musi 502finalexamrep&termslist

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7/31/2019 MUSI 502FinalExamRep&TermsList http://slidepdf.com/reader/full/musi-502finalexamreptermslist 1/2 MUSI 502.01, Spring 2012 Final Exam Repertory List Composers & Pieces, in alphabetical order: Palwa , for gamelan degung (West Java, Indonesia) Milton Babbitt, Philomel , section 1 (full version on Blackboard as well) Béla Bartok, Music for Percussion, Strings, and Celeste , mvt. III  Alban Berg, Wozzeck, Act III, scene iii Luciano Berio, Sequenza III , for Cathy Berberian  John Cage, Sonatas and Interludes for Prepared Piano, Sonata V Henry Cowell, The Banshee George Crumb, Black Angels : Thirteen Images from the Dark Land Image 4: Devil Music Image 5: Danse Macabre Claude Debussy, *Voiles , from Preludes, Bk. 1  Nuages , from Trois Nocturnes  * Sarabande, from Pour le Piano Charles Ives  , General William Booth Enters into Heaven  * The Housatonic at Stockbridge  * The Cage  Gustav Mahler, *Symphony N. 2 , mvt. III *Des Knaben Wunderhorn , St Anthony of Padua’s Sermon to the Fish Olivier Messiaen, Quartet for the End of Time , mvt. 1 Crystal Liturgy ( Liturgie de cristal  ) Meredith Monk, * Dolmen Music , for voices & cello  Terry Riley, * In C  Erik Satie, * Sarabande n. 2  Embryons desséchés ,  Arnold Schoenberg, Pierrot Lunaire , Nacht (Night) Enthauptung (Beheading) Piano Suite , Op. 25, Prelude Minuet & Trio Igor Stravinsky, Rite of Spring , Dance of the Adolescents (Danse des adolescents) Sacrificial Dance (Danse sacrale) Symphony of Psalms , mvt. 1  Anton Webern, Symphony , op. 21, mvt. 1 Ideas : Influence of folk music/folk idioms on 20 th -century composers Relationship to past—forms, musical procedures, acceptance/rejection of musical past, sense of connection to tradition Changing role of the composer, return of composer/performer especially post 1960 within minimalist & experimentalist settings (John Cage was also a pioneer in this sense) Exploration of new approaches to pitch systems, notation systems, musical organization Exploration of new technologies, new sounds, sound sources Role of the performer in 20 th century music, sometimes as co-creator

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Page 1: MUSI 502FinalExamRep&TermsList

7/31/2019 MUSI 502FinalExamRep&TermsList

http://slidepdf.com/reader/full/musi-502finalexamreptermslist 1/2

MUSI 502.01, Spring 2012 Final Exam Repertory List

Composers & Pieces, in alphabetical order:

Palwa , for gamelan degung (West Java, Indonesia)

Milton Babbitt, Philomel , section 1 (full version on Blackboard as well)Béla Bartok, Music for Percussion, Strings, and Celeste , mvt. III Alban Berg, Wozzeck, Act III, scene iiiLuciano Berio, Sequenza III , for Cathy Berberian John Cage, Sonatas and Interludes for Prepared Piano, Sonata V Henry Cowell, The Banshee 

George Crumb, Black Angels : Thirteen Images from the Dark LandImage 4: Devil MusicImage 5: Danse Macabre

Claude Debussy, *Voiles , from Preludes, Bk. 1 Nuages , from Trois Nocturnes  

* Sarabande, from Pour le Piano 

Charles Ives , General William Booth Enters into Heaven  * The Housatonic at Stockbridge  * The Cage  Gustav Mahler, *Symphony N. 2 , mvt. III

*Des Knaben Wunderhorn , St Anthony of Padua’s Sermon to the FishOlivier Messiaen, Quartet for the End of Time , mvt. 1 Crystal Liturgy ( Liturgie de cristal  )Meredith Monk, * Dolmen Music , for voices & cello Terry Riley, * In C  Erik Satie, * Sarabande n. 2

 Embryons desséchés , Arnold Schoenberg, Pierrot Lunaire , Nacht (Night)

Enthauptung (Beheading)Piano Suite , Op. 25, PreludeMinuet & Trio

Igor Stravinsky, Rite of Spring , Dance of the Adolescents (Danse des adolescents)Sacrificial Dance (Danse sacrale)Symphony of Psalms , mvt. 1

 Anton Webern, Symphony , op. 21, mvt. 1

Ideas :

Influence of folk music/folk idioms on 20 th-century composers

Relationship to past—forms, musical procedures, acceptance/rejection of musical past,sense of connection to tradition

Changing role of the composer, return of composer/performer especially post 1960 withinminimalist & experimentalist settings (John Cage was also a pioneer in this sense)

Exploration of new approaches to pitch systems, notation systems, musical organization

Exploration of new technologies, new sounds, sound sources

Role of the performer in 20th century music, sometimes as co-creator

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Sounds of world music & classical composition in 20 th century, role of World’s Fairs, esp.1889 Paris Exposition (1893 Chicago Exposition was also important—introduced ragtime tobroader audience)

Some Terms:

gamelan

pentatonicoctatonic whole-toneatonal12-toneserial compositionindeterminacy (chance composition)neotonality SprechstimmeKlangfarbenmelodie (esp. Schoenberg, but can also think about the spare texture of Webernas another kind of exploration of this idea)

ImpressionismSymbolismExpressionismPrimitivismNeoclassicismModernism (aka Academic-oriented composition)SerialismMinimalismextended techniques/new virtuosity electronic musictape musicprepared pianoostinatoprocess music