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Portfolio of Architecture Work by Conor Wood.

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  • ++CONOR WOOD /PORTFOLIO +

  • CONTENTS DIRT

    4 22CUINA

    Architecture and design as agents of cultural communication and social activation.

    The contents survey methods of building design, fabrication studies, the power of alternative formats, and production experience from professional practice.

    2

  • 34 50 62

    70

    76

    PBD

    WELLNESS

    FABRICATIONS

    FORMATS

    PROFESSIONAL

    CV 82

    3

    ++ CONOR WOOD / PORTFOLIO +

  • 4 10 136 186

  • 5++ CONOR WOOD / PORTFOLIO +

    10 136 186

    detroit institute of remediation technology

    Adaptive re-use as an urban catalyst for community development and scientific innovation.

    TYPE / LABORATORY / EDUCATIONAL / LIVE-WORK

    (DIRT)

    STUDIO / THE NORMAL.DETROIT LOCATION / RIVERFRONT, DETROIT, MI

    INSTRUCTION / CHRISTIAN UNVERZAGT DURATION / WINTER 2011 / 12 WEEKS

    INSTITUTION / TAUBMAN COLLEGE, MICHIGAN

  • DRY DOCK COMPLEX (DELO)

    INDUSTRIAL ZONINGPROBABLE CONTAMINATION

    DEQUINDRE CUT

    Detroit Institute for Remediation Technology

    According to many, the proper name for the current era in Detroit is post-industrial. Afterwards, proceeding, ad memoriam; the term invokes forlorn nostalgia, resounded by national regret. It is an explicit acknowledgement of loss and death. The Motor City was once synonymous with industrial enterprise, but what does it symbolize in this century? Popular media has repeatedly categorized this urban center as a certain kind of crisis; an economic, ecological, and cultural failure. But has contemporary media entirely missed the opportunities presented within inherent failures? Former Governor Jennifer Granholm projected one model for the Southeast Michigan Region: an economy of the green-collar.

    TechTown and NextEnergy in the New Amsterdam District of Detroit have established economic incubators for research-based start-ups such as NexTek Energy, A123 Systems (lithium-ion batteries), and Asterand PLC (stem cells and human tissue).Besides providing subsidized space to these companies, Detroit has become attractive as a research corridor with direct proximity to Wayne State University, the University of Michigan, and Michigan State University. These start-ups are beginning to operate on a national scale as they continue to take advantage of working in Detroit.

    6

    +/ Globe Structural Column

    +/ Detroits Brownfield Sites

  • If the model of the research-based organization became the new paradigm of Detroit economics, then the city may be able to effectively re-industrialize.

    Bringing together energy research and biotechnology, green-collar industry could be best defined as turning bio-ecological improvements into capital gains. Considering that Detroit has a surplus of brownfield sites and the means to support heavy research, environmental remediation can become a new industrial export. As in micro-economics, supply vs. demand: the United States demands the recovery of contaminated urban sites for development, Detroit supplies research expertise and manufactured mechanical-computational apparatus to public and private markets. In order to achieve such a model, an incubator could be established in the form of a catalytical institution to harbor green-collar organizations: the Detroit Institute for Remediation Technology (DIRT).

    7

    ++ CONOR WOOD / PORTFOLIO +

    Detroit Industry / Diego Rivera / +

    Globe Trade Building Site / Detroit River / +

    10 136 186

  • dry dock (submerged) atwater street + detroit institute of remediation technologies (dirt) + dirt residential courtyard jefferson avenue< dequindre cut >detroit river

    DETROIT RIVER-JEFFERSON AVENUE/ ELEVATION / SCALE : 1/96 = 1-0

    + detroit institute of remediation technologies (dirt)

    + dirt residential courtyard

    Globe Trading & Dry Dock Complex

    The former Globe Trading Building and Dry Dock Complex serves as the site for the DIRT. A brownfield industrial site along the Detroit River, the facility has a long-standing industrial history of shipbuilding. The Dry Dock in front of the complex has now become an inlet for the river, with part of the site being developed into a state park. The Detroit Riverfront Conservancy is building a trail that will stretch along the site all the way to Belle Isle. The Dequindre Cut trail also travels the east side of the building. Without any adjacent structures, the Globe stands as a monumental ruin in the current landscape. Its renegotiation for the DIRT will institute manipulations of scale, material conservation as a historic property, public interaction, and ecological phytoremediation strategies.

    8

  • dry dock (submerged) atwater street + detroit institute of remediation technologies (dirt) + dirt residential courtyard jefferson avenue< dequindre cut >detroit river

    DETROIT RIVER-JEFFERSON AVENUE/ ELEVATION / SCALE : 1/96 = 1-0

    + detroit institute of remediation technologies (dirt)

    + dirt residential courtyard

    9

    ++ CONOR WOOD / PORTFOLIO +

    10 136 186

  • 10

  • Structural Prosthesis

    Due to the extensive dilapidation of the current structural systems, only the primary steel structures can be salvaged to support heavy loads. To supplement new load-paths resultant of the excavations, structural prosthetics in the form of concrete piers and re-oriented trusses are applied to the building. The old steel contacts the new concrete to form box-frame sections that support each of the three wings. The re-oriented trusses are taken from the existing roof structures, which no longer need to support the loads of ship construction. Cavities in the piers hold mechanical systems.

    11

    ++ CONOR WOOD / PORTFOLIO +

    10 136 186

  • _clean levels _carbon monoxide _sulfur dioxide _ozone _nitrogen dioxide

    RAINSTORM ELEVATION / SCALE 1/64 = 10

    BARGE POLLUTION ELEVATION / SCALE 1/64 = 10

    MORNING TRAFFIC ELEVATION / SCALE 1/64 = 10

    _clean levels _carbon monoxide _sulfur dioxide _ozone _nitrogen dioxide

    RAINSTORM ELEVATION / SCALE 1/64 = 10

    BARGE POLLUTION ELEVATION / SCALE 1/64 = 10

    MORNING TRAFFIC ELEVATION / SCALE 1/64 = 10

    12

    Biochemical Response Wall

    This cable-scaffolding structure is remnant of excavation support during construction. The scaffolding is then applied with hundreds of LED lights and sensors that respond to real-time gas fluctuations. In a clean-air composition, the light defaults to a green hue. If the embedded sensors pick up another gas, the light changes to a color corresponding with the chemical composition. The response of the lights reads as fluid waves of color across the south faade of the Globe. Beyond dynamic aesthetics, the wall serves as an interface for visualizing conditional circumstance in the air. The cause and effect enables the viewer to understand the fluctuations in the air as a form of post-industrial data that is communicated by the environment. This data reads as a painting of light by nature; a commentary similar to Diego Riveras paintings of Detroits industrial condition. Because of the Globes international context on Detroit River, the south-faade response wall speaks to a much larger audience through Canadian vantage points and tourist photographs of Detroit.

