Slide 1

Presentation for Trinity Cristo Rey Lutheran Church, Santa Ana, CA by Christopher Martin Digital Organs, Downey, CA Slide 2 Overview Most digital organ companies use a few samples for each rank of pipes, bent to different pitches throughout the rank. The samples are very short, and often the beginning and the release are truncated. This was useful years ago for conserving memory and processing power, but with the technology currently available, it is outdated. Our organs use samples for each and every note in a rank. Our samples are very longusually between 5 and 13 seconds. We use entire sampled organs so that the different voices blend together in the way a master pipe organ builder voiced them over many hundreds of hours. The difference in realism is astonishing and readily apparent even to untrained ears. All of our organs use the same software platform, so they share a lot of advanced features in common: Built in audio and MIDI recording (the organ can play itself with the press of a button). Randomization modeling for tuning and tremulants (to better imitate the sound of a pipe organ). Swell shoes apply filters to each and every pipe separately in real time. Touchsreen menu interfaces built into a drawer in the console. Easy access to transposition, temperaments, pitch adjustment, volume adjustment, and a host of other menu functions. Multichannel audio routing: different divisions of the organ are routed to different groups of speakers. Within those groups, each speaker carries its own pipe-load so that no one organ pipe sounds from more than one speaker. This fools the ear much better into believing it is hearing thousands of pipes than any possible stereo mix. Slide 3 Organ Models Available Studio 2 Studio 3 Studio 3X T3 T4 S3 S4 Slide 4 Studio 2 Slide 5 Studio 2 Features 2 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing weights. 1 row of 20 thumb pistons for controlling the combination action including a Set, Cancel, 5 generals, 5 divisionals, 5 banks of combination memory, and 3 coupler duplicates. 10 toe pistons (5 generals and 5 pedal divisionals). A 32 note radiating and concave AGO standard pedalboard. A 44 stop disposition, 3 couplers, and a Swell tremulant controlled with center sprung, lighted rocker tabs. One swell shoe. A pedal lamp. A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions. 20 temperaments available standard. Up to 300 temperaments available upon request. Slide 6 Studio 2 Options Studio 2 Basic: $24,695 Add a crescendo shoe: $450 Add a second row of engraved pistons: $850 Add 4 LCD screens for displaying relevant information in real time: $1100 Add wood-core, wood-covered keyboards (standard or reverse colors): $3800 Add French Romantic (Cavaill-Coll) and German Baroque (Silbermann) sample sets (including engraved label plates): $1400 Studio 2 with full options: $32,295 Slide 7 Studio 2 Stoplist Pedal 16' Principalbass 16' Contrabass 16' Soubasse 8' Octavbass 8' Gedackt 4' Octave Mixtur IV 16' Basson 16' Bombarde 8' Trompete Gt. to Ped. Sw. to Ped Great 16' Montre 8' Principal ' Flte Harmonique 8' Gamba 8' Bourdon 4' Praestant 4' Rohrflte 2 2/3' Quinte8 2' Superoctave Cornet II-V Mixtur V-VII Cimbel IV-V 8' Trompete 4' Trompete Sw. to Gt. Swell (expr.) 16' Gedeckt 8' Principal 8' Geigenprincipal 8' Cor de nuit 8' Flte Traversiere 8' Bourdon a chemine 8' Gamba 8' Voix cleste 8' Salicional 4' Praestant 4' Flte conique 2 2/3' Quinte 2' Doublette Swell (cont'd) 2' Octavin 1 3/5' Terz 1 1/3' Larigot Mixtur IV-VI 8' Trompette 8' Cromorne 8' Basson- hautbois Tremulant Slide 8 Studio 3 Slide 9 Studio 3 Features 3 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing weights. 