sacred music colloquium packet 2011

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l

 The Church Music Associationof America

  June 13—19, 2011  Duquesne University

Pittsburgh 

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Sacred Music Colloquium XXIJune 13-19, 2011

 

 Liturgical Musicn The Latin Order of Mass in the Ordinary Form may be found in the Parish Book of Chant,

beginning on page 2.

n The Order of Mass in the Extraordinary Form may be found in the Parish Book of Chant,

beginning on page 24.

 Tuesday, June 14, 3:30 p.m.Mass in English, ordinary form, Votive Mass of the Holy Spirit ............................................ p. 31

Prelude: Veni Creator , Nicholas de Grigny, 1672-1703 (Ann Labounsky, organist)

Entrance: “The Spirit of the Lord,” Adam Bartlett, b. 1982 (intermediate men, Morse)

Kyrie: Mass X, sung by all

Gloria: Mass XV, sung by allFirst Alleluia of Pentecost with verse from the lectionary (advanced men, Cole)

Offertory: “Conrm, O God, what you have wrought in us,” Richard Rice, b. 1962 (Schaefer

polyphonic choir)

Offertory motet: “Almighty and everlasting God,” Orlando Gibbons, 1583-1625 (Buchholz

polyphonic choir)

Sanctus: Mass X, sung by all

Our Father: Roman Missal, third edition

Agnus: Mass X, sung by all

Communion: “Suddenly there came a sound from Heaven,” Bruce Ford (advanced women,Brouwers)

Communion motet: O sacrum convivium, Luca Marenzio, c1553-1599 (Mahrt polyphonic choir)

Recessional: “Come down, O love divine,” Ralph Vaughn Williams, 1872-1958, sung by all

Postlude: Pièce Héroïque, César Franck, 1822-1890 (Ann Labounsky, organist)

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 Wednesday, June 15, 3:30 p.m.Requiem Mass, ordinary form ................................................................................................ p. 53

Introit: Requiem (intermediate men, Morse)

Kyrie: Mass XVIII

Gradual: Requiem (advanced men, Cole)Tract: Absolve, Domine (advanced men, Cole, and advanced women, Brouwers, alternatim, starting

with women, tutti on last word)

Sequence: Die irae, sung by all, beginning with men

Offertory: Domine Jesu Christe (intermediate women)

Offertory motet: “Thou knowest, Lord,” Henry Purcell, 1659-1695 (Brouwers polyphonic choir)

Sanctus: Mass XVIII

Agnus: Mass XVIII

Communion: Lux aeterna (beginning men and women, Oost-Zinner)

Communion motet: Ave Christe, Josquin des Prez, 1450-1521 (Schaefer polyphonic choir)

Silent recession

 Thursday, June 16, 3:30 p.m.Thursday in the Octave of Pentecost, extraordinary form, rst class feast ............................ p. 79

Prelude: Chorale-Preludes on Komm, Heiliger Geist, BuxWV 199, 200, Dietrich Buxtehude, c.1637-

1707 (Jonathan Ryan, organist)Introit: Spiritus Domini (intermediate women, Hughes)

Kyrie: Missa Brevis, Antonio Lotti, 1667-1740 (Buchholz polyphonic choir)

Gloria: Mass XII

Alleluia: Emitte Spiritum tuum (advanced women, Brouwers)

Alleluia: Veni Sancte Spiritus (advanced men, Cole)

Sequence: Veni Sancte SpiritusCredo IV

Offertory: Conrma hoc (intermediate men, Morse)

Offertory: Dum complerentur , Tomás Luis de Victoria, 1548-1611 (Brouwers polyphonic choir)

Sanctus: Missa Brevis (Buchholz polyphonic choir)Agnus: Missa Brevis (Buchholz polyphonic choir)

Communion: Factus est repente (intermediate women, Hughes)

Communion motet: O quam suavis, Peter Philips, c1560-1628 (Buchholz, polyphonic choir)

Postlude: Fantasia on Komm, Heiliger Geist, BWV 651, Johann Sebastian Bach, 1685-1750

(Jonathan Ryan, organist)

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Friday, June 17, 3:30 p.m.Votive Mass of the Blessed Virgin Mary, ordinary form ....................................................... p. 107

Prelude: Improvisation (Horst Buchholz, organist)

Introit: Salve sancte parens (advanced men, Cole)

Kyrie: Missa Ave Maris Stella, Josquin (Brouwers polyphonic choir)Gloria: Missa Ave Maris Stella 

Gradual: Benedicta et venerabilis es (advanced women, Brouwers)

Alleluia: Post partum (intermediate men, Morse)

Offertory: Ave Maria (intermediate women, Hughes)

Sanctus: Missa Ave Maris Stella (Brouwers polyphonic choir)

Agnus: Missa Ave Maris Stella (Brouwers polyphonic choir)

Communion: Beata viscera (beginning men and women, Oost-Zinner)

Communion motet: Ave Maria, Robert Parsons, 1530-1571 (Schaefer polyphonic choir)

Recession: Regina caeli, Gregor Aichinger, c1565-1628 (Nam polyphonic choir)

Postlude: Improvisation (Horst Buchholz, organist)

Friday, June 17, 6:30 p.m.Vespers with Spanish polyphony, extraordinary form, conducted by William Mahrt ......... p. 157

Prelude: Prelude on Veni Creator (from Op. 4), Maurice Durué, 1902-1986

Postlude: Chorale Variations on Veni Creator ( from Op. 4), Durué

 Saturday, June 18, 11:30 a.m.Ember Day Mass, extraordinary form, rst class feast ......................................................... p. 193

Preludia: Fanfare to the Tongues of Fire, Larry King, 1932-1990 (Jonathan Ryan, organist)

Procession: Liturgical Improvisation No. 1: “My soul hath a desiring and longing to enter the

courts of the Lord,” George Oldroyd, 1887-1956 (Jonathan Ryan)Introit: Caritas Dei (intermediate men, Morse)

Kyrie: Mass I

Alleluia 1: Spiritus est (advanced men, Cole)

Alleluia 2: Spiritus ejus (advanced women, Brouwers)

Alleluia 3: Dum complerentur (advanced men, Cole)

Alleluia 4: Veni Sancte Spiritus (advanced women, Brouwers)

Alleluia 5: Benedictus es Domine (advanced men, Cole)

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Gloria I

Tract: Laudate Dominum omnes gentes (intermediate men, Morse, and intermediate women,

Hughes, alternatim, starting with women)

Sequence: Veni Sancte Spiritus (beginning women, Oost-Zinner, and intermediate women, Hughes)

Credo I

Offertory: Domine Deus salutis meae (intermediate women, Hughes)

Offertory: Lauda anima mea, Orlando di Lasso, c1530-1594 (Mahrt polyphonic choir)

Communion: Spiritus ubi vult spirat (intermediate men, Morse)Communion motet: Factus est repente, Jacobus Gallus (aka Jacob Handl), 1550-1591 (Brouwers

polyphonic choir)

Postlude: Rhapsody in C-Sharp Minor, Op. 17, No. 3, Herbert Howells, 1892-1983 (Jonathan

Ryan)

 Sunday, June 19, 10 a.m.Trinity Sunday, ordinary form .............................................................................................. p. 215

Prelude: Improvisation (John Raevens, organist)

Introit: Benedicta sit (beginning men and women, Oost-Zinner)

Kyrie: Mass for Four Voices, William Byrd, c1540-1623 (Schaefer polyphonic choir)

Gloria: Mass for Four Voices (Schaefer tk polyphonic choir)

Gradual: Benedictus es Domine (intermediate men, Morse)

Alleluia: Benedictus es Domine (advanced women, Brouwers)

Credo: Mass for Four Voices (Buchholz polyphonic choir)

Offertory: Benedictus sit Deus with offertory verses (intermediate women, Hughes)Sanctus: Mass for Four Voices (Schaefer polyphonic choir)

Agnus: Mass for Four Voices (Schaefer polyphonic choir)

Communion: Benedicimus Deum caeli (advanced men, Cole)

Communion motet: Sancta Trinitas, Antoine de Févin, c1470-1512 (Mahrt polyphonic choir)

Recession: Ave Maria, Antoine Bruckner, 1824-1896 (Buchholz, conducting all)

Postlude: Fugue from Prelude & Fugue in C Major (“9/8”), BWV 547, J. S. Bach

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Organ Music Notes

3:30 p.m. Tuesday: Votive Mass of the Holy Spirit (OF, English)Ann Labunsky, organist

Prelude: Veni Creator: Grands Jeux, Fugue, Récit de Cromorne—Nicolas de Grigny (1672-1703), ~7’ 

Nicolas de Grigny was a French organist and composer and a leading member of the French Clas-sical school of organist-composers. He died young and left behind a single collection of organmusic, Livre d’orgue (1699), which together with the work of François Couperin represents thepinnacle of French organ tradition. Unlike many other French livres d’orgue of the time, de Gri-gny’s publication contains no preface. The collection is in two parts: the rst is a Mass setting; thesecond comprises settings of ve hymns for Lauds and Vespers: Veni Creator (ve versets), Pangelingua (three versets), Verbum supernum (four versets), Ave maris stella (four versets), and A solisortus (three versets).

All of his Gregorian hymn settings begin with the chant in long note values on a reed stop in thepedal, followed by a fugue for ve voices. Also played today is the récit de Cromorne, a beautifulsolo for the soprano voice accompanied by soft stops.

Postlude: Pièce Héroïque—César Franck (1822-1890), 13’ 

César Franck was one of the leading French organ composers of the 19th century and is the fea-tured composer for organ sessions of the Colloquium this year. Pièce Héroïque was composed in1878 as part of three pieces for the large symphonic organ at the Trocadero palace in Paris. The

two contrasting themes—the rst rhythmic and heroic in the key of B minor and the second me-lodic and quiet in the key of B major—seem to be in conict until at the end of the work they areunited in the major key.

3:30 p.m. Tuesday: Octave of Pentecost Mass (EF) Jonathan Ryan, organist

Prelude: Chorale-Preludes on Komm, Heiliger Geist, BuxWV 199, 200—Dietrich Buxtehude (c.1637-1707), 7’ 

Although of Danish origin, Dietrich Buxtehude stands as one of the great pillars of the North Ger-man Baroque school. He served as organist at the cathedralesque St. Mary Church in Lübeck foralmost 40 years. Such was his fame that J. S. Bach traveled some 200 miles by foot from Arnstadtto meet and hear Buxtehude, subsequently staying far beyond his allotted leave. Buxtehude’s out-put includes numerous vocal and choral works, some instrumental music, and a plethora of organcompositions which have arguably given Buxtehude his deserved prominence. Approximately half of his organ works are based on chorale or hymn tunes, leaving the rest in the popular free style.

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Komm Heiliger Geist (“Come, Holy Ghost”) was a well-known vernacular version of the PentecostSequence Veni Sancte Spiritus sung to an anonymously composed melody rst published in theearly 16th century but possibly dating from as early as the 13th century. Buxtehude’s two treat-ments bear many elements in common, most especially the highly ornamented placement of thechorale melody in a solo soprano voice.

Postlude: Fantasia on Komm, Heiliger Geist, BWV 651—Johann Sebastian Bach (1685-1750), 6’ 

In contrast to the ornamented chorale-preludes by Buxtehude, Bach’s chorale-Prelude on KommHeiliger Geist represents an alternate manner of chorale-based composition known as the cantusrmus chorale-prelude. Catalogued as the rst of the “Leipzig Chorales,” this brilliant fantasia em-ploys the chorale as the cantus rmus, that is, with lengthened note values, in the bass voice. Theaccompanying voices, with their extroverted texture, have frequently been thought to symbolizethe great rushing wind on the day of Pentecost.

3:30 p.m. Friday: Votive Mass of the Blessed Virgin Mary (OF)

Horst Buchholz, organist

Prelude: Improvisation

Postlude: Improvisation

6:30 p.m. Friday: Pentecost Octave Choral Vespers (EF) Jonathan Ryan, organist

Prelude: Prelude on Veni Creator (from Op. 4)—Maurice Durué (1902-1986), 8’ 

That Maurice Durué achieved international fame with not even 20 works to his name testies tothe quality of his music. Arguably, the Prelude, Adagio, and Chorale Variations on Veni Creator ,Op. 4, based on the Proper hymn for Pentecost Vespers, is the most sublime of his seven publishedorgan works, although is one of his rst. Durué was among the rst generation to receive liturgicalmusical education in the wake of Pius X’s motu proprio Tra le Sollecitudini as a chorister at the ca-thedral choir school in Rouen. Although of a mild-mannered personality, he was a lifelong, outspo-ken proponent of the liturgical use of Gregorian chant, especially after the Second Vatican Council.Chant and its modality permeates all his compositional work, including his polyphonic style.

Gently owing as though it never had a beginning, the Prélude shows considerable inuencefrom the French Impressionistic composers. Durué employs a compositional device developedespecially by Debussy called the arabesque, which is essentially a return to ancient and medievalmonophonic music consisting of only one line of music. Moreover, this arabesque consists primar-ily of a conjoint (step-wise) line essentially ornamental and freed from any accompanying har-mony. The listener is enticed, as with the Adagio, with only small fragments of Veni Creator in thePrélude.

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Postlude: Chorale Variations on Veni Creator (from Op. 4)—Durué, 7’ 

The rst full musical statement of Veni Creator begins the Choral varié movement, which servesas a closing postlude to this evening’s Vespers. This set of four variations was written at least fouryears before the Prélude and Adagio, while Durué was still a student at the Paris Conservatoire,which may explain their more compact length, clearer texture, and more conservative harmony.The entire work was published in 1930, won a composition award from Les Amis de l’Orgue, and

unquestionably stands as one of the greatest major 20th-century organ works.

11:30 a.m. Saturday: Ember Day Mass, Octave of Pentecost (EF) Jonathan Ryan, organist

Preludia: Fanfare to the Tongues of Fire—Larry King (1932-1990), 7’ Liturgical Improvisation No. 1: “My soul hath a desiring and longing to enter the courts of the Lord”— George Oldroyd (1887-1956), 5.5’ 

As we can see from his dates, this composer is not the Larry King of television fame but rathera New York City parish organist and choirmaster at Trinity Church, Wall Street. King left only ahandful of excellent choral and organ pieces, which reect a strong personalized style.

One of his more well-known organ pieces is the majestic Fanfare to the Tongues of Fire, commis-sioned by the Riverside Church in Manhattan in 1978 to showcase that organ’s prominent solotrumpet with horizontally mounted pipes. The account in Acts of the rst Pentecost is quoted inthe music score: “When the day of Pentecost had come, . . . suddenly came from heaven a noiselike the rush of a mighty wind, and it lled the house where they were sitting. And there appearedto them tongues as of re, distributing and resting on each one of them.”

King alternates a grandiose A section comprising note clusters over which is heard the fanfare onthe solo trumpet with a contrasting, softer B section, using chord clusters again, but with the Pen-tecost Vesperal hymn Veni Creator heard on the tranquil ute of the organ.

Serving as a parish musician at several parishes of the Anglo-Catholic persuasion in southernEngland, George Oldroyd was no stranger to solemn liturgy or Gregorian chant. The composer of some memorably beautiful choral music, he happily marries the serenity of post-Victorian com-position with the naturally uneven rhythm of chant in this selection, in which he quotes Psalm84:2 in the title. As is typical of this period of English organ music, Oldroyd capitalizes on theorgan’s ability to create smooth increases and decreases in volume. This, coupled with Oldroyd’suse of modal harmony to create seamless harmonies, easily evokes the rolling hills of the Englishcountryside.

Postlude: Rhapsody in C-sharp Minor, Op. 17, No. 3—Herbert Howells (1892-1983), 8’ 

A sleepless night in March 1918 during a zeppelin air raid in York prompted Herbert Howells,one of the greatest English composers of the previous century, known especially for his choral

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and organ compositions, to write a free-form work for organ. The next morning saw the comple-tion of what we know now as the Rhapsody in C-sharp Minor. A highly charged emotional work,this deeply personal testament of the composer’s feelings includes many of the hallmarks of How-ells’ writing for the organ, with its smooth increases and decreases in the organ’s volume, colorfulharmony (especially seventh chords), generous utilization of the organ’s wide dynamic range, andthe heart-wrenching use of suspension-resolution patterns. Although Howells himself had a ratherlimited career as an organist because of poor health, which thankfully did not impede his oppor-

tunities as a conductor and pedagogue, he nonetheless made perhaps the most signicant additionto the organ’s 20th-century repertoire of any Englishman. His selection as the postlude is undoubt-edly among his nest contributions if not also his most dramatic.

10 a.m. Sunday: Trinity Sunday Mass (OF) John Raevens (prelude) and Jonathan Ryan (everything else), organists

Prelude: Improvisation

Postlude: Fugue from Prelude & Fugue in C Major (“9/8”), BWV 547—J. S. Bach, 5.5’ 

Dating from around 1744, during Bach’s monumental tenure in Leipzig, the Fugue from the Pre-lude & Fugue in C Major, BWV 547, centers on one of the shortest fugue subjects ever written.At only one measure in length, the subject enters more than fty times, yet the unusually delayedpedal enters only 24 measures from the end with an augmentation of the subject. The Fugue’struly masterly counterpoint also yields a grand nature, concluding with a thunderous tonic, low Cpedal point.

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Guidelines for choosing a chant schola 

 When you come to the Colloquium, you will need to choose a chant schola for your partici-pation during the week. There are few joys greater than singing in a well-prepared Grego-

rian chant schola. Although there is always a little tweaking after the rst day, i.e., singers movingup or down a level, most people nd it relatively easy to choose.

Many returning attendees to the Colloquium nd themselves advancing from beginning scholathrough intermediate and nally advanced. However, if you have not had many opportunities torene your chant work during the year, you might consider staying at a level for more than oneyear. As all of our chant repertory is graded to suit the capabilities of each choir, the musical re-wards and polish of performance are not always related to the level of the schola!

The following guidelines will help you nd the right schola in which to sing for the week.

 A note about styles: Although the American Church has a long history with the traditional Solesmesmethod of learning, teaching, and singing Gregorian chant, and while this inuence is clearly re-ected in the CMAA’s annual Colloquium, attendees will nd a considerable variety of approachesto the interpretation of the chants sung. Happily, we nd that each year brings new ideas utilizingthe latest chant research, including interpretation of neumes, rhythm, tuning, and other aspects of performance.

 A note to countertenors: If you are a countertenor, you may choose to sing with either men orwomen.

Beginning schola: men and women (Arlene Oost-Zinner, conductor)Typically the largest of the choirs because it includes both men and women, this choir is designedfor people whon are new to singing in choirsn have never sung any chant before (Pange lingua on Holy Thursday doesn’t count!)n have not sung difcult chants in some time and feel that a remedial course would be benecial.

This course will start from the beginning, teaching all the most commonly used neumes, workingon ensemble singing, and polishing the chants to be sung at the Colloquium’s Masses.

Intermediate women (David Hughes, conductor)A good candidate for this schola might be described as one who

n has sung quite a bit of chant

n sings chant propers and ordinaries often, if not regularly

n has a working knowledge of the neumes, e.g., podatus, clivis, torculus, porrectus, climacus,scandicus, quilisma, etc.

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Intermediate men (Jeffrey Morse, conductor)See the description for intermediate women (above).

Advanced women (Wilko Brouwers, conductor)This course is intended for those with extensive experience in singing chant and fosters continuedmastery in its artful execution.

For this chant schola and the one listed below (advanced men), we ask that you assess yourself honestly as one who has considerable experience in singing chant and a familiarity with the Gre-gorian repertory. Rightly, the most difcult chants of the week are reserved for the most experi-enced singers.

Advanced men (Charles Cole, conductor)See the description for advanced women (above).

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Guidelines for choosing a polyphonic choir 

During the Colloquium you will choose a polyphonic choir to sing in as well as a chant schola.The descriptions below will tell you more about each conductor and the repertory he or she

will teach. Choose the choir that best reects your skill level and interests.

MeeAe Cecilia Nam: Beginning polyphony

This choir is designed to introduce and improve on the critical vocal and musical techniquesnecessary for singing polyphonic music. Singers will learn how to carry a part on their own, inde-pendent of other sections and without accompaniment. Members of this choir will learn rhythm,pitch, and vocal production. The choir is designed for novice singers who would not yet benetfrom a more advanced choir, but it might also be useful for directors to see how a master goes

about teaching inexperienced singers to make beautiful music. Several motets are also part of thischoir’s agenda, and they will be sung during the liturgy.

Edward Schaefer

This choir’s major piece will be the Byrd Mass for Four Voices. William Byrd is often ranked withBeethoven and Bach, and this Mass illustrates why his status is wholly justied. The piece waswritten for private use, mostly in small chapels on landed estates, at a time when Catholicism wasillegal in Britain and the composer himself was employed by Elizabeth’s court. Thus the music was

composed and distributed in secret. The textures reect the intensity and seriousness of both theMass’s liturgical function and the time in which it was written. In the centuries that have followedthe stature of this Mass in particular has risen ever higher, and it has now become a staple of theliturgical repertoire. Learning this masterpiece under a master conductor such as Schaefer is a rareprivilege. The Schaefer choir’s main Mass takes place on Sunday, but the choir will also sing motetsthroughout the week.

William Mahrt

For the fourth year Mahrt will present a highly unusual and spectacular rendering of polyphonicVespers, the likes of which most Americans have never experienced as worshipers, much less assingers. This year the focus will be Spain and the composer Victoria (2011 is the 400th anniver-sary of his death). The format alternates between chant and polyphony and requires singers withcondence at frequent and exposed stops and starts. This choir provides a rich education in li-turgical history as well as performance experience that will take already advanced singers to thenext level. The choir will also sing motets throughout the week. The Vespers will be sung Fridayevening.

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Wilko Brouwers

 Josquin des Prez is widely considered one of the most sophisticated composers before the age of Bach, and this choir will explore some of his most spectacular music. The choir’s Mass will bethe rarely heard and exceptionally beautiful Missa Ave Maris Stella, based entirely on the Marianhymn. It is an unforgettable masterpiece of musical genius, and Brouwers knows the style andapproach with profound intimacy. Josquin’s music is structurally unlike post-Reformation music,

which is more familiar in the polyphonic repertoire. This setting in particular is lled with prayer-ful delight and requires notable skill level to achieve the desired results. It will be sung Friday dur-ing a Mass for the Blessed Virgin Mary.

Horst Buchholz

Buchholz is a conductor with near-universal experience with both early choral music and the latesymphonic repertoire. He has a particular affection for music that is classical and accessible toboth singers and listeners. His choir will sing a Mass setting by Antonio Lotti, whose work falls

between the Renaissance and classical periods. Lotti’s Missa Brevis, which the conductor discov-ered only last year, is within the difculty range of a good parish choir, so participants can aspireto sing it in their parish choir after the Colloquium. The singers will also learn from the way heprepares a choir to sing well. Buchholz has begun to use this Mass in his own cathedral setting andreports that it has been a great success.

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Breakout sessions

Tuesday–Friday, 11:20 a.m. to 12:30 p.m.

1. Vocal Pedagogy: MeeAe Cecilia Nam (Mary Pappert School of Music, Room 206: choral room)

This two-session course will be presented on Tuesday and Wednesday and repeated on Thursdayand Friday.

Session I: Basic vocal training for beginning singers and choral directors.The session will teach directors to classify individual voices and help singers develop thebasic vocal techniques necessary for choral singing. It covers basic exercises to enhance vocalproduction and musicianship, including breathing, posture, and vocal warm-ups.

Session II: Vocal exibility and controlThis session focuses on the voice as an instrument that facilitates the demands of the music. It

includes exercises to help with dynamics, range, colors, vowel shapes, and tempo exibility as wellas a discussion of how to nd important clues in a score.

2. Semiology: Edward Schaefer (Mary Pappert School of Music, Room 322: rehearsal hall)Semiology, literally “the study of signs,” takes a look at what the unique indications on the earliestnotation systems can tell us about the interpretation of chant. These sessions will develop a general process for the interpretation of chant and then look at howthe ancient signs can inform that process. We’ll sing lots of chants to see how the process works. 

Although the sessions are somewhat independent (i.e., you can come to any single class and learnsomething), they will also build upon one another. New signs and new chants will be studied andsung in each successive class, moving from the simpler to the more complex.

3. Choral Conducting: Horst Buchholz (Mary Pappert School of Music, Room 307: classroom)Tuesday and Wednesday: The Basics of ConductingConducting technique, rehearsal preparation, score analysis, interpretation. No previousconducting experience is required.

Thursday and Friday: Conducting MasterclassBring scores to sing for the “ad hoc” class choir. Conducting experience is required.

4. Anatomy of the Propers: William Mahrt (Power Center Ballroom)This two-day course, presented on Tuesday and Wednesday and repeated on Thursday and Friday,will examine the propers of the Mass: the processional chants—introit, offertory, and Commu-nion—and the meditational chants—gradual, alleluia, and tract. Distinctions in style and liturgicalfunction between each of these genres will be explored, and notable examples of each will illus-trate the discussion, with the class singing the examples.

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Morning andNight Prayer 

l

Prepared by William Mahrt   

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COMPLINE NIGHT PRAYER 

 Lector:

Vbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbb  ≥gzbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbsbbbbbbbbbbsm bbbbbbbbbbbbbbbbbbb}V. Jube, domne benedí-ce-re.

Officiant:

Vbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbhbbbbbbbbbh. bbbbbbbbbb[bbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbb Noctem qui-é-tam et finem perféctum concédat no-bis

Vbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbsbbbbbbbbbbbbsm bbbbbbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbgbbbbbbbbbbbbh. bbbbbbbbbbbbbb}Dóminus omnípo-tens. R. Amen.

Lectio brevis 1 Peter 5:8–9

 Lector:

Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbb hbbbbbbbbbbbbbbb[bbbbbbbbhbbbbbbbbbbbbhbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbf, bbbbbbbbbbb{bbbbbbbbbbbhbbbbbbbbhbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbb Fratres: Sóbri-i estó-te et vi-gi-lá-te: qui-a adversá-

Vbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbb˘ hbbbbbb[bbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbb˘ hbbbbbbbbbbb[bbbbbbbbbbbhbbbbbbbbhbbbbbbbbbhbbbbbbb ri-us vester di-á-bolus, tamquam le-o rúgi-ens, círcu-it,

Vbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbbbh. bbbbbbbbb{bbbbbbbbbhbbbbbbbbhbbbbbbbbhbbbbbbbbhbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbh. bbbbbbbbsm bbbbbbbbbbbbb}b quærens quem dé-vo-ret: cu-i resísti-te fortes in fide.

Vbbbbbbbbbbbbbhbbbbbbbbbbbbbbgbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbb˘ hbbbbbbbb[bbbbbbbhbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbh. bbbbbbbbbbbsm bbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbhbbbbbbbbbbbbbbhbbbbbbbsbbbbbbbsm bbbbbbbbbbbbb}Tu au-tem Dómi-ne mi-serére nobis. R. Deo grá-ti-as.

Officiant:

Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhvbbbhbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbfbbbbbbbbf, bbbbbbbbbbb}V. Adju-tó-ri-um nostrum in nómi-ne Dómini.

 R. Qui fecit caelum et ter- ram.

 Lector:

Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhzbbbbbbbbbbbbbbbbbbbbbbbb  ≥gzbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbsm bbbbbbbbbbbbbbbbbbb}V. Pray, Sir, give a blessing.

Officiant:

Vbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbh. bbbbbbbbbbbb[bbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbb May the Lord almighty grant us a peaceful night and a

Vbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbsm bbbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbgbbbbbbbbbbbbbbh. bbbbbbbbbbbbbbbbb}perfect end. R. Amen.

Short Lesson 1 Peter 5:8–9

 Lector:

Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbb˘hbbbbbbbbb[bbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbf, bbbbbbbbbbb[bbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbb Be-loved, be so-ber, be watchful. For your adversary the

Vbbbbbbbbbbbbbbhbbbbbbbb hbbbbbbbbbbbb[bbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbb bhbbbbbbbbbb[bbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbb devil prowls around like a roaring lion, seeking someone

Vbbbbbbbbbbgbbbbbbbbbbbbbfbbbbbbbbbbhbbbbbbbbbbbbbbbbbb]bbbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbsm bbbbbbbbbbbbb}to devour. Re-sist him, firm in faith.

Vbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbb˘hbbbbbbbbbbbbb[bbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbbh. bbbbbbbbbbbbbsm bbbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbsm bbbbb}But thou, O Lord, have mercy upon us.  R. Thanks be to God.

Officiant:

Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbf, bbbbbbbbbbbbbbbbbbbb}V. Our help is in the Name of the Lord.

 R. The maker of heaven and earth.

Officiant:

Confíteor Deo omnipoténti, beátæ Maríæ semper 

vírgini, beáto Michaéli archángelo, beáto Joánni

Baptístæ, sanctis Apóstolis Petro et Paulo, ómnibus

Sanctis et vobis fratres, quia peccávi nimis cogitatióne,

verbo, et ópere: (striking the breast three times) mea

culpa, mea culpa, mea máxima culpa. Ideo precor beátam

Maríam semper vírginem, beátum Michaélem

archángelum, beátum Joánnem Baptistam, sanctos

apóstolos Petrum et Paulum, omnes Sanctos, et vos

fratres, oráre pro me ad Dóminum Deum nostrum.

Congregation:

Misereátur tui omnípotens Deus, et dimíssis peccátistuis, perdúcat te ad vitam ætérnam.

Officiant:

Amen.

Officiant:

I confess to almighty God, to blessed Mary ever virgin, to

 blessed Michael the archangel, to blessed John the Baptist, to

the holy apostles Peter and Paul, to all the saints, and to you,

 brethren, that I have sinned exceedingly in thought, word, and

deed: (striking the breast three times) through my fault,

through my fault, through my most grievous fault. Therefore I

 beseech blessed Mary ever virgin, blessed Michael the

archangel, blessed John the Baptist, the holy apostles Peter 

and Paul, all the saints, and you, brethren, to pray to the Lord

our God for me.

Congregation:

May almighty God have mercy on thee and having forgiventhee thy sins, bring thee to life everlasting.

Officiant: 

Amen.

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Congregation:

(bowing) Confíteor Deo omnipoténti, beátæ Maríæ

semper vírgini, beáto Michaéli archángelo, beáto Joánni

Baptístæ, sanctis Apóstolis Petro et Paulo, ómnibus

Sanctis et tibi Pater, quia peccávi nimis cogitatióne,

verbo, et ópere: (striking the breast three times) mea

culpa, mea culpa, mea máxima culpa. Ideo precor beátam

Maríam semper vírginem, beátum Michaélem

archángelum, beátum Joánnem Baptistam, sanctos

apóstolos Petrum et Paulum, omnes Sanctos, et te Pater,oráre pro me ad Dóminum Deum nostrum.

Officiant:

Misereátur vestri omnípotens Deus, et dimíssis peccátis

vestris, perdúcat vos ad vitam ætérnam.

Congregation: 

Amen (rise).

Officiant: 

Indulgéntiam, ✠ absolutiónem, et remissiónem

 peccatórum nostrórum tríbuat nobis omnípotens et

misericors Dóminus.

Congregation:

Amen.

Congregation:

(bowing) I confess to almighty God, to blessed Mary ever 

virgin, to blessed Michael the archangel, to blessed John the

Baptist, to the holy apostles Peter and Paul, to all the saints,

and to thee, Father, that I have sinned exceedingly in thought,

word, and deed: (striking the breast three times) through my

fault, through my fault, through my most grievous fault.

Therefore I beseech blessed Mary ever virgin, blessed Michae

the archangel, blessed John the Baptist, the holy apostles Peter

and Paul, all the saints, and thee, Father, to pray to the Lordour God for me.

Officiant: 

May almighty God have mercy on you, and having forgiven

you your sins, bring you to life everlasting.

Congregation: 

Amen (rise).

Officiant: 

May the almighty ✠ and merciful Lord grant us pardon,

absolution, and remission of our sins.

Congregation: 

Amen.

 A cross is made on the heart.

Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbvvhbbbbvhbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbgbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbhbbbbbbbbbbbh. bbbbbbbbbbbbbbb} 

V. Convérte nos ✠ De-us sa-lu-tá-ris noster.

 R. Et avérte iram tu- am a nobis.

The sign of the cross is made.

Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbb˘hbbbbbb[bbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbjbbbbbbbbbbbhbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbb˘ hbbbbbbbbbbbbbbbbbbbbhbbbbbbbbgbbbbbbbbbbbbbbh. bbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbhbbbb[  V. De-us ✠ in adjutó-ri-um me-um inténde. R. Dómine

Vbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb˘ hbbbbbbbbbbbbbhbbbbbbbbbbbbbgbbbbbbbbbbbbbh. bbbbbbbbbb]bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbb  

ad adjuvándum me fes-tí-na. (bow) Gló-ri- a Pa-tri,

Vbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbb˘hbbbbbbbbbbbbb[bbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbhbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbh. bbbbbbbbbbb]bbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbb  

et Fí-li-o, et Spi-rí-tu-i Sancto. Sicut e-rat in prin-

Vbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbh. bbbbbbbbbbb[bbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbb cí-pi-o, et nunc, et semper, et in saécula saecu-lórum.

Vbbbbbbbbbgbbbbbbbbbbbbbbh. bbbbbbbbbbbbbb{bbbbbbbbbbbhbbbbbbbbbjbbbbbbbbbb  ygbbbbbbbbbbbbbb g< bbbbbbb}Amen. Alle-lu-ia. 

 A cross is made on the heart.

Vbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbvvhbbbbvbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbh. bbbbbbbbbbbb} 

V. Convert us, ✠ O God of our salva- tion.

 R. And turn thine ang- er away from us.

The sign of the cross is made.

