music packet
TRANSCRIPT
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The Church Music Associationof America
June 17—23, 2013Salt Lake City
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Sacred Music Colloquium XXIII June 17–23, 2013
Liturgical music
Lauds (morning prayer)Ordinary form ........................................................................................................................... 17
Compline (night prayer)Extraordinary form .................................................................................................................... 83
Tuesday, June 18, 5:15 p.m.Mass, ordinary form, in English ................................................................................................ 91
David Hughes, organist
Ordinary chants from the Roman Missal; Simple English Propers by Adam BartlettPrelude: Intermezzo, JA 66, Jehan AlainIntroit: Hearken, O Lord, unto my voice, mode iv (Ryan)Kyrie: Missal Psalm: Praise the Lord, my soul, mode vii (Morse)Alleluia: I give you a new commandment, mode ii (Ryan)Prayer of the faithful: MissalOffertory: I will bless the Lord, mode i (Mahrt)Motet at Offertory: Honour and Majesty, Maurice Greene (Buchholz)Sanctus: Missal Memorial acclamation: Missal The Lord’s Prayer: MissalSign of peace: Missal Agnus Dei: Missal Communion: One thing have I asked, mode vii (Morse)Motet at Communion: O for a Closer Walk With God, Charles Villiers Stanford (Buchholz)Recessional: When in Our Music God Is Glorified, StanfordPostlude: Joie et claret des corps glorieux (Les Corps Glorieux), Olivier Messiaen
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Wednesday, June 19, 5:15 p.m.Mass, ordinary form, in English .............................................................................................. 113
Jonathan Ryan, organistPropers by Bruce FordPrelude: Rhapsody in D-flat Major, Op. 17, No. 1, Herbert HowellsIntroit: Hearken to my voice, O Lord, mode iv (Hughes)Kyrie: Mass XIIGradual: Behold, O God, our defender, mode v (Mahrt)Alleluia: The king rejoices, mode vi (Morse)Offertory: I will bless the Lord, mode i (Hughes)Sanctus: Mass XIIPater nosterAgnus Dei: Mass XIIMotet at Offertory: Ave, Maria, Edward Elgar (Glenn)Communion: One thing have I asked of the Lord, mode i (Hughes)Motet at Communion: O quam suavis est, William Byrd (Brouwers)Recessional: OrganPostlude: Flourish for an Occasion, William Harris
Thursday, June 20, 5:15 p.m.Requiem Mass, extraordinary form ......................................................................................... 131
Introit: Requiem aeternam, Francisco Guerrero (Brouwers)Kyrie: Missa pro defunctis, Guerrero (Brouwers)Gradual: Requiem aeternam, Guerrero (Brouwers)Tract: Absolve Domine, Guerrero (Brouwers)Sequence: Dies irae, mode i (alternatim)Offertory: Domine Jesu Christe, Guerrero (Buchholz)Sanctus: Missa pro defunctis (Buchholz)Agnus Dei: Missa pro defunctis (Buchholz)Communion: Lux aeterna, Guerrero (Glenn)Motet at Communion: O salutaris, Pierre de la Rue (Malinka)At the absolution: Libera me, Guerrero (Glenn)
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Friday, June 21, 5:15 p.m.Memorial of St. Aloysius Gonzaga, Religious, extraordinary form ......................................... 165
David Hughes, organistIntroit: Minuisti eum, mode iii (Ryan)Kyrie: Mass VIIGloria: Mass VIIGradual: Domine spes mea, mode v (Donelson)Alleluia: Beatus quem elegisti, mode iii (Schaefer)Offertory: Quis ascendet, mode iii (Mahrt)Sanctus: Mass VIIAgnus Dei: Mass VIICommunion: Panem caeli, mode viii (Morse)
Friday, June 21, 7:45 p.m.Vespers, extraordinary form.................................................................................................... 173
Ann Labounsky, organistPrelude: Three versets on Iste Confessor, Jean TitelouzeFirst antiphon: Domine probasti me, mode iii; first psalm, 138.I, tone 3.g2 (Mahrt)Second antiphon: Mirabilia, mode vi; second psalm, 138.II, tone 6.F (Hughes)Third antiphon: Ne derelinquas me, mode iv; third psalm, 139, tone 4.E (Mahrt)Fourth antiphon: Domine clamavi ad te, mode viii; fourth psalm, 140, tone 8.c (Hughes)Fifth antiphon: Educ de custodia, mode iii; fifth psalm, 141, tone 3.a (Mahrt)Chapter: Beatus vir qui inventus estHymn: Iste confessor, Tomás Luis de Victoria (Buchholz)Versicle: Justum deduxitMagnificat antiphon: Hic vir, despiciens mundum, mode viiiMagnificat octavi toni, Jean Mouton (Buchholz)Salve Regina, mode iPostlude: Offertoire sur les Grands Jeux, Nicolas de Grigny
Saturday, June 22, 3 p.m. Votive Mass of the Blessed Virgin Mary, ordinary form, in Latin ........................................... 203
Jonathan Ryan, organistPrelude: Toccata in E Major, BWV 566, Johann Sebastian BachIntroit: Salve sancta parens, mode ii (Morse)
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Kyrie: Missa osculetur me, Orlando di Lasso (Brouwers & Glenn)Gloria: Missa osculetur me (Brouwers & Glenn)Gradual: Benedicta, mode iv (Schaefer)Alleluia: Post partum, mode iv (Hughes)Credo: Missa osculetur me (Brouwers & Glenn)Offertory: Ave Maria, mode viii (Mahrt)Sanctus: Missa osculetur me (Brouwers & Glenn)Agnus Dei: Missa osculetur me (Brouwers & Glenn)Communion: Beata viscera, mode i (Donelson)Motet: Ave Maria, Sergei Rachmaninoff (Buchholz)Recessional: Ave maris stella, chant (alternatim)Postlude: Fugue super Magnificat, BWV 733, J. S. Bach
Sunday, June 23, 11 a.m.13th Sunday in ordinary time, ordinary form, in English ....................................................... 247
Doug O’Neill, organistPrelude: Toccata XI, Georg MuffatIntroit: Dominus fortitudo plebis suae, mode ii (Brouwers)Kyrie: Mass of the English Martyrs, Jeff OstrowskiGloria: Mass of the English MartyrsGradual: Convertere Domine, mode v (Hughes)Alleluia: In te Domine speravi, mode iii (Mahrt)Credo IIIPrayer of the faithful: MissalOffertory: Perfice gressus meos, mode iv (Ryan)Motet at Offertory: Ave Maria . . . benedicta tu, Josquin des Prez (Glenn)Sanctus: Mass of the English MartyrsAgnus Dei: Mass of the English MartyrsThe Lord’s Prayer: MissalCommunion: Qui vult venire post me, mode i (Cole)Motet at Communion: O sacrum convivium, Luca Marenzio (Buchholz)Recessional: Laudate Dominum, new composition (Buchholz) Postlude: Toccata XII, Muffat
AppendixVeni Creator Spiritus .............................................................................................................. 280
Propers for Mass, Thursday through Friday ........................................................................... 282
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Choosing a chant course
When you come to the Colloquium, you will need to choose a chant course for your partici-pation during the week. There are few joys greater than singing in a well-prepared Grego-
rian chant schola. Although there is always a little tweaking after the first day, i.e., singers moving up or down a level, most people find it relatively easy to choose.
The following guidelines will help you find the right group in which to sing for the week.
Foundations—two sections (Charles Cole, men; Wilko Brouwers, women)
This course in Gregorian chant is intended for real chant beginners—those who can read modern notation and those with no musical training, Participants will learn how to read the four-line staff and the names of the neumes as well as how to navigate the intervals with solfege. Rhythm will be introduced. Course material will include the ordinaries of the Mass and propers, with the latter being performed during Mass toward the end of the week.
Refresher—two sections (Jeffrey Morse, men; Jonathan Ryan, women)
This course offers continued study in Gregorian chant and is intended for those who have had some background in chant but do not sing chant on a regular basis. This is a beginning-to-intermediate course whose primary aim, as with the foundations course, is not performance during the liturgy. Participants will be responsible for singing the ordinaries of the Mass and will also be prepared to sing chant propers toward the end of the week.
Schola—two sections (David Hughes, men; William Mahrt, women)
This course is intended for advanced singers who chant regularly. The men’s and women’s scholas will be responsible for the bulk of the Mass propers sung during the week, including the chanted Vespers on Friday.
Advanced seminars—two sections (Edward Schaefer, semiology; Jennifer Donelson, chironomy)
These courses (see descriptions below) are intended for advanced male and female singers who wish to continue their studies of Gregorian chant. Instructors will focus on their areas of specialty. The raison d’etre is study rather than performance, with each seminar preparing one or two Mass propers during the week.
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Chironomy: Directing chant—Donelson
Beginning with a refresher course on the basics of the rhythmic approach of the “old Solesmes” method, participants will learn the fundamental rules of chironomy (directing) for Gregorian psalm tones as well as neumatic and melismatic chants in the Gregorian repertoire. Incorporating nuanced work on singing according to the “old Solesmes” method as well as experience in conducting small groups of singers, this class is ideal for intermediate and advanced chanters who are able to read the Gregorian repertoire with some degree of ease and who hope to direct their own schola upon returning home.
Semiology—Schaefer
This seminar will engage in a study of the earliest chant-notation systems as demonstrated in the Laon and St. Gall families of manuscripts and reproduced in the Graduale Triplex. In particular, focus will be given to the interpretation of the rhythmic signs in these notation systems and their application to contemporary chant performance.
Day 1: Modal structure and its relationship to semiology
Day 2: Laon neums focus
Day 3: Review of principle of separation
Days 4 and 5: Continuation of chant analysis
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Notes on polyphonic choirs
Being part of a polyphonic choir is one of the many highlights of the Colloquium. Note that there is no sign-up or pre-registration for any of the groups. Simply arrive at the rehearsal of your choice on Tuesday. If the conductors find they have too many sopranos or too few
tenors, for example, a little shifting around may occur from choir to choir on the first day.
But as a matter of good choir etiquette, conductors ask that you not bounce from choir to choir. Five days of rehearsal is not a long time to develop an ensemble sound, and the deadlines of performing in liturgy loom delightfully throughout the week. N.B. If your plans require that you depart the Colloquium before Sunday, June 23, please do not pick the choir whose main work will be performed on that day and so on.
Francisco Guerrero (1528-1599) enjoyed enormous fame in his time, having taken a prominent post as maestro de capilla (singing master, i.e., music director) at Jaén Cathedral in Spain. He spent his life in Spain, and more than any other composer of his generation, his work thoroughly reflects the distinctiveness of the Spanish polyphonic tradition, which has distinctive traits as compared with Italian or English polyphony of the period. His rising prominence in our time is most likely due to these traits, which include distinct structural roles for each voice and a firm underlying pulse that is inaudible but always present. His Requiem Mass, although a lesser-known Requiem setting, is one of his many masterpieces. The conductors are Wilko Brouwers and Horst Buchholz.
Orlando Di Lasso (1530-1594) was a Flemish composer of astonishing skill who left us a huge library of music in many styles. His Missa Osculetur me is written for eight voices and features surprising drama and a rich texture that explores the most advanced polyphonic techniques of his time. Recordings of this piece sometimes feature instruments as a substitute for voices, but in the Colloquium presentation we will use all voices to realize an idealization of this masterpiece. It will be conducted by Wilko Brouwers and Gregory Glenn.
Sergei Rachmaninoff’s Ave Maria was written for his Russian Vespers service, but the Colloquium will sing a version in Latin. It is surely one of the most emotionally affecting and powerful settings of this glorious text to be found in the treasury of sacred music. It is also something that can be sung by a parish schola. It will be conducted by Horst Buchholz.
Josquin des Prez (1450-1521) seems only to grow more popular over time. He had a huge influence on nearly every important polyphony composer of the 16th century, but his influence continued onward. This Ave Maria . . . benedicta tu has never been sung at the Colloquium and is less well known than his Virgo serena setting, which is popular among professional polyphonic choirs. This setting offers a similarly creative use of shifting ranges and antiphonal repetitions that suggest ethereal joy and celebration. It will be conducted by Gregory Glenn.
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Pierre de la Rue’s (c. 1452-1518) O salutaris hostia is haunting, beautiful, and tremendously moving. La Rue worked during the height of the Franco–Flemish school’s popularity. He was well-versed in a variety of different musical sounds, although he excelled with pieces that showcased expanded vocal ranges, polyphonic styles, and six-part compositions (commentary by A. C. Haury). This motet, largely homophonic, is of medium difficulty at most and will be sung by the beginning polyphony choir under the direction of Melanie Malinka.
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Breakout sessions11 a.m. to noon, Tuesday through Saturday
Conducting seminars
Tuesday: Basic conducting techniques—Charles Cole (1 hour)After a brief presentation on techniques, participants will be invited to come forward to conduct a small group of volunteers on one or more of these pieces: Christus factus est, Anerio; Locus iste, Bruckner; Ave verum, Byrd; O sacrum convivium, Croce; Ave verum, Elgar; O bone Jesu, Ingegneri; Alma Redemptoris Mater, Palestrina; If ye love me, Tallis; and Exsultate iusti, Viadana. If conductor or volunteers (or singers) would like to look at the music in advance, it may be picked up at the registration table at check in on Monday afternoon, June 17.
Wednesday: Safe and sure—Wilko Brouwers (1 hour)How can a choir member arrive at a choir rehearsal well prepared? This breakout session is about effective self-study: how to separate the elements of a score (words, form, rhythm, tonality, difficult intervals) and how to anticipate and solve problems that could arise.
Thursday: Rehearsal techniques with children’s choirs—Melanie Malinka (1 hour)
Friday: Edward Schaefer (1 hour)A look at a conductor’s preparation: from preparing the score before a rehearsal to proper gestures in a performance that prepare the singers for everything that’s approaching
Saturday: Horst Buchholz (1 hour)
Organ seminars
Tuesday: Musical rubrics in the Extraordinary Form—Jonathan Ryan (1 hour)The cans and can’ts of the extraordinary form of the Roman rite will be examined and discussed as they pertain to choir directors and organists. The main focus will be the Mass in its various forms (low, solemn, etc.).
Wednesday: Chant accompaniment I—Charles Cole (1 hour)This session will cover the use of harmonies that are true to the mode, where it is appropriate to change chord, and the different rates of harmonic change required for a congregation and a choir. In addition, the different styles of chant accompaniment as practiced at Solesmes, Westminster Cathedral (London), and Brompton Oratory (London) will be compared and contrasted.
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Thursday: Chant accompaniment II—Wassim Sarweh (1 hour)This session will bring an understanding of the eight modes of Western chant and how the organ/accompanying instruments enhance the mood of those modes. The participants will learn simple technical methods including pulse, pedaling, manuals, improvising, etc., to strengthen their skills. This session will challenge participants to be more creative and will enable them to come out of the session with fresh ideas that they can make their own.
Friday: Hymn playing—Jonathan Ryan (1 hour)The foundations of solid musical leadership from the organist in hymns will be presented, discussed, and heard, including rhythmic clarity, articulation, and the use of various kinds of organs. Ways to tastefully add flavor to hymn playing, such as reharmonization, with an emphasis on practicality will be examined as well.
Saturday: Improvisation at Mass—David Hughes (1 hour)This session will explore strategies for establishing and maintaining a convincing structure for each improvisation. These will be considered in light of the unique ceremonial demands of particular points in the Mass (procession before the introit, Gospel procession, offertory, Communion), the motivic opportunities present in the day’s propers, and the modal contexts suggested by the chant and polyphony.
Clergy training
Tuesday through Saturday: Priest and deacon chants for the Mass—Rev. Robert Pasley (1 hour daily)
Special topics
Tuesday: The legacy of Monsignor Francis Schmitt—Ann Labounsky (1 hour)Monsignor Schmitt directed the men and boys choir at Boys Town, Nebraska, from 1941 to 1975. During his tenure he developed a program of excellence in church music and toured the world with his choir. He also established the summer music and liturgical workshops from 1952 to 1969 that attracted world renowned luminaries in sacred music: Paul Manz, Anton Heiller, Louise Cuyler, Roger Wagner, Jean Langlais, Alexander Peloquin, and Paul Salamonovich, among many others. In addition, he edited the journal Caecelia. In the early 1990s Monsignor Schmitt decided that the vast music collection at Boys Town should be housed at a university, and Duquesne University was chosen. This breakout session will cover how the collection came to be housed at Duquesne and will show many artifacts from the collection and the importance of Monsignor Schmitt in our rediscovery of the sacred music legacy.
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Wednesday: Dominican chant—Brian Dean Sousa (1 hour)This session take a look at the history of the Dominican Order and the Dominican Rite. After a presentation of the various Dominican chant books available, the instructor will present the rules of chanting in this style. The rules will then be applied to a few very famous chants that Dominicans sing every day at the end of Compline: Salve regina and O lumen. Lastly, there will be a side-by-side comparison of some very similar Roman and Dominican chants. The session will end with chanting Salve regina and O lumen.
Thursday: Anglican chant—Daniel Bennett Page (1 hour)This workshop will introduce participants to the style and practical skills needed to sing texts chorally using Anglican chant, a form of harmonized chant used to sing non-metrical liturgical texts such as psalms and canticles. A direct outgrowth of fauxbourdon practices of the 15th and 16th centuries, it occupies pride of place in the Anglican musical patrimony. This large body of high-quality vernacular liturgical music and the notable choral tradition associated with it have been directly relevant to the Catholic world since the authorization of a third form of the Latin Rite, the Anglican Use, in the 1980s, and especially since the Holy Father’s creation of the Anglican Use Ordiariates beginning in 2011. Anglican chant’s emphasis on elegant, speech-rhythm rendering of texts, overall simplicity, and potential for expressive elaboration lend it an aesthetic and musical–historical importance that belies its modest formal shape.
Friday: Liturgy and architecture—William Mahrt (1 hour)Architecture is the principal means of defining sacred space, the proper location for the celebration of liturgy. It does so in several different ways: 1. its elevation, vaulting, domes, and towers delineate and differentiate sacred spaces, which are images of heaven2. its floor plan provides a practical location for various liturgical usages, especially processions, which particularly delineate sacred space and3. its varying acoustics are suited to various kinds of music and are especially important for congregational singing. This will be illustrated with images and diagrams drawn from medieval cathedrals and parish churches.
Saturday: Messiaen the musical theologian—Jenny Donelson (1 hour)Perhaps you’ve heard about the amazing and truly Catholic music of the 20th-century French composer Olivier Messiaen but listening to his music has left you puzzled about what’s so great about it. If so, this is the session for you. Beginning with a discussion of the basic elements of Messiaen’s musical language and their theological significance, moving through his seminal 1977 address at Notre Dame about the nature of music and its relationship to God, and concluding with a consideration of his work as a potential source of renewal for future compositions of sacred music, this session will shed a light on this important Catholic composer for the Catholic musician.
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Composer’s forum
Tuesday through Friday: David J. Hughes (1 hour)Composers should plan on attending the composer’s forum sessions during the week, in which their new compositions will be critiqued and workshopped. Bring along enough copies for the whole group. A winning composition from among those presented during the week will be announced on Saturday, June 22. The winning composition will be sung by the entire colloquium at the closing Mass at the Cathedral of the Madeleine on Sunday, June 23. This year’s text is Psalm 116: Laudate Dominum omnes gentes, laudate eum omnes populi. Quoniam confirmata est super nos misericordia ejus, et veritas Domini manet in aeternum. [Gloria Patri et Filio et Spiritui Sancto: sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Amen.] Compositions should be SATB, a cappella, and no longer than three minutes in length. For more information, contact David Hughes, forum leader, at [email protected].
At the local level
Tuesday: Sacred music in the secular world—Mary Jane Ballou (1 hour)Can our music serve as a door to Christian faith? Can chant be more than another flavor of easy listening? For five years concert musician and radio host Mary Jane Ballou has intrigued audiences with sacred music “out of church.” She’ll share her experience and offer ideas on how you can make beautiful music a window to truth for nonbelievers.
Wednesday: Chant, personalities, and parish life—Matthew Meloche (1 hour)This lecture will focus on useful ways to introduce Gregorian chant into regular parish life. Whether the people around you are supportive or are opposed to chant, you can make your job much easier by knowing how to deal with them. Learn how to help clerics, choir members, colleagues, coworkers, and members of the congregation see the importance of chant. This practical course is ideal for those working as full-time music directors or part-time choir directors as well as for choir members who wish to bring about positive change in their music program.
Thursday: First steps: hymn tune propers—Kathleen Pluth (1 hour)Many congregations have never sung propers of any kind. Well-intentioned pastors and musicians may be met with quite a lot of resistance when introducing proper chants to their congregations. The Hymn Tune Propers project seeks to overcome resistance by meeting congregations on familiar territory, in the form of a hymn. Each Sunday’s entrance antiphon has been rearranged into a rhymed, metered format that can be sung to many familiar hymn tunes. As the congregation grows more familiar with the practice of singing a proper text, chant tunes with the same meter may be introduced. And gradually these rhymed, metered version can give way to the chants as written in the Missal or Graduale. The Hymn Tune Propers are intended as a first step, a good beginning, for a parish transitioning away from hymns and toward the use of Gregorian propers.
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Friday: The responsorial psalm problem—Arlene Oost-Zinner (1 hour)Though the gradual is the liturgical ideal, the responsorial psalm seems like it is here to stay in most parishes. The composer will describe the circumstances surrounding the birth of the Parish Book of Psalms and discuss in detail her compositional methods, including the challenges encountered in juxtaposing the English language and Gregorian formulas.
Saturday: The Lumen Christi Missal and the Simple English Propers—Adam Bartlett (1 hour)In this session we will explore compositional processes employed by composer and editor Adam Bartlett in his collections the Simple English Propers and the Lumen Christi Missal and also discuss best practices for singing these chant settings in parish contexts. The challenges of English chant composition will be discussed, and practical solutions will be offered and demonstrated in the musical settings of the SEP and LCM. Gain insights into the development of these two new resources that are now being widely used in parishes and communities throughout the English speaking world.
Education and software
Tuesday, Thursday, and Saturday (repeat sessions): Introduction to chant engraving with Gregorio—Richard Chonak (1 hour)Accessing Gregorio over the web, you can easily produce attractive scores in chant notation to incorporate into a parish music program or other printed material. Attendees need to bring a wifi-enabled laptop computer to class. Wednesday and Friday (repeat sessions): The Ward method—Alise Brown (1 hour)The Ward method is an outstanding music method created by the American pedagogue Justine Ward for the Catholic parochial school system of the early 20th century. The method is based on Jean Jacques Rousseau’s number-notation system and Gregorian chant principles and is an excellent introduction to the singing of chant with a solid basis in music literacy. The Ward method teaches music reading, writing, improvisation, and composition in weeks rather than years, with an emphasis on the interpretation of the musical phrase as needed for chant. It is appropriate for children as well as adults.
Optional dinner session: 7 p.m. Wednesday, Little America Steakhouse
Leading dedicated and enthusiastic volunteersMany of us lead choirs, scholas, and other organizations in our parishes. It’s a challenge to attract the right kind of volunteers and to help them stay engaged and enthusiastic over the course of years. Please consider joining us if you want to hone your leadership skills and learn from other colloquium attendees who are thinking about these issues. This isn’t a lecture, it’s a sharing of best practices among equals: we all have something we can give!
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Afternoon lecture seriesTuesday through Saturday
As an option for those who choose not to sing in a polyphony choir, Dr. Susan Treacy, professor of music at Ave Maria University, will offer the following afternoon lecture series commemorating the 110th anniversary of Pope St. Pius X’s 1903 motu proprio on sacred
music, Tra le sollecitudini.
Lecture 1: Sacred music in the 19th century (2:45–4:15 p.m. Tuesday)The first lecture will set the stage with an overview of Catholic liturgical music in the 19th century—the realities of sacred music in parish life and various efforts at reform—in Europe and America.
Lecture 2: Music in the life of Giuseppe Sarto (2:45–4:15 p.m. Wednesday)Born into a very poor family, the future Pope St. Pius X became enamored of sacred music during his boyhood. In one sense his whole life was a preparation for the motu proprio. As a young priest, pastor, canon, and seminary rector, Father Sarto gave an important place to the teaching of Gregorian chant.
Lecture 3: Toward the motu proprio (2:45–4:15 p.m. Thursday)In 1884 Giuseppe Sarto was made bishop of Mantua: now he was able to promote Gregorian chant and sacred polyphony on a wider scale. As a bishop and then a cardinal, Sarto issued documents that would form the basis of his eventual papal motu proprio.
Lecture 4: Reception and implementation of the motu proprio (2:45–4:15 p.m. Friday)How was the motu proprio received by the Catholic world? Did all Catholics obey the Holy Father’s decrees? This lecture examines some of the initiatives to implement the motu proprio, including efforts to revive congregational chanting.
Lecture 5: The motu proprio: past, present, and future (1:30–2:30 p.m. Saturday)The motu proprio of Pope St. Pius X has been the starting point of subsequent documents on sacred music, including those of Vatican Council II. Was Pius’s vision for sacred music distorted after Vatican II? What has been done to restore this vision, and what can be done at the parish level?
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Responses to readingsOrdinary form Massesresponse after the readings(ordinary form masses)
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Lauds
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Prepared by Richard Rice
Ordinary Form
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laudS, WedneSday, June 19
Sacred MuSic colloquiuM 2013 n 35
laudS, WedneSday, June 19
36 n Sacred MuSic colloquiuM 2013
laudS, WedneSday, June 19
Sacred MuSic colloquiuM 2013 n 37
laudS, WedneSday, June 19
38 n Sacred MuSic colloquiuM 2013
laudS, WedneSday, June 19
Sacred MuSic colloquiuM 2013 n 39
laudS, WedneSday, June 19
40 n Sacred MuSic colloquiuM 2013
laudS, thurSday, June 20
Sacred MuSic colloquiuM 2013 n 41
laudS, thurSday, June 20
42 n Sacred MuSic colloquiuM 2013
laudS, thurSday, June 20
Sacred MuSic colloquiuM 2013 n 43
laudS, thurSday, June 20
44 n Sacred MuSic colloquiuM 2013
laudS, thurSday, June 20
Sacred MuSic colloquiuM 2013 n 45
laudS, thurSday, June 20
46 n Sacred MuSic colloquiuM 2013
laudS, thurSday, June 20
Sacred MuSic colloquiuM 2013 n 47
laudS, thurSday, June 20
48 n Sacred MuSic colloquiuM 2013
laudS, thurSday, June 20
Sacred MuSic colloquiuM 2013 n 49
laudS, thurSday, June 20
50 n Sacred MuSic colloquiuM 2013
laudS, thurSday, June 20
Sacred MuSic colloquiuM 2013 n 51
laudS, friday, June 21
52 n Sacred MuSic colloquiuM 2013
laudS, friday, June 21
Sacred MuSic colloquiuM 2013 n 53
laudS, friday, June 21
54 n Sacred MuSic colloquiuM 2013
laudS, friday, June 21
Sacred MuSic colloquiuM 2013 n 55
laudS, friday, June 21
56 n Sacred MuSic colloquiuM 2013
laudS, friday, June 21
Sacred MuSic colloquiuM 2013 n 57
laudS, friday, June 21
58 n Sacred MuSic colloquiuM 2013
laudS, friday, June 21
Sacred MuSic colloquiuM 2013 n 59
laudS, friday, June 21
60 n Sacred MuSic colloquiuM 2013
laudS, friday, June 21
Sacred MuSic colloquiuM 2013 n 61
laudS, friday, June 21
62 n Sacred MuSic colloquiuM 2013
laudS, Saturday, June 22
Sacred MuSic colloquiuM 2013 n 63laudS, Saturday, June 22
64 n Sacred MuSic colloquiuM 2013
laudS, Saturday, June 22
Sacred MuSic colloquiuM 2013 n 65laudS, Saturday, June 22
66 n Sacred MuSic colloquiuM 2013
laudS, Saturday, June 22
Sacred MuSic colloquiuM 2013 n 67laudS, Saturday, June 22
68 n Sacred MuSic colloquiuM 2013
laudS, Saturday, June 22
Sacred MuSic colloquiuM 2013 n 69laudS, Saturday, June 22
70 n Sacred MuSic colloquiuM 2013
laudS, Saturday, June 22
Sacred MuSic colloquiuM 2013 n 71laudS, Saturday, June 22
72 n Sacred MuSic colloquiuM 2013
laudS, Sunday, June 23
Sacred MuSic colloquiuM 2013 n 73laudS, Sunday, June 23
74 n Sacred MuSic colloquiuM 2013
laudS, Sunday, June 23
Sacred MuSic colloquiuM 2013 n 75laudS, Sunday, June 23
76 n Sacred MuSic colloquiuM 2013
laudS, Sunday, June 23
Sacred MuSic colloquiuM 2013 n 77laudS, Sunday, June 23
78 n Sacred MuSic colloquiuM 2013
laudS, Sunday, June 23
Sacred MuSic colloquiuM 2013 n 79laudS, Sunday, June 23
80 n Sacred MuSic colloquiuM 2013
laudS, Sunday, June 23
Sacred MuSic colloquiuM 2013 n 81laudS, Sunday, June 23
82 n Sacred MuSic colloquiuM 2013
laudS, Sunday, June 23
Sacred MuSic colloquiuM 2013 n 83coMpline
Compline
J
Prepared by William Mahrt
Extraordinary Form
84 n Sacred MuSic colloquiuM 2013
COMPLINE NIGHT PRAYER
Lector:
Vbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbb≥gzbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbsbbbbbbbbbbsmbbbbbbbbbbbbbbbbbbb} V. Jube, domne benedí-ce-re. Officiant:
Vbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbhbbbbbbbbbh.bbbbbbbbbb[bbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbb Noctem qui-é-tam et finem perféctum concédat no-bis
Vbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbsbbbbbbbbbbbbsmbbbbbbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbgbbbbbbbbbbbbh.bbbbbbbbbbbbbb} Dóminus omnípo-tens. R. Amen.
Lectio brevis 1 Peter 5:8–9
Lector:
Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbbbb[bbbbbbbbhbbbbbbbbbbbbhbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbf,bbbbbbbbbbb{bbbbbbbbbbbhbbbbbbbbhbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbb Fratres: Sóbri-i estó-te et vi-gi-lá-te: qui-a adversá-
Vbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbhbbbbbb[bbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbb[bbbbbbbbbbbhbbbbbbbbhbbbbbbbbbhbbbbbbb ri-us vester di-á-bolus, tamquam le-o rúgi-ens, círcu-it,
Vbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbbbh.bbbbbbbbb{bbbbbbbbbhbbbbbbbbhbbbbbbbbhbbbbbbbbhbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbh.bbbbbbbbsmbbbbbbbbbbbbb}b quærens quem dé-vo-ret: cu-i resísti-te fortes in fide.
Vbbbbbbbbbbbbbhbbbbbbbbbbbbbbgbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbb[bbbbbbbhbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbh.bbbbbbbbbbbsmbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbhbbbbbbbbbbbbbbhbbbbbbbsbbbbbbbsmbbbbbbbbbbbbb} Tu au-tem Dómi-ne mi-serére nobis. R. Deo grá-ti-as. Officiant:
Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhvbbbhbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbfbbbbbbbbf,bbbbbbbbbbb} V. Adju-tó-ri-um nostrum in nómi-ne Dómini. R. Qui fecit caelum et ter- ram.
Lector:
Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhzbbbbbbbbbbbbbbbbbbbbbbbb≥gzbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbsmbbbbbbbbbbbbbbbbbbb} V. Pray, Sir, give a blessing. Officiant:
Vbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbh.bbbbbbbbbbbb[bbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbb May the Lord almighty grant us a peaceful night and a
Vbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbsmbbbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbgbbbbbbbbbbbbbbh.bbbbbbbbbbbbbbbbb} perfect end. R. Amen.
Short Lesson 1 Peter 5:8–9
Lector:
Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbb bhbbbbbbbbb[bbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbf,bbbbbbbbbbb[bbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbb Be-loved, be so-ber, be watchful. For your adversary the
Vbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbb[bbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbb bbhbbbbbbbbbb[bbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbb devil prowls around like a roaring lion, seeking someone
Vbbbbbbbbbbgbbbbbbbbbbbbbfbbbbbbbbbbhbbbbbbbbbbbbbbbbbb]bbbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbsmbbbbbbbbbbbbb} to devour. Re-sist him, firm in faith.
Vbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbb[bbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbbh.bbbbbbbbbbbbbsmbbbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbsmbbbbb} But thou, O Lord, have mercy upon us. R. Thanks be to God. Officiant:
Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbf,bbbbbbbbbbbbbbbbbbbb} V. Our help is in the Name of the Lord. R. The maker of heaven and earth.
Officiant:
Confíteor Deo omnipoténti, beátæ Maríæ semper vírgini, beáto Michaéli archángelo, beáto Joánni Baptístæ, sanctis Apóstolis Petro et Paulo, ómnibus Sanctis et vobis fratres, quia peccávi nimis cogitatióne, verbo, et ópere: (striking the breast three times) mea culpa, mea culpa, mea máxima culpa. Ideo precor beátam Maríam semper vírginem, beátum Michaélem archángelum, beátum Joánnem Baptistam, sanctos apóstolos Petrum et Paulum, omnes Sanctos, et vos fratres, oráre pro me ad Dóminum Deum nostrum. Congregation:
Misereátur tui omnípotens Deus, et dimíssis peccátis tuis, perdúcat te ad vitam ætérnam. Officiant:
Amen.
