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Page 1: Music Packet

J

The Church Music Associationof America

June 17—23, 2013Salt Lake City

Page 2: Music Packet

2 n Sacred MuSic colloquiuM 2013 liturgical MuSic

Sacred Music Colloquium XXIII June 17–23, 2013

Liturgical music

Lauds (morning prayer)Ordinary form ........................................................................................................................... 17

Compline (night prayer)Extraordinary form .................................................................................................................... 83

Tuesday, June 18, 5:15 p.m.Mass, ordinary form, in English ................................................................................................ 91

David Hughes, organist

Ordinary chants from the Roman Missal; Simple English Propers by Adam BartlettPrelude: Intermezzo, JA 66, Jehan AlainIntroit: Hearken, O Lord, unto my voice, mode iv (Ryan)Kyrie: Missal Psalm: Praise the Lord, my soul, mode vii (Morse)Alleluia: I give you a new commandment, mode ii (Ryan)Prayer of the faithful: MissalOffertory: I will bless the Lord, mode i (Mahrt)Motet at Offertory: Honour and Majesty, Maurice Greene (Buchholz)Sanctus: Missal Memorial acclamation: Missal The Lord’s Prayer: MissalSign of peace: Missal Agnus Dei: Missal Communion: One thing have I asked, mode vii (Morse)Motet at Communion: O for a Closer Walk With God, Charles Villiers Stanford (Buchholz)Recessional: When in Our Music God Is Glorified, StanfordPostlude: Joie et claret des corps glorieux (Les Corps Glorieux), Olivier Messiaen

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Wednesday, June 19, 5:15 p.m.Mass, ordinary form, in English .............................................................................................. 113

Jonathan Ryan, organistPropers by Bruce FordPrelude: Rhapsody in D-flat Major, Op. 17, No. 1, Herbert HowellsIntroit: Hearken to my voice, O Lord, mode iv (Hughes)Kyrie: Mass XIIGradual: Behold, O God, our defender, mode v (Mahrt)Alleluia: The king rejoices, mode vi (Morse)Offertory: I will bless the Lord, mode i (Hughes)Sanctus: Mass XIIPater nosterAgnus Dei: Mass XIIMotet at Offertory: Ave, Maria, Edward Elgar (Glenn)Communion: One thing have I asked of the Lord, mode i (Hughes)Motet at Communion: O quam suavis est, William Byrd (Brouwers)Recessional: OrganPostlude: Flourish for an Occasion, William Harris

Thursday, June 20, 5:15 p.m.Requiem Mass, extraordinary form ......................................................................................... 131

Introit: Requiem aeternam, Francisco Guerrero (Brouwers)Kyrie: Missa pro defunctis, Guerrero (Brouwers)Gradual: Requiem aeternam, Guerrero (Brouwers)Tract: Absolve Domine, Guerrero (Brouwers)Sequence: Dies irae, mode i (alternatim)Offertory: Domine Jesu Christe, Guerrero (Buchholz)Sanctus: Missa pro defunctis (Buchholz)Agnus Dei: Missa pro defunctis (Buchholz)Communion: Lux aeterna, Guerrero (Glenn)Motet at Communion: O salutaris, Pierre de la Rue (Malinka)At the absolution: Libera me, Guerrero (Glenn)

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Friday, June 21, 5:15 p.m.Memorial of St. Aloysius Gonzaga, Religious, extraordinary form ......................................... 165

David Hughes, organistIntroit: Minuisti eum, mode iii (Ryan)Kyrie: Mass VIIGloria: Mass VIIGradual: Domine spes mea, mode v (Donelson)Alleluia: Beatus quem elegisti, mode iii (Schaefer)Offertory: Quis ascendet, mode iii (Mahrt)Sanctus: Mass VIIAgnus Dei: Mass VIICommunion: Panem caeli, mode viii (Morse)

Friday, June 21, 7:45 p.m.Vespers, extraordinary form.................................................................................................... 173

Ann Labounsky, organistPrelude: Three versets on Iste Confessor, Jean TitelouzeFirst antiphon: Domine probasti me, mode iii; first psalm, 138.I, tone 3.g2 (Mahrt)Second antiphon: Mirabilia, mode vi; second psalm, 138.II, tone 6.F (Hughes)Third antiphon: Ne derelinquas me, mode iv; third psalm, 139, tone 4.E (Mahrt)Fourth antiphon: Domine clamavi ad te, mode viii; fourth psalm, 140, tone 8.c (Hughes)Fifth antiphon: Educ de custodia, mode iii; fifth psalm, 141, tone 3.a (Mahrt)Chapter: Beatus vir qui inventus estHymn: Iste confessor, Tomás Luis de Victoria (Buchholz)Versicle: Justum deduxitMagnificat antiphon: Hic vir, despiciens mundum, mode viiiMagnificat octavi toni, Jean Mouton (Buchholz)Salve Regina, mode iPostlude: Offertoire sur les Grands Jeux, Nicolas de Grigny

Saturday, June 22, 3 p.m. Votive Mass of the Blessed Virgin Mary, ordinary form, in Latin ........................................... 203

Jonathan Ryan, organistPrelude: Toccata in E Major, BWV 566, Johann Sebastian BachIntroit: Salve sancta parens, mode ii (Morse)

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Kyrie: Missa osculetur me, Orlando di Lasso (Brouwers & Glenn)Gloria: Missa osculetur me (Brouwers & Glenn)Gradual: Benedicta, mode iv (Schaefer)Alleluia: Post partum, mode iv (Hughes)Credo: Missa osculetur me (Brouwers & Glenn)Offertory: Ave Maria, mode viii (Mahrt)Sanctus: Missa osculetur me (Brouwers & Glenn)Agnus Dei: Missa osculetur me (Brouwers & Glenn)Communion: Beata viscera, mode i (Donelson)Motet: Ave Maria, Sergei Rachmaninoff (Buchholz)Recessional: Ave maris stella, chant (alternatim)Postlude: Fugue super Magnificat, BWV 733, J. S. Bach

Sunday, June 23, 11 a.m.13th Sunday in ordinary time, ordinary form, in English ....................................................... 247

Doug O’Neill, organistPrelude: Toccata XI, Georg MuffatIntroit: Dominus fortitudo plebis suae, mode ii (Brouwers)Kyrie: Mass of the English Martyrs, Jeff OstrowskiGloria: Mass of the English MartyrsGradual: Convertere Domine, mode v (Hughes)Alleluia: In te Domine speravi, mode iii (Mahrt)Credo IIIPrayer of the faithful: MissalOffertory: Perfice gressus meos, mode iv (Ryan)Motet at Offertory: Ave Maria . . . benedicta tu, Josquin des Prez (Glenn)Sanctus: Mass of the English MartyrsAgnus Dei: Mass of the English MartyrsThe Lord’s Prayer: MissalCommunion: Qui vult venire post me, mode i (Cole)Motet at Communion: O sacrum convivium, Luca Marenzio (Buchholz)Recessional: Laudate Dominum, new composition (Buchholz) Postlude: Toccata XII, Muffat

AppendixVeni Creator Spiritus .............................................................................................................. 280

Propers for Mass, Thursday through Friday ........................................................................... 282

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Choosing a chant course

When you come to the Colloquium, you will need to choose a chant course for your partici-pation during the week. There are few joys greater than singing in a well-prepared Grego-

rian chant schola. Although there is always a little tweaking after the first day, i.e., singers moving up or down a level, most people find it relatively easy to choose.

The following guidelines will help you find the right group in which to sing for the week.

Foundations—two sections (Charles Cole, men; Wilko Brouwers, women)

This course in Gregorian chant is intended for real chant beginners—those who can read modern notation and those with no musical training, Participants will learn how to read the four-line staff and the names of the neumes as well as how to navigate the intervals with solfege. Rhythm will be introduced. Course material will include the ordinaries of the Mass and propers, with the latter being performed during Mass toward the end of the week.

Refresher—two sections (Jeffrey Morse, men; Jonathan Ryan, women)

This course offers continued study in Gregorian chant and is intended for those who have had some background in chant but do not sing chant on a regular basis. This is a beginning-to-intermediate course whose primary aim, as with the foundations course, is not performance during the liturgy. Participants will be responsible for singing the ordinaries of the Mass and will also be prepared to sing chant propers toward the end of the week.

Schola—two sections (David Hughes, men; William Mahrt, women)

This course is intended for advanced singers who chant regularly. The men’s and women’s scholas will be responsible for the bulk of the Mass propers sung during the week, including the chanted Vespers on Friday.

Advanced seminars—two sections (Edward Schaefer, semiology; Jennifer Donelson, chironomy)

These courses (see descriptions below) are intended for advanced male and female singers who wish to continue their studies of Gregorian chant. Instructors will focus on their areas of specialty. The raison d’etre is study rather than performance, with each seminar preparing one or two Mass propers during the week.

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Chironomy: Directing chant—Donelson

Beginning with a refresher course on the basics of the rhythmic approach of the “old Solesmes” method, participants will learn the fundamental rules of chironomy (directing) for Gregorian psalm tones as well as neumatic and melismatic chants in the Gregorian repertoire. Incorporating nuanced work on singing according to the “old Solesmes” method as well as experience in conducting small groups of singers, this class is ideal for intermediate and advanced chanters who are able to read the Gregorian repertoire with some degree of ease and who hope to direct their own schola upon returning home.

Semiology—Schaefer

This seminar will engage in a study of the earliest chant-notation systems as demonstrated in the Laon and St. Gall families of manuscripts and reproduced in the Graduale Triplex. In particular, focus will be given to the interpretation of the rhythmic signs in these notation systems and their application to contemporary chant performance.

Day 1: Modal structure and its relationship to semiology

Day 2: Laon neums focus

Day 3: Review of principle of separation

Days 4 and 5: Continuation of chant analysis

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Notes on polyphonic choirs

Being part of a polyphonic choir is one of the many highlights of the Colloquium. Note that there is no sign-up or pre-registration for any of the groups. Simply arrive at the rehearsal of your choice on Tuesday. If the conductors find they have too many sopranos or too few

tenors, for example, a little shifting around may occur from choir to choir on the first day.

But as a matter of good choir etiquette, conductors ask that you not bounce from choir to choir. Five days of rehearsal is not a long time to develop an ensemble sound, and the deadlines of performing in liturgy loom delightfully throughout the week. N.B. If your plans require that you depart the Colloquium before Sunday, June 23, please do not pick the choir whose main work will be performed on that day and so on.

Francisco Guerrero (1528-1599) enjoyed enormous fame in his time, having taken a prominent post as maestro de capilla (singing master, i.e., music director) at Jaén Cathedral in Spain. He spent his life in Spain, and more than any other composer of his generation, his work thoroughly reflects the distinctiveness of the Spanish polyphonic tradition, which has distinctive traits as compared with Italian or English polyphony of the period. His rising prominence in our time is most likely due to these traits, which include distinct structural roles for each voice and a firm underlying pulse that is inaudible but always present. His Requiem Mass, although a lesser-known Requiem setting, is one of his many masterpieces. The conductors are Wilko Brouwers and Horst Buchholz.

Orlando Di Lasso (1530-1594) was a Flemish composer of astonishing skill who left us a huge library of music in many styles. His Missa Osculetur me is written for eight voices and features surprising drama and a rich texture that explores the most advanced polyphonic techniques of his time. Recordings of this piece sometimes feature instruments as a substitute for voices, but in the Colloquium presentation we will use all voices to realize an idealization of this masterpiece. It will be conducted by Wilko Brouwers and Gregory Glenn.

Sergei Rachmaninoff’s Ave Maria was written for his Russian Vespers service, but the Colloquium will sing a version in Latin. It is surely one of the most emotionally affecting and powerful settings of this glorious text to be found in the treasury of sacred music. It is also something that can be sung by a parish schola. It will be conducted by Horst Buchholz.

Josquin des Prez (1450-1521) seems only to grow more popular over time. He had a huge influence on nearly every important polyphony composer of the 16th century, but his influence continued onward. This Ave Maria . . . benedicta tu has never been sung at the Colloquium and is less well known than his Virgo serena setting, which is popular among professional polyphonic choirs. This setting offers a similarly creative use of shifting ranges and antiphonal repetitions that suggest ethereal joy and celebration. It will be conducted by Gregory Glenn.

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Pierre de la Rue’s (c. 1452-1518) O salutaris hostia is haunting, beautiful, and tremendously moving. La Rue worked during the height of the Franco–Flemish school’s popularity. He was well-versed in a variety of different musical sounds, although he excelled with pieces that showcased expanded vocal ranges, polyphonic styles, and six-part compositions (commentary by A. C. Haury). This motet, largely homophonic, is of medium difficulty at most and will be sung by the beginning polyphony choir under the direction of Melanie Malinka.

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Breakout sessions11 a.m. to noon, Tuesday through Saturday

Conducting seminars

Tuesday: Basic conducting techniques—Charles Cole (1 hour)After a brief presentation on techniques, participants will be invited to come forward to conduct a small group of volunteers on one or more of these pieces: Christus factus est, Anerio; Locus iste, Bruckner; Ave verum, Byrd; O sacrum convivium, Croce; Ave verum, Elgar; O bone Jesu, Ingegneri; Alma Redemptoris Mater, Palestrina; If ye love me, Tallis; and Exsultate iusti, Viadana. If conductor or volunteers (or singers) would like to look at the music in advance, it may be picked up at the registration table at check in on Monday afternoon, June 17.

Wednesday: Safe and sure—Wilko Brouwers (1 hour)How can a choir member arrive at a choir rehearsal well prepared? This breakout session is about effective self-study: how to separate the elements of a score (words, form, rhythm, tonality, difficult intervals) and how to anticipate and solve problems that could arise.

Thursday: Rehearsal techniques with children’s choirs—Melanie Malinka (1 hour)

Friday: Edward Schaefer (1 hour)A look at a conductor’s preparation: from preparing the score before a rehearsal to proper gestures in a performance that prepare the singers for everything that’s approaching

Saturday: Horst Buchholz (1 hour)

Organ seminars

Tuesday: Musical rubrics in the Extraordinary Form—Jonathan Ryan (1 hour)The cans and can’ts of the extraordinary form of the Roman rite will be examined and discussed as they pertain to choir directors and organists. The main focus will be the Mass in its various forms (low, solemn, etc.).

Wednesday: Chant accompaniment I—Charles Cole (1 hour)This session will cover the use of harmonies that are true to the mode, where it is appropriate to change chord, and the different rates of harmonic change required for a congregation and a choir. In addition, the different styles of chant accompaniment as practiced at Solesmes, Westminster Cathedral (London), and Brompton Oratory (London) will be compared and contrasted.

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Thursday: Chant accompaniment II—Wassim Sarweh (1 hour)This session will bring an understanding of the eight modes of Western chant and how the organ/accompanying instruments enhance the mood of those modes. The participants will learn simple technical methods including pulse, pedaling, manuals, improvising, etc., to strengthen their skills. This session will challenge participants to be more creative and will enable them to come out of the session with fresh ideas that they can make their own.

Friday: Hymn playing—Jonathan Ryan (1 hour)The foundations of solid musical leadership from the organist in hymns will be presented, discussed, and heard, including rhythmic clarity, articulation, and the use of various kinds of organs. Ways to tastefully add flavor to hymn playing, such as reharmonization, with an emphasis on practicality will be examined as well.

Saturday: Improvisation at Mass—David Hughes (1 hour)This session will explore strategies for establishing and maintaining a convincing structure for each improvisation. These will be considered in light of the unique ceremonial demands of particular points in the Mass (procession before the introit, Gospel procession, offertory, Communion), the motivic opportunities present in the day’s propers, and the modal contexts suggested by the chant and polyphony.

Clergy training

Tuesday through Saturday: Priest and deacon chants for the Mass—Rev. Robert Pasley (1 hour daily)

Special topics

Tuesday: The legacy of Monsignor Francis Schmitt—Ann Labounsky (1 hour)Monsignor Schmitt directed the men and boys choir at Boys Town, Nebraska, from 1941 to 1975. During his tenure he developed a program of excellence in church music and toured the world with his choir. He also established the summer music and liturgical workshops from 1952 to 1969 that attracted world renowned luminaries in sacred music: Paul Manz, Anton Heiller, Louise Cuyler, Roger Wagner, Jean Langlais, Alexander Peloquin, and Paul Salamonovich, among many others. In addition, he edited the journal Caecelia. In the early 1990s Monsignor Schmitt decided that the vast music collection at Boys Town should be housed at a university, and Duquesne University was chosen. This breakout session will cover how the collection came to be housed at Duquesne and will show many artifacts from the collection and the importance of Monsignor Schmitt in our rediscovery of the sacred music legacy.

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Wednesday: Dominican chant—Brian Dean Sousa (1 hour)This session take a look at the history of the Dominican Order and the Dominican Rite. After a presentation of the various Dominican chant books available, the instructor will present the rules of chanting in this style. The rules will then be applied to a few very famous chants that Dominicans sing every day at the end of Compline: Salve regina and O lumen. Lastly, there will be a side-by-side comparison of some very similar Roman and Dominican chants. The session will end with chanting Salve regina and O lumen.

Thursday: Anglican chant—Daniel Bennett Page (1 hour)This workshop will introduce participants to the style and practical skills needed to sing texts chorally using Anglican chant, a form of harmonized chant used to sing non-metrical liturgical texts such as psalms and canticles. A direct outgrowth of fauxbourdon practices of the 15th and 16th centuries, it occupies pride of place in the Anglican musical patrimony. This large body of high-quality vernacular liturgical music and the notable choral tradition associated with it have been directly relevant to the Catholic world since the authorization of a third form of the Latin Rite, the Anglican Use, in the 1980s, and especially since the Holy Father’s creation of the Anglican Use Ordiariates beginning in 2011. Anglican chant’s emphasis on elegant, speech-rhythm rendering of texts, overall simplicity, and potential for expressive elaboration lend it an aesthetic and musical–historical importance that belies its modest formal shape.

Friday: Liturgy and architecture—William Mahrt (1 hour)Architecture is the principal means of defining sacred space, the proper location for the celebration of liturgy. It does so in several different ways: 1. its elevation, vaulting, domes, and towers delineate and differentiate sacred spaces, which are images of heaven2. its floor plan provides a practical location for various liturgical usages, especially processions, which particularly delineate sacred space and3. its varying acoustics are suited to various kinds of music and are especially important for congregational singing. This will be illustrated with images and diagrams drawn from medieval cathedrals and parish churches.

Saturday: Messiaen the musical theologian—Jenny Donelson (1 hour)Perhaps you’ve heard about the amazing and truly Catholic music of the 20th-century French composer Olivier Messiaen but listening to his music has left you puzzled about what’s so great about it. If so, this is the session for you. Beginning with a discussion of the basic elements of Messiaen’s musical language and their theological significance, moving through his seminal 1977 address at Notre Dame about the nature of music and its relationship to God, and concluding with a consideration of his work as a potential source of renewal for future compositions of sacred music, this session will shed a light on this important Catholic composer for the Catholic musician.

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Composer’s forum

Tuesday through Friday: David J. Hughes (1 hour)Composers should plan on attending the composer’s forum sessions during the week, in which their new compositions will be critiqued and workshopped. Bring along enough copies for the whole group. A winning composition from among those presented during the week will be announced on Saturday, June 22. The winning composition will be sung by the entire colloquium at the closing Mass at the Cathedral of the Madeleine on Sunday, June 23. This year’s text is Psalm 116: Laudate Dominum omnes gentes, laudate eum omnes populi. Quoniam confirmata est super nos misericordia ejus, et veritas Domini manet in aeternum. [Gloria Patri et Filio et Spiritui Sancto: sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Amen.] Compositions should be SATB, a cappella, and no longer than three minutes in length. For more information, contact David Hughes, forum leader, at [email protected].

At the local level

Tuesday: Sacred music in the secular world—Mary Jane Ballou (1 hour)Can our music serve as a door to Christian faith? Can chant be more than another flavor of easy listening? For five years concert musician and radio host Mary Jane Ballou has intrigued audiences with sacred music “out of church.” She’ll share her experience and offer ideas on how you can make beautiful music a window to truth for nonbelievers.

Wednesday: Chant, personalities, and parish life—Matthew Meloche (1 hour)This lecture will focus on useful ways to introduce Gregorian chant into regular parish life. Whether the people around you are supportive or are opposed to chant, you can make your job much easier by knowing how to deal with them. Learn how to help clerics, choir members, colleagues, coworkers, and members of the congregation see the importance of chant. This practical course is ideal for those working as full-time music directors or part-time choir directors as well as for choir members who wish to bring about positive change in their music program.

Thursday: First steps: hymn tune propers—Kathleen Pluth (1 hour)Many congregations have never sung propers of any kind. Well-intentioned pastors and musicians may be met with quite a lot of resistance when introducing proper chants to their congregations. The Hymn Tune Propers project seeks to overcome resistance by meeting congregations on familiar territory, in the form of a hymn. Each Sunday’s entrance antiphon has been rearranged into a rhymed, metered format that can be sung to many familiar hymn tunes. As the congregation grows more familiar with the practice of singing a proper text, chant tunes with the same meter may be introduced. And gradually these rhymed, metered version can give way to the chants as written in the Missal or Graduale. The Hymn Tune Propers are intended as a first step, a good beginning, for a parish transitioning away from hymns and toward the use of Gregorian propers.

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Friday: The responsorial psalm problem—Arlene Oost-Zinner (1 hour)Though the gradual is the liturgical ideal, the responsorial psalm seems like it is here to stay in most parishes. The composer will describe the circumstances surrounding the birth of the Parish Book of Psalms and discuss in detail her compositional methods, including the challenges encountered in juxtaposing the English language and Gregorian formulas.

Saturday: The Lumen Christi Missal and the Simple English Propers—Adam Bartlett (1 hour)In this session we will explore compositional processes employed by composer and editor Adam Bartlett in his collections the Simple English Propers and the Lumen Christi Missal and also discuss best practices for singing these chant settings in parish contexts. The challenges of English chant composition will be discussed, and practical solutions will be offered and demonstrated in the musical settings of the SEP and LCM. Gain insights into the development of these two new resources that are now being widely used in parishes and communities throughout the English speaking world.

Education and software

Tuesday, Thursday, and Saturday (repeat sessions): Introduction to chant engraving with Gregorio—Richard Chonak (1 hour)Accessing Gregorio over the web, you can easily produce attractive scores in chant notation to incorporate into a parish music program or other printed material. Attendees need to bring a wifi-enabled laptop computer to class. Wednesday and Friday (repeat sessions): The Ward method—Alise Brown (1 hour)The Ward method is an outstanding music method created by the American pedagogue Justine Ward for the Catholic parochial school system of the early 20th century. The method is based on Jean Jacques Rousseau’s number-notation system and Gregorian chant principles and is an excellent introduction to the singing of chant with a solid basis in music literacy. The Ward method teaches music reading, writing, improvisation, and composition in weeks rather than years, with an emphasis on the interpretation of the musical phrase as needed for chant. It is appropriate for children as well as adults.

Optional dinner session: 7 p.m. Wednesday, Little America Steakhouse

Leading dedicated and enthusiastic volunteersMany of us lead choirs, scholas, and other organizations in our parishes. It’s a challenge to attract the right kind of volunteers and to help them stay engaged and enthusiastic over the course of years. Please consider joining us if you want to hone your leadership skills and learn from other colloquium attendees who are thinking about these issues. This isn’t a lecture, it’s a sharing of best practices among equals: we all have something we can give!

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Afternoon lecture seriesTuesday through Saturday

As an option for those who choose not to sing in a polyphony choir, Dr. Susan Treacy, professor of music at Ave Maria University, will offer the following afternoon lecture series commemorating the 110th anniversary of Pope St. Pius X’s 1903 motu proprio on sacred

music, Tra le sollecitudini.

Lecture 1: Sacred music in the 19th century (2:45–4:15 p.m. Tuesday)The first lecture will set the stage with an overview of Catholic liturgical music in the 19th century—the realities of sacred music in parish life and various efforts at reform—in Europe and America.

Lecture 2: Music in the life of Giuseppe Sarto (2:45–4:15 p.m. Wednesday)Born into a very poor family, the future Pope St. Pius X became enamored of sacred music during his boyhood. In one sense his whole life was a preparation for the motu proprio. As a young priest, pastor, canon, and seminary rector, Father Sarto gave an important place to the teaching of Gregorian chant.

Lecture 3: Toward the motu proprio (2:45–4:15 p.m. Thursday)In 1884 Giuseppe Sarto was made bishop of Mantua: now he was able to promote Gregorian chant and sacred polyphony on a wider scale. As a bishop and then a cardinal, Sarto issued documents that would form the basis of his eventual papal motu proprio.

Lecture 4: Reception and implementation of the motu proprio (2:45–4:15 p.m. Friday)How was the motu proprio received by the Catholic world? Did all Catholics obey the Holy Father’s decrees? This lecture examines some of the initiatives to implement the motu proprio, including efforts to revive congregational chanting.

Lecture 5: The motu proprio: past, present, and future (1:30–2:30 p.m. Saturday)The motu proprio of Pope St. Pius X has been the starting point of subsequent documents on sacred music, including those of Vatican Council II. Was Pius’s vision for sacred music distorted after Vatican II? What has been done to restore this vision, and what can be done at the parish level?

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Responses to readingsOrdinary form Massesresponse after the readings(ordinary form masses)

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Lauds

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Prepared by Richard Rice

Ordinary Form

laudS

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Sacred MuSic colloquiuM 2013 n 83coMpline

Compline

J

Prepared by William Mahrt

Extraordinary Form

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COMPLINE NIGHT PRAYER

Lector:

Vbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbb≥gzbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbsbbbbbbbbbbsmbbbbbbbbbbbbbbbbbbb} V. Jube, domne benedí-ce-re. Officiant:

Vbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbhbbbbbbbbbh.bbbbbbbbbb[bbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbb Noctem qui-é-tam et finem perféctum concédat no-bis

Vbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbsbbbbbbbbbbbbsmbbbbbbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbgbbbbbbbbbbbbh.bbbbbbbbbbbbbb} Dóminus omnípo-tens. R. Amen.

Lectio brevis 1 Peter 5:8–9

Lector:

Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbbbb[bbbbbbbbhbbbbbbbbbbbbhbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbf,bbbbbbbbbbb{bbbbbbbbbbbhbbbbbbbbhbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbb Fratres: Sóbri-i estó-te et vi-gi-lá-te: qui-a adversá-

Vbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbhbbbbbb[bbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbb[bbbbbbbbbbbhbbbbbbbbhbbbbbbbbbhbbbbbbb ri-us vester di-á-bolus, tamquam le-o rúgi-ens, círcu-it,

Vbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbbbh.bbbbbbbbb{bbbbbbbbbhbbbbbbbbhbbbbbbbbhbbbbbbbbhbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbh.bbbbbbbbsmbbbbbbbbbbbbb}b quærens quem dé-vo-ret: cu-i resísti-te fortes in fide.

Vbbbbbbbbbbbbbhbbbbbbbbbbbbbbgbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbb[bbbbbbbhbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbh.bbbbbbbbbbbsmbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbhbbbbbbbbbbbbbbhbbbbbbbsbbbbbbbsmbbbbbbbbbbbbb} Tu au-tem Dómi-ne mi-serére nobis. R. Deo grá-ti-as. Officiant:

Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhvbbbhbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbfbbbbbbbbf,bbbbbbbbbbb} V. Adju-tó-ri-um nostrum in nómi-ne Dómini. R. Qui fecit caelum et ter- ram.

Lector:

Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhzbbbbbbbbbbbbbbbbbbbbbbbb≥gzbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbsmbbbbbbbbbbbbbbbbbbb} V. Pray, Sir, give a blessing. Officiant:

Vbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbh.bbbbbbbbbbbb[bbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbb May the Lord almighty grant us a peaceful night and a

Vbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbsmbbbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbgbbbbbbbbbbbbbbh.bbbbbbbbbbbbbbbbb} perfect end. R. Amen.

Short Lesson 1 Peter 5:8–9

Lector:

Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbb bhbbbbbbbbb[bbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbf,bbbbbbbbbbb[bbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbb Be-loved, be so-ber, be watchful. For your adversary the

Vbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbb[bbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbb bbhbbbbbbbbbb[bbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbb devil prowls around like a roaring lion, seeking someone

Vbbbbbbbbbbgbbbbbbbbbbbbbfbbbbbbbbbbhbbbbbbbbbbbbbbbbbb]bbbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbsmbbbbbbbbbbbbb} to devour. Re-sist him, firm in faith.

Vbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbb[bbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbbh.bbbbbbbbbbbbbsmbbbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbsmbbbbb} But thou, O Lord, have mercy upon us. R. Thanks be to God. Officiant:

Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbf,bbbbbbbbbbbbbbbbbbbb} V. Our help is in the Name of the Lord. R. The maker of heaven and earth.

Officiant:

Confíteor Deo omnipoténti, beátæ Maríæ semper vírgini, beáto Michaéli archángelo, beáto Joánni Baptístæ, sanctis Apóstolis Petro et Paulo, ómnibus Sanctis et vobis fratres, quia peccávi nimis cogitatióne, verbo, et ópere: (striking the breast three times) mea culpa, mea culpa, mea máxima culpa. Ideo precor beátam Maríam semper vírginem, beátum Michaélem archángelum, beátum Joánnem Baptistam, sanctos apóstolos Petrum et Paulum, omnes Sanctos, et vos fratres, oráre pro me ad Dóminum Deum nostrum. Congregation:

Misereátur tui omnípotens Deus, et dimíssis peccátis tuis, perdúcat te ad vitam ætérnam. Officiant:

Amen.