Vbbbbbbbbbbbbbbbbbvvbhbbbbbbbbbbbbbbbbbbbb˘hbbbbbbbbbbb[bbbbbbvvvvjbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbgbbbbbbbbbbh. bbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbb˘hbbbbbbbbbb[bbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb  V. O God, ✠ come to my assistance R. O Lord, make

Vbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbvbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbbbbh. bbbbbbbbbbbbbbb]bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbb  

haste to help me. (bow) Glory be to the Father, and to

Vbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbb hbbbbbb[bbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbh. bbbbbbbbbbbbb]bbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbb  

the Son, and to the Ho-ly Spi-rit. As it was in the

Vbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbh. bbbbbbbb[bbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbb˘hbbbbbbbbbbbb beginning, is now, and ev-er shall be, world without end.

Vbbbbbbbbbgbbbbbbbbbbbbbh. bbbbbbbbbbbb{bbbbbbbbbbbbbhbbbbbbbbbbbbjbbbbbbbbbbbb  ygbbbbbbbbbbbbbbbb g< bbbbbbb} 

Amen. Al-le-lu-ia.

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PSALMODY

8G Cantor (Gospel side): All: 

BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbgbbbbbbbbbbbbbhbbbbbbbbtfbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbG YbbbbbbbbbhbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbg< bbbbbbbbbbbbbbb{bbbb   Antiphon: Mi-se-ré-re * mi-hi Dó-mi-ne

Bbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbkbbbbbbbbbbbbbbb JIbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbygzbbbbbbbbbbfbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbg< bbbbbbbbbbbbbg< bbbbbbbbbbbbbbbbbbb}b  Et ex-áu-di o- ra- ti- ó-nem me- am.

Psalm 4Cantor (Gospel side):

´BbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbÃbbbbbbbbbbbbbbk/ bbbbbbbbbb] 1. Cum in-vocárem exaudívit me Deus justítiæ me- æ * Be seated.

 All (Gospel side): 

´ ´BbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbkbbbbbbbbbbbbbbbbhbbbbbbbbbbbòbbbbbbbbbbg< bbbbbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbkbbbbbbbbùbbbbbbbbh. bbbbbbbbb}

In tribulatióne dilatásti mi- hi. .  flex: jus-ti-ti-æ, † 

Cantor (Gospel side): All:

BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbG YbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbb{bbbbbbbbbbbbbbbbbbb   Antiphon: Have mer-cy * up-on me, O Lord

BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbHIbbbbbbbbbbbbbbbbbbbbbJ IbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbg< bbbbbbbbbbbbbbbbbbb} and hearken un- to my prayer.

Psalm 4Cantor (Gospel side):

´BbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbhbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbkbbbbbbbbb]bbbbb 1. When I called upon him, the God of my justice heard me: *

 Be seated.

 All (Gospel side): 

´ ´BbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbòbbbbbbbbbgbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbùbbbbbbbh. bbbbbbb}when I was in distress, thou hast enlarged me.  flex: justices †

2. (Ep. side:) Miserére mei, * et exáudi oratiónem meam.

3. Fílii hóminum, úsquequo gravi corde? * ut quiddilígitis vanitátem et quaéritis mendácium.

4. Et scitóte quóniam mirificávit Dóminus sanctum suum:

* Dóminus exáudiet me cum clamávero ad  eum.

5. Irascímini, et nolíte peccáre: † quæ dícitis in córdibus

vestris, * in cubílibus vestris compungí mini.

6. Sacrificáte sacrifícium justítiæ, † et speráte in Dómino.

* Multi dicunt: Quis osténdit nobis bona?

7. Signatum est super nos lumen vultus tui Dómine: *

dedísti lætítiam in corde meo.

8. A fructu fruménti, vini et olei sui, * multiplicáti sunt.

9. In pace in idípsum * dórmiam et requiéscam.

10. Quóniam tu Dómine singuláriter in spe * con stituísti

me.

11. (bow) Glória Patri, et Fí lio, * et Spirítui Sancto.

12. (rise) Sicut erat in princípio, et nunc, et sem per, * et

in saécula sæculórum. Amen.

Psalm 90Cantor (Epistle side): All (Epistle side):

1. Qui há bitat in adjutório Altíssimi, * in protectióne Dei

cæli commorá bitur.

2. (Gospel side): Dicet Dómino: Suscéptor meus es tu et

refúgium meum: * Deus meus, sperábo in eum.

3. Quóniam ipse liberávit me de láqueo venántium, * et a

verbo ás pero.4. Scápulis suis obumbrábit ti bi: * et sub pennis e jus

 sperá bis.

5. Scuto circúmdabit te véritas e jus: * non timébis a

timóre noctúrno,

2. (Epistle side:) Have mercy on me * and hear my prayer.

3. O ye sons of men, how long will you be dull of heart? *Why do you love vanity, and seek after  lying?

4. Know ye also that the Lord hath made his holy one

wonderful: * the Lord will hear me when  I   shall cry to him.

5. Be ye angry, and sin not: † the things you say in your 

hearts, * be sorry for them upon your beds.

6. Offer up the sacrifice of justice, † and trust in the Lord: *

many say, Who showeth us good things?

7. The light of thy countenance, O Lord, is signed upon us: *

thou hast given gladness in my heart.

8. By the fruit of their corn, their wine, and oil, * they are 

multiplied.

9. In peace in the self same, * I will sleep and  I will rest:

10. For thou, O Lord, singularly in hope* hast  settled me.

11. (bow) Glory be to the Father and to the Son * and to the

 Holy Spirit.

12. (rise) As it was in the beginning, is now, and ever shall be,

* world without  end. Amen. 

Psalm 90Cantor (Epistle side): All (Ep. side):

1. He that dwelleth in the aid of the most High, * shall abide

under the protection of the God of heaven.

2. (Gospel side): He shall say to the Lord: Thou art my

 protector and my refuge: * my God, I will trust in him.

3. For he hath delivered me from the snare of the hunters: *

and from the sharp word.4. He will overshadow thee with his shoulders: * and under 

his wings shalt thou be hopeful.

5. His truth shall compass thee with a shield: * thou shalt not

 be afraid of the terror  of the night.

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6. A sagítta volánte in die, † a negótio perambulánte inténebris: * ab incúrsu, et dæmónio meridiáno.

7. Cadent a látere tuo mille, † et decem míllia a dextristuis: * ad te autem non ap propinquá bit.

8. Verúmtamen óculis tuis considerá bis: * etretributiónem peccatórum vidé bis.

9. Quóniam tu es Dómine spes mea: * Altíssimum posuísti refú gium tuum.

10. Non accédet ad te malum: * et flagéllum nonappropinquábit tabernáculo tuo.

11. Quóniam Ángelis suis mandávit de te: * ut custódiantte in ómnibus viis tuis.

12. In mánibus por tá bunt te: * ne forte offéndas adlápidem pedem tuum.

13. Super áspidem et basilíscum ambulá bis: * etconculcábis leónem et dracónem.

14. Quóniam in me sperávit, liberábo eum: * prótegameum, quoniam cognóvit nomen meum.

15. Clamábit ad me, et ego exáudiam eum: † cum ipsosum in tribulatióne: * erípiam eum et glorificábo eum.

16. Longitúdine diérum replébo eum: * et osténdam illisalutáre meum.

17. (bow) Glória Patri, et Fí lio, * et Spirítui Sancto.

18. (rise) Sicut erat in princípio, et nunc, et sem per, * etin saécula sæculórum. Amen.

Psalm 133Cantor (Gospel side): All (Gospel side):

1. Ecce nunc benedícite Dóminum, * omnes servi Dómini.

2. (Epistle side): Qui statis in domo Dómini, * in átriis

domus Dei nostri.3. In nóctibus extóllite manus vestras in sancta, * et benedícite Dóminum.

4. Benedícat te Dóminus ex Sion, * qui fecit cælum et  terram.

5. (bow) Glória Patri, et Fí lio, * et Spirítui Sancto.

6. (rise) Sicut erat in princípio, et nunc, et sem per, * et insaécula sæculórum. Amen.

 All:

BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbgbbbbbbbbbbbbhbbbbbbbbtfbbbbbbbbbbbbbbbbbbbG YbbbbbbbbbhbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbg< bbbbbbbbbbbbbbb{bbbb   Antiphon: Mi-se-ré-re mi-hi Dó-mi- ne

Bbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbkbbbbbbbbbbbbb JIbbbbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbygzbbbbbbbbbbbfbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbg< bbbbbbbbbbg< bbbbbbbbbbbbbbbbbbb}b  Et ex-áu-di o- ra- ti- ó-nem me- am.

6. Of the arrow that flieth in the day, † of the business thatwalketh about in the dark: * of invasion, or of the noonday devil.

7. A thousand shall fall at thy side, † and ten thousand at thyright hand: * but it shall not come nigh thee.

8. But thou shalt consider with thy eyes: * and shalt see thereward of the wick ed.

9. Because thou, O Lord, art my hope: * thou hast made themost High thy refuge.

10. There shall no evil come to thee: * nor shall the scourgecome near thy dwelling.

11. For he hath given his angels charge over thee, * to keepthee in all thy ways.

12. In their hands they shall bear thee up, * lest thou dash thy foot against a stone.

13. Thou shalt walk upon the asp and the basilisk: * and thoushalt trample under foot the lion and the dragon.

14. Because he hoped in me I will deliver him: * I will protecthim because he hath known my name.

15. He shall cry to me, and I will hear him: † I am with him intribulation, * I will deliver him, and I will bring him to 

honor.16. I will fill him with length of days: * and I will show himmy sal vation.

17. (bow) Glory be to the Father and to the Son * and to the

 Holy Spirit.

18. (rise) As it was in the beginning, is now, and ever shall be,

* world without  end. Amen.

Psalm 133Cantor (Gospel side): All: (Gospel side):

1. Behold now bless the Lord: * all ye servants of the Lord:

2. (Epistle side): Who stand in the house of the Lord, * in the

courts of the house of  our God.3. In the nights lift up your hands to the holy places: * andbless ye the Lord.

4. May the Lord out of Sion bless thee, * he that made heaven and earth.

5. (bow) Glory be to the Father and to the Son * and to the

 Holy Spirit.

6. (rise) As it was in the beginning, is now, and ever shall be,

* world without  end. Amen.

 All:

BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbgbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbG YbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbbbbbbbg< bbbbbbbbbbbbb{bbbbbbbbbbbbbbbbbbb   Antiphon: Have mer-cy up-on me, O Lord

BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbHIbbbbbbbbbbbbbbbbbbbbbJ IbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbg< bbbbbbbbbbbbbbbbbbb} and hearken un- to my prayer.

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HYMN

 All stand 

Cantor (Epistle side): All (Epistle side):

Bbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbkbbbbbbbbbbkbbbbbbbbbbbbkbbbbbbbbbbkbbbbbbbbbbbbbbblbbbbbbbbbbbbbbkbbbbbbbbbjbbbbbbbbbbbbbbb[bbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbhbbbbbbbbbbbg< bbbbbbbbb{b  1. Te lucis ante términum, * Rerum Creátor, póscimus,

Bbbbbbbbbbbjbbbbbbbbbbbbbbbbbhbbbbbbbbgbbbbbbbbbbbgbbbbbbbbbbbbbbbbfbbbbbbbbbbbbgbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbbb[bbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbjbbbbbbbbbbbbhbbbbbbbbg< bbbbbbbbbbbbbb}bb Ut só-li-ta cleménti-a, Sis præsul ad custó-di-am.

Bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbkbbbbbbbbbbbkbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbbbkbbbbbbbbbbbjbbbbb[bbbbbbbhbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbb  

(Gospel side): 2. Pro-cul recédant sómni- a, Et nócti-um

Bbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbhbbbbbbbbbbbg< bbbbbbbb{bbbbbbbbbbbbbbjbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbb[bbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbb phantasmata: Hostémque nostrum cómprime, Ne pol-

Bbbbbbbbbbbbkbbbbbbbkbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbhbbbbbbbbbg< bbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbkbbbbbbbbbkbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbkbbbbbbbbbjbbbbbbbbbbbbbbb[bbb  

lu-ántur córpora. 3. (bow) Præ-sta, Pater omní-potens,

Bbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbhbbbbbbbbbbbg< bbbbbbbbbbbbbb{bbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbb Per Je-sum Chri-stum Dóminum, Qui te-cum in per-

Bbbbbbbbbbbbbbbbgbbbbbbbbbbbhbbbbbbhbbbbbbbbbbbbbbbb[bbbbbbbbbbbbbbkbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbhbbbbbbbbbbg< bbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbghgbbbbbbbbbbbFTM< bbbbbbbbbbbbbbbbbbb}pé-tu-um Regnat cum Sancto Spi-ri-tu. A-men.

 All stand 

Cantor (Epistle side): All (Epistle side):

Bbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbb[bbbbbbbbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbb  1. To thee before the close of day, * Cre-a-tor of all things we

Bbbbbbbbbbbbg< bbbbbbbbb{bbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbb[bbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbhbbbbbbbbb pray That in thy constant clemency Our guard and keeper

Bbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbg< bbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbkbbbbbbbbbbbkbbbbbbbbkbbbbbbbbbbbbbbblbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbb  

thou wouldst be. (Gospel side): 2. Far off let idle visions

Bbbbbbbbbbbbbbbjbbbbbbbbbb[bbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbg< bbbbbbbbbbbbb{bbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbfbbbbbbbbbbbb  flee; No phantom of the night molest: Curb thou our raging

Bbbbbbbbbbbbgbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbb[bbbbbbbbkbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbg< bbbbbbbbbbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb  

enemy That we in chaste repose may rest. 3. (bow) O

Bbbbbbbbbbbbbkbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbjbbbbbbbbb[bbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbb  Father, this we ask be done, Through Jesus Christ, thine

Bbbbbbbbbbbjbbbbbbbbbbhbbbbbbbbbbbbbbbg< bbbbbbbbbb{bbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbb[bbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbvbbbbbbbv only Son; Who with the Ho-ly Ghost and thee, Doth live

Bbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbjbbbbbbbbbbbbbbhbbbbbbbbbbbbbbg< bbbbbbbbbbb}bbbbbbbbbbbbbbghgbbbbbbbbbbbbbbFTM< bbbbbbbbbbbb}and reign e-ternal-ly. A- men.

CHAPTER  & SHORT RESPOND

Tu autem in nobis es Dómine, † et nomen sanctum

tuum invocátum est  su per nos: * ne derelínquas nos

Dómine Deus noster. ( Jerem. 14: 9) 

VbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbbbbbfbbbbbbbbbbbbbdbbbbbbbbbbbbD RM, bbbbbbbbbbbbbbbb} R. De- o gra- ti- as. 

Thou art in the midst of us, O Lord , † and upon us

thy holy name is invoked: * do not desert us, O

 Lord  our God .

VbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbdbbbbbbbbbbbbbbbbbbbbbbD RM, bbbbbbbbbbbbbbbb} R. Thanks be to God.

BbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbF TbbbbbbbbgbbbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbgbbbbbbbbGY,. bbbbbbbbbbbbbb{bbbbbbbbbbbbbhbbbbbbbbbbbbfbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbbbbbgbbbbbbbbr® sbbbbbbFTbbbbbbbbbbbbbbbbbbbbbbbbbbbg, bbbbbbbbbbfb, bbbbbbbbb} R. In manus tuas Dómine, * Coméndo spí-ritum me-um.

 Repeat: In manus tuas . . .

Bbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbb\bbHUbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbgbbbbbbbb  ≥gbbbbbbbbbbbb[bbbbbbbbhbbbbbbgbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbtfbbbbbbbbbbbgbbbbbbbbbbbbbbbG Y,. bbbbbbbbbb}V. Redemísti nos Dómine, De-us ve- ri- tá- tis.

 Repeat: Commendo . . .

Bbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbb\bHUbbbbbbbbbbbbbhbbbbbbb[bbbbbbbbbhbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbgbbbbbbbbbb  ≥

gbbbbbbbb[bbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbhbbbbbbbbbgbbbbbbbbbfbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbG Y,. bbbbbbbbbbbb}V. Gló-ri- a Pa-tri et Fí- li- o, et Spi-rí-tu- i Sancto.

Spirit.  Repeat: In manus tuas . . .

BbbbbbbbbbbbfbbbbbbbbfbbbbbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbG Ybbbbbbbbbbbbbb{bbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbbbbb5z$@bbbbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbbg, bbbbbbbbbbbbbbbbbbbbbbbfb, bbbbbbbbbbbbbbb} R. Into your hands, O Lord, * I commend my spi- rit.

 Repeat: Into your hands

Bbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbb\bbH Ubbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbb[bbbbbbbbbbbgbbbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbG Y,. bbbbbbbbbb}V. For you have redeemed me, O Lord, O God of truth.

 Repeat: I commend . . .

Bbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbb\bH Ubbbbbbbbbbbbbbbhbbbbbbb[bbbbbbbbbgbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbb[bbbbbbbbbbgbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbgbbbbbbbbbbbb V. Glory be to the Father, and to the Son, and to the Ho-ly

BbbbbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbh. bbbbbbbbbbbbb}Spi-rit.  Repeat: Into your hands 

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Bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbfbbbbbbbbbfbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbfbbbbbbbfbbbbbbbbbbbbbfbbbbbbbbbbbbbbfbbbbbbbbbbbfbbbbbbbbfbbbbbbbbbbbbbbbbbbfbbbbbbbbbfbbbbbbbb  ≤dzz4z#@!zsdsm bbbbbbbbbbbbbbbbbb}V. Custódi nos Dómine, ut pupíllam óculi.

 R. Sub umbra alárum tuárum prótege nos.

Bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbfbbbbbbbbbfbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbb  ≤dzz4z#@!zsdsm bbbbbbbbbbbbbbbbbb}V. Keep us, O Lord, as the apple of thine eye.

 R. Hide us under the shadow of thy wings.

GOSPEL CANTICLE

3a Cantor (Gospel side): All:

BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbH IbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbKObbbbbbbbbbbbbkbbbbbbbbbbijbbbbbbbbbbbbbhbbbbbbbbbjbbbbbbbbbbbbbhbbbbbbbbbbbbbg< bbbbbbbbbbbb{bbbbbbvgbbbbbbbbbbjbbbbbbbbbbkbbbbbbb Salva nos, * Dómi-ne, vi-gi-lántes, custódi

 bBbbbbbbbbbbbbbblbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbkbbbbbbbbbbbbj. bbbbbbbbbbb{bbbbbbbbbbbbjbbbbbbbbbbbbbbgbbbbbbbbbbbbjbbbbbbbbbbbblbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbJ Ibbbbbbbbbbbbbbbbb[bbbbbbbbbbbbbbb nos dor-mi-éntes: ut vi-gi- lé-mus cum Chrí-sto,

BbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbbbtfbbbbbbbbbbbbbG YbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbdM bbbbbbbbdM bbbbbbbb}et requi-escámus in pace.

Canticum Simeonis

The sign of the cross is madeCantor (Gospel side):

´ ´} 

BbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbHIbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbÃbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbuhbbbbbbbbbbbbbbk/ bbbbbbbbbbbbb]bbbb 1. Nunc dimíttis ✠ servum tu- um Dómi-ne, * All (Gospel side): 

´ bBbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbkbbbbbbbbbbbbÃbbbbbbbbbbbuh< > bbbbbbbbbbbbbbbbbbbb} 

secúndum verbum tuum in pa- ce.

(Epistle side): 2. Quia vidérunt óculi mei * salutáre tuum.

3. Quod parásti * ante fáciem ómnium po pulórum.

4. Lumen ad revelatiónem géntium, * et glóriam plebis

tuæ Ísrael.

5. (bow) Glória Patri, et Fílio, * et Spirítui Sancto.

6. (rise) Sicut erat in princípio, et nunc, et sem per, * et in

saécula sæculórum. Amen.  Repeat antiphon

Cantor (Gospel side): All:

BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbH IbbbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbKObbbbbbbbbbbbbbbbbbbbbbbbbbijbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbg< bbbbbbbbbbbbb{bbbbbbv Save us * O Lord while we are wa-king, 

 bBbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbj. bbbbbbbbbbb{bbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbbbbbbbbbb and guard us while we are sleeping; that we may watch 

BbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbbbJ Ibbbbbbbbbbbbbbb[bbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbG YbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbdM bbbbbbbbbbbbbbbb}with Christ, and that we may rest in peace. .

Canticle of Simeon

The sign of the cross is madeCantor (Gospel side):

´ ´} 

BbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbHIbbbbbbbbbbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbÃbbbbbbbbbbbbkbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbuhbbbbbbbbbbbbk/ bbbbbbbbbbbbb]bbbb 1. Now dost thou ✠ dismiss thy ser- vant, O Lord, * All (Gospel side): 

´ bBbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbuh< > bbbbbbbbbbbbbbbbbbbb} 

according to thy word, in peace.

(Epistle side): 2. Because my eyes have seen * thy sal vation.

3. Which thou hast pre pared * before the face of all  peo ples.

4. A light to the revelation of the Gentiles, * and the glory of 

thy people Israel.

5. (bow) Glory be to the Father, and to the Son, * and to the

Holy Spirit.6. (rise) As it was in the beginning, is now, and ever shall be,

world without end. Amen.  Repeat antiphon

COLLECT

V. Dóminus vobíscum. R. Et cum spíritu tuo.Oremus. Visita, quaésumus Dómine, habitatiónem istam,

et omnes insídias inimíci ab ea longe repélle: † Ángeli tuisancti hábitent in ea, qui nos in pace custódiant; * etbenedíctio tua sit super nos semper. Per Dóminumnostrum Jesum Christum Fílium tuum: † qui tecum vivit etregnat in unitáte Spíritus Sancti Deus, * per ómnia saéculasæculórum.

 R. Amen.

V. The Lord be with you.

 R. And with thy spirit.

Let us pray. Visit, we beseech thee, O Lord, this

dwelling-place, and drive far from it all the deceits of 

the enemy: † let thy holy Angels dwell herein to keep us

in peace, * and may thy blessing be ever upon us.

Through Jesus Christ our Lord, thy Son, † who with

thee in the unity of the Holy Spirit * lives and reigns

God, world without end.

 R. Amen.

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30 n Sed MS ooqM 2011 nght Pe

 

V. Dóminus vobíscum.

 R. Et cum spíritu tuo.

VbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbHUbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbjbbbbbbbbbbb7xx %< bbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbjbbbbbbbbbbjbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbjbbbbbbbbbbbb7xx %< bbbbbbbbbbbbbbb} V. Benedi-cámus Dómi-no.  R. De-o grá- ti- as.

Blessing

Benedícat et custódiat nos omnípotens et miséricors

Dóminus, Pater, ✠ et Fílius, et Spíritus Sanctus.

R. Amen.

V. The Lord be with you.

 R. And with thy spirit.

VbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbHUbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbb7xx %< bbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbjbbbbbbbbbbbbb7xx %< bbbbbbbbbbbbbbb} V. Let us bless the Lord.  R. Thanks be to God.

Blessing

May the almighty and merciful Lord bless and guard us,

the Father, ✠ the Son, and the Holy Spirit.

 R. Amen.

MARIAN ANTIPHON

Bbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbgbbbbbbbbbbbfbbbbbbbbbbbbbgbbbbbbbbbbbhz. bbbbbbbbbbb\bbbjbbbbbbbbbbbbbbhbbbbbbbbbbb  ≥gbbbbbbbbbbbbbbbb\zzjbbbbbbbbbbbbbhbbbbbbbbbbbbgbbbbbbbbbbf, bbbbbbbbbbbbbbbbbbbbbbbbbb{bb Regi-na cæ-li, læ-ta-re, al-le-lu-ia;

Bbbbbbbbbbbbbbbbfbbbbbbbb¿kbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbkbbbbbbbbbjbbbbbbbbbbbbbbhbbbbbbbbbbbbbbfbbbbbbbbbbgbbbbbbbbbbbb˘ hbbbbbbb\zzjbbbbbbbbhbbbbbbbgbbbbbbbbf, bbbbbbbbbbbbb{ Quia quem me-ru-i-sti porta-re, allelu-ia,

Bbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbkbbbbbbbbbbbbblbbbbbbbbbbbbbbbbb¿kbbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbgbbbbbbbbbbbb¯fbbbbbbbbbbbbbbgbbbbbbbbbbbbbhbbbbbbb\zzjbbbbbbbbbbbbkb/ bbbbbbbbbbbbbbbbb{bbbbb Re-sur-re-xit, si-cut di-xit, al-le- lu-ia;

Bbbbbbbbbbbbbbbbkbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbb\zzjbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbf, bbbbbbbbbbbbbbbbbbbbbdbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbgzgbbbbbbbbbf, bbbbbbbbbbbbbbbbbbbb}O- ra pro no-bis De- um, al-le- lu- ia.

Queen of heaven, rejoice, alleluia;

For he whom thou didst merit to bear, alleluia,

Has risen as he said, alleluia.

Pray for us, to God, alleluia.

V. Gaude et lætare, Virgo Maria, alleluia.

 R. Quia surrexit Dominus vere, alleluia.

V. Rejoice and be glad, O Virgin Mary, alleluia.

 R. For the Lord has risen indeed, alleluia.

Orémus. Deus, qui per resurrectiónem Fílii tui, Dómini

nostri Jesu Christi, mundum lætificare dignátus es: †

 præsta, quaésumus; ut, per ejus Genitrícem Vírginem

Maríam, * perpétuæ capiámus gáudia vitæ, per eúmdem

Christum Dóminum nostrum.Amen.

Let us pray. O God, who didst vouchsafe to give joy to the

world through the resurrection of thy Son, our Lord Jesus

Christ; grant, we beseech thee, that through his Mother, the

Virgin Mary, we may obtain the joys of everlasting life,

through the same Christ our Lord.Amen.

V. Divinum auxilium maneat semper nobiscum.

 R. Amen.

 Lord’s Prayer, Hail Mary, Apostles’ Creed, silently 

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Tuesday 

l3:30 p.m. June 14, 2011 

 Mass in English, Ordinary Form Votive Mass of the Holy Spirit   

Sed MS ooqM 2011 n 31teSd, Jne 14

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Sed MS ooqM 2011 n 33teSd, Jne 14

  B vÝ dvvz gvvz G   Y v b v b h v v z z à  hvvvgvbz z z à h v v v v z b z g v v z d b m  v z z } v v b Ý  d v b z b v g v b v v v à  h v v z b h b v v v ß  g v v v v z z h z z v v á  jz z z z bö

B v z b h v v b h b .  v v v [ v v b h v v b z à  h v v v g v z b v à  h v v v b g v v z b d b m  v z z b b } v b z v b b g z z b b v v à  h v v v b g v v v z z d b m  v b z b } b v v g v b v G   Yvz z z z à h v v b b g b v v z z g v b ó

B v b b d b m  v z b } z z z z b g b v v z G    Y v v z z à  h v z b v b b g b v z z b v b d b m  v z b } v z v g b v b v à  h b v z z g z v v b à  h v b v z z g z v v v z d b m  v b b } z b b v Ý d b b v v g b b v z z à  h v b v z b h b z b v z b g z b b b b v z z à  h v ÷

B b v b j b b b b v z h b .  v z z b [ z v b h v b b v v z à  h v v v z b v b h v v v z b h v z b v v v v z z à  h v v z g b v b v à  h v v b b v v b z g b v v z d b m  v v b } v v z z Ý d v v b z g b b v z b b z z à  h v v b v z z h b v v z à  h v b b õ

B b z z z g v z z z b b b b b b v à  h v v b b b g b b v v d b m  v v z [ z b b v b d b b v v b ß  g v v v b b v h v v z z ß  g v b b v z h v z b v z z v b ß  g v b b v z d z b b b v z z d b m  v v b } v z z b z z b Ý  d v b v z b g b b b v v b à  h v v b b z h b b v v à  h v b õ

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34 n Sed MS ooqM 2011 teSd, Jne 14

Bbbzbgvbzzbzbhbvzzbzzá jbbbbvzbhbvvbhb. vzzbb[bbbvgvvzzà hvbbbzbvvvvgbvvbbdbm vzbzzbb}bbvbvzzÝ dvvbbgbbbbvvà hvbbvvzbbgvbbvbdbm vzb[bbbbbzzgvbbvzbbvà hvbb÷

Bzbvbjbzbbvhb. vvb[bbbvà hzzbbvgvvbbà hvvvbvbgvbvbdbm vbzb}bbzbvzzÝ dbzbbvbzzgbzzvbà hvzbbbvvhvvzzbgbvvzbà hvvzbbvbjvbzbbvzhb. vv[zbvhzbbbvzbà hbbbbbbõ

Bvzbgvbvbà hvbbvzbgvzbbbvdbm zbzbbbb}zbbvvÝ dvvbbzzgvvzà hvvvvbhvbvzbgvvzbà hvvvzzbjvvvzzhb. vvb[vvá jvvzbhvzzbvà hbbvvvhbvvvbà hvbö

Bbzzbzbhvbvà hvvzgbbzbvzà hvvvvvbbgzzzbbbbbbvzdbm vvzbb}vbzbvzbÝ dvvbbbgbvvbà hvbbvzhvvvzzzbzbà hvvzzgbvvzàhvvvvvzbbjbvvzhb. zvzbb[bbbbvhbbbbbbö

Bvzzà hvzbzzgbvzbzzà hbbvvvbgvzzbvdbm vbbbbbb}vbbbvbbÝ dvbvzgbvvbbà hvzbbvvzzbhbbvvzbbgvbvzà hvvbvzzgbvvvvzbdbm vbbbbb}vbvhzbbbzbzzzbzß gvvbzhbbbbbbbõ

Bzbvbß gvvzzdbvvbbbdbm vzbbb}zbbvvbÝ dvbbvzzgvbbzzzbà hzzzzzbbvzhvvzbbß gvvzdvvzbdbm vvb[bzbzzbzÝ dbbvzbzbbgbvbbvvvvbbzzî hî jî hvbbbzbhb. vv}vzbvzdvvõ

Bzbzß gvbvvvzhvbbvvvzá jvvbhzzvzhb. vzb[vzbhzbvzzbbzbbvzà hvvbhvvbhzzbvzvvà hvbbvgvzbbvvh7gztÍ dzbvzbdbm vzb}vzbbzd v5z$#vvbbS EbN M vbb}

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teSd, Jne 14 Sed MS ooqM 2011 n 35

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36 n Sed MS ooqM 2011 teSd, Jne 14

 

 

 

 

 

 

 

 

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MEDIUS

(Soprano)

CONTRA(Alto)

TENOR

(Tenor)

BASSUS

(Bass)

&

&V?

b b 

44

4444

44

1 ∑

∑∑

œ .œ Jœ œAl-migh-ty and

œ .œ jœ œAl - migh - ty and

œ œ œ œe - ver - last - ing

.œ jœ œ œe - ver-last - ing

œ .œ Jœ œAl-migh - ty and

œ œ œ œ œ œGod, and e - ver -

œ .œ Jœ œAl - migh - ty and

œ œ .œ jœGod, and e - ver -

œ œ œ œ œe - ver - last - ing, and

.œ jœ ˙last - ing God,

&&

V

?

b b 

5

œ œ œ œe - ver - l ast - ing

œ œ ˙-last -ing God,

œ œ œ œe - ver - l ast - ing

œ Œ Ó

.˙ œGod, mer -

Œ .œ œ œ jœmer - ci - ful - ly

˙ ÓGod,

Ó .œ

Jœmer - ci -

œ œ œ œ .œ œ œci - ful - ly look up-on

˙ œ œlook up - on

.œ jœ œ œ œmer - ci - ful - ly look

œ œ ˙ œful - ly look up -

œ œ œ œour in - fir - mi -

œ ˙ œnour in -

œ œ .œ œ œ jœup - on our in - fir - mi -

œ œ œ .œ Jœon our in - fir - mi -

&

&

V?

b b 

9

˙ .œ Jœ-ties, mer - ci -

.œ jœ ˙-fir - mi-ties,

œ .œ œ œ jœ-ties, mer - ci - ful - ly

.˙ œ-ties, mer -

œ œ œ œ œful - ly look up - on

.œ jœ œ œ œmer - ci - ful - ly look

œ œ œ œ œlook up - on our in -œ œ œ œ ˙

ci - ful - ly look

œ œ œ œ ˙our in - fir - - -

œ œ .œb  jœup - on our

œ œ ˙ œfir - mi-ties, our

œ .œb  œ œ jœup - on our in -

œ œ ˙mi-ties,

œ œn ˙ œin - fir - mi -

œ œ .œ jœin - fir - mi -

˙ ˙fir - mi -

Orlando Gibbons

(1583-1625)

SATB a cappella

Almighty and Everlasting God

Copyright © 2000 by the Choral Public Domain Library (http://www.cpdl.org)

Edition may be freely distributed, duplicated, performed, or recorded. ed. 3/7/00

Sed MS ooqM 2011 n 37teSd, Jne 14

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38 n Sed MS ooqM 2011 teSd, Jne 14

&

&

V?

b b 

13 Œ œ œ œ œand in all our

˙ Œ œ œ-ties, and in

w-ties,

w-ties,

œ œ œ œ œdan - gers and ne - ces - - -

œ œ œb  œall our dan - gers

Ó Œ œ œand in

œ œ œ Œsi - ties,

˙ œ œand ne - ces - - -

œ œ œ œall our dan - gers

Œ œ œ œ œand in all our

Œ œ œ œ œand in all our

œ œn œ œ œsi - ties, and in

œ œ ˙ œand ne - ces - si -

œb  œ .œ jœdan - gers and ne -

&

&

V?