Officiant:
I confess to almighty God, to blessed Mary ever virgin, to blessed Michael the archangel, to blessed John the Baptist, to the holy apostles Peter and Paul, to all the saints, and to you, brethren, that I have sinned exceedingly in thought, word, and deed: (striking the breast three times) through my fault, through my fault, through my most grievous fault. Therefore I beseech blessed Mary ever virgin, blessed Michael the archangel, blessed John the Baptist, the holy apostles Peter and Paul, all the saints, and you, brethren, to pray to the Lord our God for me. Congregation:
May almighty God have mercy on thee and having forgiven thee thy sins, bring thee to life everlasting. Officiant: Amen.
coMpline
Sacred MuSic colloquiuM 2013 n 85
Congregation:
(bowing) Confíteor Deo omnipoténti, beátæ Maríæ semper vírgini, beáto Michaéli archángelo, beáto Joánni Baptístæ, sanctis Apóstolis Petro et Paulo, ómnibus Sanctis et tibi Pater, quia peccávi nimis cogitatióne, verbo, et ópere: (striking the breast three times) mea culpa, mea culpa, mea máxima culpa. Ideo precor beátam Maríam semper vírginem, beátum Michaélem archángelum, beátum Joánnem Baptistam, sanctos apóstolos Petrum et Paulum, omnes Sanctos, et te Pater, oráre pro me ad Dóminum Deum nostrum. Officiant:
Misereátur vestri omnípotens Deus, et dimíssis peccátis vestris, perdúcat vos ad vitam ætérnam. Congregation: Amen (rise). Officiant: Indulgéntiam, ✠ absolutiónem, et remissiónem peccatórum nostrórum tríbuat nobis omnípotens et misericors Dóminus. Congregation:
Amen.
Congregation:
(bowing) I confess to almighty God, to blessed Mary ever virgin, to blessed Michael the archangel, to blessed John the Baptist, to the holy apostles Peter and Paul, to all the saints, and to thee, Father, that I have sinned exceedingly in thought, word, and deed: (striking the breast three times) through my fault, through my fault, through my most grievous fault. Therefore I beseech blessed Mary ever virgin, blessed Michael the archangel, blessed John the Baptist, the holy apostles Peter and Paul, all the saints, and thee, Father, to pray to the Lord our God for me. Officiant: May almighty God have mercy on you, and having forgiven you your sins, bring you to life everlasting. Congregation: Amen (rise). Officiant: May the almighty ✠ and merciful Lord grant us pardon, absolution, and remission of our sins. Congregation: Amen.
A cross is made on the heart.
Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbvvhbbbbvhbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbgbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbhbbbbbbbbbbbh.bbbbbbbbbbbbbbb} V. Convérte nos ✠ De-us sa-lu-tá-ris noster. R. Et avérte iram tu- am a nobis. The sign of the cross is made.
Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbb[bbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbjbbbbbbbbbbbhbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbgbbbbbbbbbbbbbbh.bbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbb bhbbbb[ V. De-us ✠ in adjutó-ri-um me-um inténde. R. Dómine
Vbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbbbgbbbbbbbbbbbbbh.bbbbbbbbbb]bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbb ad adjuvándum me fes-tí-na. (bow) Gló-ri- a Pa-tri,
Vbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbhbbbbb bhbbbbbbbbbbbbb[bbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbhbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbh.bbbbbbbbbbb]bbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbb et Fí-li-o, et Spi-rí-tu-i Sancto. Sicut e-rat in prin-
Vbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbh.bbbbbbbbbbb[bbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbb cí-pi-o, et nunc, et semper, et in saécula saecu-lórum.
Vbbbbbbbbbgbbbbbbbbbbbbbbh.bbbbbbbbbbbbbb{bbbbbbbbbbbhbbbbbbbbbjbbbbbbbbbbygbb bbbbbbbbbbbbg<bbbbbbb} Amen. Alle-lu-ia.
A cross is made on the heart.
Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbvvhbbbbvbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbh.bbbbbbbbbbbb} V. Convert us, ✠ O God of our salva- tion. R. And turn thine ang- er away from us. The sign of the cross is made.
Vbbbbbbbbbbbbbbbbbvvbhbbbbbbbbbbbbbbbbbbb bhbbbbbbbbbbb[bbbbbbvvvvjbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbgbbbbbbbbbbh.bbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbb[bbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb V. O God, ✠ come to my assistance R. O Lord, make
Vbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbvbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbbbbh.bbbbbbbbbbbbbbb]bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbb haste to help me. (bow) Glory be to the Father, and to
Vbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbb[bbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbh.bbbbbbbbbbbbb]bbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbb the Son, and to the Ho-ly Spi-rit. As it was in the
Vbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbh.bbbbbbbb[bbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbb beginning, is now, and ev-er shall be, world without end.
Vbbbbbbbbbgbbbbbbbbbbbbbh.bbbbbbbbbbbb{bbbbbbbbbbbbbhbbbbbbbbbbbbjbbbbbbbbbbbbygbbbbbbbbbbbbbbbbg<bbbbbbb} Amen. Al-le-lu-ia.
coMpline
86 n Sacred MuSic colloquiuM 2013
PSALMODY
8G Cantor (Gospel side): All:
BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbgbbbbbbbbbbbbbhbbbbbbbbtfbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbGYbbbbbbbbbhbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbg<bbbbbbbbbbbbbbb{bbbb Antiphon: Mi-se-ré-re * mi-hi Dó-mi-ne
BbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbkbbbbbbbbbbbbbbbJIbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbygzbbbbbbbbbbfbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbg<bbbbbbbbbbbbbg<bbbbbbbbbbbbbbbbbbb}b Et ex-áu-di o- ra- ti- ó-nem me- am.
Psalm 4 Cantor (Gospel side):
´ BbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbÃbbbbbbbbbbbbbbk/bbbbbbbbbb] 1. Cum in-vocárem exaudívit me Deus justítiæ me- æ * Be seated.
All (Gospel side):
´ ´ BbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbkbbbbbbbbbbbbbbbbhbbbbbbbbbbbòbbbbbbbbbbg<bbbbbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbkbbbbbbbbùbbbbbbbbh.bbbbbbbbb} In tribulatióne dilatásti mi- hi. . flex: jus-ti-ti-æ, †
Cantor (Gospel side): All:
BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbb{bbbbbbbbbbbbbbbbbbb Antiphon: Have mer-cy * up-on me, O Lord
BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbHIbbbbbbbbbbbbbbbbbbbbbJ¯IbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbg<bbbbbbbbbbbbbbbbbbb} and hearken un- to my prayer.
Psalm 4 Cantor (Gospel side):
´ BbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbhbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbkbbbbbbbbb]bbbbb 1. When I called upon him, the God of my justice heard me: * Be seated.
All (Gospel side):
´ ´ BbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbòbbbbbbbbbgbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbùbbbbbbbh.bbbbbbb} when I was in distress, thou hast enlarged me. flex: justices †
2. (Ep. side:) Miserére mei, * et exáudi oratiónem meam. 3. Fílii hóminum, úsquequo gravi corde? * ut quid
dilígitis vanitátem et quaéritis mendácium. 4. Et scitóte quóniam mirificávit Dóminus sanctum suum:
* Dóminus exáudiet me cum clamávero ad eum. 5. Irascímini, et nolíte peccáre: † quæ dícitis in córdibus
vestris, * in cubílibus vestris compungímini. 6. Sacrificáte sacrifícium justítiæ, † et speráte in Dómino.
* Multi dicunt: Quis osténdit nobis bona? 7. Signatum est super nos lumen vultus tui Dómine: *
dedísti lætítiam in corde meo. 8. A fructu fruménti, vini et olei sui, * multiplicáti sunt. 9. In pace in idípsum * dórmiam et requiéscam. 10. Quóniam tu Dómine singuláriter in spe * constituísti
me. 11. (bow) Glória Patri, et Fílio, * et Spirítui Sancto. 12. (rise) Sicut erat in princípio, et nunc, et semper, * et
in saécula sæculórum. Amen.
Psalm 90 Cantor (Epistle side): All (Epistle side):
1. Qui hábitat in adjutório Altíssimi, * in protectióne Dei cæli commorábitur.
2. (Gospel side): Dicet Dómino: Suscéptor meus es tu et refúgium meum: * Deus meus, sperábo in eum.
3. Quóniam ipse liberávit me de láqueo venántium, * et a verbo áspero.
4. Scápulis suis obumbrábit tibi: * et sub pennis ejus
sperábis. 5. Scuto circúmdabit te véritas ejus: * non timébis a
timóre noctúrno,
2. (Epistle side:) Have mercy on me * and hear my prayer. 3. O ye sons of men, how long will you be dull of heart? *
Why do you love vanity, and seek after lying? 4. Know ye also that the Lord hath made his holy one
wonderful: * the Lord will hear me when I shall cry to him. 5. Be ye angry, and sin not: † the things you say in your
hearts, * be sorry for them upon your beds. 6. Offer up the sacrifice of justice, † and trust in the Lord: *
many say, Who showeth us good things? 7. The light of thy countenance, O Lord, is signed upon us: *
thou hast given gladness in my heart. 8. By the fruit of their corn, their wine, and oil, * they are
multiplied. 9. In peace in the selfsame, * I will sleep and I will rest: 10. For thou, O Lord, singularly in hope* hast settled me. 11. (bow) Glory be to the Father and to the Son * and to the
Holy Spirit. 12. (rise) As it was in the beginning, is now, and ever shall be,
* world without end. Amen.
Psalm 90 Cantor (Epistle side): All (Ep. side):
1. He that dwelleth in the aid of the most High, * shall abide under the protection of the God of heaven.
2. (Gospel side): He shall say to the Lord: Thou art my protector and my refuge: * my God, I will trust in him.
3. For he hath delivered me from the snare of the hunters: * and from the sharp word.
4. He will overshadow thee with his shoulders: * and under his wings shalt thou be hopeful.
5. His truth shall compass thee with a shield: * thou shalt not be afraid of the terror of the night.
coMpline
Sacred MuSic colloquiuM 2013 n 87
6. A sagítta volánte in die, † a negótio perambulánte in ténebris: * ab incúrsu, et dæmónio meridiáno.
7. Cadent a látere tuo mille, † et decem míllia a dextris
tuis: * ad te autem non appropinquábit. 8. Verúmtamen óculis tuis considerábis: * et
retributiónem peccatórum vidébis. 9. Quóniam tu es Dómine spes mea: * Altíssimum
posuísti refúgium tuum. 10. Non accédet ad te malum: * et flagéllum non
appropinquábit tabernáculo tuo. 11. Quóniam Ángelis suis mandávit de te: * ut custódiant
te in ómnibus viis tuis. 12. In mánibus portábunt te: * ne forte offéndas ad
lápidem pedem tuum. 13. Super áspidem et basilíscum ambulábis: * et
conculcábis leónem et dracónem. 14. Quóniam in me sperávit, liberábo eum: * prótegam
eum, quoniam cognóvit nomen meum. 15. Clamábit ad me, et ego exáudiam eum: † cum ipso
sum in tribulatióne: * erípiam eum et glorificábo eum. 16. Longitúdine diérum replébo eum: * et osténdam illi
salutáre meum. 17. (bow) Glória Patri, et Fílio, * et Spirítui Sancto. 18. (rise) Sicut erat in princípio, et nunc, et semper, * et
in saécula sæculórum. Amen.
Psalm 133 Cantor (Gospel side): All (Gospel side):
1. Ecce nunc benedícite Dóminum, * omnes servi Dómini.
2. (Epistle side): Qui statis in domo Dómini, * in átriis domus Dei nostri.
3. In nóctibus extóllite manus vestras in sancta, * et benedícite Dóminum.
4. Benedícat te Dóminus ex Sion, * qui fecit cælum et terram.
5. (bow) Glória Patri, et Fílio, * et Spirítui Sancto. 6. (rise) Sicut erat in princípio, et nunc, et semper, * et in
saécula sæculórum. Amen. All:
BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbgbbbbbbbbbbbbhbbbbbbbbtfbbbbbbbbbbbbbbbbbbbGYbbbbbbbbbhbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbg<bbbbbbbbbbbbbbb{bbbb Antiphon: Mi-se-ré-re mi-hi Dó-mi- ne
BbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbkbbbbbbbbbbbbbJIbbbbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbygzbbbbbbbbbbbfbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbg<bbbbbbbbbbg<bbbbbbbbbbbbbbbbbbb}b Et ex-áu-di o- ra- ti- ó-nem me- am.
6. Of the arrow that flieth in the day, † of the business that walketh about in the dark: * of invasion, or of the noonday devil.
7. A thousand shall fall at thy side, † and ten thousand at thy right hand: * but it shall not come nigh thee.
8. But thou shalt consider with thy eyes: * and shalt see the reward of the wicked.
9. Because thou, O Lord, art my hope: * thou hast made the most High thy refuge.
10. There shall no evil come to thee: * nor shall the scourge come near thy dwelling.
11. For he hath given his angels charge over thee, * to keep thee in all thy ways.
12. In their hands they shall bear thee up, * lest thou dash thy foot against a stone.
13. Thou shalt walk upon the asp and the basilisk: * and thou shalt trample under foot the lion and the dragon.
14. Because he hoped in me I will deliver him: * I will protect him because he hath known my name.
15. He shall cry to me, and I will hear him: † I am with him in tribulation, * I will deliver him, and I will bring him to honor.
16. I will fill him with length of days: * and I will show him my salvation.
17. (bow) Glory be to the Father and to the Son * and to the Holy Spirit.
18. (rise) As it was in the beginning, is now, and ever shall be, * world without end. Amen.
Psalm 133 Cantor (Gospel side): All: (Gospel side):
1. Behold now bless the Lord: * all ye servants of the Lord: 2. (Epistle side): Who stand in the house of the Lord, * in the
courts of the house of our God. 3. In the nights lift up your hands to the holy places: * and
bless ye the Lord. 4. May the Lord out of Sion bless thee, * he that made heaven
and earth. 5. (bow) Glory be to the Father and to the Son * and to the
Holy Spirit. 6. (rise) As it was in the beginning, is now, and ever shall be,
* world without end. Amen. All:
BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbgbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbbbbbbbg<bbbbbbbbbbbbb{bbbbbbbbbbbbbbbbbbb Antiphon: Have mer-cy up-on me, O Lord
BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbHIbbbbbbbbbbbbbbbbbbbbbJ¯IbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbg<bbbbbbbbbbbbbbbbbbb} and hearken un- to my prayer.
coMpline
88 n Sacred MuSic colloquiuM 2013
HYMN
All stand
Cantor (Epistle side): All (Epistle side):
Bbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbkbbbbbbbbbbkbbbbbbbbbbbbkbbbbbbbbbbkbbbbbbbbbbbbbbblbbbbbbbbbbbbbbkbbbbbbbbbjbbbbbbbbbbbbbbb[bbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbhbbbbbbbbbbbg<bbbbbbbbb{b 1. Te lucis ante términum, * Rerum Creátor, póscimus,
Bbbbbbbbbbbjbbbbbbbbbbbbbbbbbhbbbbbbbbgbbbbbbbbbbbgbbbbbbbbbbbbbbbbfbbbbbbbbbbbbgbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbbb[bbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbjbbbbbbbbbbbbhbbbbbbbbg<bbbbbbbbbbbbbb}bb Ut só-li-ta cleménti-a, Sis præsul ad custó-di-am.
Bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbkbbbbbbbbbbbkbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbbbkbbbbbbbbbbbjbbbbb[bbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbb (Gospel side): 2. Pro-cul recédant sómni- a, Et nócti-um
Bbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbhbbbbbbbbbbbg<bbbbbbbb{bbbbbbbbbbbbbbjbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbb[bbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbb phantasmata: Hostémque nostrum cómprime, Ne pol-
Bbbbbbbbbbbbkbbbbbbbkbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbhbbbbbbbbbg<bbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbkbbbbbbbbbkbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbkbbbbbbbbbjbbbbbbbbbbbbbbb[bbb lu-ántur córpora. 3. (bow) Præ-sta, Pater omní-potens,
Bbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbhbbbbbbbbbbbg<bbbbbbbbbbbbbb{bbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbb Per Je-sum Chri-stum Dóminum, Qui te-cum in per-
Bbbbbbbbbbbbbbbbgbbbbbbbbbbbhbbbbbbhbbbbbbbbbbbbbbbb[bbbbbbbbbbbbbbkbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbhbbbbbbbbbbg<bbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbghgbbbbbbbbbbbFTM<bbbbbbbbbbbbbbbbbbb} pé-tu-um Regnat cum Sancto Spi-ri-tu. A-men.
All stand
Cantor (Epistle side): All (Epistle side):
Bbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbb[bbbbbbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbb 1. To thee before the close of day, * Cre-a-tor of all things we
Bbbbbbbbbbbbg<bbbbbbbbb{bbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbb[bbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbhbbbbbbbbb pray That in thy constant clemency Our guard and keeper
Bbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbg<bbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbkbbbbbbbbbbbkbbbbbbbbkbbbbbbbbbbbbbbblbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbb thou wouldst be. (Gospel side): 2. Far off let idle visions
Bbbbbbbbbbbbbbbjbbbbbbbbbb[bbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbg<bbbbbbbbbbbbb{bbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbfbbbbbbbbbbbb flee; No phantom of the night molest: Curb thou our raging
Bbbbbbbbbbbbgbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbb[bbbbbbbbkbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbg<bbbbbbbbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb enemy That we in chaste repose may rest. 3. (bow) O
Bbbbbbbbbbbbbkbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbjbbbbbbbbb[bbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbb Father, this we ask be done, Through Jesus Christ, thine
Bbbbbbbbbbbjbbbbbbbbbbhbbbbbbbbbbbbbbbg<bbbbbbbbbb{bbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbb[bbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbvbbbbbbbv only Son; Who with the Ho-ly Ghost and thee, Doth live
Bbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbjbbbbbbbbbbbbbbhbbbbbbbbbbbbbbg<bbbbbbbbbbb}bbbbbbbbbbbbbbghgbbbbbbbbbbbbbbFTM<bbbbbbbbbbbb} and reign e-ternal-ly. A- men.
CHAPTER & SHORT RESPOND
Tu autem in nobis es Dómine, † et nomen sanctum tuum invocátum est super nos: * ne derelínquas nos Dómine Deus noster. (Jerem. 14: 9)
VbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbbbbbfbbbbbbbbbbbbbdbbbbbbbbbbbbDRM,bbbbbbbbbbbbbbbb} R. De- o gra- ti- as.
Thou art in the midst of us, O Lord, † and upon us thy holy name is invoked: * do not desert us, O Lord our God.
VbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbdbbbbbbbbbbbbbbbbbbbbbbDRM,bb bbbbbbbbbbbbbb} R. Thanks be to God.
BbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbFTbbbbbbbbgbbbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbgbbbbbbbbGY,.bbbbbbbbbbbbbb{bbbbbbbbbbbbbhbbbbbbbbbbbbfbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbbbbbgbbbbbbbbr®sbbbbbbFTbbbbbbbbbbbbbbbbbbbbbbbbbbbg,bbbbbbbbbbfb,bbbbbbbbb} R. In manus tuas Dómine, * Coméndo spí-ritum me-um. Repeat: In manus tuas . . .
Bbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbb\bbHUbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbgbbbbbbbb≥gbbbbbbbbbbbb[bbbbbbbbhbbbbbbgbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbtfbbbbbbbbbbbgbbbbbbbbbbbbbbbGY,.bbbbbbbbbb} V. Redemísti nos Dómine, De-us ve- ri- tá- tis. Repeat: Commendo . . .
Bbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbb\bHUbbbbbbbbbbbb bhbbbbbbb[bbbbbbbbbhbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbgbbbbbbbbbb≥gbbbbbbbb[bbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbhbbbbbbbbbgbbbbbbbbbfbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbGY,.bbbbbbbbbbbb} V. Gló-ri- a Pa-tri et Fí- li- o, et Spi-rí-tu- i Sancto. Spirit. Repeat: In manus tuas . . .
BbbbbbbbbbbbfbbbbbbbbfbbbbbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbb{bbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbbbbb5z$@bbbbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbbg,bbbbbbbbbbbbbbbbbbbbbbbfb,bbbbbbbbbbbbbbb} R. Into your hands, O Lord, * I commend my spi- rit. Repeat: Into your hands
Bbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbb\bbHUbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbb[bbbbbbbbbbbgbbbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbGY,.bbbbbbbbbb} V. For you have redeemed me, O Lord, O God of truth. Repeat: I commend . . .
Bbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbb\bHUbbbbbbbbbbbbbbbhbbbbbbb[bbbbbbbbbgbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbb[bbbbbbbbbbgbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbgbbbbbbbbbbbb V. Glory be to the Father, and to the Son, and to the Ho-ly
BbbbbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbh.bbbbbbbbbbbbb} Spi-rit. Repeat: Into your hands
coMpline
Sacred MuSic colloquiuM 2013 n 89
Bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbfbbbbbbbbbfbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbfbbbbbbbfbbbbbbbbbbbbbfbbbbbbbbbbbbbbfbbbbbbbbbbbfbbbbbbbbfbbbbbbbbbbbbbbbbbbfbbbbbbbbbfbbbbbbbb≤dzz4z#@!zsdsmbbbbbbbbbbbbbbbbbb} V. Custódi nos Dómine, ut pupíllam óculi. R. Sub umbra alárum tuárum prótege nos.
Bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbfbbbbbbbbbfbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbb≤dzz4z#@!zsdsmbbbbbbbbbbbbbbbbbb} V. Keep us, O Lord, as the apple of thine eye. R. Hide us under the shadow of thy wings.
GOSPEL CANTICLE
3a Cantor (Gospel side): All:
BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbHIbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbKObbbbbbbbbbbbbkbbbbbbbbbbijbbbbbbbbbbbbbhbbbbbbbbbjbbbbbbbbbbbbbhbbbbbbbbbbbbbg<bbbbbbbbbbbb{bbbbbbvgbbbbbbbbbbjbbbbbbbbbbkbbbbbbb Salva nos, * Dómi-ne, vi-gi-lántes, custódi
bBbbbbbbbbbbbbbblbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbkbbbbbbbbbbbbj.bbbbbbbbbbb{bbbbbbbbbbbbjbbbbbbbbbbbbbbgbbbbbbbbbbbbjbbbbbbbbbbbblbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbJ¯Ibbbbbbbbbbbbbbbbb[bbbbbbbbbbbbbbb nos dor-mi-éntes: ut vi-gi- lé-mus cum Chrí-sto,
BbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbtfbbbbbbbbbbbbbGYbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbdMbbbbbbbbdMbbbbbbbb} et requi-escámus in pace.
Canticum Simeonis The sign of the cross is made Cantor (Gospel side):
´ ´ } BbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbHIbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbÃbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbuhbbbbbbbbbbbbbbk/bbbbbbbbbbbbb]bbbb 1. Nunc dimíttis ✠ servum tu- um Dómi-ne, * All (Gospel side):
´ bBbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbkbbbbbbbbbbbbÃbbbbbbbbbbbuh<>bbbbbbbbbbbbbbbbbbbb} secúndum verbum tuum in pa- ce. (Epistle side): 2. Quia vidérunt óculi mei * salutáre tuum. 3. Quod parásti * ante fáciem ómnium populórum. 4. Lumen ad revelatiónem géntium, * et glóriam plebis tuæ Ísrael. 5. (bow) Glória Patri, et Fílio, * et Spirítui Sancto. 6. (rise) Sicut erat in princípio, et nunc, et semper, * et in saécula sæculórum. Amen. Repeat antiphon
Cantor (Gospel side): All:
BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbHIbbbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbKObbbbbbbbbbbbbbbbbbbbbbbbbbijbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbg<bbbbbbbbbbbbb{bbbbbbv Save us * O Lord while we are wa-king,
bBbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbj.bbbbbbbbbbb{bbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbbbbbbbbbb and guard us while we are sleeping; that we may watch
BbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbbbJ¯Ibbbbbbbbbbbbbbb[bbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbdMbbbbbbbbbbbbbbbb} with Christ, and that we may rest in peace. .
Canticle of Simeon The sign of the cross is made Cantor (Gospel side):
´ ´ } BbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbHIbbbbbbbbbbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbÃbbbbbbbbbbbbkbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbuhbbbbbbbbbbbbk/bbbbbbbbbbbbb]bbbb 1. Now dost thou ✠ dismiss thy ser- vant, O Lord, * All (Gospel side):
´ bBbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbuh<>bbbbbbbbbbbbbbbbbbbb} according to thy word, in peace. (Epistle side): 2. Because my eyes have seen * thy salvation. 3. Which thou hast prepared * before the face of all peoples. 4. A light to the revelation of the Gentiles, * and the glory of thy people Israel. 5. (bow) Glory be to the Father, and to the Son, * and to the Holy Spirit. 6. (rise) As it was in the beginning, is now, and ever shall be, * world without end. Amen. Repeat antiphon
COLLECT
V. Dóminus vobíscum. R. Et cum spíritu tuo. Oremus. Visita, quaésumus Dómine, habitatiónem istam, et omnes insídias inimíci ab ea longe repélle: † Ángeli tui sancti hábitent in ea, qui nos in pace custódiant; * et benedíctio tua sit super nos semper. Per Dóminum nostrum Jesum Christum Fílium tuum: † qui tecum vivit et regnat in unitáte Spíritus Sancti Deus, * per ómnia saécula sæculórum. R. Amen.
V. The Lord be with you. R. And with thy spirit. Let us pray. Visit, we beseech thee, O Lord, this dwelling-place, and drive far from it all the deceits of the enemy: † let thy holy Angels dwell herein to keep us in peace, * and may thy blessing be ever upon us. Through Jesus Christ our Lord, thy Son, † who with thee in the unity of the Holy Spirit * lives and reigns God, world without end. R. Amen.
coMpline
90 n Sacred MuSic colloquiuM 2013
V. Dóminus vobíscum. R. Et cum spíritu tuo.
VbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbHUbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbjbbbbbbbbbbb7xx %<bbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbjbbbbbbbbbbjbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbjbbbbbbbbbbbb7xx %<bbbbbbbbbbbbbbb} V. Benedi-cámus Dómi-no. R. De-o grá- ti- as.
Blessing Benedícat et custódiat nos omnípotens et miséricors Dóminus, Pater, ✠ et Fílius, et Spíritus Sanctus. R. Amen.
V. The Lord be with you. R. And with thy spirit.
VbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbHUbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbb7xx %<bbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbjbbbbbbbbbbbbb7xx %<bbbbbbbbbbbbbbb} V. Let us bless the Lord. R. Thanks be to God.
Blessing May the almighty and merciful Lord bless and guard us, the Father, ✠ the Son, and the Holy Spirit. R. Amen.
MARIAN ANTIPHON
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Bbbbbbbbbbbbbbbbkbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbb\zzjbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbf,bbbbbbbbbbbbbbbbbbbbbdbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbgzgbbbbbbbbbf,bbbbbbbbbbbbbbbbbbbb} O- ra pro no-bis De- um, al-le- lu- ia.
Queen of heaven, rejoice, alleluia; For he whom thou didst merit to bear, alleluia, Has risen as he said, alleluia. Pray for us, to God, alleluia.
V. Gaude et lætare, Virgo Maria, alleluia. R. Quia surrexit Dominus vere, alleluia.
V. Rejoice and be glad, O Virgin Mary, alleluia. R. For the Lord has risen indeed, alleluia.
Orémus. Deus, qui per resurrectiónem Fílii tui, Dómini nostri Jesu Christi, mundum lætificare dignátus es: † præsta, quaésumus; ut, per ejus Genitrícem Vírginem Maríam, * perpétuæ capiámus gáudia vitæ, per eúmdem Christum Dóminum nostrum. Amen.
Let us pray. O God, who didst vouchsafe to give joy to the world through the resurrection of thy Son, our Lord Jesus Christ; grant, we beseech thee, that through his Mother, the Virgin Mary, we may obtain the joys of everlasting life, through the same Christ our Lord.
Amen.
V. Divinum auxilium maneat semper nobiscum. R. Amen.
Lord’s Prayer, Hail Mary, Apostles’ Creed, silently
MARIAN ANTIPHON
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BbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbdbbbbbbbbbbbbbbbbbbbsbbbbbbbbbbbbbbbbbbesbbbbbbbbbaNbbbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbHUbbbbbbbbbbkxxxkbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbgbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbhbbbbbbbbbg<bbbbbbbbbbbbbb{bbbbbbbbbbbbbbbbbbbbbabbbbbbbbbbbb≥bgbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbb ad nos convér-te. Et Jesum, be-ne-dí-ctum fructum ventris tu-i, nobis post hoc
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Hail, holy Queen, mother of mercy! Hail, our life, our sweetness, and our hope! To thee do we cry, poor banished children of Eve; to thee do we send up our sighs, mourning and weeping in this vale of tears. Turn then, most gracious advocate, thine eyes of mercy toward us. And after this our exile show unto us the blessed fruit of thy womb, Jesus. O clement, O loving, O sweet Virgin Mary.
V. Ora pro nobis, sancta Dei Génitrix. R. Ut digni efficiámur promissiónibus Christi.
V. Pray for us, O holy Mother of God. R. That we may be made worthy of the promises of Christ.
Oremus. Omnípotens sempitérne Deus, qui gloriósæ Vírginis Matris Maríæ corpus et ánimam, ut dignum Fílii tui habitáculum éffici mererétur, Spíritu Sancto cooperánte præparásti: † da, ut cujus commemoratióne lætamur, * ejus pia intercessione ab instantibus malis et a morte perpétua liberémur, per eúmdem Christum Dóminum nostrum. Amen.
Let us pray. Almighty, everlasting God, who, by the co-operation of the Holy Spirit, didst prepare the body and soul of the glorious Virgin-Mother Mary, to be a worthy dwelling for thy Son: † grant that we, who rejoice in her commemoration, * may by her loving intercession, be delivered from present evils and from everlasting death, through the same Christ our Lord. Amen.
V. Divinum auxilium maneat semper nobiscum. R. Amen.
Lord’s Prayer, Hail Mary, Apostles’ Creed, silently
coMpline
Sacred MuSic colloquiuM 2013 n 91
Tuesday
J
5:15 p.m. June 18
Ordinary Form
tueSday, June 18
92 n Sacred MuSic colloquiuM 2013
226
inTroiT
eleVenTh SUnDAY
Exaudi, Domine … adiutor Ps 27 (26): 7, 9
Hiv
Earken, O Lord, unto my voice * which has called
out to you; deign to be my help, forsake me not, do
not despise me, O God my Savior.
The Lord is my light and my salvation; * whom shall I fear?The Lord is the stronghold of my life; * whom should I dread?
When those who do evil draw near * to devour my flesh,it is they, my enemies and foes, * who stumble and fall.
Though an army encamp against me, * my heart would not fear.Though war break out against me, * even then would I trust.
glory be to the Father …
1.
2.
3.
Psalm 27 (26)
tueSday, June 18
Sacred MuSic colloquiuM 2013 n 93
�B. May
�al
��mighty God have mercy on us,
�for
��give us our
��sins,
� �and
�bring us to ever
��last
�ing
�life.
� � �A. A
�men.
� � �KYRIE
The Kyrie (Lord, have mercy) invocations follow, unless they have just
occurred in a formula of the Penitential Act.�B. Lord,
�� �have
�mer
�cy.
�A.
� �Lord,
�� �have
�mer
�cy.
� � � �
�B. Christ,
� �have
�mer
�cy.
�A.
� �Christ,
� �have
�mer
�cy.
� � � ��B. Lord,
�� �have
�mer
�cy.
�A.
� �Lord,
�� �have
�mer
�cy.
� � �On Sundays outside of Advent and Lent, on solemnities and feasts, and at
special celebrations of a more solemn character the Gloria, p. 8, follows.
INTRODUCTORY RITES 7
tueSday, June 18
94 n Sacred MuSic colloquiuM 2013
Tuesday of the 11th Week in Ordinary TimePs. 146: 2, 5-6ab, 6c-7, 8-9a YEAR I
PVIII �
raise
�
the
�
Lord,
�
�
my
�
soul!
� �� � �
�
1. Praise
�
the
�
Lord,
��
my soul!
� ��
I
��
will praise the Lord all
�
my
�
life;
� �
�
I
��
will sing
�
�
praise
��
to my
�
God
�
while
�
I
�
live.
� �
A.
� � �
�
2. Bless
�
ed
�
he
��
whose help is the God of Ja-cob,
� ��
whose
��
hope is in the
�
�
Lord,
�
his
�
God,
� �
�
Who
��
made heaven and earth,
�
the
��
sea and all
�
that
�
is
�
in
�
them.
� �
A.
� � �
�
3. Who
�
keeps
�
faith
��
forever, secures justice for the op-pressed,
� ��
gives
��
food to the
�
�
hun-
�
gry.
� �
�
The
�
Lord
�
sets
�
cap
�
tives
�
free.
� �
A.
� � �
�
4. The
�
Lord
�
gives
��
sight to the blind.
� ��
The
��
Lord raises up those who were
�
�
bowed
�
down;
� �
�
the
��
Lord loves the just.
�
The
��
Lord pro-
�
tects
�
stran
�
gers.
� �
A.