Officiant:

I confess to almighty God, to blessed Mary ever virgin, to blessed Michael the archangel, to blessed John the Baptist, to the holy apostles Peter and Paul, to all the saints, and to you, brethren, that I have sinned exceedingly in thought, word, and deed: (striking the breast three times) through my fault, through my fault, through my most grievous fault. Therefore I beseech blessed Mary ever virgin, blessed Michael the archangel, blessed John the Baptist, the holy apostles Peter and Paul, all the saints, and you, brethren, to pray to the Lord our God for me. Congregation:

May almighty God have mercy on thee and having forgiven thee thy sins, bring thee to life everlasting. Officiant: Amen.

coMpline

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Congregation:

(bowing) Confíteor Deo omnipoténti, beátæ Maríæ semper vírgini, beáto Michaéli archángelo, beáto Joánni Baptístæ, sanctis Apóstolis Petro et Paulo, ómnibus Sanctis et tibi Pater, quia peccávi nimis cogitatióne, verbo, et ópere: (striking the breast three times) mea culpa, mea culpa, mea máxima culpa. Ideo precor beátam Maríam semper vírginem, beátum Michaélem archángelum, beátum Joánnem Baptistam, sanctos apóstolos Petrum et Paulum, omnes Sanctos, et te Pater, oráre pro me ad Dóminum Deum nostrum. Officiant:

Misereátur vestri omnípotens Deus, et dimíssis peccátis vestris, perdúcat vos ad vitam ætérnam. Congregation: Amen (rise). Officiant: Indulgéntiam, ✠ absolutiónem, et remissiónem peccatórum nostrórum tríbuat nobis omnípotens et misericors Dóminus. Congregation:

Amen.

Congregation:

(bowing) I confess to almighty God, to blessed Mary ever virgin, to blessed Michael the archangel, to blessed John the Baptist, to the holy apostles Peter and Paul, to all the saints, and to thee, Father, that I have sinned exceedingly in thought, word, and deed: (striking the breast three times) through my fault, through my fault, through my most grievous fault. Therefore I beseech blessed Mary ever virgin, blessed Michael the archangel, blessed John the Baptist, the holy apostles Peter and Paul, all the saints, and thee, Father, to pray to the Lord our God for me. Officiant: May almighty God have mercy on you, and having forgiven you your sins, bring you to life everlasting. Congregation: Amen (rise). Officiant: May the almighty ✠ and merciful Lord grant us pardon, absolution, and remission of our sins. Congregation: Amen.

A cross is made on the heart.

Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbvvhbbbbvhbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbgbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbhbbbbbbbbbbbh.bbbbbbbbbbbbbbb} V. Convérte nos ✠ De-us sa-lu-tá-ris noster. R. Et avérte iram tu- am a nobis. The sign of the cross is made.

Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbb[bbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbjbbbbbbbbbbbhbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbgbbbbbbbbbbbbbbh.bbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbb bhbbbb[ V. De-us ✠ in adjutó-ri-um me-um inténde. R. Dómine

Vbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbbbgbbbbbbbbbbbbbh.bbbbbbbbbb]bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbb ad adjuvándum me fes-tí-na. (bow) Gló-ri- a Pa-tri,

Vbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbhbbbbb bhbbbbbbbbbbbbb[bbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbhbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbh.bbbbbbbbbbb]bbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbb et Fí-li-o, et Spi-rí-tu-i Sancto. Sicut e-rat in prin-

Vbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbh.bbbbbbbbbbb[bbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbb cí-pi-o, et nunc, et semper, et in saécula saecu-lórum.

Vbbbbbbbbbgbbbbbbbbbbbbbbh.bbbbbbbbbbbbbb{bbbbbbbbbbbhbbbbbbbbbjbbbbbbbbbbygbb bbbbbbbbbbbbg<bbbbbbb} Amen. Alle-lu-ia.

A cross is made on the heart.

Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbvvhbbbbvbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbh.bbbbbbbbbbbb} V. Convert us, ✠ O God of our salva- tion. R. And turn thine ang- er away from us. The sign of the cross is made.

Vbbbbbbbbbbbbbbbbbvvbhbbbbbbbbbbbbbbbbbbb bhbbbbbbbbbbb[bbbbbbvvvvjbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbgbbbbbbbbbbh.bbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbb[bbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb V. O God, ✠ come to my assistance R. O Lord, make

Vbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbvbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbbbbh.bbbbbbbbbbbbbbb]bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbb haste to help me. (bow) Glory be to the Father, and to

Vbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbb[bbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbh.bbbbbbbbbbbbb]bbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbb the Son, and to the Ho-ly Spi-rit. As it was in the

Vbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbh.bbbbbbbb[bbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbb beginning, is now, and ev-er shall be, world without end.

Vbbbbbbbbbgbbbbbbbbbbbbbh.bbbbbbbbbbbb{bbbbbbbbbbbbbhbbbbbbbbbbbbjbbbbbbbbbbbbygbbbbbbbbbbbbbbbbg<bbbbbbb} Amen. Al-le-lu-ia.

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PSALMODY

8G Cantor (Gospel side): All:

BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbgbbbbbbbbbbbbbhbbbbbbbbtfbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbGYbbbbbbbbbhbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbg<bbbbbbbbbbbbbbb{bbbb Antiphon: Mi-se-ré-re * mi-hi Dó-mi-ne

BbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbkbbbbbbbbbbbbbbbJIbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbygzbbbbbbbbbbfbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbg<bbbbbbbbbbbbbg<bbbbbbbbbbbbbbbbbbb}b Et ex-áu-di o- ra- ti- ó-nem me- am.

Psalm 4 Cantor (Gospel side):

´ BbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbÃbbbbbbbbbbbbbbk/bbbbbbbbbb] 1. Cum in-vocárem exaudívit me Deus justítiæ me- æ * Be seated.

All (Gospel side):

´ ´ BbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbkbbbbbbbbbbbbbbbbhbbbbbbbbbbbòbbbbbbbbbbg<bbbbbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbkbbbbbbbbùbbbbbbbbh.bbbbbbbbb} In tribulatióne dilatásti mi- hi. . flex: jus-ti-ti-æ, †

Cantor (Gospel side): All:

BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbb{bbbbbbbbbbbbbbbbbbb Antiphon: Have mer-cy * up-on me, O Lord

BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbHIbbbbbbbbbbbbbbbbbbbbbJ¯IbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbg<bbbbbbbbbbbbbbbbbbb} and hearken un- to my prayer.

Psalm 4 Cantor (Gospel side):

´ BbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbhbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbkbbbbbbbbb]bbbbb 1. When I called upon him, the God of my justice heard me: * Be seated.

All (Gospel side):

´ ´ BbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbòbbbbbbbbbgbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbùbbbbbbbh.bbbbbbb} when I was in distress, thou hast enlarged me. flex: justices †

2. (Ep. side:) Miserére mei, * et exáudi oratiónem meam. 3. Fílii hóminum, úsquequo gravi corde? * ut quid

dilígitis vanitátem et quaéritis mendácium. 4. Et scitóte quóniam mirificávit Dóminus sanctum suum:

* Dóminus exáudiet me cum clamávero ad eum. 5. Irascímini, et nolíte peccáre: † quæ dícitis in córdibus

vestris, * in cubílibus vestris compungímini. 6. Sacrificáte sacrifícium justítiæ, † et speráte in Dómino.

* Multi dicunt: Quis osténdit nobis bona? 7. Signatum est super nos lumen vultus tui Dómine: *

dedísti lætítiam in corde meo. 8. A fructu fruménti, vini et olei sui, * multiplicáti sunt. 9. In pace in idípsum * dórmiam et requiéscam. 10. Quóniam tu Dómine singuláriter in spe * constituísti

me. 11. (bow) Glória Patri, et Fílio, * et Spirítui Sancto. 12. (rise) Sicut erat in princípio, et nunc, et semper, * et

in saécula sæculórum. Amen.

Psalm 90 Cantor (Epistle side): All (Epistle side):

1. Qui hábitat in adjutório Altíssimi, * in protectióne Dei cæli commorábitur.

2. (Gospel side): Dicet Dómino: Suscéptor meus es tu et refúgium meum: * Deus meus, sperábo in eum.

3. Quóniam ipse liberávit me de láqueo venántium, * et a verbo áspero.

4. Scápulis suis obumbrábit tibi: * et sub pennis ejus

sperábis. 5. Scuto circúmdabit te véritas ejus: * non timébis a

timóre noctúrno,

2. (Epistle side:) Have mercy on me * and hear my prayer. 3. O ye sons of men, how long will you be dull of heart? *

Why do you love vanity, and seek after lying? 4. Know ye also that the Lord hath made his holy one

wonderful: * the Lord will hear me when I shall cry to him. 5. Be ye angry, and sin not: † the things you say in your

hearts, * be sorry for them upon your beds. 6. Offer up the sacrifice of justice, † and trust in the Lord: *

many say, Who showeth us good things? 7. The light of thy countenance, O Lord, is signed upon us: *

thou hast given gladness in my heart. 8. By the fruit of their corn, their wine, and oil, * they are

multiplied. 9. In peace in the selfsame, * I will sleep and I will rest: 10. For thou, O Lord, singularly in hope* hast settled me. 11. (bow) Glory be to the Father and to the Son * and to the

Holy Spirit. 12. (rise) As it was in the beginning, is now, and ever shall be,

* world without end. Amen.

Psalm 90 Cantor (Epistle side): All (Ep. side):

1. He that dwelleth in the aid of the most High, * shall abide under the protection of the God of heaven.

2. (Gospel side): He shall say to the Lord: Thou art my protector and my refuge: * my God, I will trust in him.

3. For he hath delivered me from the snare of the hunters: * and from the sharp word.

4. He will overshadow thee with his shoulders: * and under his wings shalt thou be hopeful.

5. His truth shall compass thee with a shield: * thou shalt not be afraid of the terror of the night.

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6. A sagítta volánte in die, † a negótio perambulánte in ténebris: * ab incúrsu, et dæmónio meridiáno.

7. Cadent a látere tuo mille, † et decem míllia a dextris

tuis: * ad te autem non appropinquábit. 8. Verúmtamen óculis tuis considerábis: * et

retributiónem peccatórum vidébis. 9. Quóniam tu es Dómine spes mea: * Altíssimum

posuísti refúgium tuum. 10. Non accédet ad te malum: * et flagéllum non

appropinquábit tabernáculo tuo. 11. Quóniam Ángelis suis mandávit de te: * ut custódiant

te in ómnibus viis tuis. 12. In mánibus portábunt te: * ne forte offéndas ad

lápidem pedem tuum. 13. Super áspidem et basilíscum ambulábis: * et

conculcábis leónem et dracónem. 14. Quóniam in me sperávit, liberábo eum: * prótegam

eum, quoniam cognóvit nomen meum. 15. Clamábit ad me, et ego exáudiam eum: † cum ipso

sum in tribulatióne: * erípiam eum et glorificábo eum. 16. Longitúdine diérum replébo eum: * et osténdam illi

salutáre meum. 17. (bow) Glória Patri, et Fílio, * et Spirítui Sancto. 18. (rise) Sicut erat in princípio, et nunc, et semper, * et

in saécula sæculórum. Amen.

Psalm 133 Cantor (Gospel side): All (Gospel side):

1. Ecce nunc benedícite Dóminum, * omnes servi Dómini.

2. (Epistle side): Qui statis in domo Dómini, * in átriis domus Dei nostri.

3. In nóctibus extóllite manus vestras in sancta, * et benedícite Dóminum.

4. Benedícat te Dóminus ex Sion, * qui fecit cælum et terram.

5. (bow) Glória Patri, et Fílio, * et Spirítui Sancto. 6. (rise) Sicut erat in princípio, et nunc, et semper, * et in

saécula sæculórum. Amen. All:

BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbgbbbbbbbbbbbbhbbbbbbbbtfbbbbbbbbbbbbbbbbbbbGYbbbbbbbbbhbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbg<bbbbbbbbbbbbbbb{bbbb Antiphon: Mi-se-ré-re mi-hi Dó-mi- ne

BbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbkbbbbbbbbbbbbbJIbbbbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbygzbbbbbbbbbbbfbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbg<bbbbbbbbbbg<bbbbbbbbbbbbbbbbbbb}b Et ex-áu-di o- ra- ti- ó-nem me- am.

6. Of the arrow that flieth in the day, † of the business that walketh about in the dark: * of invasion, or of the noonday devil.

7. A thousand shall fall at thy side, † and ten thousand at thy right hand: * but it shall not come nigh thee.

8. But thou shalt consider with thy eyes: * and shalt see the reward of the wicked.

9. Because thou, O Lord, art my hope: * thou hast made the most High thy refuge.

10. There shall no evil come to thee: * nor shall the scourge come near thy dwelling.

11. For he hath given his angels charge over thee, * to keep thee in all thy ways.

12. In their hands they shall bear thee up, * lest thou dash thy foot against a stone.

13. Thou shalt walk upon the asp and the basilisk: * and thou shalt trample under foot the lion and the dragon.

14. Because he hoped in me I will deliver him: * I will protect him because he hath known my name.

15. He shall cry to me, and I will hear him: † I am with him in tribulation, * I will deliver him, and I will bring him to honor.

16. I will fill him with length of days: * and I will show him my salvation.

17. (bow) Glory be to the Father and to the Son * and to the Holy Spirit.

18. (rise) As it was in the beginning, is now, and ever shall be, * world without end. Amen.

Psalm 133 Cantor (Gospel side): All: (Gospel side):

1. Behold now bless the Lord: * all ye servants of the Lord: 2. (Epistle side): Who stand in the house of the Lord, * in the

courts of the house of our God. 3. In the nights lift up your hands to the holy places: * and

bless ye the Lord. 4. May the Lord out of Sion bless thee, * he that made heaven

and earth. 5. (bow) Glory be to the Father and to the Son * and to the

Holy Spirit. 6. (rise) As it was in the beginning, is now, and ever shall be,

* world without end. Amen. All:

BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbgbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbbbbbbbg<bbbbbbbbbbbbb{bbbbbbbbbbbbbbbbbbb Antiphon: Have mer-cy up-on me, O Lord

BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbHIbbbbbbbbbbbbbbbbbbbbbJ¯IbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbg<bbbbbbbbbbbbbbbbbbb} and hearken un- to my prayer.

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HYMN

All stand

Cantor (Epistle side): All (Epistle side):

Bbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbkbbbbbbbbbbkbbbbbbbbbbbbkbbbbbbbbbbkbbbbbbbbbbbbbbblbbbbbbbbbbbbbbkbbbbbbbbbjbbbbbbbbbbbbbbb[bbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbhbbbbbbbbbbbg<bbbbbbbbb{b 1. Te lucis ante términum, * Rerum Creátor, póscimus,

Bbbbbbbbbbbjbbbbbbbbbbbbbbbbbhbbbbbbbbgbbbbbbbbbbbgbbbbbbbbbbbbbbbbfbbbbbbbbbbbbgbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbbb[bbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbjbbbbbbbbbbbbhbbbbbbbbg<bbbbbbbbbbbbbb}bb Ut só-li-ta cleménti-a, Sis præsul ad custó-di-am.

Bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbkbbbbbbbbbbbkbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbbbkbbbbbbbbbbbjbbbbb[bbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbb (Gospel side): 2. Pro-cul recédant sómni- a, Et nócti-um

Bbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbhbbbbbbbbbbbg<bbbbbbbb{bbbbbbbbbbbbbbjbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbb[bbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbb phantasmata: Hostémque nostrum cómprime, Ne pol-

Bbbbbbbbbbbbkbbbbbbbkbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbhbbbbbbbbbg<bbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbkbbbbbbbbbkbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbkbbbbbbbbbjbbbbbbbbbbbbbbb[bbb lu-ántur córpora. 3. (bow) Præ-sta, Pater omní-potens,

Bbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbhbbbbbbbbbbbg<bbbbbbbbbbbbbb{bbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbb Per Je-sum Chri-stum Dóminum, Qui te-cum in per-

Bbbbbbbbbbbbbbbbgbbbbbbbbbbbhbbbbbbhbbbbbbbbbbbbbbbb[bbbbbbbbbbbbbbkbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbhbbbbbbbbbbg<bbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbghgbbbbbbbbbbbFTM<bbbbbbbbbbbbbbbbbbb} pé-tu-um Regnat cum Sancto Spi-ri-tu. A-men.

All stand

Cantor (Epistle side): All (Epistle side):

Bbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbb[bbbbbbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbb 1. To thee before the close of day, * Cre-a-tor of all things we

Bbbbbbbbbbbbg<bbbbbbbbb{bbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbb[bbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbhbbbbbbbbb pray That in thy constant clemency Our guard and keeper

Bbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbg<bbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbkbbbbbbbbbbbkbbbbbbbbkbbbbbbbbbbbbbbblbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbb thou wouldst be. (Gospel side): 2. Far off let idle visions

Bbbbbbbbbbbbbbbjbbbbbbbbbb[bbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbg<bbbbbbbbbbbbb{bbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbfbbbbbbbbbbbb flee; No phantom of the night molest: Curb thou our raging

Bbbbbbbbbbbbgbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbb[bbbbbbbbkbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbg<bbbbbbbbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb enemy That we in chaste repose may rest. 3. (bow) O

Bbbbbbbbbbbbbkbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbjbbbbbbbbb[bbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbb Father, this we ask be done, Through Jesus Christ, thine

Bbbbbbbbbbbjbbbbbbbbbbhbbbbbbbbbbbbbbbg<bbbbbbbbbb{bbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbb[bbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbvbbbbbbbv only Son; Who with the Ho-ly Ghost and thee, Doth live

Bbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbjbbbbbbbbbbbbbbhbbbbbbbbbbbbbbg<bbbbbbbbbbb}bbbbbbbbbbbbbbghgbbbbbbbbbbbbbbFTM<bbbbbbbbbbbb} and reign e-ternal-ly. A- men.

CHAPTER & SHORT RESPOND

Tu autem in nobis es Dómine, † et nomen sanctum tuum invocátum est super nos: * ne derelínquas nos Dómine Deus noster. (Jerem. 14: 9)

VbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbbbbbfbbbbbbbbbbbbbdbbbbbbbbbbbbDRM,bbbbbbbbbbbbbbbb} R. De- o gra- ti- as.

Thou art in the midst of us, O Lord, † and upon us thy holy name is invoked: * do not desert us, O Lord our God.

VbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbdbbbbbbbbbbbbbbbbbbbbbbDRM,bb bbbbbbbbbbbbbb} R. Thanks be to God.

BbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbFTbbbbbbbbgbbbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbgbbbbbbbbGY,.bbbbbbbbbbbbbb{bbbbbbbbbbbbbhbbbbbbbbbbbbfbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbbbbbgbbbbbbbbr®sbbbbbbFTbbbbbbbbbbbbbbbbbbbbbbbbbbbg,bbbbbbbbbbfb,bbbbbbbbb} R. In manus tuas Dómine, * Coméndo spí-ritum me-um. Repeat: In manus tuas . . .

Bbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbb\bbHUbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbgbbbbbbbb≥gbbbbbbbbbbbb[bbbbbbbbhbbbbbbgbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbtfbbbbbbbbbbbgbbbbbbbbbbbbbbbGY,.bbbbbbbbbb} V. Redemísti nos Dómine, De-us ve- ri- tá- tis. Repeat: Commendo . . .

Bbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbb\bHUbbbbbbbbbbbb bhbbbbbbb[bbbbbbbbbhbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbgbbbbbbbbbb≥gbbbbbbbb[bbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbhbbbbbbbbbgbbbbbbbbbfbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbGY,.bbbbbbbbbbbb} V. Gló-ri- a Pa-tri et Fí- li- o, et Spi-rí-tu- i Sancto. Spirit. Repeat: In manus tuas . . .

BbbbbbbbbbbbfbbbbbbbbfbbbbbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbb{bbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbbbbb5z$@bbbbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbbg,bbbbbbbbbbbbbbbbbbbbbbbfb,bbbbbbbbbbbbbbb} R. Into your hands, O Lord, * I commend my spi- rit. Repeat: Into your hands

Bbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbb\bbHUbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbb[bbbbbbbbbbbgbbbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbGY,.bbbbbbbbbb} V. For you have redeemed me, O Lord, O God of truth. Repeat: I commend . . .

Bbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbb\bHUbbbbbbbbbbbbbbbhbbbbbbb[bbbbbbbbbgbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbb[bbbbbbbbbbgbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbgbbbbbbbbbbbb V. Glory be to the Father, and to the Son, and to the Ho-ly

BbbbbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbh.bbbbbbbbbbbbb} Spi-rit. Repeat: Into your hands

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Bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbfbbbbbbbbbfbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbfbbbbbbbfbbbbbbbbbbbbbfbbbbbbbbbbbbbbfbbbbbbbbbbbfbbbbbbbbfbbbbbbbbbbbbbbbbbbfbbbbbbbbbfbbbbbbbb≤dzz4z#@!zsdsmbbbbbbbbbbbbbbbbbb} V. Custódi nos Dómine, ut pupíllam óculi. R. Sub umbra alárum tuárum prótege nos.

Bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbfbbbbbbbbbfbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbb≤dzz4z#@!zsdsmbbbbbbbbbbbbbbbbbb} V. Keep us, O Lord, as the apple of thine eye. R. Hide us under the shadow of thy wings.

GOSPEL CANTICLE

3a Cantor (Gospel side): All:

BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbHIbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbKObbbbbbbbbbbbbkbbbbbbbbbbijbbbbbbbbbbbbbhbbbbbbbbbjbbbbbbbbbbbbbhbbbbbbbbbbbbbg<bbbbbbbbbbbb{bbbbbbvgbbbbbbbbbbjbbbbbbbbbbkbbbbbbb Salva nos, * Dómi-ne, vi-gi-lántes, custódi

bBbbbbbbbbbbbbbblbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbkbbbbbbbbbbbbj.bbbbbbbbbbb{bbbbbbbbbbbbjbbbbbbbbbbbbbbgbbbbbbbbbbbbjbbbbbbbbbbbblbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbJ¯Ibbbbbbbbbbbbbbbbb[bbbbbbbbbbbbbbb nos dor-mi-éntes: ut vi-gi- lé-mus cum Chrí-sto,

BbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbtfbbbbbbbbbbbbbGYbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbdMbbbbbbbbdMbbbbbbbb} et requi-escámus in pace.

Canticum Simeonis The sign of the cross is made Cantor (Gospel side):

´ ´ } BbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbHIbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbÃbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbuhbbbbbbbbbbbbbbk/bbbbbbbbbbbbb]bbbb 1. Nunc dimíttis ✠ servum tu- um Dómi-ne, * All (Gospel side):

´ bBbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbkbbbbbbbbbbbbÃbbbbbbbbbbbuh<>bbbbbbbbbbbbbbbbbbbb} secúndum verbum tuum in pa- ce. (Epistle side): 2. Quia vidérunt óculi mei * salutáre tuum. 3. Quod parásti * ante fáciem ómnium populórum. 4. Lumen ad revelatiónem géntium, * et glóriam plebis tuæ Ísrael. 5. (bow) Glória Patri, et Fílio, * et Spirítui Sancto. 6. (rise) Sicut erat in princípio, et nunc, et semper, * et in saécula sæculórum. Amen. Repeat antiphon

Cantor (Gospel side): All:

BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbHIbbbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbKObbbbbbbbbbbbbbbbbbbbbbbbbbijbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbg<bbbbbbbbbbbbb{bbbbbbv Save us * O Lord while we are wa-king,

bBbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbj.bbbbbbbbbbb{bbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbbbbbbbbbb and guard us while we are sleeping; that we may watch

BbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbbbJ¯Ibbbbbbbbbbbbbbb[bbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbdMbbbbbbbbbbbbbbbb} with Christ, and that we may rest in peace. .

Canticle of Simeon The sign of the cross is made Cantor (Gospel side):

´ ´ } BbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbHIbbbbbbbbbbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbÃbbbbbbbbbbbbkbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbuhbbbbbbbbbbbbk/bbbbbbbbbbbbb]bbbb 1. Now dost thou ✠ dismiss thy ser- vant, O Lord, * All (Gospel side):

´ bBbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbuh<>bbbbbbbbbbbbbbbbbbbb} according to thy word, in peace. (Epistle side): 2. Because my eyes have seen * thy salvation. 3. Which thou hast prepared * before the face of all peoples. 4. A light to the revelation of the Gentiles, * and the glory of thy people Israel. 5. (bow) Glory be to the Father, and to the Son, * and to the Holy Spirit. 6. (rise) As it was in the beginning, is now, and ever shall be, * world without end. Amen. Repeat antiphon

COLLECT

V. Dóminus vobíscum. R. Et cum spíritu tuo. Oremus. Visita, quaésumus Dómine, habitatiónem istam, et omnes insídias inimíci ab ea longe repélle: † Ángeli tui sancti hábitent in ea, qui nos in pace custódiant; * et benedíctio tua sit super nos semper. Per Dóminum nostrum Jesum Christum Fílium tuum: † qui tecum vivit et regnat in unitáte Spíritus Sancti Deus, * per ómnia saécula sæculórum. R. Amen.

V. The Lord be with you. R. And with thy spirit. Let us pray. Visit, we beseech thee, O Lord, this dwelling-place, and drive far from it all the deceits of the enemy: † let thy holy Angels dwell herein to keep us in peace, * and may thy blessing be ever upon us. Through Jesus Christ our Lord, thy Son, † who with thee in the unity of the Holy Spirit * lives and reigns God, world without end. R. Amen.

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V. Dóminus vobíscum. R. Et cum spíritu tuo.

VbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbHUbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbjbbbbbbbbbbb7xx %<bbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbjbbbbbbbbbbjbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbjbbbbbbbbbbbb7xx %<bbbbbbbbbbbbbbb} V. Benedi-cámus Dómi-no. R. De-o grá- ti- as.

Blessing Benedícat et custódiat nos omnípotens et miséricors Dóminus, Pater, ✠ et Fílius, et Spíritus Sanctus. R. Amen.

V. The Lord be with you. R. And with thy spirit.

VbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbHUbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbb7xx %<bbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbjbbbbbbbbbbbbb7xx %<bbbbbbbbbbbbbbb} V. Let us bless the Lord. R. Thanks be to God.

Blessing May the almighty and merciful Lord bless and guard us, the Father, ✠ the Son, and the Holy Spirit. R. Amen.

MARIAN ANTIPHON

Bbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbgbbbbbbbbbbbfbbbbbbbbbbbbbgbbbbbbbbbbbhz.bbbbbbbbbbb\bbbjbbbbbbbbbbbbbbhbbbbbbbbbbb≥gbbbbbbbbbbbbbbbb\zzjbbbbbbbbbbbbbhbbbbbbbbbbbbgbbbbbbbbbbf,bbbbbbbbbbbbbbbbbbbbbbbbbb{bb Regi-na cæ-li, læ-ta-re, al-le-lu-ia;

Bbbbbbbbbbbbbbbbfbbbbbbbb¿kbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbkbbbbbbbbbjbbbbbbbbbbbbbbhbbbbbbbbbbbbbbfbbbbbbbbbbgbbbbbbbbbbbbhbbbbbbb\zzjbbbbbbbbhbbbbbbbgbbbbbbbbf,bbbbbbbbbbbbb{ Quia quem me-ru-i-sti porta-re, allelu-ia,

Bbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbkbbbbbbbbbbbbblbbbbbbbbbbbbbbbbb¿kbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbfbbbbbbbbbbbbbbgbbbbbbbbbbbbbhbbbbbbb\zzjbbbbbbbbbbbbkb/bbbbbbbbbbbbbbbbb{bbbbb Re-sur-re-xit, si-cut di-xit, al-le- lu-ia;

Bbbbbbbbbbbbbbbbkbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbb\zzjbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbf,bbbbbbbbbbbbbbbbbbbbbdbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbgzgbbbbbbbbbf,bbbbbbbbbbbbbbbbbbbb} O- ra pro no-bis De- um, al-le- lu- ia.

Queen of heaven, rejoice, alleluia; For he whom thou didst merit to bear, alleluia, Has risen as he said, alleluia. Pray for us, to God, alleluia.

V. Gaude et lætare, Virgo Maria, alleluia. R. Quia surrexit Dominus vere, alleluia.

V. Rejoice and be glad, O Virgin Mary, alleluia. R. For the Lord has risen indeed, alleluia.

Orémus. Deus, qui per resurrectiónem Fílii tui, Dómini nostri Jesu Christi, mundum lætificare dignátus es: † præsta, quaésumus; ut, per ejus Genitrícem Vírginem Maríam, * perpétuæ capiámus gáudia vitæ, per eúmdem Christum Dóminum nostrum. Amen.

Let us pray. O God, who didst vouchsafe to give joy to the world through the resurrection of thy Son, our Lord Jesus Christ; grant, we beseech thee, that through his Mother, the Virgin Mary, we may obtain the joys of everlasting life, through the same Christ our Lord.

Amen.

V. Divinum auxilium maneat semper nobiscum. R. Amen.

Lord’s Prayer, Hail Mary, Apostles’ Creed, silently

MARIAN ANTIPHON

Bbbbbbbbbbbbbbabbbbbbbbbbbbbbdbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbhbbbbbbbbbbbg<bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbjbbbbbbbhbbbbbbbbbbbgbbbbbbbbbbbbhbbbbbbbbbbgbbbbbbbbbbbbg<bbbbbbbbbbbbb]bbbbbbbbbbbbbbbkbbbbbbbbbgbbbbbbbbbbbbbbbbbhbbbbbbbbbbfxxxxfbbbbbbbbbbbbsmbbbbbbbbbbbb{bbbbbbbbbdbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbdbbbbbbbbbbbbbbbbesbbbbbbbbbbabbbbbbbbb}bbbbbbbbbbbbbgbbbbbbbbbbbbbb Salve, Re-gí-na, * ma-ter mise-ri-córdi-æ: Vi-ta, dulcé- do, et spes nostra, salve. Ad

Bbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbkbbbbbbbbbbbbbg<bbbbbbbbbb{bbbbbbbbbhbbbbbbbbbbbjbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbhbbbbbbbbbbbgbbbbbbbbbbbbbbbhbbbbbbbbbbbg<bbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbhbbbbbbbbbbbbbbfbbbbbbbbbbbbbsbbbbbbbbbbbbbb≤dbbbbbbbbbbbbbb{bbbbbbbbbbbdbbbbbbbbbbbbbgbbbbbbbbbbbbbhbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbhbbbbbbbbbb≥gbbbbbbbbbb{bbbbbbbhbbbbbbbbbbbbbbgbbbbbbbbbbb te clamámus, éxsu-les, fí- li- i Hevæ. Ad te suspi- rámus, geméntes et flentes in hac

BbbbbbbbbfbbbbbbbbbbbbdbbbbbbbbbbbsbbbbbbbbbbbbbbbdbbbbbbbbbbbbbbbbbbbbbbbbbbsbbbbbbbbbbbabNbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbgbbbbbbbbbbbbbhbbbbbbbbbjbbbbbbbbbbbbbb¿kbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbhbbbbbbbbbkbbbbbbbbbjbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbg<bbbbbbbbbb{bbbbbbbbbbkbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbhbbbbbbbbb¯fbbbbbbbbbbbbbbbbbbsbbbbbbbbbbbbdbbbbbbbbbbbbfbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbhbbbbbbbbbbbbbgbbbbbbbbbbb≥gbbbbbbbbbbbbbbb lacrimá-rum valle. E- ia ergo, Advocáta nostra, il-los tu-os mi-se-ri-córdes óc-u-los

BbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbdbbbbbbbbbbbbbbbbbbbsbbbbbbbbbbbbbbbbbbesbbbbbbbbbaNbbbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbHUbbbbbbbbbbkxxxkbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbgbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbhbbbbbbbbbg<bbbbbbbbbbbbbb{bbbbbbbbbbbbbbbbbbbbbabbbbbbbbbbbb≥bgbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbb ad nos convér-te. Et Jesum, be-ne-dí-ctum fructum ventris tu-i, nobis post hoc

Bbbbbbbbbbbjbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbgbbbbbbbbbb≤dbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbesbbbbbbbbbbbbaNbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbdƒTvvbdxxxdbbbbbbbbbbaNbbbbbbbbbbbbb}bbbbbbbbbbbbbbg˙Uxxijbbbbbbbbbbbygbbbbbbg<bbbbbbbbbbbbbb}bbbbbbbbbbbbbbbkxxxkxxxkbbbbbbbbgh¥fxxxr®sbbbbbbbbbbbbbbbbbDRbbbbbbbbbbbb≥gbbbbbbbbbbbbbbb{bbbbbbbbbbbbbbbabbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbdbbbbbbbwabbbbbbbbaNbbbbbbbbbbbbbbbb} exsí- li- um os-ténde. O clemens: O pi- a: O dulcis Virgo Ma-rí- a.