17 œ ˙ œ œdan - gers and ne -

œ œ .œ jœall our dan - gers

œ œ œ œ-ties, our dan - gers

œ œ œ œ-ces - si - ties, and

œ œ ˙ces - si - ties

œ œ œ œand ne - ces - si -

œ œ .œ jœand ne - ces - si -

œ ˙ œne - ces - si -

Œ ˙ œ œstretch forth Thy

˙ Œ œties stretch

˙ Óties˙ Œ œties stretch

œ ˙ Œright hand,

œ œ œ œ œ œforth Thy right hand, Thy

Œ ˙ œ œstretch forth Thy

œ œ œ œ œ œforth Thy right hand, Thy

&

&

V

?

21 Œ ˙ œ œstretch forth Thy

œ œ Œ œright hand, stretch

œ œ Œ œright hand, stretch

œ œ Œ œright hand, stretch

œ ˙ œright hand to

œ œ œ œ œforth Thy right hand

œ œ œ œ œforth Thy right hand

œ œ œ œ œforth Thy right hand

œ œ œ œ œhelp and de - fend us,

œ œ œ œ œto help and de -

œ œ œ œto help and

œ œ œ œ œto help and de -

Œ ˙ œ œstretch forth Thy

˙ œ œfend us, stretch

œ œ œn œ œde- fend us, stretch

˙ œ œfend us, stretch

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&

&

V?

b b 

25

œ œ Œ œright hand to

œ œ œ œ œforth Thy right hand

œ œ œ œn œ œforth Thy right hand to

œ œ œ œ œforth Thy right hand

˙ œ œhelp and de -

œ œ œ œto help and

œ œ œ œ œhelp and de-fend us,

œ œ œ œ œto help and de -

œ œ œ œfend us, to help

œ œ œ œ œde-fend us, stretch

œ .œ Jœ œto help and de -

.œ Jœ œ œfend

œ œ œ œ œand de - fend us,

.œ jœ œ œ œforth Thy right hand to

œ œ .œ œ œ jœfend, to help and de - fend

˙ œ œus, to help

&

&

V?

b b 

29

œ œ .œ Jœto help

œ œ œ œ œ œhelp and de-fend us, stretch

˙ .œ jœus, toœ œ œ œ œ œ

and de -fend us,

œ œ œ œ œ œand de-fend us, de-fend

œ œ œ ˙forth Thy right

œ œ ˙ œhelp and

œ œ ˙to help

œ œn ˙us;

œ œ œ œ œ œ œhand to help and de- fend

œ œ œ ˙de - fend

œ œ ˙and de - fend

Œ œ œ œthrough Je-sus

œ ˙ œus; through Christ

˙ Óus;.˙ œus; through

&

&

V

?

b b 

33

˙ ˙Christ our

œ œ ˙our Lord,through

Ó Œ œthrough

œ œ ˙Christ our Lord,

˙ Œ œLord, through

œ œ œ œChrist our Lord, through

œ œ œ œChrist our Lord, through

œ œ œ œ œ œthrough Christ our

œ œ œ œJe - sus Christ our

œ œ œ œChrist our Lord.

œ .œ jœ œChrist our Lord.

˙ œ œLord, Christ our

˙ œ œLord. A - - -

œ œ œ œ œA - - -

œ œ ˙A-men,

˙ œ œLord. A -

œ œ œ ˙men.

˙ ˙men.

œ œ ˙A-men.

˙ ˙men.

SOURCE: Select Church Musick (Barnard, 1641)NOTES: Note values halved, some text underlay is editorial

Sed MS ooqM 2011 n 39teSd, Jne 14

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 Communion

Factus est repente (Mode 7) Acts 2

 XrivivzzK  ivivzzKivzzzivRvzzziuvpopivIv,viovoizz Sud- den- ly there came a sound from hea- ven, as of 

 XoivuoKivuvzuuzvtz6zhuvuiYv,czHyvyvruHyvuviovivzzzzzzzz a rush- ing migh- ty wind, and it filled the house where

 XuiuvuyvtuyrzzvTRv,vryvg  yzztzuyvd  rd  td  rvRv.vrvG  tvzzzzzzzz they were sit- ting, al- le- lu- ia; and they

 XuviiovzK  iviviczzL  oviuviovOv,vivuyuK  itzzzzzzzzzzzzzzztzzzzzzzzuzzzzzzzzz were all filled with the Ho- ly Spir- it and spoke of the

 XuuyFrtdyd  tzzzzzzzzzezzzzzzzrtvtvRv,vryvyvuiuvTv,vryvvzzzv migh- ty works of God, al- le- lu- ia, al-

 Xg  yzztuyvd  rdtd  rvRv..vvvvvvvvvvvvvvvvvzzzzzz le- lu- ia.

Ad libitum Psalm 68:36 

 XruyvuivivivivivivivipvovoivIOv.viyvuizzz How won- der- ful is God in his ho- ly plac- es: the God

 Xivivivivivivzzzzivzzzzziviz9zl  pvivuvuuuvTRv..zzzzzzzzzzzzzzzz of Is- ra- el giv- ing strength and pow’r to his peo- ple.

Sed MS ooqM 2011 n 43teSd, Jne 14

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&&

V?

&?

S

A

T

B

1

wO

wOÓ ˙

O

wO

1

wwÓ ˙w

wwœ œ œ ˙w

wwœ œ œ ˙w

˙ ˙sa crum

˙ ˙sa crum˙ ˙sa crum

˙ ˙sa crum

˙ ˙˙ ˙˙ ˙˙ ˙

œ œ ˙con vi

˙ ˙con vi˙ ˙con vi

˙ ˙con vi

œ œ ˙˙ ˙˙ ˙˙ ˙

œ œ ˙  vi um!

œ œ ˙  vi um!œ œ ˙  vi um!

œ œ˙  vi um!

œ œ ˙œ œ ˙œ œ ˙œ œ ˙

wŒ ˙ œ

in quo˙ ˙in

˙Ó

wŒ ˙ œ˙ ˙˙

- - - -

- - - -

- - - -

- - - -

&&V?

&?

7  Ó ˙inœ ˙ œ

Chri stus su

˙ œ œquo Chri stus

Ó ˙œ ˙ œ˙ œ œ

œ ˙ œquo Chri stusœ œ œ œ œ œ œ

mi

.œ jœ ˙su mi tur,

Ó Œ œin

œ ˙ œœ œ œ œ œ œ œ.œ jœ ˙Ó Œ œ

.œ jœ ˙su mi tur,

˙ ˙tur, inÓ Œ œ

inœ ˙ œquo Chri stus

.œ jœ ˙˙ ˙œœ ˙ œ

œ ˙ œquo Chri stus

˙ ˙quo Chri

.œ Jœ ˙su mi tur,

œ ˙ œ˙ ˙.œ Jœ ˙

Œ œ œ œin quo Chri

.œ jœ ˙su mi tur:œ œ .œ jœ

stus su mi˙ œ œin quo Chri

Œ œ œ œ.œ Jœ ˙œ œ .œ jœ˙ œ œ

- - - -

- - - - - - - - -

- - - - - -

- - - -

O SACRUM CONVIVIUM

 

Luca Marenzio1556-1599

St. Thomas AquinasWilliam Mahrt, Translation

O sacred banquet, wherein Christ is received;the memorial of his passion is renewed;

the soul is filled with grace; and a pledge of future glory is given to us.

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&

&

V

?

&?

12 œ œ .œ Jœstus su mi

Œ œ œ œre co li

˙ Ótur:œ œ .œ Jœ

stus su mi12 œ œ .œ jœŒ œ œ œ

œ œ .œ Jœ

˙ Ótur:

.œ jœ œ œtur me mo ri

Œ œ œ œre co li

˙ Ótur:

˙ Ó.œJœ œ œ

œ œ œ˙ Ó

Œ œ œ œre co li

˙ Óa

.œ Jœ œ œtur me mo ri

Œ œ œ œre co li

Œ œ œ˙

Ó

.œ jœ œ œŒ œ œ œ

.œ jœ œ œtur me mo ri

Œ œ œ œre co li

˙ Óa

.œ Jœ œ œtur me mo ri

.œ jœ œ œ

Œ œ œ œ˙ Ó.œ Jœ œ œ

œ ˙ œa pas si

.œ jœ œ œtur me mo ri

Ó Œ œre

œ ˙ œa pas si

œ ˙ œ.œ Jœ œ œœœ ˙ œ

- - - - - - - - - - -

- - - - - - - - - - - -

- - - - - - -

- - - - - - - - - - -

&

&V

?

&?

17 

˙ ˙o nis

˙ Œ œa pas

œ œ .œ Jœco li tur me

˙ ˙o nis

17 

˙ ˙˙ œœ œ .œ jœ˙ ˙

œ œ œ œ œ œ œ œ œe

œ œ ˙si o

œ œ ˙mo ri a

˙ ˙e

œ œ œ œ œ œ œ œ œœ œ ˙œ œ ˙˙ ˙

œ œ œ œ œius, re

wnis

Œ ˙ œpas si

˙ Œ œius, re

œ œ œ œ œwŒ ˙ œ˙ Œ œ

œ œ œ œ œ œco li tur,

˙ œ œe ius, re

˙ ˙o nis

œ œ ˙co li tur,

œ œ œ œ œ œ˙ œ œ˙ ˙œ œ ˙

˙ Ó

œ œ ˙co li tur,

˙ ˙e ius,

Œ œ œ œre co li

˙ Óœ œ ˙˙ ˙œ œ œ

˙ œ œre co li

Œ œ œ œre co li

.œ Jœ œ œtur me mo ri

˙ œ œœ œ œ.œ Jœ œ œ

- - - - - - - - - - -

- - - - - - - - - -

- - - - - - - - -

- - - - - - - - - - -

Sed MS ooqM 2011 n 45teSd, Jne 14

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&

&

V

?

&?

23 .œ Jœ œ œtur me mo ri

.œ jœ œ œtur me mo ri

Ó ˙re

œ ˙ œa pas si

23 .œ jœ œ œ.œ

Jœ œ œ

Ó ˙œ ˙ œ

˙ Œ œa pas

˙ ˙a pas

œ œ .œ Jœco li tur me

˙ ˙o nis

˙ Œ œ

œ œ .œ jœ˙ ˙

œ œ ˙si o

˙ œ œsi o nis

œ œ ˙mo ri a

˙ ˙e

œ œ ˙œ œ œ œ˙ ˙

˙ .œ jœnis e

.œ œ œ œ œ œ œe

Œ ˙ œpas si

˙ Óius:

˙ .œ jœ.œœ œ œ

œ œœ˙ œ˙ Ó

œ œ ˙ œ

.œ jœ ˙

˙ ˙o nis

Ó ˙mens

œ œ ˙ œ.œJœ˙

˙ ˙Ó ˙

- - - - - - - - - - - -

- - - - - - - - - - - - - -

- - - - - - - - - - -

- - - -

&

&V

?

&?

28

œ œ# œ œn œ œius:

˙ Óius:

˙ ˙e ius:

˙ ˙im

28

œ œ# œ œn œ œ˙ Ó˙ ˙˙ ˙

˙ Œ œmens

wmens

˙ ˙ple tur

˙ Œ œw˙ ˙

œ œ# ˙im ple

˙ ˙im ple

.œ Jœ ˙gra ti a,

œ œ# ˙˙ ˙.œ Jœ ˙

˙ ˙tur

˙ .œ jœtur gra ti

wmens

˙ ˙mens

˙ ˙˙ .œ Jœw ˙

.œ jœ ˙gra ti a,

.œ jœ ˙a,

˙ ˙im ple

˙ ˙im ple

.œ jœ ˙.œ Jœ ˙˙ ˙˙ ˙

˙ ˙mens im

Œ ˙ œmens im

˙ .œ jœtur gra ti

˙ .œ Jœtur gra ti

˙ ˙˙ œ˙ .œ jœ˙ .œ Jœ

- - - - - - - - -

- - - - -

- - - - -

- - - - - - - -

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&

&

V

?

&

?

34 ˙ ˙ple tur

˙ œ œple tur gra

œ œ œ œ œ œ œ œ œa:

wa:

34 ˙ ˙˙ œ œ

œ œ œ œ œ œ œ œ œw

.œ Jœ ˙gra ti a:

œ œ# .œ œn œti a:

˙ ˙

Ó Œ œet

.œ jœ ˙œ œ# .œ œn œ˙ ˙Ó Œ œ

˙ Œ œet

œ œ œ œet fu tu rae

œ œ œ œfu tu rae

˙ Œ œœ œ œ œœ œ œ œ

Œ ˙ œet fu

œ œ œ œfu tu rae

.œ jœ œ œglo ri

.œ Jœ œ œglo ri

˙ œœ œ œœ.œ jœ œ œ.œ Jœ œ œ

œ œ .œ jœtu rae glo

œ œ .œ jœglo ri ae

œ œ œ œ ˙ae

˙ Œ œae et

œ œ .œ jœœ œ .œJœ

œ œ œ œ ˙˙ Œ œ

œ œ ˙ri ae

˙ Œ œno

˙ Ó

œ œ œ œfu tu rae

œ œ ˙˙ Œ œœ œ œ œ

- - - - - - -

- - - - - - - -

- - - -

- - - - - -

&

&V

?

&?

40

˙ ˙no bis

˙ ˙#bis pi

Œ ˙ œet fu

.œ jœ œ œglo ri

40

˙ ˙˙ ˙#˙ œ.œ Jœ œ œ

˙ ˙pi gnus

˙ ˙gnus da

œ œ œ œ œtu rae glo

˙ ˙ae no

˙ ˙˙ ˙œ œ œ œ œ˙ ˙

˙ ˙da tur,

˙ Œ œtur, et

œ œ# œ œri ae no

˙ ˙bis pi

˙ ˙˙ Œ œœ œ# œ œ˙ ˙

œ œ œ œfu tu rae

˙ ˙bis pi

˙ ˙gnus da

œ œ œ œ˙ ˙˙ ˙

Œ ˙ œet fu

.œ jœ œ œglo ri

˙ ˙gnus da

˙ Ótur,

Œ ˙ œ.œ Jœ œ œ˙ ˙˙

œ œ .œ Jœtu rae glo

œ œ ˙ae no bis

œ œ œ œtur, et fu tu

Ó ˙no

œ œ .œ jœœ œ ˙œ œ œ œ˙

- - - - - -

- - - - - - - -

- - - - - - - - -

- - - - - -

Sed MS ooqM 2011 n 47teSd, Jne 14

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&

&

V

?

&

?

46 

œ œ ˙ri ae

œ œ œ œ œ œpi gnus

œ œ œ œrae glo ri

˙ ˙bis pi

46 

œ œ ˙œ œ œ œœ œœ œ œ œ˙ ˙

Œ ˙ œno bis

.œ jœ œ œ œ œda

œ œ ˙ae no bis

˙ ˙gnus da

˙ œ.œJœ œ œ œ œ

œ œ ˙˙ ˙

˙ œ œpi gnus da

œ œ .œ jœ œ œ

˙ ˙pi gnus

˙ Ótur,

˙ œ œœ œ .œ

Jœ œ œ

˙ ˙˙

œ œ# œ ˙

w

wda

œ œ# œ ˙ww

˙ Ótur,

˙ Ótur,

œ œ œ œ œtur, Al le

Œ œ œ œ  Al le lu

˙ Ó

œ œ œ œ œœ œ œ

˙ œ œ  Al le lu

Œœ œ œ œ

  Al le

œ œ ˙lu ia,

˙ Óia,

˙ œ œœ œ ˙œ œ œ œ œ

- - - - - - - - - -

- - - - - - - - - - - -

- - - - - - - - - - -

- - - - -

&

&V

?

&?

52

˙ Óia,

œ œ ˙lu ia,

Œ œ œ œ œ  Al le

˙ œ œ  Al le lu

52

˙ ˙œ œœ œ œ œ˙ œ œ

Œ œ œ œ  Al le lu

Œ œ œ œ œ  Al le

œ œ ˙lu ia,

˙ Óia,

œ œ œŒ œ œ œ œœ œ ˙˙

˙ Óia,

œ œ# ˙lu ia,

Œ œ œ œ  Al le lu

Œ œ œ œ œ  Al le

˙œ œ# ˙œ œ œŒ œ œ œ œ

- - -

- - - - - - - - - -

- - - - - - - - - -

- - - - - - - - -

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&

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55 Œ œ œ œ  Al le lu

Œœ œ œ œ

  Al le

˙ Óia,

œ œ# ˙lu ia,

55

œ œ œŒ

œ œœ œ

˙ Óœ œ# ˙

˙ Óia,

œ œ# ˙lu ia,

˙ œ œ œ  Al le

Œ œ œ œn  Al le lu

Óœ œ# ˙˙ œ œ œŒ œ œ œn

Œ œ œ œ  Al le lu

Œ œ œ œ œ  Al le

œ œ# ˙lu ia,

˙ Óia,

Œ œ œ œœ œ œ œ

œ œ# ˙˙

˙ Óia,

œ œ ˙lu ia,

Œ œ œ œ œ  Al le

Œ œ œ œ  Al le lu

˙ Óœ œ ˙Œ œ œ œ œœ œ œ

Œ œ œ œ  Al le lu

Œ œ œ œ œ  Al le

œ œ ˙lu ia,

˙ Óia,

Œ œ œ œŒ œ œ œ œ

œ œ ˙˙

- - - - - - - - -

- - - - - - - - - - - -

- - - - - - - - - -

- - - - - - - -

&

&V

?

&?

60

˙ Œ œia, Al

œ œ# œ œlu ia, Al

Œ œ œ œ œ œ  Al le

Ó ˙ Al

60

˙ œœ œ# œ œŒ œ œ œ œ œ˙

œ œ ˙le lu ia,

œ œ ˙ œle lu

œ œ ˙lu ia,

œ œ ˙le lu ia,

œœ œœ ˙œ œ ˙ œœ œ ˙

œ œ ˙  Al le

œ œ œ œia, Al le

Œ œ œ œ œ  Al le

˙ ˙  Al le

œ œ ˙œ œ œ œŒ œ œ œ œ˙ ˙

wlu

wlu

œ œ œ ˙lu

wlu

wwœ œ œ ˙w

wUia.

wU

ia.

wUia.

wUia.

wUwUwUwU

- - - - - - - - -

- - - - - - - - - - - - -

- - - - - - - - - - -

- - - - - - - - - -

Sed MS ooqM 2011 n 49teSd, Jne 14

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50 n Sed MS ooqM 2011 teSd, Jne 14

1

2

Desc.

4

2

And

O

so

let it

the

4

3

And

Let

so

ho

the

ly

4

1

2

3

Come

O

And

Let

down,

let

so

ho

O

it

the

ly

yearn

free

ing

ly

yearn

cha

ing

ri

Love

free

cha

yearn

di

ly

ing

ri

strong,

 burn,

strong,

ty

vine,

 burn,

strong,

ty

till

with which

earth

the

ly

with

mine

which

out

the

ward

seek

till

with

mine

thou

earth

which

out

this

ly

the

ward

soul

pas

will

sions

soul

ves

will

ture

soul

ves

pas

soul

sions

will

ture

of

long,

turn

long,

 be

mine,

turn

long

 be

-

-

-

-

- -

-

- - - -

-

- - -

-

-

---

shall

to

shall

and

andto

shall

and

far

dust

out

and

pass

ash es

the

far

low

out

li

pass

ness

the

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far

low

itand

out

li

itash

pass

ness

withes

the

 be

power

in

of

its

hu

heat

man

con

power

come

of

my

hu

in

man

ner

thinein

power

come

ownits

of

my

arheat

hu

in

man

dorcon

ner

tell

sum ing;

ing,

tell

cloth

ing,

ing,

glowsum

tell

cloth

ing;ing,

ing,

ing,

-

-

--

-

---

-

- - -

- -

- - -

- - -

- - -

- - -

--

Copyright © 2011 by Charles H. Giffen for the Choral Public Domain Library (www.CPDL.org)

May be freely copied, distributed, performed, or recorded. This copyright notice must not be removed.

Come down, O Love divine

Down Ampney, 66 11. D

Ralph Vaughan Williams (1872-1958)

Descants by Charles H. Giffen

Words: Bianco da Sena (d. 1434?);

tr. Richard Frederick Littledale (1833-1958), alt.

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for

and

none

let

can

thy

truefor lownone lican

O

and

for

true

Com

none

low

let

fort

thy

can

li

guess

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its

rious

nessguess ofits

er,

glo

guess

ness

draw

rious

its

of

grace,

light

heart,grace,

near,

light

grace,

heart,

till

shine

Love

ev

cre

er

whichtill takesLove thecre

with

shine

till

which

in

ev

Love

takes

my

er

cre

the

ate

on

a

my

humate  blea

heart

on

ate

hum

ap

my

a

 ble

place

sight,

part,place

pear,

sight,

place

part,

- -

-

-

-

-

-

- - -

-

-

- - --

-

where

and

and

where

and

and

where

and

in

clothe

the

me

Ho

round,

ly

the

o'er

in

its

the

own

Ho

short

ly

kin

clothe

in

o'er

dle

me

the

its

it,

round,

Ho

own

thy

ly

short

the

Spi

while

rit

my

makes

path

a

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com

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ings

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with

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com

ly

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with

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dwell

loath ing.

ing.

stow

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dwell

loath

ing.

ing.

ing.

ing.

- -

-

-

-

-

-

-

- - - -

-

- - -

- - -

- - -

- -

 

Copyright © 2011 by Charles H. Giffen for the Choral Public Domain Library (www.CPDL.org)

May be freely copied, distributed, performed, or recorded. This copyright notice must not be removed.

Sed MS ooqM 2011 n 51teSd, Jne 14

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52 n Sed MS ooqM 2011 teSd, Jne 14

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 Wednesday 

l3:30 p.m. June 15, 2011 

Requiem for Deceased Members, Ordinary Form

Sed MS ooqM 2011 n 53 WedneSd, Jne 15

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54 n Sed MS ooqM 2011 WedneSd, Jne 15

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  V b b b zb h zy g b v z zb b b F  T b b v v Þ  f v v v z z d z b b b z v z ë f b v b v g v v z b g b ,  v v b b v v } v v v v z b v z j v v z b J    I b v v b u h b v b z á  j v b b z z b j b v v b g b ,  v v v v b " } v v ö 

V b v b h z y g b b b b z z b b F  T b b v b v Þ  f b b v b b z z d b b z b z v b ë  f v b b v g v v z g b ,  v v b v z } v b v v z g Ä  Uvz z z b F T v v b r d v b b b v z b u h z J    I z & ^ z b b v b á  j v v b j v v b g b ,  z vz z } x vvvb b b

Sed MS ooqM 2011 n 55 WedneSd, Jne 15

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60 n Sacred MuSic colloquiuM 2011 WedneSday, June 15

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62 n Sed MS ooqM 2011

Soprano

Alto

Tenor

Bass

Organ

1

Thou know- est,

Thou know- est,

Thou know - est,

Thou know- est,

Lord, the se - crets

Lord, the se - crets

Lord, the se - crets

Lord, the se - crets

of our hearts;

of our hearts;

of our hearts;

of our hearts;

Shut not,

Shut not,

Shut not,

Shut not,

5

shut not thy

shut not thy

shut not thy

shut not thy

mer- ci - ful ears un -

mer- ci - ful ears un -

mer- ci - ful ears un -

mer- ci - ful ears un -

to our pray'rs;

to our pray'rs;

to our pray'rs;

to our pray'rs;

but spare us,

but spare us,

but spare us,

but spare us,

Lord, spare us,

Lord, spare us,

Lord, spare us,

Lord, spare us,

Henry Purcell

(1659-1695)SATB a cappella or with continuo

Thou Knowest, Lord, the Secrets of Our Hearts(Second Setting)

Copyright © 1999 by the Choral Public Domain Library (http://www.cpdl.org)

Edition may be freely distributed, duplicated, performed, or recorded. rev. 2/1/99

 WedneSd, Jne 15

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Sed MS ooqM 2011 n 63

10

Lord most ho - ly,

Lord most ho - ly,

Lord most ho - ly,

Lord most ho - ly,

O God,

O God,

O God,

O God,

O God most

O God most

O God most

O God most

might - y, O

might - y, O

might - y, O

might - y, O

ho - ly and most

ho - ly and most

ho - ly and most

ho - ly and most

15

mer - ci - ful Sa - viour,

mer - ci - ful Sa - viour,

mer - ci - ful Sa - viour,

mer - ci - ful Sa - viour,

Thou most worth - y

Thou most worth - y

Thou most worth - y

Thou most worth - y

 judge e - ter - nal,

 judge e - ter - nal,

 judge e - ter - nal,

 judge e - ter - nal,

suf - fer us

suf - fer us

suf - fer us

suf - fer us

 WedneSd, Jne 15

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64 n Sed MS ooqM 2011

19

not, suf - fer us

not, suf - fer us

not, suf - fer us

not, suf - fer us

not at our last

not at our last

not at our last

not at our last

hour for a - ny

hour for a - ny

hour

hour

pains of death, for

pains of death, for

for a - ny

for a - ny

23

a - ny pains of  

a - ny pains of  

pains of death, of  

pains of death

death to fall, to

death to fall, to

death, to fall, to

to fall, to

fall from Thee.

fall from Thee.

fall from Thee.

fall from Thee.

A - men.

A - men.

A - men.

A - men.

Edited by Rafael Ornes

SOURCE: Musica Sacra, Vol. I (London, 1724, ed. William Croft)

OTHER SOURCES:

British Library, MS 31444, ff. 208-208v

British Library, Harleian MS 7340,

Christ Church, MS 794

(Manuscript source information from Henry Purcell-Works, Volume XXXII)

 WedneSd, Jne 15

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70 n Sed MS ooqM 2011 WedneSd, Jne 15

S te

tu -

a

nos

a -

 ma -

ra

  fac

red-

emp-

tos

lu -

ce

cla-

ra,

  fac

red-

emp -

A a

nos

a -

ma-

ra

fac

red-

emp -

tos

lu -

ce

cla -

ra,

T

a

nos

a -

ma -

ra

fac

red-

emp -

tos

lu -

ce

cla -

ra,

  fac

red-

emp-

tos

lu -

B te

tu -

a

nos

a -

ma-

ra

fac

red-

emp -

tos

lu -

ce

cla -

 

30

S

tos lu - ce cla - ra te- cum fru- i glo  ri - a.

A- ve ver- bum,

in -

A fac

red-

emp-

tos

lu -

ce

cla -

ra

te

cum

fru -

i

glo-

ri -

a.

A -

ve

ver -

bum,

T

ce

cla-

ra

te -

cum

fru -

i

glo -

ri-

a.

A -

ve

ver-

bum,

in-

car -

B

ra,

  fac

red-

emp-

tos

lu -

ce

cla -

ra

glo -

ri-

a.

A-

ve

ver-

bum,

in -

 

35 40

S car -

na -

tum

  de

Ma-

ri -

a

Vir-

gi-

ne,

pa-

nis

vi-

vus

A in -

car-

na -

tum

  de

Ma-

ri -

a

Vir-

gi -

ne,

pa-

nis

vi -

vus

An-

ge-

lo-

T

na - tum de Ma- ri - a Vir- gi- ne,

B

car -

na -

tum

de

Ma-

ri -

a

Vir-

gi -

ne,

45 50

 

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Sed MS ooqM 2011 n 71 WedneSd, Jne 15

S An-

ge-

lo-

  rum,

sa-

lus

et

spes

in-

fir-

mo-

rum,

  sa-

lus

et

spes

in -

A rum,

pa -

nis

An-

ge-

lo-

  rum,

sa -

lus

et

spes

in -

fir-

mo-

rum,

T

  pa-

nis

An-

ge-

lo -

rum,

B pa-

nis

An -

ge-

lo -

rum,

sa -

lus

in-

fir -

mo-

rum,

   

55

S

fir - mo - rum,

me - di- ci - na pec-

ca-

    to -

rum.

A sa-

lus

et

spes

in-

fir -

mo -

rum,

me -

di -

ci -

na

pec-

ca -

to -

rum.

T

sa -

lus

et

spes

in -

fir -

mo -

rum,

  me -

di -

ci-

na

pec-

ca-

to -

rum.

B

me-

di-

ci -

na

pec-

ca -

to-

rum.

   

6560

S Sal -

ve

cor -

pus

Je -

su

Chri-

sti,

A Sal -

ve

cor -

pus

Je -

su

Chri-

sti,

T

Sal - ve cor - pus

Je-

su Chri - sti, quod de coe- lo de -

B

Sal -

ve

cor -

pus

Je -

su

Chri-

sti,

quod

de

coe -

lo

de-

scen-

di -

70 75

 

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76 n Sed MS ooqM 2011

S Qui

hic

im -

mo-

la-

ris

pro

no-

bis

et

san -

A Qui

hic

im-

mo -

la -

ris

pro

no-

bis,

im -

mo -

la

ris

et

T

no-

bis,

qui

hic

im-

mo -

la -

ris

pro

no-

bis

B no-

bis,

qui

hic

im-

mo-

la-

ris

pro

no-

bis

185180

S

cti-

fi-

ca-

ris,

A san -

cti-

fi-

ca-

ris,

 ju-

va

di-

es

T

et

san -

cti -

fi -

ca-

ris,

   ju

va

di-

es

no-

stros

in

B

et

san -

cti -

fi -

ca -

ris,

   ju-

va

di-

es

no-

stros

190

S   ju -

va

di -

es

no-

stros

in

pa-

ce

dis -

po-

ni,

A no-

stros

in

pa-

ce

dis-

po-

ni,

T

pa-

ce dis- po - ni,   in pa- ce dis- po - ni, et nos e -

B

in

pa -

ce

dis-

po -

ni,

et

nos

e -

lec-

to -

200195

  WedneSd, Jne 15

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Sed MS ooqM 2011 n 77

S et

nos

e -

lec-

to -

rum

tu -

o -

rum

gre -

ge

nu -

me -

ra-

A et

nos

e-

lec -

to-

rum

tu -

o-

rum

gre -

ge

nu -

me-

ra -

T

lec-

to-

rum

tu -

o-

rum

gre -

ge

nu -

me-

ra-

ri,

nu-

me-

ra -

B rum

tu -

o-

rum

gre -

ge

nu -

me -

ra -

205 210

S

ri, e - lec -

to -

rum,

gre- ge

nu - me - ra - ri,

 gre - ge nu - me- ra - ri,

 gre -

A ri,

e -

lec -

to -

rum,

gre-

ge

nu -

me -

ra-

ri,

  gre -

ge

nu -

me-

ra -

ri,

  gre -

T

ri,

e -

le -

cto -

rum,

gre-

ge

nu -

me -

ra -

ri,

gre -

ge

nu -

me-

ra -

B

ri,

e -

le -

cto -

rum,

gre-

ge

nu -

me -

ra -

ri,

gre -

ge

nu -

me-

ra -

215 220

S ge

nu -

me -

ra -

ri,

gre -

ge

nu-

me -

ra -

ri.

A ge

nu -

me -

ra -

ri,

  gre -

ge

nu -

me -

ra -

ri.

T ri, gre - ge nu - me - ra - ri,

nu-

me - ra - ri.

B

ri,

gre-

ge

nu -

me -

ra-

ri.

