta-

tion Mickael Marso Riviere

Eva Duda Co. (HU): Lunatika (60 min)

Susanna Wallin (GB): Nona vadba / NightPractice video (3 min) Asier Zabaleta (ES/RU): Naslednji v vrsti /Next in Line(4 min) DCL plesna improvizacija / dance improvi-sation

Zakljuna zabava/ Closing party

Plesne delavnice / Dance workshops3 :M. Kajafati:Joga/Yoga; J.V.D. Mast: Moderni ples / Moderndance; M.M. Riviere: Fusion delavnica / Fusion workshop;

S. Obolt: Koreografska delavnica / Choreography workshop+ pogovori o predstavah / + discussions

1Dnevi poezije in vina / Days of Poetry and Wine 2V primeru deja v avli dvorane / In

the event of rain in the theatre hall 3V sodelovanju z JSKD / In cooperation with JSKD

18.00 6:00 pm

19.30 7:30 pm

20.00 8:00 pm

21.15 9:15 pm

23.00 11:00 pm

Cene vstopnic / Ticket prices:

Za posamezno prireditev / Single ticket: 5 EURZa celoten program / All-Festival ticket: 20 EURZa celoten program za udeleence delavnic / All-Festival ticket for workshoppers: 10 EUR

Odprtje in prireditve na prostem so brezplane. / The opening event and outdoor eventsare free.Prost vstop za brezposelne (z dokazilom) / Free admission for the unemployed (with proof)

Nakup / Where to buy:

Vstopnice lahko kupite od 23. do 27. avgusta med 17. in 19. uro oziroma eno uro pred

prireditvijo na blagajni Gledalia Park. / Tickets are available for purchase from Au-gust 23 to August 27 from 5:00 pm to 7:00 pm and an hour before the event at the ParkTheatres box ofce.

Rezervacije / Reservations:

Rezervacije so mone po elektronski poti na naslov /Reservations can be made by email at: [email protected]

Za projekcijo lma Pina so mone tudi rezervacije na blagajni Star Maxa /Reservations for the lm Pina can be made also at Star Max box ofce:od ponedeljka do etrtka od 16:00 do 22:00 /Monday to Thursday from 4:00 pm to 10:00 pmpetek od 16:00 do 22:00 / Friday from 4:00 pm to 10:00 pm

sobota od 14:00 do 22:00 / Saturday from 2:00 pm to 10:00 pmnedelja od 14:00 do 22:00 / Sunday from 2:00 pm to 10:00 pmt: (+386) 2 525 1442e: [email protected]

Vse obiskovalce Star Maxa naproamo, da rezervirane vstopnice prevzamejo najkasnejepol ure pred prietkom projekcije. / Visitors are advised to collect tickets at least 30minutes before the show starts.


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24. AVGUST

AUGUST 24

KOREOGRAFIJA BESED

CHOREOGRAPHY OFWORDSpesniko branje in degustacija vina / poetry reading andwine tasting

Berejo /Poetry by: Ivan Landzhev (BG), Fabrizio DallAglio (I), AnnCotten (DE), Andrej Rozman Roza (SI)Povezuje / Moderated by: Staa PavloviV sodelovanju s festivalom Dnevi poezije in vina / In cooperationwith Days of Poetry and Wine Festival

Ivan Landzhev (1986) je bolgarski pesnik in pisatelj. Diplomiral je iz

lozoje na Univerzi v Soji. Leta 2009 je prejel bolgarsko pesnikonagrado Vesselin Hanchev, leto pozneje pa je bil njegov pesnikiprvenec nominiran za najbolj priznano bolgarsko pesniko nagradoIvana Nikolova. Pesmi, eseje in kratke zgodbe objavlja v tevilnihbolgarskih literarnih revijah in asopisih. Poleg pisanja scenarijev zatelevizijo se ukvarja tudi z glasbo in ahom.

Fabrizio Dall Aglio (1955) je avtor petih pesnikih zbirk, od katerihsta zadnji dve Hic et nunc in Laltra luna prevedeni tudi v panino.Nekaj pesmi iz zbirke Hic et nunc je v prevodu Gaperja Maleja ebilo objavljenih v reviji Poetikon. Fabrizio ivi v pokrajini Emilija in vFirencah, kjer dela kot zalonik.

Ann Cotten (1982) je nemka pesnica z amerikimi koreninami. Pri

petih letih se je s stari z Iowe preselila na Dunaj, kjer je leta 2006diplomirala iz konkretne poezije. Istega leta se je zaela udeleevatidunajskih pesnikih slamov, leto pozneje pa je pri zalobi Suhrkampizdala svojo prvo pesniko zbirko Fremdwrterbuchsonnette. Danesivi med Dunajem in Berlinom, kjer objavlja svojo poezijo v literarnihrevijah in antologijah.

Andrej Rozman Roza (1955) je pesnik, dramatik in igralec, prejemnik

nagrade Preernovega sklada za literaturo. Leta 1981 je ustanovilGledalie Ane Monro in z njim leta 1990 v Sloveniji zael z daneszelo razirjenimi in priljubljenimi tekmovanji v gledaliki improvizaciji.Marca 2003 je ustanovil Rozinteater, v katerem sam ali s soigralciuprizarja lastna besedila. Pie parodine in komine pesmi, pravljice ingledalike komedije za otroke ter odrasle, predeluje klasina besedilaza druge medije, jih prestavlja v sodobnost ali preprosto prevaja.

Ivan Landzhev (1986) is a Bulgarian poet and writer. He graduatedfrom Soa University with a Bachelors degree in Philosophy. He wasthe winner of the National Poetry Competition Vesselin Hanchev

in 2009. In 2010, his rst book of poetry was nominated for themost renowned Bulgarian poetry award Ivan Nikolov NationalPoetry Award. His poems, essays, and short stories are publishedin numerous Bulgarian literary journals, lifestyle magazines, andnewspapers. He works as a screenwriter for television and hisinterests include music and chess.

Fabrizio DallAglio (1955) is the author of ve poetry collections,the last two Hic et nunc and Laltra luna are translated into Spanish.Recently some poems from Hic et nunc have been also translatedinto Slovenian by Gaper Malej for the magazine Poetikon. He lives inthe Emilia region and in Florence, where he works as a publisher.

Ann Cotten (1982) is a German poet of American descent. At theage of ve, she moved with her parents from Iowa to Vienna, whereshe graduated in 2006 with a thesis on Concrete Poetry. She rstemerged as a poet at Viennese poetry slams and in 2007 publishedher rst collection of poetry Fremdwrterbuchsonnette at SuhrkampPublishing. She is publishing her works in anthologies and literary

journals. Ann Cotten lives and works in Vienna and Berlin.

Andrej Rozman Roza (1955) is a poet, dramatist, songwriter, andactor, the recipient of the Preeren Foundation Award for literature.In 1981, Roza established Ana Monro Theatre, which in 1990launched theatre improvisation competitions, which are nowadaysextremely wide-spread and popular in Slovenia. In 2003, he foundedRozinteater which stages exclusively his own texts. He writesparodies and humorous songs, fairytales and theatre comedies forchildren and adults, remakes of classical texts for different media and

contemporary contexts, or simply translates.

V primeru deja v avli dvoraneIn the event of rain in the theatre hall

Fabrizio DallAglio


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VAE VISOKOSTIYOUR MAJESTIES

navaridas & deuntiger (ES/AT)

Koncept / Concept: Marta Navaridas, Alexander DeutingerIzvajalca / Performed by: Alexander Deutinger, Marta Navaridas

Besedilo / Text: Barack Obama, Jon Favreau

Predstava Vae Visokosti uprizarja govor predsednika Obame obprejemu Nobelove nagrade leta 2009 v Oslu. Prevajalka MartaNavaridas v vlogi epetalke vodi performerja Alexandra Deutingerjaskozi zdaj e legendarni govor predsednika Zdruenih drav, s imerkoreografa z jasnim in preprostim konceptom na oder ponovno

postavita del polpretekle svetovne zgodovine. Iziena in duhovitadekonstrukcija originalnega besedila slui kot predloga, v katero

koreografa umeata gibalni material, hkrati pri tem vpeljujeta noveplasti pomenskosti, ki na neki toki s prstom pokaejo na absurdnostnekaterih vsebin izvirnega govora, ki se izkae kot pomanjkljivologina razprava o nujnosti vojne.

In the performance Your Majesties, translator and choreographerMarta Navaridas presents President Obamas Nobel Lecture, heldin 2009 in Oslo. The performer Alexander Deutinger recites thelegendary speech of the President of the United States of Americaand in doing so revives a piece of world history. In a skillful as well

as entertaining deconstruction of the original lecture, Deutinger andNavaridas plant choreographic material onto the text and in doing so

manage to introduce new layers of meaning, which ultimately pointout the absurdity of some of the original content of the lecture - anonly partly logical treatise on the necessity of war.