Hail, holy Queen, mother of mercy! Hail, our life, our sweetness, and our hope! To thee do we cry, poor banished children of Eve; to thee do we send up our sighs, mourning and weeping in this vale of tears. Turn then, most gracious advocate, thine eyes of mercy toward us. And after this our exile show unto us the blessed fruit of thy womb, Jesus. O clement, O loving, O sweet Virgin Mary.

V. Ora pro nobis, sancta Dei Génitrix. R. Ut digni efficiámur promissiónibus Christi.

V. Pray for us, O holy Mother of God. R. That we may be made worthy of the promises of Christ.

Oremus. Omnípotens sempitérne Deus, qui gloriósæ Vírginis Matris Maríæ corpus et ánimam, ut dignum Fílii tui habitáculum éffici mererétur, Spíritu Sancto cooperánte præparásti: † da, ut cujus commemoratióne lætamur, * ejus pia intercessione ab instantibus malis et a morte perpétua liberémur, per eúmdem Christum Dóminum nostrum. Amen.

Let us pray. Almighty, everlasting God, who, by the co-operation of the Holy Spirit, didst prepare the body and soul of the glorious Virgin-Mother Mary, to be a worthy dwelling for thy Son: † grant that we, who rejoice in her commemoration, * may by her loving intercession, be delivered from present evils and from everlasting death, through the same Christ our Lord. Amen.

V. Divinum auxilium maneat semper nobiscum. R. Amen.

Lord’s Prayer, Hail Mary, Apostles’ Creed, silently

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Tuesday

J

5:15 p.m. June 18

Ordinary Form

tueSday, June 18

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226

inTroiT

eleVenTh SUnDAY

Exaudi, Domine … adiutor Ps 27 (26): 7, 9

Hiv

Earken, O Lord, unto my voice * which has called

out to you; deign to be my help, forsake me not, do

not despise me, O God my Savior.

The Lord is my light and my salvation; * whom shall I fear?The Lord is the stronghold of my life; * whom should I dread?

When those who do evil draw near * to devour my flesh,it is they, my enemies and foes, * who stumble and fall.

Though an army encamp against me, * my heart would not fear.Though war break out against me, * even then would I trust.

glory be to the Father …

1.

2.

3.

Psalm 27 (26)

tueSday, June 18

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�B. May

�al

��mighty God have mercy on us,

�for

��give us our

��sins,

� �and

�bring us to ever

��last

�ing

�life.

� � �A. A

�men.

� � �KYRIE

The Kyrie (Lord, have mercy) invocations follow, unless they have just

occurred in a formula of the Penitential Act.�B. Lord,

�� �have

�mer

�cy.

�A.

� �Lord,

�� �have

�mer

�cy.

� � � �

�B. Christ,

� �have

�mer

�cy.

�A.

� �Christ,

� �have

�mer

�cy.

� � � ��B. Lord,

�� �have

�mer

�cy.

�A.

� �Lord,

�� �have

�mer

�cy.

� � �On Sundays outside of Advent and Lent, on solemnities and feasts, and at

special celebrations of a more solemn character the Gloria, p. 8, follows.

INTRODUCTORY RITES 7

tueSday, June 18

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Tuesday of the 11th Week in Ordinary TimePs. 146: 2, 5-6ab, 6c-7, 8-9a YEAR I

PVIII �

raise

the

Lord,

my

soul!

� �� � �

1. Praise

the

Lord,

��

my soul!

� ��

I

��

will praise the Lord all

my

life;

� �

I

��

will sing

praise

��

to my

God

while

I

live.

� �

A.

� � �

2. Bless

ed

he

��

whose help is the God of Ja-cob,

� ��

whose

��

hope is in the

Lord,

his

God,

� �

Who

��

made heaven and earth,

the

��

sea and all

that

is

in

them.

� �

A.

� � �

3. Who

keeps

faith

��

forever, secures justice for the op-pressed,

� ��

gives

��

food to the

hun-

gry.

� �

The

Lord

sets

cap

tives

free.

� �

A.

� � �

4. The

Lord

gives

��

sight to the blind.

� ��

The

��

Lord raises up those who were

bowed

down;

� �

the

��

Lord loves the just.

The

��

Lord pro-

tects

stran

gers.

� �

A.

� � �

Antiphon from Parish Book of Psalms by Arlene Oost-Zinner, ©2012. Parish Book of Psalms is licensedunder a Creative Commons Attribution 3.0 Unported License.

tueSday, June 18

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Al le- lu- ia-

I give you a new co mand- ment,- says the Lord:

love one a noth- er- as I have loved you.

&

b

b - -

mode II

&

b

b

&

b

b

œœ

œœ œ

œœ

œ œ˙

˙œœ˙

œœ

œ

œ

˙œœ

œ

œ œ ˙

˙œœ

˙

œœ

œ œ

œ œ œ œœ

œœ œ

œœ

œ ˙

œ

œ œ

œ œ œ œœ

œ

œ

œœ

œœ

œ˙

PRAYER OF THE FAITHFUL

The text that follows the dagger (†) in the invocations given below can also be

used to conclude intentions that are not sung; alternatively, the final words of

the individual intentions can take its place.

A �B. (Petition...)

�� � ���+

�Be

�pleased

�to

�hear

�us:

� � � ��A. Lord

�we

�ask

�you,

�hear

�our

�prayer.

� � � B �B. (Petition...)

�� � ���+

�Let

�us

�call

�up

�on

�the

�Lord:

� � � ��A. Hear

�us,

�O

�Christ.

� � � C �B. (Petition...)

� � �� ���+

�Let

�us

�pray

�to

�the

�Lord:

� � � �

�A. Lord,

�hear

�our

�prayer.

� � �A. Lord,

Or:�have

�mer

�cy.

� � � D �B. (Petition...)� � �� �� � ��

�+

�Let

�us

�im�

plore

�� �the

�Lord:

� �Ký-

�ri-

�e,

�e-

�lé-

�i-

� ��son.

� � �A. Ký-

�ri-

�e,

�e-

�lé-

�i-

�son.

� � �

LITURGY OF THE WORD 17

PRAYER OF THE FAITHFUL

The text that follows the dagger (†) in the invocations given below can also be

used to conclude intentions that are not sung; alternatively, the final words of

the individual intentions can take its place.

A �B. (Petition...)

�� � ���+

�Be

�pleased

�to

�hear

�us:

� � � ��A. Lord

�we

�ask

�you,

�hear

�our

�prayer.

� � � B �B. (Petition...)

�� � ���+

�Let

�us

�call

�up

�on

�the

�Lord:

� � � ��A. Hear

�us,

�O

�Christ.

� � � C �B. (Petition...)

� � �� ���+

�Let

�us

�pray

�to

�the

�Lord:

� � � �

�A. Lord,

�hear

�our

�prayer.

� � �A. Lord,

Or:�have

�mer

�cy.

� � � D �B. (Petition...)� � �� �� � ��

�+

�Let

�us

�im�

plore

�� �the

�Lord:

� �Ký-

�ri-

�e,

�e-

�lé-

�i-

� ��son.

� � �A. Ký-

�ri-

�e,

�e-

�lé-

�i-

�son.

� � �

LITURGY OF THE WORD 17

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227

oFFerTorY

Benedicam Dominum Ps 16 (15): 7, 8

Ii

will bless the Lord who has giv-en me un-derstand-

ing. I have the Lord always in my sight; since he

is at my right hand, I shall not be shak-en.

set

*

preserve me, o god, for in you i take refuge. † i say to the Lord, “You are my Lord. * my happiness lies in you alone.”

As for the holy ones who dwell in the land, * they are noble, and in them is all my delight.Those who choose other gods increase their sorrows. † i will not take part in their offerings of blood. * nor will i take their names upon my lips.

o Lord, it is you who are my portion and cup; * you yourself who secure my lot.pleasant places are marked out for me: * a pleasing heritage indeed is mine!

1.

2.

3.

Psalm 16 (15)

228

And so, my heart rejoices, my soul is glad; * even my flesh shall rest in hope.For you will not abandon my soul to hell, * nor let your holy one see corruption.

4.

Unam petii Ps 27 (26): 4

CommUnion

Ovii

NE thing have I asked of the Lord, this will I

seek af- ter: that I may dwell in the house of the Lord

all the days of my life.

*

The Lord is my light and my salvation; * whom shall I fear?The Lord is the stronghold of my life; * whom should I dread?

When those who do evil draw near * to devour my flesh,it is they, my enemies and foes, * who stumble and fall.

Though an army encamp against me, * my heart would not fear.Though war break out against me, * even then would I trust.

1.

2.

3.

Psalm 27 (26)

tueSday, June 18

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Soprano Hon -

our

and

ma -

jes -

ty

are

be -

fore

Him,

hon -

our

and

Alto Hon -

our

and

ma -

jes -

ty

are

be -

fore

Him,

hon -

our

and

Tenor

Hon -

our

and

ma -

jes -

ty

are

be -

fore

Him,

hon -

our

and

Bass

Hon -

our

and

ma -

jes -

ty

are

be -

fore

Him,

hon -

our

and

Organ

5allegro Honour and majesty are before him

Psalm 96: 6 Maurice Greene

(1696-1755)

S ma-

jes-

ty

are

be -

fore

him:

strength

and

beau -

ty,

A

ma-

jes-ty

are

be -

fore

him:

strength

and

beau -

ty,

strength

and

T

ma-

jes-

ty

are

be -

fore

him:

strength

and

beau -

ty,

beau-

ty,

strength

and

B

ma-

jes-

ty

are

be -

fore

him:

strength

and

beau -

ty,

10

S strength

and

beau -

ty

are

in

His

sanc -

tu -

a -

ry.

Hon -

our

and

A beau -

ty

are

in

His

sanc-

tu -

a -

ry.

Hon -

our

and

T

beau -

ty

are

in

His

sanc -

tu -

a -

ry.

Hon -

our

and

B

beau -

ty

are

in

His

sanc -

tu -

a -

ry.

Hon -

our

and

15

1 Honour and majesty - GreenetueSday, June 18

Page 98: Music Packet

98 n Sacred MuSic colloquiuM 2013

S ma-

jes-

ty

are

be -

fore

Him:

strength

and

A ma-

jes-

ty

are

be -

fore

Him:

strength

and

beau -

ty,

beau -

ty

are

T

ma-

jes-

ty

are

be -

fore

Him:

strength

and

beau -

ty,

are

B

ma-

jes-

ty

strength

and

beau -

ty,

beau-

ty

are

20

S beau-

ty

are

in

His

sanc-

tu -

a -

ry,

strength

and

A in

His

sanc -

tu -

a -

ry,

strength

and

beau -

ty,

beau -

ty

are

T

in

His

sanc -

tu -

a -

ry,

strength

and

beau -

ty

are

B

in

His

strength

and

beau -

ty,

beau-

ty

are

25

S beau -

ty

are

in

His

sanc -

tu -

a -

ry.

A -

men.

A in

His

sanc -

tu -

a -

ry.

A -

men.

T

in

His

sanc -

tu -

a -

ry.

A -

men

B

in

His

sanc -

tu -

a -

ry.

A -

men.

30

2 Honour and majesty - GreenetueSday, June 18

Page 99: Music Packet

Sacred MuSic colloquiuM 2013 n 99

SANCTUS

H�

O-

�ly,

� �ho-

�ly,

� �ho

�ly

�Lord

� �God

�of

�hosts.

� �Heav

�en

� ��and

�earth

� �are

�full

�of

�your

�glo

�ry.

� �Ho

�san

�na

�in

�the

�high

�est.

� � ��Bless

�ed

�is

�he

� �who

�comes

�in

�the

�name

�of

�the

�Lord.

� �Ho-� �

�san

�na

�in

�the

�high

�est.

� � �MEMORIAL ACCLAMATION�

B. The�

mys

�ter-

�y

�of

�faith.

� � � A �A. We

�pro

�claim

�your

�death,

�O

�Lord,

� �and�

pro

�fess

�your

� ��Res

�ur

�rec

�tion

� �un

�til

�you�

come

�a-

�gain.� � �

B �A. When

�we

�eat

�this

�Bread

�and

�drink

�this

�Cup,

� �we

�pro-

� ��claim

�your

�death,

�O

�Lord,

� �un

�til

�you�

come

�a-

�gain.� � �

LITURGY OF THE EUCHARIST 19

SANCTUS

H�

O-

�ly,

� �ho-

�ly,

� �ho

�ly

�Lord

� �God

�of

�hosts.

� �Heav

�en

� ��and

�earth

� �are

�full

�of

�your

�glo

�ry.

� �Ho

�san

�na

�in

�the

�high

�est.

� � ��Bless

�ed

�is

�he

� �who

�comes

�in

�the

�name

�of

�the

�Lord.

� �Ho-� �

�san

�na

�in

�the

�high

�est.

� � �MEMORIAL ACCLAMATION�

B. The�

mys

�ter-

�y

�of

�faith.

� � � A �A. We

�pro

�claim

�your

�death,

�O

�Lord,

� �and�

pro

�fess

�your

� ��Res

�ur

�rec

�tion

� �un

�til

�you�

come

�a-

�gain.� � �

B �A. When

�we

�eat

�this

�Bread

�and

�drink

�this

�Cup,

� �we

�pro-

� ��claim

�your

�death,

�O

�Lord,

� �un

�til

�you�

come

�a-

�gain.� � �

LITURGY OF THE EUCHARIST 19

tueSday, June 18

Page 100: Music Packet

100 n Sacred MuSic colloquiuM 2013

COMMUNION RITE

THE LORD’S PRAYER: TONE A

�B. At

�the

��Savior’s command,

� �and

�formed

��by di-vine

� ��teach

�ing,

� �we

�dare

�to

�say:

� � �

O�

Ur

�Fa

�ther,

� �who

�art

�in

�heav

�en,

� �hal

�lowed

�be

�thy

� ��name;

� �thy

�king

�dom

�come,

� �thy

�will

�be

�done

� �on

�earth

�as

� ��

it

�is

�in

�heav

�en.

� �Give

�us

�this

�day

�our

�dai-

�ly

�bread,

� � ��and

�for

�give

�us

�our

�tres-

�pass-

�es,

� �as

�we

�for

�give

�those

� ��who

�tres-

�pass

�a-

�gainst

�us:

� �and�

lead

�us

�not

�in-

�to

�temp-

�ta-

� ��tion,

� �but

�de

�liv

�er

�us

�from

�e-

�vil.

� � �The Embolism, p. 24, follows.

21

tueSday, June 18

Page 101: Music Packet

Sacred MuSic colloquiuM 2013 n 101

EMBOLISM

�B. De

�liv-

��er us, Lord, we pray, from every e-

�vil,

� �gra

��ciously

��grant

��peace in

�our

�days,

� �that,

�by

��the help of your mer-

��

cy,

� �we

��may be always free from sin and safe from all

��

dis

�tress,

� �as

�we

�a

�wait

�the

�bless

�ed

�hope

� �and

��the coming

��

of

�our

�Sav

�ior,

�Je

�sus

�Christ.� � �DOXOLOGY

�A. For�

the

�king

�dom,

��the power, and the

�glo

�ry

�are

�yours,

� � ��now

�and

�for

�ev

�er.� � �

24 ORDER OF MASS

tueSday, June 18

Page 102: Music Packet

102 n Sacred MuSic colloquiuM 2013

SIGN OF PEACE

�B. Lord

�Jesus

��Christ, who said to your Apostles:

�Peace

��I

��leave

��you, my peace I give you,

� �look

�not

��on our sins,

��but

��on the faith of your Church,

�and

��graciously grant

��her

��peace and unity in accordance with

�your

�will.

� � ��Who

�live

��and reign for ev

�er

�and

�ev-

�er.

� � �A. A

�men.

� � � ��B. The

�peace

�of

�the

�Lord

�be

�with

�you

�al

�ways.

� � � ��A. And

�with

�your

�spir

�it.

� � �Then, if appropriate, the Deacon, or the Priest, adds:�B. Let us offer each other the

��sign

�of

�peace.� � �

COMMUNION RITE 25

tueSday, June 18

Page 103: Music Packet

Sacred MuSic colloquiuM 2013 n 103

AGNUS DEI

L�

Amb

�of

�God,

�*

�you

�take

�a-

�way

�the

�sins

�of

�the

� ��world,

� �have

�mer

�cy

�on

�us.

� � �Lamb

�of

�God,

�*

�you

�take

� ��

a-

�way

�the

�sins

�of

�the

�world,

� �have

�mer

�cy

�on

�us.

� � � ��Lamb

�of

�God,

�*

�you

�take

�a-

�way

�the

�sins

�of

�the

�world,

� � ��grant

�us

�peace.

� � �

26 ORDER OF MASS

tueSday, June 18

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104 n Sacred MuSic colloquiuM 2013

228

And so, my heart rejoices, my soul is glad; * even my flesh shall rest in hope.For you will not abandon my soul to hell, * nor let your holy one see corruption.

4.

Unam petii Ps 27 (26): 4

CommUnion

Ovii

NE thing have I asked of the Lord, this will I

seek af- ter: that I may dwell in the house of the Lord

all the days of my life.

*

The Lord is my light and my salvation; * whom shall I fear?The Lord is the stronghold of my life; * whom should I dread?

When those who do evil draw near * to devour my flesh,it is they, my enemies and foes, * who stumble and fall.

Though an army encamp against me, * my heart would not fear.Though war break out against me, * even then would I trust.

1.

2.

3.

Psalm 27 (26)

tueSday, June 18

228

And so, my heart rejoices, my soul is glad; * even my flesh shall rest in hope.For you will not abandon my soul to hell, * nor let your holy one see corruption.

4.

Unam petii Ps 27 (26): 4

CommUnion

Ovii

NE thing have I asked of the Lord, this will I

seek af- ter: that I may dwell in the house of the Lord

all the days of my life.

*

The Lord is my light and my salvation; * whom shall I fear?The Lord is the stronghold of my life; * whom should I dread?

When those who do evil draw near * to devour my flesh,it is they, my enemies and foes, * who stumble and fall.

Though an army encamp against me, * my heart would not fear.Though war break out against me, * even then would I trust.

1.

2.

3.

Psalm 27 (26)

Page 105: Music Packet

Sacred MuSic colloquiuM 2013 n 105

229

it is your face, o Lord, that I seek; * hide not your face from me.Dismiss not your servant in anger; * you have been my help.

instruct me, Lord, in your way; † on an even path lead me * because of my enemies.

i believe i shall see the Lord’s goodness * in the land of the living.Wait for the Lord; be strong; * be stouthearted, and wait for the Lord!

glory be to the Father …

4.

5.

6.

tueSday, June 18

Page 106: Music Packet

106 n Sacred MuSic colloquiuM 2013 tueSday, June 18

tutti

Page 107: Music Packet

Sacred MuSic colloquiuM 2013 n 107tueSday, June 18

Page 108: Music Packet

108 n Sacred MuSic colloquiuM 2013 tueSday, June 18

Page 109: Music Packet

Sacred MuSic colloquiuM 2013 n 109tueSday, June 18

Page 110: Music Packet

110 n Sacred MuSic colloquiuM 2013 tueSday, June 18

Page 111: Music Packet

Sacred MuSic colloquiuM 2013 n 111tueSday, June 18

Page 112: Music Packet

112 n Sacred MuSic colloquiuM 2013

1. When

2. How

3. So

4. And

5. Let

in

of

has

did

ev

our

ten,

the

not

ery

-

-

mu

mak

Church,

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in

sic

ing

in

sus

stru

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-

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-

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mu

lit

sing

ment-

is

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ur

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-

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we

gy

psalm

tuned

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ri

have

and

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for

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song,

night

praise!

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and

a

in

when

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a

new

faith

ut

all

dor

di

and

most

re

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men

love,

e

joice

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tion

through

vil

who

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in

cen

strove

have

no

the

tu

a

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ries

gainst

voice

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of

of

the

to

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wrong,

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raise!

pride,

it

as

borne

Then

And

is

wor

wit

let

may

as

ship

nes

us

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-

-

though

moved

to

sing,

give

the

us

the

for

us

whole

to

truth

whom

faith

cre

a

in

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to

a

more

ev

won

sing

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pro

ery

the

al

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cried

found

tongue,

fight,

ways

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Al

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le

le

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le

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lu

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ia!

ia!

ia!

ia!

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&

#

F. Pratt Green (1903-2000)

ENGLEBERG

Charles Villiers Stanford (1852-1924)

&

#

&

#

&

#

Œ

œ

œ

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œ

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tueSday, June 18

tutti

Page 113: Music Packet

Sacred MuSic colloquiuM 2013 n 113WedneSday, June 19

Wednesday

J

5:15 p.m. June 19

Ordinary Form

Page 114: Music Packet

114 n Sacred MuSic colloquiuM 2013

Bv zzßg v zzb b hb v z zzu Ïg z9 z* á& ^ % b ,v zb [ zb bby g v zb z b hj àhv bb z b hv b v zg b ,v v v b v }v bb v v v v zgv b v zt Ídz5 z$ # @ b Nv zb zbb b f v v b Ýdv v b f bb zõ

Bv zg b ,v v v bb }v v v v zßg v bbbbb hv b z b zu Ïg z9 z* á& ^ % b ,v z [ b v y gv zb zb hj àhv b z bb hv v zg b ,v v zz} v v zv b z b ßg v bb bbb h v zzzu Ïg z9 z* á& ^ ß% zt Ídz5 z$ # @ b Nzzv b ô

Bv zb f v b v Ýdv v b f v v zg b,v v v b } xx x xx xx x x ccb

Bb v SØY v v zhv v b 5 z$ # bb v zb Üs v v bb zbb dv b v v Þf v zzb zg v v v v zzí6 z% Þ$ # v b zb db mv b } bb v z Üs v v zbb dv v v zzzÞf v v zb g v v v b àhv v v zzbb zhb bbb õ

Bv zßg v v zb f v b v b g b ,v v [ v zàhv b v zg zb v v b zDR v v b zg v v v zdb mv v v db mv zbb } v v zs v v zzr dv v zs vv v zzdb mv z} v zzs b v v DR v vßg v v b g vv zzr dbbbb ó

Bv bb db mv z }v b zzg z zb b zv b Þf v zb bb zb g v v zb zr dv v zzdb mv z b }v b zzàhv b v g zzv b Þf zb z bb v g bb bb v v r dv b v zzdb mv z}v z zb b Ý db v zzz b g b v v zàhv v zbb hb bb b v zb ßg v v zzhb bb ÷

Bzzb zJI v zz zbb h b .v z zb [ b v zb àhv b v zz zhv v bb v v zzàhv v b v zg v v b v v vv Þf v v zgv zbb z b GY v v v vv g b ,v v bbbb db mv v b } v bb v zÞf v v zb dv v Üs v vv b zb dv v b f b ,v bbb b õ

Bzv g zzb v v v Þf v v zzb g v b v b g b ,v v [ zzv b àhv b v b hv v v bv zßg v zb zb b f v b v bb àhv v v v zg v zzv r dbb zb v db mv v zb } v v zb zzÞf v zzv db v b b zz b Üs v bb v z b dv v f b ,v bbbb b õ

Bbbb zz ßg b v zbb zzf z bbb b v zz ßg v zzbb bb g b v v b f b ,v b v [ b v zz àhv zbb zzg v v vv bb v v r dzb v zzdb mv zz bb } zb v z zhv zb z zz ßg zzb v z zhv v v b v JI v bb v zhb .v v b [ bb b v zßg v v v v sv zó

Proper 6 Sunday Closest to June 15

Eleventh Sunday of Ordinary Time (Roman Rite)

Introit Exaudi, Domine (Mode 4) Psalm 27

CyuvtvytvrevzzzerzzEv,zzrtrvtyUv,vuivyrvsrsezzzzz Heark- en to my voice, O Lord, when I call

CtrvyuyvttYv.vrtJuivuvilzoviuvui:ppvUv,vuiJuzzzzzzzzzzz up- on you; you have been my help- er; cast

CtvtyvuivTzvc.vzzztvtz6zJuivyrvtuHyuvTRzv,vtrxczzxxxxxx me not a- way; do not for- sake me, O

CyiJuiHyyervevrytJuuivyuvtuHyyvYTv/viuvuiviviv God of my sal- va- tion. Ps The Lord is my

CiviuvuovoviovIv.vivzzzuyvuivuvTzzzzzzzzzz/zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz light and my sal- va- tion: whom then shall I fear?

WedneSday, June 19

Page 115: Music Packet

Sacred MuSic colloquiuM 2013 n 115

Proper 6 Sunday Closest to June 15

Eleventh Sunday of Ordinary Time (Roman Rite) Gradual (Years A & C)

Protector noster (Mode 5) Psalm 84

BevtyGtttvtevtyzFrtyDerzDeeWv,vutyuzLooz:popvoiovzzzzzz Be- hold, O God, our de-

BuyuLoouzGtuytzzHytvTv.vtvyuyJuopovhuh‰zhizHyz8zLoiuiv‰zIUc,cuzzzzzzzzzzzzz fend- er, and look up- on the

Bkokpvouvou‰zivyuvytvttJuy‰ziuTv,vftfufyzLooooJuutuzHgyuzHyyTc/z face of your a- noint- ed.

BtvuyvyovovpLoouzzLkozp[Ov,vkop[pzLkop[ozzJhuioUTc,cutJuytzJutyu O Lord God of hosts,

BoopzKiozJuopzK]]]Oc.vopJ[pzLoouzLoozzLopvovu‰ziytzJuiutzJuytzYTv,vzzzz hear the prayer

BtuytvyuvkopouLooovooUc,zzc‰iuiyzGfGftuiyzzGftuyLooooJuutuzHgyuzHyyTzzzzzzz/ of your ser- vant.

WedneSday, June 19

Page 116: Music Packet

116 n Sacred MuSic colloquiuM 2013

Proper 6 Sunday Closest to June 15

Eleventh Sunday of Ordinary Time (Roman Rite)

Alleluia Domine, in virtute (Mode 6) Psalm 21

BevttvftyzGt‰zizJuyuvhuzztyzGtiHytzzJuuTv,vetzzFrytzzDeewzzGttWzzzzzzzz, Al- le- lu- ia.

BftfufyzzLooozzLopzLoozJutuzHyuzHyyTc/ccevttvtyGt‰zizJuyuvhuzztyzGtiHytzJuuTc, The King re- joic-

BuyLoooztyJuoJuuHyuvuyTv,vtuyzJutyzGstsezzzSwetzDewezGttv,vYzuz‰z8zzLoiuz es in

Byutvtz6zJu‰ziuyzvu‰ziuvUv.vtz6zJuyuLooLo‰ziuyzLoozLoiytzhJuzztyzGtiuzzzzzzzzz your strength, O God: how

ByutvTv,vDevttvftyzGt‰zizJuyzzzJhuzztyzzGtiHytzJuuTc,cetGrytzDeeWvttwz great- ly he ex- ults in your

BdtdudyzzLooozLopLoovu‰zivhuzztuzHyuzHyyTv/vvvvvvvvvvvv vic- to- ry.

WedneSday, June 19

Page 117: Music Packet

Sacred MuSic colloquiuM 2013 n 117

Proper 6 Sunday Closest to June 15

Eleventh Sunday of Ordinary Time (Roman Rite)

Offertory Benedicam Dominum (Mode 1) Psalm 16

BSwvevezhJuivuyvuLoooJuyUv,vtvYJuz8zLouvuyvuLooozzzzzzzzzzzzz I will bless the Lord, who gives me coun-

BytzJuyzzJhuhozzJuz8zLouvUv.vGtvyvJuvovopLhohuvyuLoooHyytvGtvtzzzzzzzzzz sel; I have set the Lord al- ways be-

Buy‰zizzJuutvYTv.vtuvuz8zLoiozJuizHytYv,vtz6zJuyvuvutHytxJhuozzzzzzzzz fore me; be- cause he is at

BJuz8zkovytvez4zGtrzervEWv,vetrvteHytyGttzDeyGtuyTc,cttGtyGtyzzzzzzz my right hand, I shall

BttrverGtrerxvREv/vvvvvvvvvvvvvvvvvzzz not fall.

