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THE MUSEUM OF MODERN ART, NEW YO
PAINTINGSDRAWINGSPRINTS BY
GEORGE GROSZOCTOBER 7 TO NOVEMBER 2/1'/1
The retrospective exhibition of the work of GeorgeGrosz, now being shown in the Museum of ModernArt, dcmonetrutes the extraordinary versatility ofthis distinguished painter and caricaturiat. Now oneof the moat brilliant American masters of wa tercolor,Grosz's work hus elicited high praise from our critics;some of his oils command attention throughout thecountry; hut it was his satirical drawings done inGermany during the 19208 which brought him world-wide fame.Born in Berlin in 1893, Grosz was educa ted in
Dresden and Berlin art schools where he earned aliving by drawing illustrations for Look jack eta andhumorous magazines. Dissati."fied with the routinetraining of druwing from plaster casts, he searchedror other and newer inspiration. A visit to Paris in1912 familiarized him with the work of Picasso andChagall which proved to be a great impeuus to theyoung artist. But it was the large Italian F'uuuriatexhibition held in Berlin in 1913 which actuallyturned Grosz onto the path he was to follow. Thedirect influence of the Futurists is apparent in theearly works included in the Museum's exhibition.Except for two furloughs, Grosz served in the
trenches from 1914 to 1918, but he neverthelessmanaged to produce 80 man)' drawings that he foundhimself famous uI)()n his return to Berlin. For thenext ten years, as Europe's most renowned carica-turist, be produced one volume of drawings afteranother. These caricatures comhine angry satire withferocious ridicule. The discouragement and desperatepoverty in Germany following the close of the firstWorld \Var moved the artist to protest against bothmilitary leaders and war profiteers. He lashed attheir arrogance, callousness and stupidity with alleven fiercer hatred than that of Dean Swift whose
implacable sa rire is at times close in spirit to tbut ofGrosz .. Like Swift, too, 'he was fascinated by themost sordid and bestial qualities of mankind. "Wewere young mcn in Our formative years," saysGrosz. "Perhaps unconsciously we became accusers,and fighters for a better humanity;" So inciting werehjs vitriolic attacks that Grosz was actually jailedfor a brief period in 1923 on fabric'lted charges ofindecency and sacrilege.Early in the rise of the Nazi movement Grosz
turned his insulting attacks against this new out-rage. By 1932 Gros..: realized that he would have toleave Germany. On invitation of tbc Art StudentsLeague in New York, he Came to the United Statesto leach and has returned only once to Germany tobring his family here.This migration W:1S, in a way, a fulfillment of a
youthful dream, for even twenty-five years beforeGrosz had developed a romantic interest in America.He followed the American movies, read our comicstrips and wore American ready-made clothes .. 4.J.though he continued to depict the sordid and corruptin some of his American work, he has neverthelesstried to rorget the bitterness of his lost battle inGermany. In recent years his work has been largelyin oils and watercolors rather than in caricature, andhis vitriolic assaults upon human baseness havebecome less and Jess apparent. His satirical skill,however; may be seen in the recent drawings whichillustrate Ben Hecht's "lOOl New York Nights."The current exhibition comprises 54 oils, drawings,
watercolors and theatre designs from the years 19]4to .1940. This is one of the exhibitions which bas beenassembled and sent on tour through the country bythe Museum's Department of Circulating Exhibi.nons. This is its first showing in New York City.
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1914 PANDEMONIUM AT THE OUTBIlEAK40.~046 OF THE WAll
1920
~6.4/1,.STIlEET SCE"IE, BEIILIN-'-10k drawing (published in the portfolio"Ecce Homo," 1922)Lent by Associated American A rt.ists
'10.1111'1
1917
40.1,',--4 ,- " - '9
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1918
'1o.ro"
Ink drawingLent by Mr. and Mrs. Bernard J. Reis
WILD WESTLithographLent by Associated American Artists
!\IEMORIES OF NEW YORKLithograph j
Lent by Associated American ,4-rtists
1915 PRISONERS OF WARLithographLent by Associated American Artists,
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STREET CORNEllOil on canvas .,j
Lent by Erich Cohn
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THE ENGINEEIl HEAIITFIELDWatercolor and collaqe ./Lent by A. Conger Goodyear
1921 "METHUSAI.EM, THE ETEIIN,\I.J 40_ ~/'2.~ BOUIIGEOIS"/jo. 'f11f Four designs for dummies for tile play
'U. 't/1.6 Watercolor and inkJ 4., 4 J ... ., Lent by Associated American A rl ists
"HE"Ink drawing (published in the portfolio"Ecce Homo," 1922)Lent by Erich Coho
1922 "DIE RA:UBEB""KLEINE GROSZ MAPPE" ,"0.~099Four lithographs from the p~rtfolioThree lithographs from the portfolio j;. ~-1-o. SPublished by Malik- Verlag, Berlin, 1922Published by Malik-Verlag, Berlin, 1917 ",,"./ Lent by Mr. and Mrs. Bernard J. ReisLent by J. B. Neumann ."
