press release talking (about) images graz 29.05-12.06.2018...means of expression, as in kate...

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With the support of In collaboration with: CULT|IN Talking (about) images Curated by Francesca Lazzarini and Marta Rovetta Kunsthalle Graz Graz, from May 29th to June 12th 2018 Alessandro Sambini, Spelling Book, detail, 2018 After its first stage at Galerija Kortil in Rijeka, the reflection on the role and power of images in contemporary society, between individual consciousness and mass culture, proposed by Talking (about) images continues in Graz, at the Kunsthalle, from May 29th to June 12th 2018. The project, curated by Francesca Lazzarini and Marta Rovetta for Cultural Inventory, with the support of the Region of Styria, develops through four exhibitions and as many open laboratories with eight artists of various nationalities and different means of expression - The Cool Couple, Severin Hirsch, Kate Howlett-Jones, Neža Knez, Maryam Mohammadi, Nika Rukavina, Alessandro Sambini and Christoph Szalay -, exploring the relationship between images and the reality they represent, the mechanisms that regulate their production and diffusion, the ambiguities that they can generate, but also their potential as a universal and shared language. In fact, unlike words, images do not require translations to be read by people in different part of the world, being apparently a limitless tool for global communication. Nevertheless, their interpretation is anything but objective: images are intrinsically ambiguous. Due to their power of persuasion, images play a key function in the capitalist and globalised system: they are vehicles for ideology and one of the main weapons in the struggle over an arena of strategic importance today, the collective imaginary. So Talking (about) images focuses on images as an autonomous language, as in the work Everyday by The Cool Couple, which assembles meme GIFs reflecting on the influence on our existences of “secondary visuality”, the installation Imag(in)e Ka-mi-ze by Neža Knez, on images as a childrens’ mean to design a better future, the work Lemmings by Severin Hirsch, that spurs for an independent use of images and texts conceived as equal symbols, and Maryam Mohammadi’s Memories Icon, that explores the role of images in shaping personal memories as well as unconscious visual cultural effects; at the same time, the show reflects on the potentialities and limits of this language: on its interaction with other means of expression, as in Kate Howlett-Jones’s Pocket Dictionary of the world’s Most Iconic Photographs, where every

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Page 1: Press Release Talking (about) images Graz 29.05-12.06.2018...means of expression, as in Kate Howlett-Jones’s Pocket Dictionary of the world’s Most Iconic Photographs, where every

Withthesupportof

Incollaborationwith:

CULT|IN

Talking(about)images

CuratedbyFrancescaLazzariniandMartaRovetta

KunsthalleGraz

Graz,fromMay29thtoJune12th2018

AlessandroSambini,SpellingBook,detail,2018AfteritsfirststageatGalerijaKortilinRijeka,thereflectionontheroleandpowerofimagesincontemporarysociety,

between individual consciousness andmass culture, proposed by Talking (about) images continues inGraz, at the

Kunsthalle,fromMay29thtoJune12th2018.

Theproject,curatedbyFrancescaLazzariniandMartaRovettaforCulturalInventory,withthesupportoftheRegionof

Styria,developsthroughfourexhibitionsandasmanyopenlaboratorieswitheightartistsofvariousnationalitiesand

differentmeansofexpression-TheCoolCouple,SeverinHirsch,KateHowlett-Jones,NežaKnez,MaryamMohammadi,

NikaRukavina,AlessandroSambiniandChristophSzalay-,exploringtherelationshipbetweenimagesandthereality

theyrepresent,themechanismsthatregulatetheirproductionanddiffusion,theambiguitiesthattheycangenerate,

butalsotheirpotentialasauniversalandsharedlanguage.

In fact, unlikewords, images do not require translations to be read by people in different part of theworld, being

apparentlyalimitlesstoolforglobalcommunication.Nevertheless,theirinterpretationisanythingbutobjective:images

areintrinsicallyambiguous.Duetotheirpowerofpersuasion,imagesplayakeyfunctioninthecapitalistandglobalised

system:theyarevehiclesforideologyandoneofthemainweaponsinthestruggleoveranarenaofstrategicimportance

today,thecollectiveimaginary.