Bb v b DR v v zb g b ,v zb [ v b g v bb z bbr dv v zs v v v zzzzdb mv v v zdb mv v b }v v zg v b v bbb Þf v v g v vv zzb àhv bb v z zg v v zzÞf v v v zzb g v v zzzzhb .v v [ v zzßg v v b zf zbbb õ

Bzv zGY v zzb zt f bbb v b v db mv zzz bb b db mv v b } b v v a v v bbb Üs v bb zb dv v v zzÞf v v zb zb g b v v zÞf v v v b v g vv zzb zg b ,v z b [ b v zàhv v zbb g bb v z zzÞf v v bb z b g v b v v Þf v bb zg bbb ö

Bzb z zhv b v b Þf v v b g b v v v zbbb v zdb mzb v b b v zb d b mv v zzb }zb bb b v v àhv v zbb g bb v v àhv bb v zb hv v v v zzhv v zzzßg bb b v zb hv v v zzv v JI v v zhb .v zzzb [ z zv b g b v v r Ìs bbbb ó

Bb zz zb d b v v b FT v v zzbb db mv v b v db mz zzz zb b }v bb v b a b v b b v AW bb v zzÜs v v v v zbb s zb v bbb b b zr db b v zb b Üs v v v zb dv v v b v bb f b ,v zb } v b v g zbb v v zßg v v zf v v zvv zzßg bbb bb õ

Bzzb zb g z b v v b g b ,v zbb b }b v z zzh bb v v zzßg b v v zf bb b zv z zàhv b v b g v v br dvv db mv z[ bb v zhzz bb v z GY v zzzb v v v v JI v v zb hb .v bb }v b zzg v v v v v bbb ßg v b v zzv bbb s bb bb ó

Bzzz b dFT v bb zb zr dv b v db mv b b [ bb b zb d b v v v v vÞf zbbb b z zb dv b v b Ü s bb v v v zzdv zzbb Þf v bbbb b v zzg v v zhb .v z} v z zzt <f ÃY z% $ z5 z$ # v b zzb SE b NMv v }x cbb

Bbb z zb AW 4 v b zzzf b v v b Þf v v bb dv v v f v bbbbb v ìg v bbbb dv v v v zz5 z$ # v zzb db mv z bb } bbb bb v z Üs v v zbb dv v v zzzÞf v v zb g v v v b àhv bb } zö v v v bbbbb b v v v v v b vv zb

Xbbbb bb FY z% Þ$ # zf bbb v zb f b ,v v z[ zbb ½ v FY zk zKO v v b k b /v v b [ v zzi Ðhzîu Ïf z6 z% Þ$ # zf v zb zf b ,v v b { bb v a v v zb DR v zb v b f v v vv v y g bbb zb bbb Þf bb b ó

Xv b dv b v b DR v b v b f b ,v v v z] zzb v v zf v zzzb zHI v v b v k b / v v vv v zbb k b v zzzáj v v zzb g v bb v v by g v zzzb f b ,v zb [ z b v dv v b zt f v v b g hg v zb zb f b ,v b z b v f b ,v bb bbb ] ñ

Xbb zz zz b a zzz zb zbb v b v v zb f b ,v v bb z bb zk v v zb zu hv zz bîu Ïf z6 z % Þ$ # zf v bbb zb f b ,v v b z] zv v f v bb v HI v zzv kb v v zb áj v v vvv zb g bbb v v b zy g b v zz b f b ,v v [ v zb dv bb õ

Xzb v bt f v v b g zbb zb v y g v v zbb zb f v v zzDR v v zb f b ,v v z] v zzb a zz zzb zb b v b v v zb f b ,v v bb z bb zk v v zb zu hv zzbîu Ïf z6 z% Þ$ # zf v bbb z b f b ,v v } x c v zbb

Xb v AE v v v zFY v b v v vv GY zß% $ v v zf b,v v bb z[ bb v v zg b v v zÏU b v b zzy g v v zbb FÚI v b v zb zk zi j v zzby g v v zbbbb v v v zg b ,v v b { b zv g b zbbb õ

Xzzb z bÍv zzb by g b v bb zDR v v bb z b f b ,v v zzf b ,v b }b zv ‚a v v v b zzb dv v v v vr dv zzb f b ,v v zz[ v v zf b v v b zFT v v b f vv v zzr dv v b DT vv zg v zzbb v zzf zf bb bb bb ó

Xv zzdb mv v b { bbb v f v v zr dbb v zb FT v v zg v b v v b f b ,v vv f b ,v zb }b v v AE v v v b vFY v v vv v b GY zß% $ v zb zf b ,v v b z[ v v zg v zv zÏU b v b v y gv bbbb v b F ÚI v bbb ø

Xzzb v k zi j v v by gv b v zb zb v b v v zg b ,v v b zb { zv v g b v v Ív b v bby g bb v v DR v v b vv f b ,v v b zzf b ,v v } x x x cv v bbb

Bv GY v b v bu Ïg v 9 z*á& ^ %,v zy g v v zb hjàhv zbb bbb hv b v b g b ,v v }x x xv vv v v zzx xb

WedneSday, June 19

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118 n Sacred MuSic colloquiuM 2013 WedneSday, June 19

Vv bbb db v z bb v b f v v v v zf vv b f zb v v zzg v v zf vv zf zb v v zzb dv v zf v v br dv zzb db mv v v }v bb v zz b dv v v zDR b m,v v } zv bb x v

Vzbb zb dcf cv zg zzz zzz zz ìßg c[ zzz zzz zb f v zv zh cb g czb zb f v v zzdz Mv v b zzb { zv zv f c v zdzzv z zf v v zzg v v zzr dzzzzb b ó

Vb v v b DR cg czv FT v v zzf z,c] zb v v g czbhv b v zzg v v zb g czf c zzg cv zzzb f v v z zb dzMv z v b { v zzzg v v bb g c zzb f v v zb g bbbb bb b ô

Vv zb f czzzf v v b zdz Mv v b { b v zzf v v zzdcb f czzb zg v v zzbr dv [ v bb DR c g cb zbb FT zz z zz zb f z ,v zzz bb ] b zv v dv v b f cb vv zg czzg v zb õ

Vb zb v b g b v v zb f v v zb g b v v b hb cì ßg v v z[ v v b gcb f v b v zzg czzzf cdv zbb z zb dz Mv zz zzz z] zz z v zzb f cb z b dv v zf v v zb g zb cb hc ßg v bb õ

Vv bb zb g v v zf b zv zz b g cb f zczdz Mv v zb { v b v f v bv zdv bb v zb f czzb g cz b f b v v zzzg v v zzzf v z zz zb ëÞf c v b dv v bb f v v zgv v b f cdzzbbbbb ô

Vb v v f czzf z,v v zzz] zb zzv za cbb zzz b db b cb f bb b v v zb f czzb g v v zzÞf cb b f cb zz zf v v zzzb dv z b v b f v zb zz zr dzzz zz zzzd zMv b v z zz{ zb v z zz zdv bbb ô

Vzb z b f v v zzf v v zb f cbb f cb g czzr dzzv zzzd zM v v } x xx xx x zzzzz zzb b xbb b

Vb v v v zb f v v zzf v v zzf vv zf vv v v zb f b v vv zdv vv zb f v v zzg v vv v v zzzdzdv zbbb zza b nv bb v zb bb }v v v zb v zb a b v v DR v zbbbbb bb f v v zb f zbb c b f bbb zb bbb b ô

Vzzv f cb zf cb v zb zf z bb b cb dz zzz b v GY bb zzb v ìt ìf v zzb z[ zzz zz zf cbb z b zb f b b v z z b dv v b f b v zv g bb v zzv bb z b dv v zdbb v v a b nzz b zz } x x

Page 119: Music Packet

Sacred MuSic colloquiuM 2013 n 119

Vv bb zb g v v zf b zv zz b g cb f zczdz Mv v zb { v b v f v bv zdv bb v zb f czzb g cz b f b v v zzzg v v zzzf v z zz zb ëÞf c v b dv v bb f v v zgv v b f cdzzbbbbb ô

Vb v v f czzf z,v v zzz] zb zzv za cbb zzz b db b cb f bb b v v zb f czzb g v v zzÞf cb b f cb zz zf v v zzzb dv z b v b f v zb zz zr dzzz zz zzzd zMv b v z zz{ zb v z zz zdv bbb ô

Vzb z b f v v zzf v v zb f cbb f cb g czzr dzzv zzzd zM v v } x xx xx x zzzzz zzb b xbb b

Vb v v v zb f v v zzf v v zzf vv zf vv v v zb f b v vv zdv vv zb f v v zzg v vv v v zzzdzdv zbbb zza b nv bb v zb bb }v v v zb v zb a b v v DR v zbbbbb bb f v v zb f zbb c b f bbb zb bbb b ô

Vzzv f cb zf cb v zb zf z bb b cb dz zzz b v GY bb zzb v ìt ìf v zzb z[ zzz zz zf cbb z b zb f b b v z z b dv v b f b v zv g bb v zzv bb z b dv v zdbb v v a b nzz b zz } x x

Xbb zz zz b a zzz zb zbb v b v v zb f b ,v v bb z bb zk v v zb zu hv zz bîu Ïf z6 z % Þ$ # zf v bbb zb f b ,v v b z] zv v f v bb v HI v zzv kb v v zb áj v v vvv zb g bbb v v b zy g b v zz b f b ,v v [ v zb dv bb õ

Xzb v bt f v v b g zbb zb v y g v v zbb zb f v v zzDR v v zb f b ,v v z] v zzb a zz zzb zb b v b v v zb f b ,v v bb z bb zk v v zb zu hv zzbîu Ïf z6 z% Þ$ # zf v bbb z b f b ,v v } x c v zbb

Xb v AE v v v zFY v b v v vv GY zß% $ v v zf b,v v bb z[ bb v v zg b v v zÏU b v b zzy g v v zbb FÚI v b v zb zk zi j v zzby g v v zbbbb v v v zg b ,v v b { b zv g b zbbb õ

Xzzb z bÍv zzb by g b v bb zDR v v bb z b f b ,v v zzf b ,v b }b zv ‚a v v v b zzb dv v v v vr dv zzb f b ,v v zz[ v v zf b v v b zFT v v b f vv v zzr dv v b DT vv zg v zzbb v zzf zf bb bb bb ó

Xv zzdb mv v b { bbb v f v v zr dbb v zb FT v v zg v b v v b f b ,v vv f b ,v zb }b v v AE v v v b vFY v v vv v b GY zß% $ v zb zf b ,v v b z[ v v zg v zv zÏU b v b v y gv bbbb v b F ÚI v bbb ø

Xzzb v k zi j v v by gv b v zb zb v b v v zg b ,v v b zb { zv v g b v v Ív b v bby g bb v v DR v v b vv f b ,v v b zzf b ,v v } x x x cv v bbb

Bv GY v b v bu Ïg v 9 z*á& ^ %,v zy g v v zb hjàhv zbb bbb hv b v b g b ,v v }x x xv vv v v zzx xb

WedneSday, June 19

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120 n Sacred MuSic colloquiuM 2013

Adantino e = 88

Adantino e = 88

Sir Edward Elgar(1857-1934)

Ave, MariaOpus 2, No. 2

Copyright © 2006 by the Choral Public Domain Library (http://www.cpdl.org)Edition may be freely distributed, duplicated, performed, or recorded.

Please send comments, amendments, suggestions and corrections to [email protected]

SOPRANO

ALTO

TENOR

BASS

Organ

A

f ve,

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psemplice

ve,

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Ped.

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senza Ped.

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cum;

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p

Ped.

WedneSday, June 19

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Sacred MuSic colloquiuM 2013 n 121

10

et

pp tranquillamentebe

ne- dic

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15

molto allargandoSanc

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i,

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senza Ped.

Ped.

2

WedneSday, June 19

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122 n Sacred MuSic colloquiuM 2013

20

no

ten.

bis,

-

no

bis- pec

ca

- to- ri

- bus,

-

pp

nunc

Più lento

et

in

ho ra

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o

ra

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no

bis,

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pp

et

in

ho ra

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o

ra

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bis

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ca

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ra

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no

ten.

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ca

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ra

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pp

senza Ped.

Più lento

24

mor

tis

- nos

træ,

-

O

ra

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bis.

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mor

tis

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træ,

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O

ra

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bis.

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tis

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ra

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-

3

WedneSday, June 19

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Sacred MuSic colloquiuM 2013 n 123

28

A

p

men,

- - -

A

pp

rall.

men.

- - -

A

p

men,

- - -

A

pp

rall.

men.

- - -

A

p

men,

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A

pp

rall.

men.

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A

p men,

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A

pp rall.

men.

- - -

pp

rall.

SOURCE: Novello 1907COMPOSER: Sir Edward Elgar (1857-1934), Op.2, No.2

transcribed from Novello edition by Robert G. Nottingham 23/5/06, rev. 8/5/07 & 20/9/07edition prepared for Coro Nostro Chamber Choir of Leicester, UK

TEXT:

Ave Maria, gratia plena, Dominus tecum;benedicta tu in mulieribus,et benedictus fructus ventris tui, Jesus.Sancta Maria, Mater Dei,ora pro nobis peccatoribus,nunc et in hora mortis nostrae. Amen.

TRANSLATION:

Hail Mary, full of grace, the Lord is with thee;blessed art thou among women,and blessed is the fruit of thy womb, Jesus.Holy Mary, Mother of God,pray for us sinners,now and at the hour of our death. Amen.

(senza Ped.)

Ped.

4

WedneSday, June 19

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124 n Sacred MuSic colloquiuM 2013 WedneSday, June 19

Proper 6 Sunday Closest to June 15

Eleventh Sunday of Ordinary Time (Roman Rite)

Communion Unam petii (Mode 7) Psalm 27

XiiyvioiovKivutvuyuvGtvrvdrtuFrtFrrEv,vetJuizzz One thing have I asked of the Lord; one

X:ppivIHyz7zKiuyzGtz6zzJuytvrtHytrtvTRv,vuvipvopvioKivyz thing I seek: that I may dwell in

XuvopvLovpvioIczzzz,viyuHyrvtyvIv,vIHyz7zKiuyzGtz6zJuytzzzzzzz the house of the Lord, all the days of

XrtHytrtvTRv/vvvvvvvvvvvvvvvvvvvz my life.

Ad libitum Psalm 27: 1

XruyvuivivivivivipvovoivIOv.viz9zzlpxvivuzzzzzzzzzzz The Lord is my light and my sal- va- tion: whom then shall

XuuuvTv/vvvvvvvvvvvvvvvvvvvvv I fear?

Page 125: Music Packet

Sacred MuSic colloquiuM 2013 n 125

William Byrd (c.1540-1623)

O quam suavis est

Cantus primus[Alto]

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© David Fraser 2009

20

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WedneSday, June 19

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126 n Sacred MuSic colloquiuM 2013

di

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2

WedneSday, June 19

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Sacred MuSic colloquiuM 2013 n 127

40

lo,

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3WedneSday, June 19

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128 n Sacred MuSic colloquiuM 2013

60

sti

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4WedneSday, June 19

Page 129: Music Packet

Sacred MuSic colloquiuM 2013 n 129

Part of my complete edition of the published vocal works of William Byrd made available through the Choral Public Domain Library (http://www.cpdl.org).For general editorial notes, please visit my user page at http://www.cpdl.org/wiki/index.php/User:DaveF.All scores are made freely available according to the CPDL Licence for downloading, printing, performing and recording. No further conditions areor can be attached, although it’s always good to hear of any performances.Please do not, without consulting me, make copies of my scores available through other websites - there’s no need, first of all, as CPDL is always here,and secondly by doing so you put these editions beyond my control and so will miss out on any updates and revisions.

di

mit

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a

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mit

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Source: William Byrd: Gradualia, seu cantionum sacrarum... Liber secundus (1st edition, 1607, 2nd edition, 1610), no.18.Liturgical function: Magnificat antiphon, 1st Vespers, Corpus Christi.

II.29-30: vis si mo II.60-61: di vi tes II.66-67, 69: mit tens in

O how sweet is thy spirit, O Lord, who, to show thy loving-kindness to thy children, dost feed them with that sweetest breadwhich came down from heaven; filling the hungry with good things, and sending the rich and disdainful empty away.

-

nes,

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nes.

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5WedneSday, June 19

Page 130: Music Packet

130 n Sacred MuSic colloquiuM 2013

Page 131: Music Packet

Sacred MuSic colloquiuM 2013 n 131

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Page 132: Music Packet

132 n Sacred MuSic colloquiuM 2013

1. Introitusde la Missa pro defunctis

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Page 134: Music Packet

134 n Sacred MuSic colloquiuM 2013

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Page 135: Music Packet

Sacred MuSic colloquiuM 2013 n 135

2. Kyriede la Missa pro defunctis

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Page 136: Music Packet

136 n Sacred MuSic colloquiuM 2013

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Page 137: Music Packet

Sacred MuSic colloquiuM 2013 n 137

3. Gradualede la Missa pro defunctis

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Page 138: Music Packet

138 n Sacred MuSic colloquiuM 2013

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Page 140: Music Packet

140 n Sacred MuSic colloquiuM 2013

4. Absolve Dominede la Missa pro defunctis

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142 n Sacred MuSic colloquiuM 2013

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Page 145: Music Packet

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5. Offertoriumde la Missa pro defunctis

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Page 146: Music Packet

146 n Sacred MuSic colloquiuM 2013

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Page 149: Music Packet

Sacred MuSic colloquiuM 2013 n 149

6. Sanctusde la Missa pro defunctis

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Page 150: Music Packet

150 n Sacred MuSic colloquiuM 2013

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Page 151: Music Packet

Sacred MuSic colloquiuM 2013 n 151

9. Agnus Deide la Missa pro defunctis

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152 n Sacred MuSic colloquiuM 2013

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Page 154: Music Packet

154 n Sacred MuSic colloquiuM 2013

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Page 159: Music Packet

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Page 164: Music Packet

164 n Sacred MuSic colloquiuM 2013

Page 165: Music Packet

Sacred MuSic colloquiuM 2013 n 165

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168 n Sacred MuSic colloquiuM 2013 friday, June 21

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VeSperS, friday, June 21

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Sacred MuSic colloquiuM 2013 n 181VeSperS, friday, June 21

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Page 186: Music Packet

186 n Sacred MuSic colloquiuM 2013 VeSperS, friday, June 21

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w .w

o sa -

.w ˙

sa - lu -

w

sa -

˙ w

lu - ta -

w .˙ œ

ta - ri

˙ .˙ œ w

lu - ta - - - -

˙.˙ œ w

ri me - - - -

˙ .˙ œ œ œ

me - - - - - - - -

˙ ˙w

ri me - - - - -

˙ w

o.

w w

#

#

.w ˙

sa - lu -

œ œ ˙ ˙

sa - - -

w ˙.˙

ta - ri me -

o. sa -

˙ w ˙

lu - ta -

w„

o.

-2-

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Sacred MuSic colloquiuM 2013 n 187

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œ w ˙

œ w ˙

lu-ta - ri

˙ œ œ w

ri me -

#

#

o.

.w ˙

sa - - -

w Ó ˙

o. sa -

.w ˙

sa - lu -

.w

sa - - -

w ›

lu - ta - - - -

˙ ˙ ˙ w

lu - ta - - - -

w ›

ta - - - - - -

˙ w

lu - ta -

w

˙ w

w

˙.˙ œ w

ri me - - - -

˙.˙ œ

˙

ri me - - - -

˙.˙ œ

˙

ri me - - - -

˙ .˙ œ˙

ri me - - - -

˙ ›

\o.

w›

\

o.

w ›

\

o.

w›\

o.

#

&

39

œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

3. Qu-ia re - spe - xit hu - mi - li - ta - tem an - cil - læ su - æ:

&

40

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœ

œ œ œ

ec - ce e - nim ex hoc be - a - tam me di-cent om-nes ge-ne-ra - ti - o-nes.

&

V

V

?

C

C

C

C

41

4. Qui -

w ˙ .˙

a fe - - - -

4. Qui - - -

w

4. Qui -

œw ˙

w

a

w ˙.˙

a fe - - - -

w Ó .˙

cit mi - - -

4. Qui - - -

w ˙ ˙

œw ˙

œ ˙ w

hi

w

a

w w

fe - cit

#

wÓ .w

cit qui -

œ œ œ œ ˙ ˙

w ˙ ˙

Ó ˙

mi -

-3-

VeSperS, friday, June 21

Page 188: Music Packet

188 n Sacred MuSic colloquiuM 2013 VeSperS, friday, June 21

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47

œ ˙ ˙˙

a

.w œ œ

ma - - - - - - - - - - - - -

wb w

fe - - - - - - - -

˙

hi ma -

˙ .˙ œw

fe - - - - -

w ˙ ˙

w ˙ œ œ

w Ów

gna mi - - - -

˙ w

˙ ˙w

œ œ ˙˙ w

cit

˙ w

cit

w ˙ w

˙ .˙ œ

mi-hi

\

hi

w

mi -

œ œ w

gna

œœ

w ˙

ma -

w.w

hi ma -

qui

\

gna

.w œ œ

ma -

&

V

V

?

53

œ œ ˙ ˙

˙ ˙ ˙ œ œ

po - - - - -

˙ ˙ ˙ ˙

˙ .˙ œ œœ

˙ w ˙

tens

˙ ˙ w

qui po - - - - - - - - -

˙˙

w

gna qui

›\

gna

w w

est:

.w œ œ

w

.›

po - - - - -

w

qui

˙ ˙ ˙ ˙

˙ w ˙

qui po -

˙˙ ˙ ˙

po - - -

˙˙

w

˙ ˙ w

tens

.˙ œ œ w

tens

ww

tens est:

œ œ œ œ w

tens est:

est:

&

V

V

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59

est:

Ó˙

.w

et san -

w

w

et

˙ w

ctumno -

w .w

et san -

.w ˙

san - ctum

˙˙ ˙ w

men e - - - - - - -

˙ w

ctumno -

w

no - men e - - - -

w

et

w ˙

˙.˙ œ œ ˙

men e - jus.

œ œw

.w ˙

san - ctum

œ œ œ œ w

jus.

Ó .˙ œ œ œ

et

›\

jus.

ww

no - men

Ó .˙ œ œ œ

no -

˙.˙ œ œ œ

san -

-4-

Page 189: Music Packet

Sacred MuSic colloquiuM 2013 n 189

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w w

e - jus.

˙˙ ˙ ˙

men e -

˙ w ˙

ctum no-men

w Ó˙

et

w „

jus.

˙ œ œ ›

e - - - -

w .w

et san -

.w ˙

san - ctum

w

jus.

˙ w

ctumno -

w˙ ˙

no - men

Ów w

et san -

˙ .˙ œ w

men e - - - - -

˙ w ˙

e - - -

˙ ˙˙

ctum no -

˙ ˙˙

jus.

w ›

men e -

w .w

et san -

jus.

&

V

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71

w

et

w

jus.

˙ w

ctum no -

Ó ˙.˙ œ

etsan - - - - -

˙ ˙ w

san-ctumno -

˙.˙ œ w

men e - - -

w œ œ œ œ

w.w

men e - - - - - -

w

et

˙ w

jus.

w ›

ctum

œ œ ˙ w

˙ ˙w

san-ctumno -

˙.˙ œ ˙

e - - - -

Ó˙

no -

˙ ›

\jus.

w w

men e -

w ›

\jus.

˙ ˙.˙ œ

mene - -

\

jus.

w

›\

jus.

&

77

œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

5. Etmi - se - ri-cor-di-a e-jus a pro-ge-ni-e in pro-ge - ni-es:

œ œ œœ

œ œ œ

ti-men-ti-bus e -um.

-5-

VeSperS, friday, June 21

Page 190: Music Packet

190 n Sacred MuSic colloquiuM 2013 VeSperS, friday, June 21

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C

C

C

79

6. Fe -

w ˙ w

cit po-ten - - - - - - - - - - - -

6. Fe - - -

˙ .˙ œ

w w

cit po -

6. Fe - - -

œ œ ˙w

.w ˙

ten - - - - - - - -

w

cit

˙ w˙

˙˙ ˙ w

˙ w ˙

po-ten - - - - -

6. Fe -

w.w

w ˙

w .w

&

V

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85

w

cit

œ œ

.˙ œ

˙w ˙

œ œ w

˙ w ˙

po-ten - - - -

˙ w œ œ

ti -

˙ œ œw

ti -

˙ ˙w

ti -

.w œ œ

ti -

˙

am in

.›

am

am

w w

am

.w˙

bra - chi -

w.w

in bra -

Ó˙

.w

in bra -

ww

o

Ó ˙

in

˙ w

chi -o

˙w

chi -o

.›

su - - -

.w ˙

bra - chi -

œ œ œ œ w

&

V

V

?

91.w ˙

su - - - - - - - - -

.›

o

su -

˙ œ œ w

.w ˙

su - - - - -

wÓ ˙

o: in

.˙ œ ˙ .˙

w

o:

˙ œ œ w

o:

.w ˙

bra - chi -

œ œ ˙ Ó˙

o: in

Ó ˙.w

in bra -

Ó˙

.w

in bra -

o

.w ˙

bra - chi -

˙ w

chi -o

˙ ›

chi -o

w w

su - - -

w w

o su -

w ›

su -

w

su -

w Ó ˙

o: dis -

-6-

Page 191: Music Packet

Sacred MuSic colloquiuM 2013 n 191

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97

œ œ œ œ w

w

o:

o:

per - - -

w „

o:

w .w

dis - per - - - - -

w

dis -

w .w

sit su - -

˙w

dis-per -

˙ ˙ œ œ

w ˙˙

per - sit su -

˙ ›

per-bos

˙ w

sit su -

sit

.w ˙

per - - - - -

w ›

per - bos

w

dis -

˙w ˙

˙.˙

su-per -

w w

per - sit

w›

bos dis -

ww

dis - per -

&

V

V

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103

œ œ œ w

bos

.w ˙

su - per -

w

per -

sit

w .w

men -

w

bos

˙ w œ œ

sit su -

˙˙

w

su - per -

˙ ˙˙

te cor-dis

.w ˙

men - te

w ˙ ˙

per - - -

w

bos

.˙ œ ˙ ˙

su - - - - - - -

˙˙

.˙ œ

cor-dis su - - - - - -

w„

bos

.w ˙

men - te

˙.˙ œ w

œ œ œw w

˙˙

w

cor - dis

˙ w

i.

˙ w

i.

.w

men -

w .˙ œ

su - -

#

#

&

V

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109

Ó˙ ˙

men-te cor - - - - - - -

.w˙

men - te

˙ ˙˙

te cor -

w „

i.

œ w ˙

˙˙

w

cor - dis

w w

dis su - - - - - - - - - -

#

w˙ ˙

.˙ œ œ œ ˙

su - - - - - - - -

.˙ œ ˙ ˙

.w ˙

men - te

˙.˙ œ w

dis su - - - -

˙w

˙

˙.˙ œ

˙

˙˙

w

cor - dis

˙ ›

\

i.

w ›

\

i.

w ›

\

i.

w›

\

su - i.

#

-7-

VeSperS, friday, June 21

Page 192: Music Packet

192 n Sacred MuSic colloquiuM 2013 VeSperS, friday, June 21

&

114

œ œ œ œœ œ œ œ œ œ œ œ œ œ œ

7. De-po - su - it po-ten - tes de se - de,

œ œ œ œœ

œ œ œ œ

et ex -al - ta-vit hu-mi-les.

&

V

V

?

C

C

C

C

116

w ˙ ˙

8. E - su - ri -

.˙ œ œ œ˙

en - - - - - - - -

w ˙ ˙

8. E - su - ri -

˙w w

.˙ œ œ œ˙

en - - - - - - -

˙ ›

tes

w ˙ ˙

8. E - su - ri -

w .˙ œ

.˙ œ œ œ˙

en - - -

w„

tes

w ˙ ˙

8. E - su - ri -

&

V

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?

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˙.˙ œ

w

.˙ œ œ œ˙

en - - - -

˙ .˙ œ

w ˙ ˙

8. E - su-ri -

w ›

tes

w ˙ ˙

e - su - ri -

˙

tes

.˙ œ œ œ˙

en - - - - - - - - - - -

.˙ œ œ œ˙

en - - - - - - - -

œ œ œ œ ˙ ˙

˙w w

w ›

w

˙ ˙˙

w ˙ ˙

e - su-ri -

#

Ó˙ ˙ ˙

e - su - ri -

w .˙ œ

.˙ œ œ œ˙

en - - -

-8-

Page 193: Music Packet

Sacred MuSic colloquiuM 2013 n 193

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.˙ œ œ œ˙

en - - - -

˙w w

w .˙ œ

im - ple - - - -

w w

tes

˙ ›

#

.w œ œ

w

im -

vit

w

im -

w ˙ ˙

im - ple - - -

.˙ œ w

ple - vit

ww

bo - nis:

.˙ œ w

ple - vit

w ˙ ˙

vit im -

.˙ œ œ œ œ œ œ

bo - - - - - -

Ó w w

im - ple -

w.˙ œ

bo - - -

˙ ˙ ›

ple - vit

w .w

&

V

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˙ w

vit

œ œ ˙ ˙ ˙

w

bo - - - - - - - - - - - - -

œ œ w

nis:

.˙ œ ˙ œ œ

bo - - - - - - -

w˙ ˙

.˙ œ .w

Ó w

im -

˙ ˙˙ ˙

œ œ.˙b œ w

.˙ œ w

wb ˙

ple - vit

w w

nis:

˙ w

nis:nis:

˙ .w

w .›

bo - nis:

w˙ ˙

im - ple-vit

w

et

œ œ w

w .w

bo - nis:

˙ ˙ ˙ w

di - - -

˙ ˙ w

nis:

w

et

&

V

V

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139

˙ w

œ œ w

vi - tes

w

et

˙ ˙ œ œ œ œ

di - - -

Ó w

et

w

et

˙ ˙ œ œ œ œ

di - - - - - - - - - - -

w w

vi - tes

˙ ˙ .˙

di - - - - - - - - - -

˙ ˙ œ œ œ œ

di - - - -

w ˙œ œ

œ œ œ w

w w

vi -

œ œ

w ˙

˙.˙ œ

˙

˙.˙ œ ˙

tes di - mi - - -

œ œw ˙

w˙ ˙

et di - - -

˙ w ˙

vi -

˙ ˙˙ ˙

˙˙ w

vi - tes

˙˙ w

vi -

-9-

VeSperS, friday, June 21

Page 194: Music Packet

194 n Sacred MuSic colloquiuM 2013 VeSperS, friday, June 21

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w

tes

.˙ œ ˙ ˙

sit in -

w˙ ˙

di - mi - - - - - -

w

tes

w˙ ˙

di - mi -

.w ˙

a - - - - - - - - - -

œ œ œ œ w

w˙ ˙

di - mi - - -

˙ .˙ œ w

sit in - a - - -

˙.˙ œ œ œ

˙.˙ œ

˙

sit in - - -

˙˙

w

sit in - -

˙ ›

\nes.

w ›

\

nes.

w ›

\

a - nes.

w›\

a - nes.