1 row of 20 thumb pistons for controlling the combination action including a Set, Cancel, 5 generals, 5 divisionals, 5 banks of combination memory, and 3 coupler duplicates. 10 toe pistons (5 generals and 5 pedal divisionals). A 32 note radiating and concave AGO standard pedalboard. A 45 stop disposition, 9 couplers, and Swell and Positiv tremulants, controlled with center sprung, lighted rocker tabs. Dual expression shoes. A pedal lamp. A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions. 20 temperaments available standard. Up to 300 temperaments available upon request. Slide 10 Studio 3 Options Studio 3 Basic: $28,595 Add a crescendo shoe: $450 Add a second row of engraved pistons: $850 Add a third row of engraved pistons $850 Add 4 LCD screens for displaying relevant information in real time: $1100 Add wood-core, wood-covered keyboards (standard or reverse colors): $5700 Studio 3 with full options: $37,545 Additional sample sets available upon request Slide 11 Studio 3 Stoplist Pedal 16' Principalbass 16' Contrabass 16' Soubasse 8' Octavbass 8' Gedackt 4' Octave Mixtur IV 16' Basson 16' Bombarde 8' Trompete Gt. to Ped. Pos. to Ped Sw. to Ped Sw. to Ped. 4' Great 16' Montre 8' Principal 8' Flte Harmonique 8' Gamba 8' Bourdon 4' Praestant 4' Rohrflte 2 2/3' Quinte 2' Superoctave Cornet II-V Mixtur V-VII Cimbel IV-V 8' Trompete 4' Trompete Pos. to Gt. Sw. to Gt. Sw. to Gt. 4' Positiv 8' Principal 8' Cor de nuit 8' Salicional 8' Flte Traversiere 4' Praestant 4' Flte conique 2 2/3' Quinte 2' Doublette 1 3/5' Terz 1 1/3' Larigot Mixtur IV-VI 8' Trompette 8' Cromorne Tremulant Sw. to Pos. Sw. to Pos. 4' Swell 16' Gedeckt 8' Geigenprincipal 8' Bourdon a chemine 8' Gamba 8' Voix cleste 4' Flte octaviante 2' Octavin 8' Basson- hautbois Tremulant Sw. to Sw. 4' Slide 12 Studio 2 vs. Studio 3 Similar features, similar options, similar stoplists. The Studio 3 spreads the stops of the Studio 2 onto 3 manuals to better facilitate the playing needs of liturgical worship and much of the organ repertoire. The Studio 3 has two enclosed expressive divisions compared to one enclosed expressive division on the Studio 2. Slide 13 Studio 3X Slide 14 Studio 3X Features 3 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing weights. 1 row of 20 thumb pistons for controlling the combination action including a Set, Cancel, 5 generals, 5 divisionals, and 5 banks of combination memory, and 3 coupler duplicates. 10 toe pistons (5 generals and 5 pedal divisionals). A 32 note radiating and concave AGO standard pedalboard. An 80 stop disposition and 16 couplers and tremulants controlled with center sprung, lighted rocker tabs. Dual expression shoes. A pedal lamp. A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions. 20 temperaments available standard. Up to 300 temperaments available upon request. Slide 15 Studio 3X Options Studio 3X Basic: $34,095 Add a crescendo shoe: $450 Add a second row of engraved pistons: $850 Add a third row of engraved pistons $850 Add 4 LCD screens for displaying relevant information in real time: $1100 Add wood-core, wood-covered keyboards (standard or reverse colors): $5700 Add a second sample set (plus engraved plates) $1600 Add a third sample set $1000 Add a fourth sample set $1000 Studio 3X with full options: $46,645 Slide 16 Studio 3X Stoplist