program course catalog 16a july june & course catalog 16a july 2012 – june 2013 the recording...

The Recording Institute of Detroit July 2012 – June 2013 Catalog 16A

THE RECORDING INSTITUTE OF DETROIT

PROGRAM & COURSE CATALOG 16A JULY 2012 – JUNE 2013

THE RECORDING INSTITUTE OF DETROIT is owned and operated by THE RECORDING INSTITUTE OF DETROIT, INC., 14611 E. Nine Mile Rd., Eastpointe, MI 48021.

The school operated under license by The Michigan Department of Licensing and Regulatory Affairs (formerly Michigan Department of Energy, Labor and Economic Growth). See Page 15 for staff contact information.

Catalog 16A July 2012- June 2013

Original design by Robert Dennis, Founder, Recording Institute of Detroit, Inc.

Cover Art by Shawnee Brown, Promotions

Text Layout by Daniel Dennis, President, Instructor, Recording Institute of Detroit Inc.

Drawn Art by Dayle Dick, RID Graduate, Class Assistant 2004

Additional Layout and Revisions by Robert Dennis, Jr. [email protected]

This is to certify that this catalog is true and correct in content and policy.

©Copyright 2012 Recording Institute of Detroit, Inc. All Rights Reserved.

Revision 16.1.0

Introduction

Recording Institute of Detroit training is characterized by small classes and individual attention.

Recording Institute of Detroit offers five educational programs that vary from an introduction to the recording arts & audio theory (less than one week of attendance required), to comprehensive multi-course programs (that could require up to 9 months of attendance).

Extensive educational support is provided via the web resources of our associated web-services company, Alexander Magazine (www.alexandermagazine.com) via posting of all course theory content, added additional study modules, audio/video demonstrations, question and answer forums, plus online testing.

Recording Institute of Detroit has been operating as a recording arts trade school in music and audio production for over 30 years and constantly updates its programs and facilities to teach the latest techniques and technology. Whether you are seeking training to make better home recordings, become a professional recording engineer or producer, release and market your own music or perform any of the many functions in the music and audio fields, RID can be the right school for you.

Optional Training Schedules

Program scheduling is designed to allow training schedules while maintaining current employment. Students can train on either of the following schedules for most program instruction:

Day Schedule: Students attend classes 4 classes a week in the morning.

Evening Schedule: Students attend 1-3 classes weekday evenings.


TABLE OF CONTENTS

PAGE

Introduction………………………………………..........…………. 1

Program and Course Descriptions…………….......…………. 5

Pro Audio Specialist Program………………………..............…….. 5

Pro Tools, Cubase, Live Sound Pro Tools Courses 6

Recording Techniques I Program …….……………............….. 7

Associate Recording Engineer/Producer Program……...... 8

Introduction to Music Course ………………………………………………… 8 Production Techniques I Course …………………………………………… 8 Music Producer Program……………….…………............……..… 9

Computer Music Technology Course ….……............…………..…. 9 Production Marketing Course ………….………………………………… 9 Recording Engineer Program …………………………………………. 10 Recording Techniques II Course ……………………….……….……….. 10 Recording Internship…………………………………………….………..…. 11

Program and Course Tuition Calculations .................... 11 Additional Credit and Other Educational Activities ……… 12 Grading & Certification ………………………………...……………………. 13 Graduate Services ……………………………………………………………….. 13 RID Campus & Studio Facilities…………………………………………. 14 Financial & Refund Policies …………………………….…………………. 16 Owners, Officials and Staff………………………………………………….. 18 Meet the Staff ……………………………………………………………………….. 19

Enrollment, Attendance & School Rules………………………….. 22

School Schedule and Contact Information………………………. 27

Schedules……………………………………………………………… 28

Conclusion …………………………………………………………………………….. 32

Student Comments and Complaints…………………………………. 32

Ask about our financing options!


The following programs are described more fully in this catalog:

• Pro Audio Specialist Program - 30 clock hours

• Recording Techniques I Program - 40 clock hours

• Associate Recording Engineer/Producer Program - 128 clock hours

• Music Producer Program - 136 clock hours

• Recording Engineer Program - 176 clock hours (Associate Program is prerequisite)

Students who complete classes that are part of more than one program will be credited for those classes completed should they take the other program(s).

Student Session

RID Motown Heritage Training

The Recording Institute Of Detroit delivers recording arts training in the Motown Heritage of quality. 75% of their mid-1960's releases were hits because they demanded the best songs, the best performance, the best mixing, the best mastering, the best sound. We train our students to be more than competent, more than just good, but some of the best in the industry.


2012-2013 TRAINING PREVIEW

After a student graduates from a program, the theory and techniques learned must be put to use. It's time for the graduate to plan and prepare for exactly the type of job one wants to do. Help comes from professionals in the field and additional study through internship, mentorship or additional private lessons. Any successful graduate has undergone this degree of training & preparation. For the 2012-2013 school year the Recording Institute of Detroit will be increasing the opportunities for prost-graduate study in the Motown Heritage. Private Lessons Maybe the graduate wants to get better at songwriting, at mixing, at mastering, at production, at marketing or at any nook or cranny in the industry. Private lessons with a seasoned pro can go a long way to hone your shills and to develop your professional chops. RID maintains an instructional staff of experts in the field. Contract the school office for pricing and more information. Seminar Series To understand the techniques more fully, a seminar can concentrate more fully on a specialty subject matter in the field. The 2012-2013 seminars are organized both by the school and by contract with outside professionals in the field. Seminars are already scheduled for mastering, songwriting and field success. Additional seminars in mixing and production are planed for the new year. Contract the school office for pricing and more information. Mentorships When a graduate combines lab time at the school facilities with a bank of private lessons from professionals, the professional/teacher begins to mentor the graduate in the field. A mentorship can be the most effective way to enter the field at a higher level than "entry level." Contract the school office for pricing and more information.


2012-2013 PROGRAM AND COURSE

DESCRIPTIONS

Choosing the Right Program

The five different Recording Institute of Detroit programs vary greatly in length and "depth" of study, meaning that you can match your training with your personal industry or career goals. The following list of programs will give you information about program length, cost and how graduates use the knowledge in their industry activates after graduation. Information about the individual classes is contained in the program descriptions.