  • _clean levels _carbon monoxide _sulfur dioxide _ozone _nitrogen dioxide

    RAINSTORM ELEVATION / SCALE 1/64 = 10

    BARGE POLLUTION ELEVATION / SCALE 1/64 = 10

    MORNING TRAFFIC ELEVATION / SCALE 1/64 = 10

    _clean levels _carbon monoxide _sulfur dioxide _ozone _nitrogen dioxide

    RAINSTORM ELEVATION / SCALE 1/64 = 10

    BARGE POLLUTION ELEVATION / SCALE 1/64 = 10

    MORNING TRAFFIC ELEVATION / SCALE 1/64 = 10 13

    ++ CONOR WOOD / PORTFOLIO +

    10 136 186

  • BELOW GRADE / FLOOR PLAN / SCALE : 3/128 = 1-0 B7 STORAGEB6 COMPUTATIONAL CONTROLB5 ARCHIVE + DATA CENTERB4 RECEPTIONB3 AUDITORIUM

    B2 RESTROOMSB1 MECHANICAL ACCESS

    B3

    B4B1B5

    B6

    B7

    B7

    B2

    B2

    B2

    B2

    SECTION B

    BUILDING PLANS

    14

  • GRADE LEVEL / FLOOR PLAN / SCALE : 3/128 = 1-0 HG HANGING GARDENSG8 INFORMATION TERMINALG7 ENTRYG6 FIELD LABORATORYG5 SEALED LABORATORY

    G4 OPEN LABORATORYG3 AUDITORIUMG2 RESTROOMSG1 MECHANICAL ACCESS

    G3

    G7

    G7

    G7

    G7

    G6

    G6

    G6

    G6

    G8

    G8 G8

    G7

    G2G2

    G5G4

    HG

    15

    ++ CONOR WOOD / PORTFOLIO +

    10 136 186

  • SECOND LEVEL / FLOOR PLAN / SCALE : 3/128 = 1-0 HG HANGING GARDENSS9 COMMISSARYS8 EXHIBITION HALLS7 MULTI-USE OFFICES6 MULTI-USE LABORATORY

    S5 SEALED LABORATORYS4 OPEN LABORATORYS3 AUDITORIUMS2 RESTROOMSS1 MECHANICAL ACCESS

    S1

    S2

    S2

    S2

    S2

    S7 S6

    S6

    S6

    S7

    S7

    S7

    S9 S8S3

    S2S2

    S4

    S5

    HG

    16

  • THIRD LEVEL / FLOOR PLAN / SCALE : 3/128 = 1-0 HG HANGING GARDENST7 GROUP STUDY DECKT6 MULTI-USE OFFICET5 SEALED LABORATORYT4 OPEN LABORATORY

    T3 MEZZANINE + LOFTT2 RESTROOMST1 MECHANICAL ACCESS

    HG

    T7

    T1T2

    T2

    T2

    T2

    T6

    T6

    T6

    T6T3

    T3

    T3

    T2T2

    T6

    T4

    T5

    17

    ++ CONOR WOOD / PORTFOLIO +

    10 136 186

  • 18

    +/ Exhibition Hall

    +/ Exhibition Images / Detroit Industry / Diego Rivera

  • 19

    ++ CONOR WOOD / PORTFOLIO +

    Experimental Hanging Gardens / +

    10 136 186

  • grade

    A-A / SECTION PERSPECTIVE / SCALE : APPROX. 3/128 = 1-0

    B3B1

    G5G4G7G3

    S3S8

    G8

    S5S4

    T5T4 T7

    B7 STORAGEB6 COMPUTATIONAL CONTROLB5 ARCHIVE + DATA CENTERB4 RECEPTIONB3 AUDITORIUM

    B2 RESTROOMSB1 MECHANICAL ACCESSHG HANGING GARDENSG8 INFORMATION TERMINALG7 ENTRY

    G6 FIELD LABORATORYG5 SEALED LABORATORYG4 OPEN LABORATORYG3 AUDITORIUMG2 RESTROOMS

    G1 MECHANICAL ACCESSS9 COMMISSARYS8 EXHIBITION HALLS7 MULTI-USE OFFICES6 MULTI-USE LABORATORY

    S5 SEALED LABORATORYS4 OPEN LABORATORYS3 AUDITORIUMS2 RESTROOMSS1 MECHANICAL ACCESS

    T7 GROUP STUDY DECKT6 MULTI-USE OFFICET5 SEALED LABORATORYT4 OPEN LABORATORYT3 MEZZANINE + LOFT

    T2 RESTROOMST1 MECHANICAL ACCESS

    SECTION A

    BUILDING SECTIONS

    20

  • B-B / SECTION PERSPECTIVE / SCALE : APPROX. 3/128 = 1-0

    grade

    S8 T7

    B5

    HG

    B7

    S9

    G7

    T6

    S3

    B4

    B7 STORAGEB6 COMPUTATIONAL CONTROLB5 ARCHIVE + DATA CENTERB4 RECEPTIONB3 AUDITORIUM

    B2 RESTROOMSB1 MECHANICAL ACCESSHG HANGING GARDENSG8 INFORMATION TERMINALG7 ENTRY

    G6 FIELD LABORATORYG5 SEALED LABORATORYG4 OPEN LABORATORYG3 AUDITORIUMG2 RESTROOMS

    G1 MECHANICAL ACCESSS9 COMMISSARYS8 EXHIBITION HALLS7 MULTI-USE OFFICES6 MULTI-USE LABORATORY

    S5 SEALED LABORATORYS4 OPEN LABORATORYS3 AUDITORIUMS2 RESTROOMSS1 MECHANICAL ACCESS

    T7 GROUP STUDY DECKT6 MULTI-USE OFFICET5 SEALED LABORATORYT4 OPEN LABORATORYT3 MEZZANINE + LOFT

    T2 RESTROOMST1 MECHANICAL ACCESS

    SECTION B

    21

    ++ CONOR WOOD / PORTFOLIO +

    10 136 186

  • 22 237 36 76

    cuinadel topografia Culturalcultivationandtourismthroughthe spectacleofurbanpublicspace. TYPE/CULINARY / EDUCATIONAL / PLAZA STUDIO/CABINETS OF CURIOSITY LOCATION/LA BOQUERIA, BARCELONA, ESP INSTRUCTION/SOPHIA PSARRA DURATION/FALL2010/10 WEEKS INSTITUTION/TAUBMAN COLLEGE, MICHIGAN

  • 23

    ++ CONOR WOOD / PORTFOLIO +

    237 36 76

  • cuina del topografia / kitchen topography

    With Barcelona serving as an international catalyst for cultural integration, the city provides diverse options in cuisine. The Cuina de la Topografa seeks to explore cultural specifics from the perspective of culinary preparation and cooking. Sited on the plaza of the famous Boquera Market, the Cuina is a culinary institution available to the public. Kitchen space is provided for scheduled courses and open for public use at all other times.