Pedal 32' Soubasse 16' Principalbass 16' Soubasse 16' Contrebasse 8' Octavbass 8' Gedckt 8' Cello 4' Octave 4' Tibia Zinck III Mixtur IV 32' Bombarde 16' Bombarde 16' Basson (Pos.) 8' Trompete 4' Clairon Solo (floating; expressive) 16' Rohrbourdon 8' Principale 8' Voce humana 8' Konzertflte 5 1/3' Nazard 4' Octave 3 1/5' Tierce 2 2/7' Septime Great 16' Montre 8' Principal 8' Flte harmonique 8' Bourdon 8' Gamba 4' Praestant 4' Rohrflte 2 2/3' Quinte 2' Superoctave Cornet II-VII Mixtur V-VII Cimbel IV-V 16' Trompete 8' Trompete 4' Trompete Crescendo On Solo (cont'd) 2' Flte Sesquialtera II Plein jeu III-V 8' Cor anglais 8' Tuba mirabilis Chamade (floating) 16' Chamade 8' Chamade 4' Chamade Positiv (expressive) 8' Principal 8' Cor de nuit 8' Salicional 8' Unda maris 4' Praestant 4' Flte conique 2 2/3' Quinte 2' Doublette 1 3/5' Terz 1 1/3' Larigot 1' Piccolo Mixtur IV-VI 16' Dulzian 8' Trompette 8' Cromorne 8' Clarinette Couplers Gt. to Ped Pos. to Ped Sw. to Ped Solo to Ped Chamade to Ped Pos. to Gt. Sw. to Gt. Solo to Gt. Swell (expressive) 16' Violon 8' Geigen Principal 8' Bourdon a chemine 8' Gamba 8' Voix Cleste 4' Violine 4' Flte octaviante 2 2/3' Nasard 2' Octavin 1 3/5' Tierce Progressio II-IV 16' Bombarde 8' Trompette harmonique 8' Basson-Hautbois 8' Voix humaine 4' Clairon harmonique Couplers (cont'd) Chamade to Gt. Sw. to Pos. Solo to Pos. Chamade to Pos. Solo to Sw. Chamade to Sw. Pos/Solo. Trem Sw. Trem Slide 17 Studio 3 vs. Studio 3X Similar features and options Much larger stoplist and alternate stoplists More powerful computer system (to process the larger stoplist) Slide 18 T3 Slide 19 T3 Features 3 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing weights. 3 rows of 20 thumb pistons for controlling the combination action including a Set, Cancel, 15 generals, 15 divisionals, 10 banks of combination memory, coupler duplicates, volume controls, and user assignable pistons. Lighted magnetic reed pistons. Ergonomic toe stud mounts, angled stopjambs, and ornamented console. 15 toe pistons (10 generals and 5 pedal divisionals). 5 LCD screens displaying relevant information in real time (sample set loaded, state of expression shoes, pitch, volume, temperament, transposition, etc.). A 32 note radiating and concave AGO standard pedalboard. An 80 stop disposition and 16 couplers and tremulants controlled with center sprung, lighted rocker tabs. Dual expression shoes and a crescendo shoe. A pedal lamp and lighted acrylic music desk. A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions. 20 temperaments available standard. Up to 300 temperaments available upon request. Double manual and pedal harpsichord and chamber organ. Slide 20 T3 Options T3 Basic: $48,395 Add wood-core, wood-covered keyboards (standard or reverse colors): $3100 Add a second sample set (plus engraved plates) $1600 Add a third sample set $1000 Add a fourth sample set $1000 T3 with full options: $55,095 Slide 21 T3 Stoplist Pedal 32' Soubasse 16' Principalbass 16' Soubasse 16' Contrebasse 8' Octavbass 8' Gedckt 8' Cello 4' Octave 4' Tibia Zinck III Mixtur IV 32' Bombarde 16' Bombarde 16' Basson (Pos.) 8' Trompete 4' Clairon Solo (floating; expressive) 16' Rohrbourdon 8' Principale 8' Voce humana 8' Konzertflte 5 1/3' Nazard 4' Octave 3 1/5' Tierce 2 2/7' Septime Great 16' Montre 8' Principal 8' Flte harmonique 8' Bourdon 8' Gamba 4' Praestant 4' Rohrflte 2 2/3' Quinte 2' Superoctave Cornet II-VII Mixtur V-VII Cimbel IV-V 16' Trompete 8' Trompete 4' Trompete