Ivan Landzhev Ann Cotten Andrej Rozman Roza


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na igriu v Coventryju v Angliji. Film je leta 2008 prejel nagrado zanajbolji kratki lm na festivalu digitalnega lma Diba v Barceloniter nagrado za najboljo koreograjo v lmu, krajem od pet minut,na tekmovanju dancescreen, ki ga organizira International Music +Media Centre (IMZ).

In Susanna Wallins Night Practice, the seven dancers fromCoventrys Kombat Breakers are seen hanging out on a oodlitfootball pitch at night. There is no coach to be seen and the lmexplores the undirected energy that comes from being able to do

whatever you want. Shot on a pitch in the middle of the night inCoventry, Night Practice combines the structure of meticuloustraining with simple magical wonder. Night Practice is the 2008winner of Best Short Film at Diba, Digital Barcelona Film Festival, andthe winner of Best Screen Choreography Under Five Minutes at thecompetition dancescreen, organized my International Music + MediaCentre IMZ.

Susanna Wallin je leta 2001 diplomirala iz lma in videa na LondonCollege of Printing, leta 2003 pa dokonala podiplomski tudij

vizualne umetnosti in pisanja na Goldsmiths University. Trenutnoivi v Londonu, kjer snema lme za televizijo pa tudi lme neodvisneprodukcije. Njena dela so predstavili in nagradili na tevilnihmednarodnih festivalih. Nedavno je dobila naroilo za snemanjedveh lmov pri anglekem Arts Council, ki sta trenutno na stopnjipredprodukcije.

Susanna Wallin graduated from London College of Printing in 2001with a BA in Film and Video and continued to do a Masters in Visual

Art and Writing at Goldsmiths University in 2003. Living in London,she makes lms for broadcast as well as independent short lms.Her works have been presented and awarded at many internationallm festivals. She recently received two new lm commissions byArts Council England, South East both of which are currently in pre-production.

Alexander Deutinger je tudiral na Univerzi Antona Brucknerjav Linzu v Avstriji. Kot hini umetnik je med drugimi sodeloval zImPulsTanzem z Dunaja, s CCL Linz in D.ID Dance-Identity, Avstrija.Prav tako je sodeloval s tevilnimi mednarodnimi koreogra, svojedelo pa je med drugim predstavil v Tanzquartieru na Dunaju, v Escena

Contemporanea v Madridu, v okviru Evropske kulturne prestolniceLinz 09 ter na festivalu Kampnagel v Hamburgu. Bil je prejemniktipendije DanceWeb 2007 in nagrade BestOFFStyria 2010.Marta Navaridas je tudirala na ArtEZ College of Art v Arnhemuin na AHK Theaterschool v Amsterdamu. Je soustanoviteljicamednarodnega kolektiva FINGERSIX. Kot plesalka in koreogranjasodeluje s tevilnimi ustvarjalci, svoja avtorska dela prikazuje namednarodnih festivalih in prizoriih. Njen koreografski prvenecPoglej ju zdaj je dvakrat dobil prvo nagrado na tekmovanjih v Linzu

in Bilbau. Leta 2010 je prejela tipendijo programa DanceWeb ternagrado BestOFFStyria.

Alexander Deutinger studied at Anton Bruckner University in Linz,Austria. He was Artist-in-Residence at ImPulsTanz, at CCL Linz, atEspacio de Creacin Azala, Vitoria, and at D.ID Dance-Identity, amongothers. As a performer, he has been working with many internationalchoreographers. He has performed, amongst others, at TanzquartierWien, Escena Contemporanea Madrid, in the framework of CulturalCapital Linz 09, and at Kampnagel Hamburg. He received the

DanceWeb Scholarship in 2007 and the BestOFFStyria Awards 2010.

Marta Navaridas studied at ArtEZ College of Art Arnhem and at HKATheaterschool of Amsterdam. She is co-founder of the internationalcollective FINGERSIX. As a dancer and choreographer, she hascollaborated with numerous dance makers, while her works havebeen presented at numerous international festivals and venues. Her

debut as a dance maker Look at them now! was awarded the rstprize in choreographic competitions in Linz and Bilbao. She receivedthe DanceWeb Scholarship 2010 and the BestOFFStyria Award 2010.

S podporo/Supported by: Avstrijski kulturni forum Ljubljana/sterreichisches Kulturforum Ljubljana

NONA VADBANIGHT PRACTICEplesni video / dance video (GB)Reija in koreograja / Directed and choreographed by: SusannaWallinIzvajalci / Performed by: Kombat BreakersDirektor fotograje / Director of photography: Andre De Souza,Oliver ManziProducent / Producer: Colin BellIzvrni producenti / Executive Producers: Vicky Bloor, Linda Jasper,Ed Cooper

Kratki lm Susanne Wallin Nona vadba prikazuje sedem plesalcevbreakdancea in street dancea skupine Kombat Breakers, kako sredinoi vadijo pod arometi nogometnega igria. Brez trenerja, brezreije, na dan privre njihova neukrotljiva energija. Film na magiennain razkriva temeljit in dosleden plesni trening, posnet pa je bil


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IZGANJANJE TEBELJUBEZEN MOJAEXORCISM OF YOU MYLOVEKaja Janji (SI)

Koreograja in izvedba / Choreographed and performed by: KajaJanjiGlasba / Music: Jernej KapusProdukcija / Produced by: E5

PINAPINAWim Wenderslm - slovenska premiera / Slovene premiere

Reija / Directed by: Wim WendersKoreograja / Choreography: Pina BauschUmetniko svetovanje / Artistic consultants: Peter Pabst, DominiqueMercy, Robert SturmProducent / Producer: Gian-Piero RingelStereograja / Stereography: Alain DerobeNadzornik 3D / 3D Supervisor: Franois Garnier

Koproducent / Coproducer: Claudie Ossard, Chris Bolzli3D producent / 3D Producer: Erwin M. SchmidtIzvrni producent / Executive producer: Jeremy ThomasMontaa / Editing: Wolfgang Bergmann, Dieter Schneider, GabrieleHeuserProdukcija / Produced by: Neue Road Movies (Berlin)Koprodukcija / Co-produced by: Eurowide (Paris)V sodelovanju s / In collaboration with: Tanztheater Wuppertal PinaBausch, ZDF, ZDF theaterkanal, ARTEDistribucija / Distribution: Hanway FilmsSlovenski distributer / Distributor for Slovenia

Celoveerni plesni lm v 3D tehniki PINA reiserja Wima Wendersa, vkaterem v glavnih vlogah nastopajo plesalci ansambla plesnega teatra

iz Wuppertala, predstavlja edinstveno in navdihujoe umetnikoustvarjanje velike nemke koreogranje Pine Bausch, ki je preminulapoleti leta 2009. Legendarni reiser nas popelje na utno in vizualno

Objemi me, izprazni me, pokoplji me. Prigi ik, kaj drugega tipreostane kot masturbacija. Vse sem jaz in ni nisi ti. Grem, innoem te zraven. Sama sebe slepim, ko pravim, da sonce ni rumeno.Popoldan te pokliem, ree mi adijo, jaz pa ostanem. Ostanem tu,zaklenjena v omaro misli. Roka mi odpade, poberem jo in ti pomaham

nasvidenje.

Hug me, empty me, bury me. Smoke a cigarette what else is therethan masturbation. I am everything and you are nothing. Im leavingand I dont want you around. Im fooling myself when I say that thesun is not yellow. I call you in the afternoon, you say goodbye, and Istay. I stay locked here in a closet of thoughts. My hand falls away, I

pick it up, and wave farewell.

Kaja Janji je leta 2003 konala umetniko gimnazijo, smer sodobniples, v Ljubljani in v letu 2006 diplomirala na akademiji SEAD vSalzburgu. Kot plesalka je sodelovala s koreografoma GregorjemLutkom in Rosano Hribar v predstavah Kanon in telo in Izplei me,

prosim! ter z Matjaem Fariem v predstavah Srh in Pustite otroke kmeni. Leta 2009 je kot gostja skupine EKG sodelovala v predstavahrtano Bojana Jablanovca in Surovo Claudie de Serpa Soares. Zasolo Izganjanje tebe ljubezen moja je na festivalu koreografskih

miniatur v Beogradu prejela nagrado obinstva in nagrado AleksandraIzrailovskega.

Kaja Janji graduated from the Ljubljana Art Secondary School,module contemporary dance, in 2003 and from the Academy SEAD in

Salzburg in 2006. As a dancer, she worked with the choreographersRosana Hribar and Gregor Lutek in the performances Canon andthe Body and Dance Me Out, Please! and with Matja Fari in theperformances Shiver and Let the Children Come to Me. As a guest ofthe Ljubljana-based En Knap Group, she has also collaborated withthe theatre director Bojan Jablanovec in the piece Cut Out and withClaudia de Serpa Soares in Raw. Her solo Exorcism of You My Lovereceived the Aleksander Izrailovski Award and Audience Award at theInternational Festival of Choreographic Miniatures in Belgrade.