    Six large kitchens sink beneath the plazas ground plane, preserving an urban topography populated by mysterious objects. The objects operate as windows, skylights, chimneys, and video screens for the kitchens below, while also promoting physical activity and outdoor cooking above ground. Three transparent bridges designate the over-underground condition and accommodate the studied paths of travel through the site. The Cuina explores the notion of tectonic flexibilities; the objects are static sculptures yet contain no predetermined formal use. Such flexibility encourages a variety of visitors to seek their own method of using the site. A narrative of the site is open to an individuals personal interpretation, an allusion to the iconic ambiguity of Gaudis fantastic Barcelona roofscapes.

    24

    +/ Study Model / 1:8

    +/ Site Model / 1:32

  • PROGRAM INTENT

    The said {cuina de la topografa} will be not so much as a BLDG as a FIELD for

    _INDIVIDUALS / CROWDS / CONSUMERS / PRODUCERS / COMMUNITIES_ to _ARRIVE / STAY / LEAVE / PARTY_ with ease where they may _LEARN / TEACH / EAT / DRINK / DANCE / RELAX / REFLECT_ upon where after, they are left with an arousal of _TASTE / WONDER / EXCITEMENT / INTELLIGENCE / LOVE.

    25

    ++ CONOR WOOD / PORTFOLIO +

    237 36 76

    La Boquera Site Plan / +

    Kitchen Interior / +

  • CONTOURED SECTION

    26+/ Study Serial Section

    +/ Longitudinal Section

  • 27

    ++ CONOR WOOD / PORTFOLIO +

    237 36 76

    Transverse Section / +

  • 28

  • 29

    ++ CONOR WOOD / PORTFOLIO +

    237 36 76

  • Cuina de TopografiaS

    CALE

    /// 1/16 = 1-0

    LO

    WE

    R FLO

    OR

    PLA

    N

    04

    816

    32

    30

    +/ Sub-grade Plan (Kitchens)

    +/ Plan Development

  • Cuina de TopografiaS

    CALE

    /// 1/16 = 1-0

    (T

    OP

    )OG

    RA

    PH

    Y P

    LAN

    04

    816

    32

    31

    ++ CONOR WOOD / PORTFOLIO +

    Plaza-grade Plan (Topography) / +

    237 36 76

  • 32+/ Volumetric Development

  • 33

    ++ CONOR WOOD / PORTFOLIO +

    237 36 76

  • 34 160 08 39

    CROSSROADS PERIPHERALBUSINESSDISTRICT

    Research-basedrhetoricontheurbanpossibilities forsuburbancentersofcommerceandculture. TYPE/URBAN DESIGN / COMMERCIAL / INFRASTRUCTURE

    (PBD)

    STUDIO/THE CORPORATION, ARCHITECTURE, AND THE CITY LOCATION/MAHWAH, NJ / SUFFERN, NY INSTRUCTION/NAHYUN HWANG DURATION/FALL2011/8 WEEKS INSTITUTION/TAUBMAN COLLEGE, MICHIGAN

  • 35

    ++ CONOR WOOD / PORTFOLIO +

    160 08 39

  • 36

    PERIPHERAL BUSINESS DISTRICTS

    The Peripheral Business District (PBD) is an urban type that has been generated by the relocation of major corporate entities to suburban interchanges. While similar to Edge Cities, PBDs do not require residential development, and in most cases retain only daytime populations. Most PBDs are referred to as technology or business corridors, where the centralization of the interstate freeway is crucial to district growth. As many corporations begin migrating back to city centers, the banal existence of most PBDs threatens their economic and physical outlook.

    The Crossroads Peripheral Business District is a speculative proposal that seeks to confront the future challenges for PBDs. Sited in northern New Jersey, the district is located due to its beneficial infrastructural connections between freeways, commuter rail, and freight rail. While typical PBDs develop according to fluctuations in suburban zoning, the Crossroads defines its urban growth boundary (UGB) from district inception. The process of infill has been developed according to generational scripts that account for automotive velocity from freeway off ramps, visual perceptions from within the district, and the distribution of morphological building masses. These morphological types seek to create a district with a perception of its own cultural identity, a first-step for the production of PBDs that could use the benefits of interchanges to offer a new model for the acceleration of suburban density. +/ Crossroads Site / Mahwah, NJ

    +/ Big Beaver PBD / Troy, Detroit, MI

  • N E W Y O R K

    NJ TRA

    NSIT /

    PENN

    STATIO

    N

    S R 1 7

    1 mi radius

    1 mi radius

    U S 2

    6 7

    RAMAPO

    RIVER

    N E W J E R S E Y

    MAGNETIC INTERCHANGE

    37

    ++ CONOR WOOD / PORTFOLIO +

    BOUNDARY DEFINITIONTo prevent the suburban sprawl of growth from the PBD, the district must be contained according to specific parameters. This list categorizes existing zoning measures and codes, but also examines the effects of re-zoning and developmental growth over several factors. The boundary must also be physically defined, either by roadway, railway, greenbelt, or existing features. The plan must coincide with such development of a boundary, projecting the implosion, rather than the explosion of density.

    EMPTY TYPESBased on the concept of empty form as advanced by Reinhold Martin, the empty types may only suggest a meaning or function, instead searching for ambiguity of form. In this way, the types propose a truly flexible space, free of existing norms for the qualification of open office floor plans. Such types look to hold additional programs such as residential, retail, and civic.

    160 08 39

    Magnetic Interchange Massing / +

  • LINEAR ARTERY

    TYPE 1

    1A

    FOLLOWING

    1B

    STALKING

    TYPE 2

    ROUNDABOUT

    2A

    ROUNDING

    2B

    DIVERGING

    TYPE 3

    CLOVERLEAF

    3A

    CONVERGING

    3B

    POSING

    TYPE 4

    DIAMOND

    4A

    PRESENTING (OBLIQUE)

    4B

    LOOMING

    TYPE 5

    Y CHANGE

    5A

    FANNING

    5B

    BUFFERING

    TYPE 6

    ONTO BOULEVARD

    6A

    COUNTER-ACTING (PERPENDICULAR)

    6B

    RETREATING38

    PBD GROWTH

  • LINEAR ARTERY

    TYPE 1

    1A

    FOLLOWING

    1B

    STALKING

    TYPE 2

    ROUNDABOUT

    2A

    ROUNDING

    2B

    DIVERGING

    TYPE 3

    CLOVERLEAF

    3A

    CONVERGING

    3B

    POSING

    TYPE 4

    DIAMOND

    4A

    PRESENTING (OBLIQUE)

    4B

    LOOMING

    TYPE 5

    Y CHANGE

    5A

    FANNING

    5B

    BUFFERING

    TYPE 6

    ONTO BOULEVARD

    6A

    COUNTER-ACTING (PERPENDICULAR)

