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    UNIVERSIDADE ESTCIO DE S

    POEMS ANALYSESWALT WHITMAN

    EMILY DICKINSON

    Ricardo Fernandes Marques

    Task assigned,by Professor Cludia,

    as AV2 forAmerican Literature I

    Niteri2012.2

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    We hereby intend to present some piece of information about two

    important American Writers, Walt Whitman and Emily Dickinson.

    Emily Dickinson is considered one of the most original 19th Century

    American poets. She is noted for her unconventional broken rhyming meter and

    use of dashes and random capitalisation as well as her creative use of

    metaphor and overall innovative style. She was a deeply sensitive woman who

    questioned the puritanical background of her Calvinist family and soulfully

    explored her own spirituality, often in poignant, deeply personal poetry.

    Emily Dickinson talks about the conditionals in life, maybe hers. She

    raises possibilities. We through the poems chosen will comment this idea.

    Her poems are characterized by the use of dashes and random

    capitalization, the first poem we chose does not show these features, though.

    So, we also decided to present another of her poems, to show the use of

    dash and reinforce the idea of possibility; the uncertainty of a defined being.

    Due to her last years in seclusion and questioning, we chose to analyze

    the poem known asALMOSTandIM NOBODY! WHO ARE YOU?, also, due

    to the raising of possibility structures presented in it and the uncertainty of being

    something defined.

    We will also confront with the poem ME IMPERTURBE and AMONG

    THE MULTITUDEof Walt Whitman which, for us, show the certainty of being

    something defined and not the possibilities raised by Emily.

    Analyzing the two chosen poems of Walt Whitman, we can see clearly

    the definitions he provides.

    He works on the ideas of the opposites when he says:

    Me private, or public, or menial, or solitary _ all these subordinate, (I am

    eternally equal with the best _ I am not subordinate ;)

    He defines and works on his certainties rather than among multiple

    possibilities as Emily does.

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    Emily uses the conditional perfect meaning remote possibility and weak

    possibility when she says:

    Within my reach!

    I could have touched!

    I might have chanced that way!

    Maybe she wanted to complete her past hypothesis saying: If I had been

    courageous

    One common point we could notice is the use of dash as seen below:

    Then there's a pair of us _don't tell! Emily Dickinson

    Some are baffled, but that one is not_that one knows me. Walt Whitman

    Both use of dash characterize side comments and both search for the

    definition of a being.

    Poetry, Series One

    Edited by two of her friends:MABEL LOOMIS TODD & T.W. HIGGINSONby Emily Dickinson(1830-1886)

    I. LIFE

    VII.

    ALMOST

    by Emily Dickinson(1830-1886)

    Within my reach!I could have touched!I might have chanced that way!Soft sauntered through the village,Sauntered as soft away!So unsuspected violetsWithin the fields lie low,

    Too late for striving fingersThat passed, an hour ago.

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    IM NOBODY! WHO ARE YOU?by Emily Dickinson(1830-1886)

    I'm nobody! Who are you?

    Are you nobody, too?

    Then there's a pair of us _don't tell!

    They'd banish us, you know.

    How dreary to be somebody!

    How public, like a frogTo tell your name the livelong day

    To an admiring bog!

    Walt Whitman, Born on May 31, 1819, was the second son of WalterWhitman, a housebuilder, and Louisa Van Velsor. The family, which consistedof nine children, lived in Brooklyn and Long Island in the 1820s and 1830s.

    At the age of twelve, Whitman began to learn the printer's trade, and fell in lovewith the written word. Largely self-taught, he read voraciously, becomingacquainted with the works ofHomer, Dante, Shakespeare, and the Bible.

    Whitman worked as a printer in New York City until a devastating fire in

    the printing district demolished the industry. In 1836, at the age of 17, he began

    his career as teacher in the one-room school houses of Long Island. He

    continued to teach until 1841, when he turned to journalism as a full-time

    career.

    Analyzing Whitmans poems, at least the two chosen by us, we could see

    he is firm; definite in his verses for he uses nouns and adjectives most of the

    time, not allowing the reader to think but making the reader feel and maybe

    after, think of the sensations provoked.

    As we can see, down below, we have the example of the use of nouns

    and adjectives in the two poems selected by us:

    http://www.poets.org/homerhttp://www.poets.org/dantehttp://www.poets.org/wshakhttp://www.poets.org/homerhttp://www.poets.org/dantehttp://www.poets.org/wshak
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    ME IMPERTURBEby Walt Whitman

    Imbued as they, passive, receptive, silent as they,

    Finding my occupation, poverty, notoriety, foibles, crimes, lessimportant than I thought,

    AMONG THE MULTITUDEby Walt Whitman

    I perceive one picking me out by secret and divine signs,

    Acknowledging none else, not parent, wife, husband, brother, child,

    any nearer than I am,

    ME IMPERTURBE

    by Walt Whitman(1819-1892)

    Me imperturbe, standing at ease in Nature,

    Master of all or mistress of all, aplomb in the midst of irrational things,Imbued as they, passive, receptive, silent as they,

    Finding my occupation, poverty, notoriety, foibles, crimes, less

    important than I thought,

    Me toward the Mexican sea, or in the Mannahatta or the Tennessee,

    or far north or inland,

    A river man, or a man of the woods or of any farm-life of these

    States or of the coast, or the lakes or Kanada,

    Me wherever my life is lived, O to be self-balanced for contingencies,

    To confront night, storms, hunger, ridicule, accidents, rebuffs, as

    the trees and animals do.

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    AMONG THE MULTITUDE

    by Walt Whitman(1819-1892)

    Among the men and women the multitude,I perceive one picking me out by secret and divine signs,Acknowledging none else, not parent, wife, husband, brother, child,any nearer than I am,Some are baffled, but that one is not_that one knows me.

    Ah lover and perfect equal,I meant that you should discover me so by faint indirections,And I when I meet you mean to discover you by the like in you.

    What we could understand by analyzing these writers is that even

    expressing themselves through poetry, they did it quite differently, mainly

    because of their backgrounds and their own ways to face the world.

    However, both provoked strangeness and promoted a new perspective of

    the society they lived.

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    References

    Sites:

    http://classiclit.about.com/library/bl-etexts/edickinson/bl-ed-1-7-almost.htm

    http://classiclit.about.com/library/bl-etexts/wwhitman/bl-ww-meimper.htm

    http://www.online-literature.com/dickinson/

    http://www.online-literature.com/dickinson/448/

    http://classiclit.about.com/library/bl-etexts/wwhitman/bl-ww-multitude.htm

    http://classiclit.about.com/library/bl-etexts/edickinson/bl-ed-1-7-almost.htmhttp://classiclit.about.com/library/bl-etexts/wwhitman/bl-ww-meimper.htmhttp://www.online-literature.com/dickinson/http://www.online-literature.com/dickinson/448/http://classiclit.about.com/library/bl-etexts/wwhitman/bl-ww-multitude.htmhttp://classiclit.about.com/library/bl-etexts/edickinson/bl-ed-1-7-almost.htmhttp://classiclit.about.com/library/bl-etexts/wwhitman/bl-ww-meimper.htmhttp://www.online-literature.com/dickinson/http://www.online-literature.com/dickinson/448/http://classiclit.about.com/library/bl-etexts/wwhitman/bl-ww-multitude.htm