PRO AUDIO SPECIALIST PROGRAM (PAS)

Tuition: $499* Books: $50 (optional)

Clock Hours: 30

Completion Schedule: 3-4 weeks Prerequisites: Students must pass a Wonderlic Scholastic Level Exam with a 16 or better score. *Includes $79 Enrollment Fee Retake Class In Another Specialty: 50% discount

PROGRAM CONTENT: Theory Section: (21 Clock Hours) Students study essential audio and recording theory representing the minimum theory that needs to be mastered for employment. Training includes the basics of sound, microphones, mixers and consoles, dynamic processing, equalization, effects, mixing, equipment interconnection, sound reinforcement, analog/digital recording, MIDI production, DAW production, and mastering. Students take a comprehensive final exam via the web or on campus. Students learn the theory by interactive study modules at home, or on campus, using the World Wide Web or interactive discs. Alternate Off Campus Theory Study: (21 Clock Hours) Students may study PAS Theory online or by interactive disc for a fee of $149.00. Students passing the final theory examination online may enter a campus class with a 50% tuition discount. Practical Hands-On Section: (9 Clock Hours) Students are exposed and work with basic techniques for the specialty featured in the individual courses. Courses are available in the specialties of Band Recording, Pro Tools Basics, and Cubase Basics. See individual course descriptions for a more in-depth description.


Lab Time: Students not requiring campus time for study may, at their option, book up to 8 hours of computer lab time (or 4 hours band recording time) for personal projects or practice at no added charge. Added lab time may be purchased. ($50 for 4 hours) Suggested Training For: The Pro Audio Special program represents the minimum essential training for employment or internship in the field working in recording, project production, or sound reinforcement. COURSE CONTENT: Choose one of 3 different classes. Pro Audio Specialist Band Recording Course: Theory Section: (21 Clock Hours) - Students study PAS theory interactively on or off campus per program description. Practical Hands-On Section: (9 clock hours) Hands-on demonstrations with student participation include studio setup, control room setup and a band recording session. Pro Audio Specialist Pro Tools Course: Theory/Practical Hands On Training: (30 clock hours) Students attend 21 hours of campus classes in the basic PAS theory and 9 hours of classes with hands-on Pro Tools assignments in the school's computer lab. Students learn, through hands-on assignments, basic computer skills, creating Pro Tools sessions, Pro Tools recording, editing, MIDI Production mixing & automation Pro Audio Specialist Cubase Course: Theory Section: (21 Clock Hours) - Students study PAS theory from Web or Interactive disc per program description. Practical Hands On Training: (9 Clock Hours) - Students learn, through hands-on assignments, basic computer skills, Creating Cubase sessions, Cubase recording, editing, MIDI Production mixing & automation.

Students, Assistant Instructor in class. (MPC 19)


RECORDING TECHNIQUES I PROGRAM (RTI) Tuition*: $999 Books: $119 Clock Hours: 40

Prerequisites: A 16 or better score on a Wonderlic Scholastic Level Exam or successful completion of Pro Audio Specialist.

Completion Schedule: 5 or 12 weeks

*Includes $149 enrollment fee. Students who previously completed any Pro Audio Specialist Course receive a prior training discount of $200.00

PROGRAM CONTENT AND DESCRIPTIONS: Students study use of recording and sound reinforcement equipment including studio/stage setup of real instruments, with monitoring, recording, overdub & mixing using Pro Tools and a digital console. Students complete one course to complete the program

Theory Section (25 clock hours): In depth theory of recording and sound techniques with assignments, quizzes, and final examination.

Practical Hands-On Training (15 clock hours): Working in crews or individually, the students practice and complete band recording, overdubbing and mixdown projects.

Lab Time: Students may, at their option, book up to 8 hours of campus recording facility use for personal projects or practice or 16 hours of computer lab use. Additional lab time may be purchased ($50 per 4 hours).

Suggested Training for: Essential training for live sound and recording technicians.

COURSE CONTENT: Section 1 - Recording Techniques Overview: Students study the basics of studio and control room setup for recording, theory behind sound hearing, and mixing technique. (10.5 clock hours) (May be bypassed if PAS is completed)

Section 2 - Audio and Microphone Theory Lectures: Students study microphone selection and placement for recording, as well as both console and audio workstation theory & operation. (7 clock hours)

Section 3 – Console and Mixing Techniques: Through lectures, demonstrations and hands-on assignments students learn fundamental music mixing techniques. (10.5 clock hours)

Section 4 - Recording Theory and Practical: Through lectures, demonstrations and hands-on assignments students learn fundamental recording techniques. (14 clock hours)

Section 5 - Review And Final Examination – Student completes a final examination within seven (7) days of last class.


ASSOCIATE RECORDING ENGINEER/PRODUCER PROGRAM (ARE)

Tuition*: $2397 Books: $199 Clock Hours: 128


Completion Schedule: 3 to 6 Months

*Includes $279 enrollment fee and multiple course discounts. Students who previously completed Recording Techniques I receive a prior training discount of $800.00

PROGRAM CONTENT AND DESCRIPTIONS: Students study recording and sound reinforcement equipment including studio/stage setup of real instruments, with monitoring, recording, overdub & mixing using Pro Tools and a digital console. Students also learn the basics of music theory as applied in popular production and the basic of the Music Business. Students learn electronic production techniques and demonstrate individual competency in recording & Mixing.

Suggested Training for: Essential training for project recording engineer/producers. Students desiring entry level positions in the audio and music field as an associate recording engineer, production assistant, project studio recordist or a wide variety of jobs in the audio and music field.

COURSE DESCRIPTIONS: (Students must complete all three classes)

Recording Techniques I Course: (Individual class tuition $999 + $119 materials charge) Clock Hours: 40

See Recording Techniques I program for course description.

Introduction to Music Course: (individual class tuition: $799 + $39 materials charge) Clock Hours: 48

Taught in two sections, students first learn essentials of music theory including scales, chord progressions and basic use of harmony. Students then learn the basic of music theory, including copyright law, recording contacts, music publishing & other music business essentials.

Production Techniques I Course (Individual class tuition $999 + $129 materials charge) Clock Hours: 40

Taught in two sections, students first learn to program and use Musical Instrument Digital Interface (MIDI) techniques for music productions. In the second section students get competency certification on every aspect of band recording and in mixdown.


MUSIC PRODUCER PROGRAM (MP) Tuition*: $2649 Books: $249 Clock Hours: 136



*Includes $279 enrollment fee and multiple course discounts. Students who previously completed requisite classes receive a prior training discount of $800.00 per class and possible materials discount.