    6B

    RETREATING 39

    ++ CONOR WOOD / PORTFOLIO +

    160 08 39

  • 40

    +/ NB on Freeway

    +/ PBD Relations to Roadway

  • 41

    ++ CONOR WOOD / PORTFOLIO +

    Site Model / 1:400 / +

    160 08 39

  • DISTRICT SITE PLAN

    NE PASSENGER HUB / SUFFERN STATION

    SE PASSENGER HUB / MAHWAH STATION

    CENTRAL VOIDS

    ZONED BOUNDARY

    RAMAPO RIVER CROSSOVER

    TO NEW YORK CITY, NY

    TO STAMFORD, CT

    TO PATTERSON, NJ

    TO POUGHKEEPSIE, NY

    SHIPPING LANES

    COVERED RAIL

    NEW INTERCHANGERAMPS

    STA. 2

    35 MPH / RAIL

    25 MPH / AUTO.

    65 MPH

    65 MPH

    65 MPH

    65 MPH

    60 MPH

    60 MPH

    45 MPH

    45 MPH

    STA. 3

    MECH. S

    MECH. N

    STA. 4

    STA. 5

    STA. 6

    STA. 7

    STA. 8

    STA. 1

    EX. A

    EX. B

    EX. C

    EX. D

    EX. E

    i

    ii

    iii

    iv

    S PASSENGER HUB

    INTERMODALFREIGHT HUB

    PARCEL DEVELOPMENT

    DISTRICT SITE PLANThe types are color-coded to indicate the patterning of type throughout the site. The color gradient runs from lowest height to tallest height parcels. Medium-height/ medium-density forms take the smallest parcel areas, bringing those structures closest to the center plazas of the city, while high-rise and short types line the district peripheries.

    FORM-TYPE APPLICATIONThe types are to be flexibly used, designed and explored while meeting standards outlined in the Crossroads taxonomy. While some forms may appear to be the right fit for offices or commercial space, the organization of floor slabs, structure, orientation, and locality may suggest other programmaticapplications.

    42

  • COMMERCIAL SCHEME

    RESIDENTIAL SCHEME

    EXHIBIT A / PARALLELS SCHEME

    EXHIBIT B / BRIDGED SCHEME

    EXHIBIT C / DIVIDED SCHEME

    GLAZING

    STACKED OR DOUBLE-HEIGHT

    STACKED OR DOUBLE-HEIGHT

    PROGRAMMING BY TOWER

    FORM-TYPE APPLICATION

    COMMERCIAL SCHEME

    RESIDENTIAL SCHEME

    EXHIBIT A / PARALLELS SCHEME

    EXHIBIT B / BRIDGED SCHEME

    EXHIBIT C / DIVIDED SCHEME

    GLAZING

    STACKED OR DOUBLE-HEIGHT

    STACKED OR DOUBLE-HEIGHT

    PROGRAMMING BY TOWER

    FORM-TYPE APPLICATION

    43

    ++ CONOR WOOD / PORTFOLIO +

    160 08 39

  • 44

    +/ Central Void

    +/ Curtain Wall Development

  • 45

    ++ CONOR WOOD / PORTFOLIO +

    Walking SB / +

    160 08 39

  • RECTANGLE ANGLE (L) COURTYARD CENTER TRIANGLE TRAPEZOID CHEVRON ELLIPSE CRESCENTCRUCIFORM

    FIELD SQUARED RISER CROSSED CUBED BRIDGED SLIPS BREAKS DIVIDEDPARALLELS

    46

    EMPTY TYPES

  • RECTANGLE ANGLE (L) COURTYARD CENTER TRIANGLE TRAPEZOID CHEVRON ELLIPSE CRESCENTCRUCIFORM

    FIELD SQUARED RISER CROSSED CUBED BRIDGED SLIPS BREAKS DIVIDEDPARALLELS

    47

    ++ CONOR WOOD / PORTFOLIO +

    160 08 39

  • 35 MPH

    30 MPH

    20 MPH

    STOP

    STOP

    STA. 3

    TO SR 17

    TO US 287

    AUTO. PARKING

    RETAIL & SERVICESBLDG. ATRIUM

    AREA CONNECTIONS

    CROSSROADS PBDMAHWAH, NJ

    LOADING/ UNLOADING TERMINAL

    3000+ container hold

    FREIGHTRAIL

    INTERMODAL HUB

    pedestrian walkautomotive skyway

    PASSENGERRAIL

    Intermodal Station to tieinto current logistical

    infrastructure existing in theNew York/ New Jersey

    megaregion/

    > 33 miles to Penn Station, NYC(passenger rail, SE)

    > 34 miles to Port Newark(container shipping

    terminal, S)

    > 18 miles to Teterboro Airport

    (private and passenger, SE)

    > 15 miles to Tappan ZeeBridge

    (highway, NE)

    N E W Y O R K

    N E W J E R S E Y

    US 287

    US 287

    POUGHKEEPSIE < RAIL > PATTERSON

    US 87

    SR 17

    GANTRY CRANE

    SHIPPING LANES

    ON-RAMP

    STACKED STORAGE

    48

    RAIL TRANSPORTATION

  • SR 17 / 287

    FREIGHTRAIL

    PASSENGERRAIL

    BLVD BLVD

    OFFRAMP/ PKG

    BRIDGE

    LOADING/ UNLOADING INTERMODAL HUB

    PEDESTRIAN

    AUTOMOBILE

    BALD MOUNTAIN RAMAPO RIVER

    MAHWAH, NJ

    SR 17 / 287

    FREIGHTRAIL

    PASSENGERRAIL

    BLVD BLVD

    OFFRAMP/ PKG

    BRIDGE

    LOADING/ UNLOADING INTERMODAL HUB

    PEDESTRIAN

    AUTOMOBILE

    BALD MOUNTAIN RAMAPO RIVER

    MAHWAH, NJ

    49

    ++ CONOR WOOD / PORTFOLIO +

    160 08 39

    Commuter Rail Along River / +

  • 50 240 230 60

  • 51

    ++ CONOR WOOD / PORTFOLIO +

    240 230 60

    CRANBROOKWELLNESSCENTER

    Holistic systems-design approach for a dynamicenvironment on a master-planned campus.TYPE / CAMPUS / INSTITUTIONAL / RECREATIONAL

    STUDIO / STRUCTURE, ENVIRONMENT, AND CONSTRUCTIONLOCATION / BLOOMFIELD HILLS, MI

    INSTRUCTION / ANTON HARFMANN / BOB BURNHAMDURATION / SPRING 2010 / 10 WEEKS

    INSTITUTION / SAID, DAAP, CINCINNATI

  • CRANBROOKWELLNESSCENTER

    Cranbrook Academys Wellness Center provides a relaxation outlet for students, teachers, and patrons among the beauty of the wooded landscape of Eliel Saarinens master-planned campus. Implicitly, new construction within the campus is a precise contextual operation. A strategy of visual perception was researched according to James Corners essay, Eidetic Operations and New Landscapes. The theory proposes that well-made landscapes are not simply objects in a field, but instead act as a changing sequence of events, dependent upon the view and perspective from different locations in the field.

