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Edward Munzch 12 December 186323 January 1944 wasa Norwegian Symbolist painter, printmaker and an important
forerunner ofexpressionist art. His best-known composition, The
Scream, is part of a series The Frieze of Life, in which Munchexplored the themes of love, fear, death, melancholia, and
anxiety.
The ScreamPainted in 1893, The Scream is Munch's most famous work and
one of the most recognizable paintings in all art. It has been
widely interpreted as representing the universal anxiety ofmodern man. Painted with broad bands of garish color and highly
simplified forms, and employing a high viewpoint, the agonized
figure is reduced to a garbed skull in the throes of an emotional
crisis. With this painting, Munch met his stated goal of the study
of the soul, that is to say the study of my own self. Munch wrote
of how the painting came to be: "I was walking down the road
with two friends when the sun set; suddenly, the sky turned asred as blood. I stopped and leaned against the fence, feeling
unspeakably tired. Tongues of fire and blood stretched over the
bluish black fjord. My friends went on walking, while I lagged behind, shivering with fear. Then I heard the
enormous, infinite scream of nature." He later described the personal anguish behind the painting, for severalyears I was almost madYou know my picture, The Scream? I was stretched to the limitnature was
screaming in my blood After that I gave up hope ever of being able to love again.
Pablo PicassoDuring the 1930s radical leftist politics characterized many of the artists connected to Surrealism,
including Pablo Picasso. As Pablo Picasso painted Guernica in the surrealist style in protest of the bombing
ofGuernica, this image is used for purposes of identification and commentary in a discussion of Guernica'ssignificance to 20th century Western painting. A discussion of20th century Western painting would not be
complete without referring to this work. Guernica is painted in surrealist style and is arguably Pablo Picasso's
most famous work, as such this image of Guernicais used for purposes of identification and commentary in asection of the article concerning Pablo Picasso's period where classicism and surrealism dominated his work.
Any discussion ofPablo Picasso would not be complete without referring to this work
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Egbert Munzch
Fire in a Village 02 until his death in 839. His father was Ealhmund of Kent. In the 780s Egbert was forced
into exile by Offa of Mercia and Beorhtric of Wessex, but on Beorhtric's death in 802 Egbert returned and took
the throne.
Georges Braque(13 May 188231 August 1963) was a
major 20th century French painterand sculptor who
developed the art style known as Cubism. Beginning during
1909, Braque began to work closely with Pablo Picasso,
who had been developing a similar style of painting. At thetime Pablo Picasso was influenced by Gauguin,
Czanne, African tribal masks and Iberian sculpture, whileBraque was interested mainly in developing Czanne's ideas
of multiple perspectives. A comparison of the works of
Picasso and Braque during 1908 reveals that the effect ofhis encounter with Picasso was more to accelerate and
intensify Braques exploration of Czannes ideas, rather
than to divert his thinking in any essential way. Theinvention of Cubism was a joint effort between Picasso and
Braque, then residents ofMontmartre, Paris. These artists
were the style's main innovators. After meeting in Octoberor November 1907, Braque and Picasso, in particular, beganworking on the development of Cubism in 1908. Both
artists produced paintings of monochromatic color and
complex patterns of faceted form, now termed Analytic
Cubism. A decisive time of its development occurredduring the summer of 1911,[3]when Georges Braque and
Pablo Picasso painted side by side in Cret in the French
Pyrenees, each artist producing paintings that are difficultsometimes virtually impossibleto distinguish from those
of the other. In 1912, they began to experiment with collage and papier coll.
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Edward Munzch 12 December 186323 January1944)[1]was a Norwegian Symbolist painter, printmaker
and an important forerunner ofexpressionist art. in which
Munch explored the themes of love, fear, death,melancholia, and anxiety.
The Sick Child (or Det syke barn in Norwegian) is an
1885 painting by Norwegian artist Edvard Munch (1863
1944). It is a portrait of his older and favorite sisterSophie (Johanne Sophie b. 1862) who died
oftuberculosis in 1877 at the approximate age of 15.
Munch considered the painting "a breakthrough in myart".[1]
Munch created numerous versions of the painting. The
fourth, painted in 1907, is presently in the Tate Gallery,London. In 1928, it was on display in
theGemldegalerie in Dresden. In the 1930s and 1940s,
the National Socialists labeled Munch's paintings as
"degenerate art", and removed his work from Germanmuseums. They were taken to Berlin to be auctioned.
Norwegian art dealer Harald Holst Halvorsen acquired
several of Munch's paintings, including the 1907 version
ofThe Sick Child, with the goal of returning themto Oslo. In 1939, it was purchased by Thomas Olsen and
donated to the Tate Gallery collection.[1]
Pablo Picasso
Les Demoiselles d'Avignon. Oil on Canvas (244 x 234 cm).Pablo Picasso completed Les Demoisellesd'Avignon in 1907. Les Demoiselles d'Avignon appeared in the May 1910 edition of the Architectural Record, a
US publication, Although it was labeled a "study", numerous sources confirm that the painting itself was
reproduced therein. It wasn't published in France until 1925, when it appeared in La Rvolution surraliste.
Picassos African-influenced Period (19071909) begins with the two figures on the right in his painting, Les
Demoiselles d'Avignon, which were inspired by African artifacts. Formal ideas developed during this period
lead directly into the Cubist period that follows.
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Egbert Munzch
Sporting Art Painting Pheasant Shooting - Original Size 20x24 by Egbert Munzch Painting
Georges Braque (13 May 188231 August 1963) was amajor 20th century French painter and sculptor.Violin and
Candlestick, Paris, spring 1910.FauvismHis earliest works were impressionistic, but after seeing the
work exhibited by the artistic group known as the "Fauves"(Beasts) in 1905, Braque adopted a Fauvist style. The Fauves, a
group that included Henri Matisse and Andr Derain among
others, used brilliant colors to represent emotional response.Braque worked most closely with the artists Raoul
Dufy and Othon Friesz, who shared Braque's hometown of Le
Havre, to develop a somewhat more subdued Fauvist style. In1906, Braque traveled with Friesz to L'Estaque, to Antwerp,and home to Le Havre to paint.
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