PROGRAM CONTENT AND DESCRIPTIONS: Students not having any RID recording program first take Recording Techniques I to learn basic audio theory and recording/mixing skills. Over the other two courses, students learn the technical and marketing functions that must be mastered to successfully release and market regional music product. Students study advanced mixing and mastering techniques using software by Digidesign, Steinberg and Izotope. Students also learn to market product through the web and use of social networks as well as planning and executing the promotion of musical events.

Suggested Training for: Complete training for the project recording engineer and/or music producer. Production assistant for production companies or labels.

COURSE DESCRIPTIONS: (Students must complete all three classes)



Computer Music Technology Course: (Individual class tuition $1199.00 + $119 materials charge). Clock Hours: 48

This course has two sections. In the first section, the student learns advanced mixing techniques using two different DAW programs (by Digidesign and Steinberg). The second section is complete training on mastering techniques. The student is taught to achieve a professional quality mixed and mastered product.

Production & Marketing Course: (Individual class tuition $899 + $119 materials charge) Clock Hours: 48

Students learn to plan manufacturing, packaging design, distribution and promotion of music releases. Web promotion using social networking and dedicated music sites are demonstrated with do and don’t guidelines. The planning and promotion of live music events is also taught in this course.


RECORDING ENGINEER PROGRAM (RE) Tuition*: $3899 Books: $349 Clock Hours: 176



*Includes $279 enrollment fee and multiple course discounts. Students who previously completed requisite classes receive a prior training discount of $800.00 per class and materials discounts of $100 per class.

PROGRAM CONTENT AND DESCRIPTIONS:

Students not having any RID recording program first take Recording Techniques I to learn basic audio theory and recording/mixing skills. Students also complete Production Techniques I to learn music arrangement, MIDI Production, and to gain competence as a Recording Engineer to the standard of an Associate Recording Engineer. Students study advanced mixing and mastering techniques using software by Digidesign, Steinberg and Izotope. Students study post-production and large studio techniques in addition to more advanced techniques needed for a Recording Engineer.

Suggested Training for: Essential training for those working in post-production and other large scale studios. Recording Engineer positions in smaller project studios and second recording engineer positions in larger studio facilities.

COURSE DESCRIPTIONS:

(Students must complete all three classes)



Production Techniques I Course: (Individual class tuition $999 + $119 materials charge) Clock Hours: 40

See Associate Recording Engineer Music Producer Program for course description.

Computer Music Technology Course: (Individual class tuition $1199.00 + $119 materials charge). Clock Hours: 48

See Music Producer Program for course description.

Recording Techniques II Course: (Individual class tuition $1199.00 + $119 materials charge) Clock Hours: 48

The class is in two sections featuring advanced techniques used in larger recording studios and post-production studios. The first section covers audio production/post-production using DAW programs by Digidesign and other manufacturers. The second section covers advanced recording and mixing techniques for large-format recording consoles.


INTERNSHIP Fees*: $200 Books: None Clock Hours: 50

Prerequisites: Successful completion of a Program.

Completion Schedule: Individual

*Fees cover administration and costs associated with interning. This service is free for Recording Engineer Program graduates.

The internship is not a licensed program but an optional post-graduate service for students. Students must complete a minimum of 50 hours interning in the field or as an independent recording engineer / producer / promoter.

PROGRAM AND COURSE TUITION

CALCULATIONS This section is included as a courtesy to help students plan their education and tuition costs. Should there be any questions feel free to contact admissions during the office hours listed later in the catalog.

Programs: Program Tuition

Cost Already

Completed Tuition

Discount Actual Tuition

Pro Audio Spec $499 None - $499 Rec Tech I $999 None - $999 Rec Tech I $999 Pro Audio Spec $200 $799 Ass Rec Eng/Prod $2397 None - $2397 Ass Rec Eng/Prod $2397 Rec Tech I $800 $1597 Music Producer $2649 None - $2697 Music Producer $2649 Rec Tech I or Ass

Rec Eng/Prod $800 $1849

Music Producer $2649 Rec Tech I and Rec Engineer

ONLY P&M needed

$899

Rec Engineer $3899 None - $3899 Rec Engineer $3899 Rec Tech I $800 $3099 Rec Engineer $3899 Music Producer $1600 $2299 Rec Engineer $3899 Ass Rec Eng/Prod $1600 $2299 Rec Engineer $3899 Ass Rec Eng/Prod

and Music Prod ONLY RTII

needed $1199

Classes: Course: Part of Program: Tuition: Books: Pro Audio Spec Pro Audio Spec $499 $50 Rec Tech I Rec Tech I, Ass Rec

Eng/Prod, Music Prod, Rec Engineer

$999 $119

Intro to Music Ass Rec Eng/Prod $799 $39 Production Techniques I

Ass Rec Eng/Prod, Rec Engineer

$999 $119

Computer Music Technologies

Music Prod, Rec Engineer

$1199 $119

Rec Tech II Rec Engineer $1199 $119 Prod & Mrktng Music Prod $899 $119


ADDITIONAL CREDIT AND OTHER

EDUCATIONAL ACTIVITIES Other Program Credit In addition to the courses, other activities can apply for program attendance credit. In addition, Prior Training and In-Field Credit may apply. This is explained later in the catalog. Web Study Credit The Recording Institute of Detroit theory materials are posted to the web in the form of reading materials, online quizzes, tests, final examinations, audio and video demonstrations, and interactive study modules that are used for campus training, distance training and theory makeup assignments. These web services are provided through Alexandermagazine.com. Subject and lesson discussion, instructor assistance and coaching and student application questions are handled through our forums at http://www.recordingwebsite.com/forum. Use of the web resources by distance students can reduce required campus attendance by 30 - 50% for completion of Pro Audio Specialist, Recording Techniques 1, and Associate Recording Engineer/Producer program requirements. Contact the school for details or visit our website (www.recordinginstitute.com) for more details. OTHER EDUCATIONAL ACTIVITIES Lab Time Student may use the facility's lab station equipment, student control room and studio, after requisite training on the equipment. To provide students with additional hands-on exposure to recording equipment, students are allowed a bank of time for each recording class attended, up to an approximate total of 20% of the program clock hours. Contact the school for details. Lab time may be used for internship credit as an independent engineer/producer and must be used within 60 days of the last recording course. Added lab time may be purchased at the rate of $50 per 4 hours studio time or 8 hours computer lab time. Assisted Lab Time Students who wish individually assisted lab or tutoring can arrange this through the front office. Cost is $15 per hour above any applicable charge for lab time for an assistant. Premium instruction may be slightly more. Students may use any lab time already allowed for this. Instructor Conferences Students may arrange private conferences where they can get help with areas of study that they are having difficulty. Instructors may suggest additional activities and assignments to help the student through the area of difficulty. Students are encouraged to have short instructor conferences on a regular basis.