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osupljivo popotovanje v novo razsenost: najprej naravnost na oderz znamenitim wuppertalskim ansamblom Pine Bausch, nato pa ses kamero in plesalci odpravi na ulice mesta Wuppertal in v njegovookolico, kjer plesalci zapleejo v prostorih, ki so bili v zadnjih tirihdesetletjih domicil ustvarjanja Pine Bausch. Prvi evropski lm v 3Dtehniki prikazuje odlomke iz tirih Pininih najodmevnejih predstav,

in sicer Caf Mller, Posvetitev pomladi, Vollmond in Kontakthof,med katere reiser spretno vtke arhivske posnetke Pine Bausch medumetnikim procesom, ki v celotnem 3D kontekstu lma delujejo kottretji element, ter tevilne domiselne, kratke solistine koreograjewuppertalskih plesalcev.

PINA is a feature-length dance lm in 3D with the ensemble ofthe Tanztheater Wuppertal Pina Bausch, featuring the unique andinspiring art of the great German choreographer, who died in thesummer of 2009. The legendary lmmaker Wim Wenders takesthe audience on a sensual, visually stunning journey of discoveryinto a new dimension: straight onto the stage with the legendaryTanztheater Wuppertal Pina Bausch ensemble, he follows thedancers out of the theatre into the city and the surrounding areas ofWuppertal - the place, which for 35 years was the home and centrefor Pina Bauschs creativity. The lm, one of the rst European3D movies ever, includes, in addition to excerpts from the fourproductions of Caf Mller, Le Sacre du printemps, Vollmond, andKontakthof, carefully selected archive footage of Pina Bausch at

work, innovatively inserted in the 3D world of the lm as a thirdelement, with many imaginative, short solo performances by thedancers of the ensemble.

Svetovno priznani lmski reiser Wim Wenders je eden od vodilnihpredstavnikov novega nemkega lma. Kljub tevilnim ponudbamvelikih produkcijskih hi Wenders v svojem ustvarjanju neomajnosledi svoji eksperimentalno naravnani umetniki viziji in se ne ozirana trenutne smernice v svetovni kinematograji. Wenders je najprejtudiral medicino in lozojo in nekaj asa celo delal kot slikar in

graver na Montparnassu v Parizu. Svojo lmsko pot je zael leta1967 na Univerzi za lm in televizijo v Mnchnu. Za svoje lme jeprejel tevilne nagrade, med drugim tudi zlatega leva na Benekemlmskem festivalu leta 1982, zlato palmo leta 1984 na cannskemfestivalu ter nagradi za najboljo reijo na festivalu na Bavarskem inv Cannesu leta 1987. Wenders je reiral tudi ve zelo prepoznavnih

dokumentarnih lmov, med katerimi izstopata lm o kubanskihglasbenikih Buena Vista Social Club ter dokumentarec o amerikembluesu The Soul of a Man, pa tudi tevilne glasbene videospote zaskupine, kot so U2 in Talking Heads.

Wim Wenders ranks among the important directors of world cinemaand is one of the leading representatives of New German Film.Undeterred by eeting trends and big studio offers, he has stuckto his guns and kept his eagerness to experiment. Before enrollingto the University of Film and Television in Munich in 1967, whichpresented the beginning of his career as a lmmaker, Wendersstudied medicine and philosophy and for a while worked as a painterand engraver in Montparnasse, Paris. His lms have received manyawards, including the Golden Lion at the Venice Film Festival in 1982,the Palme dOr at the 1984 Cannes Film Festival, and Best DirectionAwards in the 1987 Bavarian Film Awards and the 1987 CannesFilm Festival. Wenders has also directed several highly acclaimeddocumentaries, most notably Buena Vista Social Club, about Cubanmusicians, and The Soul of a Man, on American blues, as well as

many music videos for groups such as U2 and Talking Heads.

Sponzorji slovenske premiere/Slovene premiere sponsored by: PartyMax, SGP Pomgrad d. d., Panvita d. d.

Film je podnaslovljen z anglekimi podnapisi / English subtitles

Po predstavah bodo na prizoriu potekali pogovori zumetniki./After the performances, discussions with the artistswill be held at the venue.


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25. AVGUST

AUGUST 25OPUS 1 - PLESNA

MINIATURA 2011OPUS 1 - DANCEMINIATURES 2011Predstavitev najboljih plesnih miniatur iz 19. dravnegain 3. mednarodnega tekmovanja mladih plesnih ustvar-

jalcev / Presentation of dance miniatures from the 19th

National and the 3rd International Dance Competition

V sodelovanju z Javnim skladom Republike Slovenije zakulturne dejavnosti /In cooperation with the Public Fundfor Cultural Activities of the Republic of Slovenia

Tekmovanje mladih plesnih ustvarjalcev OPUS 1 plesna miniaturav organizaciji Javnega sklada RS za kulturne dejavnosti (JSKD) potekavsako leto v Slovenskem ljudskem gledaliu v Celju. Ta edinstvena

prireditev spodbuja plesno ustvarjalnost, odkriva mlade talente,gledalce pa z izbranimi kreacijami navduuje z neposrednostjo inbogastvom plesnih izpovedi. Kakovost plesnih miniatur in plesnaizraznost ter tehnika mladih plesalcev se iz leta v leto zviuje, kar

je odraz odlinega dela mentorjev in s tem prispevka k razvojuslovenskega sodobnega plesa.

OPUS 1 vsako leto razpie drugo temo. Tema letonjega Opusa jeFuzija. Beseda fuzija pomeni spojitev, zdruitev, zlitje, spajanje,zdruevanje razlinih elementov. Sodobni ples je e sam po

sebi art of fusion, saj je njegova najvidneja lastnost nenehnospreminjanje iskanje novih oblik, tem in novih gibanj. Umetnost jezmeraj obutljiva na socialne in politine spremembe in zrcali as, vkaterem ivimo. Danes v asu globalizacije in velikih kolonizacij serazlini pristopi, slogi naini, ustva prepletajo in uporabljajo prvinedrugih z namenom izraanja in kritinega razumevanja resninosti.Letonja tema je spodbudila fuzijo zdruevanje in spajanje mordana prvi pogled nezdruljivih elementov v neko novo obliko, obutek,sporoilo.

Competition of young dancers OPUS 1 dance miniature, organisedby the Public Fund for Cultural Activities of the Republic of Slovenia,is held annually in Slovene Peoples Theatre (SLG) Celje. This uniqueevent stimulates dance creativity, discovers young talents, andfascinates the viewers with mature creations and honesty, simplicity,

and richness of dance expressions. The quality of dance miniaturesas well as the expression and technique of young dancers aregrowing from year to year, which also reects the excellent work ofthe mentors and the rapid development of contemporary dance inSlovenia.

Every year a different theme is set for the competition. This yearsOPUS 1 theme is Fusion. The word connotes uniting, integrating,merging, melding, fusing of different elements. Contemporarydance is in itself already an art of fusion, its most visible trait beingcontinual change, the search for new forms, themes, and movements.Art is responsive to social and political changes, reecting the timesin which we live. Today, in the time of globalisation and increasingcolonialism, different approaches, styles, modes, and emotions areintertwined, using the elements of the others to express and criticallyunderstand reality. This years theme motivated a fusion integrationand merging of seemingly incompatible elements into a new form,sensation, and message.



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KATHAKBOXKATHAKBOX

Predstavo Kathakbox zaznamujeta utrip in energija sodobne VelikeBritanije, ki ju skupina Sonie Sabri utelea v novi plesni formi: vurbanem Kathak plesu. Kathakbox zdruuje eleganco in energinostindijskega klasinega plesa Kathak z ritmi in rimami hip-hopkulture. V predstavi se zapleteni ritmi tolkal prepletajo z beatboxom

(ustvarjanje zvokov, ritma in glasbe s telesom), besedna virtuoznost

t. i. Kavitta (izvajalec tradicionalnega Kathakija, igar ritminapoezija presenetljivo spominja na sodobni rap) pa ustvarja ubrana

urbana sozvoja. Predstava teh podzvrsti ne uokvirja, jih ne skuapredalkati v prostor ali as, ampak razkriva isto obutje, ki jetem razlinim umetnikim oblikam skupno. Kathakbox se navdihuje

v urbanih trendih in globalnih izroilih ter nas hkrati nagovarja, darazmiljamo zunaj okvirjev. Glasba, ki nastaja v predstavi, ne prihajaiz intrumentov, ampak iz teles performerjev: stopala, roke, glas incelotno telo ustvarjajo plastenje ritmov, melodij in zgodb.

