presents the world premiere of

based on five short stories byKurt Vonnegut

produced, adapted, and directed byScott Rognlien

starringRob Beddall, Keith Blaney, Jason Frost, Marjorie LeWit, Carryl Lynn, Darren Mangler, Paul Michael Nieman,

Eric Normington, Maia Peters, Paul Plunkett, JR Reed, Rob Smith, Matt Taylor

producerJR Reed

projection & lighting designerKate Leahy

set designerBrittany Blouch

producerMaia Peters

costume designerKimberly Freed

stage managerBecky Hefferman

Vonnegut, USA is presented with permission from the estate of Kurt Vonnegut.

Cast (in alphabetical order)

Harry Barker, Lawrence Morgan…………..…………………….….Rob Beddall

Verne Petrie, Herb White……………...………………………...…Keith Blaney*

Newell Cady……………………….………………………………….Jason Frost

Patty Lee Minot, Mary Mansfield, Elsie Strang Morgan……..….Marjorie LeWit

Nancy Daily, Mrs. Dickie, Maid, Reva Deal………………..........…..Carryl Lynn

Man, Fire Chief Stanley Atkins………...………………….…….Darren Mangler

Upton Beaton…………………………………………...….Paul Michael Nieman

Kennard Pelk………………………………….…….…………..Eric Normington

Sheila Hinckley White………………………….…………………….Maia Peters

Henry George Lovell, Jr………………...…….……………………..Paul Plunkett

Dave Mansfield………………………………………...………………….JR Reed

Lou Sterling, Ed Newcomb………………………………....…………..Rob Smith

Bud Carmody, Al Tedler…………………………………….………..Matt Taylor *Member Actors’ Equity Association

film cast (in alphabetical order)

Blaire Chandler……………………………………………………..Gloria Hilton

Lori Anne Edwards………..…………......…………..Women’s College President

Jacques Freydont…...…………………………..…….FFF Chairman of the Board

James Mathis III……………………………….……....…Know-How Voice Over

Mark McCracken……………...…….….Gloria’s Husband, Vacuum Voice Over

Zoe, Beau and Tyo Normington……………..……………..…..Gloria’s Children

Scott Rognlien…………………..………………...……….FFF Promo Voice Over

setting Sometime just north of the midway point of the last century.

time Somewhere in the northeastern region of America.

There will be a fifteen minute intermission.

Herbal cigars are will be used during this production.

Creative/Production Team

Adaptor/Director……….…………..……….………….Scott Rognlien

Producers…………………………………………………..Maia Peters JR Reed

Scott Rognlien Projection and Lighting Designer……………….………….Kate Leahy Set Designer…………………………………………... Brittany Blouch Costume Designer………………………………..…….Kimberly Freed Stage Manager………………………...……………. Becky Hefferman Technical Director…………………….…………... Justin Ryan Brown Set Builders.………………………….…………………....Ben Durham

Brendan Haley Kurtis Bedford

Film Director……………………………...……………..Scott Rognlien Director of Photography………………....……………Darrett Sanders

Film Audio……………………….…………………………Sara Glaser Lena Alkhatib

Veronica Zebrocki

Film Editors/Post Production……………………………Craig Kuehne Marjorie LeWit Scott Rognlien

Publicist………………………………………………….Nora Feldman Graphic Designers……………………………………Joe McCarthy, II

Owen Hammer Dave Portal

Kurt Vonnegut, Jr., Author

Kurt Vonnegut, Jr. was born on November 11, 1922, in Indianapolis, IN. When World War II broke out, Vonnegut was 16; at 20, he entered the army and was shipped off to Europe, where he almost immediately was captured by the Germans in the Battle of the Bulge. He was sent as a POW to Dresden. On February 13, 1945, British and American bombers destroyed the city by dropping high explosives followed by incendiary bombs. The event would later be the inspiration for his groundbreaking novel, Slaughterhouse Five. After the