225

  WedneSd, Jne 15

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Thursday 

l3:30 p.m. June 16, 2011 

 Thursday in the Octave of Pentecost, Extraordinary Form

First Class Feast   

Sed MS ooqM 2011 n 79thSd, Jne 16

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80 n Sed MS ooqM 2011 thSd, Jne 16

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82 n Sed MS ooqM 2011

  BbvS Ø  Yvvzhvvb5z$#bbvzbÜ svvbbzbbdvbvvÞ fvzzbzgvvvvzzí6z%Þ $#vbzbdbm vb}bbvzÜ svvzbbdvvvzzzÞ fvvzbgvvvbà hvvvzzbbzhbbbbõ

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BzzbzJ  Ivzzzbbhb. vzzb[bvzbà hvbvzzzhvvbbvvzzà hvvbvzgvvbvvvvÞ fvvzgvzbbzbG  Yvvvvvgb, vvbbbbdbm vvb}vbbvzÞ fvvzbdvvÜ svvvbzbdvvbfb, vbbbbõ

BzvgzzbvvvÞ fvvzzbgvbvbgb, vv[zzvbà hvbvbhvvvbvzß gvzbzbbfvbvbbà hvvvvzgvzzvrdbbzbvdbm vvzb}vvzbzzÞ fvzzvdbvbbzzbÜ svbbvzbdvvfb, vbbbbbõ

Bbbbzzß gbvzbbzzfzbbbbvzzß gvzzbbbbgbvvbfb, vbv[bvzzà hvzbbzzgvvvvbbvvrdzbvzzdbm vzzbb}zbvzzhvzbzzzß gzzbvzzhvvvbvJ  Ivbbvzhb. vvb[bbbvzß gvvvvsvzó

thSd, Jne 16

BbvbD  Rvvzbgb, vzb[vbgvbbzbbrdvvzsvvvzzzzdbm vvvzdbm vvb}vvzgvbvbbbÞ fvvgvvvzzbà hvbbvzzgvvzzÞ fvvvzzbgvvzzzzhb. vv[vzzß gvvbzfzbbbõ

BzvzG  Yvzzbztfbbbvbvdbm vzzzbbbdbm vvb}bvvavvbbbÜ svbbzbdvvvzzÞ fvvzbzbgbvvzÞ fvvvbvgvvzzbzgb, vzb[bvzà hvvzbbgbbvzzzÞ fvvbbzbgvbvvÞ fvbbzgbbbö

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Sed MS ooqM 2011 n 83

BzbzzhvbvbÞ fvvbgbvvvzbbbvzdbm zbvbbvzbdbm vvzzb}zbbbbvvà hvvzbbgbbvvà hvbbvzbhvvvvzzhvvzzzß gbbbvzbhvvvzzvvJ  Ivvzhb. vzzzb[zzvbgbvvrÌsbbbbó

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Bzzbzbgzbvvbgb, vzbbb}bvzzzhbbvvzzß gbvvzfbbbzvzzà hvbvbgvvbrdvvdbm vz[bbvzhzzbbvzG  YvzzzbvvvvJ  Ivvzbhb. vbb}vbzzgvvvvvbbbß gvbvzzvbbbsbbbbó

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thSd, Jne 16

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84 n Sed MS ooqM 2011 thSd, Jne 16

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Sed MS ooqM 2011 n 85thSd, Jne 16

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86 n Sed MS ooqM 2011 thSd, Jne 16

    

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Bbbvbbà hvbbbzvvzbgvbbvzzbà hvvbvbvjvvbvvbâ kvvzbbjbbbbbbbvhb. vzzbb[bzvzà hvvbvvvhvvbvbß gvvbvbvhvzzvvÜ svvvvbbzzdvbvbfbvvbbgb, vvbbb[zõ

Bbvzbß gzzbvvhvbvbvß gvvvzzfvbvzb3z@!vbzzsbm vbz}zvbzlbzbbzbbzbzâ kvbvbzblbbbvvzâ kvvbzjbvbbvzbhb. vvbzbvzzgvzvvvâ kzbzzbbzbjvbvzà hvbbbbvzzgvzbö

Bvzhb.  bbvbb{vzbbà hvvbbvvzzhbvvzß gvbbvhbbbbvvbzß gvvzbfbbbbbzvdbm vzzzb{vbbbbbdvvbvvß gvvvbdvbbbvzzrdvvdvvbbzbsbm vbvbb}vvbvÜ svbvzazzzbbò

B b b z s r d z b z z z b Ü  s v b z v z f v z b v g b b v v à  hv v bv bv v v k v v v 7 z^ % zbbzbzbhb. v z z b { v z z h z b v b v v v Ü  s v v b z b d b v v b Þ  f v v z z b b g v b v 4 z # @ b z b z z z a b n  v z [ b z z z Þ  f v v z z d b v b ô

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Sed MS ooqM 2011 n 87thSd, Jne 16

B v z b Þ  f v v v z b s v v b b e s v b b b z z a v v b z b s b m  v z b b } z b b z b z b l b v b v v z â  k v b b b z b z h b b b b b b v z â  k z z b b v z l v b v b v â  k bv v bj bv v à h b b v v z g v v b b h b .  v z z b b [ b v b ß  g v b v h v b v v z z ß  g v b b b ô

B v b z z f v b v v 3 z @ ! b v b b s b m  v b } z b b b z z Ü  s v b b b v z d v b v b b f v v b z z z ß  g v b b b z b b f v b b z z z z b b b z G    Y z b z v h b .  v v z { v b b z b h b b v v á  j v b z z b b b k v b v v v z b á  j v b b b z b b h v b v z j v b b v v v z z b G    Y b b b b ö

B z z b b h b .  v z } v z z l b z b b z z v â  k v v bj v v zbà hv v v v v zg v bv v Þ f v z b b v g v b b b b v b à  h z v v z z z z b z b g v v b b v v v b b b â  k v v b j v v b h b .  v v [ z z z z ß  g v b z b h b b b b v z 5 z $ # b z b v s b m  v b b b b ñ

B b z z b b b a z b b b v z b Ü  s v b b z z b z z b d v v b b v v z b Þ  f v z b z b z b s b v v b b d b m  v v z z { z b z z z z h b b v z b z b ß  g v v b v z b h v b z b v b á  j b z z b z b b b b v k v b v v á  j v v bhbv v zbg b, v z z b z z b h b .  v z } b b z z b z z à  h v v z b b b s v b b ó  

B z b b z b Ý  d b v z z b f b b z z v z ß  g v v v v v zzg v v v v zbhb. v v v bv v v zzß g v v z z f b z b v v d b m  v v v v z s v b b b b z b z b b Ý  d b v b v b f b b b v b b b b ß  g b b v v b b d b v v z z z s b m  v v v b { b b v v z Ü  s v v b b b d b z z z ô

B v f v v zÝ d v v z b f b b b b z z z s z z b v b d v v v b z Þ  f v v v v d b v b z w a z z z b b z s b m  v z z b } b b v z b h v v z b Þ  f v v v z z b b v b b g b v z z b à  h v v b z j v v v z â  k bv zzj bv v hb. v z b b [ v z h v v b z ß  g b b b b ö

B z b z z h v v b â  k v v zbj v v zhb. v v [ v zl v v bzzzzâ k v v bv v zj v v bà h z z b v z g z b b b z z z z F  T v v z d b m  v z z b b b z { b b z b v Ü  s v z z b z b a v b z z b Ü  s v z b z b d v b v z b Þ  f v v bv v v g v v v v v bdbbbbbô

B z z z z r d v b v b s b m  v b b z } v z z b z ã  l v z v z b l b v z z z k b /  v v v v zzj v v zv v bhb. v v v v zbhv bv v á j v b b b b b b k b b b b b b z z b l b /  v z b b z b b [ z v b z l b b v b b v b â  k v v b j b z b v z z à  h b v v g b b z z v z à  h v b b õ

B zbzg v v bv zzÞ f v v b b g b b v z z b d b m  v v } v bv zs v v bzbà h b b v v b g z b z z b b b b à  h v b b v z b b k v v z á  j v v v v b v z h b b b z z z b b z z g z z b z b b b b z b z b f b ,  v b b b [ z z z Ü  s b v v v z b a v b b v Ü  s v v f v z v b ß  g b b b b b ô

BvzfbvvbbbzzvzÝ dvzbvzfvzbzzb3z@!bvzzsbm vbb}bvbbzhvzbvbbá jvvbvbvbkvbvbblb/ vbbbbvvã lvbz  zzzb;b  vzvã lvbvbkvzzbbá jvvzhvvvvvvâ kvvzzjzbbbb÷

Bbzzb7z^%vzzhb. vb}vzbbhvvzzbbtfbbbvbÝ dvvvvvbbfvzzvbÝ dbvvsvbbvesbbbzbzbabvzbbsbm zzbbb}bbzbbzbF TzyΠ Ìsbm vF T6z%$#bm vz5z$Ý #@z3z@!zbbbzbbsbm  bbbb}

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88 n Sed MS ooqM 2011 thSd, Jne 16

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Sed MS ooqM 2011 n 89thSd, Jne 16

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90 n Sed MS ooqM 2011 thSd, Jne 16

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Sed MS ooqM 2011 n 91thSd, Jne 16

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92 n Sed MS ooqM 2011 thSd, Jne 16

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Sed MS ooqM 2011 n 93thSd, Jne 16

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94 n Sed MS ooqM 2011 thSd, Jne 16

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Sed MS ooqM 2011 n 95thSd, Jne 16

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96 n Sed MS ooqM 2011 thSd, Jne 16

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Sed MS ooqM 2011 n 97thSd, Jne 16

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98 n Sed MS ooqM 2011 thSd, Jne 16

    

VvbbbdzzbvvzbD  Ù  Uvzzvvjzvbvvvjvbbbbvzjbvvzzdbm vvzvzbbbbbzvjvvvjbvbvbbhvvzbbbbÑ  v9jvvbjb. vvbzzb[vzzbvjvvvzzjzzbbbb÷

VbzzJ   Ivbbv   vbbbzbvbbï   ijvvbzbzzH   Ivbbbbjbbvzbhvvzbbvbhb. vvbbzzfÃYvbbbbbbb   vzbzzhb. vzb{vbbygvzbzhvbvjkjzzzbzbbhjhvzbvzygvbbvF   Yzß %zb#vzbzrdbm , vbb[bó

Vzbzbb   vbv5b, vfygzbbzbbbë  dë  fë  dvvbdbm vbbb]bzbbbdvvvbzfvvvhá J   Ivvbjbvvjvvvbvz   vvvvzbbjzvvvzvzbkvbvjzvbzbhbbvvzbbb   vbzzbbbbvzkb/ zbbzz{b÷

Vbvzjbvbvvzygzêh    vbbzbbzbbbbfvbvz„vzv   vvvví  gí  hígzdÞ F  TvbbbvrÌ svbvfvbzbbvvzzë  dë  fë  dvbbvdbm vbzzzzbb{zzbbzzbv   vvbzgvvbbzbhjhvzbbvfb, vzbz[vó

Vbvb   vvz5b, vfygbvzzëdëfëdvbvdbm zzzz}zóxxxxxxxxxzz 

VbbbvbdÍ  Î hgzbzbvbH  UvzbzzbjzvvbvzvjvzzzbjvbvvbbjvvzzzzbjvvzjvvzbbjvvvbbjvbvzbjvvbjbvvzJ  OzvzbbkvvbzijbbzzbvJ   Ib./ vzbzzbbzz]bbzzzzbuÏgbbzö  

VbbbbzbH  UzbbbbbzbbjvzzzzjvvvvvvvvzjvvzzjvvzjvvzjvvvzzzzbjvvzbjbvvvvzzjbbvvbjÆ  Obvbbbbá jzbzbbzzbhzzbzzzzbhzhzhvbzzrdbm, vvb}zóvcvbb 

VbbbvbdÍ  Î hgzbzbvbH  UvzbzzjzbbbvzvjvzzzbbjbbbvvbbjvvzzzzjbbvvzjvvzbbbjvvbbjvbvzzzbbbbjvzzvvbjbvvvzzzzzbzJOzvzbbbbkvvzzbbzijbzzbvJ   Ib. / vzbvb]v÷ 

 

VbbbzbuÏ gvzzbbbbzbH  UzbbbbbzbbjvbzzzzjzbvzzzzbjvzzbvzbjÆObzzvbbbbájzbzbbzzbhzzbzzzbhzhzhvbzzrdbm , vvb}zóvcvbbxxxxb 

 

 

 

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VbbvbdÍΠhgvzbbbH  UvzbbbbjzbbzbzzbjvzbbzzzbjvbzbzbbbvbjbzvbzzvvzbbJ  OvvbzbkvbbbbzzbbijbbbzzvJ   Ib. / vzbbzbb]zzzbbzbuÏ gbbbbzzbbzH  Uvvzzbzbjvvvvzzjbvvzjvvzzjvbbbb÷  

VbbbzbjzvbzzbzzjbzbzbbbbzjvbzzzvzbbJ  OvvbbbbkbbbbzzzbijbbbzbbvJ   Ib. /vzbzbbzbb]zbzbbzzbzbuÏgbbbbzzbbzH  UvzbbzvjvvzzvzbjbbvbzzjvbvzjvvzbjvbzzbbjÆ  Obbzbbvbbbbbá jzvvvzzzhzzbbbö

Vbbbbbzbhzhzhvbbvrdbm, vvb}zóxxxxxxxxxcczzzzzb 

VbbbvbdÍ  Î hgvzbbbH  UvzbvzzzbbbbjvzzzbbzbzzbjvbzzzbjvbvjvvzjvvzjvvvjvvvvjvvvvvzjvvvjbzvbvzbJ  OvbbzbkbvbbbkbvzzzzzbbijbbbzvJ   Ib./ zzzbbb]z÷  

 

VbbbzbzbuÏ gbbbbzzbvvbzH  UvzzbzbbzvjvvzbbbjbbvbzzjÆ  Obbbbbbzzbbbá jzvvvzzhzzbbbvzbhzhzhvbbvrdbm, vvb}zóxxxxcvb 

VbbbvbdÍ  Î hgvzbbbH  UvzbbzzzbbbbjbzbbzbzzbjvbbzzbjvbvvvzjvbbbzjbvvjvvvvzzzbbjbvvzjvvvzbjbbbvzbJ  OvbbzbkbvbbzbbijbbbzzvJ   Ib. / zzzbbbzz]vzzzuÏ gvbbvbH  Uvz÷ 

Vbbbzbbjvbzbbbjvvvzjbbvvjvvvbjvvjbvvjb. vv[zzzbbjvvvbjvvbjbbvvjbvvzbbzzjÆ  Obbbbbzbbb á jzvbbzbhzbbbvzbhzhzhvbbbbbrdbm, vbbb}zóxvv 

VbzbbbbdÍ  Î hgvbbzbH  UvzbbzzbjbbvbbzzjvbzvzzbbbbvbjvvzbjbbvvbjvvvzbbbbbJ  OvbbvbkvzzzzzzkvvzbkvzvbijbvbbzJ   Ib./ vbbbz]zzzzzuÏ gvvbH  Uvvzzjvvvbvjv÷ 

VzzbbzjzbbvzzjvvzzzzbzjvbbzzbjvvzzjvvbbjÆ  Obvbbbbá jzbbvvvzbbvhbzbbzzbzzzbzbhzhzhvbbvrdbm, vvb}zócvvxxbbxcbb 

 

Sed MS ooqM 2011 n 99thSd, Jne 16

 

VbbbvbdÍ  ÎhgvzbbbbH  UvzbzzjzvvzbzzbjvbzzzbjvbvzzbbbvbbjzzzvvzbbjvvvvzzbbjvbbbzbjbvvbjbvzbbvzJ  OzvzbbbkvvbzkvvbbijbbzbvJ   Ib. / vzbzz]bzzzbuÏgbbbvH  Uzbb÷  

Vbbzbbjzzbzbzzbjzbbbbbbbbzjvzbzzzbjbvbbzzbjvvvzzbvjvvbzzbjvvzbjbvvvvjvbvzjbvvvzzjbvvzjb. vvzbzz[bvzzvbjvvzzjvzzzbbjÆ  Obvbvzbbbbbbbá jzzbbbvzzhvbbö

Vvzhzhzhvbvrdbm , vvb}zóxxxxxxxxxxzzzzzzbbb 

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VbzbbbbbdÍΠhgbbbvbH  UvbvzzzbbzzbjzzzbbbzzjvbbbzzbbbbbvjzvvbJ  OvbbzbbkvbbzzbzbzzijbbzzbbbbzJ   Ib. / vbbbzzzbbz]zvbbbzzbuÏ gvzzbzzbH  Uvvbzbzbjvzzzzzbbjvzzzzvvzzzzjzzzbbbzbjvbbbb÷  

VzbbbzbjvvzzbbjvbbzzjbvvzjzvzzbbjÆObvbbbbbbá jzzzzbbbvhbzzbvzbzzbzhzhzhbbbbbbbvrdbm , vvb}zócvvxxxxczbbb 

VbzbzbbbbbbdÍ  Î hgbbbbbvH  UbbvbzbjbbzbbbzzjvzbbbbzzbbbbbvjzvvbjvvvvvzjbbbvvjvvvvbbjzbvvbJ  OvbbzbbkvbbzbkvzzbzbzzijbbzzbbbbzJ   Ib. / vbbbzzzbb]bzbbbbzzbuÏ gvzbzzH  Uzzbbb÷ 

Vbbbzbjzvbzbbjbzbzbbbbzjvvzzbjvvzzjvvzzzbjvbvjbbbvzbjvvvbzjvvbzjvvzjb. vvb[bvzzjvvvzjvbbbzzbjvvzjbbbvzzjbbvvjvvvbvvzvJ  Ovbbbbbbkzzzbø

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VbbbzbbbbdÍ  Î hgbbzzbbbbH  UvvbbbbzbzzbjbbvbbzzjvbzvbzbzbbbbbvjvvzbjbbvbzbbvbJ  OvbbvzzbbkvzzbzzzijbzzbbvbzJ   Ib./ vbbbzzb]vzzzbuÏgvvbvzzbH  Uvvzbjvbbbbzbjvvvvzjvb÷ 

VzzbbbbjbbbbzbbzbjzbbvzzbbjÆ  Obvbbbbá jzzbbvhbzbvzbzzbzzzbzbhzhzhvbbbvrdbm , vvb}zócvvxxbbbbbxxcvzbvvvvvbbb 

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102 n Sed MS ooqM 2011 thSd, Jne 16

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‰ œ œ œ .œ œ œ œ

‰ œ œ œb .œ œ œ œ

Sed MS ooqM 2011 n 103thSd, Jne 16

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104 n Sed MS ooqM 2011

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thSd, Jne 16

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Sed MS ooqM 2011 n 105thSd, Jne 16

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106 n Sed MS ooqM 2011 thSd, Jne 16

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Friday 

l3:30 p.m. June 17, 2011 

 Votive Massof the Blessed Virgin Mary,

 Ordinary Form

Sed MS ooqM 2011 n 107Fd, Jne 17

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108 n Sed MS ooqM 2011 Fd, Jne 17

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Superius

Tenore

Altus

∑w .w œ œ

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w ˙ w œ œri e e

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˙ .˙ œ ˙ ˙ ˙le

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7  .w œ œ ˙ ˙le i

7  .˙ œ œ œ w ˙#i

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Ó w ˙ we le

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w Ó ˙ ˙ ˙son, e le i

w W

w ˙ œ œ ˙ ˙i

.˙ œ ˙ ˙ Ó ˙i son, Ky  

w Ó ˙ ˙ ˙son, e le i

.˙ œ ˙ ˙ we le

˙ w ˙ ˙ ˙son, e le

- - - - - - - - - -

- - - - - - - -

- - - - -

- - - - - - - - - -

Missa Ave Maris Stella.

Josquin des Prez (1450-1521)

This engraving is given into the Public Domain

as a gift to those who sing and those who love Sacred Music

in honor of the XXI. Sacred Music Colloquium.

http://www.musicasacra.com

No. 1. KYRIE

Fd, Jne 17 Sed MS ooqM 2011 n 109

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110 n Sed MS ooqM 2011 Fd, Jne 17

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10 œ œ ˙ ˙ w œ œri

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˙ w ˙ œ œ œ œ

w ∑ wson, Ky  

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w ˙ ˙ wri e e

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13 wb .˙ œ œ œ ˙13

œ œ ˙ ˙ ˙ Ó ˙i son, e

.˙ œ ˙ ˙ ˙ ˙le

w Ó ˙ ˙ ˙son, e le

œ œ ˙ œ œ ˙ œ œ ˙#i

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W Wson.

W Wson.

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Superius

Altus

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16  .w œ œChri

w wste

˙ ˙ ˙ ˙e le

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˙ w ˙#i

˙ ˙ wsteIe

- - - - - - - -

- - - - -

 

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20 Wson,

.˙ œ ˙ ˙le i

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˙ ˙ .˙ œson, e

w wste

w .˙ œle

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˙ ˙ .˙ œ

˙ w ˙#i

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S.

A.

T.

B.

24 „

˙ ˙ œ œ ˙Wson,

.˙ œ ˙ ˙le

˙ ˙ wi son,

W

˙ w ˙#i

WChri

∑we

WChri

Wson,

W

Wle

Wste

W

Wb

W

w we

W

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A.

T.

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29 .w ˙Nste e

W

Wle

We

.w œ œle

w w

.w ˙

.w ˙le

˙ ˙ w

w w

w ww w

˙ w œ œ

.˙b œ ˙ ˙

w wi

wb wi

w wi

.˙ œ ˙i

Wson.

Wson.

Wson.

Wson.

W

W

-- - - - - - - -

- - - - - - - -

- - - - - - -

- - - - - -

 

Sed MS ooqM 2011 n 111Fd, Jne 17

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112 n Sed MS ooqM 2011 Fd, Jne 17

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Superius

Tenor 

Bassus

35

W wKy ri

∑ WKy 

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Ó˙ ˙ ˙

wKy ri

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„ ∑

˙ w œ œ wNson,

∑ WKy 

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.˙ œ ˙ ˙ ˙ ˙e e le

㠷㠷

.w ˙ wle i

˙ ˙ œb œ w ˙#i

- - - - - - - -

- - - -- - - -

 

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&

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A.

T.

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44 Ó ˙ .˙ œ we le

∑ Ó˙ .˙ œe le

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W ∑son,

.˙ œ œ ˙ ˙ w

.w œ œ ˙ ˙

„ ∑

˙ œ œ ˙ w ˙i

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„ ∑

- - - - - - - - -

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b

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S.

A.

T.

B.

47 

W Ó ˙son, e

w w wson, e

∑ WKy 

Ww

Ky ri

˙˙

˙w ˙le

w w wle

.w œ œ ˙ ˙ri e e

wWe

˙ ˙ ˙.

˙ œ œœ

.w ˙ w

.w ˙ ˙ ˙le

Ó .˙ œ ˙b ˙˙

e le

- - - - - - - - -

- - - - - - - - -

- - - - - - -

- - - - - -

&

&

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b

b

b

b

S.

A.

T.

B.

50 .˙ œ ˙ w ˙#i

Ó w ˙ wi son.

˙ w œ œ wi

œ œ ˙ ˙ ˙b wi

.Wson.

.W

.Wson.

.Wson.

- - - -

-- - - -

-- - - - -

-- - - -

 

Sed MS ooqM 2011 n 113Fd, Jne 17

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114 n Sed MS ooqM 2011 Fd, Jne 17

V b Œœ

œ œGló ri   œœ

œ œa in ex   œ œ œ œcél sis De   œ œ o.- - -- -

&

&

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b

13

13

S.

A.

5 ∑

w w wet in ter  

w w wet in ter  

w ˙ w œ œra pax  

w ˙ w œ œra pax  

˙ ˙ ˙ ˙ who mí ni- - - -

-

&

&

b

b

S.

A.

8

˙ ˙ ˙ ˙ who mí ni

wÓ w ˙

  bus bo næ

w Ó w ˙  bus bo næ

˙ ˙ .˙ œ ˙ ˙vo lun tá tis. Lau

˙ ˙ .˙ œ ˙ ˙vo lun tá tis. Lau

˙ ˙ Wdá mus te,

- - -

- - - - - -

- - - - -

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&

b

b

S.

A.

11 ˙ ˙ w Ó ˙dá mus te, beÓ ˙ ˙ ˙ .˙ œ

  be ne dí ci

˙ ˙ .˙ œ ˙ ˙ne dí ci

˙ ˙ .˙ œ ˙ ˙mus te,

.˙ œ ˙ ˙ Ó ˙mus te, aÓ

˙ ˙ ˙ .˙ œa do rá

- - - - - - -

- - - - - - - - -

&

&

b

b

S.

A.

14

˙ ˙ .˙ œ ˙ ˙do rá mus te,

˙ ˙Ó

˙ ˙ ˙mus te, glo ri fi

Ó ˙ ˙ ˙ .˙ œglo ri fi cá

.˙ œ ˙ ˙ ˙ ˙cá mus te. glo ri

œ œ .˙ œ ˙ ˙ œ œ

˙ .˙ œ ˙˙

˙fi cá

- - - - - - - - - -

- - - - - - - - - -

Missa Ave Maris Stella.

Josquin des Prez (1450-1521)

This engraving is given into the Public Domain

as a gift to those who sing and those who love Sacred Music

in honor of the XXI. Sacred Music Colloquium.

http://www.musicasacra.com

No. 2. GLORIA.

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&

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b

b

b

b

S.

A.

T.

B.

17  œ œ w ˙ wmus te.

˙ œ œ ˙ w ˙#

w w wGrá ti as

Ó ˙ w wGrá ti

˙ .˙ œ ˙ wmus te.

.w ˙ ˙ ˙á gi mus

W ∑as

w .w œ œGrá

˙ ˙ w wti

w w wGrá ti as

-

- - - -

- - - -

- -

- - -

- - -

- --

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b

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b

b

S.

A.

T.

B.

20 „ ∑

˙ ˙ ˙ ˙ ˙ ˙ti as á gi mus ti

w ˙ ˙ œ œ œ œ

.˙ œ ˙ ˙ .˙ œá gi mus ti

„ ∑

œ œ œ œ ˙ ˙ .˙ œ˙ .˙ œ w #

˙ ˙ ˙ ˙ w

„ ∑

˙ ˙ .˙ œ œ .˙ œ

w Ó ˙ ˙ ˙  bi pro pter ma

w w Ó ˙  bi

- - - - - - - - - -

- - - - - - -

- - - - - - - -

- -

&

&

V?

b

b

b

b

S.

A.

T.

B.

23 „ ∑

w ∑ ∑ bi

.˙ œ˙ ˙ œ œ ˙

gnam gló ri

˙ w ˙ .˙ œpter ma gnam gló

„ ∑

„ ∑

œ œ˙

˙ ˙ wam tu

˙ ˙ ˙ ˙ œ œ# œ œri am tu

Ó ˙ ˙ ˙ .˙ œpro pter ma gnam  

˙ ˙ ˙ ˙ œ œ œ œpro pter ma gnam  

.Wam.

.Wam.- - - - -

- - -

- -

- -

 

Sed MS ooqM 2011 n 115Fd, Jne 17

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116 n Sed MS ooqM 2011 Fd, Jne 17

&

&

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b

b

b

b

S.

A.

T.

B.

26  ˙ .˙ œ ˙ wgló ri am tu

˙ ˙ ˙ w ˙#gló ri am tu

„ ∑

„ ∑

W ∑am.

W ∑am.

Ó ˙ ˙ ˙ wDó mi ne De

Ó ˙ ˙ ˙ ˙ ˙Dó mi ne De us,

„ ∑

„ ∑

˙ ˙ ˙ .˙ œn ˙#us, Rex cæ lé

˙ ˙ ˙ ˙ wRex cæ lé

- - -

- - -

- - - - -

- - - - -

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&

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b

b

b

b

S.

A.

T.

B.

29 Ó ˙ ˙ ˙ wDe us Pa

Ó ˙ .˙ œ ˙ ˙De us Pa

.Wstis,

w Wstis,

˙ ˙ ˙ .˙ œn ˙#ter om ní po

˙ ˙ ˙ ˙ wter om ní po

„ ∑

„ ∑

˙ .˙ œ ˙ ˙ ˙tens. Dó mi ne Fi li

w Ó ˙ ˙ ˙tens. Dó mi ne

.WIe

Ó ˙ ˙ ˙ ˙ ˙Dó mi ne Fi li

- - - - - - -

- - - - - - - -

- - -

- - -

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b

b

bb

S.

A.

T.

B.

32

˙ ˙ ˙ w œ œU ni gé ni

˙ ˙ w ˙ ˙ .˙ œ 3 3

Fi li U ni gé ni

Ww˙ ˙ w wb

U ni gé ni

˙ ˙ ˙ ˙ wte, Ie su Chri

W Ó ˙te, Ie

w Wsu Chri

W wte,

w W

˙ ˙ ˙ œ œ œ œ œ œsu Chri

w WÓ ˙ .˙ œ w

Ie su

- - - - -

- - - - - - - - -

- -

- - - - -

- - - - - - - - -

 

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b

b

b

S.

A.

T.

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35

W Ó ˙ste, Dó

˙ w œ œ wste,

.Wste,

W .˙ œChri

˙ ˙ w wmi ne De us,

Ó ˙ ˙ ˙ wDóDe mi ne De

∑ ∑ ÓDó

w ∑ ∑ste,

∑ ∑ Ó ˙A 

w ∑ ∑us,

˙ ˙ w wmi ne De us,

Ó ˙ ˙ ˙ .˙ œDó mi ne De

- -

- - -

- - - -

- - -

- - -

- - -

&

&

V?

b

b

b

b

S.

A.

T.

B.

38 ˙ ˙ w wgnus De i,

Ó ˙ ˙ ˙ wA gnus De

∑ ∑ Ó ˙A 

w ∑ ∑us,

∑ ∑ Ó ˙Fí

w ∑ ∑i,

˙ ˙ w wgnus De i,

Ó ˙ ˙ ˙ .˙ œA gnus De

˙ ˙ w wli us Pa

Ó ˙ ˙ ˙ ˙ œ œFí li us Pa

∑ ∑ Ó ˙Fíœ œ ˙ .˙ œ ˙ ˙

i, Fí li us Pa

-

- -

- -

- - - - -

-

- - -

- - -

&

&

V?

b

b

bb

12

12

1212

S.

A.

T.

B.

41

.˙ œ ˙ w ˙#

œ œ ˙ œ œ ˙b wtris.

˙ ˙ ˙ ˙ wli us Pa

œ œ œ œ ˙ ˙ w

.Wtris.

.W

.Wtris.

.Wtris.- - - - -

- - - -

- - - -

- - - - -

 

Sed MS ooqM 2011 n 117Fd, Jne 17

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118 n Sed MS ooqM 2011 Fd, Jne 17

&

&

b

b

12

12Superius

Altus

43

WQui

w wtol lis

w wpec cá

w wta mun

WQui

.w œ œ

w wtol lis

- - - - - -

-

&

&

V

?

b

b

b

b

S.

A.

T.

B.

48

œ œ w œ œ

w wpec cá

œ œ w œ œ

w wta mun

WQui

Wdi,

.w œ œ

w wtol lis

WQui

œ œ w œ œw w

pec cá

w wtol lis

Wdi,

w wta mun

w wpec cá

- - - - -

- - - - - - -

- - -

- - -

-

V?

b

b

T.

B.

53 w wdi, miw wta mun

w wse réw ˙ ˙

.w œ œre˙ œ œ ˙ ˙

˙ ˙ ˙ ˙now ˙ ˙

di, mi se

œ œ w ˙#

˙ ˙ wré re no- - - - - - - - -

- - - - - -

&

&

V?

b

b

b

b

S.

A.

T.

B.

58 ∑ wqui

W bis;

W bis;

w wtol lis

W

W

w wpec cá

Wqui

w wta mun

w wtol lis

Wqui

Wdi,

w wpec cá

„w w

tol lis

.w ˙ta

Wquiw wpec cá

- - - -

- - -

- - -

 

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&

&

V?

b

b

b

b

S.

A.

T.

B.

64 ∑

w wmun

w wtol lisw wta mun

w wdi, mun

w wpec cá.w œ œ

di,

˙ w œ œ

w wta mun

˙ w œ œmun

w ˙ ˙

Wdi,

.˙ œ wdi,

.w ˙sú sci

œ œb œ œ wdi,

∑ wsú

.w ˙sú sci

- - - - - - -

- - - -

- - - -

- -

-

&

&

V?

b

b

b

b

S.

A.

T.

B.

69 w wpe de

Ó w ˙sú sci

˙ ˙ ˙ ˙sci pe

w wpe de

w wpre ca

w wpe de

w wde prew w

pre ca

˙ ˙ .˙ œti ó

.w ˙pre

.˙ œ ˙ ˙ca ti ó

w .˙ œti ó

˙ ˙ ˙ ˙nem 

˙ ˙ wca ti ó

˙ ˙ ˙ ˙

˙ ˙ œ œ œ œ

- - - - - - -

- - - - - - - -

- - - - - -

- - - - - - - -

- - - -

-

&

&

V?

b

b

bb

S.

A.

T.

B.

73 Ó ˙ ˙ ˙no

w Ó ˙nem  no 

˙ ˙ ˙ ˙nem no

œ œ ˙ ˙ ˙nem 

˙ w ˙

˙ ˙ ˙ ˙˙ ˙ w

˙ ˙ wno

˙ ˙ .˙ œstram, no 

˙ ˙ œ œ ˙

Wstram.

Wstram.

œ œ ˙ œ œ ˙

œ œ œ œ ˙ ˙stram, no 

W

Ó ˙ œ œ ˙no- - -

- - - - -

- - - - - - -

- - - - - - - -

-

-

 

Sed MS ooqM 2011 n 119Fd, Jne 17

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120 n Sed MS ooqM 2011 Fd, Jne 17

&

&

V?

b

b

b

b

S.

A.

T.

B.

77 

œ œ w ˙#

˙ ˙ w

W˙ ˙ w

Wstram.

Wstram.

Ww Ó ˙

stram. Qui

Ó ˙ ˙ ˙Qui se des

∑˙ w œ œse des

˙ œ œ ˙ ˙ad

∑˙ ˙ ˙ ˙

ad déx te

- - -

- - - - - -

-- - -

&

&

V?

b

b

b

b

S.

A.

T.

B.

81 ∑ Ó ˙mi

˙ ˙ ˙ ˙déx te ram Pa

∑˙ ˙ w

ram Pa tris,

.˙ œ œ œ ˙se ré re

w ∑tris,

Ó ˙ ˙ ˙mi se ré

œ œ w ˙#no

.˙ œ wre no

W bis.

∑ Ó ˙Quó

W bis.

Ó ˙ œ œ ˙Quó ni am  -

- - -

- - - -

- - - -

- -

-

&

&

V?

b

b

bb

S.

A.

T.

B.

85 ∑

œ œ ˙ ˙ ˙ni am tu so

„˙ ˙ ˙

tu so lus

∑ Ó ˙Tu

˙ ˙ .˙ œlus San

Ó

˙ ˙ ˙Tu sol us

.˙ œ wSan ctus,

˙ ˙ ˙ ˙sol us Dó mi

w∑

ctus,

˙ ˙ wDó mi nus,

∑ wTu

w ∑nus,

.w ˙Tu sol

∑˙ ˙ ˙ ˙sol us Al- -

- - - -

- --

- -

-

- --

 

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&

&

V?

b

b

b

b

S.

A.

T.

B.

89 ∑

˙ ˙ ˙ ˙us Al tís si

∑˙ ˙ .˙ œ

tís si mus,

.˙ œ ˙ ˙mus, Ie

∑˙ w ˙

Ie

˙ ˙ ˙ ˙su Chri

∑˙ w ˙su Chri

œ œ# œ œn wste,

∑ Ó ˙cum 

w wste,- - - - - -

- - - - -

&

&

V?

b

b

b

b

S.

A.

T.

B.

93 ∑ Ó ˙cum 

Ó ˙ ˙ ˙cum San cto

˙ ˙ ˙ ˙San cto Spí ri

˙ ˙ ˙ ˙San cto Spí ri

w ˙ ˙Spí

˙ ˙ ˙ ˙tu: in glo ri

˙ ˙ ˙ ˙tu: in gló ri

w wri tu:

w Ó ˙a, in

.˙ œ œ œ ˙a De

˙ ˙ œ œ ˙gló ri a

∑- - - - - - -

- -- - -

- - - - - -

&

&

V?

b

b

bb

S.