Kathakbox is an uplifting production from Sonia Sabri Companywhich expresses the unique, diverse energy of modern Britainthrough a new dance style: Urban Kathak. Kathakbox bringstogether Indian Kathak dances grace and vigour and the rhythms &rhymes of Hip Hop culture. Complex percussive patterns converse

with beatbox and the verbal dexterity of Kathak rap (Kavitt) layerswith urban poetry. Kathakbox does not box in these genres to aparticular time or place, but discovers the raw spirit and heartbeatof each art form which reverberate between cultures. Reecting thediverse, intersecting rhythms of the human experience, Kathakbox

Sonia Sabri Company (GB)

Koreograja in umetniko vodstvo / Choreographer and artisticdirector: Sonia SabriIzvajalci / Performed by: Sonia Sabri, Amayra Fuller, Nathan Geer-ing, Suzanne GrubhamGlasba / Musical director: Sarvar SabriScenograja in luna oprema / Stage and lighting design: FrancesRiceTabla Vox: Sarvar SabriVokalistka /Spoken word artist and vocalist: Marcina ArnoldBeatboxer: Shan BansilDramaturgija / Dramaturge: Steve JohnstoneUmetniko svetovanje / Artistic consultants: Jonzi D and ZenaEdwardsMentor raziskovalnega dela projekta / Mentoring, R&D phase 1:Richard Alston

Vodja projekta / Project manager: Kat BaileyFotograf / Photographer: MahasiddhiKoprodukcija /Co-production: macS podporo / Supported by: Arts Council England, mac, The BritishCouncil, ADACH (Abu Dhabi), PRS Foundation for New Music, ThePlace, Birmingham City Council, The Drum, The British Council,ADACH

encourages us to think outside the box. Kathakbox makes musicwith no instruments, only the power of the human body and voice.Drawing on urban trends and global traditions, each performer usesthe instrument of their body: feet, hands, voice and whole physiquecreate layered rhythms, melodies and narratives.

Angleka skupina Sonia Sabri Company z oivljanjem klasine plesneforme Kathaki vnaa nov veter v mednarodno plesno sceno. Kathakje eden najbolj znanih klasinih indijskih plesnih slogov, prepletperzijskega in severnoindijskega klasinega plesa, ki zdruuje gib,geste, izraznost, glasbo, besedo, dramske elemente in seveda ples.

Skupino sta leta 2002 ustanovila Sonia Sabri in Ustad Sarvar Sabri,saj sta elela Kathak pribliati iremu obinstvu. Skupino zaznamujeprepletanje klasinega Kathakija s sodobnimi pristopi, njihovepredstave pa se navdihujejo pri indijski in tudi britanski kulturi ter

nakazujejo na tevilne monosti, ki nastanejo ob njunem sreanju.

Koreogranja Sonia Sabri je bila za svoje delo vekrat nagrajena,koreograrala pa je tudi na povabilo nekaterih pomembnejihbritanskih gledali, kot sta denimo The Place in Royal Festival Hall.

Sonia Sabri Company is a dynamic UK-based dance companymaking waves on the international dance scene by breathing newlife into the classical dance form of Kathak. Kathak is one of the bestknown classical dance styles of India, a blend of Persian and NorthIndian artistry, an art form which encompasses movement, gesture,

expression, music, spoken word and drama as well as dance. Thecompany was established by Sonia Sabri and Ustad Sarvar Sabri in2002 to present Kathak in a new light for diverse audiences. Creatingwork spanning from classical Kathak to contemporary approaches,the companys productions are inspired by and reect Indian and


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NASLEDNJI V VRSTINEXT IN LINEplesni video / dance video (ES/RU)

Reija / Directed by: Asier ZabaletaAsistentka / Assistant: Olga PonaKoreograja / Choreographed by: Asier ZabaletaIzvajalci / Performed by: Tatiana Lumpova, Rafael Timerbakov, Yulia

Abramova, Valodja Vdovenco, Andrey Zykov, Elena Prysvitsina,Artyom Sushchenco, Olga Sharova, Svetlana Levova, Maria Gerasi-mova, Tatiana Menshenina, Vasily Polkov, Vladislav MorosovVideo: Logela MultimediaTehnini direktor / Technical director: Andrey DevyatcovProdukcija / Produced by: Chelyabinsk Contemporary Dance Thea-tre

Sponsored by INTRADANCE, European Union National Institutes forCulture (EUNIC), European Comission.

British culture and the rich possibilities that arise when they meet.An award-winning choreographer, Sonia has been commissioned bysome of the UKs top dance venues including The Place and the RoyalFestival Hall.

S podporo/Supported by: British Council Slovenia

Posedujemo nepremagljivo mo: mnogo nas je.Primanjkuje nam individualne odgovornosti: anonimni smo.Izraamo lahko najskrajneja obutja: nismo sami, nobenega razlogani, da bi kar koli prikrivali.

Ni se nam treba zanimati za ni: skupina odloa namesto nas in irisvoje vrednote.

Ni nam treba imeti mnenja: izposojamo si mnenje kolektiva.

Naslednji v vrsti je preprosta igra, ki nas napeljuje na premislek o

naem lastnem poloaju znotraj skupine, o tem, kako in zakaj seodloimo, da postanemo del skupine, oziroma se ne opredelimo,eprav skupini pripadamo. Kje potegniti lonico med nami in mano inkje je moje mesto brez drugih.

We have invincible power: we are manyWe lack individual responsibility: we are anonymousWe can express the most extreme emotions: we are not alone, wedont have any reason to hold back anythingWe dont have to be interested in anything: the group decides for usand propagates its own valuesWe dont need to have an opinion: we borrow the opinion of thecollective

Next in line is a simple game that leads us into questioning where westand as part of a group, why we choose to be part of a certain group,

or not choose, but are. Where do we draw the line between us andme and where will I be without them.




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PREDSTAVITEV: PLES NA

EVROPSKI PRESTOLNICIKULTURE 2012PRESENTATION: DANCEAT THE EUROPEAN CAPI-

TAL OF CULTURE 2012

ZELENA LUGREEN LIGHT

Predstavitev plesnega programa v okviru EPK 2012 / Presenta-tion of dance programmes in the frame of ECOC 2012

Na okrogli mizi bodo predstavljeni programi, ki bodo v letu Evropske

prestolnice kulture 2012 potekali v Mariboru in partnerskih mestihter v portugalskem Guimaraesu, ki v letu 2012 prav tako nosinaslov Evropska kulturna prestolnica. Predstavitev je namenjenacelovitejemu pregledu plesnega programa, zasnovanega za EPK,primerjavi programov med obema prestolnicama kulture, izmenjavi

informacij med producenti in snovalci programov ter predstavitvi

Zelena lu je koreografska situacija, ki izrablja minimalistinoformo prometne singnalizacije, da nam lahko v trenutnosti

nekega prehodnega mestnega vogala spregovori o sodobnem

plesu, koreograji in telesih v njih. Lahko pa je preprosto nekajneobiajnega, kar popestri izrabljeno rutino naih mestnih poti.

Plesalka in koreogranja Mateja Buar je bila lanica ljubljanskegabaletnega ansambla v SNG Opera in balet, leta 1986 se je prikljuilaPlesnemu Teatru Ljubljana, konala tudij biologije na Biotehnikifakulteti v Ljubljani in na zaetku 90. let zaela ustvarjati svojsodobnoplesni opus, ki se pogosto spogleduje s sodobnimi vizualnimi

umetnostmi. Za njeno delo, ki s svojo irino, konsistenco inkompleksnostjo predstavlja enega najpomembnejih koreografskih

opusov zadnjih dveh desetletij, je morda znailno miljenje virtualnih,shematskih, pojmovnih ali stvarnih prostorov in plesa, ki jih naredi

zaznavne.

Green Light is a choreographic situation using the minimalist form of

the trafc signalling system to speak to us, through the momentary

Sodelujejo:Plesna izba Maribor: Mednarodni festival sodobnega plesa NagiB infestival mladih ustvarjalcev PlatformaDrutvo Pekinpah: Projekt PajekKUD Moment: Mednarodni festival neodvisnega gledalia PrestopiMKC: PerformaZavod En-Knap & Superamas: Kult (delovni naslov)Zavod Bunker: Festival Drugajanje in Festival MladiborKolektiv E5: Nekje na vrtu je mogoe zakopana kostZavod Flota: festival Front@ 2012 / Front@ festival 2012

Participants:Maribor Dance Room: NagiB Contemporary Dance Festival andPlatforma FestivalPekinpah Association: Project SpiderAssociation Moment: Crossings International Independent TheatreFestival

MKC Maribor Youth Culture Centre: Performa Festival of Contempo-rary Performing ArtsEn-Knap Productions & Superamas: Cult (working title)Bunker Institute: Drugajanje Festival and Mladibor FestivalCollective E5: Somewhere in the garden a bone might be buriedFlota Institute: Front@ Contemporary Dance Festival 2012

Povezuje / Moderated by: Jedrt Je

vsebin na enem mestu. Svoje programe bo predstavilo osemslovenskih producentov ter producent za podroje uprizoritvenihumetnosti na EPK Guimaraes 2012 Marcos Barbosa.