#

&

149

œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ

9. Su-sce - pit Is-ra-el pu - e - rumsu - um,

œ œ œ œ œ œ œ œ œœ

œ œ œ

re-cor-da-tus mi-se-ri-cor-di-æ su-æ:

&

V

V

?

C

C

C

C

151

10. Si -

ww

cut lo -

10. Si - - -

.w ˙

cu - - - - - - - - - - -

w

cut

˙ w œ œ

w .w

lo - cu - - - - - - - -

˙ ˙ ˙ ˙

˙ ˙ w

˙ .˙ œ w

œ œ ˙ ˙

-10-

Page 195: Music Packet

Sacred MuSic colloquiuM 2013 n 195

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157

10. Si -

˙ .˙ œ

w ›

tus est

w

cut

w.w

ad

w .w

lo - cu - - - - - - - - - -

10. Si -

œ œ ˙ ˙

w

pa - - -

˙ ˙ w

ww

cut lo -

w ›

tus est

w w

tres

œ œ ˙ ˙

.w ˙

cu - - - - -

w „

˙ ˙˙ .˙

˙ w œ œ

&

V

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163

œ w ˙

tus

˙ ˙ w

tus

Ó

˙ w

ad pa - -

est

est

˙ w .˙

tres nos - - - - -

ad

ad

œ˙ w

w w

ad

w

pa - - - - - - -

œ œ œ œ ˙ ˙

tros:

pa - - - - - - - -

w ˙.˙

pa - - - -

w w

ww

pa - - - - -

w w

œ œ œ w

tres

˙ œ œ ˙

&

V

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?

169

nos - - -

˙˙ ˙ ˙

tres

˙.˙ œ ˙

tres

ww

tres

w w

tros: ad

nos -

w w

nos -

ww

nos -

pa - - -

w Ó ˙

tros: ad

w w

tros: ad

tros:

w w

tres nos -

˙ ˙ .w

pa-tres nos - - - -

˙ ˙

pa-tres

tros:

œ œ w

tros:

.w ˙

A - bra -

˙ w ˙

tros:A - bra -

.w ˙

A - bra -

.w ˙

A - bra -

-11-

VeSperS, friday, June 21

Page 196: Music Packet

196 n Sacred MuSic colloquiuM 2013 VeSperS, friday, June 21

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›\

ham

w.w

ham et

w.w

ham A -

˙

ham et

˙ ˙ ˙

se - mi - ni

˙ w

bra-ham

.˙ œ ˙ ˙

se - mi-ni e -

.˙ œ ˙ ˙

e - jus in sæ -

˙˙

.˙ œ

jus in sæ-cu -

˙˙

.˙ œ

cu- la. sæ - cu -

Ó˙

et

˙.˙ œ w

la. sæ - - -

Ó ˙

et

w w

la.

.˙ œ ˙ ˙

se - mi-ni e -

˙ w

cu - la.

#

.˙ œ ˙ ˙

se -mi-ni e -

˙˙

.˙ œ

jus in sæ-cu-

&

V

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181

˙˙

˙ ˙

jus in sæ-cu -

Ó ˙

et

˙.˙ œ w

la. sæ - - -

w w

la.

.˙ œ ˙ w

se-mi-ni e -

˙ w

cu - la.

Ó ˙.˙ œ

et se-mi -

#

Ó ˙.˙ œ

et se -mi -

˙w

jus in

Ó

˙

et

˙ w ˙

ni e - jus

˙ ˙ ˙˙

ni e - jus in

.˙ œ w

sæ-cu-la.

.˙ œ˙ ˙

se -mi-ni ni

w.˙ œ

in sæ - - - -

.˙ œ ˙ w

sæ-cu-la. sæ -

\

˙

˙ ˙ ˙

e-in sæ -

w ˙ ˙

˙ ›

\cu-la.

w ›

\cu - la.

w›\

cu - la.

#

&

187

œ œ œ œœ œ œ œ œ œ œ œ œ œ

11. Glo-ri - a Pa - tri, et Fi - li - o,

œ œ œ œœ

œ œ œ

et Spi-ri - tu - i San-cto.

-12-

Page 197: Music Packet

Sacred MuSic colloquiuM 2013 n 197

&

V

V

&

?

189

w w

12. Sicut

w w

12. Si -

12. Si -

e - - -

.w œ œ

cut

ww

cut

.w ˙

12. Si - cut

w

rat

e - - -

w w

e - rat

12. Si -

e - - -

%

w ˙ w

in prin-ci -

w w

rat in

w

in

ww

cut

w

rat

˙ w

pi -o,

˙ w ˙

prin-ci - pi -

˙ w ˙

prin-ci - pi -

w w

e - rat

w ˙ w

in prin-ci -

ww

et nunc,

w w

o,

w

o,

w

in

˙.˙ œ

pi - o,

&

V

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&

?

195

.˙ œ ˙ ˙

et

˙ ˙˙

etnunc, et

w ˙ ˙

et nunc,et

˙ w ˙

prin-ci - pi -

˙ ˙˙

˙

etnunc,et

sem - - -

œ ˙ w

sem - - - -

sem - - -

w

o,

.˙ œ .˙ œ

sem - - - - - - - - - - - -

w Ó˙

per, et

per,

w ˙ ˙

et nunc,et

.˙ œ w

˙w

˙

nunc,et

˙ ˙ w

per, etnunc,

et

sem - -

ww

.˙ œ˙

w

sem - - - -

˙

.˙ œ ˙

et

w

in

per,

w œ œ œ œ

˙ w

per,

w ›

sem-per,

.w ˙

sæ - cu -

et

w›

per,

-13-

[Canon: In tenore]

VeSperS, friday, June 21

Page 198: Music Packet

198 n Sacred MuSic colloquiuM 2013 VeSperS, friday, June 21

&

V

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201

et

et

w .w

la sæ -

w

in

in

w

in

˙ w

cu - lo -

.w ˙

sæ - cu -

w w

et in

.w

sæ -

.˙ œ œ œ ˙

sæ - cu -

ww

rum. A -

w .w

la sæ -

.w ˙

sæ - cu -

˙ .˙ œ

cu - la

w

la

w ›

\

men.

˙ w

cu - lo -

.˙ œ w

la

œ œ .˙ œ w

.˙ œ˙ ˙

sæ - culo-rum.

ww

rum. A -

Ów ˙

sæ - cu -

˙ .˙ œ

˙˙

w

A - - -

w ›

\men.

˙ ˙ w

lo-rum.A -

&

V

V

&

?

207

œ œ w œ œ

˙w œ œ

.˙ œw

men.

wÓ w

et

œ œ œœ w

men.

et

w

et

˙ .˙ œ

in sæ - cu -

Ów ˙

et in

w

in

w .w

in sæ -

w .w

la sæ -

.˙ œ w

sæ-cu-la

.w ˙

sæ - cu -

et

˙›

\cu - la

˙ ›

cu-lo - - -

.w ˙

sæ - cu -

w .w

la sæ -

w

in

rum.

w w

lo - rum.

˙ w

cu-lo -

.w ˙

sæ - cu -

Ó w

sæ -

-14-

Page 199: Music Packet

Sacred MuSic colloquiuM 2013 n 199

&

V

V

&

?

213

.w

A - - - -

.˙ œ œ œ ˙

A - - - -

ww

rum. A -

w .w

la sæ - - -

˙ ˙ ˙

cu - lo-rum.

˙ .˙ œ

men.

w Ó w

men. sæ -

w ›

\

men.

˙ w

cu - lo -

.˙ œ w

A - men.

œ œ .˙ œ w

A - - - -

˙˙ ˙

cu - lo-rum.

ww

rum. A -

Ów ˙

sæ - cu -

˙ ›

\men.

w ›

\

A - men.

w ›

\men.

˙ ˙›

lo-rum.A -

#

men.

-15-

VeSperS, friday, June 21

Page 200: Music Packet

200 n Sacred MuSic colloquiuM 2013

VeSperS, friday, June 21

Page 201: Music Packet

Sacred MuSic colloquiuM 2013 n 201

VeSperS, friday, June 21

tutti

Page 202: Music Packet

202 n Sacred MuSic colloquiuM 2013

VeSperS, friday, June 21

Page 203: Music Packet

Sacred MuSic colloquiuM 2013 n 203

Saturday

J

3 p.m. June 22

Votive Mass

of the Blessed Virgin Mary

Ordinary Form

Saturday, June 22

Page 204: Music Packet

204 n Sacred MuSic colloquiuM 2013 Saturday, June 22

Page 205: Music Packet

Sacred MuSic colloquiuM 2013 n 205

Cantus I

Altus I

Tenor I

Bassus I

Cantus II

Altus II

Tenor II

Bassus II

Ky ri

Ky

e e

Ky ri

ri e

Ky ri

lei

e e

e lei

e lei

son, Ky ri e

lei son, Ky ri

son, Ky ri e

son, Ky ri e

lei

e e e lei

lei

- - - - - - - - - - - -

- - - - - - -

- - - - - - - - - - -

- - - - - - - - - -

6

son,

lei son,

son,

son,

6

Ky

e lei

ri e

Ky ri e

e le

Ky

son, e lei

e lei

lei son, e lei

e lei

ri e

Ky ri e

e lei

son,

son,

son,

son,

son, e lei

e lei

lei son, e lei

- - - - - -

- - - - -

- - - -

- - - - - -

-

- - - -

- - -

- - - -

- - - - - -

- - - -

Missa Osculetur meOrlando di Lasso

(c.1532-1594)

edition prepared by David J. Hughes

February 2013

KYRIE ELEISON

Saturday, June 22

Page 206: Music Packet

206 n Sacred MuSic colloquiuM 2013

11 son, Ky

son, Ky

son,

son, Ky

11 Ky ri

Ky ri e

Ky ri ei

Ky ri e

ri e

ri e lei

Ky ri

ri e e

e e

lei son,

lei son, e lei

e lei

son.

e e lei

lei

lei

e lei

e lei

son.

son.

son.

son.

son.

son.

son.

- - - - - -

- - - -

- - - -

- -

- - - - - - -

- - - - - -

- - - - - -

- - - - - - - -

- - - - -

15 Chri ste,

Chri

Chri ste

Chri

15

Chri ste

ste e

e lei son,

ste e lei

e

lei

Chri ste e

son, e

lei son,

son, Chri

lei son, lei son,

Chri ste e lei

ste e lei son,

Chri ste e

Chri ste e

- - - - - - -

- - - - - - - - - -

- - - - - - - -

- - - - - - - - -

2 Lasso - Missa Osculetur me - Kyrie

Saturday, June 22

Page 207: Music Packet

Sacred MuSic colloquiuM 2013 n 207

20 son, Chri ste e

Chri ste e

lei son, e lei son, lei son,

20

lei son, e

lei son, Chri

Chri ste e lei

Chri

lei

ste

ste

e lei

son, e

e lei

lei

- - - - - - - - - - - - -

- - - - - - - - - -

- - - - - - - - - -

- - - - - - - - - -

25 son, Chri ste e

son, Chri son, Chri

son, Chri

25

lei son, Chri

ste

ste

e

ste e

e

ste e

lei

lei son.

lei son.

lei son.

son.

- - - - - - - - - -

- - - - - - - - -

- - - - - -

- - - - - -

3Lasso - Missa Osculetur me - Kyrie

Saturday, June 22

Page 208: Music Packet

208 n Sacred MuSic colloquiuM 2013

31 Ky ri

Ky ri

Ky ri

Ky ri

31

e e lei

e e lei

e e lei

e e lei

son, Ky ri

son, Ky

son, Ky ri

son, Ky ri e

e e lei

ri e lei

e e

e

son,

son,

lei son,

lei son,

Ky ri e lei

Ky ri e

Ky ri e

Ky ri e

Ky ri e lei

Ky ri e

Ky ri e

Ky ri e

son,

lei son,

lei son,

lei son,

- - - - - - - - - - - -

- - - - - - -- - - -

- - - - - - - - - - -

- - - - - - - - - -

- - - -

- - - -

- - - -

- - - -

-

37

son,

lei son,

lei son,

lei son,

37 Ky ri e e lei

Ky ri e

Ky ri e

Ky ri e

Ky ri e lei

Ky ri e

Ky ri e

Ky ri e

son,

lei son, lei son, lei son,

son,

lei son, lei son, lei son,

Ky ri

Ky ri

Ky ri

Ky ri

Ky ri e

Ky ri e

Ky ri e

Ky ri e

e e

e e

e e

e e

e lei son,

e lei son,

e lei son,

e lei son,

lei son,

lei son,

lei son, lei son,

- - - - - - - - - - - -

- - - - - - - - -

- - - - - - - - -

- - - - - - - - -

- - - - - - - -

- - - - - - - -

- -

- -- - - - - -

- - - - - -

4 Lasso - Missa Osculetur me - Kyrie

Saturday, June 22

Page 209: Music Packet

Sacred MuSic colloquiuM 2013 n 209

42 Ky

Ky ri e

Ky ri

Ky

42 Ky

Ky

Ky ri

Ky

ri

e lei son,

e ri e, ri e

ri e

e

ri

e

Ky ri

lei son, Ky ri

Ky ri e

e

e lei

e

e e

e lei

e e lei e e lei

lei son, e leilei

lei

lei

son.

son.son.

son.

son.

son.

son.

son.

- - - - - - -

- - - - - - -

- - - - - - - - - -

- - - - - - - - - -

- - - - - - - - - - -

- - - - - - - - -

- - - -

- - - - - - - - - -

- -

5Lasso - Missa Osculetur me - Kyrie

Saturday, June 22

Page 210: Music Packet

210 n Sacred MuSic colloquiuM 2013

Cantus I

Altus I

Tenor I

Bassus I

Cantus II

Altus II

Tenor II

Bassus II

Et in ter

Et

Et in

Et

ra

in ter

ter ra

in ter ra

pax

ra pax

pax ho

pax ho

ho mi

ho

mi ni bus, mi

ni

mi ni ho mi

ni

- - - - - - - - -

- - - -

- - - - - -

- - -

6

bus

bus

ni bus

bus

6 bo

bo nae

bo

bo

nae vo lun

vo lun ta

nae vo lun nae vo lun

Lau

Lau

Lau

Lau

ta tis.

tis.

ta tis.

ta tis.

da mus te.

da mus te.

da mus te.

da mus te.

Lau da mus

Lau da mus

Lau da mus

Lau da mus

Be ne di

Be ne di

Be ne di

Be ne di

te.

te.

te.

te.

ci mus te.

ci mus te.

ci mus te.

ci mus te.

A

- -

- -

- - - - - -

- - - - - -

- - - - - -

- - - - - -

- - - - - - -

- - - - - -

- -

- -

- - - -

- - - -

GLORIA IN EXCELSIS DEO

Saturday, June 22

Page 211: Music Packet

Sacred MuSic colloquiuM 2013 n 211

12 A do

A do

A do

A do

12 do

A do

A do

A do

ra mus

ra mus te. Glo

ra mus

ra mus te.

ra mus

ra mus

ra mus

ra mus

te. Glo ri fi

ri fi

te. Glo ri fi

Glo ri fi

te.

te.

te.

te.

ca mus te.

ca mus te.

ca mus te.

ca mus te.

Glo

Glo

Glo

Glo

ri fi ca mus

ri fi ca

ri fi ca

ri fi ca mus

Gra ti as

Gra ti

Gra ti

Gra ti

te.

mus te.

mus te.

te.

- - - - - - -

- - - - - - -

- - - - - - -

- - - - - - -

- - - -

- - -

- - -

- - -

- - - -

- - - -

- - - -

- - - -

- -

- -

- -

- -

18

a

as a gi

as a

as a gi

18

gi mus ti

mus ti

gi mus ti

mus ti

bi

bi

bi

bi

prop ter

prop ter

prop

prop

ma gnam

ma gnam

ter ma gnam

ter ma gnam

glo ri am

glo ri am tu

glo ri am glo ri am

Do

tu am.

am.

tu tu am.

- - - - -

- -

- - - - - -

- - - - -

- - -

- - -

- - -

- - -

-

- - -

2 Lasso - Missa Osculetur me - Gloria

Saturday, June 22

Page 212: Music Packet

212 n Sacred MuSic colloquiuM 2013

24 Do mi ne De

mi ne

Do mi ne

Do mi ne

24

am.

us,

De us,

De us, De us,

Rex

Rex

cae

Rex Rex

le

cae le

cae le

cae le

Rex

Rex

Rex

Rex

stis,

stis, stis,

stis,

cae le

cae le

cae le

cae le

- - -

- - -

- - -

- - -

- -

- -

- -

- -

- - -

- -

- -

- -

30

stis,

stis,

stis,

stis,

30 De us Pa

De us Pa

De us Pa

De us Pa

ter om ni po

ter om ni po

ter om ni po ter om ni po

Do mi ne

Do mi ne Fi

Do

Do mi ne

tens.

tens.

tens.

tens.

Fi li u ni

mi ne Fi

Fi li u

ge

li u

li u

ni ge

ni

ni ge ni

ni ge ni

ni

Je

Je

Je

-

- - - - -

- - - - -

- - - - -

- - - - -

- - - - - - - - - -

- - - - - - - - - -

- - - - - - -

- - - - - - - - - -

-

-

-

3Lasso - Missa Osculetur me - Gloria

Saturday, June 22

Page 213: Music Packet

Sacred MuSic colloquiuM 2013 n 213

36 te

te

te

te

36 su Chri

su Chri

Je su Chri

su Chri

Do mi ne

Do mi ne

Do mi ne

Do mi ne

ste.

ste.

ste.

ste.

De

De

De

De

us, A gnus

us, A gnus De

us, A gnus

us, A gnus

De i, Fi

i, Fi

De i, Fi

De i, Fi

li us Pa

li us Pa

li us Pa li us Pa

-

- -

-

- -

- - - - - - - - - -

- - - - - - - - - -

- - - - - - - -

- - - - - - - - - -

-

42 tris, Fi

tris, Fi

tris, Fi

tris, Fi li us

42 Fi li us

Fi li

Fi li us

Fi li us

li us Pa

li us Pa

li us Pa

PaPa

us Pa

Pa

Pa

tris.

tris. tris.

tris.tris.

tris.

tris.

tris.

Qui

Qui

Qui

Qui

tol lis pec

tol lis pec ca

tol lis pec tol lis pec

ca ta mun

ta mun

ca ta mun ca ta mun

- - -

- - -

- - -

- - -

- - -

- - -

- - -

- - -

- - - -

- - -

- - - -

- - - -

4 Lasso - Missa Osculetur me - Gloria

Saturday, June 22

Page 214: Music Packet

214 n Sacred MuSic colloquiuM 2013

49 di,

di,

di,

di,

49 mi

mi

mi

mi

se re

se

se re

se re

re

re re

re

re

no

no

no

no

Qui

Qui tol

Qui

Qui tol

bis.

bis.

bis.

bis.

tol lis,

lis, qui

tol

Qui tol

Qui tol

Qui tol

Qui tol

- - - - - - - -

- - - - - -

- - - - - - - - - -

- - - - - - -

-

-

-

-

-

-

- - -

- - - -

55 qui tol

tol lis

lis

lis

55 lis

lis

lis pec

lis

lis pec ca

pec ca

pec ca

pec ca

pec ca

pec ca ca ta

pec ca

ta mun

ta mun

ta mun

ta mun di,

ta mun

ta

mun

ta mun

di,

di,

di,

su

di,

mun di,

di,

di,

su sci pe,

su sci pe,

su sci pe, su

sci pe,

su

su sci pe de

su sci pe

sci pe de

su sci pe

su sci pe

sci pe

su sci pe

su sci pe

- - - - - -

- - - - - -

- - - - - - -

- - - - - -

- - - - -

- - - - -

- - - - -

- - -

- - - - -

- - - -

- - - - -

- - - -

- -

- -

- -

- -

5Lasso - Missa Osculetur me - Gloria

Saturday, June 22

Page 215: Music Packet

Sacred MuSic colloquiuM 2013 n 215

61 pre

de pre ca

de pre ca

61

ca ti o

ti o nem

pre ca ti

ti o nem

nem no

no

o nem no

no

stram. Qui

stram. Qui stram. Qui

stram. Qui

Qui se des

Qui se des

Qui se des

Qui se des

se des

se des

se des se des

ad

ad

ad

ad

dex te ram

dex te ram Pa

dex te ram Pa

dex te ram

- - - - - - -

- - - - - -

- - - - - - - -

- - - - - -

-

-

-

-

-

-

-

-

- -

- - -

- - -

- -

67

67

Pa tris,

tris,

tris,

Pa tris,

mi se

mi

mi se re re

mi

re re

se re re

no

se re re

Quo

Quo

Quo

Quo

no bis.

no bis.

no bis.

ni am,

ni am,

ni am,

ni am,

Quo ni

Quo

bis.

Quo

quo ni

quo ni

quo ni

quo ni

am, quo ni

ni am

Quo ni am

ni am

am

am

am

am

-

- -

- -

-

- - - -

- - - -

- - - - - - - - -

- - - -

- - - -

- - - -

- - - -

- - - -

- - - -

- -

- -

- -

6 Lasso - Missa Osculetur me - Gloria

Saturday, June 22

Page 216: Music Packet

216 n Sacred MuSic colloquiuM 2013

73 am tu so

tu so

tu tu

73

lus san

lus

so lusso

ctus.

san

san

lus san

Tu

ctus.

ctus.

ctus.

so lus Do

Tu so lus

Tu so lus

Tu so lus

Tu so lus Do

Tu so lus

Tu so lus

Tu so lus

mi nus.

Do mi nus.

Do mi nus.

Do mi nus.

mi nus.

Do mi nus.

Do mi nus.

Do mi nus.

Tu

Tu

Tu

Tu

- - - - - -

- - -

- - -

- - -

- - - -

- -

- - -

- - -

- - -

- - -

- - -

-

79

79

so

so so lus

so

lus

lus Al Al tis

lus Al

Je

Je

Al tis si

tis si

si tis si mus,

su

Je su

Je

mus,

mus, Je mus, Je

Je

Chri

Chri

su Chri

su Chri

Je su Chri

su Chri ste.

su Chri

su Chri

ste. Cum

ste. Cum San cto

ste. Cum

ste. Cum

ste.

ste.

ste.

- - - - - - - - -

- - - - - - - -

- - - - - -

- - - - - - - -

- -

- -

- -

- -

- - - - -

-

7Lasso - Missa Osculetur me - Gloria

Saturday, June 22

Page 217: Music Packet

Sacred MuSic colloquiuM 2013 n 217

85

San cto Spi ri

Spi ri

San cto Spi ri

San cto Spi ri

85

tu, in glo ri

tu, in glo ri a

tu, in glo ri

tu, in glo ri

a De i

De i

a De i Pa a De i

Pa tris. A

Pa tris. A

tis. A Pa tris. A

Cum

Cum

Cum

Cum

men.

men. men.

men.

San cto Spi ri tu,

San cto Spi ri

San cto Spi ri San cto Sppi ri

De i

De

De i

De

in glo ri

tu, in glo ri

tu, in glo ri

tu in glo ri

Pa tris. A

i Pa tris.

Pa tris.

i Pa tris.

a

a

a

a

- - - - - - - -

- - - - - - -

- - - - - - - -

- - - - - - - -

- - -

- -

- -

- -

- - - - -

- - - - -

- - - - -

- - - - -

92

men.

A men.

A men.

A men.

92 De i Pa

De i Pa

De i Pa

De i

De i

De

De i

De

tris. A

tris. A

tris. A

Pa tris. A

Pa tris. A

i Pa tris

Pa tris.

i Pa tris.

men.

men.

men.

men.

men.

A men. De

A men,

A men.

De i Pa

De i Pa

De i Pa

De i

De i Pa

i Pa

a

De i

tris. A

tris.

tris. A

Pa tris.

tris. A

tris. A

Pa tris. A

A

men.

A

men.

men.

man.

men.men.

men.

men.

- - - - - - - -

-

-

- - - - - - -

- - - - - -

- - - - - -

- - - - - - - -

- - - - - -

- - - - - - -

- - - - - -

8 Lasso - Missa Osculetur me - Gloria

Saturday, June 22

Page 218: Music Packet

218 n Sacred MuSic colloquiuM 2013 Saturday, June 22

Page 219: Music Packet

Sacred MuSic colloquiuM 2013 n 219Saturday, June 22

Page 220: Music Packet

220 n Sacred MuSic colloquiuM 2013

&

&

V

?

&

&

V

?

#

#

#

#

#

#

#

#

C

C

C

C

C

C

C

C

Cantus I

Altus I

Tenor I

Bassus I

Cantus II

Altus II

Tenor II

Bassus II

.w˙

Pa trem

w

Pa

˙ ˙w

o mni

.w ˙n

Pa trem

˙w ˙

trem o

.w˙n

Pa trem

w ˙ ˙

po ten

˙ ˙

È

˙

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mni po ten

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È

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o mni po

œ œ# œ ˙ ˙ ˙

tem, fa

w w

ten tem,

œ œ ˙ w

tem,

˙

ten tem, fa

w ˙ ˙

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w ˙ ˙

fa cto rem

˙ w ˙

fa cto rem

œ œn œ œ œ œ œ œ

cto

˙ œ œ ˙ ˙

li

W

cae

w w

cae

œ œ œ œ w

- - - - - - - - - -

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&

&

V

?

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V

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7

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et ter

˙ ˙ w

li et ter

˙ œ œ ˙ ˙

li

˙w ˙#

rem cae li7

œ œ .˙ œ

I

œ ˙

I

W

w w

et ter

ww

et ter

w

rae,

w#

rae,

w

rae,

w

rae,

Ó ˙ œ# ˙ œ

vi si bi li

.˙ œ œ œ ˙

vi si bi li um

Ó ˙ œ ˙ œ

vi si bi l

Ó .˙ œ œ œ

vi si bi li

˙

I

w ˙

um o mni

ww

o mni

˙ w# ˙

um o mni

˙w

˙n

um o mni

Ó.˙

˙œ

et in vi

Ów ˙

et in

Ó ˙ ˙˙

et in vi

Ó ˙˙

˙

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w# w

um,

w

um,

w

um,

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um,

œœ œ œ œ œ œ œ

si bi

˙˙

.˙ œ

vi si bi

˙ .˙ œ ˙

si bi

˙

.˙ œ œ œ

si bi

- - -

- - - -

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- -

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CREDO IN UNUM DEUM

Saturday, June 22

Page 221: Music Packet

Sacred MuSic colloquiuM 2013 n 221

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13

œ œ œ œ .˙ œ

li

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li

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li

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li13

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um.

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um.

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um.

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u num

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˙

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w w

sum Chri

˙˙

˙n˙

sum Chri stum,

˙ ˙

I

w

sum Chri

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sum Chri

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sum Chri

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sum Chri

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sum Chri

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stum,

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stum,

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stum,

w w#

stum, Fi

˙w ˙

stum, Fi

w.˙ œ

stum, Fi li

w.˙ œ

stum, Fi li

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19

˙ ˙˙ ˙

li um De i

˙ ˙ ˙ ˙

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w ˙˙

um De i

˙˙

˙ ˙

um De i u

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u ni ge

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u ni

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ni

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ni

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tum. Et ex

˙

tum. Et

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tum. Et

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tum

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tum

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˙

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ex Pa tre na

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an te o

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an te o

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an te o mni

Ó ˙˙ ˙

an te o

w

tum

w

tum

w

tum

w

tum

- - - -

- - - -

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- - - -

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2 Lasso - Missa Osculetur me - Credo

Saturday, June 22

Page 222: Music Packet

222 n Sacred MuSic colloquiuM 2013

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25

œ œ ˙ .˙ œ

mni a sae cu

œ œ ˙ .˙ œ

mni a sae cu

˙ w ˙

a sae cu

œ œ ˙.˙ œ

mni a sae cu25

w

la.

w

la.

w

la.

w

la.

Ó.˙ œ œ œ œ

De

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o,

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De o,

w w

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ww

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lu men

œ œ œ ˙ ˙˙

men de

œ œ œ .˙ œ˙

.˙ œ œ ˙˙

lu men

œ œ œœ

˙ ˙

de lu

œ œ œœ ˙

˙

lu mi

˙.˙

œ ˙

men de

w˙ ˙

de lu mi

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- - -

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mi ne,

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ne,

.˙ œ w#

lu mi ne,

W

ne,31

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˙

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w

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ve

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um ve

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rum

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rum

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rum

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ro.

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ve

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ve ro.

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ve ro.

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de De

w

de

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de De

Ó ˙

de

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3Lasso - Missa Osculetur me - Credo

Saturday, June 22

Page 223: Music Packet

Sacred MuSic colloquiuM 2013 n 223

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37

w

w

ro.

37

œ œ ˙ ˙˙

o ve

˙ ˙ .˙ œ

De o ve

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o

œ œ œ œ ˙

˙n

De o

.˙ œ w

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˙˙ ˙

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ro.

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˙ w

ro.

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ve ro.

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ve ro.

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ctum,

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ctum,

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ctum,

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ctum,

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œ œ ˙ ˙ ˙

stan ti a lem Pa

œ œ w ˙

stan ti a lem

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a lem Pa

œ œw

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stan ti a lem

Ó ˙

per

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˙

per

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tri:

w w

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w w

tri:

ww

Pa tri:

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43

˙˙ ˙ ˙

quem o mni a

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quem

Ó ˙ ˙˙

per quem o

Ó ˙w

per quem,43

Ó ˙

per

Ó ˙

per

˙ ˙ ˙ ˙

fa cta sunt, o

w

˙ ˙ ˙ ˙

mni a fa cta

Ó ˙˙

˙

per quem o

Ó ˙ ˙ Œœ

per quem o

Ó

˙˙ ˙

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˙w

˙

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mni a

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sunt, o mni

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mni a

œ œ ˙ .˙ œ

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w

a

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cta

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sunt.

w˙ ˙

nos ho mi

˙˙

˙˙

pter nos ho mi

˙ w ˙

nos ho mi

˙w ˙

nos ho mi

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4 Lasso - Missa Osculetur me - Credo

Saturday, June 22

Page 224: Music Packet

224 n Sacred MuSic colloquiuM 2013

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w#

nes

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nes

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nes

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nes49

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no stram sa lu

w ˙ ˙

no stram sa

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lis, de

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cae lis,

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de cae

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cae

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scen dit de cae55

w w

de cae

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lis.