GRADING & CERTIFICATION

Student Grading Per traditional vocational education guidelines, final grades for courses include "A" (excellent or professional performance), "B" (good performance), "C" (acceptable performance) and "F" (unacceptable performance). In addition, a student may receive an "I" (incomplete on assignments/attendance). Failure to complete an incomplete assignment after a reasonable time will result in a failing grade. Grades earned during a re-entered course replace the original course grades. Students may get a progress report at any time by scheduling an instructor conference. For recording courses, practical, hands-on assignment averages are weighted more heavily than theory and examination grades. Program Certification Students who complete all course requirements with a passing average will receive completion credit for the course. Failure to meet financial agreements will delay certification until the matter is resolved. Students completing all of the requirements for a program will receive a program completion certificate for each program so completed. Students who meet attendance requirements but do not pass will be awarded a letter of attendance for the program.

GRADUATE SERVICES

Student Placement Assistance and Internships The school does not guarantee placement of its graduates. However, job placement assistance through promotions and exposure is provided through the school’s placement department to graduates in good standing with the school who are actively looking for placement. The placement department stays in contact with recording studios and audio services companies in its service area looking for intern help. Placement opportunities are often placed on the intern notice board outside of the classroom. Internship administration is free to those that complete the Recording Engineer Program. An Internship is a temporary


placement allowing a graduate to receive in-field experience thus becoming more employable in the long term. Often, internships can lead to long term employment. Student/Graduate Recording Graduates who are members of or work with bands are offered free multitrack recording sessions during class projects providing they meet course requirements and schedules. Musicians/bands/groups must agree to allow students to use sample mixes, allow the school to retain a copy of the recording for student use, certify they have a right to record material with copyrights, purchase recording materials if they desire to keep the production and leave recordings with the school until the class is completed.

RID CAMPUS & STUDIO FACILITIES

Classroom/Computer Lab Our classroom/computer lab facilities are set up to lecture and demonstrate to 16 students or provide 10 students with computer lab space, and provide a facility for in-between class practice time using the computerized equipment and programs presented in class. RID provides access to all equipment needed to train student on campus, and students are not required to provide their own equipment. It is often recommended that students obtain software for their own home use for practice in between classes.


Studio Facilities for Recording Students The studio facility used by recording students is the Student Control Room/Studio C. In addition, some advanced classes use the facilities of our sister company, The Disc LTD. Studio A is shown on the cover and Studio B is shown on the next page. The Student Control Room is equipped with a complete workstation. It includes a Yamaha 02R console, various effects devices, a keyboard workstation, an Akai MPC, and a computer capable of recording and mixing with Cubase or Pro Tools with Digidesign hardware, as well as other assorted programs.

Located down the hall from each other, most of the training of RID is done in the RID Classroom and Student Studio. Fully under the control of RID, these facilities are used to train and intern students on all schedules.

The Disc LTD Studios

Studio A and Studio B of The Disc are used to train advanced students in equipment and procedures used in larger professional studios. These facilities are available to RID students during class times only. Any additional use must be booked, at a discounted cost, through The Disc LTD. Studio A is shown on the cover of the catalog. Studio B is below.


FINANCIAL & REFUND POLICIES

Entire program/course tuition & fees are payable in advance or financing plans are available for qualified applicants. A minimum payment of the enrollment fee (or 15% tuition, whichever is greater) must be paid for acceptance. Financing tuition over time may incur interest fees at the Annual Percentage Rate of 18%. There is an application fee of $35. This will be waived for those that pay in advance. Financial Policy Students are expected to keep the financial agreements made at enrollment. Students unable to meet the agreements should contact the school immediately. Failure to keep financial


arrangements agreed upon is grounds for student termination by the school. Students who terminate (or are terminated by the school) are subject to the refund policy (see below). In the event that an agreed-upon payment is more than one (1) day late, a $15.00 late fee may be charged, with possible suspension until administrative approval is obtained for payments more than five (5) days late. A 1.5% per month interest charge will be assessed on accounts that are past-due, in addition to charges and fees already assessed. A $25.00 fee will be charged for re-financing. In the event that an account balance becomes 60 days past due, the school may turn the account over to a collection agency for assistance in collecting the debt and, in that case, the student will be responsible for payment of the collection fees/attorney fees incurred by the school in the collection process, up to 35% of the balance due. The student is responsible for payment of tuition for completed portions, regardless of other persons/agencies that may be contracted to aid the student. Student account and progress information can be released by the school to a parent or other party that is assisting the student in payment of tuition or other fees. A $32.50 service charge will be accessed if a check received as payment is returned by the bank unpaid, for any reason. Refund Policy Full Refund: Students terminating and requesting a refund within 3 days of the date of the enrollment agreement and initial payment may receive a full refund of all monies paid. Applicants who are not accepted for enrollment are entitled to receive a full refund. Refunds for materials are subject to their return in "like-new" condition within 30 days of purchase. There will be no refund allowed for interactive materials purchased (e.g. CD-ROMS). Enrollment Fee: The enrollment fee portion of the tuition guarantees a class seat in a particular class and is therefore not refundable or transferable to another class except as noted above. The enrollment fee is required upon registration and is included as part of the tuition cost. The school, however, will not retain more than $150 of enrollment fee charges if the student does not start training. Partial Refund: Students are responsible for all classes/programs they registered for, beginning with the first class attended, and ending with the last class attended or made up. Students who terminate after the course/program begins are responsible for a pro rata payment of the tuition charges of classes/program they are responsible for, plus payment of the enrollment fee, according to the following schedule:


1. Students terminating (after starting training) within one week of the starting date will be charged 10% of the contract tuition plus enrollment fee*, but no more than $350.00. 2. Students terminating after one week of the course/program start date, but less than 25% of the program, will be charged 25% tuition plus enrollment fee*. 3. Students terminating after 25% or more of the program, but less than 50% of the program, will be charged 50% tuition plus enrollment fee*. 4. Students terminating after 50% or more of the program will be charged full tuition and will not be entitled to a refund. * The school, however, will not retain more than $150 of the enrollment fee. Refund Terms: Students requesting termination and refund must do so in writing, mailed certified mail to the school's address within 180 days of last attending/last scheduled attendance. All refunds will be paid by check and mailed to the requested address (or last address on file) within 30 days of receiving the request. Students who terminate because of prolonged illness, accident, death in the family, or other circumstances that make it impractical to complete the course, should request a "special cases" settlement with the reasons for termination clearly stated. Students terminating and obtaining a refund may not be accepted by the school for re-entrance.

