optical workflow the essential reference guide for filmmakers

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OPTICAL WORKFLOW The Essential Reference Guide for Filmmakers

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Page 1: OPTICAL WORKFLOW The Essential Reference Guide for Filmmakers

OPTICAL WORKFLOWThe Essential Reference Guide for Filmmakers

Page 2: OPTICAL WORKFLOW The Essential Reference Guide for Filmmakers

Dailies/Rushes

Two types of dailies are available:

• One-Light Dailies• Timed or Graded Dailies

Page 3: OPTICAL WORKFLOW The Essential Reference Guide for Filmmakers

Printing Methods

Different printing methods are used for different purposes

• Contact Printing - most common• Optical Printing - image size can be changed• Rotary or Continuous Printing - at a constant speed• Intermittent Printing - frame by frame

Page 4: OPTICAL WORKFLOW The Essential Reference Guide for Filmmakers

Printers

Commonly Used Printers

• Rotary Contact Printers - used for release prints• Intermittent Optical Printers - used for blow-ups

Page 5: OPTICAL WORKFLOW The Essential Reference Guide for Filmmakers

Video Dailies

Video Dailies vs. Film Dailies

• Video Dailies preferred for television production• Video Dailies have come the industry standard

• More difficult to evaluate focus on Video Dailies• More difficult to assess exposure on Video Dailies

Page 6: OPTICAL WORKFLOW The Essential Reference Guide for Filmmakers

Opticals

Some shots and effects must be created while the editor is working. Some examples are:

•Transitions, such as fades or wipes•Reverse motion•Composite shots•Titles over picture

Page 7: OPTICAL WORKFLOW The Essential Reference Guide for Filmmakers

Negative Cutting

• Checkerboard cutting is used to conceal splices

Page 8: OPTICAL WORKFLOW The Essential Reference Guide for Filmmakers

Splicing Techniques

Three Common Splicing Techniques:

• Tape Joins• Cement Joins• Heat Weld (Ultrasonic) Splice

Page 9: OPTICAL WORKFLOW The Essential Reference Guide for Filmmakers

Preparation for Printing

• Cut negatives must be prepared for printing • Each scene is individually timed and the cue points are

indentified• Before printing , cut negatives are cleaned to remove

traces of dust or dirt

Page 10: OPTICAL WORKFLOW The Essential Reference Guide for Filmmakers

Answer Print

• Answer Prints are made from the cut negative.

• The print is then timed for color and density.

• The timing for the answer print is used to make the interpositive, also called IP or Master Positive.

 

Master Positive

Page 11: OPTICAL WORKFLOW The Essential Reference Guide for Filmmakers

Duplication

• Several duplicate negatives, or internegatives, are made from the interpositive

• Duplicate negs are made to protect the original and provide insurance against damage

• The final release prints are printed from the duplicate negatives

• The duplicate negative can also be used to create a video master

Duplicate Negative

Page 12: OPTICAL WORKFLOW The Essential Reference Guide for Filmmakers

Check Prints and Release Prints

• Check Prints are made from the duplicate negative; they are used to assess the quality of the bulk release work.

• Release Prints are produced in large numbers at high speeds for theaters around the world.

Release Print

Page 13: OPTICAL WORKFLOW The Essential Reference Guide for Filmmakers

QUESTIONS?