war, Vonnegut took an advertising job at General Electric to support his family and began writing short fiction on the side. From 1950 into the early 60s, Vonnegut published multiple short stories every year in various American magazines that still packed their pages with what Vonnegut called "slick fiction." By the mid-sixties the short-story market was drying up but Vonnegut's novels had already developed a cult following of college students. In these novels, Vonnegut mastered his trademark black comic voice, making his audience laugh despite the horrors he described. By the early 1970s, Vonnegut was one of the most famous living writers on earth. - Courtesy of the Kurt Vonnegut Museum and Library/Rodney Allen

a note from the adaptor/director

When Kurt Vonnegut died in April of 2007, I had already read a handful of his books, each very different in content, but with similar style. The voice always drew me in, as though I was experiencing a chance meeting with the same tall, lanky, kind fellow who was generous enough to share his stories with me. After his passing, I surprisingly felt like I had lost a friend, and at that point endeavored to read all of his books in chronological order. My friend came to life again and I watched him grow as a writer throughout his abundant career of novels, short stories, plays, essays, and so on. So many of the same characters, themes, and locations seemed to pop up throughout his work that I was intrigued with the idea of adapting his work for the stage by setting it inside the Vonnegut universe.

His short stories were the best vehicle for this experiment because we could visit many locations, meet different characters, and show how they all live in the unique world that Vonnegut created. And his voice is always there. You can imagine him as a bustling employee of the Ilium Works, just as he was at the General Electric Schenectady Works, when he worked there as a PR man. In another life he may have been a seller of combination storm windows and screens, an occupation he's applied to many of his short stories' narrators. I have striven to stay as true to the original texts as possible in order to capture the feeling of Vonnegut's storytelling style, while at the same time attempting to create a wholly original piece of theatre. But mostly I just wanted to bring my friend back to life again, let him walk around the stage and tell these stories through his cast of characters.

Kurt has said that some adaptations were often missing one character – him, the author. I would also say that his stories have another integral character, the reader, or in this case, the audience. Thanks so much for picking us up and turning the pages.

the players

Robert Beddall – Harry Barker, Lawrence Morgan

Robert was born and raised in Worcestershire, England, and attended the American Academy of Dramatic Arts. He is a current member of The Road Theatre Company. LA and CA theatre credits: Henry IV part II, The Man in the Iron Mask (SSC), Coriolanus (The Archway Theatre), That Good Night (The Road Theatre), Sherlock Through the Looking Glass (POH), Richard III (A Noise Within). Film: Night Vet, A Marine Story, Second Thoughts, Locked Up, Selves. www.robbeddall.com

Keith Blaney – Verne Petrie, Herb White I’m pleased as punch to be acting again with TNA for the

third time! When I'm not working with this wonderful company and cast, I'm developing screenplays with my

writing partners Charlotte and Bones and telling tales at one of LA’s many storytelling forums such as Sit 'n Spin at the

Comedy Central Stage. Later this year you can see me with Dr. Dre in Apple TV's first scripted series Vital Signs.

Thanks audience member!

Jason Frost – Newell Cady Jason is thrilled to be originating another role with The Next Arena. From off (off-off) Broadway venues in New York to Los Angeles theaters like the Boston Court (as an understudy) and the Matrix Theatre (where he managed to blow hot candle wax on his own face while on stage, in a play with Darren Mangler), Jason has acted in plays and

movies for 20 years. It's great to do another.

Marjorie LeWit – Patty Lee Minot, Mary Mansfield, Elsie Strang Morgan

This is Marjorie's TNA debut! She was recently seen as Lieutenant Black in Jacques Freydont's Eviction

Notice with Defiance Theatre Company, where she is also the Associate Artistic Director. Past NYC theatre

credits include Mommy in The American Dream (Brooklyn Music Theater),Spider Woman in Kiss of

the Spider Woman (National Actor's Theater), Karen in The Children's Hour, and Arkadina in The Seagull,

and several one-act plays at The Player's Theatre, Rattlestick Playwright's Theatre and the American Globe Theatre.

Carryl Lynn – Miss Daily, Mrs. Dickie, Maid, Reva Deal Carryl is a native of Boston & Cape Cod, where her theatre credits include the original cast of Gip Hoppe's “Jackie: An American Life.” Los Angeles theatre credits: Coeurage Theatre’s award winning production of Tennessee Williams’ Vieux Carré, (StageSceneLA Award for Outstanding Ensemble), Fancy Meeting You Here, Talking With, and Cowboy Mouth. Her film & tv credits include CryptTV’s Bloody Mary, Kevin Smith’s Red State, Alice, True Blood, and NCIS. She studied

with legendary Milton Katselas at the Beverly Hills Playhouse.