� � �
Antiphon from Parish Book of Psalms by Arlene Oost-Zinner, ©2012. Parish Book of Psalms is licensedunder a Creative Commons Attribution 3.0 Unported License.
tueSday, June 18
Sacred MuSic colloquiuM 2013 n 95
Al le- lu- ia-
I give you a new co mand- ment,- says the Lord:
love one a noth- er- as I have loved you.
&
b
b - -
mode II
&
b
b
&
b
b
œœ
œœ œ
œœ
œ œ˙
˙œœ˙
œœ
œ
œ
˙œœ
œ
œ œ ˙
˙œœ
˙
œœ
œ œ
œ œ œ œœ
œœ œ
œœ
œ ˙
œ
œ œ
œ œ œ œœ
œ
œ
œœ
œœ
œ˙
PRAYER OF THE FAITHFUL
The text that follows the dagger (†) in the invocations given below can also be
used to conclude intentions that are not sung; alternatively, the final words of
the individual intentions can take its place.
A �B. (Petition...)
�� � ���+
�Be
�pleased
�to
�hear
�us:
� � � ��A. Lord
�we
�ask
�you,
�hear
�our
�prayer.
� � � B �B. (Petition...)
�� � ���+
�Let
�us
�call
�up
�on
�the
�Lord:
� � � ��A. Hear
�us,
�O
�Christ.
� � � C �B. (Petition...)
� � �� ���+
�Let
�us
�pray
�to
�the
�Lord:
� � � �
�A. Lord,
�hear
�our
�prayer.
� � �A. Lord,
Or:�have
�mer
�cy.
� � � D �B. (Petition...)� � �� �� � ��
�+
�Let
�us
�im�
plore
�� �the
�Lord:
� �Ký-
�ri-
�e,
�e-
�lé-
�i-
� ��son.
� � �A. Ký-
�ri-
�e,
�e-
�lé-
�i-
�son.
� � �
LITURGY OF THE WORD 17
PRAYER OF THE FAITHFUL
The text that follows the dagger (†) in the invocations given below can also be
used to conclude intentions that are not sung; alternatively, the final words of
the individual intentions can take its place.
A �B. (Petition...)
�� � ���+
�Be
�pleased
�to
�hear
�us:
� � � ��A. Lord
�we
�ask
�you,
�hear
�our
�prayer.
� � � B �B. (Petition...)
�� � ���+
�Let
�us
�call
�up
�on
�the
�Lord:
� � � ��A. Hear
�us,
�O
�Christ.
� � � C �B. (Petition...)
� � �� ���+
�Let
�us
�pray
�to
�the
�Lord:
� � � �
�A. Lord,
�hear
�our
�prayer.
� � �A. Lord,
Or:�have
�mer
�cy.
� � � D �B. (Petition...)� � �� �� � ��
�+
�Let
�us
�im�
plore
�� �the
�Lord:
� �Ký-
�ri-
�e,
�e-
�lé-
�i-
� ��son.
� � �A. Ký-
�ri-
�e,
�e-
�lé-
�i-
�son.
� � �
LITURGY OF THE WORD 17
tueSday, June 18
96 n Sacred MuSic colloquiuM 2013
227
oFFerTorY
Benedicam Dominum Ps 16 (15): 7, 8
Ii
will bless the Lord who has giv-en me un-derstand-
ing. I have the Lord always in my sight; since he
is at my right hand, I shall not be shak-en.
set
*
preserve me, o god, for in you i take refuge. † i say to the Lord, “You are my Lord. * my happiness lies in you alone.”
As for the holy ones who dwell in the land, * they are noble, and in them is all my delight.Those who choose other gods increase their sorrows. † i will not take part in their offerings of blood. * nor will i take their names upon my lips.
o Lord, it is you who are my portion and cup; * you yourself who secure my lot.pleasant places are marked out for me: * a pleasing heritage indeed is mine!
1.
2.
3.
Psalm 16 (15)
228
And so, my heart rejoices, my soul is glad; * even my flesh shall rest in hope.For you will not abandon my soul to hell, * nor let your holy one see corruption.
4.
Unam petii Ps 27 (26): 4
CommUnion
Ovii
NE thing have I asked of the Lord, this will I
seek af- ter: that I may dwell in the house of the Lord
all the days of my life.
*
The Lord is my light and my salvation; * whom shall I fear?The Lord is the stronghold of my life; * whom should I dread?
When those who do evil draw near * to devour my flesh,it is they, my enemies and foes, * who stumble and fall.
Though an army encamp against me, * my heart would not fear.Though war break out against me, * even then would I trust.
1.
2.
3.
Psalm 27 (26)
tueSday, June 18
Sacred MuSic colloquiuM 2013 n 97
Soprano Hon -
our
and
ma -
jes -
ty
are
be -
fore
Him,
hon -
our
and
Alto Hon -
our
and
ma -
jes -
ty
are
be -
fore
Him,
hon -
our
and
Tenor
Hon -
our
and
ma -
jes -
ty
are
be -
fore
Him,
hon -
our
and
Bass
Hon -
our
and
ma -
jes -
ty
are
be -
fore
Him,
hon -
our
and
Organ
5allegro Honour and majesty are before him
Psalm 96: 6 Maurice Greene
(1696-1755)
S ma-
jes-
ty
are
be -
fore
him:
strength
and
beau -
ty,
A
ma-
jes-ty
are
be -
fore
him:
strength
and
beau -
ty,
strength
and
T
ma-
jes-
ty
are
be -
fore
him:
strength
and
beau -
ty,
beau-
ty,
strength
and
B
ma-
jes-
ty
are
be -
fore
him:
strength
and
beau -
ty,
10
S strength
and
beau -
ty
are
in
His
sanc -
tu -
a -
ry.
Hon -
our
and
A beau -
ty
are
in
His
sanc-
tu -
a -
ry.
Hon -
our
and
T
beau -
ty
are
in
His
sanc -
tu -
a -
ry.
Hon -
our
and
B
beau -
ty
are
in
His
sanc -
tu -
a -
ry.
Hon -
our
and
15
1 Honour and majesty - GreenetueSday, June 18
98 n Sacred MuSic colloquiuM 2013
S ma-
jes-
ty
are
be -
fore
Him:
strength
and
A ma-
jes-
ty
are
be -
fore
Him:
strength
and
beau -
ty,
beau -
ty
are
T
ma-
jes-
ty
are
be -
fore
Him:
strength
and
beau -
ty,
are
B
ma-
jes-
ty
strength
and
beau -
ty,
beau-
ty
are
20
S beau-
ty
are
in
His
sanc-
tu -
a -
ry,
strength
and
A in
His
sanc -
tu -
a -
ry,
strength
and
beau -
ty,
beau -
ty
are
T
in
His
sanc -
tu -
a -
ry,
strength
and
beau -
ty
are
B
in
His
strength
and
beau -
ty,
beau-
ty
are
25
S beau -
ty
are
in
His
sanc -
tu -
a -
ry.
A -
men.
A in
His
sanc -
tu -
a -
ry.
A -
men.
T
in
His
sanc -
tu -
a -
ry.
A -
men
B
in
His
sanc -
tu -
a -
ry.
A -
men.
30
2 Honour and majesty - GreenetueSday, June 18
Sacred MuSic colloquiuM 2013 n 99
SANCTUS
H�
O-
�ly,
� �ho-
�ly,
� �ho
�ly
�Lord
� �God
�of
�hosts.
� �Heav
�en
� ��and
�earth
� �are
�full
�of
�your
�glo
�ry.
� �Ho
�san
�na
�in
�the
�high
�est.
� � ��Bless
�ed
�is
�he
� �who
�comes
�in
�the
�name
�of
�the
�Lord.
� �Ho-� �
�san
�na
�in
�the
�high
�est.
� � �MEMORIAL ACCLAMATION�
B. The�
mys
�ter-
�y
�of
�faith.
� � � A �A. We
�pro
�claim
�your
�death,
�O
�Lord,
� �and�
pro
�fess
�your
� ��Res
�ur
�rec
�tion
� �un
�til
�you�
come
�a-
�gain.� � �
B �A. When
�we
�eat
�this
�Bread
�and
�drink
�this
�Cup,
� �we
�pro-
� ��claim
�your
�death,
�O
�Lord,
� �un
�til
�you�
come
�a-
�gain.� � �
LITURGY OF THE EUCHARIST 19
SANCTUS
H�
O-
�ly,
� �ho-
�ly,
� �ho
�ly
�Lord
� �God
�of
�hosts.
� �Heav
�en
� ��and
�earth
� �are
�full
�of
�your
�glo
�ry.
� �Ho
�san
�na
�in
�the
�high
�est.
� � ��Bless
�ed
�is
�he
� �who
�comes
�in
�the
�name
�of
�the
�Lord.
� �Ho-� �
�san
�na
�in
�the
�high
�est.
� � �MEMORIAL ACCLAMATION�
B. The�
mys
�ter-
�y
�of
�faith.
� � � A �A. We
�pro
�claim
�your
�death,
�O
�Lord,
� �and�
pro
�fess
�your
� ��Res
�ur
�rec
�tion
� �un
�til
�you�
come
�a-
�gain.� � �
B �A. When
�we
�eat
�this
�Bread
�and
�drink
�this
�Cup,
� �we
�pro-
� ��claim
�your
�death,
�O
�Lord,
� �un
�til
�you�
come
�a-
�gain.� � �
LITURGY OF THE EUCHARIST 19
tueSday, June 18
100 n Sacred MuSic colloquiuM 2013
COMMUNION RITE
THE LORD’S PRAYER: TONE A
�B. At
�the
��Savior’s command,
� �and
�formed
��by di-vine
� ��teach
�ing,
� �we
�dare
�to
�say:
� � �
O�
Ur
�Fa
�ther,
� �who
�art
�in
�heav
�en,
� �hal
�lowed
�be
�thy
� ��name;
� �thy
�king
�dom
�come,
� �thy
�will
�be
�done
� �on
�earth
�as
� ��
it
�is
�in
�heav
�en.
� �Give
�us
�this
�day
�our
�dai-
�ly
�bread,
� � ��and
�for
�give
�us
�our
�tres-
�pass-
�es,
� �as
�we
�for
�give
�those
� ��who
�tres-
�pass
�a-
�gainst
�us:
� �and�
lead
�us
�not
�in-
�to
�temp-
�ta-
� ��tion,
� �but
�de
�liv
�er
�us
�from
�e-
�vil.
� � �The Embolism, p. 24, follows.
21
tueSday, June 18
Sacred MuSic colloquiuM 2013 n 101
EMBOLISM
�B. De
�liv-
��er us, Lord, we pray, from every e-
�vil,
� �gra
��ciously
��grant
��peace in
�our
�days,
� �that,
�by
��the help of your mer-
��
cy,
� �we
��may be always free from sin and safe from all
��
dis
�tress,
� �as
�we
�a
�wait
�the
�bless
�ed
�hope
� �and
��the coming
��
of
�our
�Sav
�ior,
�Je
�sus
�Christ.� � �DOXOLOGY
�A. For�
the
�king
�dom,
��the power, and the
�glo
�ry
�are
�yours,
� � ��now
�and
�for
�ev
�er.� � �
24 ORDER OF MASS
tueSday, June 18
102 n Sacred MuSic colloquiuM 2013
SIGN OF PEACE
�B. Lord
�Jesus
��Christ, who said to your Apostles:
�Peace
��I
��leave
��you, my peace I give you,
� �look
�not
��on our sins,
��but
��on the faith of your Church,
�and
��graciously grant
��her
��peace and unity in accordance with
�your
�will.
� � ��Who
�live
��and reign for ev
�er
�and
�ev-
�er.
� � �A. A
�men.
� � � ��B. The
�peace
�of
�the
�Lord
�be
�with
�you
�al
�ways.
� � � ��A. And
�with
�your
�spir
�it.
� � �Then, if appropriate, the Deacon, or the Priest, adds:�B. Let us offer each other the
��sign
�of
�peace.� � �
COMMUNION RITE 25
tueSday, June 18
Sacred MuSic colloquiuM 2013 n 103
AGNUS DEI
L�
Amb
�of
�God,
�*
�you
�take
�a-
�way
�the
�sins
�of
�the
� ��world,
� �have
�mer
�cy
�on
�us.
� � �Lamb
�of
�God,
�*
�you
�take
� ��
a-
�way
�the
�sins
�of
�the
�world,
� �have
�mer
�cy
�on
�us.
� � � ��Lamb
�of
�God,
�*
�you
�take
�a-
�way
�the
�sins
�of
�the
�world,
� � ��grant
�us
�peace.
� � �
26 ORDER OF MASS
tueSday, June 18
104 n Sacred MuSic colloquiuM 2013
228
And so, my heart rejoices, my soul is glad; * even my flesh shall rest in hope.For you will not abandon my soul to hell, * nor let your holy one see corruption.
4.
Unam petii Ps 27 (26): 4
CommUnion
Ovii
NE thing have I asked of the Lord, this will I
seek af- ter: that I may dwell in the house of the Lord
all the days of my life.
*
The Lord is my light and my salvation; * whom shall I fear?The Lord is the stronghold of my life; * whom should I dread?
When those who do evil draw near * to devour my flesh,it is they, my enemies and foes, * who stumble and fall.
Though an army encamp against me, * my heart would not fear.Though war break out against me, * even then would I trust.
1.
2.
3.
Psalm 27 (26)
tueSday, June 18
228
And so, my heart rejoices, my soul is glad; * even my flesh shall rest in hope.For you will not abandon my soul to hell, * nor let your holy one see corruption.
4.
Unam petii Ps 27 (26): 4
CommUnion
Ovii
NE thing have I asked of the Lord, this will I
seek af- ter: that I may dwell in the house of the Lord
all the days of my life.
*
The Lord is my light and my salvation; * whom shall I fear?The Lord is the stronghold of my life; * whom should I dread?
When those who do evil draw near * to devour my flesh,it is they, my enemies and foes, * who stumble and fall.
Though an army encamp against me, * my heart would not fear.Though war break out against me, * even then would I trust.
1.
2.
3.
Psalm 27 (26)
Sacred MuSic colloquiuM 2013 n 105
229
it is your face, o Lord, that I seek; * hide not your face from me.Dismiss not your servant in anger; * you have been my help.
instruct me, Lord, in your way; † on an even path lead me * because of my enemies.
i believe i shall see the Lord’s goodness * in the land of the living.Wait for the Lord; be strong; * be stouthearted, and wait for the Lord!
glory be to the Father …
4.
5.
6.
tueSday, June 18
106 n Sacred MuSic colloquiuM 2013 tueSday, June 18
tutti
Sacred MuSic colloquiuM 2013 n 107tueSday, June 18
108 n Sacred MuSic colloquiuM 2013 tueSday, June 18
Sacred MuSic colloquiuM 2013 n 109tueSday, June 18
110 n Sacred MuSic colloquiuM 2013 tueSday, June 18
Sacred MuSic colloquiuM 2013 n 111tueSday, June 18
112 n Sacred MuSic colloquiuM 2013
1. When
2. How
3. So
4. And
5. Let
in
of
has
did
ev
our
ten,
the
not
ery
-
-
mu
mak
Church,
Je
in
sic
ing
in
sus
stru
-
-
-
-
God
mu
lit
sing
ment-
is
sic,
ur
a
be
-
-
glo
we
gy
psalm
tuned
-
ri
have
and
that
for
- fied,
found
song,
night
praise!
-
and
a
in
when
Let
a
new
faith
ut
all
dor
di
and
most
re
-
-
a
men
love,
e
joice
-
-
-
tion
tion
through
vil
who
-
-
-
leaves
in
cen
strove
have
no
the
tu
a
a
-
room
world
ries
gainst
voice
-
-
for
of
of
the
to
sound,
wrong,
Light?
raise!
pride,
it
as
borne
Then
And
is
wor
wit
let
may
as
ship
nes
us
God
-
-
though
moved
to
sing,
give
the
us
the
for
us
whole
to
truth
whom
faith
cre
a
in
he
to
a
more
ev
won
sing
- tion
pro
ery
the
al
-
-
cried
found
tongue,
fight,
ways
-
-
Al
Al
Al
Al
Al
- le
le
le
le
le
-
-
-
-
lu
lu
lu
lu
lu
-
-
-
-
-
ia!
ia!
ia!
ia!
ia!
-
-
-
-
- A men.-
&
#
F. Pratt Green (1903-2000)
ENGLEBERG
Charles Villiers Stanford (1852-1924)
&
#
&
#
&
#
Œ
œ
œ
œœ ™
œ
j
œœ
œ
œ˙
œ œ
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œœ
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w%
w
%
w
tueSday, June 18
tutti
Sacred MuSic colloquiuM 2013 n 113WedneSday, June 19
Wednesday
J
5:15 p.m. June 19
Ordinary Form
114 n Sacred MuSic colloquiuM 2013
Bv zzßg v zzb b hb v z zzu Ïg z9 z* á& ^ % b ,v zb [ zb bby g v zb z b hj àhv bb z b hv b v zg b ,v v v b v }v bb v v v v zgv b v zt Ídz5 z$ # @ b Nv zb zbb b f v v b Ýdv v b f bb zõ
Bv zg b ,v v v bb }v v v v zßg v bbbbb hv b z b zu Ïg z9 z* á& ^ % b ,v z [ b v y gv zb zb hj àhv b z bb hv v zg b ,v v zz} v v zv b z b ßg v bb bbb h v zzzu Ïg z9 z* á& ^ ß% zt Ídz5 z$ # @ b Nzzv b ô
Bv zb f v b v Ýdv v b f v v zg b,v v v b } xx x xx xx x x ccb
Bb v SØY v v zhv v b 5 z$ # bb v zb Üs v v bb zbb dv b v v Þf v zzb zg v v v v zzí6 z% Þ$ # v b zb db mv b } bb v z Üs v v zbb dv v v zzzÞf v v zb g v v v b àhv v v zzbb zhb bbb õ
Bv zßg v v zb f v b v b g b ,v v [ v zàhv b v zg zb v v b zDR v v b zg v v v zdb mv v v db mv zbb } v v zs v v zzr dv v zs vv v zzdb mv z} v zzs b v v DR v vßg v v b g vv zzr dbbbb ó
Bv bb db mv z }v b zzg z zb b zv b Þf v zb bb zb g v v zb zr dv v zzdb mv z b }v b zzàhv b v g zzv b Þf zb z bb v g bb bb v v r dv b v zzdb mv z}v z zb b Ý db v zzz b g b v v zàhv v zbb hb bb b v zb ßg v v zzhb bb ÷
Bzzb zJI v zz zbb h b .v z zb [ b v zb àhv b v zz zhv v bb v v zzàhv v b v zg v v b v v vv Þf v v zgv zbb z b GY v v v vv g b ,v v bbbb db mv v b } v bb v zÞf v v zb dv v Üs v vv b zb dv v b f b ,v bbb b õ
Bzv g zzb v v v Þf v v zzb g v b v b g b ,v v [ zzv b àhv b v b hv v v bv zßg v zb zb b f v b v bb àhv v v v zg v zzv r dbb zb v db mv v zb } v v zb zzÞf v zzv db v b b zz b Üs v bb v z b dv v f b ,v bbbb b õ
Bbbb zz ßg b v zbb zzf z bbb b v zz ßg v zzbb bb g b v v b f b ,v b v [ b v zz àhv zbb zzg v v vv bb v v r dzb v zzdb mv zz bb } zb v z zhv zb z zz ßg zzb v z zhv v v b v JI v bb v zhb .v v b [ bb b v zßg v v v v sv zó
Proper 6 Sunday Closest to June 15
Eleventh Sunday of Ordinary Time (Roman Rite)
Introit Exaudi, Domine (Mode 4) Psalm 27
CyuvtvytvrevzzzerzzEv,zzrtrvtyUv,vuivyrvsrsezzzzz Heark- en to my voice, O Lord, when I call
CtrvyuyvttYv.vrtJuivuvilzoviuvui:ppvUv,vuiJuzzzzzzzzzzz up- on you; you have been my help- er; cast
CtvtyvuivTzvc.vzzztvtz6zJuivyrvtuHyuvTRzv,vtrxczzxxxxxx me not a- way; do not for- sake me, O
CyiJuiHyyervevrytJuuivyuvtuHyyvYTv/viuvuiviviv God of my sal- va- tion. Ps The Lord is my
CiviuvuovoviovIv.vivzzzuyvuivuvTzzzzzzzzzz/zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz light and my sal- va- tion: whom then shall I fear?
WedneSday, June 19
Sacred MuSic colloquiuM 2013 n 115
Proper 6 Sunday Closest to June 15
Eleventh Sunday of Ordinary Time (Roman Rite) Gradual (Years A & C)
Protector noster (Mode 5) Psalm 84
BevtyGtttvtevtyzFrtyDerzDeeWv,vutyuzLooz:popvoiovzzzzzz Be- hold, O God, our de-
BuyuLoouzGtuytzzHytvTv.vtvyuyJuopovhuh‰zhizHyz8zLoiuiv‰zIUc,cuzzzzzzzzzzzzz fend- er, and look up- on the
Bkokpvouvou‰zivyuvytvttJuy‰ziuTv,vftfufyzLooooJuutuzHgyuzHyyTc/z face of your a- noint- ed.
BtvuyvyovovpLoouzzLkozp[Ov,vkop[pzLkop[ozzJhuioUTc,cutJuytzJutyu O Lord God of hosts,
BoopzKiozJuopzK]]]Oc.vopJ[pzLoouzLoozzLopvovu‰ziytzJuiutzJuytzYTv,vzzzz hear the prayer
BtuytvyuvkopouLooovooUc,zzc‰iuiyzGfGftuiyzzGftuyLooooJuutuzHgyuzHyyTzzzzzzz/ of your ser- vant.
WedneSday, June 19
116 n Sacred MuSic colloquiuM 2013
Proper 6 Sunday Closest to June 15
Eleventh Sunday of Ordinary Time (Roman Rite)
Alleluia Domine, in virtute (Mode 6) Psalm 21
BevttvftyzGt‰zizJuyuvhuzztyzGtiHytzzJuuTv,vetzzFrytzzDeewzzGttWzzzzzzzz, Al- le- lu- ia.
BftfufyzzLooozzLopzLoozJutuzHyuzHyyTc/ccevttvtyGt‰zizJuyuvhuzztyzGtiHytzJuuTc, The King re- joic-
BuyLoooztyJuoJuuHyuvuyTv,vtuyzJutyzGstsezzzSwetzDewezGttv,vYzuz‰z8zzLoiuz es in
Byutvtz6zJu‰ziuyzvu‰ziuvUv.vtz6zJuyuLooLo‰ziuyzLoozLoiytzhJuzztyzGtiuzzzzzzzzz your strength, O God: how
ByutvTv,vDevttvftyzGt‰zizJuyzzzJhuzztyzzGtiHytzJuuTc,cetGrytzDeeWvttwz great- ly he ex- ults in your
BdtdudyzzLooozLopLoovu‰zivhuzztuzHyuzHyyTv/vvvvvvvvvvvv vic- to- ry.
WedneSday, June 19
Sacred MuSic colloquiuM 2013 n 117
Proper 6 Sunday Closest to June 15
Eleventh Sunday of Ordinary Time (Roman Rite)
Offertory Benedicam Dominum (Mode 1) Psalm 16
BSwvevezhJuivuyvuLoooJuyUv,vtvYJuz8zLouvuyvuLooozzzzzzzzzzzzz I will bless the Lord, who gives me coun-
BytzJuyzzJhuhozzJuz8zLouvUv.vGtvyvJuvovopLhohuvyuLoooHyytvGtvtzzzzzzzzzz sel; I have set the Lord al- ways be-
Buy‰zizzJuutvYTv.vtuvuz8zLoiozJuizHytYv,vtz6zJuyvuvutHytxJhuozzzzzzzzz fore me; be- cause he is at
BJuz8zkovytvez4zGtrzervEWv,vetrvteHytyGttzDeyGtuyTc,cttGtyGtyzzzzzzz my right hand, I shall
BttrverGtrerxvREv/vvvvvvvvvvvvvvvvvzzz not fall.
Bb v b DR v v zb g b ,v zb [ v b g v bb z bbr dv v zs v v v zzzzdb mv v v zdb mv v b }v v zg v b v bbb Þf v v g v vv zzb àhv bb v z zg v v zzÞf v v v zzb g v v zzzzhb .v v [ v zzßg v v b zf zbbb õ
Bzv zGY v zzb zt f bbb v b v db mv zzz bb b db mv v b } b v v a v v bbb Üs v bb zb dv v v zzÞf v v zb zb g b v v zÞf v v v b v g vv zzb zg b ,v z b [ b v zàhv v zbb g bb v z zzÞf v v bb z b g v b v v Þf v bb zg bbb ö
Bzb z zhv b v b Þf v v b g b v v v zbbb v zdb mzb v b b v zb d b mv v zzb }zb bb b v v àhv v zbb g bb v v àhv bb v zb hv v v v zzhv v zzzßg bb b v zb hv v v zzv v JI v v zhb .v zzzb [ z zv b g b v v r Ìs bbbb ó
Bb zz zb d b v v b FT v v zzbb db mv v b v db mz zzz zb b }v bb v b a b v b b v AW bb v zzÜs v v v v zbb s zb v bbb b b zr db b v zb b Üs v v v zb dv v v b v bb f b ,v zb } v b v g zbb v v zßg v v zf v v zvv zzßg bbb bb õ
Bzzb zb g z b v v b g b ,v zbb b }b v z zzh bb v v zzßg b v v zf bb b zv z zàhv b v b g v v br dvv db mv z[ bb v zhzz bb v z GY v zzzb v v v v JI v v zb hb .v bb }v b zzg v v v v v bbb ßg v b v zzv bbb s bb bb ó
Bzzz b dFT v bb zb zr dv b v db mv b b [ bb b zb d b v v v v vÞf zbbb b z zb dv b v b Ü s bb v v v zzdv zzbb Þf v bbbb b v zzg v v zhb .v z} v z zzt <f ÃY z% $ z5 z$ # v b zzb SE b NMv v }x cbb
Bbb z zb AW 4 v b zzzf b v v b Þf v v bb dv v v f v bbbbb v ìg v bbbb dv v v v zz5 z$ # v zzb db mv z bb } bbb bb v z Üs v v zbb dv v v zzzÞf v v zb g v v v b àhv bb } zö v v v bbbbb b v v v v v b vv zb
Xbbbb bb FY z% Þ$ # zf bbb v zb f b ,v v z[ zbb ½ v FY zk zKO v v b k b /v v b [ v zzi Ðhzîu Ïf z6 z% Þ$ # zf v zb zf b ,v v b { bb v a v v zb DR v zb v b f v v vv v y g bbb zb bbb Þf bb b ó
Xv b dv b v b DR v b v b f b ,v v v z] zzb v v zf v zzzb zHI v v b v k b / v v vv v zbb k b v zzzáj v v zzb g v bb v v by g v zzzb f b ,v zb [ z b v dv v b zt f v v b g hg v zb zb f b ,v b z b v f b ,v bb bbb ] ñ
Xbb zz zz b a zzz zb zbb v b v v zb f b ,v v bb z bb zk v v zb zu hv zz bîu Ïf z6 z % Þ$ # zf v bbb zb f b ,v v b z] zv v f v bb v HI v zzv kb v v zb áj v v vvv zb g bbb v v b zy g b v zz b f b ,v v [ v zb dv bb õ
Xzb v bt f v v b g zbb zb v y g v v zbb zb f v v zzDR v v zb f b ,v v z] v zzb a zz zzb zb b v b v v zb f b ,v v bb z bb zk v v zb zu hv zzbîu Ïf z6 z% Þ$ # zf v bbb z b f b ,v v } x c v zbb
Xb v AE v v v zFY v b v v vv GY zß% $ v v zf b,v v bb z[ bb v v zg b v v zÏU b v b zzy g v v zbb FÚI v b v zb zk zi j v zzby g v v zbbbb v v v zg b ,v v b { b zv g b zbbb õ
Xzzb z bÍv zzb by g b v bb zDR v v bb z b f b ,v v zzf b ,v b }b zv ‚a v v v b zzb dv v v v vr dv zzb f b ,v v zz[ v v zf b v v b zFT v v b f vv v zzr dv v b DT vv zg v zzbb v zzf zf bb bb bb ó
Xv zzdb mv v b { bbb v f v v zr dbb v zb FT v v zg v b v v b f b ,v vv f b ,v zb }b v v AE v v v b vFY v v vv v b GY zß% $ v zb zf b ,v v b z[ v v zg v zv zÏU b v b v y gv bbbb v b F ÚI v bbb ø
Xzzb v k zi j v v by gv b v zb zb v b v v zg b ,v v b zb { zv v g b v v Ív b v bby g bb v v DR v v b vv f b ,v v b zzf b ,v v } x x x cv v bbb
Bv GY v b v bu Ïg v 9 z*á& ^ %,v zy g v v zb hjàhv zbb bbb hv b v b g b ,v v }x x xv vv v v zzx xb
WedneSday, June 19
118 n Sacred MuSic colloquiuM 2013 WedneSday, June 19
Vv bbb db v z bb v b f v v v v zf vv b f zb v v zzg v v zf vv zf zb v v zzb dv v zf v v br dv zzb db mv v v }v bb v zz b dv v v zDR b m,v v } zv bb x v
Vzbb zb dcf cv zg zzz zzz zz ìßg c[ zzz zzz zb f v zv zh cb g czb zb f v v zzdz Mv v b zzb { zv zv f c v zdzzv z zf v v zzg v v zzr dzzzzb b ó
Vb v v b DR cg czv FT v v zzf z,c] zb v v g czbhv b v zzg v v zb g czf c zzg cv zzzb f v v z zb dzMv z v b { v zzzg v v bb g c zzb f v v zb g bbbb bb b ô
Vv zb f czzzf v v b zdz Mv v b { b v zzf v v zzdcb f czzb zg v v zzbr dv [ v bb DR c g cb zbb FT zz z zz zb f z ,v zzz bb ] b zv v dv v b f cb vv zg czzg v zb õ
Vb zb v b g b v v zb f v v zb g b v v b hb cì ßg v v z[ v v b gcb f v b v zzg czzzf cdv zbb z zb dz Mv zz zzz z] zz z v zzb f cb z b dv v zf v v zb g zb cb hc ßg v bb õ
Vv bb zb g v v zf b zv zz b g cb f zczdz Mv v zb { v b v f v bv zdv bb v zb f czzb g cz b f b v v zzzg v v zzzf v z zz zb ëÞf c v b dv v bb f v v zgv v b f cdzzbbbbb ô
Vb v v f czzf z,v v zzz] zb zzv za cbb zzz b db b cb f bb b v v zb f czzb g v v zzÞf cb b f cb zz zf v v zzzb dv z b v b f v zb zz zr dzzz zz zzzd zMv b v z zz{ zb v z zz zdv bbb ô
Vzb z b f v v zzf v v zb f cbb f cb g czzr dzzv zzzd zM v v } x xx xx x zzzzz zzb b xbb b
Vb v v v zb f v v zzf v v zzf vv zf vv v v zb f b v vv zdv vv zb f v v zzg v vv v v zzzdzdv zbbb zza b nv bb v zb bb }v v v zb v zb a b v v DR v zbbbbb bb f v v zb f zbb c b f bbb zb bbb b ô
Vzzv f cb zf cb v zb zf z bb b cb dz zzz b v GY bb zzb v ìt ìf v zzb z[ zzz zz zf cbb z b zb f b b v z z b dv v b f b v zv g bb v zzv bb z b dv v zdbb v v a b nzz b zz } x x
Sacred MuSic colloquiuM 2013 n 119
Vv bb zb g v v zf b zv zz b g cb f zczdz Mv v zb { v b v f v bv zdv bb v zb f czzb g cz b f b v v zzzg v v zzzf v z zz zb ëÞf c v b dv v bb f v v zgv v b f cdzzbbbbb ô
Vb v v f czzf z,v v zzz] zb zzv za cbb zzz b db b cb f bb b v v zb f czzb g v v zzÞf cb b f cb zz zf v v zzzb dv z b v b f v zb zz zr dzzz zz zzzd zMv b v z zz{ zb v z zz zdv bbb ô
Vzb z b f v v zzf v v zb f cbb f cb g czzr dzzv zzzd zM v v } x xx xx x zzzzz zzb b xbb b
Vb v v v zb f v v zzf v v zzf vv zf vv v v zb f b v vv zdv vv zb f v v zzg v vv v v zzzdzdv zbbb zza b nv bb v zb bb }v v v zb v zb a b v v DR v zbbbbb bb f v v zb f zbb c b f bbb zb bbb b ô
Vzzv f cb zf cb v zb zf z bb b cb dz zzz b v GY bb zzb v ìt ìf v zzb z[ zzz zz zf cbb z b zb f b b v z z b dv v b f b v zv g bb v zzv bb z b dv v zdbb v v a b nzz b zz } x x
Xbb zz zz b a zzz zb zbb v b v v zb f b ,v v bb z bb zk v v zb zu hv zz bîu Ïf z6 z % Þ$ # zf v bbb zb f b ,v v b z] zv v f v bb v HI v zzv kb v v zb áj v v vvv zb g bbb v v b zy g b v zz b f b ,v v [ v zb dv bb õ
Xzb v bt f v v b g zbb zb v y g v v zbb zb f v v zzDR v v zb f b ,v v z] v zzb a zz zzb zb b v b v v zb f b ,v v bb z bb zk v v zb zu hv zzbîu Ïf z6 z% Þ$ # zf v bbb z b f b ,v v } x c v zbb
Xb v AE v v v zFY v b v v vv GY zß% $ v v zf b,v v bb z[ bb v v zg b v v zÏU b v b zzy g v v zbb FÚI v b v zb zk zi j v zzby g v v zbbbb v v v zg b ,v v b { b zv g b zbbb õ
Xzzb z bÍv zzb by g b v bb zDR v v bb z b f b ,v v zzf b ,v b }b zv ‚a v v v b zzb dv v v v vr dv zzb f b ,v v zz[ v v zf b v v b zFT v v b f vv v zzr dv v b DT vv zg v zzbb v zzf zf bb bb bb ó
Xv zzdb mv v b { bbb v f v v zr dbb v zb FT v v zg v b v v b f b ,v vv f b ,v zb }b v v AE v v v b vFY v v vv v b GY zß% $ v zb zf b ,v v b z[ v v zg v zv zÏU b v b v y gv bbbb v b F ÚI v bbb ø
Xzzb v k zi j v v by gv b v zb zb v b v v zg b ,v v b zb { zv v g b v v Ív b v bby g bb v v DR v v b vv f b ,v v b zzf b ,v v } x x x cv v bbb
Bv GY v b v bu Ïg v 9 z*á& ^ %,v zy g v v zb hjàhv zbb bbb hv b v b g b ,v v }x x xv vv v v zzx xb
WedneSday, June 19
120 n Sacred MuSic colloquiuM 2013
Adantino e = 88
Adantino e = 88
Sir Edward Elgar(1857-1934)
Ave, MariaOpus 2, No. 2
Copyright © 2006 by the Choral Public Domain Library (http://www.cpdl.org)Edition may be freely distributed, duplicated, performed, or recorded.