The round table will present dance programmes included in theEuropean Capital of Culture 2012 projects in Maribor and partner

towns and in the Portuguese Guimaraes. The presentation is intendedto give a comprehensive overview and a comparison of danceprogrammes conceived for the two Capitals of Culture, to providefor information exchange between the producers and programmers,as well as to present the contents of EcoC in a single spot. Thepresentation will include eight Slovene producers and the performingarts producer at the ECoC Guimaraes 2012 Marcos Barbosa.

DUM (SI)

Avtorica / Concept: Mateja BuarSoustvarjalci in izvajalci /Created and performed by: DuanTeropi, Manca Krnel, Nataa Kos Krimani, Maja Kalafati, KajaValenti, Mateja BuarBesedilo / Text: Renata SaleclProducentka / Produced by: Sanja KuveljiProdukcija / Production: DUM drutvo umetnikov / DUM Associa-

tion of ArtistsKoproducent / Coproduced by: Kino ika / Kino ika Centre forUrban CultureS podporo / Supported by: Mestna obina Ljubljana / Municipality ofLjubljana


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SPINSPIN

Predstava SPIN si kot izhodie postavlja vpraanje o obvladovanjustvarnosti, ki je v sodobnem svetu vedno bolj medijsko posredovana.

e elimo vsaj deloma obvladovati neizreeno, neslino in nevidno,ki uokvirjajo nae zaznavanje in razumevanje sveta, moramo vsajdelno ozavestiti mehanizme, s katerimi pridobljene informacije

obdelujemo, oziroma razumeti naine, kako so te skonstruirane. SPINse ukvarja s strategijami propagande, t. i. think tanki in drugimi

tovarnami odnosov z javnostmi, ki nam ponujajo poenostavljene

in varne predstave o svetu. Predstava ne uprizarja trenutnih

politinih dogodkov, ampak na oder postavlja naine za razumevanjemehanizmov sodobne politike, ki temeljijo predvsem na ustvarjanju

podob (tako kot gledalie!), pri tem pa poudarja manipulativno mopodob. SPIN neposredno preizprauje, kaj podobe so, kaj ustvarjajoin kakne uinke imajo.

How to control? is the emerging question of the creation by MatthewWilliam Smith with the members of the Zagreb-based STUDIO.

According to SPIN, to be in control means to understand themechanisms of how we process information and understand theworld. Even though one may not be able to fully and consciouslycontrol ones perception, one may become aware of the way howinformation is being constructed in the process of receiving and

sending. SPIN deals with the strategies of propaganda, think tanks,

Studio za sodobni ples / Studio - Contemporary DanceCompany (HR)

Koreograja / Choreographed by: Matthew William SmithUstvarjalci in izvajalci / Created and performed by: Dina Ektajn,Petra Hraanec Herceg, Ana Vnuec, Petar Banda, Zvonimir KvesiDramaturgija / Dramaturgy: Saa BoiGlasba / Music: Bernhard WeissKostumograja / Costumes: Matthew William Smith, Barica Pauli

situation at a certain traversed city corner, about contemporary

dance and choreography, and the bodies involved in them. Or it cansimply be something unusual that can invigorate the worn out routineof our city paths.

Dancer and choreographer Mateja Buar was a member of the balletensemble of the Slovene National Opera and Ballet in Ljubljana. In1986, she joined Dance Theatre Ljubljana, completed her biologystudies at the Ljubljana Biotechnical Faculty, and in the beginningof the 90s started to work in the eld of contemporary dance as anindependent maker. Her opus is often marked with the elements of

contemporary visual arts. Representing one of the most importantchoreographic opuses of the past two decades on account of itswideness, consistency, and complexity, her work reveals an in-depththinking of virtual, schematic, notional, or factual spaces and dance,

which it makes perceptible.

Oblikovanje svetlobe / Light design: Matthew William Smith, Alek-sandar avlekProdukcija / Production: Studio za suvremeni plesProducent / Producer: BRANKO BANKOVIKoprodukcija / Coproduced by: Teatar &TD Zagreb, Plesni centerOslo, Tanzquartier Dunaj / Theater &TD Zagreb, Dansens Hus Oslo,Tanzquartier ViennaPodpora / Supported by: Mestna obina Zagreb, Ministrstvo zakulturo Republike Hrvake / Municipality of Zagreb, Ministry ofCulture of the Republic CroatiaZahvaljujemo / Thanks to: Teatar &TD, Kultura promjene, ZeKaeM,Dubravka Vrgo, Michael Boiger


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and other public relations factories, which by constant reframingoffer us a simple and secure vision of the world. Instead of simplystaging current political events, the theatre of SPIN presents away to understand the mechanisms of contemporary politics.By foregrounding the essentials of performance (space, body,light, sound) in the process of image creation, the choreographer

emphasises the manipulative power of images. Spin asks us what

images are, do, and how they affect us.

Matthew William Smith je plesalec, pedagog in koreograf z NoveZelandije, kjer je sodeloval z veino pomembnejih novozelandskihplesnih skupin. V Evropi je plesal za Random Scream (BE), CarolBrown Dances (GB), Impure Company (NO) ter Company Willi Dornerin Theater Combinat (AT). Smith pouuje sodobnoplesno tehniko terPilates na razlinih olah in festivalih po Evropi.

Matthew William Smith is a dancer, teacher, and choreographer fromNew Zealand where he danced for many of the leading companies.In Europe, he has worked with Random Scream (BE), Carol BrownDances (GB), Impure Company (NO), Company Willi Dorner andTheater Combinat (AT). He teaches Pilates and contemporarytechnique at different schools and festivals in Europe.

Zagrebki Studio za sodobni ples deluje na tem podroju e od leta1962. Njegove produkcije zaznamujeta inovativnost in sledenjenovim smernicam v umetnikem in kulturnem ustvarjanju. Ansambel

Studia sodeluje s priznanimi hrvakimi koreogra, njihove predstavepa so podpisali koreogra iz Francije, Anglije, panije, Slovenije,Zdruenih drav Amerike in Nizozemske. Svoja dela predstavljajo vhrvakih gledaliih ter na mednarodnih festivalih in prizoriih.Founded in 1962 in Zagreb, Studio Contemporary DanceCompany bases its work on the tradition of innovation in the eld of

contemporary dance expression, always embracing new trends inartistic and cultural communication. Besides working with Croatianchoreographers, the ensemble has collaborated with numerouschoreographers and teachers from France, England, Spain, Slovenia,the USA, and the Netherlands. Studio presents its work in alltheatre houses in Zagreb as well as performs at many national andinternational festivals.

TRISOLISTKETHREESOLOISTSplesni video / dance video

Koncept in koreograja / Concept and choreography: Irma OmerzoReija in montaa / Directed and edited by: Goran RukavinaIzvajalke / Performed by: Silvia Marchig, Roberta Milevoj, ZrinkaimiiFotograja / Photography: Jasenko RasolZvok / Sound: Ivan Marui KlifProdukcija / Production: MARMOT

Eksperimentalni plesni lm Trisolistke je nastal v sklopu plesnegaprojekta Tretji kratki program, ki se je ukvarjal s percepcijo plesav dveh razlinih kontekstih: v gledaliki situaciji v ivo ter v plesu


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Liquid Loft (AT)

Koreografa in izvajalca / Performed and choreographed by: Steph-anie Cumming, Luke BaioUmetniko vodstvo in koreograja / Artistic direction and choreog-raphy: Chris Haring

Oblikovanje zvoka / Composition and sound: Andreas Berger (Glim)Luno in scensko oblikovanje / Stage and light design: Thomas J.JelinekScenograja / Set design: Gerald PriewasserVodja projekta in raziskava / Production management and research:Marlies PucherTehnini director / Technical direction: Roman HarrerVideo tehniki / Video technics: Ella Esque, Niki PassathBesedila / Text: Fritz OstermayerVideo: Michael LoizenbauerProdukcija / Production: Liquid Loft v sodelovanju s Tanzquartier

Wien / Liquid Loft in collaboration with Tanzquartier Wien.

