modern black gospel music thomas a dorsey – responsible for initial propagation of modern gospel...
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![Page 1: Modern Black Gospel Music Thomas A Dorsey – Responsible for initial propagation of modern gospel music Promoter, organizer, and manager, as well as composer](https://reader036.vdocuments.site/reader036/viewer/2022082505/56649e1f5503460f94b0a850/html5/thumbnails/1.jpg)
Modern Black Gospel Music• Thomas A Dorsey – Responsible
for initial propagation of modern gospel music
• Promoter, organizer, and manager, as well as composer
• Dorsey published his songs not in book collections but as sheet
music
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Commercialization in Black Gospel Music
• Contemporary now accounts for a significant segment of American popular music
• Traditional gospel continues to flourish and remain a staple of worship
• Today many gospel choirs are multiracial and multidenominational
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The Era of the Gospel Divas
• During the first phase of modern gospel music female singers dominated
• Mahalia Jackson, Rosetta Tharpe, Marion Williams, Ruth Davis
• These women developed distinctive sytles that were individual blends of certain enduring characteristics of gospel singing
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The Gospel Quartets
• 1930-1945 “Jubilee Period”• Unaccompanied male singers adopted
mannerisms from aspects of Jazz and Holiness singing
• In some ways this was a sacred counterpart of the black barbershop quartet
• “Golden Gate Quartet” first called the Golden Gate Jubilee Quartette
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Styles in Black Gospel Music
• Contemporary Gospel Music– Audience to be entertained, soothed and
comforted
• Traditional Gospel Music– conveys the ambience of an actual
service– congregation is actively participants