Please send comments, amendments, suggestions and corrections to [email protected]
SOPRANO
ALTO
TENOR
BASS
Organ
A
f ve,
- A
psemplice
ve,
- Ma
ri- a,
- gra ti
- a- ple
ten.
na;
- Do
mi
- nus- te
-
A
f
ve,
- A
p
ve,
- Ma
ri- a,
- gra
ti
- a- ple
ten.
na;
- Do
mi
- nus- te
-
A
f
ve,
- A
pve,
- Ma ri
- a,
- gra
ti
- a- ple
ten. na;
- Do
mi
- nus- te
-
A
f
ve,
- A
pve,
- Ma ri
- a,
- gra
ti
- a- ple
ten.
na;
- Do
mi
- nus- te
-
f
Ped.
p
senza Ped.
5
cum;
be
mfne
- dic
- ta,
- be
ne
- dic
cresc.- ta
-
largamente
tu
in
mu
fli
- e
- ri
- bus,
p -
cum;
be
mf
ne
- dic- ta
- tu
cresc.
in
mu
f
li
- e
- ri
- bus,
p
-
cum;
be
mfne
- dic
- ta,
- be
ne
- dic
cresc.
- ta
- tu
in
mu
f
li
- e
- ri
- bus,
p
-
cum;
be
mf
- ne
dic
- ta
- tu
cresc.
in
mu
f
- li
e
- ri
- bus,
p -
espress.
ten.
mf
cresc.
largamente
f
p
Ped.
WedneSday, June 19
Sacred MuSic colloquiuM 2013 n 121
10
et
pp tranquillamentebe
ne- dic
- tus
- fruc tus
poco. - ven
tris
- tu i,
- Je
- sus.
et
pp
be
ne- dic
- tus
- fruc
tus
poco.
- ven
tris
- tu i,
- Je
- sus,
Je
cresc.
sus,
-
Je
-
et
pp
be
ne- dic
- tus
- fruc
tus
poco.
- ven
tris
- tu i,
- Je
sus,
-
Je
cresc.
- sus,
Je
-
et
ppbe
ne- dic
- tus
- fruc
tus
-
poco.
ven
tris
- tu i,
- Je
sus,
-
Je
cresc.
sus,
-
Je
-
pp
poco.
cresc.
tranquillamente
senza Ped.
15
molto allargandoSanc
ffmolto express.
ta
- Ma
ri- a,
- Ma ter
- De
i,
dim. a tempo-
O
p ra
- pro
sus.
molto allargando
Sanc
f
ta,
- Sanc
ff
molto express.
ta
- Ma
ri- a,
- Ma
ter
- De
i,
dim. a tempo
- O
p ra
- pro
no
bis,
-
sus.
molto allargando Sanc
ffmolto express.
ta
- Ma ri
- a,
- Ma
ter
- De
i,
dim. a tempo
- O
p ra
- pro
no
bis,
-
sus.
molto allargando fSanc
ta,
- Sanc
ffmolto express.
ta
- Ma ri
- a,
- Ma
ter
- De
dim. a tempo
i,
-
O
p ra
- pro
ff
dim. a tempo
molto allargando
senza Ped.
Ped.
2
WedneSday, June 19
122 n Sacred MuSic colloquiuM 2013
20
no
ten.
bis,
-
no
bis- pec
ca
- to- ri
- bus,
-
pp
nunc
Più lento
et
in
ho ra
-
o
ra
- pro
no
bis,
- nunc
pp
et
in
ho ra
-
o
ra
- pro no
bis
- pec
ca
- to- ri
- bus,
-
pp
nunc
et
in ho
ra
-
no
ten.
- bis,
pec
ca
- to
- ri
- bus,
- nunc
ppet
in ho
ra
-
pp
senza Ped.
Più lento
24
mor
tis
- nos
træ,
-
O
ra
- pro no
bis.
-
mor
tis
- nos
træ,
-
O
ra
- pro no
bis.
-
mor
tis
- nos
træ,
-
O
ra
- pro no
bis.
-
mor
tis
- nos
træ,
-
O
ra
- pro no
bis.
-
3
WedneSday, June 19
Sacred MuSic colloquiuM 2013 n 123
28
A
p
men,
- - -
A
pp
rall.
men.
- - -
A
p
men,
- - -
A
pp
rall.
men.
- - -
A
p
men,
- - -
A
pp
rall.
men.
- - -
A
p men,
- - -
A
pp rall.
men.
- - -
pp
rall.
SOURCE: Novello 1907COMPOSER: Sir Edward Elgar (1857-1934), Op.2, No.2
transcribed from Novello edition by Robert G. Nottingham 23/5/06, rev. 8/5/07 & 20/9/07edition prepared for Coro Nostro Chamber Choir of Leicester, UK
TEXT:
Ave Maria, gratia plena, Dominus tecum;benedicta tu in mulieribus,et benedictus fructus ventris tui, Jesus.Sancta Maria, Mater Dei,ora pro nobis peccatoribus,nunc et in hora mortis nostrae. Amen.
TRANSLATION:
Hail Mary, full of grace, the Lord is with thee;blessed art thou among women,and blessed is the fruit of thy womb, Jesus.Holy Mary, Mother of God,pray for us sinners,now and at the hour of our death. Amen.
(senza Ped.)
Ped.
4
WedneSday, June 19
124 n Sacred MuSic colloquiuM 2013 WedneSday, June 19
Proper 6 Sunday Closest to June 15
Eleventh Sunday of Ordinary Time (Roman Rite)
Communion Unam petii (Mode 7) Psalm 27
XiiyvioiovKivutvuyuvGtvrvdrtuFrtFrrEv,vetJuizzz One thing have I asked of the Lord; one
X:ppivIHyz7zKiuyzGtz6zzJuytvrtHytrtvTRv,vuvipvopvioKivyz thing I seek: that I may dwell in
XuvopvLovpvioIczzzz,viyuHyrvtyvIv,vIHyz7zKiuyzGtz6zJuytzzzzzzz the house of the Lord, all the days of
XrtHytrtvTRv/vvvvvvvvvvvvvvvvvvvz my life.
Ad libitum Psalm 27: 1
XruyvuivivivivivipvovoivIOv.viz9zzlpxvivuzzzzzzzzzzz The Lord is my light and my sal- va- tion: whom then shall
XuuuvTv/vvvvvvvvvvvvvvvvvvvvv I fear?
Sacred MuSic colloquiuM 2013 n 125
William Byrd (c.1540-1623)
O quam suavis est
Cantus primus[Alto]
Contratenor[Tenor]
Tenor[Tenor]
Bassus[Bass]
[ {
O
quam
su
a
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Do
mi
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O
quam
su
a
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vis
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Do
mi
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[ {
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quam
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a
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Do
mi
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O
quam
10
ne,
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su
a
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su
a
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vis
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su
a
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Do
mi
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a
-
vis
- est,
Do
mi
- - - -
ne,
-
su
a
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Do
mi
- ne,
-
su
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su
a
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vis
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Do
mi
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a
-
vis
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Do
mi
- - - ne,
-
spi
ri
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- tu
us,
- -
spi
-
ne,
- Do
mi
- - - - ne,
-
spi
ri
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us,
-
a
- vis
- est
Do
mi
- ne,
- spi
ri
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us,
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ri
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Do
mi
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-
spi
ri
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us,
- -
© David Fraser 2009
20
ri
- tus
- tu
us,
- - qui,
qui
ut
dul
ce
- -
spi
ri
- tus
- tu
us,
- qui
ut
dul
ce
- di
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tus,
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ri
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us,
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ut
dul
ce
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di
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-
spi
ri
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us,
- - qui,
ut
dul
ce
- di
- nem
- tu
am,
-
WedneSday, June 19
126 n Sacred MuSic colloquiuM 2013
di
- nem
- tu
am,
- - - -
in
fi
li
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- de
-
am,
-
ut
dul
ce
- di
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am,
- in
fi
li
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mon
- stra
- -
am,
- ut
dul
ce
-
di
- nem
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am,
-
in
fi
li
- os,
- in
fi
-
ut
dul
ce
-
di
- nem
- tu
am,
- in
fi
li
- os
-
30
mon
- stra
-
res,
- - - -
pa
-
res,
- - -
pa
ne
- su
a
- vis
-
si
- - mo,
-
li
- os
-
de
mon
- stra
- res,
-
pa
ne
- - su
a
- -
de
mon
- stra
- res,
- -
pa
ne
- - su
a
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ne
- su
a
- vis
-
si
- mo
- de
cœ
lo,
- - de
su
a
- vis
-
si
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-
de
cœ
lo,
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cœ
-
vis
-
si
- mo,
-
de
cœ
lo,
- - -
vis
-
si
- mo,
- su
a
- vis
- si
- mo,
-
de
cœ
-
cœ
lo,
- - - - - - -
de
cœ
- -
lo,
-
de
cœ
lo,
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de
cœ
lo,
- - - -
de
cœ
lo,
- - - -
de
cœ
lo,
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de
cœ
-
lo,
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de
cœ
lo,
- - - -
de
2
WedneSday, June 19
Sacred MuSic colloquiuM 2013 n 127
40
lo,
- de
cœ
lo,
- - -
præ
sti
- - -
de
cœ
lo,
- - - præ
sti
- to,
- præ
sti
- -
lo,
- de
cœ
lo,
- - præ
sti
- to,
- præ
sti
- -
cœ
lo,
- - - - -
præ
sti
- - - to,
-
to,
- præ
sti
- - to,
-
e
su
- ri
- en
- tes,
-
e
su
- ri
- -
to,
- præ
sti- - -
to,
-
e
su
- ri
- en
-
tes,
- -
to,
-
præ
sti
- to,
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su
- ri
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-
e
-
præ
sti
- - to,
-
e
su
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50
en
- tes,
-
e
su
- ri
- en
- tes,
-
e
su
- ri- en
-
tes
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e
su
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- en
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tes
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ples
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-
su
- ri
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- tes,
-
e
su
- ri
- en
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ples
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-
en
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su
- ri
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- tes
-
re
-
re
ples
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nis,
-
re
ples
- bo
nis,
-
fa
-
nis,
- bo
nis,
- - re
ples
- bo
nis,
-
fa
sti
- di
- o
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-
nis,
- bo
nis,
-
re
ples
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nis,
- - -
ples
- bo
nis,
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re
ples
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nis,
-
fa
sti
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- -
3WedneSday, June 19
128 n Sacred MuSic colloquiuM 2013
60
sti
- di
- o
- sos
- di
vi
- tes,
- di
vi
- tes,
-
fa
sti
- di
- o
- sos
-
di
vi
- tes,
-
fa
sti
- di
- o
- sos
- di
vi
- - - tes,
-
fa
sti
- di
- o
- sos,
-
fa
sti
- di
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- di
vi
- tes,
-
o
- sos,
-
fa
sti
- di
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- sos,
- di
vi
- - tes,
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sti
- di
- -
di
vi
- - - - tes,
-
di
-
di
vi
- - - tes,
- di
mit
- tens
- in
a
-
nes,
- - -
di
vi
- - - - tes,
- di
vi
- tes,
-
di
mit
- tens
- in
a
-
-
o
- sos
- di
vi
- - tes,
-
di
mit
- tens
- in
a
-
nes,
- in
a
- -
mit
- tens
- in
a
-
nes,
-
di
mit
- tens
- in
a
-
nes,
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mit
- tens
- in
-
di
mit
- tens
- in
a
-
nes,
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a
- nes,
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mit
- tens
- in
a
-
-
nes,
- in
a
-
nes,
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di
mit
- tens
- in
a
- nes,
- in
-
nes,
-
di
mit
- tens
- in
a
-
nes,
-
70
a
-
nes,
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di
mit
- tens
- in
a
- nes,
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a
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nes,
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di
mit
- tens
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a
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nes,
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a
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nes,
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-
a
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nes,
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di
mit
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a
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nes,
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mit
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nes,
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di
mit
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-
4WedneSday, June 19
Sacred MuSic colloquiuM 2013 n 129
Part of my complete edition of the published vocal works of William Byrd made available through the Choral Public Domain Library (http://www.cpdl.org).For general editorial notes, please visit my user page at http://www.cpdl.org/wiki/index.php/User:DaveF.All scores are made freely available according to the CPDL Licence for downloading, printing, performing and recording. No further conditions areor can be attached, although it’s always good to hear of any performances.Please do not, without consulting me, make copies of my scores available through other websites - there’s no need, first of all, as CPDL is always here,and secondly by doing so you put these editions beyond my control and so will miss out on any updates and revisions.
di
mit
- tens
- in
a
-
nes.
- - - - - - - -
a
-
nes,
- -
in
a
-
nes.
- - - -
a
-
nes,
-
di
mit
- tens
- in
a
-
nes.
- - -
a
Source: William Byrd: Gradualia, seu cantionum sacrarum... Liber secundus (1st edition, 1607, 2nd edition, 1610), no.18.Liturgical function: Magnificat antiphon, 1st Vespers, Corpus Christi.
II.29-30: vis si mo II.60-61: di vi tes II.66-67, 69: mit tens in
O how sweet is thy spirit, O Lord, who, to show thy loving-kindness to thy children, dost feed them with that sweetest breadwhich came down from heaven; filling the hungry with good things, and sending the rich and disdainful empty away.
-
nes,
- - in
a
-
nes,
- - in
a
-
nes.
- - - - -
5WedneSday, June 19
130 n Sacred MuSic colloquiuM 2013
Sacred MuSic colloquiuM 2013 n 131
Thursday
J
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Requiem for Deceased MembersExtraordinary Form
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132 n Sacred MuSic colloquiuM 2013
1. Introitusde la Missa pro defunctis
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134 n Sacred MuSic colloquiuM 2013
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Sacred MuSic colloquiuM 2013 n 135
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136 n Sacred MuSic colloquiuM 2013
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thurSday, June 20
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3. Gradualede la Missa pro defunctis
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138 n Sacred MuSic colloquiuM 2013
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thurSday, June 20
140 n Sacred MuSic colloquiuM 2013
4. Absolve Dominede la Missa pro defunctis
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146 n Sacred MuSic colloquiuM 2013
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148 n Sacred MuSic colloquiuM 2013
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thurSday, June 20
Sacred MuSic colloquiuM 2013 n 149
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150 n Sacred MuSic colloquiuM 2013
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Sacred MuSic colloquiuM 2013 n 173
Vespers
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7:45 p.m. Friday, June 21
Extraordinary Form
VeSperS, friday, June 21
174 n Sacred MuSic colloquiuM 2013 VeSperS, friday, June 21
Sacred MuSic colloquiuM 2013 n 175
VeSperS, friday, June 21
176 n Sacred MuSic colloquiuM 2013 VeSperS, friday, June 21
Sacred MuSic colloquiuM 2013 n 177
VeSperS, friday, June 21
178 n Sacred MuSic colloquiuM 2013 VeSperS, friday, June 21
Sacred MuSic colloquiuM 2013 n 179
VeSperS, friday, June 21
180 n Sacred MuSic colloquiuM 2013 VeSperS, friday, June 21
Sacred MuSic colloquiuM 2013 n 181VeSperS, friday, June 21
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& œ œ œ œœ œ
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Magnificat 8vi toni Jean
Mouton
VeSperS, friday, June 21
186 n Sacred MuSic colloquiuM 2013 VeSperS, friday, June 21
&
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w ˙ ˙
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w ˙ ˙
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w
us
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w .w
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ta - ri
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o.
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Sacred MuSic colloquiuM 2013 n 187
&
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V
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33
œ w ˙
œ w ˙
lu-ta - ri
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ri me -
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sa - - -
w Ó ˙
o. sa -
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sa - - -
w ›
lu - ta - - - -
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lu - ta - - - -
w ›
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w
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ri me - - - -
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39
œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
3. Qu-ia re - spe - xit hu - mi - li - ta - tem an - cil - læ su - æ:
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40
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœ
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cit qui -
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w ˙ ˙
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mi -
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VeSperS, friday, June 21
188 n Sacred MuSic colloquiuM 2013 VeSperS, friday, June 21
&
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47
œ ˙ ˙˙
a
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ma - - - - - - - - - - - - -
wb w
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w ˙ w
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w
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ma -
&
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53
œ œ ˙ ˙
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po - - - - -
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qui po - - - - - - - - -
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w
gna qui
›\
gna
w w
est:
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w
.›
po - - - - -
w
qui
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qui po -
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po - - -
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w
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tens
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tens
ww
tens est:
œ œ œ œ w
tens est:
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est:
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›
est:
Ó˙
.w
et san -
w
w
et
˙ w
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w .w
et san -
.w ˙
san - ctum
„
˙˙ ˙ w
men e - - - - - - -
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w˙
w
no - men e - - - -
w
et
w ˙
˙.˙ œ œ ˙
men e - jus.
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jus.
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et
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jus.
ww
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san -
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Sacred MuSic colloquiuM 2013 n 189
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65
w w
e - jus.
˙˙ ˙ ˙
men e -
˙ w ˙
ctum no-men
w Ó˙
et
w „
jus.
˙ œ œ ›
e - - - -
w .w
et san -
.w ˙
san - ctum
w
jus.
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ctumno -
w˙ ˙
no - men
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et san -
„
˙ .˙ œ w
men e - - - - -
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e - - -
˙ ˙˙
ctum no -
„
˙ ˙˙
›
jus.
w ›
men e -
w .w
et san -
›
jus.
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71
w
et
w
jus.
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˙ ˙ w
san-ctumno -
„
˙.˙ œ w
men e - - -
w œ œ œ œ
w.w
men e - - - - - -
w
et
˙ w
jus.
w ›
ctum
œ œ ˙ w
˙ ˙w
san-ctumno -
˙.˙ œ ˙
e - - - -
Ó˙
no -
˙ ›
\jus.
w w
men e -
w ›
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mene - -
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w
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&
77
œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
5. Etmi - se - ri-cor-di-a e-jus a pro-ge-ni-e in pro-ge - ni-es:
œ œ œœ
œ œ œ
ti-men-ti-bus e -um.
-5-
VeSperS, friday, June 21
190 n Sacred MuSic colloquiuM 2013 VeSperS, friday, June 21
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„
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cit po-ten - - - - - - - - - - - -
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ten - - - - - - - -
w
cit
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w.w
w ˙
w .w
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cit
œ œ
.˙ œ
˙w ˙
œ œ w
˙ w ˙
po-ten - - - -
˙ w œ œ
ti -
˙ œ œw
ti -
˙ ˙w
ti -
.w œ œ
ti -
wÓ
˙
am in
.›
am
›
am
w w
am
.w˙
bra - chi -
„
w.w
in bra -
Ó˙
.w
in bra -
ww
o
Ó ˙
in
˙ w
chi -o
˙w
chi -o
.›
su - - -
.w ˙
bra - chi -
œ œ œ œ w
&
V
V
?
91.w ˙
su - - - - - - - - -
.›
›
o
›
su -
˙ œ œ w
.w ˙
su - - - - -
wÓ ˙
o: in
.˙ œ ˙ .˙
w
o:
˙ œ œ w
o:
.w ˙
bra - chi -
œ œ ˙ Ó˙
o: in
Ó ˙.w
in bra -
Ó˙
.w
in bra -
›
o
.w ˙
bra - chi -
˙ w
chi -o
˙ ›
chi -o
w w
su - - -
w w
o su -
w ›
su -
w
su -
w Ó ˙
o: dis -
-6-
Sacred MuSic colloquiuM 2013 n 191
&
V
V
?
97
œ œ œ œ w
w
o:
›
o:
›
per - - -
w „
o:
w .w
dis - per - - - - -
w
dis -
w .w
sit su - -
˙w
dis-per -
˙ ˙ œ œ
w ˙˙
per - sit su -
˙ ›
per-bos
˙ w
sit su -
›
sit
.w ˙
per - - - - -
„
w ›
per - bos
w
dis -
˙w ˙
˙.˙
su-per -
w w
per - sit
w›
bos dis -
ww
dis - per -
&
V
V
?
103
œ œ œ w
bos
.w ˙
su - per -
w
per -
›
sit
w .w
men -
w
bos
˙ w œ œ
sit su -
˙˙
w
su - per -
˙ ˙˙
te cor-dis
.w ˙
men - te
w ˙ ˙
per - - -
w
bos
.˙ œ ˙ ˙
su - - - - - - -
˙˙
.˙ œ
cor-dis su - - - - - -
w„
bos
.w ˙
men - te
˙.˙ œ w
œ œ œw w
„
˙˙
w
cor - dis
˙ w
i.
˙ w
i.
.w
men -
w .˙ œ
su - -
#
#
&
V
V
?
109
Ó˙ ˙
.˙
men-te cor - - - - - - -
.w˙
men - te
˙ ˙˙
te cor -
w „
i.
œ w ˙
˙˙
w
cor - dis
w w
dis su - - - - - - - - - -
#
w˙ ˙
.˙ œ œ œ ˙
su - - - - - - - -
.˙ œ ˙ ˙
.w ˙
men - te
˙.˙ œ w
dis su - - - -
˙w
˙
˙.˙ œ
˙
˙˙
w
cor - dis
˙ ›
\
i.
w ›
\
i.
w ›
\
i.
w›
\
su - i.
#
-7-
VeSperS, friday, June 21
192 n Sacred MuSic colloquiuM 2013 VeSperS, friday, June 21
&
114
œ œ œ œœ œ œ œ œ œ œ œ œ œ œ
7. De-po - su - it po-ten - tes de se - de,
œ œ œ œœ
œ œ œ œ
et ex -al - ta-vit hu-mi-les.
&
V
V
?
C
C
C
C
116
w ˙ ˙
8. E - su - ri -
„
„
„
.˙ œ œ œ˙
en - - - - - - - -
„
w ˙ ˙
8. E - su - ri -
„
˙w w
„
.˙ œ œ œ˙
en - - - - - - -
„
˙ ›
tes
w ˙ ˙
8. E - su - ri -
w .˙ œ
„
„
.˙ œ œ œ˙
en - - -
w„
tes
w ˙ ˙
8. E - su - ri -
&
V
V
?
121
„
˙.˙ œ
w
.˙ œ œ œ˙
en - - - -
˙ .˙ œ
w ˙ ˙
8. E - su-ri -
w ›
tes
w ˙ ˙
e - su - ri -
wÓ
˙
tes
.˙ œ œ œ˙
en - - - - - - - - - - -
„
.˙ œ œ œ˙
en - - - - - - - -
œ œ œ œ ˙ ˙
˙w w
w ›
w
˙ ˙˙
w ˙ ˙
e - su-ri -
#
Ó˙ ˙ ˙
e - su - ri -
w .˙ œ
.˙ œ œ œ˙
en - - -
-8-
Sacred MuSic colloquiuM 2013 n 193
&
V
V
?
127
„
.˙ œ œ œ˙
en - - - -
›
˙w w
w .˙ œ
im - ple - - - -
w w
tes
„
˙ ›
#
.w œ œ
„
„
w
im -
›
vit
w
im -
w ˙ ˙
im - ple - - -
.˙ œ w
ple - vit
ww
bo - nis:
.˙ œ w
ple - vit
w ˙ ˙
vit im -
.˙ œ œ œ œ œ œ
bo - - - - - -
Ó w w
im - ple -
w.˙ œ
bo - - -
˙ ˙ ›
ple - vit
w .w
&
V
V
?
133
˙ w
vit
œ œ ˙ ˙ ˙
w
bo - - - - - - - - - - - - -
œ œ w
nis:
.˙ œ ˙ œ œ
bo - - - - - - -
w˙ ˙
.˙ œ .w
Ó w
im -
˙ ˙˙ ˙
œ œ.˙b œ w
.˙ œ w
wb ˙
ple - vit
w w
nis:
˙ w
nis:nis:
˙ .w
w .›
bo - nis:
w˙ ˙
im - ple-vit
w
et
œ œ w
w .w
bo - nis:
˙ ˙ ˙ w
di - - -
˙ ˙ w
nis:
w
et
&
V
V
?
139
˙ w
œ œ w
vi - tes
w
et
˙ ˙ œ œ œ œ
di - - -
Ó w
et
w
et
˙ ˙ œ œ œ œ
di - - - - - - - - - - -
w w
vi - tes
˙ ˙ .˙
di - - - - - - - - - -
˙ ˙ œ œ œ œ
di - - - -
w ˙œ œ
„
œ œ œ w
w w
vi -
œ œ
w ˙
„
˙.˙ œ
˙
˙.˙ œ ˙
tes di - mi - - -
œ œw ˙
w˙ ˙
et di - - -
˙ w ˙
vi -
˙ ˙˙ ˙
˙˙ w
vi - tes
˙˙ w
vi -
-9-
VeSperS, friday, June 21
194 n Sacred MuSic colloquiuM 2013 VeSperS, friday, June 21
&
V
V
?
145
w
tes
.˙ œ ˙ ˙
sit in -
w˙ ˙
di - mi - - - - - -
w
tes
w˙ ˙
di - mi -
.w ˙
a - - - - - - - - - -
œ œ œ œ w
w˙ ˙
di - mi - - -
˙ .˙ œ w
sit in - a - - -
˙.˙ œ œ œ
˙.˙ œ
˙
sit in - - -
˙˙
w
sit in - -
˙ ›
\nes.
w ›
\
nes.
w ›
\
a - nes.
w›\
a - nes.
#
&
149
œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ
9. Su-sce - pit Is-ra-el pu - e - rumsu - um,
œ œ œ œ œ œ œ œ œœ
œ œ œ
re-cor-da-tus mi-se-ri-cor-di-æ su-æ:
&
V
V
?
C
C
C
C
151
„
„
›
10. Si -
„
„
„
ww
cut lo -
›
10. Si - - -
„
„
.w ˙
cu - - - - - - - - - - -
w
cut
„
„
˙ w œ œ
w .w
lo - cu - - - - - - - -
„
„
˙ ˙ ˙ ˙
˙ ˙ w
„
„
˙ .˙ œ w
œ œ ˙ ˙
-10-
Sacred MuSic colloquiuM 2013 n 195
&
V
V
?
157
›
10. Si -
„
˙ .˙ œ
w ›
tus est
w
cut
„
w.w
›
ad
w .w
lo - cu - - - - - - - - - -
›
10. Si -
œ œ ˙ ˙
w
pa - - -
˙ ˙ w
ww
cut lo -
w ›
tus est
w w
tres
œ œ ˙ ˙
.w ˙
cu - - - - -
„
w „
˙ ˙˙ .˙
˙ w œ œ
„
&
V
V
?
163
œ w ˙
tus
˙ ˙ w
tus
Ó
˙ w
ad pa - -
›
est
›
est
˙ w .˙
tres nos - - - - -
›
ad
„
›
ad
œ˙ w
w w
›
ad
w
pa - - - - - - -
œ œ œ œ ˙ ˙
tros:
›
pa - - - - - - - -
w ˙.˙
pa - - - -
w w
ww
pa - - - - -
w w
œ œ œ w
tres
›
˙ œ œ ˙
›
&
V
V
?
169
›
nos - - -
˙˙ ˙ ˙
tres
˙.˙ œ ˙
tres
ww
tres
w w
tros: ad
›
nos -
w w
nos -
ww
nos -
›
pa - - -
w Ó ˙
tros: ad
w w
tros: ad
›
tros:
w w
tres nos -
˙ ˙ .w
pa-tres nos - - - -
˙ ˙
pa-tres
„
›
tros:
œ œ w
›
tros:
„
.w ˙
A - bra -
˙ w ˙
tros:A - bra -
.w ˙
A - bra -
.w ˙
A - bra -
-11-
VeSperS, friday, June 21
196 n Sacred MuSic colloquiuM 2013 VeSperS, friday, June 21
&
V
V
?
175
›\
ham
w.w
ham et
w.w
ham A -
wÓ
˙
ham et
˙ ˙ ˙
se - mi - ni
˙ w
bra-ham
.˙ œ ˙ ˙
se - mi-ni e -
„
.˙ œ ˙ ˙
e - jus in sæ -
„
˙˙
.˙ œ
jus in sæ-cu -
„
˙˙
.˙ œ
cu- la. sæ - cu -
Ó˙
et
˙.˙ œ w
la. sæ - - -
Ó ˙
et
w w
la.
.˙ œ ˙ ˙
se - mi-ni e -
˙ w
cu - la.
#
.˙ œ ˙ ˙
se -mi-ni e -
„
˙˙
.˙ œ
jus in sæ-cu-
„
&
V
V
?
181
˙˙
˙ ˙
jus in sæ-cu -
Ó ˙
et
˙.˙ œ w
la. sæ - - -
„
w w
la.
.˙ œ ˙ w
se-mi-ni e -
˙ w
cu - la.
Ó ˙.˙ œ
et se-mi -
#
Ó ˙.˙ œ
et se -mi -
˙w
jus in
Ó
˙
et
˙ w ˙
ni e - jus
˙ ˙ ˙˙
ni e - jus in
.˙ œ w
sæ-cu-la.
.˙ œ˙ ˙
se -mi-ni ni
w.˙ œ
in sæ - - - -
.˙ œ ˙ w
sæ-cu-la. sæ -
›
\
˙
˙ ˙ ˙
e-in sæ -
w ˙ ˙
˙ ›
\cu-la.
w ›
\cu - la.
w›\
cu - la.
#
&
187
œ œ œ œœ œ œ œ œ œ œ œ œ œ
11. Glo-ri - a Pa - tri, et Fi - li - o,
œ œ œ œœ
œ œ œ
et Spi-ri - tu - i San-cto.
-12-
Sacred MuSic colloquiuM 2013 n 197
&
V
V
&
?
189
w w
12. Sicut
w w
12. Si -
›
12. Si -
„
›
e - - -
.w œ œ
cut
ww
cut
.w ˙
12. Si - cut
w
rat
›
e - - -
w w
e - rat
›
12. Si -
›
e - - -
%
w ˙ w
in prin-ci -
w w
rat in
w
in
ww
cut
w
rat
˙ w
pi -o,
˙ w ˙
prin-ci - pi -
˙ w ˙
prin-ci - pi -
w w
e - rat
w ˙ w
in prin-ci -
ww
et nunc,
w w
o,
w
o,
w
in
˙.˙ œ
pi - o,
&
V
V
&
?
195
.˙ œ ˙ ˙
et
˙ ˙˙
.˙
etnunc, et
w ˙ ˙
et nunc,et
˙ w ˙
prin-ci - pi -
˙ ˙˙
˙
etnunc,et
›
sem - - -
œ ˙ w
sem - - - -
›
sem - - -
w
o,
.˙ œ .˙ œ
sem - - - - - - - - - - - -
w Ó˙
per, et
›
›
per,
w ˙ ˙
et nunc,et
.˙ œ w
˙w
˙
nunc,et
˙ ˙ w
per, etnunc,
›
et
›
sem - -
ww
.˙ œ˙
w
sem - - - -
˙
.˙ œ ˙
et
w
in
›
per,
w œ œ œ œ
˙ w
per,
w ›
sem-per,
.w ˙
sæ - cu -
›
et
w›
per,
-13-
[Canon: In tenore]
VeSperS, friday, June 21
198 n Sacred MuSic colloquiuM 2013 VeSperS, friday, June 21
&
V
V
&
?
201
›
et
›
et
w .w
la sæ -
w
in
›
in
w
in
˙ w
cu - lo -
.w ˙
sæ - cu -
w w
et in
.w
sæ -
.˙ œ œ œ ˙
sæ - cu -
ww
rum. A -
w .w
la sæ -
.w ˙
sæ - cu -
˙ .˙ œ
cu - la
w
la
w ›
\
men.
˙ w
cu - lo -
.˙ œ w
la
œ œ .˙ œ w
.˙ œ˙ ˙
sæ - culo-rum.
ww
rum. A -
Ów ˙
sæ - cu -
˙ .˙ œ
˙˙
w
A - - -
„
w ›
\men.