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na tus est

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na tus est

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na tus est

w w

Et in

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est de

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na tus est

-

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- - -

- - -

---

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5Lasso - Missa Osculetur me - Credo

Saturday, June 22

Page 225: Music Packet

Sacred MuSic colloquiuM 2013 n 225

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61

˙# ˙ w

Spi ri tu

.˙ œ w

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Spi ri tu61

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est de

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˙ ˙

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tu, de Spi ri

w .˙ œ œ

tu San

w

.˙ œ

tu San

œ œ œ ˙ w

San

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tu San

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Ó w˙

ex Ma

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ex

w#

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ex

w

cto

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I

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cto

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ri a

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.˙ œ œ œ

Vir

˙˙

˙ ˙

Vir gi ne, ex

.˙ œ .˙ œ

Vir

.˙ œ œ œ œ œ

Vir

- -

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--

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.˙ œ œ œ œ ˙

˙

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˙ ˙.˙ œ œ

gi ne:

œ œ œ œ œ œ œ œ

67

˙ ˙# w

gi ne:

.˙ œ w

Vir gi ne:

w

.˙ œw

gi ne:

Ó ˙ œ œ˙

Et ho mo fa

Ó˙

˙˙

Et ho mo

Ó ˙ ˙˙

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Ó ˙˙ ˙

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Ó ˙ œ œ˙

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Ó˙

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Ó ˙ ˙˙

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˙ ˙# w

ctus est,

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fa ctus est,

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fa ctus est,

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fa ctus est,

˙ ˙# ˙ ˙

ctus est, et

.˙ œ ˙ ˙

fa ctus est, et

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fa ctus est,

.˙ œ˙ ˙

fa ctus est, et

Ó ˙ ˙# ˙

et ho mo

Ó˙ w

et ho

Œœ

˙ .˙ œ

et ho mo fa

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w ˙˙

ho mo fa

˙n˙

.˙ œ

ho mo fa ctus

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fa ctus

˙˙n .˙ œ

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w w

fa ctus

˙ w˙

mo fa ctus

œ œ˙

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ctus est, fa

.w ˙

fa ctus

˙ ˙# w

ctus est.

W

est.

W

est.

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est.

W

est.

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est.

˙ ˙ w

ctus est.

W

est.

W

W

W

W

W

W

W

W

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- - - -

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- - - -

6 Lasso - Missa Osculetur me - Credo

Saturday, June 22

Page 226: Music Packet

226 n Sacred MuSic colloquiuM 2013

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&

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#

#

#

#

Cantus I

Altus I

Tenor I

Cantus II

74

.w˙

Cru ci

w

Cru

74

.w˙

fi xus

˙˙n w

ci xi xus

.˙ œ ˙ ˙

e ti am pro

˙.˙ œ ˙

e ti am

Ów

˙

Cru ci

w

Cru

w .˙ œ

no bis,

Ó˙ ˙n ˙

pro no bis,

ww

fi xus

˙˙ w

ci fi

œ œ ˙ .˙ œ

e ti

˙.˙ œ ˙

e ti am

.˙ œ.˙ œ œ

e ti am

˙w ˙

xus e ti

.w ˙

am pro

˙ œ œ ˙ ˙

pro

œ œ w˙

pro

˙ w ˙

am pro

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&

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80

œ œ œ ˙ w

no

œ œ .˙ œ# œ

I

˙

no

w w

no bis:80

.˙ œ œ œ ˙

no

W

bis:

˙

bis: sub

w

sub

W

bis:

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sub

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w

sub

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wN

Pi la

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w w#

la to

˙˙

Ó˙

to pas

w w

to

œ œ œ ˙ w

to

w w

pas sus,

˙œ œ œ œ œ œ

sus, et

w˙ ˙

pas sus, et

˙ w ˙

pas sus,

- - - - - -

- - - - - - - -

- - - - - - - -

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&

V

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#

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86

˙w ˙

et se pul

œ œ ˙ w

se

˙ ˙.˙ œ

se pul tus86

˙w ˙

et se

˙ ˙w

tus est.

.˙ œw

pul tus est.

W

est.

˙ ˙w

pul tus est.

Ó ˙ ˙ œœ

Et re sur re

Ó˙ ˙ ˙

Et re sur

Ó˙

˙˙

Et re sur

Ó˙ ˙ ˙

Et re sur

œ œ# œ

I

˙ w

xit

w ˙ ˙

re xit ter

˙

re xit ter

w w

re xit

Ó˙

se

œ œ ˙ w#

ti a di

œ œ ˙# w

ti a di

Ó .˙ œ ˙

ter ti a

˙.˙ œ

I

œ ˙

I

cun

˙˙ w

e, se cun

w Ó˙

e, se

.˙ œ œ w

di

- - - - - - -

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&

V

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#

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92

w ˙ ˙

dum Scri ptu

˙ ˙ w

dum Scri

w ˙˙

cun dum Scri92

˙˙

˙ ˙

e, se cun dum

œœ

œ œ œ ˙ œ

w w

ptu

wn w

ptu

wnw

Scri ptu

w

ras.

w

ras.

ww

ras. Et

˙

w ˙

ras. Et a

˙# ˙

Et a

Ów ˙

Et a

˙ ˙˙

˙

a scen dit in

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scen dit, et a

w ˙ ˙

scen dit in

˙ ˙ ˙# ˙

scen dit in cae

˙ œ œw

cae

w ˙ ˙

scen dit in

w w

cae lum:

œ œ

I

œ ˙

I

w

lum:

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lum: se

w w

cae lum:

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7Lasso - Missa Osculetur me - Credo

Saturday, June 22

Page 227: Music Packet

Sacred MuSic colloquiuM 2013 n 227

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ven tu rus est cum

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tu rus est cum glo

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a, ju di ca re103

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mor tu os, et

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114

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nis.

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nis.

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fi nis.

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nis.

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8 Lasso - Missa Osculetur me - Credo

Saturday, June 22

Page 228: Music Packet

228 n Sacred MuSic colloquiuM 2013

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vi fi can tem, et vi

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9Lasso - Missa Osculetur me - Credo

Saturday, June 22

Page 229: Music Packet

Sacred MuSic colloquiuM 2013 n 229

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10 Lasso - Missa Osculetur me - Credo

Saturday, June 22

Page 230: Music Packet

230 n Sacred MuSic colloquiuM 2013

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fi te or u

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fi te or

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11Lasso - Missa Osculetur me - Credo

Saturday, June 22

Page 231: Music Packet

Sacred MuSic colloquiuM 2013 n 231

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12 Lasso - Missa Osculetur me - Credo

Saturday, June 22

Page 232: Music Packet

232 n Sacred MuSic colloquiuM 2013

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- - - - - -

- - - -

- - - - - - -

13Lasso - Missa Osculetur me - Credo

Saturday, June 22

Page 233: Music Packet

Sacred MuSic colloquiuM 2013 n 233Saturday, June 22

Page 234: Music Packet

234 n Sacred MuSic colloquiuM 2013 Saturday, June 22

Page 235: Music Packet

Sacred MuSic colloquiuM 2013 n 235

Cantus I

Altus I

Tenor I

Bassus I

Cantus II

Altus II

Tenor II

Bassus II

San

San

San

San

ctus,

ctus,

ctus,

ctus, San

San

SanSan

ctus Do

ctus Do

ctus Do mi

ctus Do

mi nus De us

mi nus De us Sa

nus De us mi nus De us

- - -

- - - - - - - - -

- - - - - - -

- - - - - - -

- - - - - - -

6 Sa ba oth.

ba oth.

Sa ba oth.

Sa ba oth.

6 San

San

San

San

ctus, ctus,

ctus, San

ctus,

San

San

San

ctus

ctus

ctus Do mi nus De

ctus Do mi nus

Do mi nus De

Do mi nus

us Sa ba

De us Sa ba

us Sa ba

De us Sa ba

- -

- -

- -

- -

- - - - - - - - - - - -

- - - - - - - -

- - - - - - - - - -

- - - - - - - - - -

SANCTUS & BENEDICTUS

Saturday, June 22

Page 236: Music Packet

236 n Sacred MuSic colloquiuM 2013

12 Ple ni sunt cae

Ple ni sunt cae li,

Ple ni sunt cae

Ple ni sunt cae li,

12 oth. Ple ni sunt

oth. Ple ni sunt

oth. Ple ni sunt

oth. Ple ni sunt

li et

ple ni sunt cae li

li et

ple ni sunt cae li

cae li

cae li et

cae li et ter

cae li

ter ra

et ter

3

ter ra

et ter

et ter

ter

ra glo

et ter

glo

ra glo

glo

ra glo ra

ra

ri a,

ra

ri

glo

glo ri

glo

glo

- -

- - - - -

-

- - - - -

- - -

-

- -

-

-

- - - - - - - -

- - - - - - - - -

- - - - - - -

- - - - - - - - - -

17 a,

ri

ri a,

ri a,

17 ri a tu

a

ri

ri

glo ri a

a

glo

glo

a, glo ri

tu a glo

a tu a,

a

tu

tu

ri a tu

ri a tu

a tu

ri a tu

glo ri a tu

tu

a.

a.

a.

a.

a.

a.

a.

a.

- - - - - - - -

- - - -

- - - - - - -

- - - - - - -

- - - - -

- - - - - - -

- - - - - -

- - - - - - -

2 Lasso - Missa Osculetur me - Sanctus & Benedictus

Saturday, June 22

Page 237: Music Packet

Sacred MuSic colloquiuM 2013 n 237

22 Ho san na

Ho san

Ho san na

Ho san na

22

in ex cel

na in ex cel

in ex cel

in ex cel

sis,

sis,

sis,

sis, Ho san na

Ho san

Ho san na

Ho san na

in ex cel

na in ex cel

in ex cel

in ex cel

- - - -

- - - -

- - - -

- - - -

- - - -

- - - -

- - - -

- - - -

26 ho san na

ho san na

ho san na

ho san na

26 sis, ho san na

sis, ho san na

sis, ho san na

sis, ho san na

in ex cel

in ex cel

in ex cel

in ex cel

in ex cel

in ex cel

in ex cel

in ex cel

sis.

sis.

sis.

sis.

sis.

sis.

sis.

sis.

- - - - - - - -

- - - - - - -

- - - - - - -

- - - - - -

- - - -

- - - -

- - - - - -

- - - - - -

3Lasso - Missa Osculetur me - Sanctus & Benedictus

Saturday, June 22

Page 238: Music Packet

238 n Sacred MuSic colloquiuM 2013

29 Be ne

Be

Be

29

di

ne di ctus

ne di ctus

Be

Be ne

ctus, be ne

be ne

qui ve

ne di

di ctus qui

di ctus

di ctus

nit, qui ve

ctus qui ve

ve

qui

qui

nit, qui

ve

ve nit in

nit

nit in ve nit in

- - - - - - - - - -

- - - - - - -

- - - - - - - - -

- - - - - - -

- - - - -

35 nit in no

no mi ne

in no mi

no mi ne

35 no mi ne

mi ne Do mi

Do

ne Do mi

Do mi

Do

ni, in no

mi ni,

ni,

ni, in

mi ni,

mi ne Do

in

in no

no mi ne in no mi

mi ni, in

no mi ne,

mi ne,

Do mi ni,

ne Do mi

no mi ne

in no mi

in

in no mi

ni, in no

- - - - - - - - - - -

- - -- - - - - - -

- - - - - -

- - - - - - - - - -

- - - - - - - - - -

4 Lasso - Missa Osculetur me - Sanctus & Benedictus

Saturday, June 22

Page 239: Music Packet

Sacred MuSic colloquiuM 2013 n 239

41 Do mi

ne Do mi

no mi ne

ne Do

41 mi ne Do

ni, Do mi

ni.

Do mi

mi

mi

ni.

ni.

ni.

ni.

- - - - - -

- -

- - - -

- - - - - - - -

-- - - - - -

5Lasso - Missa Osculetur me - Sanctus & Benedictus

HOSANNA

UT

SOPRA

Saturday, June 22

Page 240: Music Packet

240 n Sacred MuSic colloquiuM 2013

Cantus I

Altus I

Tenor I

Bassus I

Cantus II

Altus II

Tenor II

Bassus II

A

A

A

A

gnus

gnus

gnus, A

gnus

De

De i, A

De

gnus De

gnus De

i,

A

A

i,

i,

i,

gnus

A

gnus,

A

- - - - - -

- - - - - -

- - - - - - - -

- - - - - - -

- - -

-

-

- - -

6

6

De

gnus

A

gnus De

De

gnus

A gnus

A

i, A

i,

De i, A

i, A gnus

De

gnus De

gnus De

A gnus De

gnus De i,

De i,

i, qui

i qui

qui

qui

i, qui tol lis

i, qui tol lis

qui tol lis

qui tol lis

- - - - - - - -

- - - - - - - - -

- - - - - - -

- - - - - - -

-

-

- -

- -

AGNUS DEI

Saturday, June 22

Page 241: Music Packet

Sacred MuSic colloquiuM 2013 n 241

11 tol lis

tol lis

tol lis tol lis

11 pec ca

pec

pec

pec

pec

ta mun

ca ta mun

ca ta mun

ca ta mun

ca ta mun

pec ca ta

pec ca ta

pec ca ta

di:

di:

di:

di:

di:

mun di: mun di: mun di:

mido

mido

sena mido mido

sena

reno

rebis

nopa

reno

rebis

sena

reno

rebis

sena

reno

rebis

- - - - -

-

-

-

- - -

- - -

- - -

- - -

- - -

- - -

- - - - - -

- - -

- - -

- - - -- - -

- -

- -

- -

16 mido

sena

reno

mido

mido

sena

mido

sena

16 bis,

cem,

nopa

bis,cem,

nopa

bis,cem,

nopa

bis,cem,

rebis

nopa

sena

reno

reno

rebis

nopa

reno

rebis

nopa

mido

sena

mido mido mido

bis,cem,

mido

sena

rebis

bis,cem,

mido

bis,cem,

mido

sena

reno

rebis

nopa

sena

reno

rebis

sena

reno

rebis

sena

reno

rebis

reno

rebis

nopa

nopa sena

reno

rebis

nopa

reno

rebis

nopa

nopa

nopanopa

bis.cem.

bis.cem.

bis.cem.

bis.cem.

bis.cem.

bis.cem.bis.cem.

bis.cem.

- - - - - - - -

- - - - - - -

- - - - - - -

- - - - - - - - -

- - - - - - - -

- - - - - - - -

- - - - - - - -

- - - - - - - -

- - - - - -

- - - - - - -

- - - - - -

- - - - - -

- - - - - - - -

- - - - - -

- - - - - -

- - - - - -

21

A gnus De i,

qui tol lis pec ca ta mun di:

mi se re re no bis.- - - - - - - - - - -

2 Lasso - Missa Osculetur me - Agnus Dei

Saturday, June 22

Page 242: Music Packet

242 n Sacred MuSic colloquiuM 2013 Saturday, June 22

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Page 243: Music Packet

Sacred MuSic colloquiuM 2013 n 243

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Saturday, June 22

Page 244: Music Packet

244 n Sacred MuSic colloquiuM 2013

&

&

V?

b

b

b

b

c

c

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c

Soprano

Alto

Tenor

Bass

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p

p

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p

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.œ jœ œ œa ve, Ma

˙ œ œa ve, Ma

.œ jœ œ œa ve, Ma

.œ jœ ˙ri a,

.œ jœ ˙ri a,

.œ jœ ˙ri a,

.œ Jœ ˙ri a,

œ œ œ œ œ œ œgra ti a

œ œ œ œ œ œ œgra ti a

œ œ œ œ œ œgra ti a

œ œ œ œ œ œ œgra ti a

˙ œ ‰ œ œple na, Ma

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˙ Jœ ‰ œple na, Ma

œ œ œ œ œri a, gra

˙ œ œ œri a, gra

œ œ œ œri a, gra

˙ œ œri a, gra

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œ œ œ œ œ œ œti a

.œ Jœ œ œ œti a

.œ jœ œ œ œti a

˙ .œ ‰ple na.

˙ .œ ‰ple na.

˙ .œ ‰ple na.

˙ œ Jœ ‰ple na.

.˙ œDo mi

.œ jœ œ œDo mi

.˙ œDo mi

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wnus

.œ jœ œ œnus

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.˙ œnus

.˙ œ

œ ˙ œ

.œ jœ œ œ œ

œ ˙ œ

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12 œ œ œ œ œ œ œte

œ œ œ œ œ œ œte

œ œ œ œ œ œte

œ œ œ œ œ œ œte

.˙ jœ ‰cum.

jœ ‰ œœ œœ œœcum et be ne

.˙ Jœ ‰cum.

.˙ Jœ ‰cum

p.˙ œ œ

San ta

œœ œœ œœ œœ œœ œœ œœdi cta

.˙ œ œSan cta

p

p

œ ˙ œMa ri a

˙ œœ œœ œœ œœtu in mu li

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œ ˙ œMa ter De

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œ ˙ œMa ter De

.˙ Jœ ‰i

œœ ‰ œœ œœ œœ œœet be ne

.˙ Jœ ‰i

- - - - - - - - - -

- - - - - -

- - - - - -

-

Ave MariaSergei Rachmaninoff

dolce

dolce

Saturday, June 22

Page 245: Music Packet

Sacred MuSic colloquiuM 2013 n 245

&

&

V?

b

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46

46

46

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S

A

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18 ˙ œ œ œO ra pro

œœ œœ œœ œœ œœ œœ œœdi ctus fru

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P

P

œ ˙ œ œ œ œno bis pec

œ ˙ œ œ œ œ

..œœ ≈ œœ œœ œœ œœ œœ œœ œœ œ œ œctus ven tris tu i Je sus. O

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Ó Ó Œ œ œO

ƒ

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w œ œca to

w œ œ

.œ Jœ œ œ œ œ œ œ œra pro no bis

w œ œca to

w œ œ.œ Jœ œ œ œ œ œ œ œ

ra pro no bis

ƒ

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21 œ œ œ œ œ jœ ‰ œri bus nunc

œ œ œ œ Jœ ‰ œ

Jœ ‰ œ œ œ œ œ œ œ œpec ca to ri

œ œ œ œ œ jœ ‰ œri bus nunc

œ œ œ œ Jœ ‰ œ

Jœ ‰ œ œ œ œ œ œ œ œpec ca ta ri

P

P

w ˙et in

.œ jœ, œ œ œ œ œ œ œbus nunc et in

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w ˙ho ra

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.œ Jœ œ œ œ œ œ œ œho ra mor tis nos

œ œ œ œ œ œin ho

œ Œ œ œ œ œmor tis

œ Œ œ œ œ œra mor tis

œ Œ ˙ ˙trae. mor tis

œ Œ œ œ ˙

œœ Œ œ œ œ œra mor tis

p

p

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p

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&

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b

b

b

c

c

c

c

S

A

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25

˙ œ jœ ‰nos trae

˙ œ jœ ‰nos trae

˙ œ jœ ‰nos trae

˙ œ jœ ‰nos trae

p

p

p

p

wA

wA

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wUmen

wU

men

wUmen.

wwU

men.

π

π

π

π

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2Ave Maria

Saturday, June 22

Page 246: Music Packet

246 n Sacred MuSic colloquiuM 2013 Saturday, June 22

alternatim,women begin

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13th Sunday in Ordinary Time

J

11 a.m. June 23

Ordinary Form

Sunday, June 23

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MASS OF THE ENGLISH MARTYRS — Jef f Ostrowski (b. 1981) — CCWATERSHED.ORG

Lord,f have mer cy.-

’Lord,f have mer cy.-

Lord,p have mer cy.

’- Lord,f have mer cy.-

Lord,p have mer cy.-

’Lord,f have mer cy.-

p Lord, have mer cy.-

’Lord,f have mer cy.-

Christ,f have mer cy.

’- Christ,f have mer cy.- f Lord, have

Christ,p have mer cy.

’- Christ,f have mer cy.- Lord,p have

Christ,p have mer cy.

’- Christ,f have mer cy.- Lord,p have

Christ,p have mer cy.

’- Christ,f have mer cy.- Lord,p have

mer cy.- -

’f Lord, have mer cy.- -

mer cy.

’- -

f Lord, have mer cy.- - -

mer cy.- -

’Lord,f have mer cy.- -

mer cy.- -

’Lord,f have mer cy.- -

“Lord, Have Mercy” — SATB Choral Score — When sung a cappella, this higher key should be used.

Sunday, June 23

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250 n Sacred MuSic colloquiuM 2013 Sunday, June 23

MASS OF THE ENGLISH MARTYRS — Jef f Ostrowski (b. 1981) — CCWATERSHED.ORG

“Glory To God” — SATB Choral Score — When sung a cappella, this higher key should be used.

Glo ry- to God in the high est,-

Glo ry- to God in the high est,-

and on earth peace to peo ple- of good will.

Glo ry- to God in the high est.-

And on earth peace to peo ple- of good will.

Glo ry- to God in the high est.-

And on earth peace to peo ple- of good will.

Glo ry- to God in the high est.-

And on earth peace to peo ple- of good will.

We praise you, we bless you, we a dore- you, we glo ri- fy- you,

We praise You, We bless You, We a dore- You, We glo ri- fy- You.

We praise You, We bless You, We a dore- You, We glo ri- fy- You.

We praise You, We bless You, We a dore- You, We glo ri- fy- You.

Glo-

ry

to

God

in

the�

high-�

est,

� �

Whenever possible, the Celebrant alone, without accompaniment, should intone the “Glor y to God.” All then beg in sing ing on the words “and on earth.” If this is not possible, a soloist or the SATB choir is allowed to beg in the “Glor y to God.”

*

*

*

*

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MASS OF THE ENGLISH MARTYRS — Jef f Ostrowski (b. 1981) — CCWATERSHED.ORG

“Glory To God” — SATB Choral Score — When sung a cappella, this higher key should be used.

we give you thanks for your great glo ry,- mf Lord God, heav en- ly- King,

We give You thanks for Your great glo ry.- Lordp God, heav en- ly- King,

We give You thanks for Your great glo ry.- p Lord God, heav en- ly- King,

We give You thanks for Your great glo ry.- p Lord God, heav en- ly- King,

Omf God, al might- y- Fa ther.- Lord Je sus- Christ,

Omf God, al might- y- Fath er.- Lord Je sus- Christ,

Omf God, al might- y- Fath er.- Lord Je sus- Christ,

Omf God, al might- y- Fath er.- Lord Je sus- Christ,

On ly- Be got- ten- Son, Lord God, Lamb of God, Son of the Fa ther,-

On ly- Be got- ten- Son, Lord God, Lamb of God, Son of the Fath er,-

On ly- Be got- ten- Son, Lord God, Lamb of God, Son of the Fath er,-

On ly- Be got- ten- Son, Lord God, Lamb of God, Son of the Fath er,-

Sunday, June 23

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252 n Sacred MuSic colloquiuM 2013

MASS OF THE ENGLISH MARTYRS — Jef f Ostrowski (b. 1981) — CCWATERSHED.ORG

“Glory To God” — SATB Choral Score — When sung a cappella, this higher key should be used.

youmf take a way- the sins of the world, have mer cy- on us;

Youpp take amf

way- the sins of the world, have mer cy- on us.

Youpp take a way- the

mfsins of the world, have mer cy- on us.

Youpp take a way- the mf sins of the world, have mer cy- on us.

youmf take a way- the sins of the world, re ceive- our prayer;

Youpp take amf

way- the sins of the world, re ceive- our prayer.

Youpp take a way- the mf sins of the world, re ceive- our prayer.

Youpp take a way- the mf sins of the world, re ceive- our prayer.

you are seat ed- at the right hand of the Fa ther,- have mer cy- on us.

You are seat ed- at the right hand of the Fath er,- have mer cy- on us.

You are seat ed- at the right hand of the Fath er,- have mer cy- on us.

You are seat ed- at the right hand of the Fath er,- have mer cy- on us.

Sunday, June 23

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MASS OF THE ENGLISH MARTYRS — Jef f Ostrowski (b. 1981) — CCWATERSHED.ORG

“Glory To God” — SATB Choral Score — When sung a cappella, this higher key should be used.

OR:

OR:

OR:

OR:

Formf you a lone- are the Ho ly- One, you a lone- are the Lord,

Forpp mf You a lone- are the Ho ly- One, You a lone- are the Lord,

Forpp mf You a lone- are the Ho ly- One, You a lone- are the Lord,

Forpp mf You a lone- are the Ho ly- One, You a lone- are the Lord,

youmf a lone- are the Most High, Je sus- Christ, with the Ho ly- Spir it-

Youmf

a lone- are the Most High, Je sus- Christ, with the Ho ly- Spi rit-

Youp a lone- mf are the Most High, Je sus- Christ, with the Ho ly- Spi rit-

Youp a lone- mf are the Most High, Je sus- Christ, with the Ho ly- Spi rit-

in the glo ry- of God the Fa ther.- A men.- A men.-

in the glo ry- of God the Fa ther.- A men.- A men.-

in the glo ry- of God the Fa ther.- A men.- A men.-

in the glo ry- of God the Fa ther.- A men.- A men.-

Sunday, June 23

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Vzbb bb s b mv v zb [ v b v zÞf bb v zzf v v bb Þf v v v v b | v gv v b Ýdv bbb v hv b zzh b v bb z záj b b v zzj v v bb hb .v b b } v zz b Þf v bb v b bb dv v bb | v ßg v v bb g v zbbbbb bÌv v bb s b mb bb bbb b [ b ô

Vv bb Þf v v v b f b v v bb àhv v v v b jv v bb hv zbbbb Ìv bb v dv zzbb s b mv zb } v v àhv v bb hv v v v v bb àhv v v bbbb f v b v b s b mv zb [ v b s v vv b Ýdv v v v zzdb v v b Þf bbbbb ó

Vv bb dv zbb bb zb s b mv z bb [ b bb z bb hv v bb àhv v v v v b jv b zzbb b hb .v v v b v v ãl vv v vk v b v b àhbb v v bbb j v v bb hb . zzb b }b v z zb Þf bb v bb b f v v db mv vv v bb | v gv v bb v Ìò

Vzbb bb s b mv v bb z[ v v zb f v zb zb bb bbb Þf v v v v bb hv v zbb àhv bbb bbb j v v b àhv v v zb | vg v v b hb .v zb zbb { v zb j v v v v v bbb ãl v bb v v bb zk v v vv àhv v b hzb v v bb áj v zb | v g bbbb ö

Vzbb bb h b .v zb v }v v v bbb àhv v v v b hzv v bbb Þf v zb v v bbb f zv v v bbb àhv v zzj zz b v v hb .v b v b [ b v s v v vv v b Üs vv v b s vvv v b s v zb v bbbb Ýdv v v v bbbb f z bb | v g zzzb ö

Vv bb hb .v v bb [ v v j v v bbbb âk b v v v b l v v b v vi Ðhv v bb jv bbb hb .v zb } b v b zb hv b b v b Þf v v v b f v vv b Üs v zb v dv v bbb b s b m v v vv bbbb f v b v v v bb Þf v bb v dv v bb f bbbb ö

Vv b v HU v v vv zb hb .v zz bb [ bb v z áj v v v b v v b lv b v b âk v v hv b v zzbb áj v b v b j bb v v b hb .v zb bb [ v s v v v bbbbbb Þf v v v b f v b |v ßg v vv g vv b zzhb .v v zz} v v zzf b bb b ó

Vzb | v DT v bb v Ìv Üs v v bbb s v v bb dv v b Þf v vv v zb | v gv v bbbb HU v v b hb .v zz bb [ b zb z zb hv v v v b v hv zv b hv v b ájv zz| v g vv b hzbb v zb f b ,v zz z[ bb v zàh bb bbb bb ô

Vzbb bb f z b v v zbb Üs v z| v g b v v Ìv b v b dv v bbb s b mv v}zzb v b hv z b v v bb hb b v v àhv v zzj bbbb v b b àhv v b v b hv v b Þf v | zzg b v v bbb hv v b hb .v z zz[ b z zÜs v z z zzdz zz zbb ô

Vv Þf v v vv vv | vg vv b v db mv zb zb bb s b mv z}v b z b Üs v zb v bb f v v v HU vv v b âk v bb v b l v vv bbÐv bbbb b hb .v v zb { z b v hv b v zbb àhv v bb bb hv v v v zÞf v bbbb z b f bb bbb õ

Bv g b ,v v v b g b ,v v b }v v zzÝdzv v zzf cv v zzg v v zzßg v b v zhczzßg v v b f bb v v db mv zb [ zv f v v zzÝdv b v zb s bb v v zzb Ýdv v zg v v zzb hb .v z zb [ bb b \ v HU bbb b ö

Bb zb h bb b czz àhv v b g b v zzb Þf v v b g v v zg b ,v v zb { v b v zÝdv v zb f v zzb zz ßg v b zzz b g v v zbb g czb b v z Þf c v zb zb h b czzg b ,v v b zb g b ,v bb }v b b z zDR v v b v g v bb õ

Bv g b ,bbb v v bb bb zzzg b cv b f b ,cv v b hcb ßg v v b fv v ze s b Nmzzb [ b b \ bbb HU v bbb v zhcb hv v zb àhb v v b hv v bb g czzzÞf cz b zhv b v t f v b zb g b ,z z}zó

Bzbb v DR v zb bb b zßg v v zb g v b zz zb ßg v bbbb v z zg v b v zÞf cv v zhcb g b czdb mv z bb z b [ bb b b v b f cbb zb Ýdv b v zs v bb v Ýd b v v bb g bb v bb zb z b hcb v v zÞf cb hv zb õ

Bzv zb g b ,v b bb bbb zzg b ,zz bb bbb }b z zz bb z zÝdv z bb z bb zb f cv zzg b v v zdb mczz b f v v zb Ýdv v zbb s b bb v zz Ýdb b v zzb g chb v v v v v zzbb Þf v v zzhv zv b g b ,v v zzzg b , zb v b bb } z b ó

Bv zzDR b z b v v zbb g b zzz zb bbb b ßg v b z zzzv v zzg v v v bt f v zb zzÝdv bb z \ bbb S ãØ×Y 7 v v zb hzz zz zbb h b . zzv z}v zv b 6 z% $ v GY z% $ # zb zzz zzSE b Nm v zb } x x cv