Crescendo On Solo (cont'd) 2' Flte Sesquialtera II Plein jeu III-V 8' Cor anglais 8' Tuba mirabilis Chamade (floating) 16' Chamade 8' Chamade 4' Chamade Positiv (expressive) 8' Principal 8' Cor de nuit 8' Salicional 8' Unda maris 4' Praestant 4' Flte conique 2 2/3' Quinte 2' Doublette 1 3/5' Terz 1 1/3' Larigot 1' Piccolo Mixtur IV-VI 16' Dulzian 8' Trompette 8' Cromorne 8' Clarinette Couplers Gt. to Ped Pos. to Ped Sw. to Ped Solo to Ped Chamade to Ped Pos. to Gt. Sw. to Gt. Solo to Gt. Swell (expressive) 16' Violon 8' Geigen Principal 8' Bourdon a chemine 8' Gamba 8' Voix Cleste 4' Violine 4' Flte octaviante 2 2/3' Nasard 2' Octavin 1 3/5' Tierce Progressio II-IV 16' Bombarde 8' Trompette harmonique 8' Basson-Hautbois 8' Voix humaine 4' Clairon harmonique Couplers (cont'd) Chamade to Gt. Sw. to Pos. Solo to Pos. Chamade to Pos. Solo to Sw. Chamade to Sw. Pos/Solo. Trem Sw. Trem Slide 22 Studio 3X vs. T3 Similar stoplists All optional features of Studio Series are standard in T Series except wood keyboards Lighted magnetic reed pistons in T Series Ergonomic toe piston mounts, angled stopjambs, and ornamented console Slide 23 T4 Slide 24 T4 Features 4 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing weights. 4 rows of 20 thumb pistons for controlling the combination action including a Set, Cancel, 20 generals, 20 divisionals, 15 banks of combination memory, coupler duplicates, volume controls, and user assignable pistons. Lighted magnetic reed pistons. Ergonomic toe stud mounts, angled stopjambs, and ornamented console. 25 toe pistons (15 generals, 5 pedal divisionals, and 5 couplers). 5 LCD screens displaying relevant information in real time (sample set loaded, state of expression shoes,. pitch, volume, temperament, transposition, etc.) A 32 note radiating and concave AGO standard pedalboard. A 96 stop disposition and 34 couplers and tremulants controlled with center sprung, lighted rocker tabs. Triple expression shoes and a crescendo shoe. A pedal lamp and lighted acrylic music desk. A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions. 20 temperaments available standard. Up to 300 temperaments available upon request. Double manual and pedal harpsichord and chamber organ. Slide 25 T4 Options T4 Basic: $57,395 Add wood-core, wood-covered keyboards (standard or reverse colors): $4900 Add a second sample set (plus engraved plates) $1600 Add a third sample set $1000 Add a fourth sample set $1000 T4 with full options: $65,895 Slide 26 T4 Stoplist Pedal 32' Majorbass 32' Soubasse 32' Violon 16' Principalbass 16' Soubasse 16' Contrebasse 16' Violon (Sw.) 10 2/3' Grossquinte 8' Octavbass 8' Gedckt 8' Cello 4' Octave 4' Tibia Tercsept II Zinck III Compensum VII Mixtur IV 32' Bombarde 16' Bombarde 16' Basson (Pos.) 8' Trompete 4' Clairon Solo (expressive) 16' Rohrbourdon 8' Principale 8' Voce humana 8' Konzertflte 5 1/3' Nazard 4' Octave 3 1/5' Tierce 2 2/7' Septime Great 16' Montre 16' Bourdon 8' Principal 8' Flte harmonique 8' Bourdon 8' Gamba 4' Praestant 4' Rohrflte 2 2/3' Quinte 2' Superoctave Cornet II-VII Mixtur V-VII Cimbel IV-V 16' Trompete 8' Trompete 4' Trompete Solo (cont'd) 2' Flte Sesquialtera II Plein jeu III-V 8' Cor anglais 8' Tuba mirabilis Chamade (floating) 16' Chamade 8' Chamade 4' Chamade Positiv (expressive) 16' Principal 16' Quintatn 8' Principal 8' Cor de nuit 8' Flte traversire 8' Salicional 8' Unda maris 4' Praestant 4' Flte conique 2 2/3' Quinte 2' Doublette 1 3/5' Terz 1 1/3' Larigot 1' Piccolo Mixtur IV-VI