˙ ˙ w
lo-rum.A -
&
V
V
&
?
207
œ œ w œ œ
˙w œ œ
„
.˙ œw
men.
wÓ w
et
œ œ œœ w
men.
›
et
„
w
et
˙ .˙ œ
in sæ - cu -
Ów ˙
et in
w
in
„
w .w
in sæ -
w .w
la sæ -
.˙ œ w
sæ-cu-la
.w ˙
sæ - cu -
›
et
˙›
\cu - la
˙ ›
cu-lo - - -
.w ˙
sæ - cu -
w .w
la sæ -
w
in
›
rum.
w w
lo - rum.
˙ w
cu-lo -
.w ˙
sæ - cu -
Ó w
sæ -
-14-
Sacred MuSic colloquiuM 2013 n 199
&
V
V
&
?
213
.w
A - - - -
.˙ œ œ œ ˙
A - - - -
ww
rum. A -
w .w
la sæ - - -
˙ ˙ ˙
cu - lo-rum.
˙ .˙ œ
men.
w Ó w
men. sæ -
w ›
\
men.
˙ w
cu - lo -
.˙ œ w
A - men.
œ œ .˙ œ w
A - - - -
˙˙ ˙
cu - lo-rum.
ww
rum. A -
Ów ˙
sæ - cu -
˙ ›
\men.
w ›
\
A - men.
w ›
\men.
˙ ˙›
lo-rum.A -
#
›
men.
-15-
VeSperS, friday, June 21
200 n Sacred MuSic colloquiuM 2013
VeSperS, friday, June 21
Sacred MuSic colloquiuM 2013 n 201
VeSperS, friday, June 21
tutti
202 n Sacred MuSic colloquiuM 2013
VeSperS, friday, June 21
Sacred MuSic colloquiuM 2013 n 203
Saturday
J
3 p.m. June 22
Votive Mass
of the Blessed Virgin Mary
Ordinary Form
Saturday, June 22
204 n Sacred MuSic colloquiuM 2013 Saturday, June 22
Sacred MuSic colloquiuM 2013 n 205
Cantus I
Altus I
Tenor I
Bassus I
Cantus II
Altus II
Tenor II
Bassus II
Ky ri
Ky
e e
Ky ri
ri e
Ky ri
lei
e e
e lei
e lei
son, Ky ri e
lei son, Ky ri
son, Ky ri e
son, Ky ri e
lei
e e e lei
lei
- - - - - - - - - - - -
- - - - - - -
- - - - - - - - - - -
- - - - - - - - - -
6
son,
lei son,
son,
son,
6
Ky
e lei
ri e
Ky ri e
e le
Ky
son, e lei
e lei
lei son, e lei
e lei
ri e
Ky ri e
e lei
son,
son,
son,
son,
son, e lei
e lei
lei son, e lei
- - - - - -
- - - - -
- - - -
- - - - - -
-
- - - -
- - -
- - - -
- - - - - -
- - - -
Missa Osculetur meOrlando di Lasso
(c.1532-1594)
edition prepared by David J. Hughes
February 2013
KYRIE ELEISON
Saturday, June 22
206 n Sacred MuSic colloquiuM 2013
11 son, Ky
son, Ky
son,
son, Ky
11 Ky ri
Ky ri e
Ky ri ei
Ky ri e
ri e
ri e lei
Ky ri
ri e e
e e
lei son,
lei son, e lei
e lei
son.
e e lei
lei
lei
e lei
e lei
son.
son.
son.
son.
son.
son.
son.
- - - - - -
- - - -
- - - -
- -
- - - - - - -
- - - - - -
- - - - - -
- - - - - - - -
- - - - -
15 Chri ste,
Chri
Chri ste
Chri
15
Chri ste
ste e
e lei son,
ste e lei
e
lei
Chri ste e
son, e
lei son,
son, Chri
lei son, lei son,
Chri ste e lei
ste e lei son,
Chri ste e
Chri ste e
- - - - - - -
- - - - - - - - - -
- - - - - - - -
- - - - - - - - -
2 Lasso - Missa Osculetur me - Kyrie
Saturday, June 22
Sacred MuSic colloquiuM 2013 n 207
20 son, Chri ste e
Chri ste e
lei son, e lei son, lei son,
20
lei son, e
lei son, Chri
Chri ste e lei
Chri
lei
ste
ste
e lei
son, e
e lei
lei
- - - - - - - - - - - - -
- - - - - - - - - -
- - - - - - - - - -
- - - - - - - - - -
25 son, Chri ste e
son, Chri son, Chri
son, Chri
25
lei son, Chri
ste
ste
e
ste e
e
ste e
lei
lei son.
lei son.
lei son.
son.
- - - - - - - - - -
- - - - - - - - -
- - - - - -
- - - - - -
3Lasso - Missa Osculetur me - Kyrie
Saturday, June 22
208 n Sacred MuSic colloquiuM 2013
31 Ky ri
Ky ri
Ky ri
Ky ri
31
e e lei
e e lei
e e lei
e e lei
son, Ky ri
son, Ky
son, Ky ri
son, Ky ri e
e e lei
ri e lei
e e
e
son,
son,
lei son,
lei son,
Ky ri e lei
Ky ri e
Ky ri e
Ky ri e
Ky ri e lei
Ky ri e
Ky ri e
Ky ri e
son,
lei son,
lei son,
lei son,
- - - - - - - - - - - -
- - - - - - -- - - -
- - - - - - - - - - -
- - - - - - - - - -
- - - -
- - - -
- - - -
- - - -
-
37
son,
lei son,
lei son,
lei son,
37 Ky ri e e lei
Ky ri e
Ky ri e
Ky ri e
Ky ri e lei
Ky ri e
Ky ri e
Ky ri e
son,
lei son, lei son, lei son,
son,
lei son, lei son, lei son,
Ky ri
Ky ri
Ky ri
Ky ri
Ky ri e
Ky ri e
Ky ri e
Ky ri e
e e
e e
e e
e e
e lei son,
e lei son,
e lei son,
e lei son,
lei son,
lei son,
lei son, lei son,
- - - - - - - - - - - -
- - - - - - - - -
- - - - - - - - -
- - - - - - - - -
- - - - - - - -
- - - - - - - -
- -
- -- - - - - -
- - - - - -
4 Lasso - Missa Osculetur me - Kyrie
Saturday, June 22
Sacred MuSic colloquiuM 2013 n 209
42 Ky
Ky ri e
Ky ri
Ky
42 Ky
Ky
Ky ri
Ky
ri
e lei son,
e ri e, ri e
ri e
e
ri
e
Ky ri
lei son, Ky ri
Ky ri e
e
e lei
e
e e
e lei
e e lei e e lei
lei son, e leilei
lei
lei
son.
son.son.
son.
son.
son.
son.
son.
- - - - - - -
- - - - - - -
- - - - - - - - - -
- - - - - - - - - -
- - - - - - - - - - -
- - - - - - - - -
- - - -
- - - - - - - - - -
- -
5Lasso - Missa Osculetur me - Kyrie
Saturday, June 22
210 n Sacred MuSic colloquiuM 2013
Cantus I
Altus I
Tenor I
Bassus I
Cantus II
Altus II
Tenor II
Bassus II
Et in ter
Et
Et in
Et
ra
in ter
ter ra
in ter ra
pax
ra pax
pax ho
pax ho
ho mi
ho
mi ni bus, mi
ni
mi ni ho mi
ni
- - - - - - - - -
- - - -
- - - - - -
- - -
6
bus
bus
ni bus
bus
6 bo
bo nae
bo
bo
nae vo lun
vo lun ta
nae vo lun nae vo lun
Lau
Lau
Lau
Lau
ta tis.
tis.
ta tis.
ta tis.
da mus te.
da mus te.
da mus te.
da mus te.
Lau da mus
Lau da mus
Lau da mus
Lau da mus
Be ne di
Be ne di
Be ne di
Be ne di
te.
te.
te.
te.
ci mus te.
ci mus te.
ci mus te.
ci mus te.
A
- -
- -
- - - - - -
- - - - - -
- - - - - -
- - - - - -
- - - - - - -
- - - - - -
- -
- -
- - - -
- - - -
GLORIA IN EXCELSIS DEO
Saturday, June 22
Sacred MuSic colloquiuM 2013 n 211
12 A do
A do
A do
A do
12 do
A do
A do
A do
ra mus
ra mus te. Glo
ra mus
ra mus te.
ra mus
ra mus
ra mus
ra mus
te. Glo ri fi
ri fi
te. Glo ri fi
Glo ri fi
te.
te.
te.
te.
ca mus te.
ca mus te.
ca mus te.
ca mus te.
Glo
Glo
Glo
Glo
ri fi ca mus
ri fi ca
ri fi ca
ri fi ca mus
Gra ti as
Gra ti
Gra ti
Gra ti
te.
mus te.
mus te.
te.
- - - - - - -
- - - - - - -
- - - - - - -
- - - - - - -
- - - -
- - -
- - -
- - -
- - - -
- - - -
- - - -
- - - -
- -
- -
- -
- -
18
a
as a gi
as a
as a gi
18
gi mus ti
mus ti
gi mus ti
mus ti
bi
bi
bi
bi
prop ter
prop ter
prop
prop
ma gnam
ma gnam
ter ma gnam
ter ma gnam
glo ri am
glo ri am tu
glo ri am glo ri am
Do
tu am.
am.
tu tu am.
- - - - -
- -
- - - - - -
- - - - -
- - -
- - -
- - -
- - -
-
- - -
2 Lasso - Missa Osculetur me - Gloria
Saturday, June 22
212 n Sacred MuSic colloquiuM 2013
24 Do mi ne De
mi ne
Do mi ne
Do mi ne
24
am.
us,
De us,
De us, De us,
Rex
Rex
cae
Rex Rex
le
cae le
cae le
cae le
Rex
Rex
Rex
Rex
stis,
stis, stis,
stis,
cae le
cae le
cae le
cae le
- - -
- - -
- - -
- - -
- -
- -
- -
- -
- - -
- -
- -
- -
30
stis,
stis,
stis,
stis,
30 De us Pa
De us Pa
De us Pa
De us Pa
ter om ni po
ter om ni po
ter om ni po ter om ni po
Do mi ne
Do mi ne Fi
Do
Do mi ne
tens.
tens.
tens.
tens.
Fi li u ni
mi ne Fi
Fi li u
ge
li u
li u
ni ge
ni
ni ge ni
ni ge ni
ni
Je
Je
Je
-
- - - - -
- - - - -
- - - - -
- - - - -
- - - - - - - - - -
- - - - - - - - - -
- - - - - - -
- - - - - - - - - -
-
-
-
3Lasso - Missa Osculetur me - Gloria
Saturday, June 22
Sacred MuSic colloquiuM 2013 n 213
36 te
te
te
te
36 su Chri
su Chri
Je su Chri
su Chri
Do mi ne
Do mi ne
Do mi ne
Do mi ne
ste.
ste.
ste.
ste.
De
De
De
De
us, A gnus
us, A gnus De
us, A gnus
us, A gnus
De i, Fi
i, Fi
De i, Fi
De i, Fi
li us Pa
li us Pa
li us Pa li us Pa
-
- -
-
- -
- - - - - - - - - -
- - - - - - - - - -
- - - - - - - -
- - - - - - - - - -
-
42 tris, Fi
tris, Fi
tris, Fi
tris, Fi li us
42 Fi li us
Fi li
Fi li us
Fi li us
li us Pa
li us Pa
li us Pa
PaPa
us Pa
Pa
Pa
tris.
tris. tris.
tris.tris.
tris.
tris.
tris.
Qui
Qui
Qui
Qui
tol lis pec
tol lis pec ca
tol lis pec tol lis pec
ca ta mun
ta mun
ca ta mun ca ta mun
- - -
- - -
- - -
- - -
- - -
- - -
- - -
- - -
- - - -
- - -
- - - -
- - - -
4 Lasso - Missa Osculetur me - Gloria
Saturday, June 22
214 n Sacred MuSic colloquiuM 2013
49 di,
di,
di,
di,
49 mi
mi
mi
mi
se re
se
se re
se re
re
re re
re
re
no
no
no
no
Qui
Qui tol
Qui
Qui tol
bis.
bis.
bis.
bis.
tol lis,
lis, qui
tol
Qui tol
Qui tol
Qui tol
Qui tol
- - - - - - - -
- - - - - -
- - - - - - - - - -
- - - - - - -
-
-
-
-
-
-
- - -
- - - -
55 qui tol
tol lis
lis
lis
55 lis
lis
lis pec
lis
lis pec ca
pec ca
pec ca
pec ca
pec ca
pec ca ca ta
pec ca
ta mun
ta mun
ta mun
ta mun di,
ta mun
ta
mun
ta mun
di,
di,
di,
su
di,
mun di,
di,
di,
su sci pe,
su sci pe,
su sci pe, su
sci pe,
su
su sci pe de
su sci pe
sci pe de
su sci pe
su sci pe
sci pe
su sci pe
su sci pe
- - - - - -
- - - - - -
- - - - - - -
- - - - - -
- - - - -
- - - - -
- - - - -
- - -
- - - - -
- - - -
- - - - -
- - - -
- -
- -
- -
- -
5Lasso - Missa Osculetur me - Gloria
Saturday, June 22
Sacred MuSic colloquiuM 2013 n 215
61 pre
de pre ca
de pre ca
61
ca ti o
ti o nem
pre ca ti
ti o nem
nem no
no
o nem no
no
stram. Qui
stram. Qui stram. Qui
stram. Qui
Qui se des
Qui se des
Qui se des
Qui se des
se des
se des
se des se des
ad
ad
ad
ad
dex te ram
dex te ram Pa
dex te ram Pa
dex te ram
- - - - - - -
- - - - - -
- - - - - - - -
- - - - - -
-
-
-
-
-
-
-
-
- -
- - -
- - -
- -
67
67
Pa tris,
tris,
tris,
Pa tris,
mi se
mi
mi se re re
mi
re re
se re re
no
se re re
Quo
Quo
Quo
Quo
no bis.
no bis.
no bis.
ni am,
ni am,
ni am,
ni am,
Quo ni
Quo
bis.
Quo
quo ni
quo ni
quo ni
quo ni
am, quo ni
ni am
Quo ni am
ni am
am
am
am
am
-
- -
- -
-
- - - -
- - - -
- - - - - - - - -
- - - -
- - - -
- - - -
- - - -
- - - -
- - - -
- -
- -
- -
6 Lasso - Missa Osculetur me - Gloria
Saturday, June 22
216 n Sacred MuSic colloquiuM 2013
73 am tu so
tu so
tu tu
73
lus san
lus
so lusso
ctus.
san
san
lus san
Tu
ctus.
ctus.
ctus.
so lus Do
Tu so lus
Tu so lus
Tu so lus
Tu so lus Do
Tu so lus
Tu so lus
Tu so lus
mi nus.
Do mi nus.
Do mi nus.
Do mi nus.
mi nus.
Do mi nus.
Do mi nus.
Do mi nus.
Tu
Tu
Tu
Tu
- - - - - -
- - -
- - -
- - -
- - - -
- -
- - -
- - -
- - -
- - -
- - -
-
79
79
so
so so lus
so
lus
lus Al Al tis
lus Al
Je
Je
Al tis si
tis si
si tis si mus,
su
Je su
Je
mus,
mus, Je mus, Je
Je
Chri
Chri
su Chri
su Chri
Je su Chri
su Chri ste.
su Chri
su Chri
ste. Cum
ste. Cum San cto
ste. Cum
ste. Cum
ste.
ste.
ste.
- - - - - - - - -
- - - - - - - -
- - - - - -
- - - - - - - -
- -
- -
- -
- -
- - - - -
-
7Lasso - Missa Osculetur me - Gloria
Saturday, June 22
Sacred MuSic colloquiuM 2013 n 217
85
San cto Spi ri
Spi ri
San cto Spi ri
San cto Spi ri
85
tu, in glo ri
tu, in glo ri a
tu, in glo ri
tu, in glo ri
a De i
De i
a De i Pa a De i
Pa tris. A
Pa tris. A
tis. A Pa tris. A
Cum
Cum
Cum
Cum
men.
men. men.
men.
San cto Spi ri tu,
San cto Spi ri
San cto Spi ri San cto Sppi ri
De i
De
De i
De
in glo ri
tu, in glo ri
tu, in glo ri
tu in glo ri
Pa tris. A
i Pa tris.
Pa tris.
i Pa tris.
a
a
a
a
- - - - - - - -
- - - - - - -
- - - - - - - -
- - - - - - - -
- - -
- -
- -
- -
- - - - -
- - - - -
- - - - -
- - - - -
92
men.
A men.
A men.
A men.
92 De i Pa
De i Pa
De i Pa
De i
De i
De
De i
De
tris. A
tris. A
tris. A
Pa tris. A
Pa tris. A
i Pa tris
Pa tris.
i Pa tris.
men.
men.
men.
men.
men.
A men. De
A men,
A men.
De i Pa
De i Pa
De i Pa
De i
De i Pa
i Pa
a
De i
tris. A
tris.
tris. A
Pa tris.
tris. A
tris. A
Pa tris. A
A
men.
A
men.
men.
man.
men.men.
men.
men.
- - - - - - - -
-
-
- - - - - - -
- - - - - -
- - - - - -
- - - - - - - -
- - - - - -
- - - - - - -
- - - - - -
8 Lasso - Missa Osculetur me - Gloria
Saturday, June 22
218 n Sacred MuSic colloquiuM 2013 Saturday, June 22
Sacred MuSic colloquiuM 2013 n 219Saturday, June 22
220 n Sacred MuSic colloquiuM 2013
&
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vi si bi
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si bi
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„
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„
- - -
- - - -
- - -
- -
- - - - - -
- - - - - -
- - - - - -
- - - - - -
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CREDO IN UNUM DEUM
Saturday, June 22
Sacred MuSic colloquiuM 2013 n 221
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œ œ œ œ .˙ œ
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li
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sum Chri
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sum Chri
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sum Chri
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stum, Fi
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stum, Fi li
w.˙ œ
stum, Fi li
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„
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19
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˙ ˙ ˙ ˙
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w ˙˙
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ni
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ex Pa tre na
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ex Pa tre na
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wÓ
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tum. Et ex
wÓ ˙
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tum
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ex Pa tre na
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ex Pa tre na
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w
tum
w
tum
w
tum
w
tum
- - - -
- - - -
- - - - -
- - - -
- - - - - - - - - -
- - - - - - - - - -
- - - - - - -
- - - - - - - - -
2 Lasso - Missa Osculetur me - Credo
Saturday, June 22
222 n Sacred MuSic colloquiuM 2013
&
&
V
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&
V
?
#
#
#
#
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25
œ œ ˙ .˙ œ
mni a sae cu
œ œ ˙ .˙ œ
mni a sae cu
˙ w ˙
a sae cu
œ œ ˙.˙ œ
mni a sae cu25
„
„
„
„
w
la.
w
la.
w
la.
w
la.
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„
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lu
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o,
w w
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w w
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men de
œ œ œ .˙ œ˙
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„
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˙ ˙
de lu
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˙
lu mi
˙.˙
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men de
w˙ ˙
de lu mi
„
„
„
„
- - - - - -
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31
˙ ˙# w
mi ne,
W
ne,
.˙ œ w#
lu mi ne,
W
ne,31
Ó˙
De
Ów
˙
De um
w
De
w# w
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Ó w ˙
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w ˙ ˙
De um ve
˙w
˙
um ve
w w
De um
w w
ve rum,
ww
um
w w
È( )
ve
˙
˙
ve rum
˙ ˙.˙ œ
um ve
œ œ œ œ œ ˙˙
rum
˙˙
rum
˙˙
Ó˙
ve rum, De
.˙ œ ˙ ˙
De um
w w
ve
w w
rum de
w
de
œ œ œ ˙ w
rum
Ó
˙
de
„
˙#.˙ œ œ
I
˙
um ve
W
ve
W
rum
w˙
˙
De o ve
.w ˙
De o
Ó ˙.˙ œ
de De o
œ œ œ œ ˙
˙
De o
„
w
rum
w
rum
„
œ œ# œ
I˙ w
ro.
.˙ œ œ œ ˙
ve
œ œ œ ˙ w
ve ro.
ww
ve ro.
˙ œ œ
de De
w
de
Ó ˙ œ œ œ œ
de De
Ó ˙
de
- -
- -
- - - - - -
- - - - - -
- - - - -
- - - -
- - -
- - - -
- - - - -
- - - -
3Lasso - Missa Osculetur me - Credo
Saturday, June 22
Sacred MuSic colloquiuM 2013 n 223
&
&
V
?
&
&
V
?
#
#
#
#
#
#
#
#
37
w
w
ro.
„
„
37
œ œ ˙ ˙˙
o ve
˙ ˙ .˙ œ
De o ve
œ œ ˙ w
o
œ œ œ œ ˙
˙n
De o
.˙ œ w
Ge ni tum,
Ó
˙˙ ˙
Ge ni tum,
.˙ œ.˙ œ œ
Ge ni tum,
Ó .˙ œ˙
Ge ni tum,
œ œ# œ ˙ w
ro.
œœ
˙ w
ro.
w w
ve ro.
ww
ve ro.
˙.˙ œ ˙
non fa
˙ ˙ w
non fa
˙ ˙ w
non fa
˙ ˙# w
non fa
„
„
„
„
œ œ# œ ˙ w
ctum,
W
ctum,
w w
ctum,
W
ctum,
.˙ œ
con sub
.˙ œ
con sub
Ó.˙ œ œ œ
con sub stan ti
.˙ œ
con sub
„
„
„
„
œ œ ˙ ˙ ˙
stan ti a lem Pa
œ œ w ˙
stan ti a lem
˙ ˙ w
a lem Pa
œ œw
˙
stan ti a lem
Ó ˙
per
Ó
˙
per
„
„
œ œ œ ˙ w
tri:
w w
Pa tri:
w w
tri:
ww
Pa tri:
- - - - -
- - -
- - -
- - -
- - -
- - - -
- - -
- - - - - - - -
- - - - - -
- - - - - -
- - - - - -
&
&
V
?
&
&
V
?
#
#
#
#
#
#
#
#
43
˙˙ ˙ ˙
quem o mni a
W
quem
Ó ˙ ˙˙
per quem o
Ó ˙w
per quem,43
„
„
Ó ˙
per
Ó ˙
per
˙ ˙ ˙ ˙
fa cta sunt, o
w
˙ ˙ ˙ ˙
mni a fa cta
Ó ˙˙
˙
per quem o
Ó ˙ ˙ Œœ
per quem o
Ó
˙˙ ˙
per quem o
˙w
˙
quem o mni
wÓ ˙
quem o
˙ ˙ w
mni a
.w ˙
o mni
˙w ˙
sunt, o mni
˙˙ w
mni a
œ œ ˙ .˙ œ
mni a fa
˙ ˙ w
mni a
w
a
˙ ˙ w
mni a
.w ˙
fa cta
w .˙ œ
a fa cta
w.˙ œ
a fa cta
.w ˙
fa cta
œ œ w ˙#
cta
Ów
˙
fa cta
w .˙œ
fa cta
ww
fa cta
˙
˙ ˙ ˙
sunt. Qui pro pter
˙˙# w
sunt. Qui pro
˙ ˙ ˙ ˙
sunt. Qui pro pter
˙ ˙ ˙˙
sunt. Qui pro pter
w
sunt.
w#
sunt.
w
sunt.
w
sunt.
w˙ ˙
nos ho mi
˙˙
˙˙
pter nos ho mi
˙ w ˙
nos ho mi
˙w ˙
nos ho mi
„
„
„
„
- - -
- - -
- - -
- - - - -
- - - - - - - - -
- - - - - -
- - - - - - - - -
- - - - - -
4 Lasso - Missa Osculetur me - Credo
Saturday, June 22
224 n Sacred MuSic colloquiuM 2013
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&
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?
&
&
V
?
#
#
#
#
#
#
#
#
49
w#
nes
w
nes
w
nes
w
nes49
Ó ˙ ˙ ˙
et pro pter
Ó˙ ˙ ˙
et pro pter
Ó ˙ .˙ œ
et pro pter
Ó ˙˙ ˙
et pro pter
„
„
„
„
˙ ˙ ˙ ˙
no stram sa lu
w ˙ ˙
no stram sa
w ˙ ˙n
no stram sa
w˙
˙n
no stram sa
Ó ˙
de
Ó˙
de
Ó˙
de
Ó
˙
de
œ œ œ ˙ w
tem
w w
lu tem
w w
lu tem
ww
lu tem
˙˙
scen dit
˙˙
scen dit
˙ ˙
scen dit
˙˙
scen dit
Ó ˙ ˙˙
de scen dit
Ó˙ ˙
˙
de scen dit
Ó˙ ˙ ˙
de scen dit
Ó
˙˙
˙
de scen dit
w.˙ œ
de cae
wnw
de cae
w˙
˙n
de scen dit
Ó˙n œ œ œ œ
de cae
Ó w˙
de cae
Ówn
˙
de cae
Ó w˙È
de cae
Wn
de
œ œ ˙ w
lis,
wÓ
˙
lis, de
W
de˙
˙Ó
˙
lis, de
œ œ ˙ w
lis,
œœ
˙ ˙˙
lis, de
.˙ œ œ ˙˙
lis, de
ww
cae lis,
- - - -
- - - -
- - - -
- - - -
- - - - -
- - -
- - - -
- - - -
- - -
- - -
- - -
- - -
&
&
V
?
&
&
V
?
#
#
#
#
#
#
#
#
55
ww
de cae
œ œ œ œ œœ
˙
cae
W
cae
˙
.˙ œ˙
scen dit de cae55
w w
de cae
œ œ œ ˙w
cae
w w
cae
ww
de cae
W
lis.
˙ ˙# w
lis.
W
lis.
W
lis.
W
lis.
W
lis.
˙˙ w
lis.
W
lis.
W
W
W
W
W
W
W
W
w# ˙ ˙
Et in car
w
Et
w ˙ ˙
Et in car
w ˙ ˙
Et in car
„
„
„
„
.˙ œ w
na tus est
˙ ˙ .˙ œ
in car na tus
.˙ œ w
na tus est
.˙ œ w
na tus est
w w
Et in
w ˙ ˙
Et in car
w ˙ ˙
Et in car
w ˙ ˙
Et in car
w Ó ˙
de
wÓ
˙
est de
w Ó ˙
de
w Ó ˙
de
˙w ˙#
car na tus
˙˙ w
na tus est
.˙ œ w
na tus est
.˙ œw
na tus est
-
- - - -
- - -
- -
-
-
- - - -
-
- - -
- - -
---
- - -
- - -
- - -
- - -
- - -
5Lasso - Missa Osculetur me - Credo
Saturday, June 22
Sacred MuSic colloquiuM 2013 n 225
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&
V
?
&
&
V
?
#
#
#
#
#
#
#
#
61
˙# ˙ w
Spi ri tu
.˙ œ w
Spi ri tu
.˙ œ w
Spi ri tu
˙ ˙w
Spi ri tu61
.w˙
est de
Ó˙ ˙ ˙
de Spi ri
Ó ˙ ˙ ˙
de Spi ri
Ó˙
˙ ˙
de Spi ri
„
„
„
„
˙.˙ œ
˙
Spi ri tu
˙˙ ˙ ˙
tu, de Spi ri
w .˙ œ œ
tu San
w
.˙ œ
tu San
„
„
„
„
œ œ œ ˙ w
San
.w ˙
tu San
œ œ œ œ w
W
Ó w˙
ex Ma
w
ex
w#
ex
w
ex
w
cto
œ œ
I
œ
I
˙
I
w
cto
w
cto
w
cto
˙ w ˙
ri a
˙# w ˙
Ma ri a
w ˙˙
Ma ri a
˙w ˙
Ma ri a
„
„
„
„
˙
.˙ œ œ œ
Vir
˙˙
˙ ˙
Vir gi ne, ex
.˙ œ .˙ œ
Vir
.˙ œ œ œ œ œ
Vir
„
„
„
„
- -
- -
--
- -
- - - -
- - - - -
- - - - - -
- - - - - -
- - -
- - - -
- - - - -
- - - - -
&
&
V
?
&
&
V
?
#
#
#
#
#
#
#
#
67
.˙ œ œ œ œ ˙
w˙
˙
Ma ri a
˙ ˙.˙ œ œ
gi ne:
œ œ œ œ œ œ œ œ
67
„
„
„
„
˙ ˙# w
gi ne:
.˙ œ w
Vir gi ne:
w
.˙ œw
gi ne:
Ó ˙ œ œ˙
Et ho mo fa
Ó˙
˙˙
Et ho mo
Ó ˙ ˙˙
Et ho mo
Ó ˙˙ ˙
Et ho mo
Ó ˙ œ œ˙
Et ho mo fa
Ó˙
˙˙
Et ho mo
Ó ˙ ˙˙
Et ho mo
Ó ˙˙ ˙
Et ho mo
˙ ˙# w
ctus est,
.˙ œ w
fa ctus est,
.˙œ w
fa ctus est,
.˙ œw
fa ctus est,
˙ ˙# ˙ ˙
ctus est, et
.˙ œ ˙ ˙
fa ctus est, et
.˙œ w
fa ctus est,
.˙ œ˙ ˙
fa ctus est, et
Ó ˙ ˙# ˙
et ho mo
Ó˙ w
et ho
Œœ
˙ .˙ œ
et ho mo fa
Ó ˙˙ ˙
et ho mo
w ˙˙
ho mo fa
˙n˙
.˙ œ
ho mo fa ctus
Ó w ˙
fa ctus
˙˙n .˙ œ
ho mo fa ctus
w w
fa ctus
˙ w˙
mo fa ctus
œ œ˙
Ó ˙
ctus est, fa
.w ˙
fa ctus
˙ ˙# w
ctus est.
W
est.
W
est.
W
est.
W
est.
W
est.
˙ ˙ w
ctus est.
W
est.
W
W
W
W
W
W
W
W
- - - - - - - -
- - - - - - - -
- - - - -
- - - - - - - -
- - - -
- - - -
- - - - -
- - - -
6 Lasso - Missa Osculetur me - Credo
Saturday, June 22
226 n Sacred MuSic colloquiuM 2013
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&
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#
#
#
Cantus I
Altus I
Tenor I
Cantus II
74
.w˙
Cru ci
w
Cru
„
74
„
.w˙
fi xus
˙˙n w
ci xi xus
„
„
.˙ œ ˙ ˙
e ti am pro
˙.˙ œ ˙
e ti am
Ów
˙
Cru ci
w
Cru
w .˙ œ
no bis,
Ó˙ ˙n ˙
pro no bis,
ww
fi xus
˙˙ w
ci fi
œ œ ˙ .˙ œ
e ti
˙.˙ œ ˙
e ti am
.˙ œ.˙ œ œ
e ti am
˙w ˙
xus e ti
.w ˙
am pro
˙ œ œ ˙ ˙
pro
œ œ w˙
pro
˙ w ˙
am pro
- - - - - - - -
- - - - -
- - - - - - - -
- - - - -
&
&
V
&
#
#
#
#
80
œ œ œ ˙ w
no
œ œ .˙ œ# œ
I
˙
no
w w
no bis:80
.˙ œ œ œ ˙
no
W
bis:
wÓ
˙
bis: sub
w
sub
W
bis:
Ó ˙
sub
˙ ˙ w#
Pon ti o
˙# ˙
Iw
Pon ti o
w
sub
˙# ˙ ˙˙
Pon ti o Pi
Ó˙
wN
Pi la
˙˙ .˙ œ œ
Pi la
˙ ˙# œ œ˙
Pon ti o Pi la
w w#
la to
˙˙
Ó˙
to pas
w w
to
œ œ œ ˙ w
to
w w
pas sus,
˙œ œ œ œ œ œ
sus, et
w˙ ˙
pas sus, et
˙ w ˙
pas sus,
- - - - - -
- - - - - - - -
- - - - - - - -
- - - - - - - -
&
&
V
&
#
#
#
#
86
˙w ˙
et se pul
œ œ ˙ w
se
˙ ˙.˙ œ
se pul tus86
˙w ˙
et se
˙ ˙w
tus est.
.˙ œw
pul tus est.
W
est.
˙ ˙w
pul tus est.
Ó ˙ ˙ œœ
Et re sur re
Ó˙ ˙ ˙
Et re sur
Ó˙
˙˙
Et re sur
Ó˙ ˙ ˙
Et re sur
œ œ# œ
I
˙ w
xit
w ˙ ˙
re xit ter
w˙
˙
re xit ter
w w
re xit
Ó˙
se
œ œ ˙ w#
ti a di
œ œ ˙# w
ti a di
Ó .˙ œ ˙
ter ti a
˙.˙ œ
I
œ ˙
I
cun
˙˙ w
e, se cun
w Ó˙
e, se
.˙ œ œ w
di
- - - - - - -
- - - - - - - - - -
- - - - - -- - - -
- - - - - - - - -
&
&
V
&
#
#
#
#
92
w ˙ ˙
dum Scri ptu
˙ ˙ w
dum Scri
w ˙˙
cun dum Scri92
˙˙
˙ ˙
e, se cun dum
œœ
œ œ œ ˙ œ
w w
ptu
wn w
ptu
wnw
Scri ptu
w
ras.
w
ras.
ww
ras. Et
˙
w ˙
ras. Et a
˙# ˙
Et a
Ów ˙
Et a
˙ ˙˙
˙
a scen dit in
˙ ˙Œ ˙ œ
scen dit, et a
w ˙ ˙
scen dit in
˙ ˙ ˙# ˙
scen dit in cae
˙ œ œw
cae
w ˙ ˙
scen dit in
w w
cae lum:
œ œ
I
œ ˙
I
w
lum:
wÓ ˙
lum: se
w w
cae lum:
- - - - - - -
- - - - - - - - -
- - - - - - - -
- - - - - - - - -
7Lasso - Missa Osculetur me - Credo
Saturday, June 22
Sacred MuSic colloquiuM 2013 n 227
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&
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#
#
#
98
w# ˙ ˙
se det ad
w ˙ ˙
se det ad
˙ w˙
det ad98
w w
se det
.˙ œ w
dex te ram
.˙ œ ˙˙
dex te ram Pa
.˙ œ w#
dex te ram
Ó ˙ .˙ œ
ad dex te
.˙ œ œ œ ˙
Pa
˙˙
tris.
w w
Pa tris.