A.

T.

B.

97  œ œ w ˙#i Pa

˙ ˙ wDe i Pa

˙ œ œ œN œ ˙tris. Pa

.w ˙in gló

˙ w ˙tris. in gló

Ó ˙ ˙ ˙in gló ri

˙ ˙ œ œ œ œ

.˙b œ ˙ ˙ri a De

˙ ˙ .˙ œri a De

˙b w ˙a De i

.˙ œ œ œ ˙

˙ ˙ ˙ ˙i Pa

˙ ˙ œ œ ˙i Pa

.˙ œN ˙ ˙bPa

- - - - - -

-

- - - - - - - - -

- - - - -

- - -

 

Sed MS ooqM 2011 n 121Fd, Jne 17

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122 n Sed MS ooqM 2011

&

&

V?

b

b

b

b

S.

A.

T.

B.

101

œ œ w ˙

w wtris.

˙ ˙ w˙ ˙ w

w Ó ˙tris. A  

Ó˙ .˙ œA 

Wtris.

Wtris.

œ œ œ œ ˙ ˙

œ œ ˙ .˙ œmen, A  

„∑

œ œ œ œ ˙ ˙

œ œ ˙b œ œ ˙men,

„∑

- - -

- - -

- - -

- - - -

- - - - - -

&

&

V?

b

b

b

b

S.

A.

T.

B.

105

Wmen,

.˙ œ ˙ ˙A 

Ó ˙ œ œ œ œA 

.˙ œ œ œ ˙A  men,

∑ Ó ˙A 

.˙b œ ˙ ˙

˙ ˙ œ œ œ œmen, A 

.˙ œ œ œ ˙bA men,

œ œ œ œ .˙ œ

.˙b œ ˙ ˙

˙ ˙ œ œ œ œmen, A  

œ œ ˙b œ œ œ œA 

˙ ˙ œ œ ˙

˙ ˙ ˙b ˙

˙ ˙ .˙ œ

˙ ˙b œ œ œ œ- - - - - -

- - - - - -

- - - - - -

- - - - - - - - - -

&

&

V?

b

b

bb

S.

A.

T.

B.

109 œ œ w ˙#

˙ ˙ wmen.

˙ ˙ w˙ ˙b w

Wmen.

W

Wmen.

Wmen.- - - -

- - - -

- - - -

- - -

 

Fd, Jne 17

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Sed MS ooqM 2011 n 123Fd, Jne 17

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124 n Sed MS ooqM 2011 Fd, Jne 17

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Sed MS ooqM 2011 n 125Fd, Jne 17

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126 n Sed MS ooqM 2011

&&

V

?

bb

b

b

1313

13

13

Superius

Altus

Tenor 

Bassus

.WSan

Ó w ˙ wSan

„ .

.W

w ∑ ∑ctus,

„ .

Ó w ˙ wSan

W wÓ w ˙ w

san

„ .

w ∑ ∑ctus,

- - - - - - - -

- -

-

&

&

V

?

b

b

b

b

S.

A.

T.

B.

4 W w

w Wctus, san

.WSan

Ó w ˙ wsan

.w ˙ w

.˙ œ œ œ œ ˙ ˙ ˙ctus,.W

˙ w ˙ wctus, san

.˙ œ œ œ w ˙#Ó w ˙ w

sanW w

w ∑ ∑ctus,

- - - - - - - - - -

- - - - - - - -

- - - - -

- - - - - - - - - -

Missa Ave Maris Stella.

Josquin des Prez (1450-1521)

This engraving is given into the Public Domain

as a gift to those who sing and those who love Sacred Music

in honor of the XXI. Sacred Music Colloquium.

http://www.musicasacra.com

No. 4. SANCTUS.

Fd, Jne 17

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Sed MS ooqM 2011 n 127

&

&

V?

b

b

b

b

S.

A.

T.

B.

w Ó ˙ œ œ œ œctus, san

˙ .˙ œ ˙ ˙ ˙ctus, san

w ˙ ˙ w

Ó w ˙ wsan

˙ ˙ œ œ œ œ œ œ ˙

˙ ˙ ˙ .˙ œ ˙ctus, san 

w ˙ ˙ ˙ ˙ctus, san

w Ó w ˙ctus, san 

˙ ˙ ˙ ˙ ˙ ˙ctus, san

˙ ˙ ˙ ˙ ˙ ˙

.˙ œ œ œ w ˙#œ œ w ˙ w

- - - - - - - -

- - - - - - - - -

- - - - - - - - -

- - - - - - - -

&

&

V

?

b

b

b

b

S.

A.

T.

B.

10 .Wctus

˙ .˙ œ œ œ ˙ ˙ctus  Do mi

W wctus Do

w .w ˙ctus  Do mi

Ó w ˙ wDo mi mus

˙ ˙ .˙ œ œ œ ˙mus De 

˙ ˙ w wmi mus De

˙ ˙ œ œ œ œ ˙ ˙mus De 

.˙ œ WDe us

˙ ˙ .˙ œ œ œ ˙us, De

.W˙ ˙ œ œ œ œ ˙ ˙

us, De us,

- - -

- - - - - - -

- - - - - - -

- - - - - - -

&

&

V?

b

b

b

b

S.

A.

T.

B.

13 Ó ˙ .˙ œ œ œ ˙Do mi  

œ œ œ œ w w

W w

Ó ˙ œ œ œ œ ˙ ˙De us, De  

œ œ ˙ Ó ˙ œ œ ˙nus De  

w ˙ ˙ œ œ ˙us

w W

œ œ œ œ ˙ ˙ œ œ œ œus, De  

- - - - - - - -

- - - - - - - - -

- - - - - - - - - -

- - - - - - - - -

 

Fd, Jne 17

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128 n Sed MS ooqM 2011

&

&

V?

b

b

b

b

S.

A.

T.

B.

15

˙ .˙ œ ˙ ˙ ˙us Sá  

W ˙ ˙Sá 

.W˙ ˙ œ œ œ œ ˙b ˙

us Sá ba oth,

˙ ˙ Ó ˙ œ œ œ œbba oth, Sá ba  

˙ ˙ Ó w ˙ba oth, Sá ba  

W wÓ ˙ œ œ œ œ wb

Sá ba

w Ó ˙ œ œ œ œoth, Sá  

˙ .˙ œ œ œ ˙ ˙oth, Sá ba oth,

W Ó ˙us Sá 

.Woth.

- - - - - - -

- - - - - - - -

- - - - - - - -

- - - -

&

&

V

?

b

b

b

b

12

12

12

12

S.

A.

T.

B.

18 ˙ ˙ Ó ˙ œ œ œ œba oth, Sá 

Ó˙ œ œ œ œ ˙ ˙

Sá ba

œ œ œ œ ˙ ˙ Ó ˙ba oth, Sá 

.W

˙ .˙ œ œ ˙ œ œ# œ œ ba

.Woth.

œ œ ˙ ˙ ˙ w ba

.W

.Woth.

.W

.Woth.

.W

- - - - --

- - - -- - -

- - - -

&

&

?

b

b

b

12

12

12

Superius

Altus

Bassus

WPle

w wni

WPlew ˙ ˙

sunt cœ

w wniœ œ ˙ ˙ ˙

- - - - - - -

- - - -

 

Fd, Jne 17

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Sed MS ooqM 2011 n 129

&

&

?

b

b

b

S.

A.

B.

25

w ˙ ˙sunt cœ

.˙ œ ˙ ˙

œ œ ˙ ˙ ˙

œ œ œ œ ˙ ˙

WPle

˙ ˙ ˙ ˙

Wli,

w wni

œ œ ˙ ˙ ˙

W- - - - -

- - - -

- - - - - - - - -

&

&

?

b

b

b

S.

A.

B.

29 w ˙ ˙sunt cœ

.˙ œ ˙ ˙

œ œ ˙ ˙ ˙

œ œ œ œ ˙ ˙

.˙ œ ˙ ˙

.˙ œ ˙ ˙

œ œ œ œ ˙ ˙

œ œ œ œ ˙ ˙

- - - - - - - - -

- - - - - - - - - -

&

&?

b

b

b

S.

A.

B.

33 .˙ œ ˙ ˙

.˙ œ ˙ ˙

œ œ œ œ ˙ ˙

œ œ œ œ ˙ ˙

Wli,

˙ ˙ Ó ˙li, cœ

Wple

B

W

.˙ œ ˙ ˙w w

ni- - - -

- - -

- - - - -

- - - - -

&

&

?

b

b

b

S.

A.

B.

37 

˙ ˙ Ó ˙li, cœ

w ˙ ˙sunt cœ

˙ w œ œ

œ œ ˙ ˙ ˙

.˙ œ ˙ ˙

.˙ œ ˙ ˙

.˙ œ ˙ ˙

œ œ œ œ ˙ ˙- - - - - - - - -

- - - - - - - - -

 

Fd, Jne 17

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130 n Sed MS ooqM 2011

&

&

?

b

b

b

S.

A.

B.

41

œ œ ˙ ˙ ˙

.˙ œ ˙ ˙

.˙ œ ˙ ˙

œ œ œ œ ˙ ˙

Ó w œ œet

œ œ ˙ wli

Wli

˙ ˙ wter 

Ó w œ œet

W- - - - -

- - - - - - -

-

&

&

?

b

b

b

S.

A.

B.

45 w Ó ˙ra, et

˙ ˙ wter 

œ œ œ œ ˙ ˙ter 

w wra,

˙ ˙ œ œ œ œra, et

Ó ˙ œ œ œ œet

˙ ˙ ˙ ˙ter ra, et

˙ ˙ ˙ ˙ter ra, et

„- - - -

- -

&

&?

b

b

b

S.

A.

B.

49

œ œ œ œ œ œ œ œter 

œ œ œ œ wter 

w Ó ˙ra, et

Wra

Ó w œ œet

C

˙ ˙ œ œ œ œter 

„˙ ˙ w

ter 

.˙ œ wra

„w Ó ˙

ra, et-

-

- - - - -

&

&

?

b

b

b

S.

A.

B.

53

Ó ˙ ˙ ˙glo ri a

œ œ œ œ ˙ ˙ter 

.˙ œ ˙ ˙tu

˙ ˙ œ œ œ œ

˙ ˙ ˙ ˙a, glo ri a

˙ ˙ ˙ ˙ra glo ri a

œ œ ˙ ˙ ˙tu

.˙ œ ˙ ˙

tu- - - - - - - - -

- - - - - - - -

 

Fd, Jne 17

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Sed MS ooqM 2011 n 131

&

&

?

b

b

b

S.

A.

B.

57 

Ó ˙ ˙ ˙glo ri a

w Ó ˙a, glo

˙ ˙ ˙ ˙a, glo ri a

.˙ œ ˙ ˙tu

˙ w ˙ri a tu

.˙ œ ˙ ˙tu

w wa, glo

Wa,

w wa, glo

˙ ˙ .˙ œri a

W

˙ ˙ .˙ œri a

˙ ˙ œ œ œ œtu

˙ ˙ œ œ œ œtu- - - - - -

- - -

- - - - - -

&

&

?

b

b

b

S.

A.

B.

62

Wa,

∑ wglo

Wa,

Ó ˙ ˙ ˙glo ri

˙ ˙ .˙ œri a

˙ ˙ œ œ œ œa tu

˙ ˙ œ œ œ œtu

œ œ w ˙#

˙ ˙ w

Wa,

w Ó

˙a, glo

∑ wglo -

- - - - - - -

- - - - - -

&

&?

b

b

b

S.

A.

B.

67 

œ œ œ œ .˙ œri

˙ ˙ .˙ œri a

˙ ˙ œ œ ˙a tu˙ ˙ œ œ œ œtu

œ œ w ˙#˙ ˙ w

∑ wglo

.w œN œa,

Wa,- - - - - - -

- - - - - - - -

-

&

&

?

b

b

b

S.

A.

B.

71

˙ ˙ .˙ œri a

˙ ˙ .˙ œglo ri

˙ ˙ œ œ œ œtu

˙ ˙ œ œ œ œa tu

.˙ œ œ œ ˙

˙ ˙ ˙ ˙

∑ wglo

˙ ˙ œ œ œ œa, glo

˙ ˙ Ó ˙a, glo

˙ ˙ .˙ œri a- -

- - - - - - - -

- - - - - - - -

 

Fd, Jne 17

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132 n Sed MS ooqM 2011

&

&

?

b

b

b

12

12

12

S.

A.

B.

75 ˙ ˙ œ œ ˙ri a

œ œ ˙ ˙ ˙bri a

˙ ˙ œ œ œb œtu

˙ w œ œtu

œ œ ˙ œ œ ˙tu

˙ ˙ wb

˙ ˙ œ œ œ œ

œ œ ˙ œ œ ˙

Wa.

Wa.

œ œ ˙ w

W

W

Wa.

W- - - -

- - - - - - - - -

- - - - - -

&

&

V

?

b

b

b

b

12

12

12

12

Superius

Altus

Tenor 

Bassus

∑ wO

WO

.w ˙O

D

∑ wO

˙ ˙ wsan

Ww w

san

˙ ˙ wsan

Wna,

W

˙ ˙ w

Wna,

∑ wo

W

Wna,- - - - -

- -

- - - - -

- - - - - - - -

&

&

V?

b

b

b

b

S.

A.

T.

B.

84 ∑ wo

˙ œ œ wsan

W

.w ˙o

˙ œ œ wsan

˙ ˙ w

„w w

san

˙ ˙ w

Wna,

Wsan

˙ ˙ w

.w ˙

∑ wo

W

Wna,

Wna,

˙ ˙ wsan

W

.w ˙o- - - - - -

-

- - - - - - -

- - - - - - - - - - -

- - - - -

 

Fd, Jne 17

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Sed MS ooqM 2011 n 133

&

&

V?

b

b

b

b

S.

A.

T.

B.

89

W

w wna,

w ww w

san

∑ wo

Ó˙ wo san

W.w ˙

w w

w wna,

WW

na,

˙ w ˙san

Ó˙ wo san

W.w ˙

o

w w

w wna,

Ww w

san- - - - - -

- - - - - - -

- - - -

- - - - - - - - - -

&

&

V

?

b

b

b

b

S.

A.

T.

B.

94 .w œ œ

Ó˙ wo san

W

.w ˙

.˙ œ œ œ ˙

˙ ˙ ww w

w w

˙ w œ œ

w w

Wna

.w ˙

˙ œ œ œ œ ˙

˙ œ œ ˙ ˙W

Wna- - - - - - - -

- - - - - - - - - -

- - - - - - - - - -

- - - - -

&

&

V?

b

b

bb

S.

A.

T.

B.

98 œ œ w ˙

˙ ˙ w

W

W

w wna,

w wWin

.w ˙ w 3

in ex  

E

˙ ˙ wo san

w Ó ˙na, o

wwex 

.w ˙ w 3

cel

.w ˙

.˙ œ wsan

WW w 3

sis, in

w Ó ˙na, o

˙ ˙ wna

W

˙ ˙ w w 3

ex cel- - - -

- - - - - - - -

- - - - - - - -

- - - - - -

 

Fd, Jne 17

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134 n Sed MS ooqM 2011

&

&

V?

b

b

b

b

S.

A.

T.

B.

103 .w ˙san

w w w 3

in ex  

w wcel

.w ˙ w 3

w Ó ˙na, o

Wb w 3

cel sis,

W.wb ˙ w

 3

˙ œ# œ wsan

wb W 3

W

w W 3

sis,

w Ó ˙na in

.˙ œ ˙ ˙in ex cel

Wsis,

∑ .˙ œin- - - - - -

- - - - -

- - - -

- - - - - - -

&

&

V

?

b

b

b

b

S.

A.

T.

B.

107  w ˙ ˙ex 

œ œ œ œ ˙ ˙∑ w

in˙ ˙ œ œ ˙ex cel

.w ˙cel

˙ ˙ œ œ ˙sis, in ex  

w wex cel˙ ˙ œ œ ˙

sis, in ex  

w Ó ˙sis, in

.w ˙cel sis,

w wsis, in

.˙ œ ˙ ˙cel sis,

˙ œ œ ˙ ˙ex cel

.˙ œ ˙ ˙ ˙ ˙ 3 3

in ex cel

.w ˙ex 

.˙ œ ˙ ˙in ex cel

- - - - - -

- - - - - -

- - - - - - -

- - - - -

&

&

V?

b

b

bb

S.

A.

T.

B.

111 ˙ ˙ w

˙ ˙ ˙ ˙ ˙ ˙ 3 3

˙ ˙ wcel

˙ ˙ w

w Ó ˙sis, ex  

˙ w ˙sis, in ex  

w .˙ œsis, inw .˙ œsis, in

.˙ œ ˙ ˙cel sis, in

˙ ˙ Ó ˙cel sis, in

˙ ˙ œ œ ˙ex cel

˙ ˙ œ œ ˙ex cel

˙ ˙ œ œ ˙ex cel

˙ ˙ œ œ ˙ex cel

˙ ˙ wsis,

˙ ˙ œ œ ˙- - - - - - - -

- - - - - - -

- - - - - - -

- - - --- -

 

Fd, Jne 17

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Sed MS ooqM 2011 n 135

&

&

V?

b

b

b

b

12

12

12

12

S.

A.

T.

B.

115

œ œ œ œ ˙ ˙sis, in

˙ ˙Ó ˙

sis, in

w ˙ ˙in ex  

w ˙ ˙sis, in ex  

˙ ˙ œ œ ˙ex cel

˙ ˙ œ œ ˙ex cel

˙ ˙ wcel

˙ ˙ œ œ ˙cel

w wsis.

˙ ˙ w

w wsis.

w .˙ œ

W

Wsis.

WW

sis.- - - - - -

- - - - - -

- - - - - -

- - - - -

&

&

b

b

12

12

Superius

Altus

w ˙b ˙Be ne

WBe

œ œ œ œ ˙b ˙dic

W

˙ œ œ w

.w ˙Wtus,

w ˙ ˙ne

- - - - - - - -

- - - - - - - -

&

&

b

b

S.

A.

123

Wœ œ œ œ ˙ ˙

dic

W˙ œ œ w

w ˙ ˙  be ne

Wtus,

œ œ œ œ ˙ ˙dic

W- - - - -

- - - - - -

&

&

b

b

S.

A.

127 

˙ œ œ ˙ ˙tus, be

W

˙ ˙ ˙ ˙ne dic

w ˙b ˙  be ne

˙ ˙ ˙ ˙

œ œ œ œ ˙b ˙dic

˙ œ œ ˙ ˙tus, be

˙ œ œ wtus,

- - - - - - - - - -

- - - - - - -

&&

bb

S.

A.

131

œ œ ˙ ˙ ˙ne dic

Ó ˙ ˙ ˙  be ne

˙ ˙ ˙ ˙œ œ œ œ ˙ ˙

dic

˙ œ œ œ# œ œ œ˙ œ œ w

Wtus.

Wtus.

- - - - - - - - -

- - - - - - - -

 

Fd, Jne 17

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136 n Sed MS ooqM 2011

&

?

b

b

Altus

Bassus

WQui

w ˙ ˙Qui ve

W

œ œ ˙ ˙ ˙

w ˙ ˙ve

˙ œ œ ˙ ˙

œ œ ˙ ˙ ˙

w ∑nit,

- - - -

- - - - - -

&

?

b

b

A.

B.

139

˙ œ œ ˙ ˙

w ˙ ˙qui ve

w∑

nit,

œ œ ˙ ˙ ˙

w ˙ ˙qui ve

˙ œ œ ˙ ˙

œ œ ˙ ˙ ˙

w ∑nit,

- - - - - - -

- - - - - -

&

?

b

b

A.

B.

143

˙ œ œ ˙ ˙w ˙ ˙

qui ve

.˙ œ wnit

œ œ ˙ ˙ ˙Ó ˙ ˙ ˙

in Nó mi

˙ œ œ ˙ ˙nit in

˙ ˙ .˙ œne, in Nó mi.˙ œ ˙ ˙Nó mi ne Dó

- - - - - - - -

- - - - - - - -

&

?

b

b

A.

B.

147 

˙ ˙ œ œ ˙ne Dó mi ni,œ œ ˙ .˙ œ

mi ni, Dó mi

˙ ˙ .˙ œDó˙ ˙ œ œ œ œni, Dó

œ œ ˙ œ œ œ œ

˙ œ œ œ œ ˙

œ œ ˙ œ œ ˙

˙ ˙ ˙ ˙mi

- - - - - - - - -

- - - - - - - - - - -

&

?

b

b

A.

B.

151

œ œ w ˙#mi

w wni.

Wni.

W-- - -

 

Osannaut supra.

Fd, Jne 17

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Sed MS ooqM 2011 n 137

&

V

b

b

13

13

Superius

TenoreAltus

„ ∑

w .w œ œA 

w .w œ œA 

w ˙ w œ œgnus De

w ˙ w œ œgnus De

.˙ œ œ œ w œ œ- - - -

- - - - - - - -

&V

?

bb

b

S.

T.

A.

B.

4

.˙ œ œ œ w œ œ4

.˙ œ œ œ w œ œ

.˙ œ œ œ w œ œ˙ ˙ ˙ w ˙

˙ w œ œ w˙ ˙ ˙ w ˙#

w .w œ œA 

- - - - - - - - - -

- - -

- - - - - - - - - -

&

V

V

?

b

b

b

b

S.

T.A.

T.

B.

˙ .˙ œ ˙ ˙ ˙i, qui tol

7  ˙ ˙ .˙ œ ˙ ˙i, qui tol

w .w œ œA 

w Ó ˙ ˙ ˙gnus De

˙ ˙ œ œ ˙ œ œ ˙

˙ .w ˙ ˙w Ó ˙ ˙ ˙

gnus De

w Ó ˙ ˙ ˙

œ œ œ œ ˙ ˙ Ó ˙lis pec

œ œ œ œ ˙ ˙ .˙ œlis pec ca

w Ó ˙ ˙ ˙

w ˙ ˙ w

- - - - - - -

- - - - - - - -

- - - - - - - -

- - - - - - - - -

Missa Ave Maris Stella.

Josquin des Prez (1450-1521)

This engraving is given into the Public Domain

as a gift to those who sing and those who love Sacred Music

in honor of the XXI. Sacred Music Colloquium.

http://www.musicasacra.com

No. 5. AGNUS DEI.

Fd, Jne 17

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138 n Sed MS ooqM 2011

&

V

V

?

b

b

b

b

S.

T.

A.

T.

B.

10 .˙ œ œ ˙ ˙ ˙ ˙ca ta mun

10 ˙ w ˙ .˙ œta mun

w ˙ ˙ w

w ∑ ∑i,

œ œ .˙ œ w ˙#

œ œ w ˙ w

w ∑ ∑i,

W wqui tol

˙ ˙ ˙ ˙ œ œ ˙di, pec ca

w ∑ wdi, pec

W wqui tol

.˙ œ ˙ w ˙

- - - - - - -

- - - - -

- - - -

- - - - - - -

&

V

V

?

b

b

b

b

S.

T.A.

T.

B.

13

˙ w ˙ .˙ œta mun

13 .˙ œ œ œ w ˙ca

.˙ œ ˙ w ˙

˙ w ˙ w

œ œ w ˙ .˙ œ

œ œ œ œ ˙ w ˙ta mun

˙ w ˙ w

w ∑ ∑lis

˙ ˙ ˙ w ˙

.w œ œ w

w ∑ ∑lis

w ˙ ˙ wpec ca ta,

- - - - - - - - -

- - - - - - -

- - - - - -

- - - - - - - - - -

&

V

V?

b

b

b

b

S.

T.A.

T.

B.

16  w ∑ Ó ˙di, mi

16  w ˙ w ˙ ˙ w 3

 3 3

w ˙ ˙ wpec ca ta,

w ˙ ˙ wpec ca ta

˙ w ˙ ˙ ˙se ré re no

w Ó ˙ ˙ ˙di, mi se ré

w ˙ ˙ wpec ca ta

˙ .˙ œ ˙ wmun

œ ˙ œ ˙ ˙ ˙ ˙

.˙ œ ˙ ˙ ˙ ˙re no

˙ .˙ œ ˙ wmun

w Ó ˙ ˙ ˙di, mi se ré

- - - - - - - -

- - - - - - -

- - - - - - - -

- - - - - - - -

 

Fd, Jne 17

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Sed MS ooqM 2011 n 139

&

V

V

?

b

b

b

b

S.

T.

A.

T.

B.

19

.˙ œ ˙ ˙ ˙ ˙ bis,

19 ˙ w ˙ ˙ ˙ bis,

w Ó ˙ ˙ ˙di, mi se ré

˙ ˙ ˙ ˙ ˙ ˙re no

Ó w ˙ ˙ ˙mi se ré re

Ó w ˙ ˙ ˙mi se ré re

˙ ˙ ˙ ˙ ˙ ˙re no

.˙ œ ˙ ˙ ˙ ˙

˙ ˙ œ œ ˙ œ œ ˙no

˙ ˙ w wno

.˙ œ ˙ ˙ ˙ ˙

.˙ œ ˙ ˙ w

- - - - - - - - -

- - - - - - - -

- - - - - - - - -

- - - - - - - - -

&

V

V

?

b

b

b

b

12

12

12

12

S.

T.A.

T.

B.

22 ˙ ˙ œ œ w ˙#22 .˙ œ ˙ .˙ œ ˙

.˙ œ ˙ ˙ w

.W bis.

.W bis.

.W bis.

.W bis.

.W

- - - - - -

- - - - - -

- - - - - -

&

&

b

b

12

12

Superius

Altus

24 ∑

WA 

WA 

w wgnus

w wgnus

.˙ œ ˙ ˙De

.˙ œ ˙ ˙De

.˙ œ w- - - - - - - -

- - - - - -

&

&

b

b

S.

A.

28

.˙ œ w

w Ó ˙i, A 

w Ó ˙i, A 

w wgnus

w wgnus

.˙ œ ˙ ˙De

.˙ œ ˙ ˙De

.˙ œ w

.˙ œ w

Wi,- - - - -

- - - - - - - -

 

Fd, Jne 17

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140 n Sed MS ooqM 2011

&

&

b

b

S.

A.

33

Wi,

∑ wA 

∑ wA 

w wgnus

w wgnus

.˙ œ ˙ ˙De

.˙ œ ˙ ˙De

w Ó ˙i, qui

w Ó ˙i, qui

˙ ˙ œ œ œ œtol- - -

- -

&

&

b

b

S.

A.

38

˙ ˙ œ œ œ œtol

˙ ˙ wlis,

˙ ˙ wlis,

Ó ˙ ˙ ˙qui tol

Ó ˙ ˙ ˙qui tol

œ œ œ œ ˙ ˙lis

œ œ œ œ ˙ ˙lis

.˙ œ œ œ ˙pec- - - - - - - -

- - - - - - -

&

&

b

b

S.

A.

42 .˙ œ œ œ ˙pec

.˙ œ œ œ ˙ca

.˙ œ œ œ ˙ca

œ œ œ œ œ œ ˙

œ œ œ œ œ œ ˙

œ œ œ œ ˙ ˙

œ œ œ œ ˙ ˙

w Ó ˙ta mun- - - - - - - -

- - - - - - - - -

&

&

b

b

S.

A.

46 

w Ó ˙ta mun

œ œ ˙ ˙ ˙

œ œ ˙ ˙ ˙

w Ó ˙di, mun

w Ó ˙di, mun

œ œ ˙ ˙ ˙

œ œ ˙ ˙ ˙

w Ó ˙di, mi- - - - - - -

- - - - - -

&

&

b

b

S.

A.

50

w Ó ˙di, mi

.˙ œ œ œ œ œse

.˙ œ œ œ œ œse

˙ œ œ œ œ œ œré

˙ œ œ œ œ œ œré

.˙ œ œ œ œ œre

.˙ œ œ œ œ œre

.˙ œ ˙ ˙ w 3

 3

no- - - - - - - - -

- - - - - - -

&

&

b

b

12

12

S.

A.

54 .˙ œ ˙ ˙ w 3

 3no

.˙ œ ˙ ˙ ˙ ˙# 3

3

W bis.

W bis.- - - - - -

- - - - - -

 

Fd, Jne 17

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Sed MS ooqM 2011 n 141

V

V

?

b

b

b

12

12

12

TenoreAltus

Tenor 

Bassus

56  „

w wA 

∑ wA 

˙ œ œ ˙ ˙gnus De

.w œ œ

œ œ œ œ wi,

˙ ˙ œ œ œ œgnus De

w wA 

„- - - -

-

- - - - -

&

V

V

?

b

b

b

b

60 ∑ wA 

60

w ∑i,

˙ œ œ wgnus

∑ wA 

.w œ œ

˙ w œ œDe

.˙ œ ˙ ˙

w ˙ ˙gnus De

Ó ˙ .˙ œA 

w w

w ∑gnus

˙ œ œ w

˙ ˙ .˙ œgnus

˙ ˙ w

∑ Ó ˙De

- - - - - - - - -

- - - - - - - -

- - - - -

- - -

&

V

V

?

bb

b

b

64

.w ˙64

˙ ˙ wDe

˙ ˙ w

˙ w ˙

.w ˙

.w ˙

˙ ˙ ˙ ˙

w ∑i,

w ˙ ˙˙ ˙ ˙ ˙ .˙ œ

 3 3

w wi,

w ˙ ˙qui tol

˙ ˙ wœ œ .˙ œ ˙ ˙ ˙

 3

 3

˙ ˙b w- - - - - -

- - - - - - - - - -

- - - - - - -

- - - - - - - - -

Fd, Jne 17

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142 n Sed MS ooqM 2011

&

V

V

?

b

b

b

b

S.

T.

A.

T.

B.

68 w ∑i,

68 .w ˙i, qui

w wqui tol

˙ ˙ ˙ ˙lis pec ca

∑ wqui

.˙ œ œ œ ˙tol

.w ˙lis pec

œ œ w œ œ

w wtol lis

˙ ˙ ˙ ˙

w .˙ œca

w wta,

˙ ˙ wpec ca

˙ ˙ œ œ ˙

˙b w œ œta

∑ Ó ˙pec- - - - -

- - - - -

- - -

-

- - - - - - -

&

V

V

?

b

b

b

b

S.

T.A.

T.

B.

72 .˙ œ ˙b ˙ta

72 w Ó ˙lis pec

w wmun di,

˙ ˙ ˙ ˙ca ta

˙ œ œ wmun

˙ ˙ .˙ œca

∑ wqui

˙ œ œ .˙ œmun

w ∑di,

.˙ œ ˙ ˙ta mun

w wtol lis

ww

di,

w wqui tol˙ œ œ w

˙ ˙ wpec ca

˙ ˙ wqui tol

-

- - -

- -

-

- - -

-

- - - - - - - -

&

V

V?

b

b

b

b

S.

T.

A.

T.

B.

76 

.w ˙lis pec

76  .˙ œ œ œ ˙

w ˙ ˙ta

w Ó ˙lis pec

w wca

˙ ˙ Ó ˙di, pec

w wmun di,

˙ ˙ wca ta

˙ ˙ wta mun

˙ ˙ œ œ œ œca ta

Ó ˙ ˙ ˙pec ca ta

˙ ˙ .˙ œmun

w Ó ˙di, pec

œ œ ˙ œ œ œ œmun

˙ œ œ wmun

Wdi,

- - - - - -

- - - - - -

- - - - -

- - - - - -

 

Fd, Jne 17

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Sed MS ooqM 2011 n 143

&

V

V

?

b

b

b

b

S.

T.A.

T.

B.

80

˙ w œ œca ta

80 ˙ ˙ œ œ ˙di, pec

w ∑di,

Ó ˙ ˙ ˙pec ca ta

w wmun di,

˙ ˙ ˙ ˙ca ta mun

∑ .˙ œdo

.˙b œ wmun di,

œ œ ˙ œ œ œ œ

˙ w ˙na no

Ó ˙ ˙ ˙do na no

.˙ œ ˙ ˙do na no

w Ó ˙di, do

˙ ˙ ˙ ˙ bis

w Ó ˙  bis,

-

- - - - -

- - - -

-

- - -

- - - - - - -

&

V

V

?

b

b

b

b

S.

T.A.

T.

B.

84 ˙ ˙ ˙ ˙84 ˙ ˙ œ œ œ œ

na no

w wpá cem,

˙ ˙ wna no bis,

˙ ˙ w  bis pá

˙ ˙ Ó ˙  bis, do

Ó w ˙do na

Ó˙ ˙ ˙

do na no

w Ó ˙cem, do

˙ ˙ ˙ ˙na no bis, do

˙ ˙ œ œ œ œno bis

˙˙

.˙ œ  bis pá

˙ ˙ ˙ ˙na no bis

œ œ ˙ ˙ ˙na no bis pá

œ œ œ œ wpá

˙˙

˙˙cem, pá

- - - -

- - - - -

- - -- - -

- -

- -

- - - - - -

&

V

V

?

b

b

b

b

S.

T.A.

T.

B.

88 œ œ œ œ œ# œ œ œpá

88 w wcem,

Wcem.

.˙ œ wcem,

Wcem.

Ó ˙ wbno

W

Ó ˙ ˙b ˙do na no

W

w wb  bis pá

W

w w  bis pá

W

Wcem.

