pp on conventions
TRANSCRIPT
CONVENTIONS IN TV DRAMAS
By Nathan Francis, Ollie, Sophie and Beth.
TV drama mainly looks at four aspects of life. These are crime drama, medical drama, costume drama and soap operas.
GENRE
A category of artistic composition, as in music or
literature, characterized by similarities in form,
style, or subject matter.
A sub-genre is a sub category in a particular genre,
for example, in TV crime-dramas, the genre would be
drama and the sub-genre would be crime.
SOAP CONVENTIONSIn most TV soap operas there are certain aspects of them that are the same, for
example, A British soap opera almost always features the following conventions:
It is a serialized drama that usually runs week-in, week-out, all year round.
It features continuous storylines
It generally has a well-known theme tune.
The plots are open-ended and usually many storylines are featured or even
interlinked in an episode.
They are often set around a small, central area such as a square (as in EastEnders)
and have a standardized meeting point like a pub.
Soaps often have special episodes for events in the real world such as Christmas or
the Millennium.
British soaps most often feature common, ordinary, working class characters.
Soap operas usually end on a cliff hanger.
Three, four or even five storylines will be in progress during any one episode, with
the action switching between them.
EXAMPLES OF SOAP OPERAS
Eastenders
Coronation street
Holyoaks
Emmerdale
Neighbors
Waterloo Road
CONVENTIONS OF COSTUME:
Costume/period drama’s are often adaptations of a famous 'classic'
novel or play but can also be original works.
They show a specific part of history. For example life in war.
This type of drama is normally part of a series.
These drama’s use costume clothing to show a certain period of time.
A typical period drama is set in a large country mansion house is for
the point of interaction.
Normally involves romance between two characters.
Example of costume drama’s are: Down town abbey, the Tudors,
Arabian nights, Oliver twist and Vikings.
EXAMPLES OF COSTUME DRAMAS
Downton Abbey
The Tudors
Vikings
Wuthering heights
CONVENTIONS OF TV CRIME DRAMAS
Can be set in many different locations. Usually a city.
However most have a three part structure. Beginning (discovery of the crime), middle (solving
the crime), end (usually making a arrest).
Here are some of the key elements to a crime Drama:
A mystery/problem that needs to be solved
The resolution to a mystery/problem
Question of morality
Debates about innocence and guilt
Conflict between modes of policing
Different characteristics of villainy
The hero usually defeats the villain
The hero often has a sidekick in order to let the audience see the hero’s thoughts.
EXAMPLES OF TV CRIME DRAMAS
CSI
Criminal minds
Sherlock
Dexter
Hawaii Five-O
MEDICAL TV DRAMA
Conventions of a Medical TV Drama:
set in a hospital or a doctors which is the point of interaction
The characters often witness horrific events,
Similar to a Soap Opera but a Medical TV Drama is believed to be
more educational by using more medical terms
It relates to soap operas in the way that there are usually 2 doctors
that fall in love and there are usually tensions and arguments between
doctors.
Medical dramas can also be similar to crime dramas as often doctors
get police involved
Medical TV Dramas always hold emotional or life changing moments
to a doctor or patients life e.g. a patient dying.
Medical TV Dramas tend to follow Todorovs theory
Full of Mis-En-Scène, props, stethoscope, scrubs, blood and gore
EXAMPLES OF MEDICAL DRAMAS
Holy City
Casualty
Doctors
Call the Midwife
ER
VLADIMIR PROPP
Vladimir Propp says that there will always be a
hero and a villain in soap operas. His theory is that
there will be a struggle between the two but in the
end, the hero will overcome this villain, for example,
during the present Eastenders storyline, Carl White
is the villain while Phil Mitchell is being seen as the
hero because he is fighting back against him.
TODOROV ’S NARRATIVE THEORY
TV crime drama follows Todorov’s theory. He believed that the
formula for most dramas/story’s started with little action at the
equilibrium, then comes the disruption of the equilibrium by some
action. Next he believed there needed to be recognition of the
disruption and after this an attempt to repair the disruption.
Finally a reinstatement of the equilibrium.
However as often can be seen in TV Crime dramas, you can be left
on a cliff hanger which goes against Todorov’s theory.