    The chosen site is at the east end of Cranbrooks Grand Alle, effectively terminating the currently open-ended Alle, and de-emphasizing the road just to the north. This interception manifests itself in a singular masonry Wall, a provision of boundary and separation. This 10-wide Wall internally becomes the datum of spatial organization. Cubic lanterns project from the Wall, responding to complex programmatic and micro-climatic parameters. To remain performative in all of these operations, the Wall is assembled in several overlapping layers of construction. A cavity for human circulation splits the Wall into two masonry-steel structures that support one another. Within each of these members is another cavity that feeds HVAC and communications systems throughout the building and into a larger plenum housing the centers mechanical brain. This system keeps all spaces operating haptically separate.

    52

    +/ Orpheus Fountain / Cranbrook

    +/ Study Model / 1:4

  • The Wellness Center is an integration of 3 distinct systematic layers, wrapped around each other to form inhabitable volume. The structural layer holds the building upright, but cannot do so without the strength of its detailing. The active climate systems of the building weave between the elements of the structure. In the case of this section, the active systems relate to the structure in four different ways. The first is as a horizontal plenum, suspended and separate from the structure. The second is as an enclosed room, sized to the exact dimensions of the mechanical requirements. The third way is through a built-in piece of the floor, as used to chemical distribution in the pools. The fourth is the primary system integration of the building, through the large interior (Wall). Here, structure is the exoskeleton around a system of vitals, held together by the complex detail system that makes this Wall both structural and mechanical.

    53

    ++ CONOR WOOD / PORTFOLIO +

    Site Environmental Graphing / +240 230 60

  • SITE CONSIDERATIONS

    54

    +/ Campus Site Plan

    +/ Site Model / 1:32

  • 55

    ++ CONOR WOOD / PORTFOLIO +

    Section / Zone 2 / +

    240 230 60

  • BUILDING PLANS

    56

  • 57

    ++ CONOR WOOD / PORTFOLIO +

    240 230 60

  • TYP. WALL SECTIONS

    58

  • 59

    ++ CONOR WOOD / PORTFOLIO +

    240 230 60

  • OPERABLE LANTERNS

    60

  • 61

    ++ CONOR WOOD / PORTFOLIO +

    240 230 60

  • FABRICATIONS

    Working between the computer, the machine, and the hand, these projects and models concern an interest in the wide variety of tools available to the architect in the current age of technological and industrial advance. The methods of representation are no longer bound to simply paper, scale models, or digital space: full-scale mock-ups and diagrammatic installations reflect a new mode of thinking-through-making.

    DIGITAL FABRICATION1/ RIVET REEF / Aluminum Alloy, Plywood / Fall 2010*2/ DADO ARCH / Plywood / Fall 2010*3/ INVISIBLE DRAGON / Vinyl, Basswood / Fall 2010*4/ GEOGRAPHY LESSON / Plywood / Fall 20105/ HOME & GARDEN / Acrylic, HDF / Fall 20116/ LOOSE-FIT / PETG / Fall 2011*7/ INVISIBLE PARAMETERS / Acrylic, Basswood / Winter 2011

    *Done in Collaboration

    62

  • RIVET REEF / Aluminum Alloy, Plywood / Fall 2010* / 1

    63

    ++ CONOR WOOD / PORTFOLIO +

  • FABRICATIONS

    2/ DADO ARCH / Plywood / Fall 2010*

    64

  • INVISIBLE DRAGON / Vinyl, Basswood / Fall 2010* / 3

    65

    ++ CONOR WOOD / PORTFOLIO +

  • FABRICATIONS

    4/ GEOGRAPHY LESSONS / Acrylic, Plywood, Found Objects / Fall 2010*

    66

  • HOME & GARDEN / Acrylic, HDF / Fall 2011 / 5

    67

    ++ CONOR WOOD / PORTFOLIO +

  • FABRICATIONS

    6/ LOOSE-FIT / PETG / Fall 2011*

    68

  • INVISIBLE PARAMETERS / Acrylic, Basswood / Winter 2011 / 7

    69

    ++ CONOR WOOD / PORTFOLIO +

  • FORMATS

    As architects are constantly introduced to quickly-evolving forms of media, the question of presenting proposal and concept becomes central to architectural production. Methods of book-making, exhibition, and competition are major players in the show for displaying design in a way that mass-media can digest.

    BOOK-MAKING1/ THENORMAL I / (Re)Post-Industrial / Winter 2011*2/ THENORMAL II / Globe Trade Building / Winter 2011*3/ THENORMAL III / Re(Industrial)mediation / Winter 2011*4/ MIMETIC MACHINES / Ecosophical Apparatus / Winter 20115/ 36 3 18.9 N, 112 7 18.6 W / Summer 20116/ DISCIPLINARITY / Architectural Narrative / Fall 2011*7/ & STUDENT PUBLICATION / TCAUP / Winter 2011*

    EXHIBITION8/ DIS / Royal Danish Academy of Fine Arts, CPH / Summer 20099/ PHOTOFORMANCE / UMMA, Michigan / Winter 2011*10/ THE CORPORATION / Van Alen Institute, NY / Fall 2011*

    COMPETITION11/ AARP UNIVERSAL DESIGN / AIAS / Winter 200912/ KAWNEER COURTHOUSE / AIAS / Fall 200913/ LOOSE FIT / Artprize, Grand Rapids, MI / Fall 2011* *Done in Collaboration

    70

  • FLEX & FRAME

    taubman college | university of michigan | & vol. 5fall semester | 2011

    & student publication | taubman college of architecture and urban planning

    25

    CONOR WOOD - PORTFOLIO+CV

    +1: program is clustered as rectilinear volumes, based upon proportions of the golden section

    +2: b-splines wrap programmatic clusters, while stretching out toward contextual points of interest, surfaces are created between splines

    +3: b-splines surfaces are subdivided into sections, each section comprising of golden triangle units

    +4: lines are drawn between sections, approximating the shape of the b-splines as flat planes

    +5: b-splines are subtracted, resulting in a planar form

    +6: central cube is extruded, to contain relevant programmatic volumes

    +7: central cube is inserted into planar framework

    +8: surfaces are drawn across framework, wrapping around the central cube

    +9: form is planted into the site +perspective, facing southeast+corten perforation +corten perforation

    6

    _ How did Architecture :Become a Discipline?