Vv bb hv v b f v v b s v z|v gv v bb f v vv vv v z4 z# @v b v s b mv zzz} v b | v FT zzv v Þf v bbb v v zb hv v v zzbb Þf v v b s v zb zzb dv v v b s b mzb b zz b z z{ zò

Vb zz bb s b b v v zzÞf v | v g cv b v b àhv bb v hv b v b àhv v b v bb j v v bbb hb .v v z{ zv zzàh b v v b hb v v bb áj zv v j b v b v l v vv vÐv zbb v j v bb v b hb .v v bb { b z bb z bb àhv bb ô

Vv b f v b v bbbb Üs v b | v g v zzbbb Ìv v b dv v b s b mv zz} zb b zbb b àhv bb v b hv v zb b Þf v b v b f cv v v zb Üs v v bb s b v v db mv vv v vf zv | vßg v v b vv v vv v b dv b ò

Sunday, June 23

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Vzbb bb s b mv v zb [ v b v zÞf bb v zzf v v bb Þf v v v v b | v gv v b Ýdv bbb v hv b zzh b v bb z záj b b v zzj v v bb hb .v b b } v zz b Þf v bb v b bb dv v bb | v ßg v v bb g v zbbbbb bÌv v bb s b mb bb bbb b [ b ô

Vv bb Þf v v v b f b v v bb àhv v v v b jv v bb hv zbbbb Ìv bb v dv zzbb s b mv zb } v v àhv v bb hv v v v v bb àhv v v bbbb f v b v b s b mv zb [ v b s v vv b Ýdv v v v zzdb v v b Þf bbbbb ó

Vv bb dv zbb bb zb s b mv z bb [ b bb z bb hv v bb àhv v v v v b jv b zzbb b hb .v v v b v v ãl vv v vk v b v b àhbb v v bbb j v v bb hb . zzb b }b v z zb Þf bb v bb b f v v db mv vv v bb | v gv v bb v Ìò

Vzbb bb s b mv v bb z[ v v zb f v zb zb bb bbb Þf v v v v bb hv v zbb àhv bbb bbb j v v b àhv v v zb | vg v v b hb .v zb zbb { v zb j v v v v v bbb ãl v bb v v bb zk v v vv àhv v b hzb v v bb áj v zb | v g bbbb ö

Vzbb bb h b .v zb v }v v v bbb àhv v v v b hzv v bbb Þf v zb v v bbb f zv v v bbb àhv v zzj zz b v v hb .v b v b [ b v s v v vv v b Üs vv v b s vvv v b s v zb v bbbb Ýdv v v v bbbb f z bb | v g zzzb ö

Vv bb hb .v v bb [ v v j v v bbbb âk b v v v b l v v b v vi Ðhv v bb jv bbb hb .v zb } b v b zb hv b b v b Þf v v v b f v vv b Üs v zb v dv v bbb b s b m v v vv bbbb f v b v v v bb Þf v bb v dv v bb f bbbb ö

Vv b v HU v v vv zb hb .v zz bb [ bb v z áj v v v b v v b lv b v b âk v v hv b v zzbb áj v b v b j bb v v b hb .v zb bb [ v s v v v bbbbbb Þf v v v b f v b |v ßg v vv g vv b zzhb .v v zz} v v zzf b bb b ó

Vzb | v DT v bb v Ìv Üs v v bbb s v v bb dv v b Þf v vv v zb | v gv v bbbb HU v v b hb .v zz bb [ b zb z zb hv v v v b v hv zv b hv v b ájv zz| v g vv b hzbb v zb f b ,v zz z[ bb v zàh bb bbb bb ô

Vzbb bb f z b v v zbb Üs v z| v g b v v Ìv b v b dv v bbb s b mv v}zzb v b hv z b v v bb hb b v v àhv v zzj bbbb v b b àhv v b v b hv v b Þf v | zzg b v v bbb hv v b hb .v z zz[ b z zÜs v z z zzdz zz zbb ô

Vv Þf v v vv vv | vg vv b v db mv zb zb bb s b mv z}v b z b Üs v zb v bb f v v v HU vv v b âk v bb v b l v vv bbÐv bbbb b hb .v v zb { z b v hv b v zbb àhv v bb bb hv v v v zÞf v bbbb z b f bb bbb õ

Vzb | v g v v vv v zÌvv b s b mzzz b } v b z b hv zz bb àhv b v b hv zbbb b Þf v v v v v bb f v zzv bb Üs v zzzb zs z b v bb bbb Ýdv zb v v v dv vv v zbb v bb Þf b v v bb dv b v b s b mv zb [ v zhbb bb ö

Vzbb bb àhv b v b j bbb v b bb àhv v zb zb l z b v v âk v v b zbb hv v v v bbbb áj v v bbb j b v v b hb .v z z{ b zz bb h zbb v b b b àhv v v bbb f v v v b Üs v bb | v gvv bbbb Þf v v b f v v b v dbmv v zb zs b mbb z zb } zù

Vzb z bb ãl v b zzv l v v v v b v zzáj v v b jv v bb ãl v vv v v bbbb hv v zzv bbb h b .v v v v v vv bb áj v v bb j b v v hb .v v z[ zv sv v zzbbb Þ f zbb v bb hv b zzb àhb v v bb j v v bbb bbb h b .v v { zö

Vzb z zzh bbb zb bb | v g v v vv bbbb àhv v bb f v zz| v ßg bb bb v b dv v bb Þ f v vv zb g v v v b zb zr Ìs v z zv dv b v bb s b mv zzb b z b } zv v zz bb Üs z bb v v b f vv v b v v zzhzzv bbb àhv b bb v b b f v zb õ

Vzb | v ßg v b v f v bbbbb hb .v zz z[ bb z bb b j v v b zàhv zzv b l v v bb âk v b zz bb j v zzb v hb .v v b [ b zb s v v zb v bb Þf v v v v bb f v b v bàhv b v b hzb b b v zb j v v bb hb .v v zz z{ zb zv b b àhv v b hb bbb ô

Vzb v Þf v zzz zf zz zbb b v zÜs v v v bb | v g vv v v b vr Ìs vv bbb d v v bb s b mv z} zz b z zb àh zb b v v hv v bb hb .v v b v v b f v v zb v vf b ,v v v v zzs vv v b Ýdv bb zbb dv b b v zs b mbbb bb b [ b ö

Vv bb hzz b z bb v b àhv v zz bb hv v v àhb v v hb v zbb bbb áj zb b v b | v g vv v vàhv zb zzhv v b f b ,v z bb b } v bb v b hv v zz áj v v b k v b v b ãl vb v bbb j v v bb l v v v v b vi Ðhv zzzb j b z bb bb ö

Vv v hb .v v b [ b v Þf v vv v dv v bb Þf v v b hb zbb | v ßg v v fv v vv v zb Ýdv v zb zf v zb v db mv v v bb s b mv zb } v zb hv zv bb b àh v v vv v f b vv bbb s b mv v v b hv zb v àhzz zzb ö

Vzzz zhb v v b àh bbb bb b zb bb j z b v bb v àhv v v v b | v g zb v bbbbb Þf z b v b z bb g v bb v f b ,v bbb }v zz b l v bb v v bbi j v zbbb àhv v v v zbbb f v v v b áj v v b hvv bbbb Þf v b | v g v bb zzhb .z bbb }zö

Vbb z zb b 6 zb $ z@ zdze s b m zz| z zz9 z* z^ zj zu hv FT zy ÎÌs zdze s bb z b v zs b mv v b }x x cv bbb x x xx v b

Sunday, June 23

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258 n Sacred MuSic colloquiuM 2013 Sunday, June 23

Vzb | v g v v vv v zÌvv b s b mzzz b } v b z b hv zz bb àhv b v b hv zbbb b Þf v v v v v bb f v zzv bb Üs v zzzb zs z b v bb bbb Ýdv zb v v v dv vv v zbb v bb Þf b v v bb dv b v b s b mv zb [ v zhbb bb ö

Vzbb bb àhv b v b j bbb v b bb àhv v zb zb l z b v v âk v v b zbb hv v v v bbbb áj v v bbb j b v v b hb .v z z{ b zz bb h zbb v b b b àhv v v bbb f v v v b Üs v bb | v gvv bbbb Þf v v b f v v b v dbmv v zb zs b mbb z zb } zù

Vzb z bb ãl v b zzv l v v v v b v zzáj v v b jv v bb ãl v vv v v bbbb hv v zzv bbb h b .v v v v v vv bb áj v v bb j b v v hb .v v z[ zv sv v zzbbb Þ f zbb v bb hv b zzb àhb v v bb j v v bbb bbb h b .v v { zö

Vzb z zzh bbb zb bb | v g v v vv bbbb àhv v bb f v zz| v ßg bb bb v b dv v bb Þ f v vv zb g v v v b zb zr Ìs v z zv dv b v bb s b mv zzb b z b } zv v zz bb Üs z bb v v b f vv v b v v zzhzzv bbb àhv b bb v b b f v zb õ

Vzb | v ßg v b v f v bbbbb hb .v zz z[ bb z bb b j v v b zàhv zzv b l v v bb âk v b zz bb j v zzb v hb .v v b [ b zb s v v zb v bb Þf v v v v bb f v b v bàhv b v b hzb b b v zb j v v bb hb .v v zz z{ zb zv b b àhv v b hb bbb ô

Vzb v Þf v zzz zf zz zbb b v zÜs v v v bb | v g vv v v b vr Ìs vv bbb d v v bb s b mv z} zz b z zb àh zb b v v hv v bb hb .v v b v v b f v v zb v vf b ,v v v v zzs vv v b Ýdv bb zbb dv b b v zs b mbbb bb b [ b ö

Vv bb hzz b z bb v b àhv v zz bb hv v v àhb v v hb v zbb bbb áj zb b v b | v g vv v vàhv zb zzhv v b f b ,v z bb b } v bb v b hv v zz áj v v b k v b v b ãl vb v bbb j v v bb l v v v v b vi Ðhv zzzb j b z bb bb ö

Vv v hb .v v b [ b v Þf v vv v dv v bb Þf v v b hb zbb | v ßg v v fv v vv v zb Ýdv v zb zf v zb v db mv v v bb s b mv zb } v zb hv zv bb b àh v v vv v f b vv bbb s b mv v v b hv zb v àhzz zzb ö

Vzzz zhb v v b àh bbb bb b zb bb j z b v bb v àhv v v v b | v g zb v bbbbb Þf z b v b z bb g v bb v f b ,v bbb }v zz b l v bb v v bbi j v zbbb àhv v v v zbbb f v v v b áj v v b hvv bbbb Þf v b | v g v bb zzhb .z bbb }zö

Vbb z zb b 6 zb $ z@ zdze s b m zz| z zz9 z* z^ zj zu hv FT zy ÎÌs zdze s bb z b v zs b mv v b }x x cv bbb x x xx v b

PRAYER OF THE FAITHFUL

The text that follows the dagger (†) in the invocations given below can also be

used to conclude intentions that are not sung; alternatively, the final words of

the individual intentions can take its place.

A �B. (Petition...)

�� � ���+

�Be

�pleased

�to

�hear

�us:

� � � ��A. Lord

�we

�ask

�you,

�hear

�our

�prayer.

� � � B �B. (Petition...)

�� � ���+

�Let

�us

�call

�up

�on

�the

�Lord:

� � � ��A. Hear

�us,

�O

�Christ.

� � � C �B. (Petition...)

� � �� ���+

�Let

�us

�pray

�to

�the

�Lord:

� � � �

�A. Lord,

�hear

�our

�prayer.

� � �A. Lord,

Or:�have

�mer

�cy.

� � � D �B. (Petition...)� � �� �� � ��

�+

�Let

�us

�im�

plore

�� �the

�Lord:

� �Ký-

�ri-

�e,

�e-

�lé-

�i-

� ��son.

� � �A. Ký-

�ri-

�e,

�e-

�lé-

�i-

�son.

� � �

LITURGY OF THE WORD 17

PRAYER OF THE FAITHFUL

The text that follows the dagger (†) in the invocations given below can also be

used to conclude intentions that are not sung; alternatively, the final words of

the individual intentions can take its place.

A �B. (Petition...)

�� � ���+

�Be

�pleased

�to

�hear

�us:

� � � ��A. Lord

�we

�ask

�you,

�hear

�our

�prayer.

� � � B �B. (Petition...)

�� � ���+

�Let

�us

�call

�up

�on

�the

�Lord:

� � � ��A. Hear

�us,

�O

�Christ.

� � � C �B. (Petition...)

� � �� ���+

�Let

�us

�pray

�to

�the

�Lord:

� � � �

�A. Lord,

�hear

�our

�prayer.

� � �A. Lord,

Or:�have

�mer

�cy.

� � � D �B. (Petition...)� � �� �� � ��

�+

�Let

�us

�im�

plore

�� �the

�Lord:

� �Ký-

�ri-

�e,

�e-

�lé-

�i-

� ��son.

� � �A. Ký-

�ri-

�e,

�e-

�lé-

�i-

�son.

� � �

LITURGY OF THE WORD 17

Page 259: Music Packet

Sacred MuSic colloquiuM 2013 n 259Sunday, June 23

Page 260: Music Packet

260 n Sacred MuSic colloquiuM 2013 Sunday, June 23

Page 261: Music Packet

Sacred MuSic colloquiuM 2013 n 261

&

V

V

?

b

b

b

b

C

C

C

C

›A -

w wve Ma -

›A - - -

˙ ˙ ˙ ˙ri - - -

w wve Ma -

w .˙b œa, gra -

˙ ˙ ˙ ˙ri - - - - - -

˙ ˙ .˙ œ œti - a

b b

w ˙ w

›A - - -

˙ w ˙ple -

&

V

V

?

b

b

b

b

7

˙ wa,

w wve Ma -

w .w

˙ ˙ ˙ ˙ri - - -

˙ w

›bA - - -

w .˙b œa, gra -

w ∑na,

w wve Ma -

˙ ˙ ˙ .˙

ti - a ple - - - -

˙ ˙ ˙b ˙ri - - - - - -

b

w wgra - ti -

œ .˙ œ œ œ

˙ ˙ w

#

w wa ple -w ∑na,

Ó ˙ ˙ ˙

ple -

w ∑a,

b

&

V

V

?

b

b

b

b

13

w ∑na,

Ó .˙ œ œ œDo - - -

w ∑na,

∑ Ó.˙

Do - - -

.˙ œ ˙ .˙mi - nus te - - -

œ œ œ ˙ ˙

mi -

œ w ˙

w w

nus te -

#

Ó .˙ œ œ œDo - - -

w Ó ˙

cum, Do -

∑ Ó .˙Do - - -

w Ó ˙

cum, be -

.˙ œ ˙ .˙mi - nus te - - - -

.˙ œ ˙ ˙

mi - nus

œ œ œ ˙ ˙mi -

.˙ œ ˙ ˙ne - di -

b

œ w ˙

˙ ˙ .˙ œte - - -

w wnus te -

wb wcta tu

#

Ave Maria . . . benedicta tuJosquin

1Sunday, June 23

Page 262: Music Packet

262 n Sacred MuSic colloquiuM 2013

&

V

V

?

b

b

b

b

19

˙ w œ œ

œ œ ˙ w

w Ó ˙cum, be -

Ó ˙ ˙ ˙bbe - ne -

w ∑cum,

w ∑cum,

.˙ œ ˙ .˙ne-di - - -

˙ .˙ œ œ œdi - - - -

b

∑ Ó ˙be -

∑ Ó ˙

be -

œ w ˙cta

˙ ˙ wcta

b

.˙ œ ˙ .˙ne - di - - -

˙ .˙ œ œ œne - di - - - -

w ∑tu

w ∑tu

b

œ w ˙cta

˙ ˙ wcta

∑ Ó ˙in

w ∑tu

w Ó ˙tu in

.˙ œ ˙ ˙bmu - li - e - ri -

&

V

V

?

b

b

b

b

25

.˙ œ ˙ ˙mu - li - e - ri -

›bus,

Ó ˙ .˙ œin mu - li -

˙˙ ˙ .˙

bus, in mu - - - - - -

˙ ˙ œ œ œ œe - ri - bus,

œ œ œ œ œ .˙

œ œ ˙ ˙ .˙

in mu -œ ˙ ˙ ˙

li -

Ó ˙ .˙ œin mu - li -

œ w ˙li - e - ri -

w w

e - ri -

˙ ˙ we - ri - bus,

∑ Ó ˙

et

# w ∑bus,

w Ó ˙

bus, et

˙ ˙ w

be-ne - di -

&

V

V

?

b

b

b

b

31

∑ Ó ˙et

˙ ˙ wbe - ne - di -

w Ó ˙

ctus fru -

˙ ˙ wbe - ne - di -

w Ó ˙ctus fru -

Ó ˙ ˙ ˙

et be-ne -

˙ ˙ ˙ ˙ctus ven-tris tu -

w Ó ˙ctus fru -

˙ ˙ ˙b ˙

ctus ven-tris tu -

w wdi - ctus

w wi, Je -

˙ ˙ ˙ ˙ctusven-tris tu -

w Ó ˙i, Je -

Ó ˙ ˙ ˙fru-ctusven -

w wbsus Chri -

w Ó ˙i, Je -

w w

sus Chri -

˙ ˙ wtris tu - i,

w Ó ˙stus, Fi -

b

˙ w œ œsus Chri -

w Ó ˙stus, Fi -

Ó ˙ wJe - sus

w wbli - - -

- 2 -Sunday, June 23

Page 263: Music Packet

Sacred MuSic colloquiuM 2013 n 263

&

V

V

?

b

b

b

b

13

13

13

13

37

w Ó ˙stus, Fi -

˙ ˙ w

li - us De -

w wChri - stus,

w Ó ˙us De -

b

˙ w œ œli - us

w Ó ˙i Fi -

Ó ˙ wFi - li -

w wbi vi -

w ˙ wDe - i

w w

li -

w .˙ œus

w Ó w

vi. De - - - - -

b

.˙ œ .˙vi - - - - -

˙ .˙ œ œ œus De - - -

˙ w ˙De - i

w w

b

œ w ˙

˙ ˙ wi vi -

˙ ˙ wvi - - -

˙ wi vi -

#

b

› ∑vi.

› ∑vi.

› ∑vi.

› ∑vi.

&

V

V

?

b

b

b

b

43

› wEt be -

› w

Et be -

w w wne - di - cta

w w w

ne - di - cta

b

› ∑sint

› wEt be -

› ∑sint

› w

Et be -

w w wne - di - cta

w w w

be - a - ta

w w wbne - di - cta

b

w w w

be - a - ta

› ∑sint

› w

u - be -

› ∑sint

b

b

› w

u - be -

› wra tu -

b

&

V

V

?

b

b

b

b

49

› wra tu -

w w w

be - a - ta

› ∑a,

b

› ∑a,› w

u - be -

w w wbbe - a - ta

b

› wra tu -

› wbu - be -

w w w

quæ lac - ta -

› ∑a,

› wra tu -

b .w ˙ wve - - -

w w wquæ lac - ta -

› w

a, quæ

› wrunt re -

› w

ve - runtw w w

quæ lac - ta -

› wlac - ta -

b

- 3 -Sunday, June 23

Page 264: Music Packet

264 n Sacred MuSic colloquiuM 2013

&

V

V

?

b

b

b

b

C

C

C

C

55

.w ˙ wgem

.w ˙ wre - gem

.w ˙ wve - - -

› w

ve - runt

w .w ˙re - - - - - -

w w .w

re - - - - - -

w w ›runt re - gem

w wb ›re - gem

› w

˙ w w

›re - - -

re - - -

›gum

w Ó ˙gum et

›gum

›gum

.˙ œ ˙ ˙Do - -

Ó˙ .˙ œ

et Do - - -

Ó ˙ .˙ œet Do -

˙ ˙ ˙ ˙mi-numDe-um

∑ Ó ˙et

˙ ˙ ˙ ˙mi-num

&

V

V

?

b

b

b

b

61

˙ ˙ ˙ ˙mi-num

˙ .˙ œ œ œno - - - - - -

.˙ œ ˙ ˙Do - - -

˙ ˙ Ó ˙De-um no - - - -

b

˙ ˙ ˙ ˙De - um

˙ .˙ œ œ ˙

˙ ˙ ˙ ˙mi-num De -

˙b ˙ ˙ ˙

.˙ œ œ œ .˙no - - - - - - - -

˙ ˙ wstrum,

˙ ˙ .˙ œum no - - - - - -

˙ ˙ Ó .˙

strum, no - - - - - -

b

œ œ œ ˙ .˙

.˙ œ ˙ ˙

no - - - - - - -

œ œ w w

œ w ˙

œ w ˙

˙ .˙ œ ˙

˙ w

˙ ˙ w

#›

strum.

w w

›strum.

strum.

b›

strum.

- 4 -

Sunday, June 23

Page 265: Music Packet

Sacred MuSic colloquiuM 2013 n 265

MASS OF THE ENGLISH MARTYRS — Jef f Ostrowski (b. 1981) — CCWATERSHED.ORG

“Holy, Holy, Holy” — SATB Choral Score — When sung a cappella, this higher key should be used.

Ho ly,- Ho ly,- Ho ly- Lord God of hosts. Heav’n and earth are

Ho ly,- Ho ly,- Ho ly- Lord God of hosts. Heav’n and earth are

Ho ly,- Ho ly,- Ho ly- Lord God of hosts. Heav’n and earth are

Ho ly,- Ho ly,- Ho ly- Lord God of hosts. Heav’n and earth are

full of your glo ry.

’- Ho san- na- in the high est.- Bless’d is he

full of your glo ry.-

’Ho san- na- in the high est.- Bless’d is he

full of your glo ry.-

’Ho

N.B. Tritone

san- na- in the high est.- Bless’d is he

full of your glo ry.

’- Ho san- na- in the high est.- Bless’d is he

who comes in the name of the Lord. Ho san- na- in the high est.-

who comes in the name of the Lord. Ho san- na- in the high est.-

who comes in the name of the Lord. Ho san- na- in the high est.-

who comes in the name of the Lord. Ho san- na- in the high est.-

Sunday, June 23

Page 266: Music Packet

266 n Sacred MuSic colloquiuM 2013

MASS OF THE ENGLISH MARTYRS — Jef f Ostrowski (b. 1981) — CCWATERSHED.ORG

“Mystery Of Faith & Amen” — SATB Choral Score — When sung a cappella, this higher key is used.

We pro claim- your Death, O Lord, and pro fess- your

We pro claim- your Death, O Lord, and pro fess- your

The mys ter- y- of faith. We pro claim- your Death, O Lord, and pro fess- your

We pro claim- your Death, O Lord, and pro fess- your

Res ur- rec- tion- un til- you come a gain.- OR: un til- you come a gain.-

Res ur- rec- tion- un til- you come a gain.- OR: un til- you come a gain.-

Res ur- rec- tion- un til- you come a gain.- OR: un til- you come a gain.-

Res ur- rec- tion- un til- you come a gain.- OR: un til- you come a gain.-

A men,- A men.- OR: men.

A men,- A men.- OR: men.

for. . . ev er- and ev er.- A men,- A men.- OR: men.

A men,- A men.- OR: men.

Sunday, June 23

Page 267: Music Packet

Sacred MuSic colloquiuM 2013 n 267

4167 : : Organist Score : : Jeff Ostrowski (2007) : : http://chabanelpsalms.org

Our

Fa

ther,

-

In honor of Holy Mary Magdalene Kiota (of Japan)

Who

art

in

Hea

ven,

- Hal

lowed

- be

Thy

Name,

Thy

http://www.corpuschristiwatershed.org/

kingdom

- come,

Thy Will

be

done

on

earth

as

it

is

in

Hea

ven.

-

Giveus this

day

our

dai

ly

- bread,

and

for

give

- us

our

tress

pass

- es,

-

as

we

for

give

- those

who

tres

pass

- a

gainst

-

us,

and

lead

us

not in

to

- temp

ta

-

tion,

- but

de

li

- ver

- us

from

e

vil.

-

for

the

king

dom,- the power- and the glo

ry

- are

yours,

now

and

for

e

-

ver.

-

Sunday, June 23

Page 268: Music Packet

268 n Sacred MuSic colloquiuM 2013 Sunday, June 23

MASS OF THE ENGLISH MARTYRS — Jef f Ostrowski (b. 1981) — CCWATERSHED.ORG

“Lamb Of God” — SATB Choral Score — When sung a cappella, this higher key should be used.

Lamb of God, you take a way- the sins of the world, have mer cy- on us.

Lamb of God, you take a way- the sins of the world, have mer cy- on us.

Lamb of God, you take a way- the sins of the world, have mer cy- on us.

Lamb of God, you take a way- the sins of the world, have mer cy- on us.

Lamb of God, you take a way- the sins of the world, have mer cy- on us.

Lamb of God, you take a way- the sins of the world, have mer cy- on us.

Lamb of God, you take a way- the sins of the world, have mer cy- on us.

Lamb of God, you take a way- the sins of the world, have mer cy- on us.

Lamb of God, you take a way- the sins of the world, grant us peace.

Lamb of God, you take a way- the sins of the world, grant us peace.

Lamb of God, you take a way- the sins of the world, grant us peace.

Lamb of God, you take a way- the sins of the world, grant us peace.

Page 269: Music Packet

Sacred MuSic colloquiuM 2013 n 269

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Sunday, June 23

Page 270: Music Packet

270 n Sacred MuSic colloquiuM 2013 Sunday, June 23

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Page 271: Music Packet

Sacred MuSic colloquiuM 2013 n 271

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Sunday, June 23

Page 272: Music Packet

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w

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w

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w

œ œ œ ˙

w

ww

œ œ œ ˙w

˙ ˙

sa crum

˙ ˙

sa crum˙ ˙

sa crum

˙ ˙

sa crum

˙ ˙˙ ˙

˙ ˙˙ ˙

œ œ ˙

con vi

˙ ˙

con vi˙ ˙

con vi

˙ ˙

con vi

œ œ ˙˙ ˙

˙ ˙

˙ ˙

œ œ ˙

vi um!

œ œ ˙

vi um!œ œ ˙

vi um!

œ œ˙

vi um!

œ œ ˙œ œ ˙

œ œ ˙

œ œ˙

w

Œ˙ œ

in quo˙

˙

in

˙Ó

wŒ ˙ œ

˙˙

˙

- - - -

- - - -

- - - -

- - - -

&

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V

?

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7

Ó ˙

in

œ ˙ œ

Chri stus su

˙ œ œ

quo Chri stus

7

Ó˙œ ˙ œ

˙ œ œ

œ ˙ œ

quo Chri stus

œ œ œ œ œ œ œ

mi

.œjœ ˙

su mi tur,

Ó Œœ

in

œ ˙ œœ œ œ œ œ œ œ

.œjœ ˙

Ó Œœ

.œjœ ˙

su mi tur,

˙ ˙

tur, inÓ Œ œ

inœ ˙ œ

quo Chri stus

.œjœ ˙

˙ ˙

œœ ˙ œ

œ ˙ œ

quo Chri stus

˙ ˙

quo Chri

.œJœ ˙

su mi tur,

œ ˙ œ

˙ ˙

.œJœ ˙

Œ œ œ œ

in quo Chri

.œjœ ˙

su mi tur:œ œ .œ

stus su mi˙ œ œ

in quo Chri

Œ œ œ œ

.œJœ ˙

œ œ .œjœ˙ œ œ

- - - -

- - - - - - - - -

- - - - - -

- - - -

O SACRUM CONVIVIUM

Luca Marenzio1556-1599

St. Thomas AquinasWilliam Mahrt, Translation

O sacred banquet, wherein Christ is received;the memorial of his passion is renewed;

the soul is filled with grace;and a pledge of future glory is given to us.