˙.˙ œ# œ ˙
ram Pa
˙˙ œ œ œ œ
tris. Et i te rum ven
Ó ˙ œ œ ˙
Et i te rum
Ó ˙ œ œœ œ
Et i te rum ven
˙˙ œ œ œ œ
tris. Et i te rum ven
œ œ ˙ Œœ# œ œ
tu rus est cum glo ri
˙ œ œ˙
˙
ven tu rus est cum
œ œ˙
Œ œ œ œ
tu rus est cum glo ri
œ œ ˙Œ
œ˙
tu rus est cum glo
- - - - - - - - - - - -
- - - - - - - - -
- - - - - - - -
- - - - - - - - - -
&
&
V
&
#
#
#
#
103
œœ œ œ
œ#œ œ œ
a, cum glo ri a, ju di ca
˙ ˙ ˙ ˙
glo ri a, gu
œ œœ œ
w
a, ju di ca re103
œ.œ œ
I
œ
I
œ
Iw
ri a,
œN œ .˙ œ œ ˙
re vi vos et mor
œ œ œ œ ˙
˙n
di ca re vi vos, vi
„
˙ œ œ œ œ œ œ
ju di ca re vi vos et
˙ ˙# ˙ ˙
tu os, et
w˙ œ œ
vos, vi vos et
Ó˙ œ œ œ œ
vi vos et mor
˙ ˙ ˙˙
mor tu os, et
.˙ œ w
mor tu os:
œœ
w ˙#
mor tu
˙
˙È
w
tu os:
˙ œ œ.˙ œ
mor tu
Œ ˙ œ ˙˙
cu jus re gni
˙˙ ˙
˙
os: cu jus re
˙# ˙˙ ˙
È
cu jus re gni
˙ w ˙
os: cu jus
- - - - - - - - - - - -
- - - - - - - - - - - -
- - - - - - - - - - - -
- - - - - - - -
&
&
V
&
#
#
#
#
108
˙˙ ˙
˙
non e rit fi
˙n˙ ˙
˙
gni non e rit
˙ ˙˙ ˙
non e rit fi108
˙ w ˙
re gni
˙ ˙ w
nis,
˙ œ œ ˙ ˙
fi
˙˙n w
nis,
.˙ œ ˙# ˙
non e rit fi
wÓ
˙
cu
w
Ó
˙#
nis, cu
wÓ ˙
cu
˙ ˙
I
˙ ˙
nis, cu
˙ ˙ w
jus re
˙ ˙ ˙˙
jus re gni non
œ œ˙
˙
˙
jus re gni non
˙# w ˙
jus re gni
Œ
œ œ œ
gni non e rit
œ œ ˙ ˙Ó
e rit fi nis,
œ œ ˙# ˙Ó
e rit fi nis,
˙ œ œ
non e rit
˙# ˙
fi nis,
Ó Œœ œ œ ˙
non e rit fi
Ó ˙ œ œ ˙#
non e rit fi
˙ ˙
fi nis,
- - - - - -
- - - - - - -
- - - - - - - -
- - - - - - - -
&
&
V
&
#
#
#
#
114
Œœ œ œ ˙
˙
non e rit fi nis,
œ œœ
œ ˙œ
œ
nis, non e rit fi nis, non
œœ
œ
È
œw
nis, non e rit fi114
˙ œ œ ˙œ
œ
non e rit fi nis, non
Œœ œ œ ˙
˙
non e rit fi nis,
œ œ œ œœ œ œ œ ˙
e rit fi nis, non e rit fi
W
œ œ Œ ˙ œ# œ ˙
e rit fi
œ œn œ œ œœ Œ
œ
non e rit fi nis, non
.˙œn œ œ œ# œ œ œ
nis, non e rit fi
W
nis.
w Œœn œ œ
nis, non e rit
œœ
œ# œ œ œ w
e rit fi
ww
nis.
W
œ# œ œ œ ˙w
fi nis.
W
nis.
W
W
W
- - - - - - - -
- - - - - -
- - - - - - - - - -
- - - - - -
8 Lasso - Missa Osculetur me - Credo
Saturday, June 22
228 n Sacred MuSic colloquiuM 2013
&
&
V
?
&
&
V
?
#
#
#
#
#
#
#
#
119
w˙
˙
Et in Spi
„
Ów
˙
Et in
w
Et119
„
„
„
„
˙˙ ˙
œ œ
ri tum San
wwn
Et in
˙w ˙
Spi ri
wnw
in Spi
„
„
„
„
œ
È
œ .˙ œ# œ
I
˙
˙˙
È
w
Spi ri tum
˙ œ œ œ œ œ ˙
tum San
˙ ˙ w
ri tum
„
„
„
„
˙.˙ œ ˙
ctum, Do
w˙ ˙
San ctum, Do
w w
ctum,
w w
San ctum,
„
„
„
„
œ œ w ˙#
mi
˙ ˙n w
mi num,
˙ ˙w
Do mi num,
˙ ˙ w
Do mi num,
Ó œ œ
et vi
Óœ œ
et vi
Ó œ œ
et vi
Ó œ œ
et vi
˙ œ œ œœ ˙#
num, et vi vi fi can
Óœ œ œ œ ˙
et vi vi fi can
Ó œ œ œœ œ
œ
et vi vi fi can tem:
Ó œ œœ œ
˙
et vi vi fi can
œœ ˙# ˙ œ œ
vi fi can tem, et vi
œ œ ˙ ˙ œ œ
vi fi can tem, et vi
œœ œ
œÓ œ œ
vi fi can tem, et vi
œ œ˙
˙œ œ
vi fi can tem, et vi
- - - - - - - - - - - - -
- - - - - - - - -
- - - - - - - - -
- - - - - - - - -
- - - - -
- - - - -
- - - - -
- - - - -
&
&
V
?
&
&
V
?
#
#
#
#
#
#
#
#
125
˙ Ów
tem: qui
˙Ó Ó
˙
tem: qui
w
qui
˙Ó Ó
˙
tem: qui125
œœ ˙# w
vi fi can tem:
œ œ ˙ w
vi fi can tem:
œœ ˙ w
vi fi can tem:
œ œ˙
w
vi fi can tem:
˙w
˙
ex Pa tre
˙ ˙ ˙˙
ex Pa tre
˙˙ w
ex Pa
˙˙
w
ex Pa
„
„
„
„
˙.˙ œ ˙
Fi li o
˙˙ w
Fi li o
˙w ˙
tre Fi li
w.˙ œ
tre Fi li
„
„
„
„
ww
que pro
.˙ œ ˙ ˙
que pro
˙ ˙ ˙˙
o que pro ce
w ˙ ˙
o que pro
„
„
„
„
ww
ce dit.
w w
ce dit.
œ œ
I
œ ˙
I
w
dit.
w w
ce dit.
Ó˙
Qui
Ó
˙
Qui
Ó ˙
Qui
Ó ˙
Qui
„
„
„
„
˙ ˙.˙
œ
cum Pa tre et
˙ ˙ ˙ ˙
cum Pa tre et
˙ ˙# ˙ œœ
cum Pa tre et
˙˙ ˙
˙
cum Pa tre et
- - - - - -
- - - - - -
- - - - - -
- - - - - -
- - -
- - -
- - -
- - -
-
-
-
-
9Lasso - Missa Osculetur me - Credo
Saturday, June 22
Sacred MuSic colloquiuM 2013 n 229
&
&
V
?
&
&
V
?
#
#
#
#
#
#
#
#
131
Ó˙
si
Ó˙
si
Ó ˙
si
Ó ˙
si131
.˙ œ ˙# ˙
Fi li o si
˙ ˙ ˙˙#
Fi li o si
˙˙ ˙ ˙
Fi li o si
˙˙n ˙
˙
Fi li o si
œ œ œ œ w
mul ad o ra
œ œ œ œ˙
˙
mul ad o ra tur,
œ˙ œ ˙
˙
mul ad o ra tur,
œ œ œ œ wn
mul ad o ra
œ œ œ œ w
mul ad o ra
œ œ
I
œ
I
œ
I
w
mul ad o ra
œ œ œ œ w
mul ad o ra
œ œ œ œw
mul ad o ra
˙# ˙ ˙œ œ
tur, et con glo ri
Ó˙ œ œ ˙
et con glo ri
Ó ˙˙ ˙
et con glo
w
tur,
w
tur,
w
tur,
w
tur,
w
tur,
œ œ˙ œ
Iœ œ œ
fi ca tur, et con glo
œ .œ œ# œ œ œ œœ œ
È
fi ca tur, et con glo
œnœ ˙ œ
œ# œ œ
ri fi ca tur, et con glo
Ó ˙˙ ˙
et con glo
„
„
„
„
œn œ ˙ w
ri fi ca tur:
œ œ˙ w
ri fi ca tur:
œ œ ˙# w
ri fi ca tur:œ
œ ˙w
ri fi ca tur:
Ó˙
qui
Ó
˙
qui
Ó˙
qui
Ó ˙
qui
- - - - - -
- - - - - -
- - - - - -
- - - - - -
- - - - - - - - - - - - - -
- - - - - - - - - - - - - -
- - - - - - - - - - - - - -
- - - - - - - - -
&
&
V
?
&
&
V
?
#
#
#
#
#
#
#
#
136
„
„
„
„
136
˙ .˙ œ œ œ
lo cu
˙ ˙ œ œ œ œ œ
lo cu
˙ ˙ w
lo cu
˙˙ .˙ œ œ
lo cu
Ó˙
per
„
„
Ó
˙
per
œ ˙ œ w
tus est
˙ ˙ w
tus est
˙ ˙ w
tus est
˙ ˙w
tus est
œ œ œ œ œ ˙ ˙
Pro
.˙ œ œ œ œ ˙n
per
.˙ œ œ œœ œ œ
perœ œ œ .˙ œ œ ˙
„
„
„
„
œœ
.˙ œ œ ˙
phe
ww
Pro phe
˙ ˙ w
Pro phe
w w
Pro phe
„
„
„
„
w
tas.
w
tas.
w
tas.
w
tas.
w
Et
Ów
˙
Et u
Ó ˙ ˙˙
Et u nam
w
Et
„
„
„
„
˙˙ ˙
˙
u nam san ctam
˙˙ ˙
˙
nam san ctam
œ œ˙ ˙
˙
san ctam
˙˙
w
u nam san
- - - -
- -
- -
- -
- -
- -
- -
- -
- -
- -
- -
- -
10 Lasso - Missa Osculetur me - Credo
Saturday, June 22
230 n Sacred MuSic colloquiuM 2013
&
&
V
?
&
&
V
?
#
#
#
#
#
#
#
#
142
„
„
„
„
142
˙ w ˙#
ca tho li
˙ .˙ œ ˙
ca tho li cam
˙ ˙ .˙ œ
ca tho li
˙ ˙.˙ œ
ctam ca tho li
„
„
„
„
˙ ˙.˙ œ
cam et a po
˙#w ˙#
et a po
˙˙ .˙ œ
cam et a po
˙ ˙.˙ œ
cam et a po
„
„
„
„
˙# ˙˙ ˙
sto li cam Ec
˙ ˙n ˙ ˙N
sto li cam Ec
˙˙
.˙ œ
sto li cam
˙ ˙ ˙˙
sto li cam Ec
„
„
„
„
˙ œ œ œ œ œ œ
cle
œ œ.˙ œ œ
œ
cle
wÓ
˙
Ec
œ œ œ œ w
cle
Ó ˙
Con
Ó
˙
Con
„
„
.˙ œw
si am.
.˙n œ w
si am.
˙ ˙ w
cle si am.
w w
si am.
˙˙ ˙ ˙
fi te or u
.˙ œ w
fi te or
Ó ˙ ˙˙
Con fi te
Ó ˙˙
˙
Con fi te
„
„
„
„
- - - - - - - - - - - - -
- - - - - - - - -
- - - - - - - - - -
- - - - - - - - - - - -
- - - -
- - -
- - -
- - -
&
&
V
?
&
&
V
?
#
#
#
#
#
#
#
#
148
˙˙ ˙ ˙
num ba pti sma
w ˙˙
u num ba
˙ .˙ œ ˙#
or u num ba
˙˙ ˙ ˙
or u num ba148
„
„
„
„
˙ ˙ ˙ ˙
in re mis
w# ˙˙
pti sma in
w ˙ ˙
pti sma in
w˙ ˙
pti sma in
.˙ œ
in re
.˙ œ
in re
Ó.˙ œ ˙
in re mis
.˙ œ
in re
œ œw œ# œ
I
si o
œ œœ
œ ˙ œ œ
re mis si o
˙˙ ˙ ˙
re mis si o
œ œ œ ˙ Ó˙
re
œ œœ
œÓ ˙
mis si o nem pc
˙ ˙w
mis si o
˙ ˙˙
˙
si o nem
˙ ˙ w
mis si o
w
Iw
nem
w w
nem
˙ ˙ Ó ˙
nem pec
˙ ˙ ˙˙
mis si o nem
˙ ˙ w
ca to
˙.˙ œ
˙
nem pec ca to
.˙
œ
pec ca
ww
nem pec
w w
pec
Ó˙
˙˙
pec ca to
ww
ca to
w w
pec ca
w .˙ œ
rum, pec ca
˙˙
Ó˙
rum, pec
˙.˙ œ ˙
to
w# w
ca to
˙˙
w
ca to
˙ œ œw
w
rum.
w w
to
.w˙
to rum.
œ œ .˙ œ# œ
I
˙
ca to
˙ ˙ œ œ œ ˙
W
rum.
- - - - - - - - - - -
- - - - - - - - - - - -
- - - - - - - - - -
- - - - - - - - - - - -
- - - - - - - - - -
- - - - - - - - -
- - - - - - - - - - -
-
- - - - - - -
11Lasso - Missa Osculetur me - Credo
Saturday, June 22
Sacred MuSic colloquiuM 2013 n 231
&
&
V
?
&
&
V
?
#
#
#
#
#
#
#
#
154
w w#
rum. Et
˙# ˙ ˙ œ œ
È
rum. Et ex spe
Ów
˙
Et ex
ww
rum. Et154
„
w
rum.
w
rum.
„
˙ œ œ œ œ ˙
ex spe
œ œ ˙ ˙˙
cto, et
˙.˙ œ œ œ
spe
ww
ex spe
„
„
„
„
œ œ œ œ w
œ œ œ œ ˙ ˙
ex spe
w w
œ œ œ œ w
„
„
„
„
w
cto
˙ ˙#
cto
w
cto
w
cto
w# ˙
re sur
w ˙
re sur
w ˙
re sur
w
˙
re sur
w ˙
re sur
„
w˙ w# ˙
re sur re cti
w
˙
re sur
w ˙ w ˙#
re cti o nem,
w ˙ w ˙
re cti o nem,
w ˙ w ˙
re cti o nem,
w# ˙w
˙
re cti o nem,
3
3
3
3
w ˙ w˙
re cti o nem
w ˙ w ˙
re sur re cti
w˙ w# ˙
o nem, re sur
w# ˙w
˙
re cti o nem
w ˙
re sur
w ˙
re sur
w ˙
re sur
w
˙
re sur
3
3
3
3
- - - - -
- - - -
- - - - -
- - - - -
- - - - -
- - - -
- - - - - - -
- - - - -
- - - - - - -
- - - - - - -
- - - - - - -
- - - - - - -
&
&
V
?
&
&
V
?
#
#
#
#
#
#
#
#
160
„
w˙
o nem
w
˙ w ˙
re cti o nem
„
160
w ˙ w˙#
re cti o nem
w˙ w# ˙
re cti o nem
w ˙ w˙
re cti o nem
w# ˙w
˙
re cti o nem
3
3
3
3
.˙ œ w
mor tu o
Ó
˙
mor
˙ ˙w
mor tu o
˙ ˙
mor tu
˙ ˙ w
mor tu o
˙n ˙ w
mor tu o
.˙ œw
mor tu o
˙ ˙ w
mor tu o
w Ó ˙
rum. Et
œ œ ˙
˙ Œ œ
tu o rum. Et
˙˙ Ó
˙
rum. Et
w ˙˙
o rum. Et
w w#
rum.
w w
rum.
w w
rum.
ww
rum.
œ œ œ œ w
vi
.˙ œ œw
vi
˙ œ œ ˙ ˙
vi tam
œ œ œ œ œ œ œ œ
vi
„
„
„
„
w
tam
˙ ˙
tam
„
˙˙
tam
Ó ˙ œ œ œ œ
et vi
Ó Œ œ .˙ œ œ
et vi
w ˙ œ œ
et vi
Ó˙
œ œ œ œ
et vi
Ó ˙
ven
Ó˙
ven
w
ven
Ó˙
ven
w w
tam
.w ˙
tam
˙ ˙
tam
œ œ œ œ ˙˙
tam
-
- - -
- - - - - -
- - - - - -
- - - - - -
- - - - - -
-- - - - -
- - - - - -
- - - -
- - - - - -
- - -
- - -
-
- - -
-
-
-
-
12 Lasso - Missa Osculetur me - Credo
Saturday, June 22
232 n Sacred MuSic colloquiuM 2013
&
&
V
?
&
&
V
?
#
#
#
#
#
#
#
#
166
˙ ˙# .˙ œ
tu ri sae cu
˙n ˙˙ ˙
tu ri sae cu
˙˙ w
tu ri sae
˙ ˙.˙n œ
tu ri sae cu166
„
„
„
„
˙# ˙˙
Œ œ
li. A men, a
˙ œ œ œ œ œ œli. A
˙ ˙# Ó˙
cu li. A
˙.˙ œ œ œ
li. A
„
„
„
„
œ œ œ# ˙ œ œ ˙
˙˙ w
men, a
œ œ œ œ w
W
„
„
„
„
w
men,
w#
men,
w
men,
w
men,
Ó ˙ ˙ ˙#
ven tu ri
Ó˙ ˙n ˙
ven tu ri
w ˙˙
ven tu ri
Ó˙
˙ ˙
ven tu ri
„
„
„
„
.˙ œ ˙# ˙
sae cu li. A
˙ ˙ ˙ œ œ
sae cu li. A
w ˙ ˙#
sae cu li.
.˙n œ ˙˙
sae cu li. A
„
„
„
„
˙Œ ˙ œ œ# œ
men, a
œ œ œ œ
˙˙
men,
Ó.˙ œ œ œ
A
œ œ œ œw
- - - - - - -
- - - - - - -
- - - - - -
- - - - - - -
- - - - - -
- - - - - - -
- - - - -
- - - - - - -
&
&
V
?
&
&
V
?
#
#
#
#
#
#
#
#
172
w w#
a men,
.˙ œ
a
Ów
˙
a men,
Ó .˙ œ œ ˙
a172
œ œ
I
œ ˙
I
w
men,
w˙#
˙
a men, a
w .˙ œ œ
men,
ww
men,
w w
a
œ# œ ˙ w
men,
˙œ œ œn
œ
˙
a
˙ ˙Ó œ œ
men, a men,
W
a
˙ ˙ wn
men, a
wÓ ˙
a
ww
a
W
˙ .˙ œ œ ˙a
W
men.
Wn
a
W
˙ ˙
È
Ó
˙
men, a
˙˙
w
men, a
W
W
men.
W
men.
W
W
men.
W
men.
˙ ˙# w
men.
W
men.
W
men.
W
W
W
W
W
W
W
W
- - - - - -
- - - - - -
- - - -
- - - - - - -
- - - - - - - -
- - - - - -
- - - -
- - - - - - -
13Lasso - Missa Osculetur me - Credo
Saturday, June 22
Sacred MuSic colloquiuM 2013 n 233Saturday, June 22
234 n Sacred MuSic colloquiuM 2013 Saturday, June 22
Sacred MuSic colloquiuM 2013 n 235
Cantus I
Altus I
Tenor I
Bassus I
Cantus II
Altus II
Tenor II
Bassus II
San
San
San
San
ctus,
ctus,
ctus,
ctus, San
San
SanSan
ctus Do
ctus Do
ctus Do mi
ctus Do
mi nus De us
mi nus De us Sa
nus De us mi nus De us
- - -
- - - - - - - - -
- - - - - - -
- - - - - - -
- - - - - - -
6 Sa ba oth.
ba oth.
Sa ba oth.
Sa ba oth.
6 San
San
San
San
ctus, ctus,
ctus, San
ctus,
San
San
San
ctus
ctus
ctus Do mi nus De
ctus Do mi nus
Do mi nus De
Do mi nus
us Sa ba
De us Sa ba
us Sa ba
De us Sa ba
- -
- -
- -
- -
- - - - - - - - - - - -
- - - - - - - -
- - - - - - - - - -
- - - - - - - - - -
SANCTUS & BENEDICTUS
Saturday, June 22
236 n Sacred MuSic colloquiuM 2013
12 Ple ni sunt cae
Ple ni sunt cae li,
Ple ni sunt cae
Ple ni sunt cae li,
12 oth. Ple ni sunt
oth. Ple ni sunt
oth. Ple ni sunt
oth. Ple ni sunt
li et
ple ni sunt cae li
li et
ple ni sunt cae li
cae li
cae li et
cae li et ter
cae li
ter ra
et ter
3
ter ra
et ter
et ter
ter
ra glo
et ter
glo
ra glo
glo
ra glo ra
ra
ri a,
ra
ri
glo
glo ri
glo
glo
- -
- - - - -
-
- - - - -
- - -
-
- -
-
-
- - - - - - - -
- - - - - - - - -
- - - - - - -
- - - - - - - - - -
17 a,
ri
ri a,
ri a,
17 ri a tu
a
ri
ri
glo ri a
a
glo
glo
a, glo ri
tu a glo
a tu a,
a
tu
tu
ri a tu
ri a tu
a tu
ri a tu
glo ri a tu
tu
a.
a.
a.
a.
a.
a.
a.
a.
- - - - - - - -
- - - -
- - - - - - -
- - - - - - -
- - - - -
- - - - - - -
- - - - - -
- - - - - - -
2 Lasso - Missa Osculetur me - Sanctus & Benedictus
Saturday, June 22
Sacred MuSic colloquiuM 2013 n 237
22 Ho san na
Ho san
Ho san na
Ho san na
22
in ex cel
na in ex cel
in ex cel
in ex cel
sis,
sis,
sis,
sis, Ho san na
Ho san
Ho san na
Ho san na
in ex cel
na in ex cel
in ex cel
in ex cel
- - - -
- - - -
- - - -
- - - -
- - - -
- - - -
- - - -
- - - -
26 ho san na
ho san na
ho san na
ho san na
26 sis, ho san na
sis, ho san na
sis, ho san na
sis, ho san na
in ex cel
in ex cel
in ex cel
in ex cel
in ex cel
in ex cel
in ex cel
in ex cel
sis.
sis.
sis.
sis.
sis.
sis.
sis.
sis.
- - - - - - - -
- - - - - - -
- - - - - - -
- - - - - -
- - - -
- - - -
- - - - - -
- - - - - -
3Lasso - Missa Osculetur me - Sanctus & Benedictus
Saturday, June 22
238 n Sacred MuSic colloquiuM 2013
29 Be ne
Be
Be
29
di
ne di ctus
ne di ctus
Be
Be ne
ctus, be ne
be ne
qui ve
ne di
di ctus qui
di ctus
di ctus
nit, qui ve
ctus qui ve
ve
qui
qui
nit, qui
ve
ve nit in
nit
nit in ve nit in
- - - - - - - - - -
- - - - - - -
- - - - - - - - -
- - - - - - -
- - - - -
35 nit in no
no mi ne
in no mi
no mi ne
35 no mi ne
mi ne Do mi
Do
ne Do mi
Do mi
Do
ni, in no
mi ni,
ni,
ni, in
mi ni,
mi ne Do
in
in no
no mi ne in no mi
mi ni, in
no mi ne,
mi ne,
Do mi ni,
ne Do mi
no mi ne
in no mi
in
in no mi
ni, in no
- - - - - - - - - - -
- - -- - - - - - -
- - - - - -
- - - - - - - - - -
- - - - - - - - - -
4 Lasso - Missa Osculetur me - Sanctus & Benedictus
Saturday, June 22
Sacred MuSic colloquiuM 2013 n 239
41 Do mi
ne Do mi
no mi ne
ne Do
41 mi ne Do
ni, Do mi
ni.
Do mi
mi
mi
ni.
ni.
ni.
ni.
- - - - - -
- -
- - - -
- - - - - - - -
-- - - - - -
5Lasso - Missa Osculetur me - Sanctus & Benedictus
HOSANNA
UT
SOPRA
Saturday, June 22
240 n Sacred MuSic colloquiuM 2013
Cantus I
Altus I
Tenor I
Bassus I
Cantus II
Altus II
Tenor II
Bassus II
A
A
A
A
gnus
gnus
gnus, A
gnus
De
De i, A
De
gnus De
gnus De
i,
A
A
i,
i,
i,
gnus
A
gnus,
A
- - - - - -
- - - - - -
- - - - - - - -
- - - - - - -
- - -
-
-
- - -
6
6
De
gnus
A
gnus De
De
gnus
A gnus
A
i, A
i,
De i, A
i, A gnus
De
gnus De
gnus De
A gnus De
gnus De i,
De i,
i, qui
i qui
qui
qui
i, qui tol lis
i, qui tol lis
qui tol lis
qui tol lis
- - - - - - - -
- - - - - - - - -
- - - - - - -
- - - - - - -
-
-
- -
- -
AGNUS DEI
Saturday, June 22
Sacred MuSic colloquiuM 2013 n 241
11 tol lis
tol lis
tol lis tol lis
11 pec ca
pec
pec
pec
pec
ta mun
ca ta mun
ca ta mun
ca ta mun
ca ta mun
pec ca ta
pec ca ta
pec ca ta
di:
di:
di:
di:
di:
mun di: mun di: mun di:
mido
mido
sena mido mido
sena
reno
rebis
nopa
reno
rebis
sena
reno
rebis
sena
reno
rebis
- - - - -
-
-
-
- - -
- - -
- - -
- - -
- - -
- - -
- - - - - -
- - -
- - -
- - - -- - -
- -
- -
- -
16 mido
sena
reno
mido
mido
sena
mido
sena
16 bis,
cem,
nopa
bis,cem,
nopa
bis,cem,
nopa
bis,cem,
rebis
nopa
sena
reno
reno
rebis
nopa
reno
rebis
nopa
mido
sena
mido mido mido
bis,cem,
mido
sena
rebis
bis,cem,
mido
bis,cem,
mido
sena
reno
rebis
nopa
sena
reno
rebis
sena
reno
rebis
sena
reno
rebis
reno
rebis
nopa
nopa sena
reno
rebis
nopa
reno
rebis
nopa
nopa
nopanopa
bis.cem.
bis.cem.
bis.cem.
bis.cem.
bis.cem.
bis.cem.bis.cem.
bis.cem.
- - - - - - - -
- - - - - - -
- - - - - - -
- - - - - - - - -
- - - - - - - -
- - - - - - - -
- - - - - - - -
- - - - - - - -
- - - - - -
- - - - - - -
- - - - - -
- - - - - -
- - - - - - - -
- - - - - -
- - - - - -
- - - - - -
21
A gnus De i,
qui tol lis pec ca ta mun di:
mi se re re no bis.- - - - - - - - - - -
2 Lasso - Missa Osculetur me - Agnus Dei
Saturday, June 22
242 n Sacred MuSic colloquiuM 2013 Saturday, June 22
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Saturday, June 22
244 n Sacred MuSic colloquiuM 2013
&
&
V?
b
b
b
b
c
c
c
c
Soprano
Alto
Tenor
Bass
œ œ ,A ve,
œ œ ,A ve,
œ œ ,A ve,
œ œ ,A ve,
p
p
p
p
.œ jœ œ œa ve, Ma
.œ jœ œ œa ve, Ma
˙ œ œa ve, Ma
.œ jœ œ œa ve, Ma
.œ jœ ˙ri a,
.œ jœ ˙ri a,
.œ jœ ˙ri a,
.œ Jœ ˙ri a,
œ œ œ œ œ œ œgra ti a
œ œ œ œ œ œ œgra ti a
œ œ œ œ œ œgra ti a
œ œ œ œ œ œ œgra ti a
˙ œ ‰ œ œple na, Ma
˙ jœ ‰ œple na, Ma
˙ Jœ ‰ œple na, Ma
˙ Jœ ‰ œple na, Ma
œ œ œ œ œri a, gra
˙ œ œ œri a, gra
œ œ œ œri a, gra
˙ œ œri a, gra
- - - - - - - - - -
- - - - - - - - - -
- - - - - - - - - -
- - - - - - - - - -
&
&
V?
b
b
b
b
S
A
T
B
6
˙ œ œ œ œ
œ œ œ œ œ œœ œ œ œ œ
œ œ œ œ œ
œ œ œ œ œ œ œti a
œ œ œ œ œ œ œti a
.œ Jœ œ œ œti a
.œ jœ œ œ œti a
˙ .œ ‰ple na.
˙ .œ ‰ple na.
˙ .œ ‰ple na.
˙ œ Jœ ‰ple na.
.˙ œDo mi
.œ jœ œ œDo mi
.˙ œDo mi
.œ Jœ œ œDo mi
wnus
.œ jœ œ œnus
.œ jœ œ œnus
.˙ œnus
.˙ œ
œ ˙ œ
.œ jœ œ œ œ
œ ˙ œ
- - - - - - - - -
- - - - - - - - -
- - - - - - - - -
- - - - - - - - -
&
&
V?
b
b
b
b
S
A
T
B
12 œ œ œ œ œ œ œte
œ œ œ œ œ œ œte
œ œ œ œ œ œte
œ œ œ œ œ œ œte
.˙ jœ ‰cum.
jœ ‰ œœ œœ œœcum et be ne
.˙ Jœ ‰cum.
.˙ Jœ ‰cum
p.˙ œ œ
San ta
œœ œœ œœ œœ œœ œœ œœdi cta
.˙ œ œSan cta
∑
p
p
œ ˙ œMa ri a
˙ œœ œœ œœ œœtu in mu li
œ ˙ œMa ri a
∑
œ ˙ œMa ter De
œœ œœ œœ ˙e ri bus
œ ˙ œMa ter De
∑
.˙ Jœ ‰i
œœ ‰ œœ œœ œœ œœet be ne
.˙ Jœ ‰i
∑
- - - - - - - - - -
- - - - - -
- - - - - -
-
Ave MariaSergei Rachmaninoff
dolce
dolce
Saturday, June 22
Sacred MuSic colloquiuM 2013 n 245
&
&
V?
b
b
b
b
46
46
46
46
S
A
T
B
18 ˙ œ œ œO ra pro
œœ œœ œœ œœ œœ œœ œœdi ctus fru
˙ œ œ œO ra pro
∑
P
P
œ ˙ œ œ œ œno bis pec
œ ˙ œ œ œ œ
..œœ ≈ œœ œœ œœ œœ œœ œœ œœ œ œ œctus ven tris tu i Je sus. O
œ ˙ œ œ œ œœno bis pec
Ó Ó Œ œ œO
ƒ
ƒ
w œ œca to
w œ œ
.œ Jœ œ œ œ œ œ œ œra pro no bis
w œ œca to
w œ œ.œ Jœ œ œ œ œ œ œ œ
ra pro no bis
ƒ
ƒ- - - - - - - - - - -
- - - - - - - - - - - - -
- - - - - - - - - - - - -
- - - -
&
&
V?
b
b
b
b
c
c
c
c
S
A
T
B
21 œ œ œ œ œ jœ ‰ œri bus nunc
œ œ œ œ Jœ ‰ œ
Jœ ‰ œ œ œ œ œ œ œ œpec ca to ri
œ œ œ œ œ jœ ‰ œri bus nunc
œ œ œ œ Jœ ‰ œ
Jœ ‰ œ œ œ œ œ œ œ œpec ca ta ri
P
P
w ˙et in
.œ jœ, œ œ œ œ œ œ œbus nunc et in
œ œ œ œ œ œ œet in
˙ œ œ œ œ œ œœ Jœ ‰ œ œ œ œbus nunc et
F
P
w ˙ho ra
˙ œ œ œ œ œ œ œho
.œ Jœ œ œ œ œ œ œ œho ra mor tis nos
œ œ œ œ œ œin ho
œ Œ œ œ œ œmor tis
œ Œ œ œ œ œra mor tis
œ Œ ˙ ˙trae. mor tis
œ Œ œ œ ˙
œœ Œ œ œ œ œra mor tis
p
p
p
p
P
P
P
P
- - - - - - - - - - -
- - - - -
- - - - -
- - - - - -
&
&
V?
b
b
b
b
c
c
c
c
S
A
T
B
25
˙ œ jœ ‰nos trae
˙ œ jœ ‰nos trae
˙ œ jœ ‰nos trae
˙ œ jœ ‰nos trae
p
p
p
p
wA
wA
.˙ œA
.˙ œA
wUmen
wU
men
wUmen.
wwU
men.
