notes for your sketchbook: the three modes of art making

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Notes for your sketchbook: The Three Modes of Art Making

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Page 1: Notes for your sketchbook: The Three Modes of Art Making

Notes for your sketchbook:

The Three Modes of Art Making

Page 2: Notes for your sketchbook: The Three Modes of Art Making

The Three Modes of Art Making

1. From memory

La Tamalada by Carmen Lomas-Garza

Page 3: Notes for your sketchbook: The Three Modes of Art Making

The Three Modes of Art Making

2. From imagination

Persistence of Time by Salvador Dali

Page 4: Notes for your sketchbook: The Three Modes of Art Making

The Three Modes of Art Making

3. From observation

Artists Sketching in the White Mountains, Winslow Homer 1868

Page 5: Notes for your sketchbook: The Three Modes of Art Making

The Three Modes of Art Making

1. From memory 2. From imagination 3. From observation

Page 6: Notes for your sketchbook: The Three Modes of Art Making

Brain Quiz

Let’s see which part of your brain dominates: the left side or the right side. Finding out may explain a lot about who you are and how you do things.

This quiz is not for a grade-- there are no “right” or “wrong” answers.

Number your paper from 1 to 21.

Choose the sentence that is more true for you by marking A or B.

Do not leave any questions blank!

Drawing from ObservationBut first, we need to turn off part of our brain and turn on another part…

Page 7: Notes for your sketchbook: The Three Modes of Art Making

Drawing from Observation

Drawing what you see is just like learning to play music or a sport or a dance routine. It requires time and practice. If you’re patient and practice regularly, you’ll improve!

Page 8: Notes for your sketchbook: The Three Modes of Art Making

1. A It's fun to take risks. B I have fun without taking risks.

Page 9: Notes for your sketchbook: The Three Modes of Art Making

2. A I look for new ways to do old jobs.B When one way works well, I don't change it.

Page 10: Notes for your sketchbook: The Three Modes of Art Making

3. A I begin many jobs that I never finish.B I finish a job before starting a new one.

Page 11: Notes for your sketchbook: The Three Modes of Art Making

4. A I'm not very imaginative in my work.B I use my imagination in everything I do.

Page 12: Notes for your sketchbook: The Three Modes of Art Making

5. A I can analyze what is going to happen next.B I can sense what is going to happen next.

Page 13: Notes for your sketchbook: The Three Modes of Art Making

6. A I try to find the one best way to solve a problem.B I try to find different answers to problems.

Page 14: Notes for your sketchbook: The Three Modes of Art Making

7. A My thinking is like pictures going through my head.B My thinking is like words going through my head.

Page 15: Notes for your sketchbook: The Three Modes of Art Making

8. A I agree with new ideas before other people do.B I question new ideas more than other people do.

Page 16: Notes for your sketchbook: The Three Modes of Art Making

9. A Other people don't understand how I organize things.

B Other people think I organize well.

Page 17: Notes for your sketchbook: The Three Modes of Art Making

10. A I have good self-discipline.B I usually act on my feelings.

Page 18: Notes for your sketchbook: The Three Modes of Art Making

11. A I plan time for doing my work.B I don't think about the time when I work.

Page 19: Notes for your sketchbook: The Three Modes of Art Making

12. A With a hard decision, I choose what I know is right.B With a hard decision, I choose what I feel is right.

Page 20: Notes for your sketchbook: The Three Modes of Art Making

13. A I do easy things first and important things later.B I do the important things first and the easy things

later.

Page 21: Notes for your sketchbook: The Three Modes of Art Making

14. A Sometimes in a new situation, I have too many ideas.

B Sometimes in a new situation, I don't have any ideas.