Septnon II 16' Basson 16' Dulzian 8' Trompette 8' Cromorne 8' Clarinette Tremulant Couplers Gt to Ped Pos to Ped Sw to Ped Solo to Ped Chamade to Ped Pos to Gt Sw to Gt Solo to Gt Chamade to Gt Sw to Pos Solo to Pos Chamade to Pos Solo to Sw Chamade to Sw Chamade to Solo Gt to Ped 4' Pos to Ped 4' Swell (expressive) 16' Gedeckt 16' Violon 8' Geigen Principal 8' Flte harmonique 8' Bourdon a chemine 8' Gamba 8' Voix Cleste 8' Aeoline 4' Violine 4' Flte octaviante 2 2/3' Nasard 2' Octavin 1 3/5' Tierce Progressio II-IV Cymbale IV 16' Bombarde 8' Trompette harmonique 8' Basson-Hautbois 8' Voix humaine 4' Clairon harmonique 4' Hautbois Tremulant Couplers (cont'd) Sw to Ped 4' Gt to Gt 16' Gt to Gt 4' Pos to Gt 16' Pos to Gt 4' Sw to Gt 16' Pos to Gt 4' Sw to Gt 16' Sw to Gt 4' Pos to Pos 16' Pos to Pos 4' Pos Unison Off Sw to Pos 16' Sw to Pos 4' Sw to Sw 16' Sw to Sw 4' Crescendo On Slide 27 T3 vs. T4 80 stops on T3; 96 on T4 4 manual dropsill console with extra stop controls allows for playing larger sample sets such as Marcussen and Willis Only the Chamade division is floating on T4 since the Solo has its own keyboard Triple expression shoes on T4 vs. dual on T3 Slide 28 S3 Slide 29 S3 Features 3 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing weights. 3 rows of 20 thumb pistons for controlling the combination action including a Set, Cancel, 15 generals, 15 divisionals, 10 banks of combination memory, coupler duplicates, volume controls, and user assignable pistons. Lighted magnetic reed pistons. Ergonomic toe stud mounts, angled stopjambs, and ornamented console. 15 toe pistons (10 generals and 5 pedal divisionals). 5 LCD screens displaying relevant information in real time (sample set loaded, state of expression shoes, pitch, volume, temperament, transposition, etc.). A 32 note radiating and concave AGO standard pedalboard. A row of 32 couplers programmed standard for all sample sets. 2 touchscreens built into stopjambs allowing theoretically unlimited sample sets to be playable from the same console. Stopjamb graphics for each sample set, allowing a virtual experience of the original organ from which the sample set was made. Dual expression shoes and a crescendo shoe. A pedal lamp and lighted acrylic music desk. A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions. 20 temperaments available standard. Up to 300 temperaments available upon request. Double manual and pedal harpsichord and chamber organ. Easily expandable at any time to include additional organ sample sets. Slide 30 S3 Options S3 Basic: $48,395 Add wood-core, wood-covered keyboards (standard or reverse colors): $3100 Add a second sample set $1000 Add a third sample set $1000 Add a fourth sample set $1000 S3 with full options: $54,495 Slide 31 T3 vs. S3 Similar design and price The physical stop controls of the T3 are desirable for those who prefer a more traditional experience at the organ console. The touchscreens of the S3 allow for control of unlimited organs and as many stops as are on the stopjamb graphcis. For example, a theater organ or 256 stops is easily playable on the S3, but only limited stops would be accessible from the T3. Slide 32 S4 Slide 33 S4 Features 4 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing weights. 4 rows of 20 thumb pistons for controlling the combination action including a Set, Cancel, 15 generals, 15 divisionals, 10 banks of combination memory, coupler duplicates, volume controls, and user assignable pistons. Ergonomic toe stud mounts, angled stopjambs, and ornamented console. 