OWNERS, OFFICIALS & INSTRUCTIONAL STAFF

THE RECORDING INSTITUTE OF DETROIT is owned and operated by THE RECORDING INSTITUTE OF DETROIT, INC., 14611 East Nine Mile Rd., Eastpointe, MI 48021. (800) 683-1743 and (586) 779-1388. The school operates under license by The Michigan Department of Labor and Economic Development. The following list can be used to contact the correct staff member to assist you. More information follows.

EXECUTIVES, Position and INSTRUCTORS, Programs

Daniel Dennis, President, Inst. Greg Reilly, Executive Consultant

Bob Dennis, Instructor MP/RE Elizabeth Pantelis, Instructor ARE, MP

Rufus Harris, Instructor PAS Martin Krist, Instructor ARE/RE


MEET THE STAFF BOB DENNIS Founder

Bob Dennis is an engineer, internationally designated as a master engineer by the Audio Engineering Society, co-founded Recording Institute of Detroit and its sister recording company, the Disc Ltd., in 1975. Mr. Dennis is the RID Director of Education, has authored the majority of RID’s training curriculum and currently teaches advanced mixing and mastering classes. Mr. Dennis started his career as a recording and quality control supervisor for the famed Motown Records, moving on to engineering and management at studio facilities for the hall-of-fame music production team, Holland-Dozier-Holland. After getting credits on 30 gold and platinum releases in his early career, Bob Dennis wrote curriculum and manuals for recording arts training for a national group of schools. To date Mr. Dennis has written ten texts, comprising the bulk of text materials used by RID. Bob has personally trained over 5000 campus students at RID and at Detroit Public Schools as a day trade instructor. The Internet educational services company Mr. Dennis founded in 1998, AlexanderMagazine.com, is administered by Robert Dennis, Jr. and has provided recording industry training to over 11,000 online and campus students through a network of a dozen websites. Visit www.recordinginstitute.com for more details. Over the course of his career, Mr. Dennis has worked with a host of recording industry icons. His full discography can be viewed at www.superdiscmastering.com.

MESSAGE FROM RID’S FOUNDER

Trade schools generally have a purpose of training their graduates for entry level positions in a field, but the Recording Institute of Detroit's mission goes far beyond that, training its graduates to be knowledgeable and competent enough to take full advantage of advancement opportunities beyond entry level in the recording & music field. Small class sizes and individual attention by instructors is key to RID's success formula. All of the instructors and staff of RID are willing to go beyond the minimum lesson plan to help students apply the knowledge they are learning to real life field activities.


EXECUTIVES DANIEL DENNIS

President

Daniel Dennis is the chief recording instructor for The Recording Institute of Detroit, President of the school and helps create and maintain interactive educational materials for the school. Daniel has had 26 years of experience with live sound mixing and studio recording in the Metro Detroit and Los Angeles areas, Early in his professional career he was part of a Los Angeles crew providing live sound mixing for venues up to audiences numbering 20,000. Moving his career back to the Detroit area and studio recording, he joined the RID staff in 1997. Daniel has also had extensive training in educational techniques and class supervision.

GREG REILLY

Executive Consultant

Greg Reilly co-founded the Recording Institute of Detroit and is a permanent member of the school’s board of directors. Greg has made his mark over the past 38 years as one of the top recording engineers in the Metro Detroit Area, recording stars like George Clinton, Sly Stone, Bootsy Collins, Rhymes, Eminem, Kid Rock, Mary J. Blige, and the recent break-out artist, K’Jon. Greg is CEO of RID’s sister company, The Disc Ltd, and helps keep the school’s offerings current through consultation and working with RID interns. Greg Reilly as one of the most recognized and respected names in the country, and the Disc LTD facilities are also used for professional studio training by the Recording Institute of Detroit. INSTRUCTORS

MARTIN KRIST

Evening Associate Recording Engineer/Producer and Advanced Recording Instructor

Martin Krist is the evening Associate Recording Engineer/Producer program instructor, as well as a teacher for


advanced audio techniques in film production. Marty graduated the program in 1993. Marty has worked for RID as a music instructor and then a recording instructor for nearly two decades, and has also served in other administrative capacities. Marty entered the field in 1982 and has worked as a technician/engineer/producer in several audio and video production companies in the Greater Detroit area. He currently teaches audio for film at other facilities, as well as servicing clients as an independent engineer.

LIZ PANTELIS

Pro Tools and Music Business Instructor

Liz Pantelis teaches the Introduction To Music, and Pro Audio Specialist Pro Tools courses at RID. Liz graduated from RID in 2006, and became an instructor in 2008. She is proficient at multiple instruments. She has worked in the distribution and promotional end of the music business, doing promotional work for international bands like the Vines, a popular Australia band. She is highly knowledgeable about the contract side of the music business, and beyond the technical and the music theory, teaches students the meaning behind industry agreements.

RUFUS HARRIS

Specialized Instructor

Rufus Harris is an instructor specializing in digital audio workstation recording/production training. Due to his extensive work with digital audio, Mr. Harris works as a Club Cubase trainer for Steinberg/Yamaha. Rufus has been a producer/engineer in major Metro Detroit studios such as United Sound, The Disc, Sound Suite and Masterpiece studios. Rufus produces and performs with his group for the monthly “Fourth Friday” concerts at the Ford Performing Arts Center (Dearborn, MI). Mr. Harris is now applying his 30 years of professional experience to his own studio and production company (Brigeworks Audio Services). Rufus, has extensive IT experience and runs an Internet record company (Red Letter Records) with over a dozen Gospel artists.