Page 22: Notes for your sketchbook: The Three Modes of Art Making

15. A I have to have a lot of change and variety in my life.B I have to have an orderly and well-planned life.

Page 23: Notes for your sketchbook: The Three Modes of Art Making

16. A I know I'm right, because I have good reasons.B I know I'm right, even without good reasons.

Page 24: Notes for your sketchbook: The Three Modes of Art Making

17. A I spread my work evenly over the time I have.B I prefer to do my work at the last minute.

Page 25: Notes for your sketchbook: The Three Modes of Art Making

18. A I keep everything in a particular place.B Where I keep things depends on what I'm doing.

Page 26: Notes for your sketchbook: The Three Modes of Art Making

19. A I have to make my own plans.B I can follow anyone's plans.

Page 27: Notes for your sketchbook: The Three Modes of Art Making

20. A I am a very flexible and unpredictable person.B I am a consistent and stable person.

Page 28: Notes for your sketchbook: The Three Modes of Art Making

21. A With a new task, I want to find my own way of doing it.

B With a new task, I want to be told the best way to it.

Page 29: Notes for your sketchbook: The Three Modes of Art Making

Scoring:

Give yourself one point for each time you answered "A" for questions:

1 2 3 7 8 9

13 14 15 19 20 21

Page 30: Notes for your sketchbook: The Three Modes of Art Making

Scoring:

Give yourself one point for each time you answered "B" for questions:

4 5 6 10 11

12 16 17 18

Add up all of your points.

Page 31: Notes for your sketchbook: The Three Modes of Art Making

Scoring: 0-4 = strong left brain

5-8 = moderate left brain

9-13 = middle brain

14-16 = moderate right brain

17-21 = strong right brain

Page 32: Notes for your sketchbook: The Three Modes of Art Making

Math skills

Written language

Science

Center of logic & reasoning

Sequential ordering (numbering)

Analytical

Sees the small details before the whole picture

Quick to label: “That’s a tree.

Creativity

Insight & intuition

Artistic thinking

Musical thinking

Imagination

Spatial relationships and 3D forms

Summarizes

Sees the big picture before the details

Non-labeling: “That’s a patch of green on top of a tall brown form.”

Page 33: Notes for your sketchbook: The Three Modes of Art Making
Page 34: Notes for your sketchbook: The Three Modes of Art Making

Conclusion:The Left Brain wants to jump to conclusions and draw the idea of a tree from your memory, not the tree in front of you.

Drawing from the Right Brain allows you to see exactly what is in front of you.

Page 35: Notes for your sketchbook: The Three Modes of Art Making

Conclusion:You need to turn off the Left Brain and listen to the Right Brain when you draw from observation. By doing this, your will see clearly what’s in front of you and draw it accurately.

We’ll turn off the Left Brain by practicing CONTOUR LINE DRAWING.

Page 36: Notes for your sketchbook: The Three Modes of Art Making

In your notes:

Contour – the visible edges of an object including the the folds and wrinkles inside as well as the outline.

A contour line drawing has clean, connected lines with no shading.

Note: the lines can vary in thickness.

Page 37: Notes for your sketchbook: The Three Modes of Art Making

You don’t need to write this—just think about it:

Blind Contour Drawing is an exercise to practice drawing EXACTLY what you see in front of our eyes.

Often we look at our paper while we draw instead of looking at what we are drawing!

When we draw from observation, we have all of the answers in front of us. We just have to remember to look at them!

A blind contour drawing – it’s not perfect, but we can tell the artist was observing the hand closely.

Page 38: Notes for your sketchbook: The Three Modes of Art Making

Write this:

In blind contour drawing, we only look at the object we are drawing, and we never look at the paper.

A blind contour self-portrait.

Page 39: Notes for your sketchbook: The Three Modes of Art Making

Guidelines of Blind Contour Drawing:

• Draw very slowly (be the last one done!)

• Do NOT look at your paper….ever. (This is an exercise, not a final work of art)

• Do not lift your pencil from the paper—make one continuous line.

• Let your eye slowly follow the outside edges AND the inner contours of the object. Your pencil follows this path.

• No talking (this wakes up the Left Brain)

Page 40: Notes for your sketchbook: The Three Modes of Art Making

Take a look…

While these aren’t perfect, they show the essence of the subject beautifully.

Let’s try it!