oh-zones by elizabeth-jane burnett
DESCRIPTION
Poetry, KFS, Knives Forks and SpoonsTRANSCRIPT
Published in the United Kingdom in 2012by The Knives Forks And Spoons Press, 122 Birley Street, Newton-le-Willows, Merseyside, WA12 9UN.
ISBN 978-1-907812-88-0
Copyright ⓒ Elizabeth-Jane Burnett, 2012.
The right of Elizabeth-Jane Burnett to be identified as the author of this work has been asserted by her in accordance with the Copyrights, Designs and Patents act of 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, transmitted in any form or by any means, electronic, photocopying, recording or otherwise, without prior permission of the publisher.
Table of Contents
preface 5
available sky 7
villanelle in green 9
sharks, in their absence 11
refuge wear 13
bees 14
women “nature vs robo” 15
ex-pastoral 16
whords
breath-chords 17
sun-chords 18
5
preface
oh-zones are attempts to find forms of embodiment in environments and language under pressure. There is a progression through the sequence from the position of an observer of transitions between rural and urban spaces, through to a sense of selves acting out in the world (and the limitations of what can be achieved in times of natural disaster) and on to a more integrated embodiment of, and in, nature and writing that produces something other than “nature writing.”
“Whords” – words experienced as chords – explore simultaneity in perception and identity. Breath-chords couple words of the same length in a breathing motif, while sun-chords integrate whords into the haibun form, with each word in the central section corresponding to a musical note. The expression of multiple simultaneous perceptions allows a figuring of the paradox of being at once part of nature and removed from it. There is potential here for living more organically through and with language and space.
The heartache in stems, the resilience of pink and the necessity of sharks inhabit these sensory-zone-poems; inhaling, releasing and resonating through stress.
7
available sky
-brockley to london bridge
funding cuts and corporate slutssprayed platformcolours are dumped pink salmonyouth centregoldsmiths sainsburys the onlysun burstingorange over dreams beds @low prices
1/3 off hugs with your sonif you seesomething suspicious press thesky sags withtrees bedecked with plastic bagsfrom costcutter
jewels hang from cranes round this neckof sky asavailable business spaceleaves on linefast trending into spring coloursblown through calvesof air extending past theproduct placement
gusting neon supermarket lightsdispersing daylight filtersthrough Londonis rooting every itemto the earthdiscounting nature ducting
8
dew that fallselectric over flowergrass or spraytanning the air with glare ofretail lightclutter excessivequiet sun
9
villanelle in green
-worcester park to waterloo
asda, with your green lightI prefer you to lidlin that moment’s flight
between glass and lightI prefer you to lidlasda, with your green light
what a feeling a delightis flashdance the musicalsublime in the half-light
of asda’s vast spot-lightvertigo-like in middleof revolving kissed light
embracing it likekim novak suicidalI take flight
into sainsbury’s orange light reminds me of lidlbut not quite sunlight
is not like the lightthat lights lidlthat light is a stiff light
it irons the air brightyellow with red middlebricks of sick light
this whole sky is a tricked light
10
seeing is reversiblelight flight light flight
like all the light in sightis impossibleunless viewed inside out Iight
I look out of light
it is april
the sky is an apple
11
sharks, in their absence
in an oceanhealthy coral is firstborne out by presenceof sharks, in their absence,scientists determine the entireecosystem is under(dressed duress house or hold kerosene with flowersarm the retro domesticfor a modern spillthrough rubber) pinned by marigold skin sugar-coated spin of sea at 30 degrees these deeds seethe (look up controlled environmentmarigolds) as the softcollapse of coral barely registers as nuditywashes backlessover water fresheningas one thing becoming other retrieving still something from some original in an ocean evidence ofhealthy oil is first borne out bydrops into industrialsplits the skin of itquaint to think of drinkor touchan ocean brokenI collected BP tokensgot a mug and a glass and a nicam video recorder by sticking green shield stamps into an ocean ofevidence of slip
12
if not reef then tongueif not gulf then stream actual physical evidence (CNN run curved fish rubber trust mis-crust or incorrectly sheathewith panoramic gold slicksilk/smear stack/flat the names of everything: flora, fauna, Shell, sea through this transparency:who funds poets but poetswho funds ethics but oil) who reads anything now that is incredible read: credible but poets,in their absence,sharks
13
refuge wear
- after lucy orta
! ! in a life where everything is falling! ! disturbance is routine unchecked as air! ! unblueing I try to cleave the colour! ! pull oxygen shrug tighter shouldering planet’s tension as my own undoing everything unbuttoning in the tear of matter my temporary refuge wear! ! is part-kagool part-canoe part-sleeping! ! bag I chafe across car parks searching for! ! a blue fix just one to take the edge off! ! there is too much I am trying to save ! ! and say nothing makes a dent I’m too soft a protest rests inside polyester
! ! a light fallout with each unfastening wave
14
bees
breathing beeswild thyme
navy and caramel
are neutral territorya zip through the middle
of everything vital
is foldingthe head is antennae
the body reducing
the form of a sentenceblack atoms in a new unsolving
15
women “nature vs robo”
original cotton robotwrap around ribcagefor new twist on classicpink on branch or onlinewomen-nature pitchdrones in the productdetail of official store ofurban leaves, trees etcbuds in the vegas blushof palette #4982 you areat: home with flowersadd to wishlist swallowsabove and beyond women“nature vs robo” wishbone t-shirts in storefor another encasing
16
ex-pastoral
I have gathered all this openingin the head gathered up likecrocuses you took as proof ofsomething public, out there, soI can’t take it back arched I gatherup the parts you took as proofof our being there, warmed intopostures the sun expects of usand language likewise lazilyopening
a shot, suddenly a wing in the heada pulse a flap of blue snapping pulsepetals drain suddenly a blue breakswith responsibility owed bodilytuning one atop another blue bluearms with enough pluck to pop theswank of the pastoral a suddenrefusal to lap or blossom regularly
black gun blue blue
shot through and through stemsstill warm from bed awakeningthrough a red filter to the sunalready moved on to another
17
breath-chords
IDebb
hillfall
flunglungs
tenderexhale
browsersunfall
her
softrisk
fallsfills
suckedinhale
whetherweather
lavenderdownfall
uptouchedrainprint
outsidesensory
handheld
lilacwager
chanceexhale
fluttermoments
unclenchsunspent
flattenedriblocked
attentivelandlicks
lungfillattempts
bothingbreaths
heartcurve
velvetinhale
shutterbalance
couplingsequence
butterflybreathing
repetitiontechnology
courageousstructures
intricateparallels
volatilebranches
breathlooped
scentedbeating
wirelessexposure
spectaclestreaming
mechanisedvulnerable
butterfliesdownloading
transitoryfingertips
18
sun-chords
begin with inhaletogether breathing syntax
we arrive at words
cut at the gap; lung-heart, shaft-light, dog-rose; living in cuts made in and out of language, the shallow end is populated by sunflowers above and below the city centre is no longer scarred by luxury, carrying warning hot shivers over barcodes, every exit radiates in spring chords throb hesitating to rent or own a high-rise blue nymphs open afternoon curtains onto traffic un-herded shepherd-boys shimmer in taxis over the river and lift greenbelts open housing pink sunset clouds unbuckling
hotlitter litter
filter
hot
filter
low
litterfilter
cost
litter
clouds
cost
traffic
low
litter
clouds
cost
litter
filter
traffic
low
litter
cost
litter
clouds
cost
hot
filter
sunflowers
traffic
low
litter
warning hot shiversshimmer and lift open pink
unbuckling clouds