W

Wcem.- - - - -

-

- -

 

Fd, Jne 17

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144 n Sed MS ooqM 2011

 

BzzbzsvbzzzzfvvbzrdvvzzF  TvvzzD   Rz#Ü @zdvvzesbN M vzvzz[zzvzzzzfbbvbvG   Ybvv6z%$bzb\bzzghgzH  Uvzbzbhvvzbhb. vvvb]bvvvfbzzõ

Bbzbvz   zzvbbygzyΠfz5z$#vzzzsÁ  v   RvzzzesbN M vvb[bbvzhv\zziРhzygzH  Uvbvhb. vzzbvzzwazfß G   Yvvbë   rdvbbvzzA   Wvzzzé   wazsÁ   RvvbesbN M vz}zôvvb 

BbzzzzfzbbbbbbzzzG   YvbvbbhzzvzbzhzzbbbvvbhvbbvbvzzzzhvvzzhvzvzzzzzbbvbH   IvzzbzbbbhvzzzzbbzbbbvzygzvzbG   Yb,. vzzbzz]vbzzztfbbbvzG   Yvbzzbbbhbvvzhvzvzhbbbbbbbö  

BzzzzbbhvvzhiÐhvzbbbbß gzzbbzzbbfzbzzbzzzzbfzfzfbvbbbzbsbm vzzzzb}zòzbxxxxxxcvbcvv 

BbbbzbbbfbbbbbbbbzzG   YbbbzzbzzhzbbzzbzzbhbbzbzzzhzzbbzzzzzzbhbvvvvvzhbbbbzbbbbhbbbbbzbbzH   IvzzzbhvzzbbzzzzygbzbzzbzG   Yb, . vzzbbb]bbbvzztfvbzbbG   Yvbbbbbhbzzvzzbhbbzbbbvhbbvzzhbbbbbbbö  

 

BvzhvzzzbbbvhvvvbbhvvbvzbhvzzzzhvzbzzzzhbvbzvzhvvzzhvzbzzbvhiÐhbzzzzbzß gvzbbbbzfvzbbzzbzbbfzfzfzbbbvzsbmvbbzzbb}zòxcvbcvbbb 

BbzzfzbbbzbzzG   Yvbvbbhzzzzbhzzbvhvbbzzhbzzvzzzbhvzzzhb. vzb[zbzzhvvzzhvvvzzhvzzzzzhzzzbzbbvH   IvzbbbbhvvzbbvzzygvbzzG   Yb, . vzzb]bzzbztfzbbbzzG   Yvvzzhbbbbö  

BzbzzbbhvzbbzbhvvzhvvzbzhvvbhbvvzhzvvvvzbhbvvzhvvvzzbhvvvvhvbvvhiÐhvvzbbbbß gbbbbbzzbbfzbzzbzzzzbfzfzfbvbbbbzsbm  bzzzzz}zòcvbbvvbbbb  

BbzzzzfzbvbzzbbzzzG   YvzzbbvbbhzzzbzbzhbbvvbhvbbvbvhvvvvvzbH   IzvvbhvbzbbhbvzzzbbbbvzygvzbzbbG   Yb, . vvzzbzz]zzzzzbzzzbtfbbbvzbG   Yvbzbbhbbvvvhvvzzbhbbbbbö 

BzzbbhvvzvvvhvvzzzhbvzzvhvvvvhvvzbbhvvvzzhvvvzhiРhzbzzzzbß gzbzbzzbbfzbzzzzbfzfzfbvbzzbsbm zvzzzb}zòzxxccb 

 

Fd, Jne 17

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Sed MS ooqM 2011 n 145

BbbzzzzfzbzbbzbzzG   YvbzbbbhbzzbbzbzhvvzbbzzbhvvbhvvvzzhvvhvbzzbhbzzzzzzbbH   IbzzbvbhbvbzbvhbvzbbbvzzhvvzzbbygzbzzbbbbbGYb, . vvzbb]zbbzzzztfbbvzzG   Yvvbbhvbö  

BzzbbhbvvhvzbzzhbzbvzzvbhiÐhzzvß gzbzbbbbbbbfzbbzzzzbzfzfzfbbbbbbzbbbbsbm zzvzbb}zòzxxvbbbxxcxcv 

BbzbbbzzbfvzzzzbzbbzzzG   YvbzbbhbzzbzbzhvzzvvbhvvbzhzvzzhvbzbbhbvzzzhbzzzzbzzhzvzzzzzbbhbzbbbvbH   IvbzbzhbvbzbbbvzygzzzzzbbG   Yb,.vvzbbb]bzzbbzzbtfbbbvbzG   Yvbzzhzzbbö  

BzzzzbbhbvzbbvvhvzbzzbhbvvzzzzzbvzzbvbhbbvvhvvzzzhvvzzhvvzhvbbvvzhvvzbhiРhzzbvß gzbzbzbbbbbbbfzbzzbbzzbzzbfzfzfbbbbbzbbbbsbm zzzbv}zòzbbxvb 

BbzbbbzfvbzzbbzzG   YvbzbbbbhbbbbbzzbzbzhzbzzvvbhvvbzvhzzbzbzbhbvbzbbhbbvzzhbbzzzbzzbbhzbzzzzzbhvzzbvhbbvbzzbH   IvzbbzhbbvzzygzvbzbG   Yb, . vvzbz]bbzzbzzzbtfbzbbbvzzG   Yvbbö  

BzzzzbhbvzbbbvhvvzbzzbhiРhvzbzbzß gzbzzzbbbbbbfzbzzzzbbbbzzzbzzzfzfzfbbbbbzbbbbsbm  bbbvzz}zòzbbxcvvbbbxxxbcvvvbbb 

 

 

BbbzzzzfzbzbbzzzG   YvbbbbhzzzzzbbzbzhbbvzzbhbzzzbvvbH   IvbzbvvzvzbbbhbbbbvzhvbvygbvbbbbG   Yb,. vvzb]zbbzzzbtfbbbbvzzG   Ybvbvzbzzzzzbhbvvzzhvvvvvzzhvvvhvbbö  

 

BzzzbbhbvvvhvvzbzzhbzzzbvzzvbhiРhbzzbvß gzzbbzzbbfzbvzzzzbzzzzbfzfzfbbbbzbbzbsbmzvzbzb}zòzxxxxxcbbb 

Fd, Jne 17

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146 n Sed MS ooqM 2011

&

&&V?

bbbb

bbbb

bbbb

bbbb

bbbb

C

CCCC

M

Ct

Ct

T

B

∑.œ  jœ œ  œ 

A - ve Ma -∑∑

∑˙ ˙ri - a,∑

.œ  jœ œ  œ A - ve Ma -

wa - - -∑

.œ  jœ œ  œ A - ve Ma -

˙ ˙ri - a,

wveÓ .œ  jœ 

A - ve

˙ œ  œ ri - a, Ma -

wa - - -

œ  .œ  jœ œ Ma - ri - - -œ  ˙ œ 

Ma - ri -

œ  œ  .œ  Jœ ri - - -

&&&

V?

bbbbbbbb

bbbb

bbbbbbbb

M

Ct

Ct

T

B

6

wve

˙ .œ  jœ œ œ ˙ œ œ  œ  ˙

a,

wA - - - -

œ  .œ  jœ œ Ma - ri - - - - - -

œ œ  .œ  jœ œ 

.œ  jœ œ  œ œ  œ œ  .œ  œ œ  œ 

Ma - ri - - - - - - - - - - -

˙ Óve,

œ  œ ˙ œ a,

œ  œ na,

œ  œ  œ  œ a, Ma - ri - - - - -

˙ ˙

Ó ˙a -

œ  .œ  jœ œ Ma - ri - - -

œ  .œ  œ  œ œ Ma - ri - - -

œ  œ ˙ œ .œ  jœ  œ  œ 

Ave Maria Robert Parsons (c. 1530-1572)

Fd, Jne 17

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Sed MS ooqM 2011 n 147

&&

&V?

bbbbbbbb

bbbbbbbb

bbbb

M

Ct

Ct

T

B

10

˙ ˙ve

œ  œ n œ  œ a, Ma - - -

˙ Œ œ a, Ma -

˙ .œ  jœ a, a - ve

˙ .œ  Jœ a, a - ve

œ  .œ  Jœ  œ Ma - ri - - -

œ  œ  .œ  jœ ri

œ  œ  œ  ˙ri - - - -œ  œ  œ  œ 

Ma - ri - -œ  œ  ˙Ma - ri - - -

˙ Óa

.˙ œ 

˙ Œ œ a gra -

œ  .œ  jœ  œ a, gra - ci - a

˙ Óa

œ  .œ  jœ  œ a gra - ci - a

œ œ  œ  œ n œ ci - a ple

.œ  jœ  œ  œ ple - - - -

Ó Œ œ gra -

&&&V?

bbbbbbbb

bbbb

bbbb

bbbb

M

Ct

Ct

T

B

14

Ó gra - - -

œ  ˙ œ ple - - - - -

œ  œ  œ  œ na, graœ  œ n œ  œ na, gra -

œ œ  œ n œ  œ ci - a ple - - - - - - - - - - - -

œ œ ˙ci - a

˙ œ  œ na, gra -

œ œ  œ n œ  œ ci - a ple -œ  œ  œ  œ  œ ci - a ple - - - - - -

.œ  jœ  ˙

˙ ˙ple - na,

œ œ  œ n œ  œ ci - a ple -

˙ Œ œ na, gra -

œ  .œ 

Jœ  œ 

˙ ˙

∑œ  .œ  Jœ  œ 

na, gra - ci - a

œ œ  œ  ˙ci - a ple -˙ Œ œ 

na, gra -

˙ ˙na,

&&

&V?

bbbbbbbb

bbbbbbbb

bbbb

M

Ct

Ct

T

B

18

Ó ˙gra - - -

.˙ œ ple - - - - - - - - - - - -

œ  œ  œ  œ œ œ  œ  œ  œ 

ci - a ple - - - - - - - - - -

Ó .œ  jœ gra - ci -

œ œ ˙ci - a

œ  œ  ˙ œ 

œ  œ  œ  œ  œ  œ œ  œ  .œ  Jœ  œ 

œ  .œ  œ  œ  œ a ple - - - - - - -

œ  .œ  Jœ  œ ple - - - -

œ  œ ˙ œ 

.œ  jœ  ˙œ  œ  œ  œ œ  œ  ˙

˙ Óna,

˙ Óna,

œ  .œ  jœ  œ na, Do - mi-nus˙ Óna,

œ  .œ  Jœ  œ na, Do - mi-nus

Fd, Jne 17

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148 n Sed MS ooqM 2011

&&

&V?

bbbbbbbb

bbbbbbbb

bbbb

M

Ct

Ct

T

B

22

∑Œ .œ  jœ n œ 

Do - mi-nus

œ  œ  œ  œ te - - - -

Œ .œ  jœ  œ Do - mi-nusœ  ˙ œ 

te - - - - - - - - - -

Ó ˙Do - - -

œ  ˙ œ te - - - - - -

˙ Œ œ cum, Do -œ  .œ  œ  œ  œ 

te - - - - - - - - - -

œ  ˙ œ 

œ œ ˙mi - nus

œ  œ  ˙cum,

œ œ œ  œ  œ mi-nus te - - - - - - -œ  œ  œ  œ 

˙ ˙cum,

˙ ˙te - cum,

.œ  jœ  œ  œ  œ Do - mi-nus

œ  œ  œ  œ  œ  œ  œ œ  œ  œ  œ  œ 

cum, Do -

˙ Ó

&&

&V

?

bbbbbbbb

bbbb

bbbb

bbbb

M

Ct

Ct

T

B

26

∑œ œ  ˙ œ te - - - - - - -

œ œ  ˙ œ n œ œ œ  œ  œ  ˙

mi-nus

.œ  Jœ  œ  œ œ Do - mi-nus

∑œ œ œ œ œ  œ 

˙ œ œ œ œ œ  .œ  œ n œ œ te - - - - - - - - - -

.œ  Jœ œ  œ te - - - - - -

.˙ œ Do - - - mi -œ  œ n œ  œ cum, Do -

.œ  jœ  ˙ncum,œ œ œ  ˙

˙ œ  œ cum, Do -

˙ ˙nus te -

œ œ  .œ  jœ  œ mi - nus te -

Œ .œ  Jœ  œ nDo - mi- nus

˙ ˙cum,

œ œ  œ n ˙mi - nus te -

&&

&V?

bbbbbbbb

bbbbbbbb

bbbb

M

Ct

Ct

T

B

30 œ  .œ  Jœ  œ n

œ n .œ  jœ  œ cum, Do - mi - nus

œ  œ  ˙te - - - -Œ .œ  Jœ  œ n

Do - mi - nusœ  œ  ˙

˙ Ócum.

œ œ  Œ œ te - cum. Be -

˙ Œ œ cum. Be -œ  œ ˙

te - cum.

wcum.

˙ œ œ Be - ne - dic -

œ  œ  œ  œ ne - dic - ta

œ n

œ  œ  œ ne - dic - ta tu,Ó Œ œ 

Be -

Ó Œ œ Be -

œ œ Œ œ ta tu, be -

œ  œ  Œ œ tu, be -

Œ œ œ  œ be - ne - dic -

œ  œ  œ  œ ne - dic - ta

œ  œ n œ  œ ne - dic - ta

Fd, Jne 17

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Sed MS ooqM 2011 n 149

&&

&V?

bbbbbbbb

bbbbbbbb

bbbb

M

Ct

Ct

T

B

34 œ œ ˙ne - dic -œ  œ  œ  œ ne - dic - ta

œ  œ  Œ œ ta tu, be -

œ  œ  œ  œ  œ tu, be -

˙ œ  œ tu, be -

˙ ˙ta tu

œ  œ  œ  œ 

œ œ œ œ  ne - dic - taœ  œ  .œ  Jœ 

ne - dic - taœ  œ  œ  œ ne - dic - ta

∑œ  œ  œ œ tu in mu - li -

œ  œ n ˙˙ œ  œ 

tu in

˙ ˙tu

∑œ  œ  œ  œ e - ri - bus, in

œ  œ  œ  œ tu in mu - li -

œ  œ  œ  œ mu - li - e - ri -

Ó Œ œ in

&&

&V?

bbbbbbbb

bbbb

bbbb

bbbb

M

Ct

Ct

T

B

38

Œ œ  œ  œ in mu - li -

œ  œ  œ  œ  .œ  œ mu - li - e - - - - -

œ  œ  œ  œ e - ri - bus, in

œ  Œ Œ œ bus, in

œ  œ  œ  œ mu - li - e - ri - - - - - -

œ  .œ  jœ  œ e - - - ri -

œ  œ  œ  œ ri -

œ  œ  œ  œ mu li e - ri -œ  œ  .œ  Jœ mu - lil - e - ri -

œ  œ  œ  œ 

œ œ  œ œ bus, et be - ne -

˙ Œ œ bus, et

wbus,

wbus,

wbus,

˙ ˙dic - tus

œ œ  ˙be - ne - dic -

Œ œ  œ œ et be - ne -

˙ Œ œ et

˙ Ó

&&

&V?

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bbbbbbbb

bbbb

M

Ct

Ct

T

B

42

Ó Œ œ fruc -

œ œ  œ  œ tus, et be - ne -

˙ ˙dic - tus

œ œ  ˙be - ne - dic -

Œ œ  œ œ et be - ne -

œ œ ˙tus ven - - -

˙ œ  œ dic - tus, fruc -

Œ ˙ œ fruc - tus

˙ Œ œ tus fruc -˙ œ  œ dic - tus, fruc -

œ  œ  œ  œ tris tu - - - - - - - -

œ œ ˙tus ven -

œ  œ  œ  œ ven - tris tu - i,

œ  œ  œ  œ tus ven - t ris

œ  œ  œ  œ tus ven - t ris

˙ ˙

.˙ œ tris tu - - - - -

˙ œ  œ fruc - tus ven -

œ  ˙ œ œ tu - - - -

˙ ˙tu - i,

œ  .œ  Jœ œ 

œ  .œ  jœ b œ 

œ œ b œ  ˙tris tu -

œ  œ  œ  œ i, fruc -w

-4-

Fd, Jne 17

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150 n Sed MS ooqM 2011

&&

&V?

bbbbbbbb

bbbbbbbb

bbbb

M

Ct

Ct

T

B

47

˙ .œ  Jœ i, fruc - tus

˙i,

œ  ˙ œ i, fruc - tus

œ  œ  œ  œ œ tus ven - - -

˙ ˙tu

œ  .œ  Jœ œ ven - tris tu -

œ  .œ  jœ œ tu - - - - -

œ  œ  .œ  jœ ven - tris tu -

œ  œ  ˙tris tu -

w

œ œ  œ œ i, et be - ne

œ  œ i,

˙ Œ œ i, et

wi,

wi,

˙ ˙dic - tus,

Œ œ  œ œ et be - ne -

œ œ  ˙be - ne - dict -

˙ Ó

˙ Œ œ et

Ó Œ œ fruc -

˙ ˙dict - tus

œ œ  œ  œ tus, et be - ne -

Œ œ  œ œ et be - ne -œ œ  ˙

be - ne - dic -

&&

&V

?

bbbbbbbb

bbbb

bbbb

bbbb

M

Ct

Ct

T

B

52

œ œ ˙tus ven - - -

Œ ˙ œ fruc - tus

˙ œ  œ dic - tus, fruc -˙ ˙dic - tus

˙ Œ œ tus fruc -

œ  œ  œ  œ tris tu - - - - - - - - -

œ  œ  œ  œ ven - tris tu - - -

œ œ ˙tus ven -œ  œ  œ  œ 

fruc - tus ven - tris

œ  œ  œ  œ tus ven- tris

˙ ˙˙ œ  œ 

i, tu - - - - -

œ ˙ œ tris tu - - - - -œ  ˙ œ œ 

tu - - - -

˙ ˙tu - i,

œ  .œ  Jœ œ œ b 

œ œ  ˙

œ  .œ  jœ b œ i,œ  œ  œ  œ 

i, fruc -

w

˙ .œ  Jœ i, fruc - tus

œ  ˙ œ i, tu

œ œ  ˙fruc - tus ven -œ  œ  ˙

tus ven -

˙ ˙tu - - -

&&

&V?

bbbbbbbb

bbbbbbbb

bbbb

M

Ct

Ct

T

B

57

œ  .œ  Jœ œ ven - tris tu -

œ  œ  ˙

œ  .œ  jœ œ tris tu - - -

œ  œ  ˙tris - tu

w

wi,

˙ ˙i, tu - - - - - - -

˙ Œ œ i, A - - - - - - - - - - -

wi.

wi.

wtu - - - -

˙ .œ  jœ 

œ  ˙ œ Œ œ  œ  œ 

A - - - - - - -

˙ Ó

˙ Œ œ i. A - - - -

œ  œ i,

œ  ˙ œ œ  œ  œ  œ Œ œ  œ  œ 

A - - - - - -

œ  ˙ œ Œ œ  œ  œ 

A - - -

˙ œ  œ .œ  Jœ  ˙

men,

œ  ˙ œ 

Fd, Jne 17

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Fd, Jne 17

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Soprano

Alto

Tenore

Basso

Gregor Aichinger 1564-1628

10/2004

ia cali

Fd, Jne 17

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Fd, Jne 17

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Fd, Jne 17

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Fd, Jne 17

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 Vespers

l6:30 p.m. June 17, 2011 

Conducted by William Mahrt   

Sed MS ooqM 2011 n 157 VeSPeS, Fd, Jne 17

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Pa is iially lf bla 

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Pa is iially lf bla 

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Saturday 

l11:30 a.m. June 18, 2011 

 Ember Day Mass, Extraordinary Form

First Class Feast   

Sed MS ooqM 2011 n 193Std, Jne 18

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194 n Sed MS ooqM 2011

Ember days

F

our times a year the Church sets aside three days to focus on God through His marvel-ous creation. These quarterly periods take place around the beginnings of the four naturalseasons: the summer equinox, the fall solstice, the winter equinox, and the spring solstice.

These four times are each kept on a successive Wednesday, Friday, and Saturday and are known as“Ember Days,” or, in Latin, Quatuor Tempora. The rst of these four times comes in winter, afterthe Feast of St. Lucy; the second comes in spring, the week after Ash Wednesday; the third comesin summer, after Pentecost Sunday; and the last comes in autumn, after Holy Cross Day.

These penitential times are spent fasting and partially abstaining, with the intentions of thankingGod for the gifts He gives us in nature, beseeching Him for the discipline to use them in modera-tion, and assisting the needy. (Fasting and abstinence are no longer required by the new Code of Canon Law. They are now done voluntarily.) The fasts, known as Jejunia quatuor temporum, or “thefast of the four seasons,” are rooted in Old Testament practices of fasting four times a year. It is

very probable that these days were also instituted to counteract the pagan practices that took placeduring the change of seasons.

The Liber Ponticalis ascribes a law ordering the fast to Pope St. Callistus (217-222). It is, howev-er, probably older. St. Leo the Great (440-461) considers it an apostolic institution. He also per-mitted the conferring of priesthood and deaconate on the Saturdays of ember week. Eventually, inRome, all the minor orders were given as well, hence the reason for all the lessons on Saturday.

The following orders were conferred: tonsure after the Kyrie; door-keeper after the rst lesson; lec-tor after the second lesson; exorcist after the third lesson; acolyte after the fourth lesson; subdea-

con after the fth lesson; deacon after the epistle; and nally ordination of priests before the lastverse of Veni Sancte Spiritus and before the Gospel.

The second, third, fourth, and fth lessons refer to the harvest and to the offerings of the rstfruits of the earth, with the intention of obtaining God’s blessing at the change of the season. Thefth lesson never varies: it is the record of the miraculous preservation of the three young Hebrewmen in the furnace, followed by an extract of their canticle of praise and thanksgiving.

The 1962 Missal offers the option of a shortened Mass on Ember Saturday with just two lessons.Despite the ancient origin of these days, and even though there was a belief that these days were of apostolic institution, they were completely removed from the 1970 Roman Missal. It is a rare privi-lege to participate in them in solemn form.

Std, Jne 18

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Sed MS ooqM 2011 n 195Std, Jne 18

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196 n Sed MS ooqM 2011 Std, Jne 18

      

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First Lesson: Joel ii. 28-32

Thus saith the Lord God: I will pour out my spirit upon all esh: andyour sons and your daughters shall prophesy: your old men shall dream

dreams, and your young men shall see visions. Moreover upon my servantsand handmaids in those days I will pour forth my spirit. And I will shewwonders in heaven; and in earth, blood, and re, and vapour of smoke. Thesun shall be turned into darkness, and the moon into blood: before the greatand dreadful day of the Lord doth come. And it shall come to pass, that ev-ery one that shall call upon the name of the Lord shall be saved.

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Sed MS ooqM 2011 n 197Std, Jne 18

Second Lesson: Leviticus xxiii. 9-11, 15-17, 21

In those days the Lord spoke to Moses, saying: Speak to the children of Israel, and thou shalt say to them: When you shall have entered into the

land which I will give you, and shall reap your corn, you shall bring sheavesof ears, the rst fruits of your harvest, to the priest: Who shall lift up thesheaf before the Lord, the next day after the Sabbath, that it may be accept-able for you, and shall sanctify it. You shall count therefore from the mor-

row after the Sabbath, wherein you offered the sheaf of the rst fruits, sevenfull weeks, even unto the morrow after the seventh week be expired, that isto say, fty days: and so you shall offer a new sacrice to the Lord out of allyour dwellings: two loaves of the rst fruits, of two tenths of our leavened,which you shall bake for the rst fruits of the Lord. And you shall call thisday most solemn, and most holy. You shall do no servile work therein. Itshall be an everlasting ordinance in all your dwellings and generations, saiththe Lord Almighty.

Third Lesson: Deuteronomy xxvi. 1-3, 7-11

In those days Moses said to the children of Israel: Hear, O Israel, the thingsthat I command thee today. When thou art come into the land which the

Lord thy God will give thee to possess, and hast conquered it, and dwell-est in it: thou shalt take the rst of all thy fruits, and put them in a basket,and shalt go to the place which the Lord thy God shall choose, that Hisname may be invocated there. And thou shalt go to the priest that shall be inthose days, and say to him: I profess this day before the Lord thy God, whoheard us, and looked down upon our afiction, and labour, and distress; andbrought us out of Egypt with a strong hand, and a stretched out arm, withgreat terror, with signs and wonders; and brought us into this place, andgave us this land owing with milk and honey. And therefore now I offerthe rst fruits of the land which the Lord hath given me. And thou shaltleave them in the sight of the Lord thy God, adoring the Lord thy God. Andthou shalt feast in all the good things which the Lord thy God hath giventhee.

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198 n Sed MS ooqM 2011 Std, Jne 18

Fourth Lesson: Leviticus xxvi. 3-12

In those days the Lord said to Moses: Speak to the children of Israel, and

say to them: If you walk in my precepts, and keep my commandments,and do them, I will give you rain in due seasons. And the ground shall bringforth its increase, and the trees shall be lled with fruit. The threshing of your harvest shall reach unto the vintage, and the vintage shall reach untothe sowing time: and you shall eat your bread to the full, and dwell in yourland without fear. I will give peace in your coasts: you shall sleep, and thereshall be none to make you afraid. I will take away evil beasts: and the swordshall not pass through your quarters. You shall pursue your enemies, andthey shall fall before you. Five of yours shall pursue a hundred others, anda hundred of you ten thousand: your enemies shall fall before you by thesword. I will look on you, and make you increase: you shall be multiplied,and I will establish my covenant with you. You shall eat the oldest of the oldstore, and, new coming on, you shall cast away the old. I will set my tab-ernacle in the midst of you, and my soul shall not cast you off. I will walkamong you, and will be your God, and you shall be my people, saith theLord Almighty.

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Sed MS ooqM 2011 n 199Std, Jne 18

Fifth Lesson: Daniel iii. 47-51

In those days, the Angel of the Lord went down with Azarias and his com-panions into the furnace: and he drove the ame of the re out of the fur-

nace, and made the midst of the furnace like the blowing of a wind bringingdew. And the ame mounted up above the furnace nine and forty cubits: andit broke forth, and burnt such of the Chaldeans as it found near the furnace,the servants of the king, who were heating it. And the re touched the threeyoung Hebrews not at all, nor troubled them, nor did them any harm. Thenthese three as with one mouth praised, and gloried, and blessed God in thefurnace, saying:

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200 n Sed MS ooqM 2011 Std, Jne 18

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VvzF Tvbvgb, vz}vzzbdvvzbF Tvvzbgvvzbb   vvzzbbbà hvvfvzbbvdbm vzbb[bvzbbuhzbbvbuhvvvzbvbgb, vbbvbbgb, vzbb}vbbzzzFÚ  Ivvvvvzbkvvvvbzuhbzb÷

Vvvbbjvvbygvbvbgb, vzbbb[vzdvvbvvvF  Yvvbbà hvvbhvvvzzgÄ Uvbv7z^%bbvvbbfzfbvvdbm vvb}vbzzjzuhÅv8z&^z7b^%vbzbbF TbM< vz}vvvbb

The Epistle: Romans v. 1-5

Brethren, being justied therefore by faith, let us have peace with God,through our Lord Jesus Christ: by whom also we have access through

faith into this grace, wherein we stand, and glory in the hope of the gloryof the sons of God. And not only so, but we glory also in tribulations,knowing that tribulation worketh patience, and patience trial, and trialhope; and hope confoundeth not: because the charity of God is pouredforth in our hearts, by the Holy Ghost, who is given to us.

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202 n Sed MS ooqM 2011 Std, Jne 18

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Sed MS ooqM 2011 n 203Std, Jne 18

Gospel: Luke iv. 38-44

At that time, Jesus rising up out of the synagogue, went into Simon’s house.And Simon’s wife’s mother was taken with a great fever, and they besought

him for her. And standing over her, he commanded the fever, and it left her.And immediately rising, she ministered to them. And when the sun was down,all they that had any sick with divers diseases, brought them to him. But helaying his hands on every one of them, healed them. And devils went out frommany, crying out and saying: Thou art the Son of God. And rebuking themhe suffered them not to speak, for they knew that he was Christ. And when itwas day, going out he went into a desert place, and the multitudes sought him,and came unto him: and they stayed him that he should not depart from them.To whom he said: To other cities also I must preach the kingdom of God: fortherefore am I sent. And he was preaching in the synagogues of Galilee.

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204 n Sed MS ooqM 2011 Std, Jne 18

    

  BzbgvvbÝ  dvvbvfvvzbsvvbbÝ dxzgvvzbhb.vz}v\vH Ucbà hczbhcvzgvvzÞ fvvbzgvvvbgb, vvzb{vvD  Rzbzõ

Bvvgvvzbß gcvvbbgvvzbÞ fvvzhczgb, vvzzgb, vvv[vzzÝ dvvbbfvvzß gvvzbgzzbbvzà hczbzbgcvbfvvzesbN m vzz[bzb\vH Uvbvbà hvbbbbbõ

BvzgvbvbÞ fvvzbhvvztfbbvzgb, vz}vvÝ dvvbbzfvbvzzgzbvzbß gxzzgvvzbfzzvzzzdfdzdzbb[vsvvzbÝ dxvvzgbvvzbhb. vbbb{bö 

Bzz\vH Uvvhzzvzà hcczhvzzà hvvbgvvzzbÞ fvvzbhvvztfbvvgb, vzb}zbzvÝ dvvzfcvzbgvzbzzbÝ dvbvzzgvvzhb. vzb[bb\vH Uvvzzzà hbbbbbö

BvzhcvbgzbzzzzÞ fvvbzbhvvztfbvzzgb, v}vbzbgbvzbzÞ fcvvzhczbgb, vvvgb, vzb[bvgvvzzzÞ fcbvbhvzzzbß gvvbzfbbbvvdfdzdbb[bò

BvbzbsvzzbÝ dcbvvgvvzhb. cvzzà hcbzbgvzzbÞfbbvvzzgvvgb, vz}vzbÝ dvvbfbvvgb, cvvzbzà hczbzgvzbzzdbm vvz[vvbÞ fvvvbsbbbbó

BvzzÝ dvvzzfvvbgvzzzbÝ dcvvzgvvbhb. vzzb{z\zzbH Ucvvzzà hczzhczbzbgvvzÞ fvbbvbhvvzztfvbvgb, vvzb}czbÝ dbbbzbzzzzbbvfbbbbõ

Bzzgbczbà hcvbgvvzzfbvvzdbm vv[vbsczvzÝ dczfczzgczÝ dcvzbfvvbgvvzgb, vvzb[bvvß gvvzgcbÞ fczhbbbbbbbõ

Bzzgb, vvzzgb, vb}bvzsvvzbÝ dcfcbß gvvzzfvvzbdbm cbzzzdcvzÞ fbvvbsbzzvzÝ dvvzzbgcvbbhb. vbbb]b\bbbH Ucvbbzzà hvvbgbbvzÞ fbö

Bzbzbhvvzbtfzbzbbzzgb, vzbbz{z\vH UcvzbhcÞ fbbvvzhvvvtfvvbbgb, vv}vbbvzzÝ dvbvfvvgvvzzÝ dvvzbbfvbbvdvvbÜ sxzbdbbbbbbõ

Bzzbgzbvzzzhb. vzzbb{bb\vH Ucvvbà hzzzzzzzbhvvbgbcÞ fbvvbgvvzbgb, vzbbb{bb\vH Uzzzzzzbzà hczbgczÞ fvvbhzzzzzzztfbvzbzgb, vzzb}vbzbzsvbbó

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Bvgb, vvvbgb, vvb}vvzzÝ dzvvzzfcvvzzgvvzzß gvbvzhczzß gvvbfbbvvdbm vzb[zvfvvzzÝ dvbvzbsbbvvzzbÝ dvvzgvvzzbhb. vzzb[bbb\vH Ubbbbö

Bbzbhbbbczzà hvvbgbvzzbÞ fvvbgvvzgb, vvzb{vbvzÝ dvvzbfvzzbzzß gvbzzzbgvvzbbgczbbvzÞ fcvzbzbhbczzgb, vvbzbgb, vbb}vbbzzD  Rvvbvgvbbõ

Bvgb,  bbbvvbbbbzzzgbcvbfb, cvvbhcbß gvvbfvvzesbN m zzb[bb\bbbH Uvbbbvzhcbhvvzbà hbvvbhvvbbgczzzÞ fczbzhvbvtfvbzbgb, zz}zó

BzbbvD  Rvzbbbbzß gvvzbgvbzzzbß gvbbbbvzzgvbvzÞ fcvvzhcbgbczdbm vzbbzb[bbbbvbfcbbzbÝ dvbvzsvbbvÝ dbvvbbgbbvbbzbzbhcbvvzÞ fcbhvzbõ

Bzvzbgb, vbbbbbbzzgb, zzbbbbb}bzzzbbzzÝ dvzbbzbbzbfcvzzgbvvzdbm czzbfvvzbÝ dvvzbbsbbbvzzÝ dbbvzzbgchbvvvvvzzbbÞ fvvzzhvzvbgb, vvzzzgb, zbvbbb}zbó

BvzzD  Rbzbvvzbbgbzzzzbbbbbß gvbzzzzvvzzgvvvbtfvzbzzÝ dvbbz\bbbS ã Ø ×  Y7vvzbhzzzzzbbhb.zzvz}vzvb6z%$vG  Yz%$#zbzzzzzS EbN mvzb}xxcv

Sed MS ooqM 2011 n 205Std, Jne 18

BbbzbÝ dbvvzbfvvzzgvbbbzbÝ dcbbfvzzbbsvvbÝ dvbvzgbzzvzhb. vzzb{b\bzzH Uzbvzbà hvzbzzbvgbvvvzzzzzzvzzbÞ fvbbvzbgbvvzbgb, vb}zbbbzbÝ dvbvfvzzbvgbbbbbbbô

BbbzbbÞ fvbbvdcvbgbvvhb. vv{z\vH Uvvzzzà hvbbbvzhczvà hvvzzgvvzbÞ fcvvzbgvvzgb, vz}bvzbD  Rbbvvß gvvzgbvvzß gcvvzgvbbbõ

Bvzbß gvvzzgcß gcvvhxbß gvvbfvzzzdfdzdvb[vsvzzbzzÝ dvzzzzgvvzhb. vzzb\vH UbbvzbhvvzzÞ fcvzbbhzzzzzzbtfvvgb, vbbbb{bó

BvvÝ dvvzbfcbbzbgzzzzzzzbbbß gczbgcÞ fvbbvhvbvzzgb, czgb, vv}vvbÝ dvbbvzfcvvzzbß gvvbgvvzbß gcvvzzgcvzzhb. vvbõ

Bzbbzzß gvvzzfzbvvesbm N vz[z\vbH Uvvzbzzà hzbvzzgbvvÞ fvvzgzzzzzzzzgb,  bc{zzzzzzzzbÝ dvvbfcvzgvvbbßgvzvzgvvgvvbgzzzzzzbvÞ fvvvvzhbbbbõ

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206 n Sed MS ooqM 2011 Std, Jne 18

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Sed MS ooqM 2011 n 207Std, Jne 18

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Sed MS ooqM 2011 n 209Std, Jne 18

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210 n Sed MS ooqM 2011 Std, Jne 18

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Sed MS ooqM 2011 n 211Std, Jne 18

&

&

V

?

