Music & Philosophy Because it is man, here,

who reaches his own limit, in the double movement of breaking and calling, where one and the other open out onto what does not lie beyond at all, but is right here. _ Jean-Luc Nancy

around Joseph Haydn’s The Seven Last

Words of Chris t . A melodrama by Jean-Luc

Nancy (text) and Olivier Dejours (music)

for string quartet with period instruments

and spoken word.

at Duke

A T D U K E U N I V E R S I T Y

7Words C O N C E R T , C O N F E R E N C E , S Y M P O S I U M

A S P R I N G 2 0 1 3 E V E N T

S I T E S . D U K E . E D U / 7 W O R D S

Sponsored by the Vice Provost for the Arts, a Collaborative Development Grant from the Council for the Arts, the Center for French and Francophone Studies (CFFS), the John Hope Franklin Humanities Institute (FHI), the Center for Philosophy, Art, and Literature at Duke (PAL), the Program in Arts of the Moving Image (AMI), and the Departments of Music, Literature, and Romance Studies at Duke.

8 P M

J A N U A R Y 2 9

D U K E ’ S M E M O R I A L C H A P E L

F R E E A D M I S S I O N

Gabriel Richard viol in

Elsa Benabdallah viol in

Gilles Deliège viola, v iola d'amore

Jean Christophe Marq ce l lo, baryton

A F R E E P E R F O R M A N C E B Y

The Galuppi Ensemble and Olivier Dejours