nadar and the carte-de-visite

35
Dare-devil Bohemian Non-conformist Inventor Entrepreneur

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Nadar and the Carte-de-visite photography in the 1860-1880s

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Page 1: Nadar and the Carte-de-visite

• Dare-devil

• Bohemian

• Non-conformist

• Inventor

• Entrepreneur

Page 2: Nadar and the Carte-de-visite

•Car icatur is t

•Bal loonis t

•Journal is t

Revolving self portrait by Nadar

Page 3: Nadar and the Carte-de-visite

Pseudonyms popular in this period

• They added “dar” to a syllable

• Tournachon became “Tournadar” later contracted down to ...

Studio emblazoned with his logo

Page 4: Nadar and the Carte-de-visite

Nadar’s Shop front on street level

He rented his studios

• Manet

• Renoir

• Degas

• Cezanne

• Sisley

• Pissarro

Page 5: Nadar and the Carte-de-visite

• Had Distaste for Authority • Had a keen eye between appearance + character • Concentrated on Cultural figures, writers, painters +

musicians

Page 6: Nadar and the Carte-de-visite
Page 7: Nadar and the Carte-de-visite

•Hand of the Banker D. •printed in one hour with electric lighting •testifies to Nadar's attempts make to prints with electric lighting

Page 8: Nadar and the Carte-de-visite

• Portrait Photographer

• Eminent sitters

• Few photographs of women

• Mostly 3/4 turn, bust or half length

• Solid backgrounds

• Dramatic illumination.

Sarah Bernhardt

Page 9: Nadar and the Carte-de-visite

• Used reflectors and artificial lamps

•Won several awards for technical innovations

•Draped a studio cloak over the shoulders to concentrate on the face

Page 10: Nadar and the Carte-de-visite

Artificially lit sewers and catacombs of Paris.

Page 11: Nadar and the Carte-de-visite

•Few photographs of women

•Quoted by Nadar

•“the images are too true to Nature to please the sitters, even the most beautiful”.

Page 12: Nadar and the Carte-de-visite
Page 13: Nadar and the Carte-de-visite

Gustave Eiffel

Charles Baudelaire

Boulanger – French General

Page 14: Nadar and the Carte-de-visite

Music by Nadar’s muse French composer Charles Gounod

Page 15: Nadar and the Carte-de-visite

Aerial photography

• Arc de Triomphe

• Le Géant – The Giant

Page 16: Nadar and the Carte-de-visite

The flying darkroom

• Aerial views for cartography + military intelligence • Four meters high • Circumference 100 metres • Four beds, toilet, darkroom + lithograph press “It was warm inside our collodion plates didn’t mind, submerged in their cool baths.”

Page 17: Nadar and the Carte-de-visite

• Carrier pigeons

• Micro photography

• Showmanship

• Cartography from balloon

•Le Boulevard in 1862 - Caption •"Elevating photography to the condition of art”

Page 18: Nadar and the Carte-de-visite

Said of himself • He “was of superficial intelligence • Touched on too many subjects to have

allowed time to explore any in depth • A dare-devil, always on the lookout for

currents to swim against • oblivious of public opinion • irreconcilably opposed to any sign of

law and order • A jack-of-all-trades • Smiles out of the corner of his mouth

and snarls with the other • Coarse enough to call things by their

real names, and people too • never one to miss the chance to talk of

rope in the house of a hanged man”

Page 19: Nadar and the Carte-de-visite

Dallmeyer camera used by Nadar

•Sliding box camera made for the wet plate collodion process

•The camera consists of two wood boxes, one sliding within the other

Page 20: Nadar and the Carte-de-visite

Dallmeyer camera back view

•Nadar invented a horizontal shutter for the camera, + concealed the camera under a black curtain

Page 21: Nadar and the Carte-de-visite

The Balloon Crashes! •Albeit ruined but instead……..

•He promoted the balloon as a

•Symbol of Liberty

•Evoking visions of joy and freedom

Page 22: Nadar and the Carte-de-visite

• “Photography derived from two Greek words

• ‘Writing or Drawing by

Light’

• Almost all substances are more or less affected by light, but ...

• The salts of chromium, have formed the basis

of photography.”

The book “Information for the People”

Published - Robert Chambers

Page 23: Nadar and the Carte-de-visite

Thomas Annan

1st illustrated work to deal with social life at the time

New laws for

Sanitary

Conditions

The Public Disinfectors

Page 24: Nadar and the Carte-de-visite
Page 25: Nadar and the Carte-de-visite

Zoopraxiscope Projector •The first movie projector

•Projected images from rotating glass disks in rapid succession

•To give the impression of motion

Page 26: Nadar and the Carte-de-visite

Zoopraxiscope

• The zoopraxiscope is an early device for displaying motion pictures.

• Created by Eadweard Muybridge in 1879

• Considered the first movie projector.

• The zoopraxiscope projected images from rotating glass disks

Page 27: Nadar and the Carte-de-visite

Created by Eadweard Muybridge in 1879 •The stop-motion images painted onto the glass as silhouettes.

Page 28: Nadar and the Carte-de-visite

1861 - 1st Colour Photograph

•James Clerk Maxwell – Physicist • Famous tartan ribbon photo •First permanent colour photograph •Three black and white photographs •Taken through red, green, blue filters •First colour separation

Page 29: Nadar and the Carte-de-visite

Reproducing Photos in 1860-1885

Woodbury Process

• photomechanical process

• continuous tone images in slight relief.

• A gelatin film is exposed under a photographic negative

• hardens in proportion to the amount of light

• developed in hot water and dried

Intaglio Plate

• only method which produces true middle values

• pressed into a sheet of lead making an intaglio plate.

• A mould filled with pigmented gelatin, then pressed onto

• a paper support

Shah of Persia Carte de Visite Woodburytype- Print from Felix Nadar Paris

Page 30: Nadar and the Carte-de-visite

PREPARATION OF POSITIVE PAPER

Preparation of the Albumen

• Break the eggs into a graduated measure

• Add soluble chloride

• Add water

• Beaten to froth

• Float the paper

Use this apparatus

Page 31: Nadar and the Carte-de-visite

Carte-De-Visite

• Albumen print

• produced using the Woodbury method

• could fit into small envelopes

• only mechanical printing method ever invented to produce true middle values

• Traded among friends and visitors

Page 32: Nadar and the Carte-de-visite

Hand Painted Albumen Flower Seller Japan – 1870

Page 33: Nadar and the Carte-de-visite

Hand painted Albumen Cards

Page 34: Nadar and the Carte-de-visite

Photographic Identification Pass

•Adapted from

carte-de-visite

portrait

•1878 photographic

identification passes

•Prevented passes

from being lent or

sold

• Embossed stamp

on card from

Commissioner

General.

Page 35: Nadar and the Carte-de-visite

Civil War Era 1861-1864

• Civil War Ladies

• made with the Woodbury process

• Albumen prints