SoTalking(about)imagesfocusesonimagesasanautonomouslanguage,asintheworkEverydaybyTheCoolCouple,

which assemblesmeme GIFs reflecting on the influence on our existences of “secondary visuality”, the installation

Imag(in)eKa-mi-zebyNežaKnez,onimagesasachildrens’meantodesignabetterfuture,theworkLemmingsbySeverin

Hirsch,thatspursforanindependentuseofimagesandtextsconceivedasequalsymbols,andMaryamMohammadi’s

Memories Icon, thatexplores theroleof images inshapingpersonalmemoriesaswellasunconsciousvisualcultural

effects;atthesametime,theshowreflectsonthepotentialitiesandlimitsofthislanguage:onitsinteractionwithother

meansofexpression,asinKateHowlett-Jones’sPocketDictionaryoftheworld’sMostIconicPhotographs,whereevery

Page 2: Press Release Talking (about) images Graz 29.05-12.06.2018...means of expression, as in Kate Howlett-Jones’s Pocket Dictionary of the world’s Most Iconic Photographs, where every

Withthesupportof

Incollaborationwith:

CULT|IN

image-entryisdefinedbyapoetictextresultingfrommixedcommentariesfoundfromtheinternetandtheinstallation

It’snotyourtimetogetyourangel’swingsjustyetthroughwhichChristophSzalaytakestheiconicstoryofTitanic,and

itsvideogamere-enactmentasastartingpointtoresonateonrepresentationandonthenegotiationofthereal,aswell

asontheresponsibilityrelatedtoitsproductionandfruition,asinthevideoandtheperformancebyNikaRukavina,The

IllusionofTruth,on thepropagandisticand ideologicaluseof imagesand thepassive receptionof their flow,and in

Spelling Book by Alessandro Sambini, which presents the analogue outcomes of amachine learning process raising

questionsaboutthemeaningofeducationandtheresponsibilityofimage-making.

AfterthefirstopeningattheGalerijaKortilinRijeka,thevideoinstallationTheImagesofourDreamsbyDiscipulahas

been included in theexhibition,building speculative scenarios concerning imagesand their relationshipwithhuman

beings.

Afterwards,Talking(about)imageswillcontinueitsjourneytoTrieste,from28Septemberto18November,andfinally

inSlovenia.

In collaborationwith:Galerija Kortil,Kunsthalle Graz,MLZ Art Dep, Italian Cultural Institute in Slovenia,Austrian

CulturalForumLjubljana,POIUYTandAssociationofArthistorianofRijeka.

Talking(about)imagesCuratedbyFrancescaLazzariniandMartaRovetta

KunsthalleGrazGraz,fromMay29thtoJune12th2018

Opening:Tuesday,May29th6:00p.m.

ConradvonHötzendorfStraße42aHours:FromTuesdaytoFriday,4:00-7:00p.m.Freeadmission

[email protected]://kunsthallegraz.at

PressOfficeTamaraLorenzicommunication

[email protected]

Page 3: Press Release Talking (about) images Graz 29.05-12.06.2018...means of expression, as in Kate Howlett-Jones’s Pocket Dictionary of the world’s Most Iconic Photographs, where every

Withthesupportof

Incollaborationwith:

CULT|IN

TheCoolCouple(oftenabbreviatedtoTCC)isaMilan-basedartistduoestablishedin2012byNiccolòBenetton(1986)andSimoneSantilli(1987).Theirresearchfocusesonthefrictionpointsthataregenerateddailyintherelationshipbetweenpeopleandimages.Theideathatimagesactasactivehubsinanetwork,combinedwithastrongemphasisonproduction,resultsintheuseofseveralformsofexpression,rangingfromfineartphotographytoelectrostaticwipes,meditationroomsandChinesecover-bands. TCC’sworkshavebeen exhibited internationally atCentrodiCulturaContemporanea Strozzina, FondazioneBevilacquaLaMasa,UnseenPhotoFestival,Centquatre,LesRencontresdesArles,MACROMuseum.TheywereselectedbyFotomuseum,WinterthurforPlat(t)form2015.TCCreceivedthePremioFabbriforcontemporaryphotography in2014,thePremioGraziadeiin2015,thePremioGruppoEuromobilUnder302017andthePremioFotografiaunder40ArtVerona.NiccolòandSimoneco-foundedthecoverbandRui&theRainbowDragons.Discipulaisacollectiveoperatinginthefieldofvisualculturefoundedin2013byMFGPaltrinieri,MirkoSmerdelandTommasoTanini.Workingacrossa rangeofpractices, varying frompublicationsandart installations to commissionsandeducation,Discipulafocusesontheexplorationoftheroleandusesofimagesinthecontemporarymediascape.Thecollectivereferstoimagesaspoliticalandeconomictools,meansofpowerandcontrolwhoseambiguousnaturecanbecontrolledtodetermineshiftsintheperceptionofreality.Withregardtothis,Discipulapaysparticularattentiontotheroleofthevieweraswellastotheactoflookingasaformofpoliticalconscience.Discipula'sworkhavebeenexhibitedinternationallyatUnseenPhotoFair-Amsterdam, LondonArt Fair,MatildenhoheDarmstadt, FORMAT Festival - Derby, Kunsthalle Budapest, Tokyo Institute ofPhotographyandmore.DiscipulaistherecipientofvariousawardsincludingPremioFabbri2016andLesRencontresd’Arles,AuthorBookAward2015.SeverinHirschwasborninCelje,Slovenia(thenYugoslavia),sheattendedtheSchoolofDesign,GraphicsandPhotographyinLjubljana.BasedinGrazsince2003,sheworkedasphotographerandrestorerbeforeshestartedtoinvestigateinthefieldoftheartsandcompletedtheMeisterschulefürKunstundGestaltung/MalereiwithProfessorErwinTalkerin2013inGraz.Sheworksbetweenmediaart,installationandpainting.Herphotographicworksdealwithsocialchangeandchangeofvalues.HerartworkwashonouredwiththeArtPromotionAwardofthecityofGrazin2016.KateHowlett-Joneswasbornin1971andgrewupinLondon.FollowingaMaster’s inFrenchandRussianliteratureattheUniversityofOxford(1989-1993),shemovedtoAustriain1999.SincethenshehasbeenactiveinGrazasatextartistandwriter.In2013sheco-foundedTheDailyRhythmsCollective,aplatformforinternational,interdisciplinarywomanartistsbasedinGraz.RecentexhibitionsandpublicspaceprojectsincludeShiftingConstellations(MinoritenGraz2015),RoseoftheWinds(Sarajevo,Trieste,Graz2015),Verfolgt,beraubt,vertrieben(rotor2016),sublim(escmedienkunstlabor2016),StoriesfromtheEdge(MLZTrieste,GalerieKortiljandKunsthausGraz2016),steirischerherbst2016,ErzählungenderAnkungsstadt(rotor2016).Sheworksbetweentext,objectsandinstallation.Herworksdealwiththeartisticdynamicsoflanguageandnarrativeastheyinteractwithvisualizationandspace.NežaKnezwasborninLjubljanain1990.In2014shegraduatedinSculptureatAcademyofFineArtsandDesign,wheresheiscurrentlystudyingamaster’sprogramunderthementorshipofprofessorJožeBarši.Sheworkswithdifferentmedia,suchasaudio,video,photography,withherownbodyorwiththebodiesofother,drawingsandclassicalsculpture.Sheistherecipientofprominentawards:Recognition foroutstandingacademicachievements,Award foroutstandingacademicachievementsAcademy of Fine Arts, University of Ljubljana, Award for an innovative approach to the graphic arts, Prešern's award ofAcademyofFineArtsandshewasnominatedforimportantawardOHO(theprizewasestablishedin2006bytheP.A.R.A.S.I.T.E.Institute(Ljubljana)incooperationwiththeFoundationforaCivilSociety(NewYork).Herartpracticeisrepresentedathomeandabroad,withcooperationonresidencyorwithexhibitions.MaryamMohammadiisadocumentaryandstagedphotographer.SheholdaPh.D.inVisualcommunicationandPhotography,JEPuniversity.ShetaughtatTehranUniversityofArtsformanyyears,andhasexhibitedwidelyinIranandinEurope.ShehaslivedinGrazsince2009,whereshereceivedthecityArtFundsPrize.Herworkfocusesonhowsocial,culturalandreligiousconditions at both local and global levels affectwomen. Also, how these effects are inscribed into their biographies andidentities.Occasionallysheisalsoanillustrativeobjecttoreflectherprocessofsocializationindifferentsocietalsystems.Forthelastfewyearsshehasworkedininterculturalyouthcenters,feministadulteducation,womenandmigrantscounseling.Since2015shehasbeenpartoftheGrazWomen’sCouncil.