Liquid Loft nancira Oddelek za kulturo mesta Dunaj in Ministrstvoza izobraevanje, umetnost in kulturo / Liquid Loft is supported byMA 7 Kulturabteilung Stadt Wien and Bundesministerium fr Unter-richt, Kunst und Kultur

za lm. Koreogranja Irma Omerzo in reiser Goran Rukavina stase glede na razlinost percepcije asa v plesni predstavi oziromana lmu odloila za radikalen pristop: lm sta posnela izkljuno sfotoaparatom. Film sestavljajo trije kratki plesni soli, ki so umeeni vdogajanje na javnih prostorih, zmontiran pa je iz 30.000 fotograj, kidelujejo kot prekinitev v asovni kontinuiteti gibanja.

The experimental dance lm Threesoloists is an offshoot of the danceproject Third Short Programme which dealt with the perception ofdance in two different contexts: in a live, theatre situation and indance for lm. Considering the distinct temporalities of live danceperformance and lm, Omerzu and Rukavina opted for a radicalchoice: they made a dance lm using only a stills camera. Made of30,000 edited stills, the dance in Threesoloists sets out to encounterevents specic to urban exteriors, the temporal uidity of which iscounterweighted by the stills camera.

Hrvaka plesalka in koreogranja Irma Omerzo je tudirala ples naCentre Nationale de Danse Contemporaine v Angersju v Franciji.

Kmalu zatem se je kot plesalka pridruila skupini Philippa Decouja,kjer je osem let delala tudi kot asistentka koreografa. Leta 2001 se

je preselila nazaj na Hrvako in tam ustanovila produkcijski zavodMARMOT.

Croatian dancer and choreographer Irma Omerzo studied dance atthe Centre Nationale de Danse Contemporaine in Angers, France.

She later joined Philippe Decous company as a dancer andassistant to the choreographer for eight years. In 2001, she movedback to Croatia and formed her own production centre calledMARMOT.

GOVOREA GLAVATALKING HEAD



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Teme, ki jih odpira najnoveja predstava skupine Liquid LoftGovorea glava, se dotikajo aktualne medijske realnosti spletnihsocialnih omreij (samo)opredeljevanje, identikacija, (samo)razkrivanje. Performerja sta neke vrste poskusna zajka, ki seznajdeta v aparatu twitter/tube/facebook, iz katerega vznikajoabsurdni liki, ob katerih pomislimo, da so ravnokar pobegnili iz

dvorane ogledal. V virtuozni satiri o posledicah nenadnega poveanja

komunikacije performerja v ivo na odru sestavljata besedilneskulpture kot plesno formo, ob tem pa vedno znova vzpostavljata

novo podobo njiju samih preko spletne kamere.

Talking Head, the most recent work by Liquid Loft, deals withthe identication and self-exposure of our current social mediaonline world. As test subjects, performers are placed into atwittertubeandfacebook apparatus, in which absurd charactersemerge that look as if they had just escaped from a hall of mirrors.

In a virtuosic satire on the consequences of the current ination ofcommunication, the performers are constructing, direct and live onstage, text sculptures as a form of dance and an ever-new image ofthemselves via webcam.

Liquid Loft so leta 2005 ustanovili koreograf Chris Haring, glasbenikAndreas Berger, plesalka Stephanie Cumming in dramaturg Thomas

Jelinek. Produkcije Liquid Lofta so celostna umetnika dela, prepletperformansa, instalacije in sodobnega plesa, kot tudi drugih oblik

sodobne umetnosti. Prepoznaven vizualni in formalni jezik, znailne

akustine scenske postavitve ter visoko profesionalna plesnaprodukcija so jim prinesli mednarodno prepoznavnost in mnogo

nagrad, med drugim tudi zlatega leva za najboljo predstavo naBenekem bienalu leta 2007.

Founded in 2005 by choreographer Chris Haring together withmusician Andreas Berger, dancer Stephanie Cumming, anddramaturgue Thomas Jelinek, Liquid Loft constantly interconnectperformances and installation in contemporary dance directly withother forms of contemporary art, in order to create a cohesiveall-embracing piece of art. Their idiosyncratic visual and formallanguage, their distinctive acoustic stage-sets and professional dance

production earned Liquid Loft international recognition and awardslike the Golden Lion for Best Performance at the 2007 Biennale inVenice.

S podporo/Supported by: Avstrijski kulturni forum Ljubljana/sterreichisches Kulturforum Ljubljana

Po predstavah bodo na prizoriu potekali pogovori zumetniki./After the performances, discussions with the artists

will be held at the venue.


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NASTOP PLESNIH OLPERFORMANCE OFDANCE SCHOOLS(HR/SI)

Umetnika gimnazija Ljubljana smer sodobni plesArts High School in Ljubljana Department of Contempo -

rary Dance

Prostorska intervencija/ spatial intervention

Ksenija Hribar v Murski Soboti / Ksenija Hribar in MurskaSobota

Produkcija SVGL je bila letos posveena koreogranji Kseniji Hribar.Dijaki in mentorji so rekonstruirali dve Ksenijini predstavi: Alpsko

sanjarjenje in Nostalgijo. Poleg predstave je bilo celo leto obeleenoz razlinimi dogodki, povezanimi s Ksenijo Hribar (razstava, soli 4.letnikov itd.). Sama predstava je bila izjemno pozitivno sprejetamed strokovnjaki (med njimi tudi originalna zasedba rekonstruiranih

predstav) in med irim obinstvom. Za dogodek v sklopu Fronte

bomo podobno kot lani izvedli prostorski poseg, pri tem pa bo letos

kljuno vpraanje, kako razline materiale (od predstave do razstave)ter teme Ksenijinega dela in asa, v katerem je delovala (vrhunec v80. in na zaetku 90.), umestiti v javni prostor Murske Sobote.

Mentorji pri produkciji, iz katere nastaja site specic predstavitev:

Mojca Dimec Bogdanovski, Nataa Tovirac, Kaja Lorenci, DuanTeropi, Sinja Obolt, Nina Fajdiga, Petra Pikalo, Vita Osojnik inKatja Legin.Adaptacija v prostor v Murski Soboti: Katja Legin.

This year, the nal production of the Art High School Ljubljana wasdedicated to the memory of the founder of professional Slovenecontemporary dance Ksenija Hribar. The students and their mentorsreconstructed two Hribars performances: Alpine Daydreaming and

Nostalgia. Besides the performance, numerous events related toHribars work took place during the year: an exhibition, solos of 4thyear students, etc. The performances were extremely well receivedboth among the critics (among them also the original casts of

reconstructed performances) and the wider public. Like last year, aspatial intervention will be prepared in the frame of Front@, whichwill this year attempt to tackle the question of how to position thedifferent materials (from the performance to the exhibition) and

themes of Hribars work and time (middle of 80s and beginning of90s) into Murska Sobotas public space.

Mentors of the production which is the basis for the site-specicpresentation: Mojca Dimec Bogdanovski, Nataa Tovirac, KajaLorenci, Duan Teropi, Sinja Obolt, Nina Fajdiga, Petra Pikalo, VitaOsojnik in Katja Legin.Adaptation for Murska Sobota version: Katja Legin

ola za sodobni ples Ane Maleti, ZagrebSchool of Contemporary Dance of Ana Maleti, Zagreb

ola za sodobni ples Ane Maleti iz Zagreba deluje na podroju

osnovnega in srednjega plesnega izobraevanja od leta 1954. olas programom, ki bazira na edinstvenem spoju gibalnih principov

Rudolfa Labana in J. Dalcrozeja, e vrsto let usposablja izvajalce,ustvarjalce in pedagoge na podroju sodobnega plesa, ritmike inrehabilitacije z gibom. ola med drugim organizira tevilna predavanja


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PREDSTAVITEV

DELAVNICEWORKSHOPPRESENTATION

LUNATIKALUNATIKA

Udeleenci delavnice Fusion, ki jo bo vodil ustanovitelj sku-pine Decalage Mickael Marso Riviere, bodo javno predstavili

svoje tiridnevno delo.The participants of the Fusion workshop given by MickaelMarso Riviere, the founder of Company Decalage, will preparea short public presentation of their 4 days work.

Eva Duda Company (HU)

Koreograja/Choreographed by: va DudaSoustvarjalci in izvajalci/Created and performed by: Gbor Bora,Zoltan Grecs, Zsuzsa Jns, Eszter Lzr, Dvid Mik, Beatrix Simk,Mrton Csuzi


in seminarje za uitelje in uence z domaimi in tujimi pedagogi, eve let zapored pa ustvarjalnost svojih uencev prikazuje tudi nafestivalu sodobnega plesa Front@. Tokrat se bo predstavila s tremikrajimi koreograjami uenk 1. in 3. letnika srednje ole.

The Zagreb-based Ana Maleti School of Contemporary Dance is

active in the eld of elementary and secondary dance educationsince 1954. With its programme based on a unique fusion ofmovement principles of Rudolf Laban and J. Dalcroze, the schooltrains performers, choreographers, and pedagogues in the area of

contemporary dance, rhythmic, and movement rehabilitation fora number of years. The school also organises numerous lecturesand seminars by national and international lecturers for itspedagogues and students, and since 2009 also collaborates withthe Front@ Festival. This year, the school will present three shorterchoreographies by 1st and 3rd Year students.