SUPPORT STAFF John Mitchell, a member of the RID staff since 2004, is the school’s Student Services Representative, coordinating student educational and administrative assistance. John began his relationship with RID in 1996 as a guest musician on student sessions, and enrolled in RID classes in 1998. After graduation John started providing live sound mixing services as an independent engineer. In the years preceding employment at RID, John worked as a technician for an audio/video production company that had him touring the country. John has been appearing as a musician in a variety of local bands for 20 years. Loren Griffin is the Steinberg/Yamaha trainer who runs Club Cubase Detroit. Loren is also a Guitar Center sales representative and works as a recording engineer for a multi-studio recording complex in Rochester Hills, MI. Loren has close to 3 decades experience as a live sound engineer, and twelve years experience as a network IT for major companies like Electronic Data Systems. Tom Gelardi is probably the best known marketing and promotions representative in the Greater Detroit area. Tom began working in promotions for Capitol Records, during the Beatles USA release. He has received several national awards for helping industry icons, like Bob Seagar, Helen Reddy, and Heart, break out with hit records starting in the Detroit area. Tom now runs a local music distribution service and was recently instrumental in establishing a national hit for R&B artist, K’Jon.

ENROLLMENT, ATTENDANCE & SCHOOL

RULES Entrance & Enrollments Students applying for entrance will take a Wonderlyc multiple-choice scholastic-level test to determine scholastic level, which is given by the school at no charge. Students must achieve 80% of the average score of high school graduates for entrance. This testing requirement may be waived by the administrator because of good scholastic history or the student passing a 45-question basic audio examination. Students with low scores on the scholastic level may be accepted, at the discretion of the administrator, for the Pro Audio Specialist program and must pass this to be accepted for other


training. Applicants must agree to provisions of "Student Conduct and Probation" and "Financial Policy" in this catalog as a condition of acceptance. Students must identify themselves (with drivers license/government issued ID) to attend classes. Students applying for entrance to a program under 18 years of age will be admitted at the administrator's discretion with written permission from a parent or guardian. Enrollments will be accepted at any time until 4 days before the beginning of the class or when the class is full, whichever occurs first. The school reserves the right to cancel or postpone a class because of low enrollment or if other circumstances require it. Class Transfer or Re-Entrance Students may transfer registration to a different class if they apply and are accepted 14 days prior to class start date (of the course being transferring to). A transfer application is required. Students starting and then transferring may be charged a fee of up to one-third (1/3) tuition based upon the reasons for the transfer. Any student who starts a course and fails to complete it, receives a non-passing grade, or who is dissatisfied with the results, may be re-enrolled one time upon meeting the financial requirements of the first course (full payment of fees) and a payment of 50% tuition for the re-entered course. Students which fail to complete the course or program for medical reasons, death in the immediate family or schedule problems because of related employment, may re-enroll without payment of additional fees. Students re-enrolling may attend all scheduled classes or those determined by the school as necessary because of grades or attendance in the original course. Re-enrolled students must meet the attendance requirements of the new class regardless of attendance on prior course. Grades earned on the re-entered course replace grades given on the original course in school records. Graduates of any course who wish to re-enroll for review or updating may do so at half-price. Prior Training and In-Field Credit Credit for previous training will shorten the program or reduce program fees accordingly, if documented, and accepted at the discretion of the administrator. The Recording Institute of Detroit will grant full credit for any program requisite when the student can demonstrate, though testing and evaluation or verified reports of experience, a prior knowledge or skill ability because of prior equivalent training and/or experience. The school usually will charge a fee equal to 10-15% tuition for testing and evaluating of the skills necessary to bypass requisite classes in the program.


Students achieving placement and success in the field before completing all of the required program campus attendance and assignments which inhibits the student from completing a program, the Administrator may, at his discretion, grant clock hour credit for field activities after RID training. Students studying theory course content online and passing the online examination will be granted a prior theory training credit for the course of study that the examination applies to.

School Rules Attendance: Students are expected to attend all scheduled classes. A 75% attendance of scheduled classes is required for passing and certification. Progress/Make-ups: Students are allowed to take a makeup examination within 14 days of the original testing date on any quiz, test or exam where a failing grade was received. The results of this examination will be averaged with the original grade. Students missing a quiz or test because of absence will be given their test at the end of the next scheduled class period. Students missing classes or failing tests are expected to schedule an instructor/administrative conference. The student is held responsible for understanding of material covered in each class regardless of absences. Failure to complete an exam within the scheduled time will result in a failing grade being listed for the exam. Probation/Suspension/Dismissal: Students may be placed on probation because of poor attendance or progress. Students are not generally placed on progress probation unless two weeks of grades are averaging below passing level (1.8), and the student has not scheduled/completed makeup assignments. Progress probation terms require: 1. Make-up of failed test/assignments within 14 days. 2. Immediate improvement of grades. 3. Attainment of passing grade average within 1 evaluation period (6-7 weeks from probation date). Failure to meet the terms of progress probation may result in an academic suspension. Students will have a "suspended" status and may be required to re-enter the course/program for certification.. If a student is in danger of attendance suspension or dismissal should further absences occur, he/she may be placed on attendance probation. Terms of attendance probation include no additional absences for one to two (half-quarter) evaluation periods. Students attending two or more courses at one time and doing poorly on one (attendance or progress) may be required to take a leave of


absence from one course until doing well at the remaining course(s). In this case, re-entrance into the terminated course will be at no charge. Student Leaves & Appeals If, due to unexpected circumstances beyond the student's control, a leave of absence is required to complete training, a written request must be sent to the Director of Student Affairs of the school outlining the reasons for the request and the date that training can be re-started. For sufficient cause the administrator will usually grant a leave (for up to 6 months) one time with no financial penalty. The student must request this prior to the start date of the leave. Students may appeal school actions/policies such as probation, suspension, dismissal, and attendance/progress requirements in writing to The Director of Student Affairs of the school. Appeals must state reasons for action/policy reversal. The Director of Student Affairs will advise the student of the school’s determination in the matter within 14 days. If a student is having difficulty completing a training program the Director of Student Affairs of the school may, at his option, transfer the student to a shorter program in an effort to complete the student and then require the student to present a workable plan of action to finish the original program in a reasonable length of time. Student Conduct Students are expected to attend classes in an orderly fashion and be a credit to themselves and to the school. Loss or damage of recording or instructional equipment during classes shall be the responsibility of the individual student causing such loss or damage, or the responsibility of the class as a whole if the individual cannot be singled out. Any of the following are prohibited during training and are grounds for dismissal without probation: 1. Use of drugs or alcohol during or preceding class (attending class under their effect). 2. Disorderly conduct or disruption of the class. 3. Conduct or violation of school rules reflecting unfavorably on the reputation or operation of the school. 4. Missing more than 25% of scheduled classes, or continued failure to follow class schedules/scheduled instruction after warning. 5. Failure to meet financial arrangements. 6. Insufficient progress on course, despite probation warnings. 7. Use of drugs or medicine which produces drowsiness