25 toe pistons (15 generals, 5 pedal divisionals and 5 couplers). 5 LCD screens displaying relevant information in real time (sample set loaded, state of expression shoes, pitch, volume, temperament, transposition, etc.). A 32 note radiating and concave AGO standard pedalboard. A row of 32 couplers programmed standard for all sample sets. 2 touchscreens built into stopjambs allowing theoretically unlimited sample sets to be playable from the same console. Stopjamb graphics for each sample set, allowing a virtual experience of the original organ from which the sample set was made. Triple expression shoes and a crescendo shoe. A pedal lamp and lighted acrylic music desk. A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions. 20 temperaments available standard. Up to 300 temperaments available upon request. Double manual and pedal harpsichord and chamber organ. Easily expandable at any time to include additional organ sample sets. Slide 34 S4 Options S4 Basic: $57,395 Add wood-core, wood-covered keyboards (standard or reverse colors): $4900 Add a second sample set $1000 Add a third sample set $1000 Add a fourth sample set $1000 S4 with full options: $65,295 Slide 35 Recommended Audio System 8 channel amplifier: $2000 8 speakers: $3600 2 subwoofers: $4000 Total: $9600 Labor involved in routing cables for the audio system can be contracted by us or performed by qualified church personnel. Slide 36 Additional Sample Sets French romantic (Cavaill-Coll, the greatest organ builder of 19 th century Franch) German/Dutch Baroque (Silbermann; Schnitger) Neo-Baroque (Marcussen) English Cathedral (Father Willis) American Late Romantic Symphonic (E.M. Skinner) Harpsichord Chamber Organ Slide 37 Harpsichord Stoplist Manual I 16' 8' 4' 2' Koppel Pedal 16' 16' Bass (lowest notes only) 8' Manual II 16' 8' Laute Slide 38 Chamber Organ Stoplist Manual 8' Bordun 4' Flauto 2' Prinzipal 1 1/3' Quint Mixtur II Slide 39 Cavaill-Coll Stoplist (for Studio 2) Pdale 16' Soubasse (G.O.) 16' Contrebasse 8' Violon (G.O.) 8' Bourdon (G.O.) 16' Bombarde Grand Orgue 16' Bordun 8' Montre 8' Bourdon 8' Flte harmonique 8' Salicional 4' Prestant 4' Flte douce 2' Doublette Rcit expressif 8' Cor de nuit 8' Viole de gambe 8' Voix Celeste 4' Flte octaviante 2 2/3' Nasard 2' Flageolet Plein jeu III 16' Basson 8' Trompette 4' Clairon 8' Basson et hautbois 8' Voix humaine Trmolo Fonds Trmolo Anches Accouplement Tirasses-G.O. Pdale Tirasses-Rcit Pdale Rcit Anches Rcit G.O. Rcit G.O. O. Gr. L'Orage Slide 40 Silbermann Stoplist (for Studio 2) Pedal 32' Gross Untersatz 16' Principal 8' Octaven Bass 16' Posaune 8' Trompete Bass Ventil Hauptwerk 16' Principal 8' Octav Principal 8' Viol di Gamba 8' Rohr Flte 4' Octava 4' Spitz Flte 3' Quinta 2' Octava Tertia Mixtur IV Cymbel III Cornet IV 16' Fachott 8' Trompete Tremulante Klingel Oberwerk 16' Quintadena 8' Principal 8' Gedackts 8' Quintadena 4' Rohr Flte 4' Octava 3' Nasat 1 1/3' Quinta Sechst Quint Altra 1' Sifflt Mixtur III 8' Vox Humana OW-HW Coupler Schwebung Slide 41 Schnitger Stoplist (for Studio 3 and 3X, T3 and T4, S3 and S4) Pedaal (Pedal) 16' Praestant 16' Subbas 8' Octaav 8' Holpyp 4' Superovtaav 2' Vlakfluit Mixtuur VIII 32' Fagot 16' Basuin 8' Trompet 4' Trompet 2' Cornet Borstwerk (Floating) 8' Fluitgedekt 4' Praestant 4' Roerfluit 3' Spitsfluit 2' Superoctaav 2' Gemshoorn 1 1/2' Quintanus 1' Nachthoorn Sexquialtera II Mixtuur III-IV 8' Dulciaan 8' Regaal Hoofdwerk (Great) 