    09 | 19 | 2011

    Year Unknown

    In attempts to define a natural history of organisms, observations have been compared between anatomical structures and general nouns that can define the entire character of a species. Foucault believes that this approach to taxonomy is inherently subjective, as language conventions have become the common basis for what is attributed to a theory of the definitive or actual. Often, such classifications are misunderstood by society based on these general characteristics, as is the case with the tomato. While the tomato is classified in cooking as characteristic of a vegetable, biological science points out its condition as a fruit. Classification in this case is determinate of appropriating use of the tomato, whether as a scientist or as a chef.

    anatomycharacterstructure

    taxonomy

    | C. W

    ood |

    Anatomical Diagram for a Cherry Tomato PlantIllustrator Unknown

    Character | profession | Noun:collection of similarities between entities that

    promote a method for classification.

    There can be only one method; but one can invent and apply a considerable number of systems...The system is arbitrary throughout its development, but once the system of variables - the character - has been defined at the outset, it is no longer possible to modify it, to add or subtract even one element.

    - Michel Foucalt

    2

    7

    1 8 11

    6

    13

    3

    9

    4

    10

    5

    12 71

    ++ CONOR WOOD / PORTFOLIO +

  • FORMATS

    1-3/ THENORMAL / I,II,III, TUMBLR / Winter 2011*

    72

  • DIS / Christianshavn Kajak Haus / Summer 2009 / 8

    73

    ++ CONOR WOOD / PORTFOLIO +

  • FORMATS

    11/ AARP UNIVERSAL DESIGN / Mixed-Use / Winter 2009

    74

  • 6atlanta, georgia

    LOCATION

    3 weeks, fall 2009

    DURATION

    municipal, institutional

    PROGRAM

    23

    CONOR WOOD - PORTFOLIO+CV

    6

    ATLANTA-MIDTOWNCOURTHOUSE COMPETITION

    26

    CONOR WOOD - PORTFOLIO+CV

    +plan, first level

    2

    2

    11

    111

    1 11

    11

    1 1

    1

    1

    22

    2

    2

    22

    2 3

    13 13

    3

    3

    3

    12

    12

    11

    11

    3

    2

    2

    2 1 1

    1

    1 1 1

    7

    7 4

    8

    3

    3 1 2

    2

    6810

    8

    813

    13

    8

    6

    2

    4

    4

    4

    4

    3

    6

    66

    6

    6

    6

    7

    8 810

    1111

    11

    12

    12

    8

    9

    9 9

    97

    7

    7

    7

    7

    +plan, third level

    +plan, second level

    +plan, fourth level

    +plan, fifth level+pattern development on corten steel skin

    +section perspective, east entry, facing east

    +section perspective, south wing, facing south

    +section perspective, north wing, facing north

    + 1Office; 2Judges Office; 3Courtroom; 4Jury; 5Bathroom; 6Meeting/Conference; 7Security/Holding; 8Administration; 9Storage; 10Press; 11Reception; 12Law Library; 13Parking

    SPACES

    6

    25

    CONOR WOOD - PORTFOLIO+CV

    +1: program is clustered as rectilinear volumes, based upon proportions of the golden section

    +2: b-splines wrap programmatic clusters, while stretching out toward contextual points of interest, surfaces are created between splines

    +3: b-splines surfaces are subdivided into sections, each section comprising of golden triangle units

    +4: lines are drawn between sections, approximating the shape of the b-splines as flat planes

    +5: b-splines are subtracted, resulting in a planar form

    +6: central cube is extruded, to contain relevant programmatic volumes

    +7: central cube is inserted into planar framework

    +8: surfaces are drawn across framework, wrapping around the central cube

    +9: form is planted into the site +perspective, facing southeast+corten perforation +corten perforation

    6

    25

    CONOR WOOD - PORTFOLIO+CV

    +1: program is clustered as rectilinear volumes, based upon proportions of the golden section

    +2: b-splines wrap programmatic clusters, while stretching out toward contextual points of interest, surfaces are created between splines

    +3: b-splines surfaces are subdivided into sections, each section comprising of golden triangle units

    +4: lines are drawn between sections, approximating the shape of the b-splines as flat planes

    +5: b-splines are subtracted, resulting in a planar form

    +6: central cube is extruded, to contain relevant programmatic volumes

    +7: central cube is inserted into planar framework

    +8: surfaces are drawn across framework, wrapping around the central cube

    +9: form is planted into the site +perspective, facing southeast+corten perforation +corten perforation

    6

    KAWNEER COURTHOUSE / Urban Justice Center / Fall 2009 / 12

    75

    ++ CONOR WOOD / PORTFOLIO +

  • PROFESSIONAL

    The professional operation of architecture firms has undergone significant shifts in the past few years, accommodating new modes of fabrication, format, and economic foresight. The experiences documented here include a variety of projects that have observed the dynamic flux of an evolving profession.

    EXPERIENCE1/ ARREO / Professional Research / Fall 20112/ RJT+R / Atlanta, GA / Summer 2008*3/ DPCA / Chicago, IL / Winter 2009*4/ MRY / Santa Monica, CA / Summer 2011*

    (NOT PICTURED)5/ ACQUILANO LESLIE / Denver, CO / Summer 2007*6/ FME / San Francisco, CA / Winter 2010*

    *All work done in Collaboration

    76

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    5257 E ORANGE STFORECLOSUREVALUE: $100,000

    5257 E ORANGE STREO/ BANK OWNEDRESALE: $185,000

    XERISCAPING($5,000)

    EXPANSION($12,500)

    UPDATED COOLING($7,500)

    SOLD TO:

    ELENA & MICHAEL ORTIZ

    28 / 29

    SCULPTOR / ACCOUNTANT

    FIRST-TIME HOMEBUYERS

    We are so happy that we were able to purchasea home in the older neighborhood where we grew up in Tempe. Not only has this house been a soundfinancial investment compared to other REO propertieswe visited, but the renovation of the house speaks to ourenthusiasm for modern art and architecture. Many of our close friends are beginning to look at returning to the community now that we have settled here.

    ARREO / Speculative Start-up / Fall 2011 / 1

    77

    ++ CONOR WOOD / PORTFOLIO +

  • PROFESSIONAL

    2/ RULE TRAMMELL JOY + RUBIO / Atlanta, GA / Summer 2008

    78

  • DANIEL P. COFFEY ASSOCIATES / Chicago, IL / Winter 2009 / 3

    79

    ++ CONOR WOOD / PORTFOLIO +

  • Level 10' - 0"

    Level 216' - 0"

    Level 330' - 0"

    PENTHOUSE44' - 0"

    T.O. PENTHOUSE60' - 0"

    LEVEL 1-A-3' - 6"

    12345678910111213141516

    T.O. PARAPET48' - 0"

    BASEMENT-12' - 0"

    Level 10' - 0"

    Level 216' - 0"

    Level 330' - 0"

    PENTHOUSE44' - 0"

    T.O. PENTHOUSE60' - 0"

    LEVEL 1-A-3' - 6"

    1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

    T.O. PARAPET48' - 0"

    BASEMENT-12' - 0"