Asistent koreogranje/Assistant choreographer: Zoltn GrecsVideo: Mrton GothrGlasba/Music: Pter KunertLuno oblikovanje/Light design: Gerzson Pter KovcsOblikovanje kostumov in scenograja/Costume and set design: vaDudaAssistent produkcije/Production assistant: Petra Mris

S podporo/Supported by: Ministrstvo za olstvo RepublikeMadarske, Nacionalni sklad za kulturo Republike Madarske,Teater MU, Workshop Foundation, Central Europe Dance Theatre,Kulturni center SN, Art of Cinema, Fundacija Orkesztika Studioza umetnost giba / Ministry of Education, National Cultural Fund ofHungary, MU Theatre, Workshop Foundation, Central Europe DanceTheatre, SN Cultural Center, Art of Cinema, Orkesztika Foundation-Art of Movement Studio, Cultural Commission of Capital


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NONA VADBANIGHT PRACTICE

NASLEDNJI V VRSTINEXT IN LINE

DCLDCL

plesni video/dance video (GB)Glej str. 5 / See p. 5

plesni video/dance video (ES/RU)Glej str. 10 / See p. 10

Plesna improvizacija in video/Dance improvisation and video

Izvajalci/Performed by: Katja Legin (SI), Pawel Dudus (AT), AnnaGulys (HU), Thomas Goodwin (GB)Video: Matej Kolmanko (SI)

Razmerja, razgrete strasti, zapleti in boji, ki jih odslikavajo gibalne

fraze, ki se na odru razvijejo med mokim in ensko, med enskamiin mokimi, niso nujno omejeni na dunglo, na trenja med spolomaali na opozicije. Njihov pomen je lahko mnogo iri, bolj odprt, saj

jih lahko razumemo kot nasprotje med aktivnostjo in pasivnostjo,

prevlado in predajo, zaenjanjem in zavrnitvijo, spontano mojo

in avtomatizmom ter navsezadnje kot nasprotje med lovekovimibiolokimi interesi in etinimi potrebami. e upotevamo, dapostdramsko gledalie razume telo kot poslednjo navidezno gotovoresnico, lahko v predstavi Eve Dude prepoznamo presenetljivosugestivno in avtentino delo, saj skozi osebno prizadevanjeplesalcev osvobaja in aktivira primarno lovekovo bistvo in njegovosurovo energijo.

The relationships, heated entanglements, struggles summarizedin the strings of movements developing between man and woman,

men and women, may not be limited to the jungle, to the ghtbetween sexes, or opposition. Their meaning may become muchwider, more open: it can also be interpreted as the conict betweenactivity and passivity, domination and surrendering, initiation andrefusal, essential power and mechanic operation, and ultimately asthe conict between mans biological interest and his ethical need.Following the idea that the body is the nal seemingly certain truthin post-dramatic theatre, va Dudas choreography appears unusuallysuggestive and authentic, since it liberates and activates the primary

human essence and raw force through the dancers personalmotivations.va Duda Company je bila ustanovljena leta 2009 po premieripredstave Lunatika, ki je bila izjemno dobro sprejeta med

strokovnjaki in tudi irim obinstvom. va Duda se je naMadarskem pa tudi mednarodno uveljavila kot neodvisna plesnain ustvarjalka sodobnih uprizoritvenih umetnosti s tevilnimiprodukcijsko in anrsko razlinimi predstavami. Skupina je bila zasvoje delo e vekrat nagrajena na Madarskem, med drugim jeprejela nagrado za najboljo koreogranjo, ki jo podeljuje madarsko

Drutvo plesalcev.

va Duda Company was established in 2009 after the excellentreception of the performance Lunatika among the expert and wideraudience. va Duda has become well known and reputed as anindependent creative artist experienced in various elds of theatre,having choreographed a great number of Hungarian and international

performances varying from huge spectacular shows to progressivecontemporary dance pieces. The company received many Hungarian

awards for its work, among others also the Best ChoreographerAward delivered by the Hungarian Dancers Association.

Kaj se zgodi, e ples premaknemo iz odmaknjenega zaprtegaprostora gledalike dvorane na mestno ulico, prikazovanje rezultatapa nadomestimo z vpogledom v nastajanje plesne kompozicije?Letonji Dance Communication Lab je zasnovan kot laboratorij, ki

preizkua komuniciranje plesa z mestom in njegovimi prebivalci.Plesni ustvarjalci improvizirajo v javnih prostorih in na ulici sredidelovnega dneva in sooajo svoje ustvarjanje z nakljunimimimoidoimi. Javni prostor raziskujejo s plesom in odkrivajo razmerjamed gibom in arhitekturo, pred mimoidoe pa na ogled postavljajoplesni ustvarjalni proces. Takna neposredna izkunja komunikacijemed gledalcem in umetnikom brez vnaprejnje priprave, takogledalca kot nastopajoega, pomeni posebno preizkuanje plesain razvozlavanje ugank njegovega razumevanja. Gre za laboratorij,

v katerem se ne preizkua samo sodelovanje umetnikov, temve

se odpirajo nove monosti za razmislek o konvenciji uprizarjanja spreseganjem odmaknjenosti umetnosti od ivljenja mesta. Namestouitka pasivnega opazovanja pri nakljunem opazovalcu stopi vospredje vpraanje. Kaj se dogaja? Za kaj gre?


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What happens when dance is brought out from a removed closedtheatre space to the street? And what if the presentation of a result isreplaced with an insight into the creation of dance composition?

This years Dance Communication Lab is designed as a laboratorythat puts to the test the communicative potential of dance in relation

to the city and its inhabitants. Dancers improvise on the street andin public spaces in the middle of the working day, bringing out theircreativity before accidental passers-by. Discovering public spacethrough dance and revealing the relation between movement andarchitecture, they put to display the creative process of makingdance. Experiencing the communication between the viewer andthe artist in such a direct way without prior preparation, of both the

viewer and the performer, presents a special challenge to the dancemedium as such as well as to the unravelling of its meanings. Theevent is a laboratory which not only puts to the test the cooperationbetween artists, but by bringing art closer to the citys life also opensup new possibilities for a reection on performance conventions.Instead of the pleasure of passive observation, the questions Whatsgoing on? Whats it about? are put to the foreground.

DCL je dogodek v okviru delovanja mree Dance ExplorationsBeyond Front@/DCL is an event in the frame of activities of the

Dance Explorations Beyond Front@network. V mrei sodelujejo/Thenetwork includes Flota Institute, Dance Identity/D.ID, OHO Oberwart,ProProgressione, Hrvatski institut za pokret i ples HIPP, GDA

Greenwich Dance Agency


plesne delavnice/dance workshops

V sodelovanju z Javnim skladom Republike Slovenije za

kulturne dejavnosti/In cooperation with the Public Fund forCultural Activities of the Republic of Slovenia

Plesni izzivi na Fronti pomenijo 5-dnevno intenzivno izmenjavo idej inznanja na klasih za zaetnike, nadaljevalce in profesionalne plesalce.Pridobivanje novih plesnih znanj, izkuenj, druenje s plesalci inpedagogi, pester in kakovosten program, zanimivi pedagogi, veernivrhunski program plesnih predstav vse to so plesni izzivi na Fronti.

Dance challenges at Front@ are a ve day intensive exchange ofideas and knowledge in the form of classes for beginners, advancedand professional dancers. Obtaining new dance knowledges and ex-perience, socialising with the dancers and teachers, a varied and top-notch programme, interesting pedagogues, top dance performances

in the evenings at Dance Challenges at Front@.

Pedagogi/Pedagogues: Maja Kalafati (joga/yoga), Joan van derMast (moderni ples/modern dance), Mickael Marso Riviere (fusion

delavnica/fusion workshop), Sinja Obolt (koreografska delavnica/choreography workshop).

Delavnice potekajo v/Locations: Dvorana 1 in 2/ Studio 1 and 2,Center Spartacus, Kopalika 2, Murska Sobota (spartacus.si)

Prijave in informacije/Registration and information: Javni skladRepublike Slovenije za kulturne dejavnosti/Public Fund for CulturalActivities of the Republic of Slovenia, tefanova 5, 1000 Ljubljana,tel.: 01 24 10 523 (organizator/contact person Franci Cotman),e-pota/e-mail: [email protected]. Prijavnica dostopna na/On-line application form available at www.jskd.siand www.ota.si/fonta.html


24.28.AVGUST

AUGUST 24 TOAUGUST 28PLESNI IZZIVI NA

FRONTIDANCE CHALLENGESAT FRONTA


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So ljudje, ki tiho delajo in se tiho poslovijo. Tako kot Manfred Biskupiz Gradianske v Avstriji, ki je marsikje oral ledino. V soboto, 27.novembra 2010, je umrl na letaliu Tegel v Berlinu.In prav letalie odlino simbolizira navduenje, mednarodnost,lozofski pogled loveka, ki si je vedno postavljal visoke idealeter jih pretvarjal v velike oz. velikopotezne ideje in narte. Deela

Gradianska je izgubila moa, ki se ni bal izzivov umetnosti in intele-ktualnega dela, pa eprav na tem obrobnem delu drave, ki zagotovopotrebuje ljudi prav takega kova.