reduces or heightens alertness, without informing the school and obtaining conditional acceptance. Dismissal could be permanent or for a period determined by the administrator according to the severity of the offense. Students accepted after suspension/dismissal will be automatically on probation. Waivers & Indemnification As a condition of acceptance, the student accepts the following conditions: Student & Class Participant Image Waiver: Students agree to allow the Recording Institute of Detroit to use their name, image and likeness in any and all publicity relating to school events and promotions. Student & Class Participant Copyright Indemnification: Students, musicians, bands, singers and other participants in class or lab recording projects must agree to allow staff, management, and other students of RID to use sample mixes, outtakes, etc. as demonstration to others of skills taught/attained. Musicians, bands, and singers also agree to allow RID to retain a copy of the master recording for possible educational postings on the Internet or in interactive materials, and that they are the holders of the copyright(s) of the selection(s) recorded, or that they have obtained legal permission and/or clearances to use the material. It is agreed by all parties that this use falls under the "Fair Use" provision of copyright laws and regulations. Students, musicians, singers, and bands, agree to hold harmless the Recording Institute off Detroit from any legal claims arising out of the use, misuse, or misrepresentation of the material to be recorded and/or posted.

Bob on the 02R Student on the SSL


SCHOOL SCHEDULE

Office hours: including admissions are 10:00 AM - 6:00 PM Monday – Thursday, 10:00 AM - 2:00 PM Friday, 11:00 AM – 2:00 PM Saturday. The office is closed for the holidays listed below. The only exception is that the office is open the day after Christmas Day through the day before New Years Eve. Contact Information: By mail to Recording Institute of Detroit, 14611 East Nine Mile Rd., Eastpointe, MI 48021. By phone at (586) 779-1388 or toll-free at (800) 683-1RID. E-Mail via [email protected] or other matters by request form via http://www.alexandermagazine.com/askbob.html. Training Schedule Notes The school delivers training year round except for the following holiday periods: • Memorial Day: The entire weekend including Memorial Day Monday. • Easter Sunday: Easter Sunday only. • Fourth Of July: July 4 Only. • Labor Day: The entire weekend up to and including Labor Day Monday. • Thanksgiving: Thanksgiving Day only. • Christmas Week: The entire period from Christmas Eve through New Year's Day. Snow Days & Other Cancellations In the event of class cancellation due to weather or other circumstances beyond the school's control, the classes will be rescheduled. Contact the school office for details Individual class schedules are subject to change as necessary to accommodate student demand. Note on Program Start Dates The beginning dates for programs begin with the first class taken in the program(s). Program End dates is the end date for the last class completed for program certification requirement. End dates for programs as entered on the Student Contract (signed when a student first enrolls for a class or classes) are estimates only. Students wishing to change which class they are enrolled to start (before starting the class) should contact admissions 2 weeks or more prior to the date the student is scheduled to start. A complete schedule of training start/end dates for the current educational period appears inside the cover of this catalog.


RECORDING INSTITUTE OF DETROIT 2012-2013 COURSE SCHEDULES

EARLY FALL 2012 SEMESTER September 10, 2012 – November 29, 2012 EVENING SCHEDULE CLASSES (7:00 PM - 11:00 PM) ASSOCIATE RECORDING ENGINEER/PRODUCER PGM: DB 409 - Recording Techniques I (includes Pro Audio Specialist Program) Starts 9/10/2012 Mondays - 12 weeks IM 83 - Introduction to Music Theory Starts 9/12/2012 Wednesdays - 12 weeks DI 119 - Production Techniques I Starts 9/27/2012 Thursdays - 10 weeks RECORDING ENGINEER & MUSIC PRODUCER PGMS: DA 198 - Starts 9/11/2012 Tuesdays - 12 weeks WMP 34 - Production & Marketing Starts 9/10/2012 Mondays - 12 weeks Students seeking to finish advanced programs need to complete Computer Music Technologies, offered next evening semester PRO AUDIO SPECIALIST PAS PT 26 - Pro Tools Basic Training (Pro Audio Specialist Program) Starts 9/10/2012 Mon-Wed - 3 weeks (4:00 PM - 6:30 PM). LATE FALL 2012 SEMESTER October 22, 2012 – January 17, 2013 DAY SCHEDULE CLASSES (9:30 AM - 12:15 PM, 10:00 AM – 12:30 PM) DAY 34 - ASSOCIATE RECORDING ENGINEER/PRODUCER PGM: The DAY Program Starts 10/22/2012 Mon-Thurs - 12 weeks, beginning with Pro Audio Specialist. (For those who test out of Pro Audio Specialist, or opt for one of our alternate Pro Audio Specialist courses, the DAY Program begins on 11/5/2012) MPC 30 - MUSIC PRODUCER PROGRAM (10:00 AM - 12:30 PM): Computer Music Technologies Starts 11/5/2012 Mon-Tues - 10 weeks ARE, PAS or Pro Tools Basic Training Required Production & Marketing Starts 11/7/2012 Wed-Thurs - 10 weeks PRO AUDIO SPECIALIST PAS PT 27 - Pro Tools Basic Training (Pro Audio Specialist Program) Starts 10/15/2012 Mon-Wed - 3 weeks (1:00 PM - 3:30 PM)


RECORDING INSTITUTE OF DETROIT 2012-2013 COURSE SCHEDULES (CONT)