π
π
π
π
- - - - - - - -
- - - - - - - -
- - - - - - - -
- - - - - - - -
2Ave Maria
Saturday, June 22
246 n Sacred MuSic colloquiuM 2013 Saturday, June 22
alternatim,women begin
Sacred MuSic colloquiuM 2013 n 247
13th Sunday in Ordinary Time
J
11 a.m. June 23
Ordinary Form
Sunday, June 23
248 n Sacred MuSic colloquiuM 2013 Sunday, June 23
Sacred MuSic colloquiuM 2013 n 249
MASS OF THE ENGLISH MARTYRS — Jef f Ostrowski (b. 1981) — CCWATERSHED.ORG
Lord,f have mer cy.-
’Lord,f have mer cy.-
Lord,p have mer cy.
’- Lord,f have mer cy.-
Lord,p have mer cy.-
’Lord,f have mer cy.-
p Lord, have mer cy.-
’Lord,f have mer cy.-
Christ,f have mer cy.
’- Christ,f have mer cy.- f Lord, have
Christ,p have mer cy.
’- Christ,f have mer cy.- Lord,p have
Christ,p have mer cy.
’- Christ,f have mer cy.- Lord,p have
Christ,p have mer cy.
’- Christ,f have mer cy.- Lord,p have
mer cy.- -
’f Lord, have mer cy.- -
mer cy.
’- -
f Lord, have mer cy.- - -
mer cy.- -
’Lord,f have mer cy.- -
mer cy.- -
’Lord,f have mer cy.- -
“Lord, Have Mercy” — SATB Choral Score — When sung a cappella, this higher key should be used.
Sunday, June 23
250 n Sacred MuSic colloquiuM 2013 Sunday, June 23
MASS OF THE ENGLISH MARTYRS — Jef f Ostrowski (b. 1981) — CCWATERSHED.ORG
“Glory To God” — SATB Choral Score — When sung a cappella, this higher key should be used.
Glo ry- to God in the high est,-
Glo ry- to God in the high est,-
and on earth peace to peo ple- of good will.
Glo ry- to God in the high est.-
And on earth peace to peo ple- of good will.
Glo ry- to God in the high est.-
And on earth peace to peo ple- of good will.
Glo ry- to God in the high est.-
And on earth peace to peo ple- of good will.
We praise you, we bless you, we a dore- you, we glo ri- fy- you,
We praise You, We bless You, We a dore- You, We glo ri- fy- You.
We praise You, We bless You, We a dore- You, We glo ri- fy- You.
We praise You, We bless You, We a dore- You, We glo ri- fy- You.
�
Glo-
�
ry
�
to
�
God
�
in
�
the�
high-�
est,
� �
Whenever possible, the Celebrant alone, without accompaniment, should intone the “Glor y to God.” All then beg in sing ing on the words “and on earth.” If this is not possible, a soloist or the SATB choir is allowed to beg in the “Glor y to God.”
*
*
*
*
Sacred MuSic colloquiuM 2013 n 251
MASS OF THE ENGLISH MARTYRS — Jef f Ostrowski (b. 1981) — CCWATERSHED.ORG
“Glory To God” — SATB Choral Score — When sung a cappella, this higher key should be used.
we give you thanks for your great glo ry,- mf Lord God, heav en- ly- King,
We give You thanks for Your great glo ry.- Lordp God, heav en- ly- King,
We give You thanks for Your great glo ry.- p Lord God, heav en- ly- King,
We give You thanks for Your great glo ry.- p Lord God, heav en- ly- King,
Omf God, al might- y- Fa ther.- Lord Je sus- Christ,
Omf God, al might- y- Fath er.- Lord Je sus- Christ,
Omf God, al might- y- Fath er.- Lord Je sus- Christ,
Omf God, al might- y- Fath er.- Lord Je sus- Christ,
On ly- Be got- ten- Son, Lord God, Lamb of God, Son of the Fa ther,-
On ly- Be got- ten- Son, Lord God, Lamb of God, Son of the Fath er,-
On ly- Be got- ten- Son, Lord God, Lamb of God, Son of the Fath er,-
On ly- Be got- ten- Son, Lord God, Lamb of God, Son of the Fath er,-
Sunday, June 23
252 n Sacred MuSic colloquiuM 2013
MASS OF THE ENGLISH MARTYRS — Jef f Ostrowski (b. 1981) — CCWATERSHED.ORG
“Glory To God” — SATB Choral Score — When sung a cappella, this higher key should be used.
youmf take a way- the sins of the world, have mer cy- on us;
Youpp take amf
way- the sins of the world, have mer cy- on us.
Youpp take a way- the
mfsins of the world, have mer cy- on us.
Youpp take a way- the mf sins of the world, have mer cy- on us.
youmf take a way- the sins of the world, re ceive- our prayer;
Youpp take amf
way- the sins of the world, re ceive- our prayer.
Youpp take a way- the mf sins of the world, re ceive- our prayer.
Youpp take a way- the mf sins of the world, re ceive- our prayer.
you are seat ed- at the right hand of the Fa ther,- have mer cy- on us.
You are seat ed- at the right hand of the Fath er,- have mer cy- on us.
You are seat ed- at the right hand of the Fath er,- have mer cy- on us.
You are seat ed- at the right hand of the Fath er,- have mer cy- on us.
Sunday, June 23
Sacred MuSic colloquiuM 2013 n 253
MASS OF THE ENGLISH MARTYRS — Jef f Ostrowski (b. 1981) — CCWATERSHED.ORG
“Glory To God” — SATB Choral Score — When sung a cappella, this higher key should be used.
OR:
OR:
OR:
OR:
Formf you a lone- are the Ho ly- One, you a lone- are the Lord,
Forpp mf You a lone- are the Ho ly- One, You a lone- are the Lord,
Forpp mf You a lone- are the Ho ly- One, You a lone- are the Lord,
Forpp mf You a lone- are the Ho ly- One, You a lone- are the Lord,
youmf a lone- are the Most High, Je sus- Christ, with the Ho ly- Spir it-
Youmf
a lone- are the Most High, Je sus- Christ, with the Ho ly- Spi rit-
Youp a lone- mf are the Most High, Je sus- Christ, with the Ho ly- Spi rit-
Youp a lone- mf are the Most High, Je sus- Christ, with the Ho ly- Spi rit-
in the glo ry- of God the Fa ther.- A men.- A men.-
in the glo ry- of God the Fa ther.- A men.- A men.-
in the glo ry- of God the Fa ther.- A men.- A men.-
in the glo ry- of God the Fa ther.- A men.- A men.-
Sunday, June 23
254 n Sacred MuSic colloquiuM 2013 Sunday, June 23
Sacred MuSic colloquiuM 2013 n 255Sunday, June 23
256 n Sacred MuSic colloquiuM 2013
Vzbb bb s b mv v zb [ v b v zÞf bb v zzf v v bb Þf v v v v b | v gv v b Ýdv bbb v hv b zzh b v bb z záj b b v zzj v v bb hb .v b b } v zz b Þf v bb v b bb dv v bb | v ßg v v bb g v zbbbbb bÌv v bb s b mb bb bbb b [ b ô
Vv bb Þf v v v b f b v v bb àhv v v v b jv v bb hv zbbbb Ìv bb v dv zzbb s b mv zb } v v àhv v bb hv v v v v bb àhv v v bbbb f v b v b s b mv zb [ v b s v vv b Ýdv v v v zzdb v v b Þf bbbbb ó
Vv bb dv zbb bb zb s b mv z bb [ b bb z bb hv v bb àhv v v v v b jv b zzbb b hb .v v v b v v ãl vv v vk v b v b àhbb v v bbb j v v bb hb . zzb b }b v z zb Þf bb v bb b f v v db mv vv v bb | v gv v bb v Ìò
Vzbb bb s b mv v bb z[ v v zb f v zb zb bb bbb Þf v v v v bb hv v zbb àhv bbb bbb j v v b àhv v v zb | vg v v b hb .v zb zbb { v zb j v v v v v bbb ãl v bb v v bb zk v v vv àhv v b hzb v v bb áj v zb | v g bbbb ö
Vzbb bb h b .v zb v }v v v bbb àhv v v v b hzv v bbb Þf v zb v v bbb f zv v v bbb àhv v zzj zz b v v hb .v b v b [ b v s v v vv v b Üs vv v b s vvv v b s v zb v bbbb Ýdv v v v bbbb f z bb | v g zzzb ö
Vv bb hb .v v bb [ v v j v v bbbb âk b v v v b l v v b v vi Ðhv v bb jv bbb hb .v zb } b v b zb hv b b v b Þf v v v b f v vv b Üs v zb v dv v bbb b s b m v v vv bbbb f v b v v v bb Þf v bb v dv v bb f bbbb ö
Vv b v HU v v vv zb hb .v zz bb [ bb v z áj v v v b v v b lv b v b âk v v hv b v zzbb áj v b v b j bb v v b hb .v zb bb [ v s v v v bbbbbb Þf v v v b f v b |v ßg v vv g vv b zzhb .v v zz} v v zzf b bb b ó
Vzb | v DT v bb v Ìv Üs v v bbb s v v bb dv v b Þf v vv v zb | v gv v bbbb HU v v b hb .v zz bb [ b zb z zb hv v v v b v hv zv b hv v b ájv zz| v g vv b hzbb v zb f b ,v zz z[ bb v zàh bb bbb bb ô
Vzbb bb f z b v v zbb Üs v z| v g b v v Ìv b v b dv v bbb s b mv v}zzb v b hv z b v v bb hb b v v àhv v zzj bbbb v b b àhv v b v b hv v b Þf v | zzg b v v bbb hv v b hb .v z zz[ b z zÜs v z z zzdz zz zbb ô
Vv Þf v v vv vv | vg vv b v db mv zb zb bb s b mv z}v b z b Üs v zb v bb f v v v HU vv v b âk v bb v b l v vv bbÐv bbbb b hb .v v zb { z b v hv b v zbb àhv v bb bb hv v v v zÞf v bbbb z b f bb bbb õ
Bv g b ,v v v b g b ,v v b }v v zzÝdzv v zzf cv v zzg v v zzßg v b v zhczzßg v v b f bb v v db mv zb [ zv f v v zzÝdv b v zb s bb v v zzb Ýdv v zg v v zzb hb .v z zb [ bb b \ v HU bbb b ö
Bb zb h bb b czz àhv v b g b v zzb Þf v v b g v v zg b ,v v zb { v b v zÝdv v zb f v zzb zz ßg v b zzz b g v v zbb g czb b v z Þf c v zb zb h b czzg b ,v v b zb g b ,v bb }v b b z zDR v v b v g v bb õ
Bv g b ,bbb v v bb bb zzzg b cv b f b ,cv v b hcb ßg v v b fv v ze s b Nmzzb [ b b \ bbb HU v bbb v zhcb hv v zb àhb v v b hv v bb g czzzÞf cz b zhv b v t f v b zb g b ,z z}zó
Bzbb v DR v zb bb b zßg v v zb g v b zz zb ßg v bbbb v z zg v b v zÞf cv v zhcb g b czdb mv z bb z b [ bb b b v b f cbb zb Ýdv b v zs v bb v Ýd b v v bb g bb v bb zb z b hcb v v zÞf cb hv zb õ
Bzv zb g b ,v b bb bbb zzg b ,zz bb bbb }b z zz bb z zÝdv z bb z bb zb f cv zzg b v v zdb mczz b f v v zb Ýdv v zbb s b bb v zz Ýdb b v zzb g chb v v v v v zzbb Þf v v zzhv zv b g b ,v v zzzg b , zb v b bb } z b ó
Bv zzDR b z b v v zbb g b zzz zb bbb b ßg v b z zzzv v zzg v v v bt f v zb zzÝdv bb z \ bbb S ãØ×Y 7 v v zb hzz zz zbb h b . zzv z}v zv b 6 z% $ v GY z% $ # zb zzz zzSE b Nm v zb } x x cv
Vv bb hv v b f v v b s v z|v gv v bb f v vv vv v z4 z# @v b v s b mv zzz} v b | v FT zzv v Þf v bbb v v zb hv v v zzbb Þf v v b s v zb zzb dv v v b s b mzb b zz b z z{ zò
Vb zz bb s b b v v zzÞf v | v g cv b v b àhv bb v hv b v b àhv v b v bb j v v bbb hb .v v z{ zv zzàh b v v b hb v v bb áj zv v j b v b v l v vv vÐv zbb v j v bb v b hb .v v bb { b z bb z bb àhv bb ô
Vv b f v b v bbbb Üs v b | v g v zzbbb Ìv v b dv v b s b mv zz} zb b zbb b àhv bb v b hv v zb b Þf v b v b f cv v v zb Üs v v bb s b v v db mv vv v vf zv | vßg v v b vv v vv v b dv b ò
Sunday, June 23
Sacred MuSic colloquiuM 2013 n 257
Vzbb bb s b mv v zb [ v b v zÞf bb v zzf v v bb Þf v v v v b | v gv v b Ýdv bbb v hv b zzh b v bb z záj b b v zzj v v bb hb .v b b } v zz b Þf v bb v b bb dv v bb | v ßg v v bb g v zbbbbb bÌv v bb s b mb bb bbb b [ b ô
Vv bb Þf v v v b f b v v bb àhv v v v b jv v bb hv zbbbb Ìv bb v dv zzbb s b mv zb } v v àhv v bb hv v v v v bb àhv v v bbbb f v b v b s b mv zb [ v b s v vv b Ýdv v v v zzdb v v b Þf bbbbb ó
Vv bb dv zbb bb zb s b mv z bb [ b bb z bb hv v bb àhv v v v v b jv b zzbb b hb .v v v b v v ãl vv v vk v b v b àhbb v v bbb j v v bb hb . zzb b }b v z zb Þf bb v bb b f v v db mv vv v bb | v gv v bb v Ìò
Vzbb bb s b mv v bb z[ v v zb f v zb zb bb bbb Þf v v v v bb hv v zbb àhv bbb bbb j v v b àhv v v zb | vg v v b hb .v zb zbb { v zb j v v v v v bbb ãl v bb v v bb zk v v vv àhv v b hzb v v bb áj v zb | v g bbbb ö
Vzbb bb h b .v zb v }v v v bbb àhv v v v b hzv v bbb Þf v zb v v bbb f zv v v bbb àhv v zzj zz b v v hb .v b v b [ b v s v v vv v b Üs vv v b s vvv v b s v zb v bbbb Ýdv v v v bbbb f z bb | v g zzzb ö
Vv bb hb .v v bb [ v v j v v bbbb âk b v v v b l v v b v vi Ðhv v bb jv bbb hb .v zb } b v b zb hv b b v b Þf v v v b f v vv b Üs v zb v dv v bbb b s b m v v vv bbbb f v b v v v bb Þf v bb v dv v bb f bbbb ö
Vv b v HU v v vv zb hb .v zz bb [ bb v z áj v v v b v v b lv b v b âk v v hv b v zzbb áj v b v b j bb v v b hb .v zb bb [ v s v v v bbbbbb Þf v v v b f v b |v ßg v vv g vv b zzhb .v v zz} v v zzf b bb b ó
Vzb | v DT v bb v Ìv Üs v v bbb s v v bb dv v b Þf v vv v zb | v gv v bbbb HU v v b hb .v zz bb [ b zb z zb hv v v v b v hv zv b hv v b ájv zz| v g vv b hzbb v zb f b ,v zz z[ bb v zàh bb bbb bb ô
Vzbb bb f z b v v zbb Üs v z| v g b v v Ìv b v b dv v bbb s b mv v}zzb v b hv z b v v bb hb b v v àhv v zzj bbbb v b b àhv v b v b hv v b Þf v | zzg b v v bbb hv v b hb .v z zz[ b z zÜs v z z zzdz zz zbb ô
Vv Þf v v vv vv | vg vv b v db mv zb zb bb s b mv z}v b z b Üs v zb v bb f v v v HU vv v b âk v bb v b l v vv bbÐv bbbb b hb .v v zb { z b v hv b v zbb àhv v bb bb hv v v v zÞf v bbbb z b f bb bbb õ
Vzb | v g v v vv v zÌvv b s b mzzz b } v b z b hv zz bb àhv b v b hv zbbb b Þf v v v v v bb f v zzv bb Üs v zzzb zs z b v bb bbb Ýdv zb v v v dv vv v zbb v bb Þf b v v bb dv b v b s b mv zb [ v zhbb bb ö
Vzbb bb àhv b v b j bbb v b bb àhv v zb zb l z b v v âk v v b zbb hv v v v bbbb áj v v bbb j b v v b hb .v z z{ b zz bb h zbb v b b b àhv v v bbb f v v v b Üs v bb | v gvv bbbb Þf v v b f v v b v dbmv v zb zs b mbb z zb } zù
Vzb z bb ãl v b zzv l v v v v b v zzáj v v b jv v bb ãl v vv v v bbbb hv v zzv bbb h b .v v v v v vv bb áj v v bb j b v v hb .v v z[ zv sv v zzbbb Þ f zbb v bb hv b zzb àhb v v bb j v v bbb bbb h b .v v { zö
Vzb z zzh bbb zb bb | v g v v vv bbbb àhv v bb f v zz| v ßg bb bb v b dv v bb Þ f v vv zb g v v v b zb zr Ìs v z zv dv b v bb s b mv zzb b z b } zv v zz bb Üs z bb v v b f vv v b v v zzhzzv bbb àhv b bb v b b f v zb õ
Vzb | v ßg v b v f v bbbbb hb .v zz z[ bb z bb b j v v b zàhv zzv b l v v bb âk v b zz bb j v zzb v hb .v v b [ b zb s v v zb v bb Þf v v v v bb f v b v bàhv b v b hzb b b v zb j v v bb hb .v v zz z{ zb zv b b àhv v b hb bbb ô
Vzb v Þf v zzz zf zz zbb b v zÜs v v v bb | v g vv v v b vr Ìs vv bbb d v v bb s b mv z} zz b z zb àh zb b v v hv v bb hb .v v b v v b f v v zb v vf b ,v v v v zzs vv v b Ýdv bb zbb dv b b v zs b mbbb bb b [ b ö
Vv bb hzz b z bb v b àhv v zz bb hv v v àhb v v hb v zbb bbb áj zb b v b | v g vv v vàhv zb zzhv v b f b ,v z bb b } v bb v b hv v zz áj v v b k v b v b ãl vb v bbb j v v bb l v v v v b vi Ðhv zzzb j b z bb bb ö
Vv v hb .v v b [ b v Þf v vv v dv v bb Þf v v b hb zbb | v ßg v v fv v vv v zb Ýdv v zb zf v zb v db mv v v bb s b mv zb } v zb hv zv bb b àh v v vv v f b vv bbb s b mv v v b hv zb v àhzz zzb ö
Vzzz zhb v v b àh bbb bb b zb bb j z b v bb v àhv v v v b | v g zb v bbbbb Þf z b v b z bb g v bb v f b ,v bbb }v zz b l v bb v v bbi j v zbbb àhv v v v zbbb f v v v b áj v v b hvv bbbb Þf v b | v g v bb zzhb .z bbb }zö
Vbb z zb b 6 zb $ z@ zdze s b m zz| z zz9 z* z^ zj zu hv FT zy ÎÌs zdze s bb z b v zs b mv v b }x x cv bbb x x xx v b
Sunday, June 23
258 n Sacred MuSic colloquiuM 2013 Sunday, June 23
Vzb | v g v v vv v zÌvv b s b mzzz b } v b z b hv zz bb àhv b v b hv zbbb b Þf v v v v v bb f v zzv bb Üs v zzzb zs z b v bb bbb Ýdv zb v v v dv vv v zbb v bb Þf b v v bb dv b v b s b mv zb [ v zhbb bb ö
Vzbb bb àhv b v b j bbb v b bb àhv v zb zb l z b v v âk v v b zbb hv v v v bbbb áj v v bbb j b v v b hb .v z z{ b zz bb h zbb v b b b àhv v v bbb f v v v b Üs v bb | v gvv bbbb Þf v v b f v v b v dbmv v zb zs b mbb z zb } zù
Vzb z bb ãl v b zzv l v v v v b v zzáj v v b jv v bb ãl v vv v v bbbb hv v zzv bbb h b .v v v v v vv bb áj v v bb j b v v hb .v v z[ zv sv v zzbbb Þ f zbb v bb hv b zzb àhb v v bb j v v bbb bbb h b .v v { zö
Vzb z zzh bbb zb bb | v g v v vv bbbb àhv v bb f v zz| v ßg bb bb v b dv v bb Þ f v vv zb g v v v b zb zr Ìs v z zv dv b v bb s b mv zzb b z b } zv v zz bb Üs z bb v v b f vv v b v v zzhzzv bbb àhv b bb v b b f v zb õ
Vzb | v ßg v b v f v bbbbb hb .v zz z[ bb z bb b j v v b zàhv zzv b l v v bb âk v b zz bb j v zzb v hb .v v b [ b zb s v v zb v bb Þf v v v v bb f v b v bàhv b v b hzb b b v zb j v v bb hb .v v zz z{ zb zv b b àhv v b hb bbb ô
Vzb v Þf v zzz zf zz zbb b v zÜs v v v bb | v g vv v v b vr Ìs vv bbb d v v bb s b mv z} zz b z zb àh zb b v v hv v bb hb .v v b v v b f v v zb v vf b ,v v v v zzs vv v b Ýdv bb zbb dv b b v zs b mbbb bb b [ b ö
Vv bb hzz b z bb v b àhv v zz bb hv v v àhb v v hb v zbb bbb áj zb b v b | v g vv v vàhv zb zzhv v b f b ,v z bb b } v bb v b hv v zz áj v v b k v b v b ãl vb v bbb j v v bb l v v v v b vi Ðhv zzzb j b z bb bb ö
Vv v hb .v v b [ b v Þf v vv v dv v bb Þf v v b hb zbb | v ßg v v fv v vv v zb Ýdv v zb zf v zb v db mv v v bb s b mv zb } v zb hv zv bb b àh v v vv v f b vv bbb s b mv v v b hv zb v àhzz zzb ö
Vzzz zhb v v b àh bbb bb b zb bb j z b v bb v àhv v v v b | v g zb v bbbbb Þf z b v b z bb g v bb v f b ,v bbb }v zz b l v bb v v bbi j v zbbb àhv v v v zbbb f v v v b áj v v b hvv bbbb Þf v b | v g v bb zzhb .z bbb }zö
Vbb z zb b 6 zb $ z@ zdze s b m zz| z zz9 z* z^ zj zu hv FT zy ÎÌs zdze s bb z b v zs b mv v b }x x cv bbb x x xx v b
PRAYER OF THE FAITHFUL
The text that follows the dagger (†) in the invocations given below can also be
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LITURGY OF THE WORD 17
PRAYER OF THE FAITHFUL
The text that follows the dagger (†) in the invocations given below can also be
used to conclude intentions that are not sung; alternatively, the final words of
the individual intentions can take its place.
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LITURGY OF THE WORD 17
Sacred MuSic colloquiuM 2013 n 259Sunday, June 23
260 n Sacred MuSic colloquiuM 2013 Sunday, June 23
Sacred MuSic colloquiuM 2013 n 261
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1Sunday, June 23
262 n Sacred MuSic colloquiuM 2013
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„
.˙ œ ˙ ˙bmu - li - e - ri -
&
V
V
?
b
b
b
b
25
„
.˙ œ ˙ ˙mu - li - e - ri -
„
›bus,
Ó ˙ .˙ œin mu - li -
˙˙ ˙ .˙
bus, in mu - - - - - -
„
„
˙ ˙ œ œ œ œe - ri - bus,
œ œ œ œ œ .˙
„
„
œ œ ˙ ˙ .˙
in mu -œ ˙ ˙ ˙
li -
Ó ˙ .˙ œin mu - li -
„
œ w ˙li - e - ri -
w w
e - ri -
˙ ˙ we - ri - bus,
∑ Ó ˙
et
# w ∑bus,
w Ó ˙
bus, et
„
˙ ˙ w
be-ne - di -
&
V
V
?
b
b
b
b
31
∑ Ó ˙et
˙ ˙ wbe - ne - di -
„
w Ó ˙
ctus fru -
˙ ˙ wbe - ne - di -
w Ó ˙ctus fru -
Ó ˙ ˙ ˙
et be-ne -
˙ ˙ ˙ ˙ctus ven-tris tu -
w Ó ˙ctus fru -
˙ ˙ ˙b ˙
ctus ven-tris tu -
w wdi - ctus
w wi, Je -
˙ ˙ ˙ ˙ctusven-tris tu -
w Ó ˙i, Je -
Ó ˙ ˙ ˙fru-ctusven -
w wbsus Chri -
w Ó ˙i, Je -
w w
sus Chri -
˙ ˙ wtris tu - i,
w Ó ˙stus, Fi -
b
˙ w œ œsus Chri -
w Ó ˙stus, Fi -
Ó ˙ wJe - sus
w wbli - - -
- 2 -Sunday, June 23
Sacred MuSic colloquiuM 2013 n 263
&
V
V
?
b
b
b
b
13
13
13
13
37
w Ó ˙stus, Fi -
˙ ˙ w
li - us De -
w wChri - stus,
w Ó ˙us De -
b
˙ w œ œli - us
w Ó ˙i Fi -
Ó ˙ wFi - li -
w wbi vi -
w ˙ wDe - i
w w
li -
w .˙ œus
w Ó w
vi. De - - - - -
b
.˙ œ .˙vi - - - - -
˙ .˙ œ œ œus De - - -
˙ w ˙De - i
w w
b
œ w ˙
˙ ˙ wi vi -
˙ ˙ wvi - - -
˙ wi vi -
#
b
› ∑vi.
› ∑vi.
› ∑vi.
› ∑vi.
&
V
V
?
b
b
b
b
43
› wEt be -
„
› w
Et be -
„
w w wne - di - cta
„
w w w
ne - di - cta
„
b
› ∑sint
› wEt be -
› ∑sint
› w
Et be -
„
w w wne - di - cta
w w w
be - a - ta
w w wbne - di - cta
b
w w w
be - a - ta
› ∑sint
› w
u - be -
› ∑sint
b
b
› w
u - be -
„
› wra tu -
„
b
&
V
V
?
b
b
b
b
49
› wra tu -
w w w
be - a - ta
› ∑a,
„
b
› ∑a,› w
u - be -
„
w w wbbe - a - ta
b
„
› wra tu -
„
› wbu - be -
w w w
quæ lac - ta -
› ∑a,
„
› wra tu -
b .w ˙ wve - - -
w w wquæ lac - ta -
„
› w
a, quæ
› wrunt re -
› w
ve - runtw w w
quæ lac - ta -
› wlac - ta -
b
- 3 -Sunday, June 23
264 n Sacred MuSic colloquiuM 2013
&
V
V
?
b
b
b
b
C
C
C
C
55
.w ˙ wgem
.w ˙ wre - gem
.w ˙ wve - - -
› w
ve - runt
w .w ˙re - - - - - -
w w .w
re - - - - - -
w w ›runt re - gem
w wb ›re - gem
› w
˙ w w
›re - - -
›
re - - -
›gum
w Ó ˙gum et
›gum
›gum
„
.˙ œ ˙ ˙Do - -
„
Ó˙ .˙ œ
et Do - - -
Ó ˙ .˙ œet Do -
˙ ˙ ˙ ˙mi-numDe-um
∑ Ó ˙et
˙ ˙ ˙ ˙mi-num
&
V
V
?
b
b
b
b
61
˙ ˙ ˙ ˙mi-num
˙ .˙ œ œ œno - - - - - -
.˙ œ ˙ ˙Do - - -
˙ ˙ Ó ˙De-um no - - - -
b
˙ ˙ ˙ ˙De - um
˙ .˙ œ œ ˙
˙ ˙ ˙ ˙mi-num De -
˙b ˙ ˙ ˙
.˙ œ œ œ .˙no - - - - - - - -
˙ ˙ wstrum,
˙ ˙ .˙ œum no - - - - - -
˙ ˙ Ó .˙
strum, no - - - - - -
b
œ œ œ ˙ .˙
.˙ œ ˙ ˙
no - - - - - - -
œ œ w w
œ w ˙
œ w ˙
˙ .˙ œ ˙
˙ w
˙ ˙ w
#›
strum.
w w
›strum.
›
strum.
b›
strum.
- 4 -
Sunday, June 23
Sacred MuSic colloquiuM 2013 n 265
MASS OF THE ENGLISH MARTYRS — Jef f Ostrowski (b. 1981) — CCWATERSHED.ORG
“Holy, Holy, Holy” — SATB Choral Score — When sung a cappella, this higher key should be used.
Ho ly,- Ho ly,- Ho ly- Lord God of hosts. Heav’n and earth are
Ho ly,- Ho ly,- Ho ly- Lord God of hosts. Heav’n and earth are
Ho ly,- Ho ly,- Ho ly- Lord God of hosts. Heav’n and earth are
Ho ly,- Ho ly,- Ho ly- Lord God of hosts. Heav’n and earth are
full of your glo ry.
’- Ho san- na- in the high est.- Bless’d is he
full of your glo ry.-
’Ho san- na- in the high est.- Bless’d is he
full of your glo ry.-
’Ho
N.B. Tritone
san- na- in the high est.- Bless’d is he
full of your glo ry.
’- Ho san- na- in the high est.- Bless’d is he
who comes in the name of the Lord. Ho san- na- in the high est.-
who comes in the name of the Lord. Ho san- na- in the high est.-
who comes in the name of the Lord. Ho san- na- in the high est.-
who comes in the name of the Lord. Ho san- na- in the high est.-
Sunday, June 23
266 n Sacred MuSic colloquiuM 2013
MASS OF THE ENGLISH MARTYRS — Jef f Ostrowski (b. 1981) — CCWATERSHED.ORG
“Mystery Of Faith & Amen” — SATB Choral Score — When sung a cappella, this higher key is used.
We pro claim- your Death, O Lord, and pro fess- your
We pro claim- your Death, O Lord, and pro fess- your
The mys ter- y- of faith. We pro claim- your Death, O Lord, and pro fess- your
We pro claim- your Death, O Lord, and pro fess- your
Res ur- rec- tion- un til- you come a gain.- OR: un til- you come a gain.-
Res ur- rec- tion- un til- you come a gain.- OR: un til- you come a gain.-
Res ur- rec- tion- un til- you come a gain.- OR: un til- you come a gain.-
Res ur- rec- tion- un til- you come a gain.- OR: un til- you come a gain.-
A men,- A men.- OR: men.
A men,- A men.- OR: men.
for. . . ev er- and ev er.- A men,- A men.- OR: men.
A men,- A men.- OR: men.
Sunday, June 23
Sacred MuSic colloquiuM 2013 n 267
4167 : : Organist Score : : Jeff Ostrowski (2007) : : http://chabanelpsalms.org
Our
Fa
ther,
-
In honor of Holy Mary Magdalene Kiota (of Japan)
Who
art
in
Hea
ven,
- Hal
lowed
- be
Thy
Name,
Thy
http://www.corpuschristiwatershed.org/
kingdom
- come,
Thy Will
be
done
on
earth
as
it
is
in
Hea
ven.
-
Giveus this
day
our
dai
ly
- bread,
and
for
give
- us
our
tress
pass
- es,
-
as
we
for
give
- those
who
tres
pass
- a
gainst
-
us,
and
lead
us
not in
to
- temp
ta
-
tion,
- but
de
li
- ver
- us
from
e
vil.
-
for
the
king
dom,- the power- and the glo
ry
- are
yours,
now
and
for
e
-
ver.
-
Sunday, June 23
268 n Sacred MuSic colloquiuM 2013 Sunday, June 23
MASS OF THE ENGLISH MARTYRS — Jef f Ostrowski (b. 1981) — CCWATERSHED.ORG
“Lamb Of God” — SATB Choral Score — When sung a cappella, this higher key should be used.
Lamb of God, you take a way- the sins of the world, have mer cy- on us.
Lamb of God, you take a way- the sins of the world, have mer cy- on us.
Lamb of God, you take a way- the sins of the world, have mer cy- on us.
Lamb of God, you take a way- the sins of the world, have mer cy- on us.
Lamb of God, you take a way- the sins of the world, have mer cy- on us.
Lamb of God, you take a way- the sins of the world, have mer cy- on us.
Lamb of God, you take a way- the sins of the world, have mer cy- on us.
Lamb of God, you take a way- the sins of the world, have mer cy- on us.
Lamb of God, you take a way- the sins of the world, grant us peace.
Lamb of God, you take a way- the sins of the world, grant us peace.
Lamb of God, you take a way- the sins of the world, grant us peace.
Lamb of God, you take a way- the sins of the world, grant us peace.
Sacred MuSic colloquiuM 2013 n 269
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Sunday, June 23
270 n Sacred MuSic colloquiuM 2013 Sunday, June 23
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Sunday, June 23
272 n Sacred MuSic colloquiuM 2013
1
www.TheCaTholiCChoirbook.Com • Copying and sharing permiTTed under CreaTive Commons 3.0
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œ œ œ ˙
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sa crum
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˙ ˙˙ ˙
œ œ ˙
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œ œ ˙˙ ˙
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vi um!