DDaarrrreenn MMaanngglleerr –– SSttaannlleeyy AAttkkiinnss Darren graduated from WIU and toured the country

performing Last of the Red Hot Lovers for the Repertory Theater of America and The Pied Piper with Missoula Children's Theater. His biggest hit in LA was The Last

Laugh playing Fatty Arbuckle. He has been in many national commercials and has been seen on Freakylinks,

Switched at Birth, The Longest Yard, and Conan. His short film "The Whole Person" has won awards and his

web series "2 for Stew” is currently on Funny or Die.

http://www.imdb.com/name/nm1902919/?ref_=fn_al_nm_1

PPaauull MMiicchhaaeell NNiieemmaann –– UUppttoonn BBeeaattoonn Paul has been honored with two Best Actor awards for his portrayals of Tevye in Fiddler on the Roof and Lt. Col. Jessup in A Few Good Men. Paul appeared in the award winning film The Convicted, and the award winning web series Half Sisters. Paul’s background includes radio and commercial voice-over work. In San Diego on K-Best 95FM he was known as Paul Diamond and had the #1 rated show for women ages 18-35.

EErriicc NNoorrmmiinnggttoonn –– KKeennnnaarrdd PPeellkk Eric is the proud father of three and a freelance actor/writer working in television and commercials. You can also see him perform longform improv with Big Boss, a House Team, most

Sundays at The Nerdist School Stage. Eric would like to thank Scott and his fellow cast mates for all their hard work

in bringing these great Vonnegut stories to life. Fun fact: This sentence brings Eric exactly to the 75 word bio limit.

MMaaiiaa PPeetteerrss –– SShheeiillaa HHiinncckklleeyy WWhhiittee

Maia is a founding member of TNA and is thrilled to be joining this amazing production. Previous TNA roles

include Minna/Elsa in Von Bach, several Onesies productions, Inez in No Exit, and director of Fool for Love.

You may also have seen her as Princess Leia in Patrick T. Gorman’s Star Wars Trilogy in 30 Minutes/Saga in 60.

And, in honor of Scott, “Congratulations, thank you, and love you!”

PPaauull PPlluunnkkeetttt –– HHeennrryy GGeeoorrggee LLoovveellll,, JJrr.. Paul Plunkett is a founding member of the Sacred Fools Theatre Company and has served multiple terms as an Artistic Director. Fools' credits include Gorey Stories (Ovation for Producing, LADCC Ensemble Award with the cast), Baal and countless late-night and off-night shows. Shows directed include Endgame, Candide and 43 Plays for 43 Presidents. Cheers and much love to Tifanie!

JJRR RReeeedd –– PPrroodduucceerr,, DDaavvee MMaannssiieelldd This marks JR's third production with TNA. Previously he

appeared in Onesies and in the title role of Von Bach. Other notable theatrical endeavors include being a company member of The Actors' Gang, Michael Sargent Players,

Another Showcase Showdown, and in Star Wars Saga in 60 Minutes. JR has been on Blackish, Community, a slew of

commercials, and played a major role in New Line's Tenacious D in The Pick of Destiny. He appeared with

Tenacious D on stage and was the lead singer of Trainwreck.

RRoobb CChheesstteerr SSmmiitthh –– LLoouu SStteerrlliinngg,, EEdd NNeewwccoommbb Rob is an actor and writer here in L.A. You may have seen him in a TV show or two or maybe in a bunch of commercials. But it may have been Robert Sean Leonard. He is super-proud of the show and thankful to Scott and The Next Arena for the opportunity. Rob also thanks Sierra for handling the kids on rehearsal and show nights, and for being so totally foxy.

MMaatttt TTaayylloorr –– BBuudd CCaarrmmooddyy,, AAll TTeeddlleerr Matt is a graduate of Columbia College Chicago and is trained in long form improv from Chicago's Second City Theater, I.O. Chicago and LA's I.O. West. Vonnegut, USA marks his 12th performance with The Next Arena over the past 11 years. Matt would like to thank Scott for continuing to cast him in these amazing productions and loves being a part of this wonderful cast!