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    REV# DATE DESCRIPTION

    SUSMAN TISDALE GAYLE

    828 W. 6th Street, Suite 300Austin, TX 78703

    512.899.3500

    SASAKI ASSOCIATES

    64 Pleasant StreetWatertown, MA 02472

    617.926.3300

    RVI PLANNING + LANDSCAPEARCHITECTURE

    712 Congress Avenue, Suite 300Austin, TX 78701

    512.480.0032

    DATUM ENGINEERING

    5929 Balcones Drive, Suite 100Austin, TX 78731

    512.469.9490

    TG ENGINEERING

    2222 Western Trails, Suite 107Austin, TX 78745

    512.633.3136

    SHAH SMITH & ASSOCIATES

    1946 S I-35, Suite 305Austin, TX 78704

    512.851.0404

    AUSTIN PERMIT SERVICE

    1304 E. 7th StreetAustin, TX 78702

    512.474.4555

    executive architect

    landscape architecture and urban design

    associate landscape architect

    mechanical, electrical, and plumbing

    structural

    civil

    code consultant

    NATURALSCIENCESFACILITY- Phase II

    ST. EDWARD'S UNIVERSITY,AUSTIN, TX

    JAFFEHOLDEN

    4617 Montrose Boulevard, c201Houston, TX 77006

    713.807.7887

    acoustics

    Presentation Elevations

    MRY-4.01 1/8" = 1'-0" A2.01

    1P-North

    1/8" = 1'-0" A2.01

    2P-South

    Level 10' - 0"

    Level 216' - 0"

    Level 330' - 0"

    PENTHOUSE44' - 0"

    T.O. PENTHOUSE60' - 0"

    LEVEL 1-A-3' - 6"

    12345678910111213141516

    T.O. PARAPET48' - 0"

    BASEMENT-12' - 0"

    Level 10' - 0"

    Level 216' - 0"

    Level 330' - 0"

    PENTHOUSE44' - 0"

    T.O. PENTHOUSE60' - 0"

    LEVEL 1-A-3' - 6"

    1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

    T.O. PARAPET48' - 0"

    BASEMENT-12' - 0"

    SH

    EET N

    O.

    DW

    G. TIT

    LEK

    EY P

    LAN

    NO

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    NTS

    ARC

    HIT

    ECT'S

    STA

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    ARC

    HIT

    ECT

    REV# DATE DESCRIPTION

    SUSMAN TISDALE GAYLE

    828 W. 6th Street, Suite 300Austin, TX 78703

    512.899.3500

    SASAKI ASSOCIATES

    64 Pleasant StreetWatertown, MA 02472

    617.926.3300

    RVI PLANNING + LANDSCAPEARCHITECTURE

    712 Congress Avenue, Suite 300Austin, TX 78701

    512.480.0032

    DATUM ENGINEERING

    5929 Balcones Drive, Suite 100Austin, TX 78731

    512.469.9490

    TG ENGINEERING

    2222 Western Trails, Suite 107Austin, TX 78745

    512.633.3136

    SHAH SMITH & ASSOCIATES

    1946 S I-35, Suite 305Austin, TX 78704

    512.851.0404

    AUSTIN PERMIT SERVICE

    1304 E. 7th StreetAustin, TX 78702

    512.474.4555

    executive architect

    landscape architecture and urban design

    associate landscape architect

    mechanical, electrical, and plumbing

    structural

    civil

    code consultant

    NATURALSCIENCESFACILITY- Phase II

    ST. EDWARD'S UNIVERSITY,AUSTIN, TX

    JAFFEHOLDEN

    4617 Montrose Boulevard, c201Houston, TX 77006

    713.807.7887

    acoustics

    Presentation Elevations

    MRY-4.01 1/8" = 1'-0" A2.01

    1P-North

    1/8" = 1'-0" A2.01

    2P-South

    PROFESSIONAL

    4/ MOORE RUBLE YUDELL / Santa Monica, CA / Summer 2011

    80

  • Level 10' - 0"

    Level 216' - 0"

    Level 330' - 0"

    PENTHOUSE44' - 0"

    T.O. PENTHOUSE60' - 0"

    B C D E F G I

    T.O. PARAPET48' - 0"

    A H

    Level 10' - 0"

    Level 216' - 0"

    Level 330' - 0"

    PENTHOUSE44' - 0"

    T.O. PENTHOUSE60' - 0"

    LEVEL 1-A-3' - 6"

    BCDEFGI

    T.O. PARAPET48' - 0"

    AH

    SH

    EET N

    O.

    DW

    G. TIT

    LEK

    EY P

    LAN

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    ITTA

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    ON

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    NTS

    ARC

    HIT

    ECT'S

    STA

    MP

    ARC

    HIT

    ECT

    REV# DATE DESCRIPTION

    SUSMAN TISDALE GAYLE

    828 W. 6th Street, Suite 300Austin, TX 78703

    512.899.3500

    SASAKI ASSOCIATES

    64 Pleasant StreetWatertown, MA 02472

    617.926.3300

    RVI PLANNING + LANDSCAPEARCHITECTURE

    712 Congress Avenue, Suite 300Austin, TX 78701

    512.480.0032

    DATUM ENGINEERING

    5929 Balcones Drive, Suite 100Austin, TX 78731

    512.469.9490

    TG ENGINEERING

    2222 Western Trails, Suite 107Austin, TX 78745

    512.633.3136

    SHAH SMITH & ASSOCIATES

    1946 S I-35, Suite 305Austin, TX 78704

    512.851.0404

    AUSTIN PERMIT SERVICE

    1304 E. 7th StreetAustin, TX 78702

    512.474.4555

    executive architect

    landscape architecture and urban design

    associate landscape architect

    mechanical, electrical, and plumbing

    structural

    civil

    code consultant

    NATURALSCIENCESFACILITY- Phase II

    ST. EDWARD'S UNIVERSITY,AUSTIN, TX

    JAFFEHOLDEN

    4617 Montrose Boulevard, c201Houston, TX 77006

    713.807.7887

    acoustics

    Presentation Elevations

    MRY-4.02

    1/8" = 1'-0"

    1P-East

    1/8" = 1'-0"

    2P-West

    Level 10' - 0"

    Level 216' - 0"

    Level 330' - 0"

    PENTHOUSE44' - 0"

    T.O. PENTHOUSE60' - 0"

    B C D E F G I

    T.O. PARAPET48' - 0"

    A H

    Level 10' - 0"

    Level 216' - 0"

    Level 330' - 0"

    PENTHOUSE44' - 0"

    T.O. PENTHOUSE60' - 0"

    LEVEL 1-A-3' - 6"

    BCDEFGI

    T.O. PARAPET48' - 0"

    AH

    SH

    EET N

    O.