EARLY WINTER 2012-2013 SEMESTER December 2, 2012 – February 27, 2013 EVENING SCHEDULE CLASSES (7:00 PM - 11:00 PM) ASSOCIATE RECORDING ENGINEER/PRODUCER PGM: DB 410 - Recording Techniques I (includes Pro Audio Specialist Program) Starts 12/2/2012 Mondays - 12 weeks IM 88 - Introduction to Music Theory Starts 12/4/2012 Wed - 12 weeks DI 124 - Production Techniques I Starts 12/19/2012 Thur - 10 weeks RECORDING ENGINEER & MUSIC PRODUCER PGMS: CMT 52 - Starts 12/3/2012 Tuesdays - 12 weeks WMP 35 - Production & Marketing Starts 12/2/2012 Mon - 12 weeks Students seeking to finish Recording Engineer program will need Recording Techniques II, offered next evening semester. PRO AUDIO SPECIALIST PAS PT 28 - Pro Tools Basic Training (Pro Audio Specialist Program) Starts 12/02/2012 Mon-Wed - 3 weeks (4:00 PM - 6:30 PM). LATER WINTER 2012-2013 SEMESTER January 21, 2013 – April 11, 2013 DAY SCHEDULE CLASSES (9:30 AM - 12:15 PM, 10:00 AM – 12:30 PM) DAY 31 - ASSOCIATE RECORDING ENGINEER/PRODUCER PGM: The DAY Program Starts 1/21/2013 Mon-Thurs - 12 weeks, beginning with Pro Audio Specialist. (For those who test out of Pro Audio Specialist, or opt for one of our alternate Pro Audio Specialist courses, the DAY Program begins on 2/4/2013) MPC 27 - MUSIC PRODUCER PROGRAM (10:00 AM - 12:30 PM): Computer Music Technologies Starts 2/4/2013 Mon-Tues - 10 weeks ARE, PAS or Pro Tools Basic Training Required Production & Marketing Starts 2/6/2013 Wed-Thurs - 10 weeks PRO AUDIO SPECIALIST PAS PT 29 - Pro Tools Basic Training (Pro Audio Specialist Program) Starts 1/14/2013 Mon-Wed - 3 weeks (1:00 PM - 3:30 PM)



EARLY SPRING 2013 SEMESTER March 4, 2013 – May 23, 2013 EVENING SCHEDULE CLASSES (7:00 PM - 11:00 PM) ASSOCIATE RECORDING ENGINEER/PRODUCER PGM: DB 411 - Recording Techniques I (includes Pro Audio Specialist Program) Starts 3/4/2013 Mondays - 12 weeks IM 89 - Introduction to Music Theory Starts 3/6/2013 Wednesdays - 12 weeks DI 125 - Production Techniques I Starts 3/21/2013 Thursdays - 10 weeks RECORDING ENGINEER & MUSIC PRODUCER PGMS: DA 199 - Starts 3/5/2013 Tuesdays - 12 weeks WMP 34 - Production & Marketing Starts 3/5/2013 Mondays - 12 weeks Students seeking to finish advanced programs need to complete Computer Music Technologies, offered next evening semester PRO AUDIO SPECIALIST PAS PT 30 - Pro Tools Basic Training (Pro Audio Specialist Program) Starts 3/4/2013 Mon-Wed - 3 weeks (4:00 PM - 6:30 PM). LATE SPRING 2013 SEMESTER April 22, 2013 – July 11, 2013 DAY SCHEDULE CLASSES (9:30 AM - 12:15 PM, 10:00 AM – 12:30 PM) DAY 36 - ASSOCIATE RECORDING ENGINEER/PRODUCER PGM: The DAY Program Starts 4/22/2013 Mon-Thurs - 12 weeks, beginning with Pro Audio Specialist. (For those who test out of Pro Audio Specialist, or opt for one of our alternate Pro Audio Specialist courses, the DAY Program begins on 5/6/2013) MPC 32 - MUSIC PRODUCER PROGRAM (10:00 AM - 12:30 PM): Computer Music Technologies Starts 5/6/2013 Mon-Tues - 10 weeks ARE, PAS or Pro Tools Basic Training Required Production & Marketing Starts 5/8/2013 Wed-Thurs - 10 weeks PRO AUDIO SPECIALIST PAS PT 31 - Pro Tools Basic Training (Pro Audio Specialist Program) Starts 4/15/2013 Mon-Wed - 3 weeks (1:00 PM - 3:30 PM)



EARLY SUMMER 2013 SEMESTER June 3, 2013 – August 22, 2013 EVENING SCHEDULE CLASSES (7:00 PM - 11:00 PM) ASSOCIATE RECORDING ENGINEER/PRODUCER PGM: DB 412 - Recording Techniques I (includes Pro Audio Specialist Program) Starts 6/3/2013 Mondays - 12 weeks IM 90 - Introduction to Music Theory Starts 6/5/2013 Wed- 12 weeks DI 126 - Production Techniques I Starts 6/20/2013 Thur - 10 weeks RECORDING ENGINEER & MUSIC PRODUCER PGMS: CMT 53 - Starts 6/4/2013 Tuesdays - 12 weeks WMP 37 - Production & Marketing Starts 6/3/2013 Mon - 12 weeks Students seeking to finish Recording Engineer program will need Recording Techniques II, offered next evening semester. PRO AUDIO SPECIALIST PAS PT 32 - Pro Tools Basic Training (Pro Audio Specialist Program) Starts 6/03/2013 Mon-Wed - 3 weeks (4:00 PM - 6:30 PM). LATER SUMMER 2013 SEMESTER July 22, 2013 – October 10, 2013 DAY SCHEDULE CLASSES (9:30 AM - 12:15 PM, 10:00 AM – 12:30 PM) DAY 37 - ASSOCIATE RECORDING ENGINEER/PRODUCER PGM: The DAY Program Starts 7/22/2013 Mon-Thurs - 12 weeks, beginning with Pro Audio Specialist. (For those who test out of Pro Audio Specialist, or opt for one of our alternate Pro Audio Specialist courses, the DAY Program begins on 8/5/2013) MPC 33 - MUSIC PRODUCER PROGRAM (10:00 AM - 12:30 PM): Computer Music Technologies Starts 8/5/2013 Mon-Tues - 10 weeks ARE, PAS or Pro Tools Basic Training Required Production & Marketing Starts 8/7/2013 Wed-Thurs - 10 weeks PRO AUDIO SPECIALIST PAS PT 33 - Pro Tools Basic Training (Pro Audio Specialist Program) Starts 7/15/2013 Mon-Wed - 3 weeks (1:00 PM - 3:30 PM)


CONCLUSION

The Recording Institute of Detroit is organized for those interested in the latest audio recording techniques professionally, as a hobby or as part of related fields such as record production; live-sound mixing; film, television, or radio broadcasting and production. If you are interested in a related field, such as broadcasting, the school will refer you to other schools more directly related to your field. How we can help with your specific goals is best discussed during a personal visit to the school; an appointment can be made by contacting the school receptionist during office hours.

COMPLAINTS AND STUDENT COMMENTS

Students are encouraged and expected to use the online feedback about classes and instructors to help us increase the quality of our delivery. Both positive and negative comments are welcome and anonymity will be maintained if desired. The address is http://www.alexandermagazine.com/feedback.aspx Students who wish to file a complaint with the State of Michigan may do so at http://www.michiganps.net.

program course catalog 16a july june & course catalog 16a july 2012 – june 2013 the recording...

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