Production Team

SSccootttt RRooggnnlliieenn –– PPrroodduucceerr,, DDiirreeccttoorr,, AAddaappttoorr Scott’s work as a director has been seen in Chicago, England, Central Oregon, and Los Angeles. With The Next Arena, Scott directed No Exit, We Won’t Pay!

We Won’t Pay!, The Angry Guy in the Pink Hat and the critically acclaimed Von Bach. Also with TNA, he adapted and performed Vladimir Nabokov’s Invitation to a Beheading for the stage. Scott is the Artistic Director and a founding member of The Next Arena, and is a graduate of Northwestern University’s Performance Studies department.

BBrriittttaannyy BBlloouucchh –– SSeett DDeessiiggnneerr Brittany was born and raised in Anchorage, AK. During the day she works as a Master Planner designing theme parks. Her scenic design work includes: And the Drum (Capital W), LA Views: CriminalEyes (Company of Angels), LA Views: At Your Service (Company of Angels), Merrily We Roll Along (University Players), By the Bog of Cats (University Players). This is her first time working with The Next Arena and she couldn't be more excited!

KKiimmbbeerrllyy FFrreeeedd –– CCoossttuummee DDeessiiggnneerr Kimberly is delighted to be collaborating with Scott and the talented cast & crew of Vonnegut, USA! Theatre credits: Phrazzled, Rio Hondo, Entropy (Stage Raw 2015 Best Costume Design Award winner, Ovation & BroadwayWorld/LA.com nominated), The Gary Plays, The :nv:s:ble Play, A Mulholland Christmas Carol, Potential Space, Figure 8, Kill Me, Deadly, Eat the Runt, and Nibbler. Kimberly designs for film, TV, commercials & fashion styling. Costume Designers Guild local 892 member, Otis, College of Art & Design, Fashion Design www.kimberlyfreed.com

BBeecckkyy HHeeffffeerrmmaann –– SSttaaggee MMaannaaggeerr Becky has worked in every aspect of theater for over 30 years. Her work in the greater LA area includes shows with Sacred Fools, the Macha Theatre, and most recently ANC Productions at the Hollywood Fringe Festival. She has stage managed twice at the NY Fringe Festival and nominated twice (won once) for an ADA Award. Becky is thrilled to work with TNA again with an amazing cast of wonderful people! Much love to Dennis for his support.

KKaattee LLeeaahhyy –– PPrroojjeeccttiioonn && LLiigghhttiinngg DDeessiiggnneerr Kate has designed lighting and video for celebrated recording artists Prince, Nelly, Vanessa Williams, Prince Royce, TLC, Missy Elliot, and Mary J. Blige, among others. Her favorite theater credits include The Mountaintop directed by Courtney Sale at the Indiana Repertory Theater, The Strange Case of Dr. Jekyll and Mr. Hyde directed by Will Davis at The University of Texas in Austin, and Romeo and Juliet directed by Daniel Kramer at the Al Bustan Festival in Beirut, Lebanon and the St George's Theater in London. Kate is a graduate of Northwestern University (BS in Speech), and The University of Texas at Austin (MFA in lighting). She is thrilled to be back in Los Angeles working on an original piece by Scott Rognlien. www.kateleahydesign.com

Special Thanks

Annie & Donald Farber

Joe Petro III

Marleen and Bruce Rognlien

Jean-Michel Richaud

Ben Durham

Trey Gilmore

Rob Walker

David Wilcox

Beat Garage

24th Street Theatre

Center Theatre Group

Origami Express

www.KurtVonnegutPrints.com

Signed, limited edition silkscreen prints for our Indiegogo.com

campaign were provided courtesy of Joe Petro III of Origami Express and www.kurtvonnegutprints.com.

The Next Arena Members Maggie Bandur

Lori Anne Edwards Jason Frost

Owen Hammer Jonathan Howard James Mathis III Eric Normington

Maia Peters Zoran Radanovich

Jean-Michel Richaud Scott Rognlien

Matt Taylor Annie Terry