Manfred Biskup se je rodil v Riedlingsdorfu, nato pa je tudiral poslov-no ekonomijo na Dunaju ter socialno in kulturno antropologijo na

Univerzi v Leuvenu. Dolgo je delal kot raziskovalec v Mednarodnemraziskovalnem centru za drubene vede (ISSC) na Dunaju, opravljalraziskovalne naloge za UNESCO, objavljal lanke s podroja kul-turnega in informacijskega posredovanja ter kot gostujoi predavateljpredaval na Univerzi na Dunaju.

Velik preskok v njegovi profesionalni karieri se je zgodil leta 1982, koje soustanovil skupino Tanztheater Wien. Tri leta pozneje, ko se je toplesno gledalie dodobra uveljavilo, je pustil redno slubo pri ISSCin se posvetil samo delu v Tanztheatru. Svoje dramaturko ustvar-

janje na podroju plesa je nadaljeval v gledaliu v Heidelbergu in vdunajski operi Volksoper.

Leta 2006 se je enako angairan vrnil v domovino in skupaj z Liz Kingna Dunaju ustanovil plesni center za sodobni ples D.ID / Dance Iden-tity ter s tem dal gradianski kulturni krajini pomembno spodbudo.

Kot soorganizator Gradianskih plesnih dni, tevilnih plesnih produk-cij in diskusij je bil nenehni tvorec novih idej in s tem izzivov tako zagradianske umetnike kot za obinstvo.

Alfred Masal (OHO Offenes Haus Oberwart)

There are people who act quietly and also quietly say goodbye. Sucha man was Manfred Biskup from Burgenland in Austria, who brokenew ground in many areas and at many times. He died on Saturday,November 27 2010, at the Tegel Airport in Berlin.An airport nicely symbolises the enthusiasm, the cosmopolitancharacter, and the philosophical outlook of a man who has always

set high ideals for himself, transforming them into great, even grandideas and plans. The Burgenland province has lost a man who wasntafraid of the challenges of art or of intellectual work though he livedin the peripheral part of the country where people of this kidney aresurely needed.Born in Riedlingsdorf, Austria, Manfred Biskup studied economicsin Vienna and Cultural Anthropology at the Lueven University. Heworked for a number of years as a researcher for ISSC (InternationalSocial Science Research Centre) in Vienna and for UNESCO, pub-lished articles from the eld of cultural and information mediation,

and taught as a guest lecturer at the Vienna University.Later on his professional career took a rather different path: in 1982he was the co-founder of Tanztheater Wien. Three years later, whenthe theatre was already rmly established, he left his work in socialsciences to devote himself to the work in Tanztheater. He continuedhis work in the area of dance as a dramaturge in the Heidelberg Thea-tre (Germany) and in the Vienna-based Volksoper.In 2006, he returned to his homeland and co-founded together withLiz King a contemporary dance centre D.ID / Dance Identity, which

gave an important impetus to the local cultural landscape.A co-organiser of dance days, many dance productions, and discus-sions, Manfred Biskup was a man who always came up with newideas and challenges for the Burgenland artists and the audiences.

Alfred Masal (OHO Offenes Haus Oberwart)

V SPOMINMANFREDU

BISKUPUIN MEMORY OFMANFRED

BISKUPsoustanovitelju studia D.ID/Dance Identity, ki jelanica mree Dance Explorations Beyond Front@co-founder of D.ID / Dance Identity, member ofDance Explorations Beyond Front@ network


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Gledalie ParkTheatre Park

Star MaxStar Max

Odprti oderOpen stage

Glavno kriieMain crossroad

MikkMikk

HostelHostel

RC SpartacusSRC Spartacus

S

S

Budapest

Zagreb

Ljubljana

Oberwart

London

HU

A

HR

MurskaSobota


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6. FESTIVAL FRONT@ SODOBNEGA PLESA6TH FESTIVAL FRONT@ OFCONTEMPORARY DANCE

Produkcija / Produced by: Zavod Flota, Murska SobotaSede / Head ofce:Kopalika 2, SI-9000 Murska Sobota, SlovenijaProdukcijska pisarna / Production Ofce:

Puhova 14, SI-1000 Ljubljana, Slovenija

VODSTVO FESTIVALA / FESTIVALS TEAM:Umetniki vodja / Art director: Matja FariVodja produkcije / Head of production: Urka PleeIzvrna producentka / Executive producer: Ksenija KauiPrevajalka in urednica festivalskega kataloga / Translator and editor of thefestival catalogue: Katja KosiLektorica slovenskih besedil / Slovene proofreading: Alenka JuvanKoordinator / Coordinator: Ivor KnafeljGrano oblikovanje / Graphic design: Ajax StudioLogotipi / Logos: Boris Balant

TEHNINO VODSTVO / TECHNICAL TEAM:Organizacija / Organisation: Inga RemetaTehnino vodstvo / Technical director: Igor RemetaAsistent tehnike / Assistant technician:Jasmin ahinapai

PROSTOVOLJCI / VOLUNTEERS:Jasmina Jud, Katja Mijajlovi, Ewelina Smreczynska, Miha Akerc,Leon Mari, Dragan Vukovi

KOPRODUCENTI / COPRODUCTION:Zavod Flota, Ljubljana / Flota Institute, LjubljanaPlesni Teater Ljubljana / Ljubljana Dance TheatreZavod za kulturo, turizem in port Murska Sobota /Murska Sobota Institute for Culture, Tourism, and Sport

Flota, zavod, Murska SobotaKopalika 29000, Murska Sobota, Slovenijae: [email protected]: www.ota.si

Flota, LjubljanaPuhova 141000, Ljubljana, Slovenijae: [email protected]: www.ota.si

Plesni Teater LjubljanaMetelkova 61000, Ljubljana, Slovenijae: [email protected]: www.ptl.si

Mladinski informativni in kulturniklub (MIKK)Trubarjev drevored 49000 Murska Sobota, Slovenija

e: [email protected]: www.mikk-ms.si

Zavod za kulturo, turizem in portMurska SobotaUlica tefana Kovaa 30,9000 Murska Sobota, Slovenija

e: [email protected]

Javni sklad Republike Slovenijeza kulturne dejavnostitefanova 51000 Ljubljana, Slovenija

e: [email protected]: www.jskd.si

Mladinski in informativni klub Murska Sobota /MIKK Youth Information Cultural Club, Murska Sobota

PARTNER:Javni sklad Republike Slovenije za kulturne dejavnosti /Public Fund of the Republic of Slovenia for Cultural ActivitiesFestival Dnevi poezije in vina /Days of Poetry and Wine Festival

Festivalska pisarna in sreevalie /Festivals ofce and meeting point:MiKK, Trubarjev drevored 4, SI-9000 Murska Sobota, SlovenijaT: +386 (2) 534 98 90F: +386 (2) 534 98 92

Festival Front@ je del aktivnosti mednarodne mree Dance ExplorationsBeyond Front@ / Front@ Festival is part of the international Dance Explora-tions Beyond Front@ network.

Podpora / Support: Festival Front@ sodobnega plesa 2011 so omogoili in

podprli Ministrstvo za kulturo RS, Maribor 2012 - Evropska prestolnica kul -ture, Mestna obina Murska Sobota, Avstrijski kulturni forum, British Coun -cil Slovenija / Festival Front@ of contemporary dance has been supportedby Ministry of Culture of the Republic of Slovenia, Maribor 2012 - EuropeanCapital of Culture, City Minicipality Murska Sobota, sterreichisches Kultur-forum Ljubljana, British Council Slovenia

Medijski pokrovitelji / Media sponsors: Val 202, Radio Murski val, Radio Si

Posebna zahvala / Special thanks to: Boris Balant, Ksenija Kaui, IvorKnafelj, Janez lebi, Brigita Perhavec, Dua kof, Nina Meko, AntonijaBerden, Goran Miloevi, Igor Bani, Matej Fier, Dejan Fujs, Maja Sren, San -dra Hleb, Nataa Zanuttini, Jerneja Jevevar, Tjaa Ivani, Jasmina Jud, KatjaMijajlovi, Ewelina Smreczynska, Miha Akerc, Leon Mari, Dragan Vukovi


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program fronta 2011

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