Sunday, June 23

Page 273: Music Packet

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2

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12œ œ .œ

stus su mi

Œœ œ œ

re co li

˙ Ó

tur:œ œ .œ

stus su mi12œ œ .œ

jœŒ

œ œ œ

˙œ œ .œ

˙ Ó

tur:

.œjœ œ œ

tur me mo ri

Œ œ œ œ

re co li

˙Ó

tur:

˙ Ó.œ

Jœ œ œ

œ œ œ˙Ó

Œ œ œ œ

re co li

˙

Ó

a

.œJœ œ œ

tur me mo ri

Œ œ œ œ

re co li

Œ œ œ˙

Ó

jœ œ œ

Œœ œ œ

jœ œ œ

tur me mo ri

Œ

œ œ œ

re co li

˙ Ó

a

.œJœ œ œ

tur me mo ri

jœ œ œ

Œœ œ œ

˙ Ó.œJœ œ œ

œ˙ œ

a pas si

j

œ œ œ

tur me mo ri

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re

œ ˙ œ

a pas si

œ˙ œ

.œJœ œ œ

œœ ˙ œ

- - - - - - - - - - -

- - - - - - - - - - - -

- - - - - - -

- - - - - - - - - - -

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17

˙ ˙

o nis

˙Œ

œ

a pas

œ œ .œ

co li tur me

˙ ˙

o nis17

˙ ˙˙ œ

œ œ .œjœ

˙ ˙

œ œ œœ œ œ œ œ œ

e

œ œ ˙

si o

œ œ ˙

mo ri a

˙ ˙

e

œ œ œœ œ œ œ œ œœ œ ˙

œ œ ˙˙ ˙

œ œ œ œ œ

ius, re

w

nis

Œ ˙ œ

pas si

˙Œœ

ius, re

œ œ œ œ œw

Œ˙ œ

˙ Œ œ

œ œ œ œ œ œ

co li tur,

˙ œ œ

e ius, re

˙ ˙

o nis

œ œ ˙

co li tur,

œ œ œ œ œ œ˙ œ œ

˙ ˙œ œ ˙

˙ Ó

œ œ ˙

co li tur,

˙ ˙

e ius,

Œœ œ œ

re co li

˙Ó

œ œ ˙

˙ ˙œ œ œ

˙ œ œ

re co li

Œœ œ œ

re co li

Jœ œ œ

tur me mo ri

˙ œ œœ œ œ

Jœ œ œ

- - - - - - - - - - -

- - - - - - - - - -

- - - - - - - - -

- - - - - - - - - - -

Sunday, June 23

Page 274: Music Packet

274 n Sacred MuSic colloquiuM 2013

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23

Jœ œ œ

tur me mo ri

.œjœ œ œ

tur me mo ri

Ó ˙

re

œ ˙ œ

a pas si23

.œjœ œ œ.œ

Jœ œ œ

Ó˙

œ ˙ œ

˙ Œ œ

a pas

˙˙

a pas

œ œ .œ

co li tur me

˙ ˙

o nis

˙ Œ œ

œ œ .œjœ

˙˙˙

œ œ ˙

si o

˙ œ œ

si o nis

œ œ ˙

mo ri a

˙ ˙

e

œ œ ˙

œ œ œ œ˙˙

˙ .œ

nis e

.œ œ œ œ œ œ œ

e

Œ ˙ œ

pas si

˙ Ó

ius:

˙ .œ

jœ.œ œ œ œ œ œ œ

˙ œ˙ Ó

œ œ ˙ œ

.œjœ˙

˙˙

o nis

Ó ˙

mens

œ œ ˙ œ.œ

Jœ˙

˙˙

Ó ˙

- - - - - - - - - - - -

- - - - - - - - - - - - - -

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28

œ œ# œ œn œ œ

ius:

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ius:

˙ ˙

e ius:

˙ ˙

im28

œ œ# œ œn œ œ˙Ó

˙ ˙˙ ˙

˙Œ

œ

mens

w

mens

˙ ˙

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˙

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w

˙ ˙

œ œ# ˙

im ple

˙ ˙

im ple

.œJœ ˙

gra ti a,

œ œ# ˙˙ ˙

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tur

˙ .œ

j

œtur gra ti

w

mens

˙˙

mens

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w ˙

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gra ti a,

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a,

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im ple

˙ ˙

im ple

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Jœ ˙

˙ ˙˙ ˙

˙ ˙

mens im

Œ˙ œ

mens im

˙.œ

tur gra ti

˙.œJœ

tur gra ti

˙ ˙˙ œ

˙.œ

˙ .œJœ

- - - - - - - - -

- - - - -

- - - - -

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Sunday, June 23

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34

˙ ˙

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˙ œ œ

ple tur gra

œ œ œ œœ œ œ œ œ

a:

w

a:34

˙ ˙˙ œ œ

œ œ œ œœ œ œ œ œw

.œJœ ˙

gra ti a:

œ œ# .œ œn œ

ti a:

˙ ˙

Ó Œœ

et

.œjœ ˙œ œ# .œ œn œ

˙ ˙Ó Œ

œ

˙Œœ

et

œ œ œ œ

et fu tu rae

œ œ œ œ

fu tu rae

˙Œœ

œ œ œ œœ œ œ œ

Œ ˙ œ

et fu

œ œ œœ

fu tu rae

.œjœ œ œ

glo ri

Jœ œ œ

glo ri

˙ œœ œ œ

œ

.œjœ œ œ.œ

Jœ œ œ

œ œ .œjœ

tu rae glo

œ œ .œ

glo ri ae

œ œ œ œ˙

ae

˙ Œ œ

ae et

œ œ .œjœœ œ .œJœ

œ œ œ œ˙

˙ Œ œ

œ œ ˙

ri ae

˙ Œœ

no

˙ Ó

œ œ œ œ

fu tu rae

œ œ ˙˙ Œ

œ

˙

œ œ œ œ

- - - - - - -

- - - - - - - -

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- - - - - -

&

&

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40

˙ ˙

no bis

˙ ˙#

bis pi

Œ ˙ œ

et fu

.œjœ œ œ

glo ri40

˙ ˙˙ ˙#

˙ œ

Jœ œ œ

˙ ˙

pi gnus

˙ ˙

gnus da

œ œ œ œ œ

tu rae glo

˙˙

ae no

˙ ˙˙ ˙

œ œ œ œ œ

˙˙

˙ ˙

da tur,

˙Œ

œ

tur, et

œ œ# œ œ

ri ae no

˙ ˙

bis pi

˙ ˙˙ Œ œ

œ œ# œ œ˙ ˙

œ œ œ œ

fu tu rae

˙ ˙

bis pi

˙ ˙

gnus da

œ œ œ œ

˙ ˙˙ ˙

Œ ˙ œ

et fu

.œjœ œ œ

glo ri

˙ ˙

gnus da

˙ Ó

tur,

Œ ˙ œ

Jœ œ œ

˙ ˙˙

œ œ .œ

tu rae glo

œ œ ˙

ae no bis

œ œ œ œ

tur, et fu tu

Ó ˙

no

œ œ .œjœ

œ œ ˙

œ œ œ œ˙

- - - - - -

- - - - - - - -

- - - - - - - - -

- - - - - -

Sunday, June 23

Page 276: Music Packet

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46

œ œ ˙

ri ae

œ œ œ œ œ œ

pi gnus

œ œ œ œ

rae glo ri

˙ ˙

bis pi46

œ œ ˙œ œ œ œ œ œ

œ œ œ œ˙ ˙

Œ˙ œ

no bis

.œjœ œ œ œ œ

da

œ œ ˙

ae no bis

˙ ˙

gnus da

˙ œ.œ

Jœ œ œ œ œ

œ œ ˙˙ ˙

˙ œ œ

pi gnus da

œœ

.œjœ œ œ

˙ ˙

pi gnus

˙Ó

tur,

˙ œ œœœ .œ

Jœ œ œ

˙ ˙

˙

œ œ# œ ˙

w

w

da

œ œ# œ ˙w

w

˙ Ó

tur,

˙Ó

tur,

œ œ œ œ œ

tur, Al le

Œœ œ œ

Al le lu

˙˙

Ó

œ œ œ œ œœ œ œ

˙ œ œ

Al le lu

Œ

œ œ œ œ

Al le

œ œ ˙

lu ia,

˙Ó

ia,

˙ œ œ

œ œ ˙œ œ œ œ œ

- - - - - - - - - -

- - - - - - - - - - - -

- - - - - - - - - - -

- - - - -

&

&

V

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52

˙Ó

ia,

œ œ ˙

lu ia,

Œ œ œ œ œ

Al le

˙ œ œ

Al le lu52

˙ ˙

œ œœ œ œ œ˙ œ œ

Œ œ œ œ

Al le lu

Œœ œ œ œ

Al le

œ œ ˙

lu ia,

˙ Ó

ia,

œ œ œŒœ œ œ œ

œ œ ˙

˙

˙ Ó

ia,

œ œ# ˙

lu ia,

Œ œ œ œ

Al le lu

Œ œ œ œ œ

Al le

˙œ œ# ˙

œ œ œ

Œ œ œ œ œ

- - -

- - - - - - - - - -

- - - - - - - - - -

- - - - - - - - -

Sunday, June 23

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55

Œ œ œ œ

Al le lu

Œ

œ œ œ œ

Al le

˙ Ó

ia,

œ œ# ˙

lu ia,55

œ œ œŒ

œ œ œ œ

˙

Óœ œ# ˙

˙Ó

ia,

œ œ# ˙

lu ia,

˙ œ œ œ

Al le

Œœ œ œn

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Ó

œ œ# ˙

˙ œ œ œ

Œœ œ œn

Œœ œ œ

Al le lu

Œœ œ œ œ

Al le

œ œ# ˙

lu ia,

˙ Ó

ia,

Œ œ œ œœ œ œ œ

œ œ# ˙

˙

˙ Ó

ia,

œ œ˙

lu ia,

Œœ

œ œ œ

Al le

Œ œ œ œ

Al le lu

˙ Óœ œ˙

Œ

œœ œ œ

œ œ œ

Œ œ œ œ

Al le lu

Œœ œ œ œ

Al le

œ œ ˙

lu ia,

˙ Ó

ia,

Œ œ œ œŒœ œ œ œ

œ œ ˙

˙

- - - - - - - - -

- - - - - - - - - - - -

- - - - - - - - - -

- - - - - - - -

&

&

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?

60

˙ Œ œ

ia, Al

œ œ# œ

œlu ia, Al

Œ œ œ œ œ œ

Al le

Ó˙

Al60

˙ œœ œ# œ

œ

Œ

œ œ œ œ œ˙

œ œ ˙

le lu ia,

œ œ ˙ œ

le lu

œ œ ˙

lu ia,

œ œ ˙

le lu ia,

œœ

œœ ˙˙

œ œ ˙ œ

œ œ ˙

œ œ˙

Al le

œœ œ œ

ia, Al le

Œ œ œ œ œ

Al le

˙˙

Al le

œ œ˙

œœ œ œ

Œ œ œ œ œ

˙˙

w

lu

w

lu

œ œ œ ˙

lu

w

lu

ww

œ œ œ ˙w

w

U

ia.

w

U

ia.

wU

ia.

w

U

ia.

w

U

w

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wU

w

U

- - - - - - - - -

- - - - - - - - - - - - -

- - - - - - - - - - -

- - - - - - - - - -

Sunday, June 23

Page 278: Music Packet

278 n Sacred MuSic colloquiuM 2013

Page 279: Music Packet

Sacred MuSic colloquiuM 2013 n 279

Appendix

J

Veni Creator Spiritus

Propers for Mass, Thursday through Friday

appendix

Page 280: Music Packet

280 n Sacred MuSic colloquiuM 2013

Veni Creator Spiritus

Veni creator SpirituS

Page 281: Music Packet

Sacred MuSic colloquiuM 2013 n 281

John Dryden’s translation of Veni Creator from 1693

Creator Spirit, by Whose aid The world’s foundations first were laid,

Come, visit every pious mind; Come, pour Thy joys on human kind;

From sin, and sorrow set us free; And make Thy temples worthy Thee.

O Source of uncreated Light,

The Father’s promised Paraclete! Thrice holy Fount, thrice holy Fire,

Our hearts with heav’nly love inspire; Come, and Thy sacred unction bring

To sanctify us, while we sing!

Plenteous of grace, descend from high, Thou strength of His almighty hand,

Whose pow’r does Heav’n and earth command: Proceeding Spirit, our Defense,

Who dost the gift of tongues dispense, And crown’st Thy gift with eloquence!

Refine and purge our earthly parts; But, oh, inflame and fire our hearts! Our frailties help, our vice control;

Submit the senses to the soul; And when rebellious they are grown,

Then, lay Thy hand, and hold them down.

Create all new; our wills control, Subdue the rebel in our soul;

Make us eternal truths receive, And practice all that we believe; Give us Thyself, that we may see The Father and the Son by Thee.

Immortal honor, endless fame,

Attend th’almighty Father’s Name: The Savior Son be glorified,

Who for lost man’s redemption died: And equal adoration be,

Eternal Paraclete, to Thee.

Veni creator SpirituS

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Mass propers

Thursday, June 20, extraordinary formRequiem Mass: In Missis Quotidianis Defunctorum

INTROIT

REQUIEM aeternam dona eis, Domine: et lux perpetua luceat eis. Ps 64: 2-3. Te decet hymnus Deus in Sion; et tibi reddetur votum in Jerusalem: exaudi orationem meam, ad te omnis caro veniet. Requiem aeternam dona eis, Domine: et lux perpetua luceat eis.

ETERNAL rest give unto them, O Lord; and let perpetual light shine upon them. Ps. A hymn, O God, becometh Thee in Sion; and a vow shall be paid to Thee in Jerusalem: hear my prayer; all flesh shall come to Thee. Eternal rest give unto them, O Lord; and let perpetual light shine upon them.

COLLECT Oremus/Let us pray.

DEUS, cui proprium est misereri semper et parcere: propitiare animabus famulorum famularumque tuarum, et omnia eorum peccata dimitte; ut, mortalitatis vinculis absolutae, transire mereantur ad vitam. Per Dominum nostrum Jesum Christum filium tuum, qui tecum vivit et regnat in unitate Spiritus Sancti, Deus, per omnia saecula saeculorum. R. Amen

O GOD, whose property is ever to have mercy and to spare; have mercy on the souls of Thy servants and handmaids, and grant them the remission of all their sins; that being delivered from the bonds of mortality, they may be found worthy to enter into life. Through Our Lord Jesus Christ, Thy Son, Who liveth and reigneth with Thee in the unity of the Holy Ghost, God world without end. R. Amen.

THE EPISTLE (Apocalypse 14:13)

Lectio libri Apocalypsis beati Joannis Apostoli.In diebus illis: Audivi vocem de caelo, dicentem mihi: Scribe: Beati mortui, qui in Domino moriuntur. Amodo jam dicit Spiritus, ut requiescant a laboribus suis: opera enim illorum sequuntur illos.

R: Deo gratias.

A lesson from the book of Apocalypse of Blessed John the Apostle

In those days: I heard a voice from Heaven, saying to me: Write, blessed are the dead who die

MaSS properS

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Sacred MuSic colloquiuM 2013 n 283

in the Lord, from henceforth now, saith the Spirit, that they may rest from their labors, for their works follow them.

R: Thanks be to God.

THE GRADUAL (4 Esdras 2:34-35)

REQUIEM aeternam dona eis, Domine: et lux perpetua luceat eis. Ps 111: 7. In memoria aeterna erit justus; ab auditione mala non timebit.

ETERNAL rest give to them, O Lord; and let perpetual light shine upon them. Ps. The just shall be in everlasting remembrance; he shall not fear the evil hearing.

THE TRACT

ABSOLVE, Domine, animas omnium fidelium defunctorum ab omni vinculo delictorum: V. Et gratia tua illis succurrente, mereantur evadere judicium ultionis: V. Et lucis aeternae beatitudine perfrui.

ABSOLVE, O Lord, the souls of all the faithful departed from every bond of sin. V. And by the help of Thy grace may they be enabled to escape the avenging judgement. V. And enjoy the bliss of everlasting light.

THE SEQUENCE

DIES irae, dies illa, solvet saeclum in favilla, teste David cum Sibylla.Quando tremor est futurus, quando judex est venturus, cuncta stricte discussurus.Tuba mirum spargens sonum per sepulcra regionum, coget omnes ante thronum.Mors stupebit, et natura, cum resurget creatura, judicanti responsura.Liber scriptus proferetur, in quo totum continetur, unde mundus judicetur.Judex ergo cum sedebit, quidquid latet, apparebit; nil inultum remanebit.Quid sum miser tunc dicturus? Quem patronum rogaturus, cum vix justus sit securus?Rex tremendae majestatis, qui salvandos salvas gratis, salva me, fons pietatis.Recordare, Jesu pie, quod sum causa tuae viae; ne me perdas illa die.Quaerens me, sedisti lassus; redemisti crucem passus; tantus labor non sit casus.Juste judex ultionis, donum fac remissionis ante diem rationis.Ingemisco tamquam reus; culpa rubet vultus meus; supplicanti parce, Deus.Qui Mariam absolvisti, et latronem exaudisti, mihi quoque spem dedisti.Preces meae non sunt dignae; sed tu bonus fac benigne, ne perenni cremer igne.Inter oves locum praesta, et ab haedis me sequestra, statuens in parte dextra.Confutatis maledictis, flammis acribus addictis, voca me cum benedictis.Oro supplex et acclinis, cor contritum quasi cinis. gere curam mei finis.Lacrimosa dies illa, qua resurget ex favilla judicandus homo reus.Huic ergo parce, Deus; pie Jesu Domine, dona eis requiem. Amen.

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THE day of wrath, that dreadful day, shall all the world in ashes lay, as David and the Sibyl say? What tremor shall the soul affright, when comes that judge whose searching light brings thought and word and deed to light? The last loud trumpet’s spreading tone shall through the place of tombs be blown, to summon all before the throne. Death is struck, and nature quaking, all creation is awaking to its judge an answer making. The written book shall be outspread, and all that it contains be read, to try the living and the dead.Then shall the judge His throne attain, and every secret sin arraign, till nothing unavenged remain. What shall my guilty conscience plead, and who for me will intercede, when even saints forgiveness need?King of tremendous majesty! Who savest whom Thou savest, free, Thou fount of pity, save Thou me. Remember, Jesus Lord, I pray, for me Thou walked’st on life’s way; confound me not on this last day. T’was me Thy weary footsteps sought, my ransom on the Cross was bought, let not such labour come to naught. Just judge of recompense, I pray, cancel my debt, too great to pay, before the last accounting day. My groans a culprit’s heart declare, my cheeks shame’s burning livery wear, spare me, O God, Thy suppliant spare! As Thou didst Mary’s sin efface, and take the thief to Thine embrace, so dost Thou give me hope of grace.Though all unworthy be my cry, give grace, O gracious Lord, or I shall burn in fires that never die. Grant me among Thy sheep to stand; from outcast goats my soul disband, and raise me to Thine own right hand. When cursed foes are put to shame, and given o’er to biting flame, Ah! with Thy blessed call my name. Prostrate, my contrite heart I rend; My God, my Father, and my friend, do not forsake me in the end. O day of weeping, day of woe, when rising from his pyre below, the sinner to his judge shall cry, “Spare me, Thou mighty God on high!”Ah, gentle Jesu, Saviour blest, grant to them all eternal rest! Amen.

THE GOSPEL (John 6:51-55)

+ Sequentia sancti Evangelii secundum Joannem.

R: Gloria tibi, Domine.

In illo tempore: Dixit Jesus turbis Judaeorum: Ego sum panis vivus, qui de caelo descendi.Si quis manducaverit ex hoc pane, vivet in aeternum: et panis, quem ego dabo, caro mea est pro mundi vita. Litigabant ergo Judaei ad invicem, dicentes: Quomodo potest hic nobis carnem suam dare ad manducandum? Dixit ergo eis Jesus: Amen, amen dico vobis: nisi manducaveritis carnem Filii hominis, et biberitis ejus sanguinem, non habebitis vitam in vobis. Qui manducat meam carnem, et bibit meum sanguinem, habet vitam aeternam: et ego resuscitabo eum in novissimo die.

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+ The continuation of the holy Gospel according to Saint John.

R: Glory be to Thee, O Lord.

At that time: Jesus said to the multitudes of the Jews: I am the living bread which came down from heaven. If any man eat of this bread, he shall live for ever; and the bread that I will give, is My flesh, for the life of the world. The Jews therefore strove among themselves, saying: How can this man give us His flesh to eat? Then Jesus said to them: Amen, amen I say unto you: Except you eat the flesh of the Son of man, and drink His blood, you shall not have life in you. He that eateth My flesh, and drinketh My blood, hath everlasting life: and I will raise him up in the last day.

After the Gospel the priest neither kisses the book nor says the “Per evangelica dicta.” The server says nothing.

THE OFFERTORY

Oremus/Let us pray.

DOMINE Jesu Christe, Rex gloriae, libera animas omnium fidelium defunctorum de poenis inferni, et de profundo lacu: libera eas de ore leonis, ne absorbeat eas tartarus, ne cadant in obscurum; sed signifer sanctus Michael repraesentet eas in lucem sanctam: Quam olim Abrahae promisisti et semini ejus. V. Hostias et preces tibi, Domine, laudis offerimus: tu suscipe pro animabus illis, quarum hodie memoriam facimus: fac eas, Domine, de morte transire ad vitam. Quam olim Abrahae promisisti et semini ejus.

LORD Jesus Christ, King of glory, deliver the souls of all the faithful departed from the pains of hell and from the bottomless pit: deliver them from the lion’s mouth, that hell swallow them not up, that they fall not into darkness, but let the standard-bearer holy Michael lead them into that holy light; which Thou didst promise of old to Abraham and to his seed. V. We offer to Thee, O Lord, sacrifices and prayers: do Thou receive them on behalf of those souls of whom we make memorial this day. Grant them, O Lord, to pass from death to that life; which Thou didst promise of old to Abraham and to his seed.

THE SECRET PRAYER

Annue nobis, quaesumus, Domine, ut animabus famulorum famularumque tuarum haec prosit oblation: quam immolando, totius mundi tribuisti relaxari delicta. Per Dominum nostrum Jesum Christum filium tuum, qui tecum vivit et regnat in unitate Spiritus Sancti, Deus, per omnia saecula saeculorum. R. Amen

Hear us, O Lord, we beseech Thee, and let the souls of Thy servants and handmaids profit by this sacrifice, by the offering of which Thou didst grant that the sins of the whole world should be loosed. Through Our Lord Jesus Christ, Thy Son, Who liveth and reigneth with Thee in the unity

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of the Holy Ghost, God world without end. R. Amen.

THE COMMUNION ANTIPHON

LUX aeterna luceat eis, Domine: Cum Sanctis tuis in aeternum: quia pius es. V. Requiem aeternam dona eis, Domine: et lux perpetua luceat eis. Cum Sanctis tuis in aeternum: quia pius es.

MAY light eternal shine upon them, O Lord, with Thy Saints for evermore, for Thou art gracious. V. Eternal rest give to them, O Lord; and let perpetual light shine upon them: With Thy Saints for evermore, for Thou art gracious.

THE POST COMMUNION PRAYER

Deus, cui soli competit medicinam praestare post mortem: praesta, quaesumus; ut animae famulorum famularumque tuarum, terrenis exutae contagiis, in tuae redemptionis parte numerentur. Qui vivis et regnas cum Deo Patre in unitate Spiritus Sancti, Deus, per omnia saecula saeculorum. R. Amen.

O God, who alone canst give a remedy after death; grant, we beseech Thee, that the souls of Thy servants and handmaids may be rid of earthly contagion and be counted amongst Thy redeemed. Thou who liveth and reigneth with God the Father, in the unity of the Holy Ghost, God, forever and ever. R. Amen.

THE LAST GOSPEL

IN principio erat Verbum et Verbum erat apud Deum, et Deus erat Verbum. Hoc erat in principio apud Deum. Omnia per ipsum facta sunt, et sine ipso factum est nihil quod factum est; in ipso vita erat, et vita erat lux hominum; et lux in tenebris lucet, et tenebrae eam non comprehenderunt. Fuit homo missus a Deo cui nomen erat Joannes. Hic cenit in testimonium, et testimonium perhiberet de lumine, ut omnes crederent per illum. Non erat ille lux, sed ut testimonium perhiberet de lumine. Erat lux vera quae illuminat omnem hominem venientem in hunc mundum. In mundo erat, et mundus per ipsum factus est et mundus eum non cognovit. In propria venit, et sui eum non receperunt. Quotquot autem receperunt eum, dedit eis potestatem filios Dei fieri; his qui credunt in nomine eius, qui non ex sanquinibus, neque ex voluntate viri, sed ex deo nati sunt. (Genuflectit dicens) ET VERBUM CARO FACTUM EST, et habitavit in nobis; et vidimus gloriam ejus gloriam quasi Unigenti a Patre, plenum gratiae et veritatis.

R. Deo gratias.

IN the beginning was the Word, and the Word was with God, and the Word was God. The same was in the beginning with God. All things were made by Him; and without Him was not any thing made that was made. In him was life; and the life was the light of men. And the light shineth in darkness; and the darkness comprehended it not. There was a man sent from God, whose name

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was John. The same came for a witness, to bear witness of the Light, that all men through him might believe. He was not that Light, but was sent to bear witness of that Light. That was the true Light, which lighteth every man that cometh into the world. He was in the world, and the world was made by Him, and the world knew Him not. He came unto his own, and his own received Him not. But as many as received Him, to them gave he power to become the sons of God, even to them that believe on his name: Which were born, not of blood, nor of the will of the flesh, nor of the will of man, but of God. (Genuflect while saying) AND THE WORD WAS MADE FLESH, and dwelt among us, and we saw His glory, the glory as of the Only begotten of the Father, full of grace and truth.

R. Thanks be to God.

Friday, June 21, extraordinary formSt. Aloysius Gonzaga

COLLECT

Caelestium donorum distributor, Deus, qui in angelico iuvene Aloisio miram vitae innocentiam pari cum paenitentia sociasti: eius meritis et precibus concede; ut, innocentem non secuti, paenitentem imitemur. Per Dominum…

O God, the giver of heavenly gifts, in the angelic youth Aloysius you joined wonderful innocence of life to an equal spirit of penance; grant through his merits and prayers that we, who have not followed him in his innocence, may imitate him in his penance. Through our Lord…

THE EPISTLE

Lectio libri Sapientiae (Eccli. 31, 8-11): Beatus vir qui inventus est sine macula, et qui post aurum non abiit, nec speravit in pecunia et thesauris. Quis est hic, et laudabimus eum? fecit enim mirabilia in vita sua. Qui probatus est in illo, et perfectus est, erit illi gloria aeterna: qui potuit transgredi, et non est transgressus; facere mala, et non fecit: ideo stabilita sunt bona illius in Domino.

Blessed is man that is found without blemish: and that hath not gone after gold, nor put his trust in money nor in treasures. Who is he, and we will praise him? for he hath done wonderful things in his life. Who hath been tried thereby, and made perfect, he shall have glory everlasting. He that could have transgressed, and hath not transgressed: and could do evil things, and hath not done them: therefore are his goods established in the Lord.

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THE GOSPEL

Sequentia sancti Evangelii secundum Matthaeum (22, 29-40): In illo tempore: Respondens autem Jesus, ait illis: Erratis nescientes Scripturas, neque virtutem Dei. In resurrectione enim neque nubent, neque nubentur: sed erunt sicut angeli Dei in caelo. De resurrectione autem mortuorum non legistis quod dictum est a Deo dicente vobis: Ego sum Deus Abraham, et Deus Isaac, et Deus Jacob? Non est Deus mortuorum, sed viventium. Et audientes turbae, mirabantur in doctrina ejus. Pharisaei autem audientes quod silentium imposuisset sadducaeis, convenerunt in unum: et interrogavit eum unus ex eis legis doctor, tentans eum: Magister, quod est mandatum magnum in lege? Ait illi Jesus: Diliges Dominum Deum tuum ex toto corde tuo, et in tota anima tua, et in tota mente tua. Hoc est maximum, et primum mandatum. Secundum autem simile est huic: Diliges proximum tuum, sicut teipsum. In his duobus mandatis universa lex pendet, et prophetae.

At that time: Jesus answering, said to them: You err, not knowing the Scriptures, nor the power of God. For in the resurrection they shall neither marry nor be married; but shall be as the angels of God in heaven. And concerning the resurrection of the dead, have you not read that which was spoken by God, saying to you: “I am the God of Abraham, and the God of Isaac, and the God of Jacob?” He is not the God of the dead, but of the living. And the multitudes hearing it, were in admiration at his doctrine. But the Pharisees hearing that he had silenced the Sadducees, came together: and one of them, a doctor of the law, asking him, tempting him: Master, which is the greatest commandment in the law? Jesus said to him: Thou shalt love the Lord thy God with thy whole heart, and with thy whole soul, and with thy whole mind. This is the greatest and the first commandment. And the second is like to this: Thou shalt love thy neighbour as thyself. On these two commandments dependeth the whole law and the prophets.

SECRET

Caelesti convivio fac nos, Domine, nuptial veste indutos accumbere: quam beati Aloisii pia praeparatio, et iuges lacrimae inaestimabilibus ornabant margaritis. Per Dominum…

Grant, O Lord, that we may sit at the heavenly banquet clothed in the wedding garment, which by a holy life and continual tears, the blessed Aloysius adorned with priceless pearls. Through our Lord…

PREFACE

Dominus vobiscum

Et cum spritu tuo.

Sursum Corda

Habemus ad Dominum.

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Gratias agamus Domino Deo nostro

Dignum et iustum est.

Vere dignum et iustum est, aequum et salutare, nos tibi semper et ubique gratias agere: Domine, sancte Pater, omnipotens aeternae Deus: per Christum Dominum nostrum. Per quem maiestatem tuam laudant Angeli, adorant Dominationes, tremunt Potestates. Caeli, caelorumque Virtutes, ac beata Seraphim, socia exultatione concelebrant. Cum quibus et nostras voces ut admitti iubeas, deprecamur, supplici confessione dicentes: Sanctus, Sanctus, Sanctus…

It is truly right and just, proper and helpful toward salvation, that we should always and everywhere give thanks to Thee, Lord, Holy Father, almighty and everlasting God, through Christ our Lord. Through whom the Angels praise Thy majesty, the Dominions worship Thee, the Powers are in awe before Thee. The Heavens and the heavenly Hosts and the blessed Seraphim join together in a hymn of praise. We pray that our voices, too, may be joined with theirs, as we sing with humble praise: Holy, Holy, Holy…

POST COMMUNION

Angelorum esca nutritos, angelicis etiam, Domine, da moribus vivere: et eius, quem hodie colimus, exemplo, in gratiarum semper actione manere. Per Dominum…Grant, O Lord, that we who have been fed with the food of angels, may also live the lives of angels; and after the example of him whom we honor this day, always continue to give thanks to You. Through our Lord…

Saturday, June 22, ordinary formCommune Beatae Mariae Virginis

COLLECT

Concéde nos fámulos tuos, quaesumus, Dómine Deus,perpétua mentis et córporis sanitáte gaudére,et, gloriósa beátae Maríae semper Vírginis intercessióne,a praesénti liberári tristítia, et aetérna pérfrui laetítia.Per Dóminum nostrum Jesum Christum Filium tuum,qui tecum vivit et regnat in unitate Spiritus Sancti, Deus,Per omnia saecula saeculorum. Amen.

Grant, Lord God, that we, your servants, may rejoice in unfailing health of mind and body, and through the glorious intercession of Blessed Mary ever-Virgin, may we be set free from present sorrow and come to enjoy eternal happiness. Through our Lord Jesus Christ . . .

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SUPER OBLATA

Súscipe, quaesumus, Dómine,preces pópuli tui cum oblatiónibus hostiárum,ut, intercedénte beáta María, Fílii tui Genetríce,nullíus sit írritum votum, nullíus sit vácua postulátio.Per Christum Dominum nostrum. Amen.

Receive, O Lord, we ask, the prayers of your people with the sacrificial offerings, that, through the intercession of Blessed Mary, the Mother of your Son, no petition may go unanswered, no request be made in vain. Through Christ our Lord.

POST COMMUNIONEM

Suméntes, Dómine, caeléstia sacraménta,quaesumus cleméntiam tuam,ut, qui de beátae Vírginis Mariae commemoratióne laetámur,eiúsdem Vírginis imitatióne, redemptiónis nostrae mystério digne valeámus famulári.Per Christum Dominum nostrum. Amen.

As we receive this heavenly Sacrament, we beseech, O Lord, your mercy, that we, who rejoice in commemorating the Blessed Virgin Mary, may by imitating her serve worthily the mystery of our redemption. Through Christ our Lord.

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