northern renaissance art

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Northern Renaissance Art

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Northern Renaissance Art. Characteristics. Italian influence strong, but NOT a copy-cat New technology = Painting in OIL The differences between the two cultures: Italy  change was inspired by humanism (classical antiquity) - PowerPoint PPT Presentation

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Page 1: Northern Renaissance Art

Northern Renaissance Art

Page 2: Northern Renaissance Art

Characteristics

• Italian influence strong, but NOT a copy-cat• New technology = Painting in OIL• The differences between the two cultures:

– Italy change was inspired by humanism (classical antiquity)

– No. Europe change was driven by religious reform, the return to Christian values, and the revolt against the authority of the Church.

Page 3: Northern Renaissance Art

Characteristics of Northern Renaissance Art, cont.

• attention to details.• Tendency toward realism & naturalism

[less emphasis on the “classical ideal”].• Interest in landscapes.• More emphasis on middle-class and

peasant life, details of domestic interiors, & portraits

Page 4: Northern Renaissance Art
Page 5: Northern Renaissance Art

Rogier van der Weyden (1399-1464)

The The DepositioDepositio

nn

1435 1435

Page 6: Northern Renaissance Art

van der Weyden’s Deposition (details)

Page 7: Northern Renaissance Art

Giovanni Giovanni Arnolfini Arnolfini and His and His

WifeWife

(Wedding (Wedding Portrait)Portrait)

Jan Van Jan Van

EyckEyck

14341434

Page 8: Northern Renaissance Art

Jan van Eyck - Giovanni Arnolfini & His Wife (details)

Page 9: Northern Renaissance Art

Quentin Massys (1465-1530)• Belonged to the

humanist circle in Antwerp that included Erasmus.

• Influenced by da Vinci.

• Thomas More called him “the renovator of the old art.”

• The Ugly Dutchess, 1525-1530

Page 10: Northern Renaissance Art

The Ill-Matched LoversMassys, 1520

Page 11: Northern Renaissance Art

Massys’ The Moneylender & His Wife, 1514

Page 12: Northern Renaissance Art
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Page 15: Northern Renaissance Art

Albrecht Dürer (1471-1528)• The greatest of German

artists.• A scholar as well as an

artist.• His patron was the Emperor

Maximilian I.• Also a scientist

– Wrote books on geometry, fortifications, and human proportions.

• Self-conscious individualism of the Renaissance is seen in his portraits.

Self-Portrait at 26, 1498.

Page 16: Northern Renaissance Art

Dürer – Self-Portrait in Fur-Collared Robe, 1500

Page 17: Northern Renaissance Art

Dürer

FourHorsemen

of theApocalypse

woodcut, 1498

Page 18: Northern Renaissance Art

Grunewald, Isenheim Altarpiece (1509)

Page 19: Northern Renaissance Art

details

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HieronymusBosch

The Garden of Earthy Delights

1500

Page 22: Northern Renaissance Art

HieronymusBosch

The Garden of Earthy Delights(details)

1500

Page 23: Northern Renaissance Art

Bruegel’s, Parable of the Blind Leading the Blind, 1568

Page 24: Northern Renaissance Art

Bruegel’s, Niederlandisch Proverbs, 1559

Page 25: Northern Renaissance Art

Peasant Wedding

Page 26: Northern Renaissance Art
Page 27: Northern Renaissance Art

Hans Holbein, the Younger (1497-1543)

• One of the great German artists who did most of his work in England.

• While in Basel, he befriended Erasmus.

– Erasmus Writing, 1523 • Henry VIII was his patron from

1536.

• Great portraitist noted for:

– Objectivity & detachment.

– Doesn’t conceal the weaknesses of his subjects.

Page 28: Northern Renaissance Art

Artist to the Tudors

Henry VIII (left), 1540 Henry VIII (left), 1540 and the future Edward and the future Edward VI (above), 1543.VI (above), 1543.

Page 29: Northern Renaissance Art

Holbein’s, The Ambassadors, 1533

A SkullA Skull

Page 30: Northern Renaissance Art

Multiple Perspectives

Page 31: Northern Renaissance Art

The English Were More Interested in Architecture than Painting

Hardwick Hall, designed by Robert Smythson in the Hardwick Hall, designed by Robert Smythson in the 1590s, for the Duchess of Shrewsbury [more 1590s, for the Duchess of Shrewsbury [more

medieval in style].medieval in style].

Page 32: Northern Renaissance Art

Burghley House for William Cecil

The largest & grandest house The largest & grandest house of the early Elizabethan era.of the early Elizabethan era.