16' Praestant 16' Quintadena 8' Octaav 8' Roerfluit 4' Octaav 4' Speelfluit 3' Nasaat 2' Superoctaav Ruyschpijp II Mixtuur VI Cimbel III 16' Trompet 8' Trompet 8' Vox humana Couplers Hoofdwerk Pedaal Bovenpositief Hoofdwerk Rugwerk Hoofdwerk Borstwerk Hoofdwerk Borstwerk Bovenpositief Borstwerk Rugwerk Afsluiter Pedaal (ventil) Afsluiter Hoofdwerk (ventil) Rugwerk (Positiv) 8' Praestant 8' Quintadena 8' Roerfluit 4' Octaav 4' Fluit 3' Quintfluit 2' Superoctaav Sexquialtera II Scherp IV Cimbel III 16' Fagot 8' Schalmey Couplers (cont'd) Afsluiter Rugwerk (ventil) Afsluiter Bovenpositief (ventil) Afsluiter Borstwerk (ventil) Tremulant Rugwerk Tremulant HW+BP+BW Bovenpositief (Swell) 8' Praestant 8' Holpyp 8' Viola 6' Quinta 4' Octaav 4' Holpyp 3' Quinta 2' Superoctaav 2' Woudfluit 1 1/2' Sifflet Tertiaan II Scherp V 8' Viola di Gamba 4' Trompet Slide 42 Cavaill-Coll Stoplist (for Studio 3 and 3X, T3 and T4, S3 and S4) Pdale Jeux de Fonds 32' Bourdon 16' Soubasse 16' Contrebasse 8' Grosse Flte 8' Violoncelle 8' Bourdon doux 4' Flte Jeux d'Anches 32' Contrebombarde 16' Bombarde 8' Trompette 4' Clairon Tirasses G.O Positif Rcit Grand Orgue Jeux de Fonds 16' Montre 16' Bourdon 8' Montre 8' Gambe 8' Bourdon 8' Flte harmonique 4' Prestant 4' Flte octaviante Jeux d'Anches 2' Doublette 2 2/3' Quinte Cornet V Plein-jeu VII 16' Bombarde 8' Trompette 4' Clairon Accouplements Positif - G.O. Rcit - G.O. Rcit - Positif G.O. Sub Rcit Sub Cop. G.O Positif Jeux de Fonds 16' Bourdon 8' Montre 8' Salicional 8' Unda maris 8' Cor de nuit 4' Prestant 4' Flte douce Carillon III Jeux d'Anches 2 2/3' Nasard 1 3/5' Tierce 16' Basson 8' Cromorne 8' Trompette Appels Pdale G.O. Positif Rcit Rcit (espressif) Jeux de Fonds 16' Quintaton 8' Diapason 8' Viole de gambe 8' Voix cleste 8' Flte traversire 4' Flte octaviante 8' Basson-hautbois 8' Clarinette 8' Voix humaine Jeux d'Anches 2 2/3' Nasard 2' Octavin Cornet II-V Plein-jeu 16' Bombarde 8' Trompette 4' Clairon Tremolo (Rcit) Slide 43 Skinner Stoplist (for Studio 3 and 3X, T3 and T4, S3 and S4) Pedal 32' Untersatz 16' Open Diapason 16' Diapason (Great) 16' Contra Bass 16' Bourdon 16' Gamba (Choir) 8' Octave 8' Gedeckt 8' Cello (Choir) 4' Super Octave 32' Bombarde 16' Trombone 8' Tromba Couplers Swell to Pedal 8' Great to Pedal 8' Choir to Pedal 8' Swell to Pedal 4' Great to Pedal 4' Choir to Pedal 4' Swell to Great 8' Choir to Great 8' Great 16' Double Diapason 8' First Diapason 8' Second Diapason 8' Harmonic Flute 4' Octave 4' Flute 2 2/3' Twelfth 2' Fifteenth Harmonics III 8' Tromba 4' Clarion 8' Trompette en Chamade Great-Choir Chimes Carillon Couplers (cont'd) Swell to Choir 8' Swell Unison Off Swell 16' Swell 4' Swell to Great 16' Swell to Great 4' Swell to Choir 16' Swell to Choir 4' Choir 16' Choir 4' Choir to Great 16' Choir to Great 4' Choir 16' Gamba 8' Concert Flute 8' Gamba 8' Gamba Celeste 8' Dulciana 4' Flute 4' Gambette 2 2/3' Nazard 8' Clarinet 8' Orchestral Oboe 8' French Horn 8' Tuba Mirabilis Harp Celesta Zimbelstern Tremolo Swell 8' Diapason 8' Rohrflute 8' Flauto Dolce 8' Flute Celeste 8' Salicional 8' Voix Celeste 4' Octave 4' Flute (triangular) 2' Flautino Mixture V 16' Waldhorn 8' Trumpet 4' Clarion 8' Oboe d'Amore 8' Vox Humana Celesta Tremolo Slide 44 Father Willis Stoplist (for T4, S3 and S4) Pedal 32' Double Open Bass 16' Open Bass 16' Open Diapason 16' Bourdon 8' Principal 8' Stopped Flute 4' Fifteenth 4' Open Flute Mixture IV 32' Bombarde 16' Ophicleide 16' Trombone 8' Trumpet 4' Clarion Solo 8' Viola