24

24

24

24

Cantus

Altus

Tenor 

Bassus

˙ ˙ œ œ ˙Fac tus est re pen

∑˙ ˙

Fac tus

˙ ˙ ˙ œ œte de cœ lo, de

œ œ ˙ ˙ ˙est re pen te de

˙ ˙ œ œ ˙Fac tus est re pen

∑ ˙ ˙Fac tus

˙ ˙ Ó ˙cœ lo, de

˙ ˙ ˙ œ œcœ lo so

w ˙ ˙te de cœ

œ œ ˙ ˙ ˙est re pen te de

- - - - -

- - - - -

- - - -

- - -

&

&V

?

C.

A.

T.

B.

4

œ œ ˙ wcœ lo s o nus

w wnus

˙ ˙ œ œ# ˙lo so

˙ ˙ wcœ lo so

Ó ˙ œ œ ˙ad ve ni en

Ó ˙ œ œ ˙ad ve ni en

w Ó ˙Nnus ad

w Ó ˙nus ad

œ ˙ œ# ˙ ˙tis Spi ri tus ve

˙ ˙ œ œ ˙tis Spi ri tus

œ œ ˙ œ ˙ œ#ve ni en tis Spi ri

œ œ ˙ ˙ .œ Jœve ni en tis Spi ri

˙ ˙ œ œ œ ˙he men

˙ ˙ ˙ ˙ve he men

˙ ˙ ˙ ˙tus ve he men

˙ ˙ ˙ ˙tus ve he men

- - - - - - - - - - -

- - - - - - - - - - -

- - - - - - - - - -

- - - - - - - - - - -

Factus est repente de cælo sonus.

 Jacob Handl (1540-1591)[Iacobus Gallus Carniolus]

This engraving is given into the Public Domain

as a gift to those who sing and those who love Sacred Music

in honor of the XXI. Sacred Music Colloquium.

http://www.musicasacra.com

Suddenly there was heard a sound from heaven as of a rushing mighty wind where they were sitting,and they were all filled with the Holy Spirit, proclaiming the wondrous works of God.

 Acts of the Apostles 2:2, 4

Communio Domenicae Pentecostes

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212 n Sed MS ooqM 2011 Std, Jne 18

&

&

V

?

C.

A.

T.

B.

8

w Œ ˙ œtis, u bi

w ˙ ˙tis, u bi

œ ˙ œ ˙ ˙tis, u bi e rant

˙ ˙ ˙ ˙tis, u bi e

œ ˙ œ œ ˙ œe rant se

˙ ˙ ˙ ˙e rant se den

˙ ˙ ˙ ˙u bi, u bi

˙ ˙ .˙ œrant, u bi e

œ œ ˙ wden

œ œ w ˙#

˙ ˙ ˙ ˙e rant se den

œ œ ˙ wrant se den tes,

˙ ˙ ˙ ˙tes, et re ple

Wtes,

w ˙ ˙tes, et re

˙ ˙ ˙ ˙et re ple ti

- - - - -

- - - - - -

- -

- - - - - - - -

- - - - - - - -

&&

V

?

C.

A.

T.

B.

12

˙ ˙ wti sunt om  

Ó ˙ ˙ ˙et re ple

˙ ˙ ˙ ˙ple ti sunt om  

˙ ˙w

sunt om nes

˙w ˙

nes Spi ri

˙ ˙ wti sunt om  

˙ w ˙#nes Spi ri

.˙ œw

Spi ri tu

˙˙ ˙ ˙tu Sanc to, lo

˙ ˙ œ œ# ˙nes Spi ri tu

˙ ˙ wtu Sanc to,

w ˙˙

Sanc to, lo

œ œœ

œ ˙ ˙quen tes,

˙ ˙ ˙ œ# œSanc to, lo quen

Ó ˙ œ œ œ œlo quen

œ œœ œ w

quen

- - - - - -

- - - - - - -

- - - - - - -

- - - - - - - -

-

&

&

V?

C.

A.

T.

B.

16 

w wlo quen

œ œ œ œ œ œ ˙

œ œ œ œ œ ˙ œ#W

˙ ˙ .˙ œtes ma gna li

˙ ˙ .˙ œtes ma gna li

w ∑tes

˙ ˙ .˙ œ#tes ma gna li

˙ ˙ wa De i,

˙ ˙ wa De i,

Ó ˙ .˙ œma gna li

˙ ˙b wa De i,

w .˙ œma gna li

˙ ˙ .˙ œma gna li

˙ w ˙#a De

w wma

- - -

- - - - - - - -

- - - -

- - - - - - - - - -

- - - - - - - - -

 

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Sed MS ooqM 2011 n 213Std, Jne 18

&

&

V

?

C.

A.

T.

B.

20

w wa De

˙ w ˙a De

˙ ˙ ˙ bi, ma gna li

.˙b œ ˙ ˙gna li a De

w wi, ma

w Ó ˙i, ma

˙ ˙ ˙ ˙a De i, ma

w ∑i,

˙b ˙ ˙ ˙gna li a De

.˙ œ ˙ ˙gna li a De

.˙ œ# ˙ ˙Ngna li a De

∑ Ó ˙ma

˙ ˙n .˙ œi, ma gna li

w Ó ˙i, ma

˙ ˙ .˙ œi, ma gna li

˙ ˙# ˙ ˙gna li a De- - - - - - -

- - - - - - - - - - -

- - - - - -

- - - - - - - -

&

&

V

?

C.

A.

T.

B.

24

w wa De

œ œ w ˙gna li a De

w wa De

œ œ ˙ wi.

˙ Œ œ œ œ ˙i. Al le lu

˙ Œ œ œ ˙ œi. Al le lu

˙ Œ œ œ œ ˙i. Al le lu

Ó ˙ œ œ ˙Al le lu

˙ Œ œ œ œ ˙ia, Al le lu

˙ ˙ ˙ ˙ia, Al le lu

˙ ˙ ˙ ˙ia, Al le lu

˙

˙ ˙ ˙ia, Al le lu

˙ ˙ ˙ ˙ia, Al le lu

˙ Œ œ œ œ ˙ia, Al le lu

˙ Œ œ œ ˙ œia, Al le lu

˙ ˙ ˙ ˙ia, Al le lu- - - - - - - - - - -

- - - - - - - - - -

- - - - - - - - - - - -

- - - - - - - - - -

&

&

V

?

C.

A.

T.

B.

28 ˙ ˙ ˙ ˙ia, Al le lu

˙ ˙ ˙ ˙ia, Al le lu

œ œ# ˙ ˙ ˙ia, Al le lu

˙ ˙ ˙ ˙ia, Al le lu

˙ ˙ œ œ ˙#ia, Al le lu

˙ ˙b œ œ ˙ia, Al le lu

˙ ˙ ˙ ˙ia, Al le lu

˙ ˙b ˙ ˙ia, Al le lu

˙ Œ œ œ œ ˙ia, Al le lu

˙Œ œ œ ˙ œ

ia, Al le lu

˙ Œ œ œ œ ˙ia. Al le lu

˙ Œ œ œ œ ˙ia, Al le lu

˙ Œ œ œ œ ˙ia, Al le lu

˙ ˙ ˙ ˙ia, Al le lu

˙ ˙ ˙ ˙ia, Al le lu

˙ ˙ ˙ ˙ia, Al le lu- - - - - - - - - - - -

- - - - - - - - - - - - -

- - - - - - - - - - - -

- - - - - - - - - - - -

 

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214 n Sed MS ooqM 2011 Std, Jne 18

&

&

V

?

C.

A.

T.

B.

32

˙ ˙ ˙ ˙ia, Al le lu

˙ Œ œ œ œ ˙ia, Al le lu

˙ Œ œ œ ˙ œia, Al le lu

˙ ˙ ˙ ˙ia, Al le lu

˙ ˙ ˙ ˙ia, Al le lu

˙ ˙ ˙ ˙ia, Al le lu

œ œ# ˙ ˙ ˙ia, Al le lu

˙ ˙ ˙ ˙ia, Al le lu

˙ ˙ œ œ ˙#ia, Al le lu

˙ .˙b œ ˙ia, Al le lu

˙ ˙ ˙ ˙ia, Al le lu

˙ ˙b ˙ ˙ia, Al le lu

Wia.

Wia.

W#ia.

Wia.

W

W

W

W- - - - - - - - -

- - - - - - - - -

- - - - - - - - -

- - - - - - - - -

 

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Sed MS ooqM 2011 n 215Snd, Jne 19

Trinity Sunday 

l10 a.m. June 19, 2011 

 Ordinary Form

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216 n Sed MS ooqM 2011 Snd, Jne 19

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Sed MS ooqM 2011 n 217Snd, Jne 19

Mass for four voices

Kyrie eleisonWilliam Byrd (c.1540-1623)

Cantus[Soprano]

Altus[Alto]

Tenor [Tenor]

Bassus[Baritone]

1

] < < <{ G

¯

¯ 0Ky

'rie

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Blei

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G 0 ?Chri

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5 5 5 Bson,

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B ste

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'ste

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5! B B! ' 'son.

:- - - - -

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218 n Sed MS ooqM 2011 Snd, Jne 19

301

G Ky

B :ri

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Blei

'- son,

'-

0 0 Ky

'rie

B- eB lei

'- son,'-

0 0Ky

'rie

B- e

Blei

'- son,

'-

0 Ky

'rie

B- e

B-

1

G rie

B- e

Blei

'- son,

B- Ky

5 :ri- e

5 B- e

B Blei

B!- son,

'- Ky

B :ri

5- e

B- e

B Blei

B!- son,

'-

G

rie

B!- e

B!lei

B- son,

B-

0

Ky

'rie

B- e

Blei

'!- son,

'-

0

 Ky

B :ri

5- e

B- e

B

-

Gi

0Ky

B :ri

5- e

B- e

'lei

B!- son,

'-

? Ky

B 5ri

5- e

B- e

Blei

B- son,

'-

0

lei

'- son,

'-

0Ky

'rie

B- e

Blei

'- son,

'- Ky

'rie

B- e

B-

1

G 0 0Ky

'rie

B- e

Blei

'-

'son.

:!- -

G BleiB

- son,'

- KyB :

ri5

- eB

- eB B

leiB :

-5 5 5! B ' B!

son.:

- - - -

Gi

Ky

B :ri

5- e

B- e

B Blei

B-

B : 5 5 5 B : 5 5 5 5 5 B 'son.

:- - - - - - - -

lei

Variant scansion of  Kyrie as either two or three syllables has been preserved as far as possible from the source. (The suggested

 pronunciation as a disyllable is NLUL rather than than NLUMH.)

I.4.3: superfluous flat

III.3-4: ky ' rie R  e # lei #I.13: lower e flat removed from ks

I.25: lower e flat replaced in ks

III.31-2, 36: ky M rie #R  e '

'- son,

B- Ky

B 5ri

5- e

B- e

B :lei

5-

B B B B ' 'son.

:- - - - - -

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Snd, Jne 19 Sed MS ooqM 2011 n 219

Gloria in excelsis

Gi

Glo

5 5 5ri

5- a

5- in

5ex

5cel

5- sis

5- De

5 5 5o

5-

C.

A.

T.

B.

1

G ¯

¯

0 Et' B inB ter ' ra'- pax,' ? hoB miB :- ni5- busB- bo' næB- vo5 lun5- taB :- 5 B-

G ¯

¯

Et

' :

in

Bter 

'ra

'- pax,

' ?ho

Bmi

B :- ni

5- bus

'- bo

B :næ

5- vo

Blun

B- ta

B :-

5 B B- -

Gi

¯

¯0 0 0 0 0 0

¯

¯ 0 0 0 0 0 0

101

G B B!tis,

'-

0 ? be

5ne

5- di

B- ci

B- mus

'- te,

B ? ?glo

Bri

B- fi

B!- ca

B- mus

B-

G '

tis,'

-

0 ? be

5ne

5- di

B- ci

B- mus

'- te,

' ?glo

Bri

B- fi

B- ca

B- mus

B-

Gi 0 ?

Lau

Bda

B- mus

B- te,

' 0 ?a5 do5- raB- mus

B!- te,

' 0 ?gloB -

0 ?Lau

Bda

B- mus

B- te,

' 0 ?a

5do

5- ra

B- mus

B- te,

' 0 ?glo

B-

1

G te,

' ? glo

Bri

B :- fi

5- ca

B- mus

B- te,

B glo

5ri

B- fi

5- ca

B- mus

B!-

' Bte.

' ?Gra

B-

G te,

' 0 ? gloB

ri

B :- fi

5- ca

B- mus

B- te,

B glo

Bri

B- fi

B- ca

B :- mus

5- te.

'! ?Gra

B-

Gi

ri

B- fi

B!- ca

B- mus

B- te,

' ? glo

Bri

B- fi

B- ca

B- mus

B-

B B 'te.

' ?Gra

B-

ri

B- fi

B- ca

B- mus

B- te,

: ? glo

Bri

B :- fi

5- ca

B- mus

B-

'te.

' ?Gra

B-

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220 n Sed MS ooqM 2011 Snd, Jne 19

201

G 5ti

5- as

B- a

B :gi

5- mus

'- ti

' bi,

B- pro

' pter 

B- ma

Bgnam

B- glo

5ri

5- am

B- tu

'am,

B- pro

B-

G 5ti

5- as

B- a

B :gi

5- mus

'- ti

' bi,

B!- pro

' pter 

B- ma

Bgnam

B- glo

5ri

5- am

B- tu

'am,'

-

Gi 5

ti

5- as

B- a

B :gi

5- mus

'- ti

' bi,

'- 0 0 ?  pro

B B pter 

B- ma

Bgnam

B-

5

ti

5- as

B- a

B :gi

5- mus

'- ti

' bi

'-

0 0 0 ? pro

B-

1

G B pter 

B- ma

Bgnam

B- glo

5ri

5- am

B- tu

'am,

'!-

0 0 ?Do

B 5mi

5- ne

B- De

'-

G 0 ?glo

B 5ri5

- am

B- tu

'!am,

'-

?Do

B 5mi

5- ne

B- De

'us,

B- rex

'cæ

B!-

Gi

glo

5ri

5- am

B- tu

' B Bam,

'- -

?Do

B :mi

5- ne

B- De

'us,

'-

0

B pter 

B- ma

Bgnam

B- glo

5ri

5- am

B- tu

'am,

:-

0 ?Do

B 5mi

5- ne

B- De

'-

301

G us

B- rex

'cæ

Ble

B-

B B B B B!stis,

'- - - -

?De

' us

B- pa

Bter 

B- om

Bni

B- -

G

leB- B ' stis,'- - rexB cæB leB :- 5 ' stis,'- - DeB : us5!- paB ter 5- om5 niB :- 5-

Gi

?rex

'cæ

Ble

B :-

5stis,

'-

?rex

'cæ

Ble

B-

B ' stis,

'- -

0

us,

'-

0 ?rex

'cæ

B!le

B-

B 'stis,

'- -

0 0 ?De

B-

1

G B po

B- tens,

'-

' 0 0 0 0 De

'-

G B po

B- tens,

'-

0 ? De

B Bus

B- pa

Bter 

B- om

Bni

'- po

B- tens,

B- De

'us

B-

Gi

0De

'us

'- pa

Bter 

B- om

B Bni

B :-

5 B po

B- tens,

'-

0

Bus

B- pa

Bter 

B- om

Bni

'- po

B- tens,

'-

0 ? De

'us

B- pa

Bter 

B- om

Bni

B- -

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222 n Sed MS ooqM 2011 Snd, Jne 19

601

G 5li

5- us

B- pa

B B B : 5 5 B Btris,

'- - - -

? fi

B 5li

5- us

B- pa

B B B B '- - -

Gi

5 5 Bi,

'-

0 ?fi

B 5li

5- us

B- pa

B Btris,

B- fi

B :li

5- us

B- pa

B B B B- -

i,'-

?fi

B 5li

5- us

B- pa

B B 'tris,B- - pa

B BB tris,'-

?fi

B :li

5- us

B-

C.

A.

T.

B.

1

G 0 0 ?Qui

Btol

'lis

B- pec

Bca

B- ta

B- mun

5 5 Bdi,

'-

0

G tris,

B- pa

' B 'tris.

'- - -

?Qui

Btol

'lis

B- pec

Bca

B- ta

B- mun

5 : 5 5 5 5 5 B- -

Gi tris,B- pa5 5 5 5

B BB! tris.

'- - -

'0 0 0

 pa

B B B B 'tris.

'- - -

' 0 0 ?Qui

Btol

'lis

B- pec

B-

70

C.

A.

B.

1

G ?mi

'se

B- re

B- re

B- no

B B B B bis,

'-

0 ?mi

'se

B- re

B- re

B- no

B B-

G 5 5 B B Bdi,'

- -0 ?

mi'

seB

- reB

- reB

- noB B B : 5 5 5 B

 bis,'

- - - miB :

 se5

- -

ca

B- ta

B- mun

' 5 5 ' B B Bdi,

'- - - -

?mi

'se

B- re

B- re

B- no

B B B : 5 5 5 B- - -

C.

A.

T.

B.

1

G B : 5 5 5 B 5 5 B ' bis,

:- - - - -

?qui

Btol

Blis

B- pec

Bca

'- ta

B- mun

'di,

'-

G reB

- reB

- noB : 55 5 5 ' B

 bis.:

- - -0 0 0

Gi

0 0 ?Qui

Btol

Blis

B- pec

Bca

'- ta

B- mun

'di,

'-

? pec

Bca

B- ta

B-

 bis,

B- mi

B : se

5- re

B- re

B

- no

B 'bis.

:- Qui

:tol

:lis

'- pec

Bca

B- -

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Snd, Jne 19 Sed MS ooqM 2011 n 223

80

C.

T.

B.

1

G ?sus

B :ci

5- pe

B- de

B pre

B- ca

B :- ti

5- o

'- nem

B- no

B 5 5 5 5 5 5 Bstram,

:- - -

Gi

mun

'di,

'!-

0 ?sus

B 5ci

5- pe

B- de

B pre

B- ca

B :- ti

5- o

'- nem

B- no

B : 5 5 5-

B

ta

B- mun

'di,

:-

0 ?sus

B :ci

5- pe

B- de

B pre

B- ca

B :- ti

5- -

1

G ? sus

B :ci

5- pe

B- de

B pre

B- ca

B :- ti

5- o

'- nem

B- no

B 5 5 5 5 5 5 B 5 5 ' B- - - - - -

Gi

5 5 B B Bstram,

B- - sus

B :ci

5- pe

B- de

B pre

B- ca

B- ti

B- o

B :

- nem

5- no

5 5 5 5 5 5 5 5 5 5 B- - -

o

B- nem

B- no

B Bstram,

'- ?  sus

B 5ci

5- peB- deB  preB- caB

 :

- ti

5- o

B- nem

B- no

BB '- -

90

C.

A.

T.

B.

1

G stram,

'-

?Qui

Bse

'des

'-

?ad

Bdex

B :te

5- ram

B- pa

B B B 5 5 Btris,

'- -

0

G ?Qui

Bse

'des

B- ad

Bdex

B :te

5- ram

' :- pa

B 5 5 B 'tris,

'- - -

0mi

5se

5- re

B- re

B- no

B-

Gi stram,'

-?

QuiB

se'!

desB

- adB

dexB :

te5

- ram'

- paB B : 5 B '

tris,B

- - - mi5

se5

- reB

- reB

- noB : 5

-

stram,

'-

?Qui

Bse

'des

'-

' 0 ?ad

Bdex

B :te

5- ram

'- pa

' 'tris,

'- -

1

G 0mi

5se

5- re

B- re

B- no

B : 5 B B B bis,

'- - -

?Quo

'ni

B- am

B- tu

Bso

Blus

B-

G 5 5 B B B 5 5 B bis,

B- - - - mi

5se

5- re

5- re

5- no

' B! bis.

:-

' 0

Gi

B B ' bis,

B- - - mi

5se

5- re

B- re

B- no

B B bis.

'-

?Quo

'ni

B- am

B- tu

Bso

Blus

5- san

5-

0 0 ?mi

5se

5- re

B- re

B- no

' bis.

:-

' 0

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224 n Sed MS ooqM 2011 Snd, Jne 19

100

1

G san

'ctus,

'-

0tu

'so

B :lus

5- Do

Bmi

B- nus,

'-

?tu

B so

B :lus

5- Do

Bmi

B- -

G Quo

' :

ni

B- am

B- tu

Bso

BlusB

- san

B Bctus,

'-

?tu

Bso

B :lus

5- Do

Bmi

B- nus,

'-

Gi 5 5!

5B

ctus,

'- 0 0 tu

'so

B :lus

5- Do

BmiB- nus,

'- ? tu

B!

0Quo

' Bni

B- am

B- tu

Bso

Blus

5- san

B 5! 5 Bctus,

'-

0 0 ?tu

B

1

G nus,

'-

0 ?tu

'so

B 5lus

5- al

B!tis

B :-

5  5 5 ' B Bsi

B- - - - mus,

'-

G ?tu

B so

B :lus

5- Do

Bmi

B- nus,

'-

0 0 0 ?tu

B

Gi

 so

B :lus

5!- Do

Bmi

B- nus,

'!- tu

'so

B :lus

5- al

Btis

B-

5si

5-

Bmus,

'- al

Btis

B :- si

5-

B-

so

B :

lus

5- Do

Bmi

B- nus,

'-

0 0tu

'so

B :

lus

5- al

B!

tis

B :

-

5  5 5-

1101

G ?tu

B so

B :lus

5- al 

B!tis

B :- si

5-

Bmus,

'!- Je

B :su

5 - Chri

B ' Bste,

:- -

G

B soB : lus5- alB! tisB :

- si5 - 5 5 B mus,B!- JeB : su5- ChriB B B B : 5! ste,'!- - - ? cumB Gi

mus,

B- tu

B!so

B :lus

5- al

Btis

'- si

B- mus,

'-

0Je

B :su

5- Chri

'ste,

'-

?cum

B

B B B :

si

5- - mus,

B- al

Btis

B :

- si

5- mus,

'- Je

B :su

5- Chri

B B! 'ste,

:- -

1

G 0 ?cum

Bsan

Bcto

B- Spi

B :ri

5- tu,

'-

?in

Bglo

B :ri

5- a

B- De

Bi

B- pa

' B-

G san

Bcto

B- Spi

B :ri

5- tu,

B- in

Bglo

B :ri

5- a

B- De

Bi

B- pa

B B B!tris,

'-

0 ?in

B

Gi

san

Bcto

B- Spi

B :ri

5- tu,

'-

0 0in

Bglo

B 5ri

5- a

B- De

Bi

B- pa

'tris,

'-

0 ?cum

Bsan

Bcto

B- Spi

B :ri

5- tu,

'-

?in

Bglo

B :ri

5- a

B- De

B Bi

B- pa

'-

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Snd, Jne 19 Sed MS ooqM 2011 n 225

1201

G tris,

'-

?in

B glo

B :ri

5- a

B- De

B 5i

5- pa

5 5 5 5 B B Btris,

'- - - De

' :

i

B- -

G  glo

B :ri

5- a

'- De

B :i

5- pa

B Btris,

B-

? ?in

Bglo

B :ri

5- a

B!- De

B 5i

5- pa

5! 5! 5 5 B-

Gi

? in

B gloB

 :

ri5- aB- De' iB- pa

BB tris,'- 0 ? inB gloB : ri5- aB- DeB -

tris,

:-

?in

Bglo

B :ri

5- a

B- De

'i

B- pa

'tris,

'- De

' :

i

B- -

1

G  pa

'tris,

'-

?A

B : 5 5 5 B Bmen.

B- - - A

B 5 5 B : 5 B B 5! 5men.

'- - - -

G B 5! 5! 5 5 B B B!tris.'

- - - -' ?

AB 5 5 5 5 B B

men.:

- - -

Gi

5i

5- pa

5 5 5 5 B 'tris.

'- - - A

B B 'men.

'- -

?A

B B 5 5men.

'-

 pa

I.26.2: superfluous flat

:tris.

'- -

?A

B 5 5 5 5 5 5 B B B! 'men.

:- - - - - -

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226 n Sed MS ooqM 2011 Snd, Jne 19

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Snd, Jne 19 Sed MS ooqM 2011 n 227

Credo in unum Deum

Cre

do

- in

u

num

- De

um,

-

C.

A.

T.

B.

 

Pa

trem

- om

ni

- po- ten

 

- tem,

-

fa cto

 

- rem

- cæ

li

- et

Pa

trem

- om

ni

- po

- ten

 -

tem,

-

fa

cto

 - rem

- cæ

li

- et

ter 

-

fa

-

10

 

ter 

    ræ,

- - - - - -

vi

si

- bi

 - li

- um

- om

-

ræ,

- cæ

li

- et

ter 

ræ,

- - -

vi

si

- bi

 - li

- -

cto

 - rem

- cæ

li

- et

ter 

ræ,

- -

vi si- bi

 - li

- um

- om

 

ni-

 -

vi

si

- bi

 - li

- um

- om

  -

 

ni

-

um

- et

in

vi

- si

- bi

-

li-

um,

-

Et

um

- om

 ni

-

um,

-

et

in

vi

- si

- bi

- li-

-

um

- et

in

vi

- si

- bi

 - li

- um,

- et 

 in

vi

- si

- -

ni

- um,

-

et

 in

vi

- si

- bi

 - li

- -

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228 n Sed MS ooqM 2011 Snd, Jne 19

 

in

u

num

- - Do

 mi

- num

- Je

 sum

- Chri

stum,

- - fi

-

um.

- Et

 in

u

num

- Do

 mi

- num

- Je

sum

- Chri

stum,

-

fi

li

- -

bi

- li

- um.

- Et

in

u

 num

- Do

mi

- num

-

Je

sum

-

um.

-

Et

in

u

num

- - Do

 

mi

- num

- Je

sum

-

20

 

li

- um

- De

i

- - u

ni

-

ge

- ni

- tum,

- u

ni

- -

um

- De

i

- u

ni

- ge

 - ni

- tum,

- u

ni

- - ge

- -

Chri

stum,

- - -

fi 

li

- um

- De

i

- u 

ni

- -

Chri

stum,

- fi

li

- um

- De

i

- u

 ni

- ge

- ni

- tum,

-

 

ge

- ni

- tum,

-

ni- tum,-

et ex  pa tre- na tum- an te- om

 

ni- a- sæ

-

ge

- ni

- tum,

-

et

ex

 pa

tre

- na

tum

- an

te

- om

ni

- a

- sæ

  -

et

ex

 pa

tre

- na

tum

- an

te

- om

 ni

- a

- sæ

-

30

 

De

um

- de

De

o,

-

De

um

- ve

-

cu

- la,

- De

um

- de

De

o,

-

De

um

- ve

-

cu

- la,

-

lu

men

- de

lu

mi

- ne,

-

de

cu

- la,

-

lu

men

 - de

lu

mi

- ne,

-

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Snd, Jne 19 Sed MS ooqM 2011 n 229

 

rum

-

de

De

o

- ve

ro,

- ve

ro,

-

ge

 ni

- -

rum

-

de

De

o

- ve

  ro,

- ve

ro,

- -

ge

 ni

- -

De

o

- ve

ro,

- ve

ro,

-

ge

 ni

- tum

- non

fa

- de

De

o

- ve

ro,

-

de

 De

o

- ve

ro,

- ge

 ni

- tum

- non

fa

-

40

 

tum

- non

fa

ctum,

- con

 sub

- stan

- ti

- a

- lem

- pa

tri,

- con

  sub

- stan

- ti

- a

- lem

- pa

-

tum

- non

fa

ctum,

-

con

sub

- stan

- ti

- a

- lem

- pa

tri,

-

con

 sub

- stan

- ti

- -

ctum,

- con 

sub

- stan

- ti

- a

-

lem

- - pa  

- - - - -

ctum,

-

con

sub

- stan

 - ti

- a

-

lem

- pa

-

 

tri,

-

 per 

quem

om

 ni

- a

- fa

cta

- sunt,

a

- lem- pa tri,-

 per  quem om

ni- a- fa cta- sunt,  per  quem

tri,

-

 per 

quem

om

 ni

- a

- fa

cta

- sunt,

 per 

quem

om

-

tri,

-

 per 

quem

om

 ni

- a

- fa

cta

- sunt,

 per 

quem

om

 ni

- a

- fa

-

50

 

 per 

quem

om

 ni

- a

- fa

 cta

- - -

sunt.

om

 ni

- a

- fa

cta

- sunt,

 per 

quem

om

 ni

- a

- fa

cta

- sunt.

ni

- a

- fa

  cta

- - sunt,

 per 

quem

om

 ni

- a

- fa

 cta

- sunt.

cta

- sunt,

 per 

quem

om

ni

- a

- fa

cta

- - sunt.

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230 n Sed MS ooqM 2011 Snd, Jne 19

C.

T.

B.

 

Qui

 pro

 pter 

- nos

ho

 mi

- nes,

-

et

 pro

 pter 

- no

stram

- sa

lu

- tem,

-

de

scen

- -

Qui

 pro

 pter 

- nos

ho

mi

- nes

-

et

 pro

 pter 

- no

stram

- sa

lu

- tem,

-

Qui

 pro

 pter 

- nos

ho

 mi

- nes

-

et

 pro

 pter 

- no

stram

- sa

lu

- tem

-

de

scen

- -

60

C.

A.

T.

B.

 

dit

- de

    lis,

- - - - - - - -

Et

Et

in

car 

- na

 - tus

-

de

scen

- dit

-

de

  lis,

- - -

dit

-

de

  lis,

- - - - -

Et

in

car 

- na

 - tus

-

 

in

car 

- na

-

tus

- est,

de

spi

 ri

- tu

- san

cto,

- -

est,

de

spi

 ri

- tu

- san

  cto,- - -

ex

Ma

-

Et

in

car 

- na

 - tus

- est,

de

spi

 ri

- tu

- san

  cto,

- - -

est,

de

spi

 ri

- tu

- san

  cto,

-

de

 spi

 ri

- tu

- san

-

70

 

ex

Ma

ri

- a

- vir  

  gi

- ne,

-

et

ho

mo

-

ri

- a

- vir  

 gi

- ne,

- et

ho

mo

- fa

  ctus

- est,

fa

  ctus

- - -

ex

Ma

ri

- a

- vir  

 gi

- ne,

-

et

ho

mo

- fa

  ctus

- est,

et 

cto,

-

ex

Ma

ri

- a

- vir  

  gi

- ne,

-

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Snd, Jne 19 Sed MS ooqM 2011 n 231

 

fa

    ctus

- - - - - - est.

Cru

ci

- fi

- xus

- e

 ti

- -

est,

et

ho

 mo

- fa

ctus

- est,

fa

ctus

- est.

Cru

ci

- fi

- xus

- e

 ti

- -

ho

mo

- fa

    ctus

- - - - - est.

Cru

ci

- fi

- xus

- e

 ti

- -

et

ho

mo

- fa

  ctus

- - est.

80

C.

A.

T.

 

am

- pro

no

 bis

- sub

Pon

 ti

- o

- Pi

la

-

to,

-

 pas

sus

- et

se

 pul

- -

am

- pro

no

 bis

- sub

Pon

 ti

- o

- Pi

 la

- to,

- pas

 

sus

 - et

se pul

 - tus

-

am

- pro

no

 bis

- sub

Pon

ti

- o

- Pi

la

- to,

-

 pas

 sus

- et

se

-

C.

A.

T.

B.

 

tus

- est.

Et

re

sur 

- re

- xit

-

est,

se pul

- tus

- est.

Et

re

sur 

- re

- xit

- ter  

 ti

- a

- di

e,

-

 pul

-

tus

- est.

Et

re

sur 

- re

- xit

- ter  

 ti

- a,

- ter  

-

Et

re

sur 

- re

- xit

- ter  

 ti

- a

- di

e,

-

90

 

ter 

 ti

- a

- di

e,

-

se

cun

- dum

- scrip

tu

- ras,

- scrip

tu

-

ras.

- - -

ter 

 ti

- a

- di

e,

-

se

cun

- dum

- scrip

tu

-

ras.

-

ti

- a

- di

e,

-

se

cun

- dum

- scrip

tu

 -

    ras,

- - - - scrip

-

ter 

 ti

- a

- di

e

- se

cun

- dum

- scrip

tu

-

ras,

-

 se

cun

- dum

- scrip

tu

- ras.