CARD PLAYERS IOil on canvasLent by Dr. Victor Steiner
BIC CITYOil on canvas rI
Lent by Herman Shulman
A PIECE OF My WORLDWatercolor and inkLent by Associated American Artists
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BERLINLithograph I
Lent by Associated American Artists
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"DIE RA:uIlEn"A portfolio of nine lithographs tosentences from SchillerPublished by Malik-Verlag, Berlin, 1922Lent by Erich Cohn
"ANDROCLES AND THE LION"'ib.4/of! Costume design for the play
Watercolor ana ink "Lent by Associated American Artists
~1.15""I" "ECCE HOMO"I-/~ . .
ff" A portfolio of one hundred lithographsI 11(A<.t- /<hJand watercolors
JL< .Published by Malik-Verlag, 1922Len t by Erich Cohn
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Ifo.Ifon Two OLD MEN ./Ink drawingLent by Mr. and Mrs. Bernard J. Rei.
1924 CASSIS
«o. IfIOIf WatercolorEllnd j nk .DVJIIlI Hew ftr
Len t by AA",,"soalr,;aslotred,I =,''00'1>' =';""»=:11,,':1:1i:!oist:s...
1926 POIlTRAIT OF JOHN FOIlSTE
s». Ifog,q-Oil on canvas VLent by Erich Cohn
• POIlTIlAIT STUDYf, c.. Pencil drawing4·2.1 Collection the Museum of Modern Art
Gift of Paul J. Sachs
1928 ·TEN POUNDS Too MUCH
'II. ''''2.Watercolor and inkLent by Erich Cohn
~/.'''II THIHD CLASS FUNEIlAL 0?,~,)Watercolor and ink VLent by Associated American Artists
40.41'" NOCTUIlNEWatercolor ,/Lent by Associated American Artists
1930
If•. ifill{
THE FAT RELATIVE •..
Watercolor and ink ILent by Associated American Artists
. APfEH THE BATH,".r ...,..Ink drawingLent by Associated American Artists
,.1932 THE BUTCHEIl SUOI'
'f0. '11,q Watercolor vLent by Associated American Artists
1933' NUNS
t: ,.If,. li"1 WatercolorLent by Erich Cohn
1934 IN THE SUBWAYl/o.5""~ Watercolor. Y
Lent by Erich Cohn
AI'TEIl THE THEA TilE
WatercolorLent by Herman Shulman
Lf~.'III ~ TIlE TIHED BOOTBLACK ,/WatercolorLent by Associated American Artists
1f•. If", LOWEll Mo\NHATTANWatercolorLent by Associated American Ar-tists
.1935 MOIlIIO CASTLE
41.1~(~ WatercolorLent by Associated American Artists
1936 NEW YOIlK HAIlBOIl
'10. If" r WatercolorLent by Associated American Artists
'10.'1,'2., CENTIlAL PARK /V\T atercolorLent by Associated American Artists
1'0.~/21 THE WANDERERWatercolor j
Lent by Associated American Artists
'10. I{IO, STREET FIGHT IOil on canvas
Lent by Associated American Artists
'f1.I'S!,THE RIDER IS LOOSE AGAINInk drawingLent by Erich Cohn
1937 A PIECE OF My WORLD, Oil THEu t, 'I" 0 LAST BATTALION
Ink drawingLent by Associated American Artists
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, THE THIN AND THE FAT
~I.ISH Ink and watercolorLen t by Erich Cohn
STANDING NUDE
Oil OD canvasLen t by Harold Goldsmitb
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• THE TRAMP
'fl. 41CJ(> Oil on canvasLent by Associated American Artists
'to.~3~qSTILL LIFE WITH WALNUTS <Oil on canvasLent by the Metropolitan Museum of Art
1938 A PIECE OF My WOIILD, 011 THE
~I. 413 'l.. LAST BATTALION ,/Oil on canvasLent. by Associated American Artists
PORTRAIT OF ERICH COHN
Oil all canvasLent by Erich Cohn
1939 DUNES AT TnURO
q,.,!Jii,Watercolor /Lent by Herman Shnlman
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'fl. 4/01CA"E COD, 6Chalk and watercolorLent by Associated American Arli3l.'i
CAPE COD, 12~D. ~'fZ. ..
7 Watercolor Y
Lent by the Art Institute of ChicagoWatson F. Blair Purchase Prize
1940' NUDE
/fl. (56' Chalk drawing on tinted paperLent by Erich Cohn
41.16 'l.. q NUDEOil on canvasLent by Associat.ed American Artists
'f1.15 e :iA LITTLE CHILD SHALL LEAl) Tm:~
Oi I on can vas
Lent by the artist
41.15~" SELF POll'rHAIT
Oil on canvasLent by the artist.
DEPAItTMENT OF cmCULATING EXUlUIT!
THE MUS:EUM OF MODERN ,\11 WEST 53 STHEET, NEW YORK. N
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