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vi um!
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œ œ ˙œ œ ˙
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w
Œ˙ œ
in quo˙
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7
Ó ˙
in
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∑
7
Ó˙œ ˙ œ
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œ œ œ œ œ œ œ
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su mi tur,
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tur, inÓ Œ œ
inœ ˙ œ
quo Chri stus
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˙ ˙
œœ ˙ œ
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su mi tur,
œ ˙ œ
˙ ˙
.œJœ ˙
Œ œ œ œ
in quo Chri
.œjœ ˙
su mi tur:œ œ .œ
jœ
stus su mi˙ œ œ
in quo Chri
Œ œ œ œ
.œJœ ˙
œ œ .œjœ˙ œ œ
- - - -
- - - - - - - - -
- - - - - -
- - - -
O SACRUM CONVIVIUM
Luca Marenzio1556-1599
St. Thomas AquinasWilliam Mahrt, Translation
O sacred banquet, wherein Christ is received;the memorial of his passion is renewed;
the soul is filled with grace;and a pledge of future glory is given to us.
Sunday, June 23
Sacred MuSic colloquiuM 2013 n 273
www.TheCaTholiCChoirbook.Com • Copying and sharing permiTTed under CreaTive Commons 3.0
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tur me mo ri
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re co li
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Ó Œ œ
re
œ ˙ œ
a pas si
œ˙ œ
.œJœ œ œ
œœ ˙ œ
- - - - - - - - - - -
- - - - - - - - - - - -
- - - - - - -
- - - - - - - - - - -
&
&
V
?
&
?
17
˙ ˙
o nis
˙Œ
œ
a pas
œ œ .œ
Jœ
co li tur me
˙ ˙
o nis17
˙ ˙˙ œ
œ œ .œjœ
˙ ˙
œ œ œœ œ œ œ œ œ
e
œ œ ˙
si o
œ œ ˙
mo ri a
˙ ˙
e
œ œ œœ œ œ œ œ œœ œ ˙
œ œ ˙˙ ˙
œ œ œ œ œ
ius, re
w
nis
Œ ˙ œ
pas si
˙Œœ
ius, re
œ œ œ œ œw
Œ˙ œ
˙ Œ œ
œ œ œ œ œ œ
co li tur,
˙ œ œ
e ius, re
˙ ˙
o nis
œ œ ˙
co li tur,
œ œ œ œ œ œ˙ œ œ
˙ ˙œ œ ˙
˙ Ó
œ œ ˙
co li tur,
˙ ˙
e ius,
Œœ œ œ
re co li
˙Ó
œ œ ˙
˙ ˙œ œ œ
˙ œ œ
re co li
Œœ œ œ
re co li
∑
.œ
Jœ œ œ
tur me mo ri
˙ œ œœ œ œ
.œ
Jœ œ œ
- - - - - - - - - - -
- - - - - - - - - -
- - - - - - - - -
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274 n Sacred MuSic colloquiuM 2013
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&
&
V
?
&
?
23
.œ
Jœ œ œ
tur me mo ri
.œjœ œ œ
tur me mo ri
Ó ˙
re
œ ˙ œ
a pas si23
.œjœ œ œ.œ
Jœ œ œ
Ó˙
œ ˙ œ
˙ Œ œ
a pas
˙˙
a pas
œ œ .œ
Jœ
co li tur me
˙ ˙
o nis
˙ Œ œ
œ œ .œjœ
˙˙˙
œ œ ˙
si o
˙ œ œ
si o nis
œ œ ˙
mo ri a
˙ ˙
e
œ œ ˙
œ œ œ œ˙˙
˙ .œ
jœ
nis e
.œ œ œ œ œ œ œ
e
Œ ˙ œ
pas si
˙ Ó
ius:
˙ .œ
jœ.œ œ œ œ œ œ œ
˙ œ˙ Ó
œ œ ˙ œ
.œjœ˙
˙˙
o nis
Ó ˙
mens
œ œ ˙ œ.œ
Jœ˙
˙˙
Ó ˙
- - - - - - - - - - - -
- - - - - - - - - - - - - -
- - - - - - - - - - -
- - - -
&
&
V
?
&
?
28
œ œ# œ œn œ œ
ius:
˙Ó
ius:
˙ ˙
e ius:
˙ ˙
im28
œ œ# œ œn œ œ˙Ó
˙ ˙˙ ˙
˙Œ
œ
mens
w
mens
∑
˙ ˙
ple tur
˙
Œœ
w
˙ ˙
œ œ# ˙
im ple
˙ ˙
im ple
∑
.œJœ ˙
gra ti a,
œ œ# ˙˙ ˙
.œJœ ˙
˙ ˙
tur
˙ .œ
j
œtur gra ti
w
mens
˙˙
mens
˙ ˙˙ .œ
Jœ
w ˙
.œjœ ˙
gra ti a,
.œjœ ˙
a,
˙ ˙
im ple
˙ ˙
im ple
.œjœ ˙
.œ
Jœ ˙
˙ ˙˙ ˙
˙ ˙
mens im
Œ˙ œ
mens im
˙.œ
jœ
tur gra ti
˙.œJœ
tur gra ti
˙ ˙˙ œ
˙.œ
jœ
˙ .œJœ
- - - - - - - - -
- - - - -
- - - - -
- - - - - - - -
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4
&
&
V
?
&
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34
˙ ˙
ple tur
˙ œ œ
ple tur gra
œ œ œ œœ œ œ œ œ
a:
w
a:34
˙ ˙˙ œ œ
œ œ œ œœ œ œ œ œw
.œJœ ˙
gra ti a:
œ œ# .œ œn œ
ti a:
˙ ˙
Ó Œœ
et
.œjœ ˙œ œ# .œ œn œ
˙ ˙Ó Œ
œ
∑
˙Œœ
et
œ œ œ œ
et fu tu rae
œ œ œ œ
fu tu rae
˙Œœ
œ œ œ œœ œ œ œ
Œ ˙ œ
et fu
œ œ œœ
fu tu rae
.œjœ œ œ
glo ri
.œ
Jœ œ œ
glo ri
˙ œœ œ œ
œ
.œjœ œ œ.œ
Jœ œ œ
œ œ .œjœ
tu rae glo
œ œ .œ
jœ
glo ri ae
œ œ œ œ˙
ae
˙ Œ œ
ae et
œ œ .œjœœ œ .œJœ
œ œ œ œ˙
˙ Œ œ
œ œ ˙
ri ae
˙ Œœ
no
˙ Ó
œ œ œ œ
fu tu rae
œ œ ˙˙ Œ
œ
˙
œ œ œ œ
- - - - - - -
- - - - - - - -
- - - -
- - - - - -
&
&
V
?
&
?
40
˙ ˙
no bis
˙ ˙#
bis pi
Œ ˙ œ
et fu
.œjœ œ œ
glo ri40
˙ ˙˙ ˙#
˙ œ
.œ
Jœ œ œ
˙ ˙
pi gnus
˙ ˙
gnus da
œ œ œ œ œ
tu rae glo
˙˙
ae no
˙ ˙˙ ˙
œ œ œ œ œ
˙˙
˙ ˙
da tur,
˙Œ
œ
tur, et
œ œ# œ œ
ri ae no
˙ ˙
bis pi
˙ ˙˙ Œ œ
œ œ# œ œ˙ ˙
∑
œ œ œ œ
fu tu rae
˙ ˙
bis pi
˙ ˙
gnus da
œ œ œ œ
˙ ˙˙ ˙
Œ ˙ œ
et fu
.œjœ œ œ
glo ri
˙ ˙
gnus da
˙ Ó
tur,
Œ ˙ œ
.œ
Jœ œ œ
˙ ˙˙
œ œ .œ
Jœ
tu rae glo
œ œ ˙
ae no bis
œ œ œ œ
tur, et fu tu
Ó ˙
no
œ œ .œjœ
œ œ ˙
œ œ œ œ˙
- - - - - -
- - - - - - - -
- - - - - - - - -
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&
V
?
&
?
46
œ œ ˙
ri ae
œ œ œ œ œ œ
pi gnus
œ œ œ œ
rae glo ri
˙ ˙
bis pi46
œ œ ˙œ œ œ œ œ œ
œ œ œ œ˙ ˙
Œ˙ œ
no bis
.œjœ œ œ œ œ
da
œ œ ˙
ae no bis
˙ ˙
gnus da
˙ œ.œ
Jœ œ œ œ œ
œ œ ˙˙ ˙
˙ œ œ
pi gnus da
œœ
.œjœ œ œ
˙ ˙
pi gnus
˙Ó
tur,
˙ œ œœœ .œ
Jœ œ œ
˙ ˙
˙
œ œ# œ ˙
w
w
da
∑
œ œ# œ ˙w
w
˙ Ó
tur,
˙Ó
tur,
œ œ œ œ œ
tur, Al le
Œœ œ œ
Al le lu
˙˙
Ó
œ œ œ œ œœ œ œ
˙ œ œ
Al le lu
Œ
œ œ œ œ
Al le
œ œ ˙
lu ia,
˙Ó
ia,
˙ œ œ
œ œ ˙œ œ œ œ œ
- - - - - - - - - -
- - - - - - - - - - - -
- - - - - - - - - - -
- - - - -
&
&
V
?
&
?
52
˙Ó
ia,
œ œ ˙
lu ia,
Œ œ œ œ œ
Al le
˙ œ œ
Al le lu52
˙ ˙
œ œœ œ œ œ˙ œ œ
Œ œ œ œ
Al le lu
Œœ œ œ œ
Al le
œ œ ˙
lu ia,
˙ Ó
ia,
œ œ œŒœ œ œ œ
œ œ ˙
˙
˙ Ó
ia,
œ œ# ˙
lu ia,
Œ œ œ œ
Al le lu
Œ œ œ œ œ
Al le
˙œ œ# ˙
œ œ œ
Œ œ œ œ œ
- - -
- - - - - - - - - -
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&
V
?
&
?
55
Œ œ œ œ
Al le lu
Œ
œ œ œ œ
Al le
˙ Ó
ia,
œ œ# ˙
lu ia,55
œ œ œŒ
œ œ œ œ
˙
Óœ œ# ˙
˙Ó
ia,
œ œ# ˙
lu ia,
˙ œ œ œ
Al le
Œœ œ œn
Al le lu
Ó
œ œ# ˙
˙ œ œ œ
Œœ œ œn
Œœ œ œ
Al le lu
Œœ œ œ œ
Al le
œ œ# ˙
lu ia,
˙ Ó
ia,
Œ œ œ œœ œ œ œ
œ œ# ˙
˙
˙ Ó
ia,
œ œ˙
lu ia,
Œœ
œ œ œ
Al le
Œ œ œ œ
Al le lu
˙ Óœ œ˙
Œ
œœ œ œ
œ œ œ
Œ œ œ œ
Al le lu
Œœ œ œ œ
Al le
œ œ ˙
lu ia,
˙ Ó
ia,
Œ œ œ œŒœ œ œ œ
œ œ ˙
˙
- - - - - - - - -
- - - - - - - - - - - -
- - - - - - - - - -
- - - - - - - -
&
&
V
?
&
?
60
˙ Œ œ
ia, Al
œ œ# œ
œlu ia, Al
Œ œ œ œ œ œ
Al le
Ó˙
Al60
˙ œœ œ# œ
œ
Œ
œ œ œ œ œ˙
œ œ ˙
le lu ia,
œ œ ˙ œ
le lu
œ œ ˙
lu ia,
œ œ ˙
le lu ia,
œœ
œœ ˙˙
œ œ ˙ œ
œ œ ˙
œ œ˙
Al le
œœ œ œ
ia, Al le
Œ œ œ œ œ
Al le
˙˙
Al le
œ œ˙
œœ œ œ
Œ œ œ œ œ
˙˙
w
lu
w
lu
œ œ œ ˙
lu
w
lu
ww
œ œ œ ˙w
w
U
ia.
w
U
ia.
wU
ia.
w
U
ia.
w
U
w
U
wU
w
U
- - - - - - - - -
- - - - - - - - - - - - -
- - - - - - - - - - -
- - - - - - - - - -
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Appendix
J
Veni Creator Spiritus
Propers for Mass, Thursday through Friday
appendix
280 n Sacred MuSic colloquiuM 2013
Veni Creator Spiritus
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Sacred MuSic colloquiuM 2013 n 281
John Dryden’s translation of Veni Creator from 1693
Creator Spirit, by Whose aid The world’s foundations first were laid,
Come, visit every pious mind; Come, pour Thy joys on human kind;
From sin, and sorrow set us free; And make Thy temples worthy Thee.
O Source of uncreated Light,
The Father’s promised Paraclete! Thrice holy Fount, thrice holy Fire,
Our hearts with heav’nly love inspire; Come, and Thy sacred unction bring
To sanctify us, while we sing!
Plenteous of grace, descend from high, Thou strength of His almighty hand,
Whose pow’r does Heav’n and earth command: Proceeding Spirit, our Defense,
Who dost the gift of tongues dispense, And crown’st Thy gift with eloquence!
Refine and purge our earthly parts; But, oh, inflame and fire our hearts! Our frailties help, our vice control;
Submit the senses to the soul; And when rebellious they are grown,
Then, lay Thy hand, and hold them down.
Create all new; our wills control, Subdue the rebel in our soul;
Make us eternal truths receive, And practice all that we believe; Give us Thyself, that we may see The Father and the Son by Thee.
Immortal honor, endless fame,
Attend th’almighty Father’s Name: The Savior Son be glorified,
Who for lost man’s redemption died: And equal adoration be,
Eternal Paraclete, to Thee.
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Mass propers
Thursday, June 20, extraordinary formRequiem Mass: In Missis Quotidianis Defunctorum
INTROIT
REQUIEM aeternam dona eis, Domine: et lux perpetua luceat eis. Ps 64: 2-3. Te decet hymnus Deus in Sion; et tibi reddetur votum in Jerusalem: exaudi orationem meam, ad te omnis caro veniet. Requiem aeternam dona eis, Domine: et lux perpetua luceat eis.
ETERNAL rest give unto them, O Lord; and let perpetual light shine upon them. Ps. A hymn, O God, becometh Thee in Sion; and a vow shall be paid to Thee in Jerusalem: hear my prayer; all flesh shall come to Thee. Eternal rest give unto them, O Lord; and let perpetual light shine upon them.
COLLECT Oremus/Let us pray.
DEUS, cui proprium est misereri semper et parcere: propitiare animabus famulorum famularumque tuarum, et omnia eorum peccata dimitte; ut, mortalitatis vinculis absolutae, transire mereantur ad vitam. Per Dominum nostrum Jesum Christum filium tuum, qui tecum vivit et regnat in unitate Spiritus Sancti, Deus, per omnia saecula saeculorum. R. Amen
O GOD, whose property is ever to have mercy and to spare; have mercy on the souls of Thy servants and handmaids, and grant them the remission of all their sins; that being delivered from the bonds of mortality, they may be found worthy to enter into life. Through Our Lord Jesus Christ, Thy Son, Who liveth and reigneth with Thee in the unity of the Holy Ghost, God world without end. R. Amen.
THE EPISTLE (Apocalypse 14:13)
Lectio libri Apocalypsis beati Joannis Apostoli.In diebus illis: Audivi vocem de caelo, dicentem mihi: Scribe: Beati mortui, qui in Domino moriuntur. Amodo jam dicit Spiritus, ut requiescant a laboribus suis: opera enim illorum sequuntur illos.
R: Deo gratias.
A lesson from the book of Apocalypse of Blessed John the Apostle
In those days: I heard a voice from Heaven, saying to me: Write, blessed are the dead who die
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Sacred MuSic colloquiuM 2013 n 283
in the Lord, from henceforth now, saith the Spirit, that they may rest from their labors, for their works follow them.
R: Thanks be to God.
THE GRADUAL (4 Esdras 2:34-35)
REQUIEM aeternam dona eis, Domine: et lux perpetua luceat eis. Ps 111: 7. In memoria aeterna erit justus; ab auditione mala non timebit.
ETERNAL rest give to them, O Lord; and let perpetual light shine upon them. Ps. The just shall be in everlasting remembrance; he shall not fear the evil hearing.
THE TRACT
ABSOLVE, Domine, animas omnium fidelium defunctorum ab omni vinculo delictorum: V. Et gratia tua illis succurrente, mereantur evadere judicium ultionis: V. Et lucis aeternae beatitudine perfrui.
ABSOLVE, O Lord, the souls of all the faithful departed from every bond of sin. V. And by the help of Thy grace may they be enabled to escape the avenging judgement. V. And enjoy the bliss of everlasting light.
THE SEQUENCE
DIES irae, dies illa, solvet saeclum in favilla, teste David cum Sibylla.Quando tremor est futurus, quando judex est venturus, cuncta stricte discussurus.Tuba mirum spargens sonum per sepulcra regionum, coget omnes ante thronum.Mors stupebit, et natura, cum resurget creatura, judicanti responsura.Liber scriptus proferetur, in quo totum continetur, unde mundus judicetur.Judex ergo cum sedebit, quidquid latet, apparebit; nil inultum remanebit.Quid sum miser tunc dicturus? Quem patronum rogaturus, cum vix justus sit securus?Rex tremendae majestatis, qui salvandos salvas gratis, salva me, fons pietatis.Recordare, Jesu pie, quod sum causa tuae viae; ne me perdas illa die.Quaerens me, sedisti lassus; redemisti crucem passus; tantus labor non sit casus.Juste judex ultionis, donum fac remissionis ante diem rationis.Ingemisco tamquam reus; culpa rubet vultus meus; supplicanti parce, Deus.Qui Mariam absolvisti, et latronem exaudisti, mihi quoque spem dedisti.Preces meae non sunt dignae; sed tu bonus fac benigne, ne perenni cremer igne.Inter oves locum praesta, et ab haedis me sequestra, statuens in parte dextra.Confutatis maledictis, flammis acribus addictis, voca me cum benedictis.Oro supplex et acclinis, cor contritum quasi cinis. gere curam mei finis.Lacrimosa dies illa, qua resurget ex favilla judicandus homo reus.Huic ergo parce, Deus; pie Jesu Domine, dona eis requiem. Amen.
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THE day of wrath, that dreadful day, shall all the world in ashes lay, as David and the Sibyl say? What tremor shall the soul affright, when comes that judge whose searching light brings thought and word and deed to light? The last loud trumpet’s spreading tone shall through the place of tombs be blown, to summon all before the throne. Death is struck, and nature quaking, all creation is awaking to its judge an answer making. The written book shall be outspread, and all that it contains be read, to try the living and the dead.Then shall the judge His throne attain, and every secret sin arraign, till nothing unavenged remain. What shall my guilty conscience plead, and who for me will intercede, when even saints forgiveness need?King of tremendous majesty! Who savest whom Thou savest, free, Thou fount of pity, save Thou me. Remember, Jesus Lord, I pray, for me Thou walked’st on life’s way; confound me not on this last day. T’was me Thy weary footsteps sought, my ransom on the Cross was bought, let not such labour come to naught. Just judge of recompense, I pray, cancel my debt, too great to pay, before the last accounting day. My groans a culprit’s heart declare, my cheeks shame’s burning livery wear, spare me, O God, Thy suppliant spare! As Thou didst Mary’s sin efface, and take the thief to Thine embrace, so dost Thou give me hope of grace.Though all unworthy be my cry, give grace, O gracious Lord, or I shall burn in fires that never die. Grant me among Thy sheep to stand; from outcast goats my soul disband, and raise me to Thine own right hand. When cursed foes are put to shame, and given o’er to biting flame, Ah! with Thy blessed call my name. Prostrate, my contrite heart I rend; My God, my Father, and my friend, do not forsake me in the end. O day of weeping, day of woe, when rising from his pyre below, the sinner to his judge shall cry, “Spare me, Thou mighty God on high!”Ah, gentle Jesu, Saviour blest, grant to them all eternal rest! Amen.
THE GOSPEL (John 6:51-55)
+ Sequentia sancti Evangelii secundum Joannem.
R: Gloria tibi, Domine.
In illo tempore: Dixit Jesus turbis Judaeorum: Ego sum panis vivus, qui de caelo descendi.Si quis manducaverit ex hoc pane, vivet in aeternum: et panis, quem ego dabo, caro mea est pro mundi vita. Litigabant ergo Judaei ad invicem, dicentes: Quomodo potest hic nobis carnem suam dare ad manducandum? Dixit ergo eis Jesus: Amen, amen dico vobis: nisi manducaveritis carnem Filii hominis, et biberitis ejus sanguinem, non habebitis vitam in vobis. Qui manducat meam carnem, et bibit meum sanguinem, habet vitam aeternam: et ego resuscitabo eum in novissimo die.
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Sacred MuSic colloquiuM 2013 n 285
+ The continuation of the holy Gospel according to Saint John.
R: Glory be to Thee, O Lord.
At that time: Jesus said to the multitudes of the Jews: I am the living bread which came down from heaven. If any man eat of this bread, he shall live for ever; and the bread that I will give, is My flesh, for the life of the world. The Jews therefore strove among themselves, saying: How can this man give us His flesh to eat? Then Jesus said to them: Amen, amen I say unto you: Except you eat the flesh of the Son of man, and drink His blood, you shall not have life in you. He that eateth My flesh, and drinketh My blood, hath everlasting life: and I will raise him up in the last day.
After the Gospel the priest neither kisses the book nor says the “Per evangelica dicta.” The server says nothing.
THE OFFERTORY
Oremus/Let us pray.
DOMINE Jesu Christe, Rex gloriae, libera animas omnium fidelium defunctorum de poenis inferni, et de profundo lacu: libera eas de ore leonis, ne absorbeat eas tartarus, ne cadant in obscurum; sed signifer sanctus Michael repraesentet eas in lucem sanctam: Quam olim Abrahae promisisti et semini ejus. V. Hostias et preces tibi, Domine, laudis offerimus: tu suscipe pro animabus illis, quarum hodie memoriam facimus: fac eas, Domine, de morte transire ad vitam. Quam olim Abrahae promisisti et semini ejus.
LORD Jesus Christ, King of glory, deliver the souls of all the faithful departed from the pains of hell and from the bottomless pit: deliver them from the lion’s mouth, that hell swallow them not up, that they fall not into darkness, but let the standard-bearer holy Michael lead them into that holy light; which Thou didst promise of old to Abraham and to his seed. V. We offer to Thee, O Lord, sacrifices and prayers: do Thou receive them on behalf of those souls of whom we make memorial this day. Grant them, O Lord, to pass from death to that life; which Thou didst promise of old to Abraham and to his seed.
THE SECRET PRAYER
Annue nobis, quaesumus, Domine, ut animabus famulorum famularumque tuarum haec prosit oblation: quam immolando, totius mundi tribuisti relaxari delicta. Per Dominum nostrum Jesum Christum filium tuum, qui tecum vivit et regnat in unitate Spiritus Sancti, Deus, per omnia saecula saeculorum. R. Amen
Hear us, O Lord, we beseech Thee, and let the souls of Thy servants and handmaids profit by this sacrifice, by the offering of which Thou didst grant that the sins of the whole world should be loosed. Through Our Lord Jesus Christ, Thy Son, Who liveth and reigneth with Thee in the unity
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of the Holy Ghost, God world without end. R. Amen.
THE COMMUNION ANTIPHON
LUX aeterna luceat eis, Domine: Cum Sanctis tuis in aeternum: quia pius es. V. Requiem aeternam dona eis, Domine: et lux perpetua luceat eis. Cum Sanctis tuis in aeternum: quia pius es.
MAY light eternal shine upon them, O Lord, with Thy Saints for evermore, for Thou art gracious. V. Eternal rest give to them, O Lord; and let perpetual light shine upon them: With Thy Saints for evermore, for Thou art gracious.
THE POST COMMUNION PRAYER
Deus, cui soli competit medicinam praestare post mortem: praesta, quaesumus; ut animae famulorum famularumque tuarum, terrenis exutae contagiis, in tuae redemptionis parte numerentur. Qui vivis et regnas cum Deo Patre in unitate Spiritus Sancti, Deus, per omnia saecula saeculorum. R. Amen.
O God, who alone canst give a remedy after death; grant, we beseech Thee, that the souls of Thy servants and handmaids may be rid of earthly contagion and be counted amongst Thy redeemed. Thou who liveth and reigneth with God the Father, in the unity of the Holy Ghost, God, forever and ever. R. Amen.
THE LAST GOSPEL
IN principio erat Verbum et Verbum erat apud Deum, et Deus erat Verbum. Hoc erat in principio apud Deum. Omnia per ipsum facta sunt, et sine ipso factum est nihil quod factum est; in ipso vita erat, et vita erat lux hominum; et lux in tenebris lucet, et tenebrae eam non comprehenderunt. Fuit homo missus a Deo cui nomen erat Joannes. Hic cenit in testimonium, et testimonium perhiberet de lumine, ut omnes crederent per illum. Non erat ille lux, sed ut testimonium perhiberet de lumine. Erat lux vera quae illuminat omnem hominem venientem in hunc mundum. In mundo erat, et mundus per ipsum factus est et mundus eum non cognovit. In propria venit, et sui eum non receperunt. Quotquot autem receperunt eum, dedit eis potestatem filios Dei fieri; his qui credunt in nomine eius, qui non ex sanquinibus, neque ex voluntate viri, sed ex deo nati sunt. (Genuflectit dicens) ET VERBUM CARO FACTUM EST, et habitavit in nobis; et vidimus gloriam ejus gloriam quasi Unigenti a Patre, plenum gratiae et veritatis.
R. Deo gratias.
IN the beginning was the Word, and the Word was with God, and the Word was God. The same was in the beginning with God. All things were made by Him; and without Him was not any thing made that was made. In him was life; and the life was the light of men. And the light shineth in darkness; and the darkness comprehended it not. There was a man sent from God, whose name
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was John. The same came for a witness, to bear witness of the Light, that all men through him might believe. He was not that Light, but was sent to bear witness of that Light. That was the true Light, which lighteth every man that cometh into the world. He was in the world, and the world was made by Him, and the world knew Him not. He came unto his own, and his own received Him not. But as many as received Him, to them gave he power to become the sons of God, even to them that believe on his name: Which were born, not of blood, nor of the will of the flesh, nor of the will of man, but of God. (Genuflect while saying) AND THE WORD WAS MADE FLESH, and dwelt among us, and we saw His glory, the glory as of the Only begotten of the Father, full of grace and truth.
R. Thanks be to God.
Friday, June 21, extraordinary formSt. Aloysius Gonzaga
COLLECT
Caelestium donorum distributor, Deus, qui in angelico iuvene Aloisio miram vitae innocentiam pari cum paenitentia sociasti: eius meritis et precibus concede; ut, innocentem non secuti, paenitentem imitemur. Per Dominum…
O God, the giver of heavenly gifts, in the angelic youth Aloysius you joined wonderful innocence of life to an equal spirit of penance; grant through his merits and prayers that we, who have not followed him in his innocence, may imitate him in his penance. Through our Lord…
THE EPISTLE
Lectio libri Sapientiae (Eccli. 31, 8-11): Beatus vir qui inventus est sine macula, et qui post aurum non abiit, nec speravit in pecunia et thesauris. Quis est hic, et laudabimus eum? fecit enim mirabilia in vita sua. Qui probatus est in illo, et perfectus est, erit illi gloria aeterna: qui potuit transgredi, et non est transgressus; facere mala, et non fecit: ideo stabilita sunt bona illius in Domino.
Blessed is man that is found without blemish: and that hath not gone after gold, nor put his trust in money nor in treasures. Who is he, and we will praise him? for he hath done wonderful things in his life. Who hath been tried thereby, and made perfect, he shall have glory everlasting. He that could have transgressed, and hath not transgressed: and could do evil things, and hath not done them: therefore are his goods established in the Lord.
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THE GOSPEL
Sequentia sancti Evangelii secundum Matthaeum (22, 29-40): In illo tempore: Respondens autem Jesus, ait illis: Erratis nescientes Scripturas, neque virtutem Dei. In resurrectione enim neque nubent, neque nubentur: sed erunt sicut angeli Dei in caelo. De resurrectione autem mortuorum non legistis quod dictum est a Deo dicente vobis: Ego sum Deus Abraham, et Deus Isaac, et Deus Jacob? Non est Deus mortuorum, sed viventium. Et audientes turbae, mirabantur in doctrina ejus. Pharisaei autem audientes quod silentium imposuisset sadducaeis, convenerunt in unum: et interrogavit eum unus ex eis legis doctor, tentans eum: Magister, quod est mandatum magnum in lege? Ait illi Jesus: Diliges Dominum Deum tuum ex toto corde tuo, et in tota anima tua, et in tota mente tua. Hoc est maximum, et primum mandatum. Secundum autem simile est huic: Diliges proximum tuum, sicut teipsum. In his duobus mandatis universa lex pendet, et prophetae.
At that time: Jesus answering, said to them: You err, not knowing the Scriptures, nor the power of God. For in the resurrection they shall neither marry nor be married; but shall be as the angels of God in heaven. And concerning the resurrection of the dead, have you not read that which was spoken by God, saying to you: “I am the God of Abraham, and the God of Isaac, and the God of Jacob?” He is not the God of the dead, but of the living. And the multitudes hearing it, were in admiration at his doctrine. But the Pharisees hearing that he had silenced the Sadducees, came together: and one of them, a doctor of the law, asking him, tempting him: Master, which is the greatest commandment in the law? Jesus said to him: Thou shalt love the Lord thy God with thy whole heart, and with thy whole soul, and with thy whole mind. This is the greatest and the first commandment. And the second is like to this: Thou shalt love thy neighbour as thyself. On these two commandments dependeth the whole law and the prophets.
SECRET
Caelesti convivio fac nos, Domine, nuptial veste indutos accumbere: quam beati Aloisii pia praeparatio, et iuges lacrimae inaestimabilibus ornabant margaritis. Per Dominum…
Grant, O Lord, that we may sit at the heavenly banquet clothed in the wedding garment, which by a holy life and continual tears, the blessed Aloysius adorned with priceless pearls. Through our Lord…
PREFACE
Dominus vobiscum
Et cum spritu tuo.
Sursum Corda
Habemus ad Dominum.
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Gratias agamus Domino Deo nostro
Dignum et iustum est.
Vere dignum et iustum est, aequum et salutare, nos tibi semper et ubique gratias agere: Domine, sancte Pater, omnipotens aeternae Deus: per Christum Dominum nostrum. Per quem maiestatem tuam laudant Angeli, adorant Dominationes, tremunt Potestates. Caeli, caelorumque Virtutes, ac beata Seraphim, socia exultatione concelebrant. Cum quibus et nostras voces ut admitti iubeas, deprecamur, supplici confessione dicentes: Sanctus, Sanctus, Sanctus…
It is truly right and just, proper and helpful toward salvation, that we should always and everywhere give thanks to Thee, Lord, Holy Father, almighty and everlasting God, through Christ our Lord. Through whom the Angels praise Thy majesty, the Dominions worship Thee, the Powers are in awe before Thee. The Heavens and the heavenly Hosts and the blessed Seraphim join together in a hymn of praise. We pray that our voices, too, may be joined with theirs, as we sing with humble praise: Holy, Holy, Holy…
POST COMMUNION
Angelorum esca nutritos, angelicis etiam, Domine, da moribus vivere: et eius, quem hodie colimus, exemplo, in gratiarum semper actione manere. Per Dominum…Grant, O Lord, that we who have been fed with the food of angels, may also live the lives of angels; and after the example of him whom we honor this day, always continue to give thanks to You. Through our Lord…
Saturday, June 22, ordinary formCommune Beatae Mariae Virginis
COLLECT
Concéde nos fámulos tuos, quaesumus, Dómine Deus,perpétua mentis et córporis sanitáte gaudére,et, gloriósa beátae Maríae semper Vírginis intercessióne,a praesénti liberári tristítia, et aetérna pérfrui laetítia.Per Dóminum nostrum Jesum Christum Filium tuum,qui tecum vivit et regnat in unitate Spiritus Sancti, Deus,Per omnia saecula saeculorum. Amen.
Grant, Lord God, that we, your servants, may rejoice in unfailing health of mind and body, and through the glorious intercession of Blessed Mary ever-Virgin, may we be set free from present sorrow and come to enjoy eternal happiness. Through our Lord Jesus Christ . . .
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SUPER OBLATA
Súscipe, quaesumus, Dómine,preces pópuli tui cum oblatiónibus hostiárum,ut, intercedénte beáta María, Fílii tui Genetríce,nullíus sit írritum votum, nullíus sit vácua postulátio.Per Christum Dominum nostrum. Amen.
Receive, O Lord, we ask, the prayers of your people with the sacrificial offerings, that, through the intercession of Blessed Mary, the Mother of your Son, no petition may go unanswered, no request be made in vain. Through Christ our Lord.
POST COMMUNIONEM
Suméntes, Dómine, caeléstia sacraménta,quaesumus cleméntiam tuam,ut, qui de beátae Vírginis Mariae commemoratióne laetámur,eiúsdem Vírginis imitatióne, redemptiónis nostrae mystério digne valeámus famulári.Per Christum Dominum nostrum. Amen.
As we receive this heavenly Sacrament, we beseech, O Lord, your mercy, that we, who rejoice in commemorating the Blessed Virgin Mary, may by imitating her serve worthily the mystery of our redemption. Through Christ our Lord.
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