    DW

    G. TIT

    LEK

    EY P

    LAN

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    ON

    SU

    LTA

    NTS

    ARC

    HIT

    ECT'S

    STA

    MP

    ARC

    HIT

    ECT

    REV# DATE DESCRIPTION

    SUSMAN TISDALE GAYLE

    828 W. 6th Street, Suite 300Austin, TX 78703

    512.899.3500

    SASAKI ASSOCIATES

    64 Pleasant StreetWatertown, MA 02472

    617.926.3300

    RVI PLANNING + LANDSCAPEARCHITECTURE

    712 Congress Avenue, Suite 300Austin, TX 78701

    512.480.0032

    DATUM ENGINEERING

    5929 Balcones Drive, Suite 100Austin, TX 78731

    512.469.9490

    TG ENGINEERING

    2222 Western Trails, Suite 107Austin, TX 78745

    512.633.3136

    SHAH SMITH & ASSOCIATES

    1946 S I-35, Suite 305Austin, TX 78704

    512.851.0404

    AUSTIN PERMIT SERVICE

    1304 E. 7th StreetAustin, TX 78702

    512.474.4555

    executive architect

    landscape architecture and urban design

    associate landscape architect

    mechanical, electrical, and plumbing

    structural

    civil

    code consultant

    NATURALSCIENCESFACILITY- Phase II

    ST. EDWARD'S UNIVERSITY,AUSTIN, TX

    JAFFEHOLDEN

    4617 Montrose Boulevard, c201Houston, TX 77006

    713.807.7887

    acoustics

    Presentation Elevations

    MRY-4.02

    1/8" = 1'-0"

    1P-East

    1/8" = 1'-0"

    2P-West

    81

    ++ CONOR WOOD / PORTFOLIO +

  • CURRICULUM VITAE

    EDUCATION

    TAUBMAN COLLEGE OF ARCHITECTURE + URBAN PLANNINGUNIVERSITY OF MICHIGAN / ANN ARBOR, MIM.Architecture Candidate, April 2012.

    Taubman Scholar.Architectural Representative Committee, Member.& Student Publication, Graphics. Work / Study Student, Graphics.Graduate Student Instruction Assistant, Professional Practice.Program ranked 1st* by practitioners. (Design Intelligence, 2011)*.Program ranked 5th* by school deans.(Design Intelligence, 2012)*.

    SCHOOL OF ARCHITECTURE + INTERIOR DESIGNUNIVERSITY OF CINCINNATI / CINCINNATI, OHB.S.Architecture Degree Recipient, Deans List, June 2010.

    Certificate of Professional Practice Recipient, June 2010.Awarded the Cincinnatus and Century Scholarships.

    DANISH INSTITUTE FOR STUDY ABROADUNIVERSITY OF COPENHAGEN / COPENHAGEN, DK

    Intensive 7-week program exploring the concepts of Scandinavian architecture and design. Research tours led to Sweden, Finland, and Western Denmark.

    AMERICAN INSTITUTE OF ARCHITECTURE STUDENTSUNIVERSITY OF CINCINNATI CHAPTERFormer Chapter President.

    Led the re-establishment of the UC chapter on campus and nationally, while building university membership and relations. Focus of the organization centered on mentoring and educating younger members and peers on design and cultural issues. Also implemented and supervised a contract with the Cincinnati Chapter of the USGBC, to work together in creating an internet database for all LEED-Certified Projects in the Cincinnati Metropolitan Area.

    SIGMA ALPHA EPSILONOHIO EPSILON CHAPTERExecutive Recorder, House Chaplain.House Executive + Judicial Boards.John O. Moseley Leadership School Attendee.

    Nominated by fraternity chapter to participate in the 73rd Annual Leadership School, for 4 days in Miami, Florida. Conference included group seminars about methods and social issues of leadership. Smaller, break-out sessions focused on implementation.

    RECRUITMENT OFFICE + ADMISSIONS TOUR GUIDEUNIVERSITY OF CINCINNATILed Prospective Student and Architectural Tours of UCs Uptown Campus.

    09 / 2010

    - PRESENT

    09 / 2006

    - 06 / 2010

    06 / 2009

    - 08 / 2009

    + [email protected]

    + [email protected]

    + (970) 393 3917

    + 514 N Division St / Ann Arbor, MI / 48104

    LEADERSHIP

    CONTACT

    82

  • MOORE RUBLE YUDELL ARCHITECTS & PLANNERSSANTA MONICA, CAIntern Architect.

    Part of a schematic and design devlopment team for a university laboratory and classroom building in Texas. Duties included illustrating programmatic diagrams, developing design models in Sketch-Up and Revit, analyzing room-fit schemes, iterating exterior elevations, and providing project renderings.

    FEE MUNSON EBERT ARCHITECTURE + DESIGNSAN FRANCISCO, CACo-op Student / Intern Architect.

    Part of a schematic development team for several buildings, including offices, single-family housing, and rehabilitation work. Also developed a complete Revit model of the Transamerica Pyramid Building, working off of original construction documents. The model will serve to provide accurate building information and BOMA calculations to Pyramid Center managers, and their leaseholders.Co-op Assessment: Excellent. Conor is fast, accurate, strong and has effective software skills, a good sense of graphics, aesthetics and design. Would hire again, without question.FME

    DANIEL P. COFFEY ASSOCIATESCHICAGO, IL

    Co-op Student / Intern Architect.

    Primarily worked on design schematics for a large-scale redevelopment of a site in west Chicago. Duties included modeling distinct building typologies in Autodesk Revit and Rhino, while also creating analysis matrices of the master plan proposal. Many of the building forms were reiterated through extensive hand drawing and sketches, and building codes were researched to understand site limitations.Co-op Assessment: Excellent. Able to complete all assignments, with minimal supervision. Works well and contributes to team success. DPCA

    RULE JOY TRAMMELL + RUBIOATLANTA, GA

    Co-op Student/Intern Architect.

    Worked with design development and schematics on several projects in the American Southeast, including a 3-tower, 2.5 million ft2 project aimed at creating a central commercial district for Midtown Atlanta. Duties included drafting, distribution of construction documents, drawings for schematic design, documentation of construction sites, and physical model building.Co-op Assessment: Excellent.

    ACQUILANO LESLIEDENVER, CO

    Intern Architect.

    + Rhinoceros 4.0/5.0 / VB Scripting / Grasshopper

    + Autodesk Revit

    + Autodesk AutoCAD

    + Google Sketch-Up

    + ANSYS Mechanical

    + MasterCAM 4

    + Adobe Creative Suite / Photoshop / Illustrator / InDesign / Dreamweaver

    + Microsoft Office / Word / Excel / Powerpoint

    05 / 2011

    - 08 / 2011

    01 / 2009

    - 06 / 2009

    06 / 2008

    - 09 / 2008

    06 / 2007

    - 09 / 2007

    01 / 2010

    - 03 / 2010

    EXPERIENCE

    SOFTWARE

    83

    ++ CONOR WOOD / PORTFOLIO +

  • P_12_Covers 2P_12_LULUP_12_Lulu_bP_12_Lulu_c

    P_12_Covers 1