da Gamba 8' Voix Celestes 8' Harmonic Flute 4' Concert Flute 2' Hohl Flute 8' or 16' Orchestral Oboe 8' or 16' Clarinet 8' Cor Anglais Great 16' Double Open Diapason 16' Bourdon 8' Open Diapason No.1 8' Open Diapason No.2 8' Claribel Flute 8' Stopped Diapason 4' Principal No.1 4' Principal No.2 4' Flute 2 2/3' Twelfth 2' Fifteenth Mixture III Mixture IV 16' Double Trumpet 8' Trumpet 4' Clarion Solo (cont'd) 8' or 16' Tromba 4' Glockenspiel 8' Tuba Tremulant Solo Octave Solo Suboctave Solo Unison Off Solo low pressure 16' Solo high pressure 16' Great to Solo Choir 8' Open Diapason 8' Claribel Flute 8' Lieblich Gedacht 8' Dulciana 4' Gemshorn 4' Lieblich Flute 2 2/3' Nazard 2' Spitzflute 1 3/5' Tierce Mixture III 8' Trumpet Couplers Great to Pedal Swell to Pedal Choir to Pedal Solo to Pedal Swell to Pedal 4' Choir to Pedal 4' Solo to Pedal 4' Great & Pedal combinations coupled Swell to Great Swell to Great 16' Swell to Great 4' Choir to Great Choir to Great 16' Choir to Great 4' Swell 16' Contra Gamba 8' Open Diapason 8' Stopped Diapason 8' Salicional 8' Vox Angelica 4' Principal 4' Lieblich Flute 2' Fifteenth Mixture III 16' Dulzian 8' Oboe Tremulant Double Trumpet Trumpet Clarion Couplers (cont'd) Solo to Great Solo to Great 16' Solo to Great 4' Swell to Choir Swell to Choir 16' Swell to Choir 4' Solo to Choir Solo to Choir 16' Solo to Choir 4' Solo to Swell Solo to Swell 16' Solo to Swell 4' Swell 16' Swell 4' Slide 45 Marcussen Stoplist (for T4, S3, and S4) Pedaal 32' Praestant 16' Octaaf 16' Open Subbass 10 2/3' Gedekte Quint 8' Octaaf 8' Gemshoorn 5 1/3' Roerquint 4' Octaaf 4' Koppelfluit 2' Nachthoorn 1' Dwarsfluit Ruispijp V Cornet III Mixtuur X 32' Bazuin 16' Bazuin 16' Fagot 8' Trompet 4' Trompet 2' Zink Hoofdwerk 16' Praestant 8' Octaaf 8' Openfluit 5 1/3' Quint 4' Octaaf 4' Spitsfluit 2' Octaaf Ruispijp III-IV Mixtuur VIII-X Scherp VI-VIII 16' Trompet 8' Trompet Cornet V Borstwerk 8' Gedekt 4' Praestant 4' Blokfluit 2 2/3' Nasard 2' Octaaf 2' Gedekte fluit 1' Octaaf II Tertiaan IV-V Scherp 16' Regaal 8' Kromhoorn 8' Regaal Rugwerk 16' Quintadeen 8' Praestant 8' Holpijp 8' Quintadeen 4' Octaaf 4' Roerfluit 2 2/3' Quint 2' Octaaf 2' Woodfluit 1 1/3' Sifflet Sesquialter II-IV Mixtuur VI-VIII Scherp IV-VI 16' Dulciaan 8' Trompet 8' Kromhoorn Tremulant Chamadewerk Bas 8' Orlos 4' Clarin Fuerte 8' Trompeta de Batalla 8' Trompete Brillante 2' Clarin Discanto 8' Orlos 4' Clarin Fuerte 8' Trompeta de Batalla 8' Trompete Brillante 16' Trompeta Magna Bovenwerk 16' Gedekt 8' Praestant 8' Baarpijp 8' Roerfluit 8' Viola di Gamba 8' Viola di Gamba ZW 4' Octaaf 4' Openfluit 3 1/5' Terts 2 2/3' Roerquint 2' Nachthoorn 1 3/5' Terts Mixtuur V-VII Cimbel III 16' Bombarde 8' Trompette 8' Voix Humaine 4' Clairon Tremulant Couplers Hoofdwerk + Pedaal Rugwerk + Pedaal Bovenwerk + Pedaal Rugwerk + Hoofdwerk Bovenwerk + Hoofdwerk Borstwerk + Hoofdwerk Bovenwerk af Chamade aan Brustwerk + Chamade Slide 46 Note regarding additional sample sets The sample sets represented here are by no means comprehensive. We've chosen what we believe are both the best and most useful sample sets available for general use. However, for interested organists who would put them to good use, the sky is the limit. Organs from the Italian Renaissance, Spanish Baroque, French Baroque and Classical, English Baroque, German Romantic, 20 th century theater organs and many more are available. Nearly every major school of organbuilding is represented in sampled form and available for use.