Page 4: Press Release Talking (about) images Graz 29.05-12.06.2018...means of expression, as in Kate Howlett-Jones’s Pocket Dictionary of the world’s Most Iconic Photographs, where every

Withthesupportof

Incollaborationwith:

CULT|IN

NikaRukavinawasbornin1980inRijeka,Croatia,whereshelivesandworks.SheholdsaBAinsculptureattheAcademyofFineArtsinVeniceandworksindifferentmediafromperformance,installations,painting,sculptureandvideo.Herprimaryinterestistryingtofindadifferentperspectiveoncommonlyacceptedviews.Shehasexhibitedat:Kunsthaus,Graz,Austria;MagazzinidelSale,Venice,Italy;MuseumofModernandContemporaryArt,Rijeka,Croatia;Pyramida,Tirana,Albania;CulturalCenter,Belgrade,Serbia;BlaenauFfestiniog,Wales,UK;GalleryA+A,Venice,Italy;GalleryBevilacquaLaMasa,Venice,Italy;GalleryNuovaIcona,Venice,Italy.SheisoneofthewinnersoftheIvoKalinaAward,thecityofRijekaartawardforthebestexhibitionin2009(VIAinternationalartproject).Alessandro Sambini (Rovigo, 1982) lives andworks inMilan,where hemoved after graduating in Art&Design at LiberaUniversità in Bolzano and further to completing an MA in Research Architecture at the Visual Cultures department ofGoldsmithsCollege,UniversityofLondon. InMilan,hestartedworkingwith images,videoandmixedmedia,exploringtheneeds and modalities that regulate the production of new images, their circulation and dissemination, and the variousrelationshipsthatexistbetweentheimageitselfanditsviewers.HisworkshavebeenexhibitedinmajormuseumssuchasMUSEION, FORMA, MUFOCO, MAST, MA*GA, La Triennale di Milano and at the Kunsthaus in Graz. He was selected byFotomuseum,WinterthurforPlat(t)form2017.ChristophSzalaywasbornin1987inGraz.HestudiedGerman(Language&Literature)atKarl-FranzensUniversityGrazandArtinContextatUniversityofArtsBerlin.Writer,performer,curator.Recentworksinclude:SPACE=WOW(BUTISTILLMISSYOU,EARTH),publicationatSpacecragPress2017aswellasaperformedpieceatMinoritenGrazandMusiktheatertageWien,WerkX,2017/WhenIthinkofPalace,threepartlectureatForumStadtpark&SteirischerHerbst2016/Re-ConsideringTriesteorOH,HOWIWANTEDTOBEYOURBABY(butyouwouldn'tletme),limitedpublicationof100piecesfortheAiRTrieste2016/Alex&derMond,children'sbookwithdrawingsbyLisa-MariaWagner,Lugschacht2016.