-

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232 n Sed MS ooqM 2011 Snd, Jne 19

 

Et

 a

scen

- dit

- in

lum,

-

se

det

- ad

dex

 te

- ram

- pa

tris,

-

se

-

Et

 a

scen

- dit

- in

lum,

- se

det

- ad

dex

te

- ram

- pa

       tris,

- - - -

tu

- ras.

-

Et

 a

scen

- dit

- in

lum,

- se

det

- ad

dex

 te

- ram

 - pa

  -

Et

 a

scen

- dit

- in

100

 

det

- ad

dex

 te

- ram

- pa

    tris,

- - -

ad

dex

 te- ram

- pa

tris,

-

se

det

- ad

dex

 te- ram

 - pa

    tris,

- - - pa

tris,

-

et

tris,

-

 se

det 

- ad 

dex 

te- ram 

- pa

tris,

-

et

te

- -

lum,

- se

det

- ad

dex

 te

- ram

- pa

  tris,

- - -

et

i

 te

- rum

- ven

-

 

et

i

 te

- rum

- ven

tu

- rus

- est,

cum

glo

 ri

- a

- ju

-

i

 te

- rum- ven

tu- rus- est,

cum glo

 

ri- a- ju

di-

ca- re,-

cum

rum

- ven

tu

- rus

-

est,

cum

glo

 ri

- a

- ju

di

-

ca

- -

tu

- rus

- est,

cum

glo

 

ri

- a

- ju

di

- ca

-

- - -

110

 

di

-

ca

- re,

-

vi

vos

- et

mor 

 tu

- os,

-

cu

  jus

- re

-

glo

 ri

- a

- ju

ca

- - re

- vi

vos

- et

mor 

 tu

- os,

-

cu

  jus

-

re

-

vi

vos

- et

mor 

 tu

- os,

- et

mor 

 tu

- os,

-

cu

 jus

- re

gni,

-

re

- vi

vos

 - et

mor 

tu

-

os,

-

cu

  jus

- re

gni

- non

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Snd, Jne 19 Sed MS ooqM 2011 n 233

 

gni

- non

e

rit

- fi

  nis,

-

cu

  jus

- re

gni

-

non

re

 gni,

-

cu

  jus

- re

 gni

-

non

e

rit

- fi

- - - -

non

e

 

rit

- fi

nis,

-

cu

  jus

- re

gni

- non

e

rit

- fi

-

e

rit

- fi

nis,

- cu

 jus

- re

gni,

-

cu

 jus

- re

 gni

-

120

 

e

rit

- fi

nis.

-

Et

in

Spi

 ri

- tum

- san

ctum

- Do

 mi

- num,

- et

nis,

- non

e

rit 

- fi

nis.

-

Et

in

Spi

 ri

- tum

- san

ctum

- Do

 mi

- num,

- et

nis,

- non

e

rit

- fi

nis.

-

Et

in

Spi 

ri

- tum

- san

ctum

- Do

mi

- num,

-

non

e

rit

- fi

 nis.

-

Et

in

Spi

 ri

- tum

- san

ctum

- Do

 mi

- num,

-

 

vi

vi

- fi

- can

- tem,

-

et 

vi

vi

- fi

- can

- tem,

-

vi vi- fi

- can- tem,- vi vi- fi- can- tem,- qui

 

ex  pa

tre- fi -

et

vi

vi

- fi

- can

- tem,

-

qui

ex

 pa

tre

- fi

li

- o

- -

et

vi

vi

- fi

- can

- tem,

-

qui

130

 

qui

 ex

 pa

tre

-

fi

li

- o

-

que

- pro

ce

 -

  -

li

- o

- que

- pro

ce

-

    dit,

 - - - pro

ce

 -

 dit,

-

que

-

 pro

ce

 -

dit,

- fi

li

- o

 - que

- pro

ce

 -

dit,

-

ex

 pa

tre

-

fi

li

- o

-

que

- pro

ce

 -

    dit,

- -

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234 n Sed MS ooqM 2011 Snd, Jne 19

 

dit,

-

qui

cum

 pa

tre

- et

fi

 

li

- o

-

si

mul

- a

do

- -

qui

cum

 pa

tre

- et

fi

li

- o

- si

mul

- a

do

- ra

- tur,

-

et

qui

cum

 pa

tre

-

et

fi

li

- o

- si

mul

- a

do

- ra

 -

tur,

- -

qui

cum

 pa

  tre

- -

et

fi

li

- o

-

si

mul

-

140

 

ra

-

tur,

- -

et

con

glo

- ri

 - fi

- ca

- tur,

-

qui

lo

-

con

glo

- ri

 - fi

- ca

- tur,

- et 

con

  glo

- ri

 - fi

- ca

 -

  tur,

- - - -

et

con

glo

- ri 

- fi- ca

- tur,

-

et 

con

 glo

- ri 

- fi- ca  

-

tur,

- - -

a

do

- ra

- tur,

-

et

con

glo

- ri

 - fi

- ca

- tur,

-

 

cu

- tus

- est

 per 

Pro

 phe

 -

tas,

- per  

 Pro

 phe

-

tas.

- - -

qui 

lo cu- tus- est  per  Pro  phe- tas,- per    Pro  phe- tas.

-

qui

 lo

cu

- tus

- est

 per 

Pro

 phe

 -

tas.

- -

qui

lo

cu

- tus

- est

 per 

Pro

 phe

-

tas.

- - - -

150

 

Et

u

nam

-

san

  ctam

-

Ca

tho

 - li

- cam,

- Ca

tho

 - li

- cam,

- et

Et

u

nam

-

san

ctam

- Ca

tho

 - li

- cam,

- Ca

tho

 - li

- cam,

-

Et

u

nam

-

san

ctam

- Ca

tho

 - li

- cam,

- Ca

tho

 - li

- cam,

- et

Et

u

nam

-

san

ctam

-

Ca

tho

 - li

- cam,

- et

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Snd, Jne 19 Sed MS ooqM 2011 n 235

 

A

 po

- sto

 - li

- cam

- Ec

cle

-

si

- am.

-

Con

fi

 - te

- or 

- u

num

-

et

A

 po

- sto

 - li

- cam

- Ec

cle

- si

- am.

-

Con

fi

 - te

- -

A

 po

- sto

-

li

- cam

- Ec

cle

 

-

si

- am.

-

Con

fi

 - te

- or 

- u

-

A

 po

- sto

 - li

- cam

- Ec

cle

-

si

- am.

-

Con

fi

 - te

- or 

- u

 num

- bap

-

160

 

 bap

tis

-

ma

- -

in

re

mis

 - si

- o

- nem

- pec

 ca

- to

- -

or 

- u

num

-

 bap

tis

-

ma

- in

re

mis

-

si

- o

 - nem

- pec

-

num

- bap

tis

- ma

- in

re

mis 

- si

- o

- nem

- pec

ca

- to

- -

tis

- ma

- - in

re

mis

 - si

- o

- nem

- pec

ca

- to

- -

 

rum,

-

Et

ex

spe

-

cto

- re

 sur - re

- xi

- o

- nem

- mor  

 tu

- o

-

rum,

- mor  

-

ca- to- rum,-

Et ex spe- cto- re  sur - re

 - xi- -

  rum,

- Et

ex

spe

- cto

- re

 sur 

- re

- xi

- o

- nem,

- re

 sur - re

- xi

- o

- -

rum,

-

Et

ex

spe

-

cto

- re

 sur - re

- xi

- o

- nem

- mor  

-

170

 

tu

- o

- rum,

-

mor 

 tu

- o

-

rum

-

et

vi

tam

- ven

-

o

- nem

- mor  

 tu

- o

- rum,

-

et

vi

tam

- ven

tu

- ri

- sæ

 cu

- li,

-

nem

-

mor 

tu

- o

-

rum,

- -

et

vi

tam

- ven

-

tu

- o

 -

rum,

- - -

et

vi

tam

- ven

tu

- ri

- sæ

cu

- li,

-

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236 n Sed MS ooqM 2011 Snd, Jne 19

 

tu

- ri

- sæ

 cu

- li,

-

et

vi

tam

- ven

tu

- ri,

-

et

vi

tam

- ven

tu

- ri

- sæ

 cu

- -

et 

vi

tam

- ven

tu

- ri

- sæ

 cu

- li,

- et

vi

tam

- ven

tu

- ri

- sæ

cu

- li,

-

tu

- ri

- sæ

cu

- li,

-

et 

vi

tam

- ven

tu

- ri

- sæ

 cu

- li,

-

et

et 

vi

tam

- ven

tu

- ri

- sæ

 cu

- li.

- A

men,

-

et

vi

tam

- ven

-

180

 

li.

- A

  men.

- - - - - A

men.

- - - -

et 

vi

tam

- ven

tu

- ri

- sæ

 cu

- li.

- A

    men.

- - - - -

vi

tam

- ven

tu

- ri

-

cu

- li.

- A

  men.

- - - - -

tu

III.61-2: decelis

III.64-5: in Carnatus

- ri

- sæ

 cu

- li.

- A

men.

- A

men.

- - - - -

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Snd, Jne 19 Sed MS ooqM 2011 n 237

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238 n Sed MS ooqM 2011 Snd, Jne 19

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Sed MS ooqM 2011 n 239

Sanctus - Benedictus

C.

A.

T.

B.

1

G ¯

¯

San

B : 5 5 5 B B 5 5 B B ' B : 5ctus,

'!- - - - - - -

0 0

G ¯

¯ 0San

B : 5! 5 5 B 5 5 ' B!ctus,

'- - - - - san

B : 5! B B B B- - -

Gi ¯

¯ 0SanB : 5 B B ' B 5 5 B B

ctus,'

- - - - - -0 0 ?

sanB

-

¯

¯ 0 0 0San

B : 5 5 5 B B B '- - - -

1

G san

B : 5 B B B B : 5 Bctus,

'!- - - - - - - san

B : 5 5  5 B : 5! B- - - - -

G 5 5 5 5! B : 5 B 5 5 'ctus,

'- - - - - - -

0 0san

B : 5!-

Gi

5 5 5 5 B B B B 'ctus,

:- - - - - - - san

B : 5 5 5 B- - -

ctus,

:-

?san

B : 5 5 5ctus,

:- -

0

10

1

G B B B B! ' ' B B B B 'ctus,

'- - - - - - - - - -

?Do

B :mi

5- nus

B-

G 5 5 B : 5 B B ' B B 5! 5 B : 5 '! ctus,'!- - - - - - - - - - 0Gi

5 5! ' B ' : B! B : 5 5! 5 B B B!ctus,

'- - - - - - - - - -

' ?Do

B-

0san

B : 5! 5 5 B 5 5 ' B 'ctus,

'- - - - - -

?Do

B :mi

5- nus

B-

1

G De

Bus

B- Sa

B ba

B- oth,

B-

? 0 ?Do

B :mi

5- nus

B- De

Bus,

B-

?Do

B-

G ?Do

B :mi

5- nus

B- De

Bus

B- Sa

B : ba

5- oth,

:-

? Do

B :mi

5- nus

B-

Gi

5mi

5- nus

B- De

Bus

B!- Sa

' ba

B-

Both,

'-

?Do

B 5mi

5- nus

B- De

Bus,

B-

De

Bus

B- Sa

B : ba

5- oth,

B- Sa

B B : ba

5- oth,

B- Do

B :mi

5- nus

B- De

Bus,

B-

?Do

B-

Snd, Jne 19

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240 n Sed MS ooqM 2011

201

G 5mi

5- nus

B- De

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B- Sa

B : ba

5- oth,

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:

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T.

1

G 0 0 0 ?Ple

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ni

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Sed MS ooqM 2011 n 241

40

C.

A.

T.

B.

1

G a.

:-

0O

'san

B :- na

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Bcel

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neB- diB- ctusB- quiB veB B B nit,'-

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Bve

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've

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0

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242 n Sed MS ooqM 2011

601

G Bmi

Bni,

'-

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mi

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sanB :- na5- inB exB cel'- sis,B- inB B exB celB- B sis,'- ? OB sanB :- na5- inB exB -

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Snd, Jne 19

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Sed MS ooqM 2011 n 243

Agnus Dei

C.

A.

T.

B.

1

G ¯¯ 0

Ag

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?qui

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nus

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10

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T.

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1

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nus

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'di,

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ca

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'di,

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re

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'- - -

?mi

B Bse

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5 : 5 B 5 : 5 B- -

Snd, Jne 19

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244 n Sed MS ooqM 2011

30

C.

A.

T.

B.

1

G no

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:- - - - - Ag

' :nus

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5 : 5 B 5 : 5 5 5 B B bis,

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i,

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1

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Blis

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mun' di,B- qui

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Gi

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mun

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Gi

ca

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?qui

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5ca

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5- mun

'di,

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0

ta

:- mun

B 5 B 5 Bdi,

:- - - do

:- -

Snd, Jne 19

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Sed MS ooqM 2011 n 245

1

G 'cem,

'-

?do

B :na

5- no

B Bbis

B- pa

'cem,

'- pa

' 'cem,

'- -

G B bis

B- pa

' 'cem,

'- -

?do

B :na

5- no

B Bbis

B- pa

'cem,

B- do

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5- no

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Gi

?do

B :na

5- no

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' 'cem,

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?do

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na

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:- - - -

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B-

50

1

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G B bis

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?do

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B- pa

' ' : B- - -

Gi 'cem,'

-: 0 ?

doB 5

na5

- no'

 bisB

- pa'

cem,'

-

5

na

5- no

'bis

B- pa

'

cem,

'- pa

' 'cem,

'- - do

B :na

5- no

B bis

B- pa

'-

Part of my complete edition of the published vocal works of William Byrd made available through the Choral Public Domain Library (http://www.cpdl.org).

For general editorial notes, please visit my user page at http://www.cpdl.org/wiki/index.php/User:DaveF.

All scores are made freely available according to the CPDL Licence for downloading, printing, performing and recording. No further conditions are

or can be attached, although it’s always good to hear of any performances.

Please do not, without consulting me, make copies of my scores available through other websites – there’s no need, first of all, as CPDL is always here,

and secondly by doing so you put these editions beyond my control and so will miss out on any updates and revisions.

1

G Bbis

B- pa

'cem,

'- do

'na

B- no

' bis

B- pa

B : 5 'cem.

:!- -

G cem,B- do

B :na5- noB B bisB- pa

'cem,

B- do

B :na5- noB B  bis5!- pa5! 5 B 5 cem.:

-

Gi

: ?do

B :na

5- no

B Bbis

B- pa

'cem,

B- pa

' Bcem.

:- -

Edition transposed down a tone from published pitch

Sources:

Polyphony: [William Byrd: Mass for four voices] (No title or publication information on any surviving edition; probably printed in London by Thomas East, c.1592).

Plainsong: from the Liber Usualis, chosen for their mode rather than liturgical function. If the Mass is used liturgically,

 performers may wish to substitute the proper chants.

I.12: bis '

'cem,

'- do

'na

'- no

' :bis

B- pa

:cem.

:- -

Snd, Jne 19

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246 n Sed MS ooqM 2011

  

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Sed MS ooqM 2011 n 247

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248 n Sed MS ooqM 2011

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BbzbbzbygzbbbbbbbbbG   YzzzbvbhbbzbzbzzbhbbbvzbbzbzzzzbzzygzbzbbbbbbG  UvbbbbbbjvzbbbzbzzbbH  Uvbzzbvvzhb. vzbbbz]bbbvzygbbbvbbbG   Yvbzbbhbbvvbhvbbbbzzbbhvbbbzbzhbbbbvzzhvvzhbbzzbö 

BbvhvvzzhvvvvbbvhvzbbbzhbvvbtfbzbbvzzzzbzzG   Yzzbzzbzbgzbbbvbbdbmzzzbzz}zöxxxxxxcb 

BbbzbbzbygzbbbbbbbbG   YzzbvbhbzbzbzzbhbbbvzbbzbbzzhvvzzhvzbbzzzhzzbzzbbbzbygzzzbzbbbbbbbbG  UvbbbbbjbbbbbzbzzbH  Uvbzzbhvvzhb. vzbbb]bbzbbbygbzbbbbvbbbG   Yvzbbzbhbbvvbhvbvvzhzbbö 

BbvzhbvvvvvbtfbzbzbzbzzG   Yzzbzzzbgzbbbvbbdbmzzzbzz}zöxxxxxxcbxxb 

Snd, Jne 19

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Sed MS ooqM 2011 n 249

BbbbzbygzbbbzzbbbbG   YzzbvbbhbzbzbzzbhbbbvzbbzzzbzbbzzhvvbzhvzbbzzbhbbvzzhvvbhvvvvvzhvvzzhvvvvzhvvbhvbvhvvzbhvbbvhbzzbbzzbbbzbygzzbzzzbbbbG  Uzzz÷ 

BbbbbbbbbjbvvvzbbbbzbzzbH  Uvbzbbzhvvzhb. vzbbb]bbzbbbygbbzbvbbbG   YvbbzbhbbvzzbbbbhvbbvhvvbhvvvbhvvvzbhvvbbhvvvvbbbtfbzbzbbzbzzG   Yzzbbbzzbbgzbbbbvbbdbmzzzbb}zö

BbbbbbygzzbbbzzbbbbG   YzbvbbhbzbzbzzhbbbzzbzbbbzhvvzzbbbygzzbzbzbbbbG  UzzzvvvzjvvvvzzbH  Uvbzbzhbvvzhb. vzbbbbb]bbzbbbbbygbbzbvbbbbbG   Yvbbvvbzbhbbvzzbhvvzzhvvbhbbbö 

BzbbbhvvbbbbbbtfbzbzbzbzzG   Yzzbbzzbbgzbbbbvbbdbmzzzbbbbb}zöxxxxxxxxzvvvvbbbb 

     

 

Snd, Jne 19

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&

VV?

&?

b

bb

b

bb

S

A

T

B

1

˙ ˙San cta

˙ ˙San cta

˙ ˙San cta˙ ˙San cta

1

˙ ˙˙ ˙˙ ˙˙ ˙

.œ jœ ˙Tri ni tas

.œ Jœ ˙Tri ni tas.œ Jœ ˙Tri ni tas

.œ jœ ˙Tri ni tas

.œ jœ ˙.œ Jœ ˙.œ jœ ˙.œ Jœ ˙

˙ œ œu nus De

wu˙ œ œu nus De˙ œ œu nus De

˙ œ œw œ œ˙ œ œ

œ œ .œ œ œ œus

˙ .œ Jœnus deœ œ ˙

œ œ ˙

œ œ .œ œ œ œ˙ .œ Jœœ œ ˙œ œ ˙

œ .œ Jœ œmi se re

.œ œ œ œ œus mi

˙ Óus˙ Óus

œ .œjœ œ.œ œ œ œ œ˙ Ó˙ Ó

- - - - - - - - - -

- - - - - - - -

- - - - - - - - -

- - - - - - - - -

&VV?

&?

bbb

b

b

b

œ œ .œ œ œ œ œre noœ Jœ .œ œ œ Jœnse re re no

œ œ .œ œ œ œ œœ Jœ .œ œ œ Jœn

˙ Óbis,˙ Óbis,Œ œ œ œ

mi se reŒ œ œ œmi se re

˙ Ó˙ ÓŒ œ œ œŒ œ œ œ

.œ œœ œ œœœre no

.œ œœ œ jœ œ Jœre no

.œ œ œ œ œ œ œ.œ œ œ œJœ

œ Jœ

Œ œ œ œmi se reŒ œ œ œmi se re

˙ Óbis,˙ Óbis,

Œ œ œ œŒ œ œ œ˙ Ó˙ Ó

.œ œ œ œ œ œ œre no.œ œ œ œJœ

œ Jœre no

.œ œ œ œ œ œ œ.œ œ œ œJœ

œ Jœ∑

- - - - - - - -

- - - - - - -

- - - -

- - - -

SANCTA TRINITAS

   Antoine de Févin

c. 1470 – late 1511

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&

V

V?

&

?

b

b

bb

b

b

11

.œ œ œ œ .œ œ œ œ œ

.œ œœœ œ Jœ

Œ œ œ œmi se re

Œ œ œ œmi se re

11

.œ œ œ œ .œ œ œ œ œ.œ œœJœ œ Jœ

Œ œ œ œŒ œ œ œ

.œ œœ œ jœ œ jœœ ‰ Jœ œ œ œ

bis, no

.œ œœ œ œœœre no

.œ œ œœœre no

.œ œ œ œ jœ œ jœœ ‰Jœ œ œ œ

.œ œ œ œ œ œ œ.œ œ œ œ œ

˙ Óbis.

˙ Óbis.

œ Œ ˙bis. Te

˙ Œ œbis. Te

˙Ó

˙

œ Œ˙

˙ Œ œ

œ œ œ .œ œ œin vo

œ œ œ œin vo

œœ

œ.œ œ

œœ œ œ œ

œ œ œ œ .œ œ œ œ œca

œ œ .œ œ œ jœnca

œ œ œ œ .œ œ œ œ œœ œ .œ œ œ Jœn

- - - - - - - -

- - - - -

- - - - - - - - - - - -

- - - - - - - - - -

&

V

V?

&?

b

b

b

b

b

b

16 

.œ œ œ œ œ jœ Jœ Jœ Jœmus, Te ad o

œ œ œ œ œ Jœ œ œ Jœ Jœmus, Te ad o ra

16 

.œ œ œ œ œ jœ jœ jœ jœœ œ œ œ œ Jœ œ œ Jœ Jœ

Ó Œ œTeÓ Œ œTe

œ œ œ Jœn ˙ra mus,

œ œ œ œ œ ˙mus,

Ó Œ œÓ Œ œœ œ œ jœn ˙œ œ œ œ œ ˙

.œ œ œJ

œ œ œglo ri fi ca.œ œ œ Jœ œ .œ œglo ri fi ca

.œ œ œ jœ œ œ.œ œ œ Jœ œ .œ œ∑

œ œœœ .œ œœ œœ œ œ .œ œœ

œ œ œ œ .œ œ œ œœ œ œ .œ œ œ∑

- - - - - - - -

- - - - - - - -

- - - - - -

- - - - -

Snd, Jne 19

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&

V

V?

&

?

b

b

bb

b

b

20

œ œ œ œ œ Jœ œ jœœ .œ œ œ œ œ œ œ œ

20

œ œ œ œ œ jœ œ jœœ .œ œ œ œ œ œ œ œ∑

˙ Ómus,

˙ Ómus,

Œ ‰ Jœ .œ œ .œ œTe glo

Ó ‰ Jœ .œ œTe glo

˙ Ó˙

Ó

Œ ‰

jœ .œ œ .œœÓ ‰ Jœ .œ œ

jœ .œ œ œ œ œ œ œ œri fi

.œ œ œ œ œri fi

.œ œœ œ

jœœ œ œ.œ œ œ œ œ

- - - - - - -

- - - - - - -

- - - - - - -

- - - - - -

&

V

V?

&?

b

b

b

b

b

b

23

jœ .œ œ œ œ jœ œ jœca

œ œ œ œ œ œ œ œca

23

jœ .œ œ œ œ jœ œ jœœ œ œ œ œ œ œ œ

Ó Œ œOŒ œ ˙

O be

œ Œ œ œmus, O be

˙ Œ œmus, O

Ó Œ œŒœ ˙

œ Œ œ œ˙ Œ œ

.œ jœ .œ œœbe aœ .œ œ .œ œ

a ta

œ œ .œ Jœa ta

˙ œ œbe a ta

.œ jœ .œ œ œœ .œ œ .œ œœ œ .œ jœ˙ œ œ

.œ jœ .œœ œta .˙ œ

Tri

.œ œ œ .œ JœTri niœ œ .œ œ .œ œ .œ œ

Tri

.œ jœ .œ œ œ.˙ œ

.œ œ œ .œ jœœ œ .œ œ .œ œ .œ œ

- - - -

- - -

- - - - - - - - - -

- - - - - - - - - - -

Snd, Jne 19

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&

V

V?

&

?

b

b

bb

b

b

27  .œ Jœ .œ œ œTri ni tas,

Jœ Jœ .œ œ œ œni tas,

.œ œ œ ˙tas,

˙ ˙ni tas,

27  .œ jœ .œ œ œJœ Jœ .œ œ œ œ.

œ œ œ˙

˙ ˙

.œ jœ œ œO be a˙ œ œ œO be a ta

.œ Jœ œ œO be a

.œ œ œ œ œ œ œ œO be a

.œ jœ œ œ˙ œ œ œ

.œ jœ œœ.œ œ œ œ œ œ Jœ œ

œ .œ œ œ œta Tri ni

‰ œ Jœ ˙Tri ni

œ œ ˙ta Tri ni

œ œ ˙ta Tri ni

œ .œ œ œ œ‰ œ Jœ ˙

œ œ ˙œ œ ˙

˙ ‰ jœ œ œtas, sit no men

˙ ‰ Jœ œ œtas,tas, sit no men

˙ Ótas,

˙ Ótas,

˙ ‰ œ œ œ˙ ‰ œ œ œ

˙ Ó˙ Ó

- - - - - - -

- - - - - - -

- - - -

- - - - - - -

&

V

V?

&?

b

b

b

b

b

b

31

œ œn œ ÓDo mi ni,œ œ œ ÓDo mi ni,

Œ ‰ jœ œ œ œ œnSit no men Do mi

Œ ‰ Jœ œ œ œ œSit no men Do mi

31 œ œn œ Óœ œ œŒ ‰

jœ œ œ œ œnŒ ‰ Jœ œ œ œ œ

‰ jœ œ œ œ œ œ Jœsit no men Do mi ni be‰ Jœ œ œ œ œ œ Jœsit no men Do mi ni be

œ Œ Óni,

œ Œ Óni,

‰ œ œ œ œ œ œ œ‰ œ œ œ œ œ œ œœ Œ Óœ Œ Ó

Jœ œ

J

œn œ Œne di ctusJœ Jœ œ œ Œne di ctus

Ó ‰ jœ jœ jœSit no men

Ó ‰ Jœ Jœ JœSit no men

jœ œ jœn œ ŒJœ Jœ œ œ Œ

Ó ‰jœ jœ jœÓ ‰ Jœ Jœ Jœ

jœ Jœ Jœ œ œ JœnDo mi ni be ne di

Jœ Jœjœ œ Jœ œ

Do mi ni be ne di

∑jœ jœ jœ œ œ jœnJœ Jœ Jœ

œ Jœ œ

- - - - - - - -

- - - - - - - -

- - - - - - - - -

- - - - - - - - -

Snd, Jne 19

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&

V

V?

&

?

b

b

bb

b

b

35 ‰ jœ œ œ Œex hoc nunc,

‰ Jœ œ œ Œex hoc nunc

œ Œ ‰ jœ œctus ex hoc

œ Œ ‰ jœ œctus ex hoc

35 ‰ jœ œ œ Œ‰Jœ œ œ Œ

œŒ ‰

jœ œœ Œ ‰ Jœ œ

‰ jœ œ œ œex hoc nunc et

‰ Jœ œ Jœ œ œ œex hoc nunc, et us

œ Œ Ónunc

œ Œ Ónunc

‰ jœ œ œ œ‰Jœ œ Jœ œ œ œ

œ Œ Óœ Œ Ó

œ œ œ œ œus que in sae cu

œ œ œ œ jœ .œ œ œ Jœnque in sae cu

œ œ œ œ œœ œ œ œ Jœ .œ œ œ Jœn∑

œ Œ Ólum

œ Œ Ólum

‰ jœ œ œ œex hoc nunc et

‰ œ œ œ œ .œ œ œ œet us que

œ Œœ Œ Ó

‰jœ œ œ œ‰ œ œ œ œ .œ œ œ œ

- - -

- - - - -

-

&

V

V?

&?

b

b

b

b

b

b

39

œ œ œ jœ jœus que in sae cu

œ œ œ œ œ œ .œ œ œ jœnin sae cu

39

œ œ œ jœ jœœ œ œ œ œ œ .œ œ œ Jœn

‰ jœ œ jœ œ Jœex hoc nunc et

œ Œ ‰ jœ œlum, et hoc

˙ Ólum,

‰ jœ œ jœ œ jœœ Œ ‰ jœ œ˙ Ó

Ó ‰ jœ œex hocœ œ œ œ Œ

us que,

œ œ jœ œ jœnunc et us que in

‰ jœ œ œ œ œex hoc nunc et

Ó ‰ jœ œœ œ œ œœ œ jœ œ jœ‰ Jœ œ œ œ œ

œœ jœ œ œ œ

nunc et us que in‰ œ Jœ œ .œ œet us que in

.œ œ œ œ œ œsae

œ œ jœ œ œ œus que

œ œ jœ œ œ œ‰ œ Jœ œ .œ œ.œ œ œ œ œ œœ œ Jœ

œ œ œ

-

- -

- - - - - - - -

- -

Snd, Jne 19

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&

V

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&

?

b

b

bb

b

b

43

œ œ œ œ œ œ œ œ œ œ jœsae cuœ .œ œ œ œ œ œ

sae cu lum,

œ .œ œ œ œ œ œ œcujœ œ jœ œ œ œ

in sae cu43

œ œ œ œ œ œ œ œ jœ œ jœJœ ..œœ œœ œ œ œ œ

Jœ œ œ

œJœ œ Jœœœ œœ œ

˙ Ólum,

‰ jœ œ jœ œ Jœexhoc nunc et

˙ ‰ jœ œlum, ex hoc

˙ Ólum,

˙ ÓJœ œ Jœ

œ Jœ

˙‰ j

œ œ˙ Ó

Ó ‰ jœ œex hoc

œ œ œ œ Œus que

œ œ jœ œ jœnunc et us que in

‰ jœ œ œ œ œex hoc nunc et

Ó ‰Jœ œœ œ œ œ Œ

œ œjœ œ

j

œ‰

Jœ œ œ œ œ

- -

- - - - - -

- - - - - - -

- - -

-

&

V

V?

&?

b

b

b

b

b

b

46 

œœ jœ œ œ œ

nunc et us que in‰ œ Jœ œ .œ œet us que in

.œ œ œ œ œ œsae

œ œ jœ œ œ œus que

46 

œ œ jœ œ œ œ‰ œ Jœ œ .œ œ.œ œ œ œ œ œ

œ œ Jœœ œ œ

œ œ œ œ œ œ œ œ jœ œ jœsae cuJœ .œ œ œ œ œ œ

sae cu

œ .œ œ œ œ œ œ œcujœ œ jœ œ œ œ

in sae cu

œ œ œ œ œ œ œ œ jœ œ jœJœ ..œœ œœ œ œ œ œJœ œ œ œJœ œ Jœ

œœ œœ œ

wlum.wlum.

wlum.

wlum.

wwww

- - -

- - - - - - -

- - - - - - - - - - - - -

- - - - - - -

Snd, Jne 19

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256 n Sed MS ooqM 2011

Soprano

Alto

Tenor

Bass

Andante (Sehr langsam)1

A - ve Ma -

A - ve Ma -

ri - a

ri - a

gra - ti - a

gra - ti - a

ple - na

ple - na

Do - mi - nus

Do - mi - nus

te - cum.

te - cum.

te - cum.

7

Be - ne -

Be - ne -

di - cta tu in

di - cta tu in

mu - li - e - ri -

mu - li - e - ri -

bus

bus

et be - ne -

et be - ne -

di - ctus

di - ctus

fru - ctus ven - tris

fru - ctus ven - tris

13

tu - -

tu - -

i,

i,

Je -

Je -

sus,

sus,

Je -

Je -

sus,

sus,

Je -

Je -

Je -

Je -

sus.

sus.

sus.

sus.

Anton Bruckner

(1824-96)

Ave Maria

ed. 1/10/99Copyright © 1999 by Choral Public Domain Library (http://www.cpdl.org)

Edition may be freely distributed, duplicated, performed, or recorded.

Snd, Jne 19

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Sed MS ooqM 2011 n 257

21

San - cta Ma -

San - cta Ma -

ri - a,

ri - a,

San -San -

ctacta

Ma -Ma -

san - cta Ma -

san - cta Ma -

ri -ri -

a,a,

San - cta Ma -

ri - a,

ri - a,

san -san -

ctacta

Ma -Ma -

ri - a,

san - cta Ma -

san - cta Ma -

ri -ri -

a,a,

san - cta Ma -

26

ri - a,

ri - a,

mama -

--

ri - a,

ma - ter

ma - ter

--

terter

ma - ter

De -

De -

De -De -

De -

- -

- -

- -- -

- -

i,

i,

i,i,

i, o - ra,

31

o - ra pro

o - ra proo -

o - ra pro

no - bis

no - bisra pro no - bis

o - ra-pro no - bis

no - bis

pec - ca -

pec - ca -

pec - ca -

pec - ca -

dim.

dim.

dim.

dim.

to - -

to - - -

to - - -

to -

- ri -

ri -

ri -

- - ri -

2

Snd, Jne 19

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258 n Sed MS ooqM 2011

36

bus,

bus,

bus,

bus,

nunc et in

nunc et in

nunc et in

nunc et in

ho - ra

ho - ra

ho - ra

ho - ra

mor - tis

mor - tis

mor - tis

mor - tis

no - strae,

no - strae,

no - strae,

no - strae,

41

mor - tis

mor - tis

mor - tis

mor - tis

no - strae.

no - strae.

no - strae.

no - strae.

San - cta Ma -

San - cta Ma -

San - cta Ma -

San - cta Ma -

ri - a,

ri - a,

ri - a,

ri - a,

o - ra pro

o - ra pro

o - ra pro

o - ra pro

46

no - -

no - - -

no - -

no - - -

- -

-

- -

-

bis.

bis.

bis.

bis.

A -

A -

A -

A -

-

-

-

-

men.

men.

men.

men.

Snd, Jne 19

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